1 00:00:00,120 --> 00:00:02,960 Speaker 1: Something to get you excited, because I know this makes 2 00:00:03,000 --> 00:00:18,600 Speaker 1: you smile less. Are you all right, Lott alert you? Okay, 3 00:00:20,640 --> 00:00:23,040 Speaker 1: let's just struggling, so you have to speak up. 4 00:00:23,040 --> 00:00:25,720 Speaker 2: He's a little bit dead, okay, a little bit dead. 5 00:00:26,120 --> 00:00:29,160 Speaker 2: The Adams Family is on at the Regal Theater from 6 00:00:29,240 --> 00:00:31,640 Speaker 2: July seven to ten. You can get your tickets through 7 00:00:31,680 --> 00:00:34,960 Speaker 2: ticket Tech and we are absolutely honored this morning to 8 00:00:34,960 --> 00:00:37,720 Speaker 2: have Gomes and Lurch in the studio with us. Brendan 9 00:00:37,760 --> 00:00:39,400 Speaker 2: Hanson and Adam Perriman, Good. 10 00:00:39,320 --> 00:00:41,800 Speaker 3: Morning, welcome, gentlemen. Thank you so much for having us. 11 00:00:41,800 --> 00:00:43,200 Speaker 3: So I'm really really happy to be here. 12 00:00:43,240 --> 00:00:46,160 Speaker 2: It looks fantastic and it's and I mean Lurch, really 13 00:00:46,200 --> 00:00:48,800 Speaker 2: to put that much effort into looking a little bit. 14 00:00:48,640 --> 00:00:51,800 Speaker 4: Dead, she wakes up like this, face of makeup and 15 00:00:51,960 --> 00:00:54,080 Speaker 4: all the rest of it. This is what we look. 16 00:00:56,560 --> 00:00:59,040 Speaker 4: You two work too hard. 17 00:01:00,000 --> 00:01:02,160 Speaker 2: I tell you what. There's not many shows I think 18 00:01:02,160 --> 00:01:06,200 Speaker 2: that there as timeless as The Adams Family. I used 19 00:01:06,240 --> 00:01:08,760 Speaker 2: to watch it after school when you know, would have 20 00:01:08,840 --> 00:01:11,240 Speaker 2: The Adams Family bewitched that all beyond you know, in 21 00:01:11,280 --> 00:01:14,480 Speaker 2: a row, and it was so clever and witty and 22 00:01:14,520 --> 00:01:18,480 Speaker 2: funny then, and it's just the same clever witty funniness 23 00:01:18,560 --> 00:01:19,440 Speaker 2: still works now. 24 00:01:20,720 --> 00:01:24,280 Speaker 3: The characters we recognize them, well, you know, some of 25 00:01:24,360 --> 00:01:27,839 Speaker 3: us have got a mad grandmama. You know, there's there's 26 00:01:27,880 --> 00:01:30,640 Speaker 3: something for everyone to acknowledge. He was your favorite character. 27 00:01:31,160 --> 00:01:39,000 Speaker 2: Lurch, it was much but I mean, you know, we'll 28 00:01:39,040 --> 00:01:41,880 Speaker 2: get to this in a second. The relationship between Gomez 29 00:01:41,920 --> 00:01:47,760 Speaker 2: and Watisha, that was something to aim for. That's so beautiful. Now. 30 00:01:47,840 --> 00:01:52,400 Speaker 2: Storyline with the musical, it's a father's worst nightmare. Miss 31 00:01:52,720 --> 00:01:55,720 Speaker 2: is what's happening? Indeed, give us a quick rundown about 32 00:01:55,720 --> 00:01:56,960 Speaker 2: what's what's going on with Wednesday. 33 00:01:57,000 --> 00:01:59,880 Speaker 3: Well, it's a coming of age story in that when 34 00:02:00,160 --> 00:02:03,360 Speaker 3: Day has found a boy and she has bought the boy, 35 00:02:03,880 --> 00:02:07,960 Speaker 3: look us home and he's normal. Oh he's got a 36 00:02:07,960 --> 00:02:11,480 Speaker 3: ghoul No, and we have to contend with that. But 37 00:02:11,600 --> 00:02:14,120 Speaker 3: and unfortunately she puts me in a very difficult position 38 00:02:14,720 --> 00:02:17,960 Speaker 3: because she says that I can't tell Morticia. So for 39 00:02:18,000 --> 00:02:20,520 Speaker 3: the first time in our relationship, I've had to keep 40 00:02:20,560 --> 00:02:23,680 Speaker 3: a secret from That's a deal. 41 00:02:23,480 --> 00:02:25,560 Speaker 2: Breaker, a really really trouble. 42 00:02:26,760 --> 00:02:31,320 Speaker 1: Does does say the words that's French at any stage. 43 00:02:33,440 --> 00:02:38,120 Speaker 3: Around? Yes, indeed she creaks out the French. She dreams 44 00:02:38,240 --> 00:02:41,560 Speaker 3: of going to Paris and seeing the sewers and hopefully 45 00:02:41,639 --> 00:02:45,400 Speaker 3: by the end, by the end of the musical, I 46 00:02:45,480 --> 00:02:47,440 Speaker 3: might be able to fulfill that wish. 47 00:02:49,280 --> 00:02:51,400 Speaker 2: We just just touched on the fact that Gomez and 48 00:02:51,440 --> 00:02:53,919 Speaker 2: Morticia are a couple goals, you know. I mean, their 49 00:02:53,919 --> 00:02:57,239 Speaker 2: relationship is so beautiful. There is a tango scene and 50 00:02:58,120 --> 00:02:59,919 Speaker 2: you are a season tango work. 51 00:03:02,080 --> 00:03:05,440 Speaker 3: That's not a word, it's in there, and we build 52 00:03:05,480 --> 00:03:07,840 Speaker 3: to that. We earn the right to tango. That's all 53 00:03:07,880 --> 00:03:10,680 Speaker 3: we said from the beginning when we're rehearsing to seem 54 00:03:10,800 --> 00:03:13,760 Speaker 3: to dance this as more Titia and Gomez. We have 55 00:03:13,840 --> 00:03:15,520 Speaker 3: to earn the right to tango, So we have to 56 00:03:15,560 --> 00:03:18,720 Speaker 3: build the tension all the leading up to the tango. 57 00:03:18,960 --> 00:03:21,320 Speaker 5: Yeah, that mustache of yours has got a life of 58 00:03:21,360 --> 00:03:29,000 Speaker 5: its time, it does. I'm thinking about Freddy to drift. 59 00:03:31,120 --> 00:03:32,799 Speaker 5: But what about props and all the I thank you 60 00:03:32,880 --> 00:03:35,760 Speaker 5: so much bake up on even this morning, coming in 61 00:03:35,760 --> 00:03:36,760 Speaker 5: a character which is wonderful. 62 00:03:36,760 --> 00:03:38,840 Speaker 1: We appreciate the effort, so that goes into. 63 00:03:38,640 --> 00:03:41,360 Speaker 3: It a lot. We have got an incredible team of 64 00:03:41,400 --> 00:03:46,040 Speaker 3: makeup artists, all headed up by Manuil Makeup who's done 65 00:03:46,080 --> 00:03:48,080 Speaker 3: all of our designs, and a lot of us are 66 00:03:48,080 --> 00:03:50,120 Speaker 3: in the chair a couple of hours. So much for me, 67 00:03:50,200 --> 00:03:56,800 Speaker 3: but for Uncle Festa and Hugsley and her Grandmama and Lurch. 68 00:03:57,240 --> 00:03:59,280 Speaker 3: They're in the makeup chair a couple of hours before 69 00:03:59,360 --> 00:04:01,440 Speaker 3: the show to it's a big commitment. 70 00:04:02,120 --> 00:04:03,960 Speaker 2: Cousin, it's in it. But she probably had the easiest 71 00:04:03,960 --> 00:04:04,560 Speaker 2: costume of. 72 00:04:04,520 --> 00:04:11,320 Speaker 1: All you sitting in the chair like Jeene Simmons of Kiss. 73 00:04:12,680 --> 00:04:13,800 Speaker 2: At that time of the morning. 74 00:04:14,480 --> 00:04:15,240 Speaker 1: Yes, yeah, I know. 75 00:04:15,520 --> 00:04:17,919 Speaker 6: That's the makeup team and all of the sort of 76 00:04:17,920 --> 00:04:18,560 Speaker 6: the props team. 77 00:04:18,760 --> 00:04:19,159 Speaker 1: Yeah. 78 00:04:19,200 --> 00:04:23,120 Speaker 6: Everyone, everyone that makes the show so visually spectacular. They 79 00:04:23,120 --> 00:04:26,120 Speaker 6: all work so hard, but it looks so good. And 80 00:04:26,160 --> 00:04:29,960 Speaker 6: when everything comes together, the costumes, the lights, make up, everything, 81 00:04:30,000 --> 00:04:33,320 Speaker 6: it kind of brings the Adams family sort of from 82 00:04:33,360 --> 00:04:37,160 Speaker 6: that that TV world into the real world and sort 83 00:04:37,160 --> 00:04:40,360 Speaker 6: of almost invites the audience into that that world. They 84 00:04:40,400 --> 00:04:43,520 Speaker 6: feel like they're they're there in the Adams family house 85 00:04:43,920 --> 00:04:44,520 Speaker 6: with everyone. 86 00:04:44,600 --> 00:04:45,040 Speaker 1: It's like a. 87 00:04:45,080 --> 00:04:48,559 Speaker 2: Character in itself in a way. I understand one hundred 88 00:04:48,560 --> 00:04:51,200 Speaker 2: and twenty people audition for this cast. Is that is 89 00:04:51,240 --> 00:04:53,200 Speaker 2: that typical? I like to think of casting for a 90 00:04:53,240 --> 00:04:55,920 Speaker 2: show as being like that great movie A chorus line 91 00:04:55,920 --> 00:04:59,000 Speaker 2: which would have been to play. That's what I always 92 00:04:59,120 --> 00:05:02,520 Speaker 2: imagine in my because I love theaters. Is it typical 93 00:05:02,560 --> 00:05:03,840 Speaker 2: that that many people would audition? 94 00:05:04,640 --> 00:05:07,360 Speaker 3: It is at the moment. We've had a unique situation 95 00:05:07,560 --> 00:05:11,039 Speaker 3: in Perth during lockdown and now leading into this year, 96 00:05:11,120 --> 00:05:13,640 Speaker 3: and that we were drawing on the incredible talent that 97 00:05:13,640 --> 00:05:16,960 Speaker 3: we have in Western Australia and I we do yeah, 98 00:05:17,000 --> 00:05:21,880 Speaker 3: we do, yeah exactly, And we have many whopper grads 99 00:05:21,920 --> 00:05:26,000 Speaker 3: in the production, myself included. And it's great that we 100 00:05:26,080 --> 00:05:29,640 Speaker 3: have a number of producers now making West Australian work 101 00:05:30,080 --> 00:05:33,600 Speaker 3: from the ground up and producing really top quality work 102 00:05:33,640 --> 00:05:34,960 Speaker 3: for the West Australian audiences. 103 00:05:35,440 --> 00:05:37,040 Speaker 2: So in a roundabout why, it was a little bit 104 00:05:37,040 --> 00:05:39,280 Speaker 2: of an opportunity. 105 00:05:39,240 --> 00:05:43,640 Speaker 3: Yeah, and Zealis Productions leapt on that even they had 106 00:05:43,880 --> 00:05:47,200 Speaker 3: Cinderella last year to the pantomime, So they're building a 107 00:05:47,279 --> 00:05:50,680 Speaker 3: name for themselves as presenting work for families that is 108 00:05:50,839 --> 00:05:53,000 Speaker 3: of the highest quality. 109 00:05:53,400 --> 00:05:55,680 Speaker 5: That it's a little connection with modern day references that 110 00:05:55,720 --> 00:05:57,760 Speaker 5: are snuck in because you always remember go Mans was really 111 00:05:57,800 --> 00:05:59,520 Speaker 5: big on his stock market. Need have his little ticket, 112 00:05:59,560 --> 00:06:01,520 Speaker 5: these little coming out and you'd be checking the shares 113 00:06:01,520 --> 00:06:02,520 Speaker 5: and the rest of it. Have you've got a bit 114 00:06:02,520 --> 00:06:03,839 Speaker 5: of that in there, but with the modern take. 115 00:06:04,040 --> 00:06:07,560 Speaker 3: Yeah, absolutely we do, because we've moved into a new 116 00:06:07,560 --> 00:06:11,400 Speaker 3: age and we have our lovely teenagers as and this 117 00:06:11,560 --> 00:06:13,880 Speaker 3: is you're getting the Giggas list because you're seeing. 118 00:06:16,640 --> 00:06:17,320 Speaker 1: It had to happen. 119 00:06:18,160 --> 00:06:19,920 Speaker 2: I'm getting such a special insight. 120 00:06:24,080 --> 00:06:26,599 Speaker 3: Started to lift with my first cup of this morning, 121 00:06:26,920 --> 00:06:30,680 Speaker 3: and now it's on its way. It's so great, the 122 00:06:30,760 --> 00:06:33,040 Speaker 3: joys of the theatric Yes, we have. 123 00:06:33,040 --> 00:06:34,520 Speaker 1: And we've got wonderful props. 124 00:06:34,640 --> 00:06:38,039 Speaker 3: We've got this incredible torture chair that's been made for 125 00:06:38,040 --> 00:06:41,560 Speaker 3: the production talking we've got Yes, indeed, this is elaborate 126 00:06:41,680 --> 00:06:45,479 Speaker 3: organ Everything is flown in and out. It's really clever 127 00:06:45,920 --> 00:06:47,680 Speaker 3: design and production for the show. 128 00:06:47,720 --> 00:06:53,000 Speaker 2: What about thing? Is thing in it? How could you 129 00:06:53,000 --> 00:06:54,400 Speaker 2: have the Adams family without thing? 130 00:06:54,600 --> 00:06:55,280 Speaker 1: We had to have. 131 00:06:56,200 --> 00:06:57,559 Speaker 3: Yes, thing does make an impear. 132 00:06:58,000 --> 00:07:00,880 Speaker 1: Is that a tough audition for to just I know? 133 00:07:01,360 --> 00:07:03,160 Speaker 3: I mean I think that was why we had to 134 00:07:03,200 --> 00:07:08,000 Speaker 3: see one hundred and twenty Yeah, just to find that 135 00:07:08,640 --> 00:07:09,920 Speaker 3: it was only sixty actors, wasn't it. 136 00:07:10,320 --> 00:07:11,080 Speaker 1: That's the first that. 137 00:07:11,080 --> 00:07:13,040 Speaker 2: Spends the last amount of time in the makeup cheir. 138 00:07:13,240 --> 00:07:17,760 Speaker 2: The haddest thing. Well, it's just been a delight to 139 00:07:17,800 --> 00:07:19,880 Speaker 2: meet you guys this morning. The Adams family is on 140 00:07:19,880 --> 00:07:22,440 Speaker 2: at the Regal Theater from July seven to ten. Getting 141 00:07:22,520 --> 00:07:25,240 Speaker 2: quick for tickets. Tickets through ticket Tech. It's going to 142 00:07:25,280 --> 00:07:25,880 Speaker 2: be fantastic. 143 00:07:25,960 --> 00:07:26,800 Speaker 1: Yeah, Chuck, as you do. 144 00:07:27,000 --> 00:07:30,480 Speaker 3: Thank you so much to see you that