1 00:00:00,600 --> 00:00:03,720 Speaker 1: Great to flick with Ben o'she. 2 00:00:03,360 --> 00:00:07,320 Speaker 2: Now let's talk our guy, this new spy comedy from 3 00:00:07,360 --> 00:00:10,640 Speaker 2: Matthew Vaughan. So, Matthew Vaughan is the British director who's 4 00:00:10,640 --> 00:00:13,440 Speaker 2: made a name for himself. His first movie was Layer 5 00:00:13,480 --> 00:00:17,680 Speaker 2: Cake with Daniel Craig. Oh, that was so good, criminally underrated. 6 00:00:18,920 --> 00:00:21,720 Speaker 2: Help propel Daniel Craig to you know, his double O 7 00:00:21,880 --> 00:00:24,720 Speaker 2: seven status, really and then from there he did the 8 00:00:24,840 --> 00:00:29,160 Speaker 2: Kingsman movies, which brilliant yet brilliant as well, so snappy 9 00:00:29,200 --> 00:00:34,360 Speaker 2: and slick and innovative, visually so interesting. He did Kick 10 00:00:34,400 --> 00:00:37,720 Speaker 2: Ass with Aaron Taylor Johnson, which was very fun, It's 11 00:00:37,800 --> 00:00:40,519 Speaker 2: very good, a very fun film, and did X Men 12 00:00:40,600 --> 00:00:42,199 Speaker 2: First Class, which some people would say is one of 13 00:00:42,200 --> 00:00:44,960 Speaker 2: the best X Men movies. And so now he's turned 14 00:00:44,960 --> 00:00:48,159 Speaker 2: his attention back to, you know, the espionage genre. But 15 00:00:48,159 --> 00:00:50,400 Speaker 2: what I would say off the top is whatever you've 16 00:00:50,440 --> 00:00:53,120 Speaker 2: seen about this movie listeners, if you've watched the trailer 17 00:00:53,159 --> 00:00:55,720 Speaker 2: and you think, okay, this is going to be Henry Cavill, 18 00:00:55,760 --> 00:00:58,240 Speaker 2: who looks like a James Bond, he's made for it. 19 00:00:58,320 --> 00:01:00,480 Speaker 2: Ivean Fleming basically ripped him from the pages of the 20 00:01:00,480 --> 00:01:02,520 Speaker 2: book and put him into real life. And so if 21 00:01:02,520 --> 00:01:04,240 Speaker 2: you're thinking you're going to see Henry Cavell as a 22 00:01:04,280 --> 00:01:08,200 Speaker 2: super spy, not really, that's kind of not really what 23 00:01:08,200 --> 00:01:11,560 Speaker 2: this movie is about. Certainly the first ten minutes that's 24 00:01:11,600 --> 00:01:14,600 Speaker 2: what it's about. You see Henry Cavell a classic kind 25 00:01:14,600 --> 00:01:17,440 Speaker 2: of cold open from a Bond movie where the super 26 00:01:17,480 --> 00:01:20,840 Speaker 2: spy has to complete this dangerous mission before the credits 27 00:01:20,920 --> 00:01:23,400 Speaker 2: roll at the start of the film, right, and it's 28 00:01:23,440 --> 00:01:27,200 Speaker 2: this sprawling action sequence in the Greek Islands, and in 29 00:01:27,240 --> 00:01:30,600 Speaker 2: classic Matthew Vaughan's style, you know, it's so over the top. 30 00:01:30,640 --> 00:01:33,399 Speaker 2: He's a more is more kind of director, and so 31 00:01:34,200 --> 00:01:36,160 Speaker 2: you know that's the case. When you see do Aleipa, 32 00:01:36,240 --> 00:01:40,280 Speaker 2: the pop princess, she's sort of sitting astride a dirt bike, 33 00:01:40,360 --> 00:01:43,959 Speaker 2: holding a machine gun and just firing a ridiculous number 34 00:01:44,040 --> 00:01:47,160 Speaker 2: of bullets at Henry Cavell in a cocktail dress. 35 00:01:46,840 --> 00:01:47,920 Speaker 1: It's excessive. 36 00:01:48,800 --> 00:01:52,400 Speaker 2: And then Henry cavill is jumping a minimoke across buildings 37 00:01:53,000 --> 00:01:55,720 Speaker 2: down to the harbor to try and capture do a Lipa. 38 00:01:55,960 --> 00:01:59,200 Speaker 2: So there's a lot going on there, but quickly you 39 00:01:59,240 --> 00:02:01,160 Speaker 2: realize and I'll be watching a lot of people watch 40 00:02:01,160 --> 00:02:02,120 Speaker 2: it and go, do you know what? This is so 41 00:02:02,280 --> 00:02:05,080 Speaker 2: over the top, like maybe even two over the top 42 00:02:05,200 --> 00:02:08,040 Speaker 2: like it is it is really too much shockers. And 43 00:02:08,080 --> 00:02:10,240 Speaker 2: also Henry Cavill has a flat top, one of the 44 00:02:10,240 --> 00:02:15,280 Speaker 2: most egregious flattops since Ivan Drago in rocky form. So 45 00:02:15,720 --> 00:02:19,079 Speaker 2: and you'll be watching it, this can't be legit. Surely, 46 00:02:19,200 --> 00:02:21,720 Speaker 2: surely someone's taken you know, sort of taken a piss here. 47 00:02:22,560 --> 00:02:25,240 Speaker 2: But then you realize that actually there's more going on here, 48 00:02:25,280 --> 00:02:27,919 Speaker 2: and there's maybe without getting too many spoilers away, there's 49 00:02:27,960 --> 00:02:32,960 Speaker 2: maybe some connection between Henry Cavill's character and this sort 50 00:02:32,960 --> 00:02:36,720 Speaker 2: of really down to earth spy fiction author played by 51 00:02:36,840 --> 00:02:41,400 Speaker 2: Bryce Dallas Howard, who writes these best selling spy books 52 00:02:42,000 --> 00:02:46,240 Speaker 2: that maybe are eerily similar to real life. And so 53 00:02:46,880 --> 00:02:49,519 Speaker 2: there's some sort of connection there between the two, and 54 00:02:49,960 --> 00:02:52,320 Speaker 2: you know, maybe what she's writing down on the page 55 00:02:52,680 --> 00:02:55,400 Speaker 2: is maybe sort of coming to life almost, if you 56 00:02:55,400 --> 00:02:56,800 Speaker 2: know what I'm saying. It's one of those kind of 57 00:02:58,600 --> 00:03:01,880 Speaker 2: and what happens is because her books are so close 58 00:03:01,919 --> 00:03:04,839 Speaker 2: to this kind of real life spy organization, this spy 59 00:03:04,960 --> 00:03:06,919 Speaker 2: organization is like, hang on a minute, maybe she has 60 00:03:06,919 --> 00:03:09,720 Speaker 2: some information that we need and so they put a 61 00:03:09,760 --> 00:03:13,800 Speaker 2: hit out on Bryce Dallas, and the only person standing 62 00:03:13,840 --> 00:03:16,760 Speaker 2: in the way who can savor is a real life 63 00:03:16,760 --> 00:03:20,280 Speaker 2: spy played by the great Sam Rothwell. God, and so 64 00:03:20,320 --> 00:03:23,440 Speaker 2: you have this kind of cool juxtaposition between Henry Cavill's 65 00:03:23,560 --> 00:03:27,760 Speaker 2: ideal spy and then Sam Rockwell, who is just the 66 00:03:27,800 --> 00:03:31,600 Speaker 2: master of being cool. He's just effortlessly cool. We'll also 67 00:03:31,760 --> 00:03:35,720 Speaker 2: kind of seeming a bit sort of disheveled, and you know, 68 00:03:35,800 --> 00:03:38,360 Speaker 2: he gets the absolute but Jesus beaten out of him 69 00:03:38,400 --> 00:03:41,120 Speaker 2: at various points in this film, and he's so cool 70 00:03:41,120 --> 00:03:43,720 Speaker 2: while doing it. And so you've got So You've got. 71 00:03:43,720 --> 00:03:45,880 Speaker 2: That's basically the premise of the film, and it sort 72 00:03:45,880 --> 00:03:49,120 Speaker 2: of unfolds from there across a variety of different locations. 73 00:03:50,320 --> 00:03:54,320 Speaker 2: And Bryce Dallas Howard is great as this author who 74 00:03:54,400 --> 00:03:58,200 Speaker 2: is embroiled in this dangerous situation. Sam Rockwell is amazing 75 00:03:58,840 --> 00:04:05,440 Speaker 2: as always, Brian Krantzt and plays these mastermind and Katherine 76 00:04:05,480 --> 00:04:06,280 Speaker 2: O'Hara from. 77 00:04:06,240 --> 00:04:08,800 Speaker 1: Shit's Creek is in it as well. You've got a 78 00:04:08,840 --> 00:04:12,000 Speaker 1: really really good cass Samuel Jackson. Samuel Jackson is in 79 00:04:12,040 --> 00:04:12,320 Speaker 1: it too. 80 00:04:12,640 --> 00:04:15,200 Speaker 2: Some favorites from previous Matthew Vaughn movies, and of course, 81 00:04:15,200 --> 00:04:18,520 Speaker 2: but the real star is Matthew Vaughan's direction. Like you've 82 00:04:18,520 --> 00:04:21,880 Speaker 2: got these action sequences that are very different from any 83 00:04:21,880 --> 00:04:24,880 Speaker 2: other you'll see on the big screen, really cool use 84 00:04:24,880 --> 00:04:29,160 Speaker 2: of music. There's a there's this insane train fighting sequence 85 00:04:29,200 --> 00:04:32,760 Speaker 2: where the action cuts between Sam Rockwell doing a fight 86 00:04:32,800 --> 00:04:36,800 Speaker 2: scene and Henry Cavill doing the same fight scene, which 87 00:04:36,839 --> 00:04:41,520 Speaker 2: has done so cleverly. There is this sort of smoke 88 00:04:41,600 --> 00:04:46,760 Speaker 2: grenade fight scene that turns into a dance routine. And 89 00:04:46,800 --> 00:04:50,440 Speaker 2: there's an even an ice skating action sequence you have 90 00:04:50,480 --> 00:04:52,920 Speaker 2: to sort of see to believe, which involved a cameraman 91 00:04:53,320 --> 00:04:57,360 Speaker 2: skating backwards at full speed while filming you know, the 92 00:04:57,360 --> 00:05:01,920 Speaker 2: the ice skating action. So technically really quite brilliant. Twelve 93 00:05:02,080 --> 00:05:05,200 Speaker 2: or Dean would yeah, yeah, but which one the film is? 94 00:05:05,200 --> 00:05:08,120 Speaker 2: The film is so meta that I think some people 95 00:05:08,200 --> 00:05:10,320 Speaker 2: might struggle to go along with it. Like, if you're 96 00:05:10,360 --> 00:05:12,719 Speaker 2: not a Matthew Vaughan fan, I think you'd come along 97 00:05:12,720 --> 00:05:15,040 Speaker 2: to this film and you'd be like, what is actually 98 00:05:15,040 --> 00:05:17,320 Speaker 2: going on with these plot twists with this kind of 99 00:05:17,320 --> 00:05:20,200 Speaker 2: meta element to it. And so if you're looking for 100 00:05:20,240 --> 00:05:23,719 Speaker 2: a traditional spy comedy or a spy thriller. This is 101 00:05:23,720 --> 00:05:26,800 Speaker 2: not the movie for you. You'll find this a real struggle. 102 00:05:27,320 --> 00:05:29,360 Speaker 2: But if you're a Matthew Vaughn fan, of which met 103 00:05:29,480 --> 00:05:31,600 Speaker 2: people are, it's so much fun. 104 00:05:31,720 --> 00:05:33,240 Speaker 3: You can tell he worked with Guy Ritchie. 105 00:05:33,400 --> 00:05:38,600 Speaker 2: Yeah, yeah, yeah produced Matthew Vorn produced Lot Stocks or Snatch, 106 00:05:39,360 --> 00:05:42,120 Speaker 2: a very very similar kind of aesthetic, except Matthew Vaughn 107 00:05:42,200 --> 00:05:45,760 Speaker 2: always kind of skews more towards the fun element. Guy 108 00:05:45,880 --> 00:05:49,719 Speaker 2: Richie kind of you gets maybe a bit more edge. 109 00:05:49,920 --> 00:05:53,159 Speaker 1: Yeah, do you leap the act or does she have 110 00:05:53,240 --> 00:05:53,560 Speaker 1: to act? 111 00:05:53,640 --> 00:05:53,800 Speaker 3: Well? 112 00:05:53,920 --> 00:05:55,760 Speaker 2: The fun fact about this film, right, So we saw 113 00:05:55,800 --> 00:05:59,000 Speaker 2: her in the Barbie movie, but this film was shot first, 114 00:05:59,040 --> 00:06:03,400 Speaker 2: so technically is do a Liepa's first cinema performance. And 115 00:06:03,720 --> 00:06:07,440 Speaker 2: she's great. She's also she's really good. Sam Rocall is amazing. 116 00:06:07,440 --> 00:06:09,320 Speaker 2: It written in his contract. I'm sure that he has 117 00:06:09,360 --> 00:06:11,880 Speaker 2: to have a dance sequence in every film that he does. Man, 118 00:06:11,920 --> 00:06:15,040 Speaker 2: that guy's got some moves, and he does. He does 119 00:06:15,040 --> 00:06:16,480 Speaker 2: in this as well. He's if you like, if you're 120 00:06:16,480 --> 00:06:18,440 Speaker 2: a Sam Rockwell fan, like this is. This is one 121 00:06:18,480 --> 00:06:21,240 Speaker 2: of my favorite performances of his for a while. The film, 122 00:06:21,279 --> 00:06:23,000 Speaker 2: if I'm being honest, probably a bit too long. Like 123 00:06:23,040 --> 00:06:26,800 Speaker 2: I think Matthew Vaughan is, like he loves these action secrets. 124 00:06:26,880 --> 00:06:28,200 Speaker 3: I don't know what twice wrap it up. 125 00:06:28,400 --> 00:06:30,560 Speaker 2: Probably could have edited a couple of them out, Yeah, 126 00:06:30,640 --> 00:06:32,479 Speaker 2: and it can probably could be twenty five minutes shorter 127 00:06:32,560 --> 00:06:35,200 Speaker 2: and it would be a better film. Yeah, yeah, yeah, exactly. 128 00:06:35,240 --> 00:06:36,880 Speaker 2: It's tough when you're more as more kind. 129 00:06:36,720 --> 00:06:38,479 Speaker 1: Of director, and sometimes I feel like they're just showing 130 00:06:38,480 --> 00:06:40,359 Speaker 1: off to other directors, not cutting that. 131 00:06:40,480 --> 00:06:40,760 Speaker 2: Yeah. 132 00:06:40,800 --> 00:06:41,040 Speaker 1: Yeah. 133 00:06:41,080 --> 00:06:43,920 Speaker 2: And I question, as I said, I question, like how 134 00:06:44,080 --> 00:06:47,520 Speaker 2: how audiences will be able to switch their perspective going 135 00:06:47,600 --> 00:06:49,720 Speaker 2: in thinking it's a Henry Cavill film and then realize 136 00:06:49,720 --> 00:06:52,320 Speaker 2: it after ten minutes it's not at all. But I 137 00:06:52,320 --> 00:06:54,080 Speaker 2: think if you if you take that all into account 138 00:06:54,080 --> 00:06:55,320 Speaker 2: when you go and see it, this is a very 139 00:06:55,360 --> 00:06:57,800 Speaker 2: fun movie and it's definitely worth seeing. 140 00:06:57,839 --> 00:06:59,880 Speaker 1: So after all of that, it sounds like it works well. 141 00:07:00,320 --> 00:07:00,719 Speaker 1: I think it does. 142 00:07:01,080 --> 00:07:03,880 Speaker 3: How many Sam Rockwell is a big, dirty hunk. Are 143 00:07:03,920 --> 00:07:04,479 Speaker 3: you giving it? 144 00:07:04,760 --> 00:07:07,800 Speaker 1: I'll give it three and a half alright, alright, thanks Ben,