1 00:00:00,920 --> 00:00:02,880 Speaker 1: This is gem Nation with Jones. 2 00:00:04,400 --> 00:00:08,000 Speaker 2: Do you know how Rod Stewart likes a feud for years? 3 00:00:08,760 --> 00:00:10,600 Speaker 2: For years he was feuding with Elton John. 4 00:00:10,680 --> 00:00:11,719 Speaker 1: I know he likes a train set. 5 00:00:12,039 --> 00:00:14,040 Speaker 2: What he does like train sets? What was his feud 6 00:00:14,040 --> 00:00:15,000 Speaker 2: with Elton about? Do you remember? 7 00:00:15,200 --> 00:00:18,160 Speaker 3: Elton and him have had a long feud for many, 8 00:00:18,239 --> 00:00:21,240 Speaker 3: many years and there was like that. For example, there 9 00:00:21,280 --> 00:00:24,799 Speaker 3: would be Elton performing and right had a whole bunch 10 00:00:24,800 --> 00:00:27,200 Speaker 3: of guys with wigs show up. This is around the 11 00:00:27,240 --> 00:00:31,560 Speaker 3: time of Elton's and then there was Elton's album went 12 00:00:31,680 --> 00:00:34,639 Speaker 3: number one and it was something like Blondes have more 13 00:00:34,720 --> 00:00:36,520 Speaker 3: Fun but Brunette Anyway. 14 00:00:36,520 --> 00:00:40,880 Speaker 2: It's a but do you know Rod is now having 15 00:00:40,880 --> 00:00:54,440 Speaker 2: a feud with Elvis Costello and it all started with this. 16 00:00:54,440 --> 00:00:57,000 Speaker 2: This is when Rod saying Sweet Caroline with the Queen's 17 00:00:57,080 --> 00:01:04,960 Speaker 2: Jubilee recently. Even what Stewart himself said, I don't know 18 00:01:05,000 --> 00:01:07,280 Speaker 2: why I'm singing this, the BBC asked me to do it. 19 00:01:07,319 --> 00:01:09,400 Speaker 2: For those who don't know. I think sweet Caroline is 20 00:01:09,400 --> 00:01:12,080 Speaker 2: an English football anthem, which is why all these people 21 00:01:12,080 --> 00:01:13,640 Speaker 2: love it, even though that's not Rod's song. 22 00:01:13,720 --> 00:01:17,360 Speaker 3: It's when they living next door to Alice and that's 23 00:01:17,360 --> 00:01:20,759 Speaker 3: got the refrain Alice, Alice, who the beep is out? 24 00:01:20,840 --> 00:01:22,920 Speaker 1: Yeah, but that's not well, that's the same as that, yeah, 25 00:01:23,160 --> 00:01:23,839 Speaker 1: without the swears. 26 00:01:23,920 --> 00:01:26,319 Speaker 2: There's a reason for that song. And we didn't understand 27 00:01:26,360 --> 00:01:29,520 Speaker 2: why is Rod singing that song to an English crowd? Well, 28 00:01:29,560 --> 00:01:32,319 Speaker 2: Elvis Costello, who's on too in England, said to the 29 00:01:32,360 --> 00:01:36,640 Speaker 2: crowd at his Glasgow performance, sorry, yes, he's on tour 30 00:01:36,680 --> 00:01:39,320 Speaker 2: in the UK. He said, it's a Gladsbow performance. I 31 00:01:39,360 --> 00:01:42,520 Speaker 2: know Rod, you know, I love you. He's one of 32 00:01:42,520 --> 00:01:44,880 Speaker 2: ours and it's one of yours and everything you know, 33 00:01:44,959 --> 00:01:48,200 Speaker 2: blah blah blah. But Rod, what the beep listen to? 34 00:01:49,000 --> 00:01:51,760 Speaker 2: We all have bad nights vocally, but for beep's sake, 35 00:01:52,120 --> 00:01:58,000 Speaker 2: sweet beeping Caroline. And then he suggested on Twitter Elvis 36 00:01:58,040 --> 00:02:00,280 Speaker 2: Cossello keep going that Stuart should have sung one of 37 00:02:00,280 --> 00:02:02,880 Speaker 2: his own songs. He said, are you beeping kidding me? 38 00:02:03,680 --> 00:02:06,000 Speaker 2: I mean I've been in show business for forty five years, 39 00:02:06,000 --> 00:02:07,520 Speaker 2: so I do know a thing or two. How is 40 00:02:07,520 --> 00:02:09,320 Speaker 2: it that no one suggested Rod sing. 41 00:02:09,200 --> 00:02:09,640 Speaker 1: You wear it? 42 00:02:09,680 --> 00:02:13,120 Speaker 2: Well? Yeah, great song so Rod Stewart then responded on 43 00:02:13,160 --> 00:02:17,360 Speaker 2: Twitter to Elvis Costello, saying, dear Elvis, yes, my voice 44 00:02:17,400 --> 00:02:21,000 Speaker 2: was rough course of COVID. I apologize. I thought it 45 00:02:21,080 --> 00:02:23,160 Speaker 2: better to make an appearance than to let everyone down. 46 00:02:23,400 --> 00:02:26,639 Speaker 2: So sorry, By the way, where's your hair gone? Mate? 47 00:02:27,040 --> 00:02:29,560 Speaker 2: So he's still obsessed with other people's hair, He's still 48 00:02:29,600 --> 00:02:30,320 Speaker 2: lords it over. 49 00:02:30,520 --> 00:02:31,600 Speaker 1: Rod's got a full head. 50 00:02:32,000 --> 00:02:36,240 Speaker 2: And then Elvis Costello has said, dear Lord Stewart, you 51 00:02:36,280 --> 00:02:37,960 Speaker 2: know I love you. I think the Queen would have 52 00:02:38,000 --> 00:02:40,000 Speaker 2: loved to hear you wear it well or hot legs. 53 00:02:40,240 --> 00:02:42,160 Speaker 2: As to gigs, I had a stinker the other night 54 00:02:42,160 --> 00:02:45,000 Speaker 2: in Liverpool. They come and they go like hair which 55 00:02:45,000 --> 00:02:46,360 Speaker 2: I keep sewn in my hat. 56 00:02:46,960 --> 00:02:50,080 Speaker 1: Up the Republic, he wrote up the Republic. 57 00:02:50,840 --> 00:02:54,200 Speaker 2: No, he wrote up the Republic all right. So you 58 00:02:54,240 --> 00:02:56,280 Speaker 2: know Rod doesn't like being called out for being a 59 00:02:56,280 --> 00:02:58,919 Speaker 2: bad singer, and Elvis presumably doesn't like being called out 60 00:02:58,960 --> 00:02:59,600 Speaker 2: for not having a. 61 00:02:59,520 --> 00:03:00,000 Speaker 1: Lot of hair. 62 00:03:03,120 --> 00:03:09,119 Speaker 2: Of ron, Peter Garrett said to I wait to see 63 00:03:09,120 --> 00:03:09,680 Speaker 2: the results. 64 00:03:09,800 --> 00:03:12,480 Speaker 1: There's a two. You would never see Peter Garrett Rod 65 00:03:12,520 --> 00:03:13,639 Speaker 1: Stewart sing the hits