1 00:00:00,200 --> 00:00:03,280 Speaker 1: Celebrity news. You like that guard Will stepping in for 2 00:00:03,360 --> 00:00:05,600 Speaker 1: crow at Nat who has COVID. 3 00:00:05,640 --> 00:00:06,120 Speaker 2: We believe. 4 00:00:06,320 --> 00:00:07,840 Speaker 1: Yeah, what a throwback. 5 00:00:07,920 --> 00:00:09,840 Speaker 2: I know it's going to say it feels so retro 6 00:00:11,520 --> 00:00:14,400 Speaker 2: come back. I have heard that it's around at the moment. 7 00:00:14,840 --> 00:00:17,520 Speaker 2: Got a few girlfriends who have been taken out by 8 00:00:17,600 --> 00:00:20,800 Speaker 2: the vida. Okay, do you have COVID calling thirty one 9 00:00:21,079 --> 00:00:21,680 Speaker 2: six five? 10 00:00:21,800 --> 00:00:25,200 Speaker 1: But when does it all just become the flu? It's 11 00:00:25,200 --> 00:00:29,200 Speaker 1: just another virus. Well, Brooklyn, you're on celebrity news again, 12 00:00:29,280 --> 00:00:32,199 Speaker 1: So here we go. I am Rebel Wilson had this 13 00:00:32,280 --> 00:00:34,960 Speaker 1: really big win in court yesterday. You might have seen 14 00:00:35,000 --> 00:00:38,279 Speaker 1: it on the news a little bit yesterday. So essentially 15 00:00:38,400 --> 00:00:43,080 Speaker 1: she was being sued by a younger actress for defamation 16 00:00:43,800 --> 00:00:45,559 Speaker 1: and it all was to do with a film that 17 00:00:45,640 --> 00:00:48,200 Speaker 1: Rebel had produced a few years ago called The deb 18 00:00:49,000 --> 00:00:53,720 Speaker 1: And see this movie No, I never saw it. In 19 00:00:53,840 --> 00:00:57,360 Speaker 1: it was this actress called Charlotte mckinness. She's twenty eight now, 20 00:00:57,880 --> 00:01:01,760 Speaker 1: and some stuff when down, and Rebel ended up posting 21 00:01:01,960 --> 00:01:05,240 Speaker 1: on her own social media at one point kind of 22 00:01:05,280 --> 00:01:09,800 Speaker 1: accusing the younger actress Charlotte, that she had made a 23 00:01:09,959 --> 00:01:15,000 Speaker 1: complaint like a sexual harassment complaint against one producer on 24 00:01:15,080 --> 00:01:18,160 Speaker 1: the movie and then took that complaint back because she 25 00:01:18,680 --> 00:01:21,280 Speaker 1: knew it would damage her career and so, you know, 26 00:01:21,280 --> 00:01:23,600 Speaker 1: I wanted to do the right thing and do her 27 00:01:23,640 --> 00:01:28,319 Speaker 1: own self interest. So essentially, Charlotte took it to court 28 00:01:28,440 --> 00:01:32,240 Speaker 1: for defamation and the judge after a long time, ruled 29 00:01:32,400 --> 00:01:36,399 Speaker 1: that no, there was no defamation there, but also one 30 00:01:36,760 --> 00:01:39,840 Speaker 1: rebel one and he's kind of clear the younger actress 31 00:01:40,040 --> 00:01:44,200 Speaker 1: is considering an appeal at this point. But it was 32 00:01:44,240 --> 00:01:47,600 Speaker 1: funny because in the case, the judge described all three 33 00:01:47,640 --> 00:01:52,800 Speaker 1: witnesses as not that reliable anyway, So it's kind of 34 00:01:52,920 --> 00:01:55,120 Speaker 1: I know, they're kind of judging the end that the think. 35 00:01:55,120 --> 00:01:57,440 Speaker 1: The judges said, look, you guys, just get out of here. 36 00:01:57,520 --> 00:02:00,040 Speaker 2: Yeah, so wasting time, wasting. 37 00:02:00,640 --> 00:02:06,160 Speaker 1: And also famous director Christopher Nolan. He did Interstellar, Oppenheimer 38 00:02:06,320 --> 00:02:09,639 Speaker 1: and he's done The Odyssey at the moment. Yeah, now 39 00:02:10,520 --> 00:02:13,600 Speaker 1: there are certain things on set that he really doesn't like. 40 00:02:15,360 --> 00:02:18,639 Speaker 1: He was chatting to CBS Mornings in the US and 41 00:02:18,840 --> 00:02:21,520 Speaker 1: he was confronted about the one thing that he has 42 00:02:21,680 --> 00:02:24,880 Speaker 1: been and that was brought to light by Anne Hathaway. 43 00:02:24,919 --> 00:02:28,000 Speaker 3: Have a listened, and then Anne Hathaway says something interesting. 44 00:02:28,080 --> 00:02:30,000 Speaker 3: She said, Chris has no eggs on the set. 45 00:02:30,080 --> 00:02:30,799 Speaker 2: What does that mean? 46 00:02:32,280 --> 00:02:33,680 Speaker 3: Literally as the slippers. 47 00:02:33,720 --> 00:02:34,440 Speaker 2: Yeah, the slippers. 48 00:02:34,520 --> 00:02:37,680 Speaker 3: Yeah, sometimes acts will turn up because the footwear, so 49 00:02:37,880 --> 00:02:40,480 Speaker 3: they'll turn up in these biggest, fluffy, comfy slippers. 50 00:02:40,520 --> 00:02:41,520 Speaker 1: I have a couple, yes. 51 00:02:41,680 --> 00:02:44,120 Speaker 3: And the funny thing is you can be on set 52 00:02:44,240 --> 00:02:46,519 Speaker 3: where you've got, you know, a guy holding a microphone, 53 00:02:46,520 --> 00:02:48,959 Speaker 3: you've got a giant camera, you've got a crew everywhere, 54 00:02:49,280 --> 00:02:52,160 Speaker 3: but something like that can actually weirdly take you out 55 00:02:52,240 --> 00:02:55,720 Speaker 3: of okay. And for me, I think that's always been 56 00:02:55,800 --> 00:02:57,799 Speaker 3: something where, you know, it's like if someone's eating a 57 00:02:57,800 --> 00:02:59,480 Speaker 3: bag of chips off camera or something. You know, there 58 00:02:59,480 --> 00:03:03,440 Speaker 3: are certain things to just remind you you're in the 59 00:03:03,480 --> 00:03:05,360 Speaker 3: real world as opposed to the world we're trying to 60 00:03:05,400 --> 00:03:07,079 Speaker 3: create for the actors of Oh. 61 00:03:06,960 --> 00:03:10,200 Speaker 2: My god, what an absolute piss take. If I'm on 62 00:03:10,320 --> 00:03:13,600 Speaker 2: set for like fifteen hours a day as an actress 63 00:03:14,000 --> 00:03:17,320 Speaker 2: and I'm not being shot or whatever, and this guy 64 00:03:17,400 --> 00:03:18,800 Speaker 2: is trying to tell me that I can't sit in 65 00:03:18,840 --> 00:03:21,240 Speaker 2: the corner and eat my chips in my ugg boots, Yeah, 66 00:03:21,400 --> 00:03:22,760 Speaker 2: what a what an asshole? 67 00:03:22,760 --> 00:03:26,800 Speaker 1: But you've got them right now. Y's appropriate footwear to 68 00:03:26,840 --> 00:03:30,359 Speaker 1: a commercial radio steps. I do because I'm here trying 69 00:03:30,400 --> 00:03:33,519 Speaker 1: to give the entertainment news and I'm being distracted by 70 00:03:33,639 --> 00:03:36,160 Speaker 1: your weir la see my feet. 71 00:03:36,480 --> 00:03:37,200 Speaker 2: You're lying