WEBVTT - BONUS: Jon Ronson

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<v Speaker 1>Hey there, everybody, welcome to not Another crime podcast.

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<v Speaker 2>I'm Georgia Love, I'm.

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<v Speaker 3>Sammy Peterson, I am a journalist.

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<v Speaker 1>I am not, but today we are joined by a journalist,

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<v Speaker 1>in fact, my hero today. And I've always had a

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<v Speaker 1>very parasocial relationship with this person and we tried to

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<v Speaker 1>do a few podcasts while he was finishing his book,

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<v Speaker 1>and instead of doing the interview, I got two wonderful

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<v Speaker 1>tours of his house. So I feel like I've become

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<v Speaker 1>the stalker. It is the great John Ronson.

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<v Speaker 4>Hi. Hey, hey, both of you. Yeah, I apologize this.

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<v Speaker 4>It was very like so what happened was we we

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<v Speaker 4>kind of raged to do this when I was at

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<v Speaker 4>the bit of liberty in my book, and when the

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<v Speaker 4>zoom hour approached, I came on and said to you, look,

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<v Speaker 4>I just can't do this, like I'm so down the

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<v Speaker 4>rabbit hole focusing so hard. So I apologize, and.

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<v Speaker 1>I'm you're still turned up, which is the main thing.

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<v Speaker 1>Most people wouldn't turn up, but you still turned up

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<v Speaker 1>to say I can't do it.

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<v Speaker 4>But that is like my wife always gets really annoyed

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<v Speaker 4>me because when I go to parties, like quite often,

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<v Speaker 4>right as I turn up at the party, I say,

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<v Speaker 4>we can't stay long.

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<v Speaker 3>Managing expectations. That's cool.

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<v Speaker 1>I think that's great, and like I'm going to a

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<v Speaker 1>tunnel or anything.

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<v Speaker 4>For me, it's just like a tell of I don't

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<v Speaker 4>want to be here at all, says it's very rude,

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<v Speaker 4>and what you should do is be incredibly friendly to

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<v Speaker 4>everybody and then leave very quickly. And you think.

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<v Speaker 3>I remember that you were there. It's the old rule

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<v Speaker 3>of if you go to a party, you just.

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<v Speaker 2>Need to be there for one moment that everyone's going

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<v Speaker 2>to be talking about, and as soon as that moment

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<v Speaker 2>has happened, you can get the hell out of there

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<v Speaker 2>because people will remember you were there for.

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<v Speaker 4>That, right, Yes, exactly. So anyway, I'm glad that we're

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<v Speaker 4>doing it now. I was so because I've written a

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<v Speaker 4>true crime book called The Castle. I've literally I've just

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<v Speaker 4>finished it a cut, but I can't talk about it tonight,

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<v Speaker 4>can talk about all because it's like you can't stay long,

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<v Speaker 4>but just that I'm very mus would I'd like to

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<v Speaker 4>come back when the book's out so we could talk

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<v Speaker 4>about it.

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<v Speaker 2>Then you haven't started, Yeah, you might hate it by

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<v Speaker 2>the time we get to the end.

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<v Speaker 3>So we've got it now on recording, you're saying you

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<v Speaker 3>want to.

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<v Speaker 4>Come back so right, Well, luckily I've got lots of

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<v Speaker 4>other true crime things to talk about.

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<v Speaker 1>So John, what is your because I mean, you know,

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<v Speaker 1>you do write nonfiction and and you've written so many

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<v Speaker 1>different books and they've all covered so many different areas.

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<v Speaker 1>So you being publicly shamed the Psychopath test. I absolutely

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<v Speaker 1>loved your podcast series that you did the Last Days

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<v Speaker 1>of August Ah When for you personally, how how interested

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<v Speaker 1>are you in true crime and is it something that

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<v Speaker 1>you're drawn towards or is it just a human interest

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<v Speaker 1>story that gets you first?

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<v Speaker 4>I guess the stories I'm interested always a mystery stories,

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<v Speaker 4>like I want to try and understand something about the

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<v Speaker 4>world that I don't understand, So I guess inevitably, you know,

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<v Speaker 4>sometimes that's about human behavior. Why are people behaving in this?

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<v Speaker 4>You know? Sometimes it's it's real mysteries, And I guess

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<v Speaker 4>that crosses over into true crimes. So I guess. And

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<v Speaker 4>I remember, like as a kid, one of my favorite

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<v Speaker 4>books was A Bit Nice in the Garden of Good

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<v Speaker 4>and Evil and in Cold Blood and the Execution of Songs.

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<v Speaker 4>So I was a huge fan of that those kind

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<v Speaker 4>of classic non narrative nonfiction true crime books. So yeah,

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<v Speaker 4>so I guess there's just that crossover in terms of

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<v Speaker 4>mystery solving.

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<v Speaker 3>I really love that you said that.

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<v Speaker 2>I've always said my favorite book of all time is

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<v Speaker 2>In Cold Blood And I first read that as a

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<v Speaker 2>I was probably about fourteen, and people you just said,

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<v Speaker 2>as a kid, I loved In Cold Blood. And people

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<v Speaker 2>always say to me, what's wrong with your brain? Why

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<v Speaker 2>were you reading that at that age?

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<v Speaker 3>And why was the face? But I think I found

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<v Speaker 3>a kindred spirit here totally.

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<v Speaker 4>I mean for me, I guess when I really think

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<v Speaker 4>about why I like In Cold Blood, it's more to

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<v Speaker 4>do with maybe Truman Capoti than it is yeah, because

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<v Speaker 4>he's such a great you know, he brings you into

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<v Speaker 4>that world so beautifully and he's so curious that he

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<v Speaker 4>wants to solve this mystery too. And I the same

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<v Speaker 4>with John Baird had been that in the Good Garden

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<v Speaker 4>because an evil. So these were nonfiction writers who wanted

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<v Speaker 4>to solve mysteries. I wanted to like go to dark places,

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<v Speaker 4>I guess, and understand them. And that really inspired me,

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<v Speaker 4>and I guess that is what I have done all

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<v Speaker 4>of these years myself.

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<v Speaker 1>You've always had a part where you you're kind of

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<v Speaker 1>always a part of the story, kind of like you

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<v Speaker 1>know in Cold Blood as well. Did that kind of

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<v Speaker 1>inspire you as a as a as a.

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<v Speaker 4>Way of writing, Yeah, very much so those books and

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<v Speaker 4>hunterss Thompson and P. G. O'Rourke, and and then when

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<v Speaker 4>documentary tries, let Nick Broomfield documentaries came out a similar thing,

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<v Speaker 4>but in documentary form. Yeah, I wonder why. I just

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<v Speaker 4>always thought there was something really heroic about about you know,

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<v Speaker 4>people like country stops and going into these crazy worlds

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<v Speaker 4>and I'm writing about them. And there weren't novelists. I

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<v Speaker 4>never identified to us, you know, aspad to be a novelist.

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<v Speaker 4>It was always about you know, the real world, about

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<v Speaker 4>people going into real life places and I fuck everything

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<v Speaker 4>up or solve mysteries or but just be part of it.

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<v Speaker 4>So there was that the kind of heroism of it.

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<v Speaker 4>But also I think there was the honesty of it.

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<v Speaker 4>Like I learned from D. A. Pennett, Baker and all

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<v Speaker 4>of those early documentary makers that the journalist is part

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<v Speaker 4>of the story, Like everything changes when the journalist comes

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<v Speaker 4>into the room. So so you have to admit that

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<v Speaker 4>by making yourself part of the story.

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<v Speaker 3>I love it as well because it's kind of taught.

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<v Speaker 2>So I'm a journalist by trade, but very much doing

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<v Speaker 2>general news, the daily news. So in that style of journalism,

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<v Speaker 2>it's very much that you shouldn't be part of the story.

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<v Speaker 2>You know, you've got to tell the facts from an

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<v Speaker 2>unbiased position. But I think that's kind of why I

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<v Speaker 2>love getting into those kind of like your books and

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<v Speaker 2>In Cold Blood and those kind of John Saffran.

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<v Speaker 3>It's that desire of you.

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<v Speaker 2>I got into journalism because I'm obsessed with the stories

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<v Speaker 2>and I want to tell stories and the same kind of.

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<v Speaker 3>Thing as you learn about the human mind.

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<v Speaker 2>So to be able to kind of delve in and

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<v Speaker 2>feel like, oh, imagine being part of the story, but

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<v Speaker 2>not in a way that you've been publicly shamed, which

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<v Speaker 2>is bringing a book.

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<v Speaker 4>Yeah absolutely, And yeah what you said about you know,

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<v Speaker 4>telling the facts in an unbiased way, like I agree,

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<v Speaker 4>I think you need to do. You know, I love

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<v Speaker 4>to put myself in the middle of the story, but

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<v Speaker 4>I want to I want the story to be unbiased,

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<v Speaker 4>and I think that's sort of the reason for putting

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<v Speaker 4>yourself in a bit of the story because a journalist

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<v Speaker 4>does skew things when they enter the room, and the

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<v Speaker 4>journalist does bring along their own bias. I'd said, the

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<v Speaker 4>most honest thing to do is to make that part

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<v Speaker 4>of the story a minute. It's like showing your workings

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<v Speaker 4>in a way.

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<v Speaker 2>It is a very not true crime in a very

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<v Speaker 2>different way, but sort of related. So I'm doing I

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<v Speaker 2>do radio news at the moment. And for your information background,

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<v Speaker 2>nine years ago, I was on the Australian version of

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<v Speaker 2>The Bachelorette, and yesterday, yesterday in my radio job, I

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<v Speaker 2>was reading an entertainment story about Jessica Simpson denying rumors

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<v Speaker 2>that she was going to be the next Bachelorette because

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<v Speaker 2>she said she doesn't need help finding a partner and

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<v Speaker 2>she's got plenty of options.

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<v Speaker 3>And as I was reading the story, I went, oh,

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<v Speaker 3>I'm good for her. That's me injecting myself into the story.

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<v Speaker 1>You were talking before about Nick Broomfield as well. He

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<v Speaker 1>went in and interviewed famously Eileen Wernos. Did that scare

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<v Speaker 1>you are kind of a little bit in terms of

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<v Speaker 1>like going into this world world or was that more like,

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<v Speaker 1>have you been terrified of some of the people that

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<v Speaker 1>you've interviewed or how do you kind of approach that

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<v Speaker 1>in a way of talking to people like them, like

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<v Speaker 1>you know, like, how do you do that?

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<v Speaker 4>Yeah, it's funny. It's I get like anticipatory anxiety as

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<v Speaker 4>I'm driving towards somewhere. But really I think the curiosity

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<v Speaker 4>takes over so much. In the Psychopath Test.

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<v Speaker 1>I go to.

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<v Speaker 4>Broadmore, which used to be called the broad More Asylum

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<v Speaker 4>for the criminally insane, so you know the kind of

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<v Speaker 4>place that it is, and people are like, oh, oh God,

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<v Speaker 4>you must have been so scared, but obviously you're way

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<v Speaker 4>more curious. I'd also just so delighted to be somewhere

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<v Speaker 4>where most people don't get to go that that those

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<v Speaker 4>things overwhelmed any any fear that you have. In fact,

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<v Speaker 4>I remember I was sitting at BroadWare A one time

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<v Speaker 4>and I said the nurse, I said, God, I can't

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<v Speaker 4>pinch me. I can't believe of it, broadmare n what

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<v Speaker 4>we've got spared. I feel like.

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<v Speaker 3>He's starting to when you're all like that.

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<v Speaker 2>I'm having such a fango a moment because I listened

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<v Speaker 2>to The Psychopath Test as an audiobook and just having

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<v Speaker 2>you there in front of us saying Broadmore, and I was.

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<v Speaker 4>Like, I'm going for real, are you. I've got to say,

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<v Speaker 4>like I got to say, like when often you don't

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<v Speaker 4>know if the story is gonna hit or not, you

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<v Speaker 4>know a story is good. But I remember I was

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<v Speaker 4>sitting outside Broadwall. I didn't put this in the book.

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<v Speaker 4>I was sitting outside Broadball with Brian, the scientologist who

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<v Speaker 4>was the guy who got me into Broadmall because scientologists

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<v Speaker 4>are very good at circumventing bureaucracy, like funny that, And

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<v Speaker 4>in the curve afterwards, he said to me, like, we've

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<v Speaker 4>met Tony. And Tony was the guy who took very

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<v Speaker 4>quickly spell it out this. Tony's the guy who faked

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<v Speaker 4>madness to escape a prison sentence. But he faked madness

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<v Speaker 4>too well, and he didn't end up in some cushy hospital.

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<v Speaker 4>He ended up in Broadmore.

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<v Speaker 3>When everyone over the Crocker's nest.

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<v Speaker 4>Yeah, totally so. And the scientologists like we're had taken

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<v Speaker 4>Tony on and told me about him. So I went

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<v Speaker 4>and then did the car after beating Tony. I always

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<v Speaker 4>remember Bride said to me, like, you know, I just

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<v Speaker 4>want to say John, like, thank you so much for

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<v Speaker 4>taking the story on and I said, like, are you

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<v Speaker 4>kidding me? Like this is up, this is going to

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<v Speaker 4>be with me for the next thirty years. I knew

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<v Speaker 4>in the moment what a big story in terms of

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<v Speaker 4>just like you know, people be curious about it. Yeah, yeah,

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<v Speaker 4>like I knew that. I knew it was going to hit.

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<v Speaker 3>Oh good, it did. Thank you. Thank you for giving

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<v Speaker 3>it to us.

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<v Speaker 2>Thank you to Tony and Brian from our parasocially thanking them.

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<v Speaker 3>For you for allowing you to do that.

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<v Speaker 1>How how often, John, do you, like when you're going

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<v Speaker 1>to start a new project like the book that we

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<v Speaker 1>can't talk about but we will at some point, But

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<v Speaker 1>when you go and start a new piece, if you're

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<v Speaker 1>an article or whatever you're doing, do you I mean,

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<v Speaker 1>I know that we're spoken about Reddit and you and

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<v Speaker 1>I have in the past gone on very deep dives

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<v Speaker 1>into Reddit, sadly and for you personally, do you sometimes

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<v Speaker 1>I imagine this is true, but do you go down

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<v Speaker 1>a lot of different rabbit holes and get to a

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<v Speaker 1>story and then realize it's not something or is your

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<v Speaker 1>intuition over the over the last few years, I imagine would

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<v Speaker 1>get a lot better. Do you sometimes go down a

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<v Speaker 1>path and start interviewing people and then realize there's no

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<v Speaker 1>story in it.

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<v Speaker 4>Oh yeah. Often, often the times it really works, it's

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<v Speaker 4>like it's like, you know, lightning striking. It's it's just

0:11:37.360 --> 0:11:41.000
<v Speaker 4>so lucky. There's so many dad ads, there's so many

0:11:41.520 --> 0:11:45.079
<v Speaker 4>bleak days when you're looking for I met this documentary

0:11:45.480 --> 0:11:49.920
<v Speaker 4>study Kubrick's box as, and I said to Christian Kubrick's wife, like,

0:11:50.240 --> 0:11:52.760
<v Speaker 4>you know, in those ever length of gaps between movies,

0:11:52.840 --> 0:11:55.680
<v Speaker 4>what was he looking for? And she said, that magical

0:11:55.760 --> 0:11:59.439
<v Speaker 4>moment of falling in love with the story, And that's

0:11:59.480 --> 0:12:01.079
<v Speaker 4>what you're looking for. You just don't know what it's

0:12:01.120 --> 0:12:04.199
<v Speaker 4>going to be until you know, until you find it,

0:12:04.200 --> 0:12:08.440
<v Speaker 4>it jumps out at you. With the psychopath test, for instance,

0:12:09.040 --> 0:12:13.120
<v Speaker 4>I just this psychologist happened to mention to me that

0:12:13.160 --> 0:12:15.400
<v Speaker 4>you were much more likely to find psychopaths at the

0:12:15.440 --> 0:12:18.080
<v Speaker 4>top of the tree than at the bottom. And this

0:12:18.240 --> 0:12:20.160
<v Speaker 4>was the thought that, you know, no, that's that's kind

0:12:20.200 --> 0:12:22.720
<v Speaker 4>of been the consciousness now, but it really wasn't at

0:12:22.720 --> 0:12:26.640
<v Speaker 4>the time. And I was thinking about this and I

0:12:26.640 --> 0:12:30.040
<v Speaker 4>suddenly thought, Okay, I should learn how to spot psychopaths.

0:12:30.080 --> 0:12:32.800
<v Speaker 4>I should go on a psychopaths spotting course and then

0:12:33.080 --> 0:12:37.160
<v Speaker 4>journey into the corridors of power and try and spot psychopaths,

0:12:37.240 --> 0:12:39.280
<v Speaker 4>and like, I have no idea what's going to happen,

0:12:39.320 --> 0:12:43.200
<v Speaker 4>but whatever it is, it's got to be good. And

0:12:43.280 --> 0:12:45.240
<v Speaker 4>so that's like one of those moments and a similar

0:12:45.240 --> 0:12:47.959
<v Speaker 4>thing actually with the new book The Castle. This is

0:12:48.000 --> 0:12:50.760
<v Speaker 4>the one thing I can say actually because it's out there.

0:12:51.480 --> 0:12:55.000
<v Speaker 4>So the way that crashed into my life was I

0:12:55.040 --> 0:13:00.400
<v Speaker 4>was asleep and my son, while I'm asleep, is nexting

0:13:00.480 --> 0:13:03.760
<v Speaker 4>me the series of texts and I and I see

0:13:03.800 --> 0:13:06.079
<v Speaker 4>the last text first, and the last text is something

0:13:06.160 --> 0:13:09.240
<v Speaker 4>like it's okay. We managed to get out. It was

0:13:09.280 --> 0:13:14.880
<v Speaker 4>totally fucked, but we're okay now I got to Yeah.

0:13:14.920 --> 0:13:17.240
<v Speaker 4>So then I read all the other texts that had

0:13:17.280 --> 0:13:20.280
<v Speaker 4>preceded it, and he and some friends had been invited

0:13:20.320 --> 0:13:23.959
<v Speaker 4>to a party at a stranger's house that they'd met

0:13:24.040 --> 0:13:31.480
<v Speaker 4>online in the forests of New England. This is a

0:13:31.679 --> 0:13:34.840
<v Speaker 4>very well you'll see. So when they get there, the

0:13:34.880 --> 0:13:42.559
<v Speaker 4>stranger's house was a massive, newly built castle with like

0:13:42.760 --> 0:13:48.000
<v Speaker 4>way too many turrets, like really odd, huge castle, and

0:13:48.040 --> 0:13:51.560
<v Speaker 4>they went in and there was no party. Oh they've

0:13:51.559 --> 0:13:55.600
<v Speaker 4>been invited there for other reasons.

0:13:55.880 --> 0:13:58.440
<v Speaker 2>Oh my god, I'm hooked, all right, give me the

0:13:58.480 --> 0:14:01.240
<v Speaker 2>book straight into my veins and imediately right.

0:14:01.400 --> 0:14:04.080
<v Speaker 4>And then when I found this story, when he told

0:14:04.080 --> 0:14:07.160
<v Speaker 4>me this story, I went to the castle, and that's

0:14:07.200 --> 0:14:09.640
<v Speaker 4>how the book begins.

0:14:10.440 --> 0:14:12.480
<v Speaker 3>Hey, John, you're pretty good at a tease. You should

0:14:12.520 --> 0:14:15.040
<v Speaker 3>consider doing writing or something for a living. That was

0:14:15.080 --> 0:14:15.560
<v Speaker 3>really good.

0:14:18.320 --> 0:14:21.480
<v Speaker 4>I've got to say, I'm pretty cliffhanger shameless. In fact,

0:14:21.600 --> 0:14:23.320
<v Speaker 4>I was talking to my wife about this this morning.

0:14:23.320 --> 0:14:25.200
<v Speaker 4>I say, oh my god, you know I really I

0:14:25.320 --> 0:14:26.320
<v Speaker 4>really go for the cliff.

0:14:28.560 --> 0:14:30.640
<v Speaker 3>I mean they go for you.

0:14:30.640 --> 0:14:32.520
<v Speaker 1>Can you tell us a little bit about the last

0:14:32.600 --> 0:14:34.720
<v Speaker 1>days of August as well? I think it was such

0:14:34.720 --> 0:14:38.440
<v Speaker 1>a podcast that really got me hooked, you know, because

0:14:38.480 --> 0:14:40.280
<v Speaker 1>of your wonderful cliffhangers.

0:14:40.280 --> 0:14:42.120
<v Speaker 5>But you know you did, you did start it and.

0:14:42.600 --> 0:14:46.320
<v Speaker 1>Went into this world to find out about someone who

0:14:46.400 --> 0:14:48.480
<v Speaker 1>sadly yet took their own life.

0:14:48.960 --> 0:14:51.360
<v Speaker 4>Yeah, and I see this kind of this is like

0:14:51.400 --> 0:14:56.640
<v Speaker 4>a true crime cautionary tale. Actually, because of all the

0:14:56.680 --> 0:14:59.240
<v Speaker 4>stories I've done, I'm glad I did the story, and

0:14:59.640 --> 0:15:01.880
<v Speaker 4>I'm too hard in myself, like the way I'm going

0:15:01.920 --> 0:15:03.920
<v Speaker 4>to tell this story. I think I'm too heard of

0:15:03.960 --> 0:15:08.000
<v Speaker 4>myself and almost everyone who listens to the last of

0:15:08.040 --> 0:15:11.400
<v Speaker 4>August really likes it and thinks it's responsibly done and

0:15:11.440 --> 0:15:15.560
<v Speaker 4>so on. But I focus a lot on the kind

0:15:15.600 --> 0:15:19.440
<v Speaker 4>of ethical flaws and the problems and the things that

0:15:19.480 --> 0:15:24.440
<v Speaker 4>I organized over. So I just made this documentary called

0:15:24.440 --> 0:15:27.520
<v Speaker 4>The Butterfly Effect for Audible, which is this really sweet,

0:15:28.520 --> 0:15:34.080
<v Speaker 4>upbeat documentary about the porn industry trying to adapt in

0:15:34.160 --> 0:15:37.080
<v Speaker 4>the wake of all of these tech utopians coming in

0:15:37.120 --> 0:15:38.360
<v Speaker 4>and taking over it.

0:15:38.840 --> 0:15:41.600
<v Speaker 1>I want to have, wasn't it and the people that yeah,

0:15:41.680 --> 0:15:45.640
<v Speaker 1>that took over and the AHS tapes weren't a thing

0:15:45.680 --> 0:15:48.760
<v Speaker 1>anymore and it would just completely change the industry, which

0:15:48.800 --> 0:15:49.840
<v Speaker 1>which happened very quickly.

0:15:50.360 --> 0:15:54.440
<v Speaker 4>Yeah, porn just like decimated the industry, And so I

0:15:54.520 --> 0:15:57.040
<v Speaker 4>went to the poor world to see like how they

0:15:57.080 --> 0:15:59.440
<v Speaker 4>were coping in that.

0:16:00.120 --> 0:16:03.720
<v Speaker 2>Good life hack make and no, no, babe, honestly, it's

0:16:03.720 --> 0:16:06.760
<v Speaker 2>for a documentary.

0:16:10.560 --> 0:16:17.960
<v Speaker 4>Yeah. Now my wife is very like permissive. Uh yeah.

0:16:18.680 --> 0:16:23.080
<v Speaker 4>So ah. So that was like a really sweet, nae sured,

0:16:23.160 --> 0:16:26.160
<v Speaker 4>upbeat documentary. And then about a couple of months after

0:16:26.200 --> 0:16:30.239
<v Speaker 4>it came out, this porn style called August Dain's Mercedes

0:16:30.280 --> 0:16:35.800
<v Speaker 4>Kobowski took her life and I can't remember how it happened.

0:16:35.800 --> 0:16:40.840
<v Speaker 4>But I ended up talking to her husband, Kevin, who

0:16:41.160 --> 0:16:45.920
<v Speaker 4>said that she'd been there'd been a Twitter storm that

0:16:46.120 --> 0:16:51.560
<v Speaker 4>day and she was being like kind of publicly shamed

0:16:51.560 --> 0:16:53.960
<v Speaker 4>on Twitter and that was and actually took her life.

0:16:54.320 --> 0:16:57.360
<v Speaker 4>So I'd written the book about public shaming, and I'd

0:16:57.400 --> 0:17:00.800
<v Speaker 4>made a documentary about the porn industry, so it just

0:17:00.840 --> 0:17:02.920
<v Speaker 4>seemed like I should reach out to her husband. So

0:17:02.960 --> 0:17:05.600
<v Speaker 4>that's that's what happened. So I reached out to him,

0:17:05.600 --> 0:17:11.400
<v Speaker 4>and he said that he completely blamed the people who

0:17:11.440 --> 0:17:14.119
<v Speaker 4>were dragging her on Twitter for her death, and he

0:17:14.200 --> 0:17:15.800
<v Speaker 4>was going to release the statement and some of them

0:17:15.800 --> 0:17:19.840
<v Speaker 4>were very big names in the porn industry, and he

0:17:19.920 --> 0:17:23.600
<v Speaker 4>was going to release a statement naming and shaming the

0:17:23.640 --> 0:17:26.520
<v Speaker 4>people who were respond who he felt were responsible for

0:17:26.560 --> 0:17:31.320
<v Speaker 4>her death. And then shortly after that, a few people

0:17:31.359 --> 0:17:36.240
<v Speaker 4>in the porn industry said to me, we think mercedes

0:17:36.359 --> 0:17:39.760
<v Speaker 4>death is more complicated. There's more stuff going on. You

0:17:39.800 --> 0:17:43.800
<v Speaker 4>should investigate it, implying that maybe it wasn't even suicide. Wow,

0:17:44.160 --> 0:17:47.200
<v Speaker 4>So that was what set me off on the journey.

0:17:47.520 --> 0:17:49.840
<v Speaker 1>Yeah, I mean there's so much along the way as well,

0:17:49.840 --> 0:17:52.840
<v Speaker 1>a power outage, there's you know, the going to the

0:17:53.080 --> 0:17:54.080
<v Speaker 1>going to the hotel.

0:17:54.240 --> 0:17:55.080
<v Speaker 5>There's all these.

0:17:55.000 --> 0:17:58.119
<v Speaker 1>Little bits and pieces that you kind of look at it.

0:17:58.119 --> 0:18:00.560
<v Speaker 1>It's a clue after clue that may maybe there is

0:18:00.640 --> 0:18:05.000
<v Speaker 1>something more sinister Afford. Does that scare you though, when

0:18:05.080 --> 0:18:09.439
<v Speaker 1>you maybe make comments about, oh, it doesn't seem like

0:18:09.520 --> 0:18:12.119
<v Speaker 1>that is that is exactly what happened?

0:18:12.119 --> 0:18:12.320
<v Speaker 4>Does that?

0:18:12.359 --> 0:18:15.200
<v Speaker 5>Does that scare you in once it's out there.

0:18:15.480 --> 0:18:19.920
<v Speaker 2>Entering into the world of crime or potentially crime, entering

0:18:19.960 --> 0:18:24.040
<v Speaker 2>into that from afar, but kind of putting yourself into it.

0:18:24.600 --> 0:18:28.280
<v Speaker 4>Yeah, well, I guess there's there are fears. There's probably

0:18:28.359 --> 0:18:32.240
<v Speaker 4>well one are the fears, Okay, I'm putting myself in

0:18:32.320 --> 0:18:37.920
<v Speaker 4>personal danger is one. I'm putting myself in legal jeopardy

0:18:38.200 --> 0:18:42.240
<v Speaker 4>is another. And then the third one is is this

0:18:42.840 --> 0:18:47.159
<v Speaker 4>ethically the right thing to do? And those are like,

0:18:48.320 --> 0:18:52.640
<v Speaker 4>you know, at what point is it appropriate to prot

0:18:52.680 --> 0:18:58.840
<v Speaker 4>around in somebody's life, especially somebody who's you know, grieving,

0:18:59.760 --> 0:19:04.200
<v Speaker 4>even if their behavior was shitty. So you know, all

0:19:04.240 --> 0:19:06.240
<v Speaker 4>of these things were just like rustling around in my

0:19:06.280 --> 0:19:08.359
<v Speaker 4>head for like the two years I was making however

0:19:08.359 --> 0:19:10.719
<v Speaker 4>long it talk to make the show. So yeah, like

0:19:10.760 --> 0:19:16.480
<v Speaker 4>there was three ultimately of the three feears, the one

0:19:16.680 --> 0:19:19.720
<v Speaker 4>that became the biggest one was the ethical one. The

0:19:19.800 --> 0:19:22.720
<v Speaker 4>other two I never felt with that story. I never

0:19:22.720 --> 0:19:28.040
<v Speaker 4>felt in any physical danger. Actually that's not true. We

0:19:28.960 --> 0:19:31.440
<v Speaker 4>being leader, did feel in physical danger. But I think

0:19:31.440 --> 0:19:36.320
<v Speaker 4>we were both being paranoid. Leader is the producer. I

0:19:36.320 --> 0:19:38.560
<v Speaker 4>think we were just being paranoid. But at one point

0:19:38.600 --> 0:19:42.480
<v Speaker 4>we hired armed like an armed guard.

0:19:43.040 --> 0:19:43.720
<v Speaker 5>Wow.

0:19:44.560 --> 0:19:48.160
<v Speaker 4>Yeah, And but honestly, looking back on us, I think

0:19:48.200 --> 0:19:54.960
<v Speaker 4>we were being paranoid. God, I was gonna say that

0:19:55.000 --> 0:19:58.080
<v Speaker 4>I never felt there was any legal jeopardy because honestly,

0:19:58.160 --> 0:20:02.560
<v Speaker 4>we're really careful, really assiduous, like I don't, you know,

0:20:02.640 --> 0:20:04.880
<v Speaker 4>mess around with that kind of stuff. So the only

0:20:04.960 --> 0:20:07.920
<v Speaker 4>thing left really was was that was kind of ethical,

0:20:08.600 --> 0:20:14.080
<v Speaker 4>and that just haunted me. And you know, and anybody

0:20:14.080 --> 0:20:18.200
<v Speaker 4>who does true crime reporting, if they're not haunted by that,

0:20:18.800 --> 0:20:20.320
<v Speaker 4>then they shouldn't be in the job.

0:20:21.280 --> 0:20:22.920
<v Speaker 3>And then they're going to run into the legal part

0:20:22.960 --> 0:20:26.320
<v Speaker 3>as well. I think that if you're not wanted by that, you.

0:20:26.359 --> 0:20:29.880
<v Speaker 1>Come from this really disarming, this disarming kind of point

0:20:29.920 --> 0:20:34.400
<v Speaker 1>of view where you you always and it's so genuine

0:20:34.400 --> 0:20:37.359
<v Speaker 1>with you, You care about the people and you want to

0:20:37.440 --> 0:20:40.760
<v Speaker 1>find out more. Do you feel like that that really

0:20:40.880 --> 0:20:42.600
<v Speaker 1>you know, that that way that you've kind of come

0:20:42.640 --> 0:20:46.520
<v Speaker 1>into journalism and you probably see it done incorrectly a lot,

0:20:47.119 --> 0:20:48.800
<v Speaker 1>do you do you look at that and kind of go,

0:20:48.960 --> 0:20:51.480
<v Speaker 1>this was always you know, that's kind of your superpower

0:20:51.480 --> 0:20:54.000
<v Speaker 1>in a way that people kind of trust you and

0:20:54.680 --> 0:20:58.440
<v Speaker 1>want to want to divulge a lot of information I

0:20:58.920 --> 0:20:59.240
<v Speaker 1>want to.

0:20:59.480 --> 0:21:03.119
<v Speaker 4>I think it's I think it's maybe more like, you know,

0:21:03.200 --> 0:21:06.080
<v Speaker 4>when I decide to do a story, I get so

0:21:06.720 --> 0:21:08.960
<v Speaker 4>obsessed with it, like I go down the rabbit hole,

0:21:09.000 --> 0:21:12.040
<v Speaker 4>and it just completely consumes me. By the time I'm

0:21:12.080 --> 0:21:15.679
<v Speaker 4>approaching interviewees, like my passion for the story and for

0:21:15.800 --> 0:21:21.919
<v Speaker 4>them and their stories. I guess it becomes, you know,

0:21:22.000 --> 0:21:25.159
<v Speaker 4>kind of rubs off from them, and they and they're

0:21:25.160 --> 0:21:28.000
<v Speaker 4>more agreeable to talk to me. And I guess there's

0:21:28.000 --> 0:21:31.840
<v Speaker 4>a sort of enthusiasm that comes with the curiosity, and

0:21:31.920 --> 0:21:38.159
<v Speaker 4>maybe that sort of pumptiousness is attractive to them. Yeah,

0:21:38.680 --> 0:21:44.639
<v Speaker 4>And and I am genuinely curious, Like it's rare that

0:21:44.680 --> 0:21:49.199
<v Speaker 4>I go into a situation feeling judgmental, like I'm genuinely curious.

0:21:49.880 --> 0:21:52.640
<v Speaker 4>And so when I'm talking to them, I think they

0:21:52.680 --> 0:21:53.880
<v Speaker 4>can tell they can tell.

0:21:53.720 --> 0:21:57.680
<v Speaker 1>That absolutely with the psychopath taste, like going in to

0:21:57.800 --> 0:22:02.400
<v Speaker 1>meat different psychopaths and actually staying in touch with people.

0:22:03.760 --> 0:22:06.679
<v Speaker 1>Has that always been something about the stories that you

0:22:06.760 --> 0:22:10.040
<v Speaker 1>tell that you kind of you are so involved in

0:22:10.080 --> 0:22:13.520
<v Speaker 1>these people's lives, and you had staying in touch with

0:22:13.520 --> 0:22:17.600
<v Speaker 1>with the people who identify themselves as psychopaths. You know

0:22:17.680 --> 0:22:20.040
<v Speaker 1>and and and you know and are of no harm

0:22:20.160 --> 0:22:25.119
<v Speaker 1>to society. They understand, you know, they're different compulsions, they

0:22:25.200 --> 0:22:28.520
<v Speaker 1>understand how they are as a person. Do your family

0:22:28.560 --> 0:22:31.560
<v Speaker 1>ever kind of go John, what are you doing you.

0:22:34.359 --> 0:22:34.720
<v Speaker 5>In the middle?

0:22:36.720 --> 0:22:39.080
<v Speaker 4>I remember my wife always laughs about this. When we

0:22:39.080 --> 0:22:43.520
<v Speaker 4>were first dating. I guess in the nineties I invited

0:22:43.520 --> 0:22:50.080
<v Speaker 4>a member of the MUDs and family to stay. I

0:22:50.080 --> 0:22:52.879
<v Speaker 4>was doing a kind of documentary. I never did to anything,

0:22:52.920 --> 0:22:55.360
<v Speaker 4>but we've got some I think the BBC somebody gave

0:22:55.440 --> 0:22:58.159
<v Speaker 4>us somebody to to do a documentary about where the

0:22:58.359 --> 0:23:00.000
<v Speaker 4>you know, where members of the buds and family are

0:23:00.240 --> 0:23:03.560
<v Speaker 4>now And one of them. I got talking to Sundra

0:23:03.680 --> 0:23:06.080
<v Speaker 4>Good and she said she was coming to London and

0:23:06.119 --> 0:23:07.840
<v Speaker 4>I said, oh, you should come and stay the night.

0:23:08.280 --> 0:23:10.679
<v Speaker 4>And she said what your address? And I said like

0:23:11.040 --> 0:23:13.880
<v Speaker 4>N one one j X, and she said, say that again.

0:23:14.000 --> 0:23:16.879
<v Speaker 4>I said, you know, N one one X J for

0:23:17.080 --> 0:23:20.639
<v Speaker 4>John X for what you have carved in your forehead,

0:23:22.840 --> 0:23:28.040
<v Speaker 4>and she went, she went, that's not funny. And then

0:23:28.080 --> 0:23:30.280
<v Speaker 4>I said to I said to Alad, I hope you

0:23:30.280 --> 0:23:33.399
<v Speaker 4>don't have just invited one of the Madson family to stay.

0:23:33.800 --> 0:23:39.439
<v Speaker 4>She was like, yes, I do mine. There we go.

0:23:39.640 --> 0:23:43.040
<v Speaker 2>That's a classic example of you being disarming and charming,

0:23:43.560 --> 0:23:45.960
<v Speaker 2>because I'm pretty sure no one else would have the

0:23:46.040 --> 0:23:47.920
<v Speaker 2>confidence to say X.

0:23:47.840 --> 0:23:48.240
<v Speaker 5>Like you have.

0:23:50.600 --> 0:23:53.600
<v Speaker 4>How could you like if that, if that line pops

0:23:53.640 --> 0:23:54.160
<v Speaker 4>into your head?

0:23:59.600 --> 0:24:01.000
<v Speaker 3>Can you need to ask me about that?

0:24:01.119 --> 0:24:01.280
<v Speaker 4>What?

0:24:01.280 --> 0:24:02.840
<v Speaker 3>What was did you say?

0:24:02.920 --> 0:24:03.119
<v Speaker 2>Was she?

0:24:03.200 --> 0:24:03.959
<v Speaker 3>What was she like?

0:24:04.600 --> 0:24:09.760
<v Speaker 4>She was actually quite scary. Soundsra good read. I think

0:24:09.800 --> 0:24:13.320
<v Speaker 4>her badsa name was or Sanday. She was like a

0:24:13.320 --> 0:24:16.480
<v Speaker 4>big member. She wasn't a referral. You know, she was hardcore.

0:24:16.560 --> 0:24:20.120
<v Speaker 4>She'd be you know, well, no, I can't say that,

0:24:20.160 --> 0:24:22.560
<v Speaker 4>but you know she was one of the hardcore members

0:24:22.560 --> 0:24:27.040
<v Speaker 4>who didn't do any of the murders. And yeah, I've

0:24:27.080 --> 0:24:28.879
<v Speaker 4>only got fleeting. I mean, I'm going back to the

0:24:28.960 --> 0:24:31.520
<v Speaker 4>nineties now. We never even never turned into anything. But

0:24:31.560 --> 0:24:35.400
<v Speaker 4>I remember meeting her and her boyfriend in this really

0:24:35.440 --> 0:24:38.760
<v Speaker 4>remote hotel in exactly the kind of place you don't

0:24:38.800 --> 0:24:41.560
<v Speaker 4>want to be stuck with a member of the Madson family.

0:24:42.880 --> 0:24:43.920
<v Speaker 5>Yeah, exactly.

0:24:44.080 --> 0:24:48.280
<v Speaker 4>Yea some middle of nowhere desert motel. And it was

0:24:48.320 --> 0:24:50.479
<v Speaker 4>a bit tense. Actually, this has been a couple of

0:24:50.520 --> 0:24:53.920
<v Speaker 4>times when you're dealing with somebody who you can tell

0:24:54.080 --> 0:24:59.760
<v Speaker 4>is has got, you know, psychological problems that might mean

0:24:59.800 --> 0:25:02.480
<v Speaker 4>the into violence. Like there's been a few times when

0:25:02.840 --> 0:25:05.920
<v Speaker 4>I'm doing all of that disarming stuff, which, by the way,

0:25:05.960 --> 0:25:07.880
<v Speaker 4>that makes it sound like I'm putting it on, but.

0:25:09.600 --> 0:25:10.920
<v Speaker 3>Very much col just you.

0:25:11.840 --> 0:25:15.159
<v Speaker 4>Yeah, and I then realized that actually these are pretty

0:25:15.240 --> 0:25:18.320
<v Speaker 4>dangerous people. That has happened a few times, and I

0:25:18.400 --> 0:25:21.200
<v Speaker 4>think it happened in a small way with I don't

0:25:21.200 --> 0:25:24.000
<v Speaker 4>want to like oversell it, but I got a sort

0:25:24.000 --> 0:25:26.080
<v Speaker 4>of sense of unease from her.

0:25:27.720 --> 0:25:32.160
<v Speaker 2>Who or what is the kind of quote unquite scariest

0:25:32.280 --> 0:25:34.240
<v Speaker 2>situation you found yourself.

0:25:33.800 --> 0:25:36.520
<v Speaker 3>In, whether that's that someone else would say.

0:25:36.400 --> 0:25:38.639
<v Speaker 2>I can't believe you put yourself in that situation that scary,

0:25:38.920 --> 0:25:41.439
<v Speaker 2>or that you really felt in that moment, you know,

0:25:41.520 --> 0:25:44.720
<v Speaker 2>from a kind of crime or unease situation.

0:25:45.040 --> 0:25:47.400
<v Speaker 4>To be honest, Like, I can't really go into detail,

0:25:47.560 --> 0:25:49.399
<v Speaker 4>but some of the stuff in the new book in

0:25:49.440 --> 0:25:54.640
<v Speaker 4>the Castle has made me feel that way. Wow. And

0:25:55.359 --> 0:26:02.560
<v Speaker 4>before that, well, there was well going to Riyan Nations

0:26:02.640 --> 0:26:08.480
<v Speaker 4>in Idaho, driving up all the signs saying Jews turn

0:26:08.600 --> 0:26:13.440
<v Speaker 4>around now, and then turning up you know, with with

0:26:13.640 --> 0:26:20.360
<v Speaker 4>all of my jewishness and these skinheads these really scary

0:26:20.400 --> 0:26:23.600
<v Speaker 4>like you know, this was like a proper hardcore, your

0:26:23.760 --> 0:26:27.919
<v Speaker 4>muscular skinhead community all surrounding me and asking me if

0:26:27.920 --> 0:26:31.560
<v Speaker 4>I was Jewish. That was That's one of the times

0:26:31.600 --> 0:26:36.000
<v Speaker 4>what I felt like in very immediate danger. But you

0:26:36.040 --> 0:26:38.280
<v Speaker 4>know how that resolved itself. This is I've always thought,

0:26:38.280 --> 0:26:41.679
<v Speaker 4>this is amazing. So they didn't say are you Jewish?

0:26:41.680 --> 0:26:47.440
<v Speaker 4>They said what's your genealogy? Meaning are you Jewish? Yeah,

0:26:47.520 --> 0:26:50.120
<v Speaker 4>so I said, I'm Church of England. I always joke

0:26:50.160 --> 0:26:52.760
<v Speaker 4>about this with Louis through because Louis throu was once

0:26:52.800 --> 0:26:55.440
<v Speaker 4>at a situation very similar to this, when they said

0:26:55.640 --> 0:26:58.680
<v Speaker 4>are you Jewish? And Louis said, I'm not going to

0:26:58.720 --> 0:27:02.360
<v Speaker 4>tell you if I'm Jewish or not. And Louis isn't Jewish.

0:27:02.600 --> 0:27:04.760
<v Speaker 4>And I was in that same situation and they said

0:27:04.760 --> 0:27:11.600
<v Speaker 4>to me, are you Jewish? And I said no, no, no,

0:27:11.720 --> 0:27:14.480
<v Speaker 4>Louis is a brave and Louis wins that comparison.

0:27:15.000 --> 0:27:20.480
<v Speaker 2>I say, I will die happy if I can legitimately

0:27:20.520 --> 0:27:21.280
<v Speaker 2>say the sentence.

0:27:21.560 --> 0:27:23.520
<v Speaker 3>I always joke about this with Lewis through.

0:27:27.960 --> 0:27:33.080
<v Speaker 4>Sorry. So okay, so what we're saying, yes, oh yeah, yeah.

0:27:33.119 --> 0:27:36.320
<v Speaker 4>The way that resolved itself was I said, I'm Church

0:27:36.359 --> 0:27:40.520
<v Speaker 4>of England. And then one of the guys around the circle,

0:27:40.960 --> 0:27:44.920
<v Speaker 4>who wasn't the skinhead like a bit older, said made

0:27:44.920 --> 0:27:48.800
<v Speaker 4>some joke about the Church of England, and that joke

0:27:49.520 --> 0:27:53.560
<v Speaker 4>signified to all the skin heads to disperse, and so

0:27:53.640 --> 0:27:56.960
<v Speaker 4>they all did. So that guy at that moment, like

0:27:57.720 --> 0:28:02.760
<v Speaker 4>you know, receaved me. And I've often wondered, I've often

0:28:02.800 --> 0:28:05.240
<v Speaker 4>wondered who was that guy? Was he a real Nazi?

0:28:06.000 --> 0:28:10.439
<v Speaker 4>Might he have been an undercover federal agent? We know

0:28:10.600 --> 0:28:12.359
<v Speaker 4>that there was a bunch of them in places like

0:28:12.600 --> 0:28:16.359
<v Speaker 4>Area Nations. Uh, you know what happened in that moment?

0:28:16.960 --> 0:28:20.560
<v Speaker 4>Maybe he just maybe you know, Okham's razor would say

0:28:21.119 --> 0:28:24.520
<v Speaker 4>that he just didn't want, you know, film crew. The

0:28:24.640 --> 0:28:28.520
<v Speaker 4>last Signian Nations needed was beating up some journalist. You know,

0:28:28.640 --> 0:28:31.240
<v Speaker 4>So that was you know, that's probably what happened, But

0:28:31.640 --> 0:28:33.200
<v Speaker 4>I don't know, maybe something else happened.

0:28:33.400 --> 0:28:35.640
<v Speaker 3>Yeah, wow, what a story.

0:28:35.720 --> 0:28:37.840
<v Speaker 5>Oh my god, John.

0:28:37.880 --> 0:28:40.880
<v Speaker 1>I know that you're you know, you're always working. Like

0:28:40.920 --> 0:28:43.200
<v Speaker 1>I remember us talking recently about you know that you

0:28:43.320 --> 0:28:46.120
<v Speaker 1>work seven days a week because.

0:28:46.280 --> 0:28:47.400
<v Speaker 5>You just love it. You know?

0:28:47.480 --> 0:28:50.280
<v Speaker 1>Has that has that grown over time? Do you still

0:28:50.360 --> 0:28:52.960
<v Speaker 1>get that invested in things like working all the time?

0:28:53.040 --> 0:28:55.600
<v Speaker 1>You know, you go for your walk, your back You're thinking,

0:28:55.840 --> 0:28:57.800
<v Speaker 1>is is there just a part of you that just

0:28:57.840 --> 0:28:59.600
<v Speaker 1>has always just loved what you do?

0:29:00.320 --> 0:29:02.760
<v Speaker 4>Yeah? I just love it. Like on the very rare

0:29:02.800 --> 0:29:06.520
<v Speaker 4>occasions when I take a couple of days off, I

0:29:06.720 --> 0:29:09.920
<v Speaker 4>kind of appreciate it, like for maybe a day, I think, Okay,

0:29:09.920 --> 0:29:19.240
<v Speaker 4>I understand why people try leisure, like I could. I

0:29:19.280 --> 0:29:24.960
<v Speaker 4>could see why, But ultimately it's not long before the

0:29:25.080 --> 0:29:29.800
<v Speaker 4>sort of cold winds of bleak paranoia sweep through you,

0:29:31.280 --> 0:29:35.160
<v Speaker 4>and that those cold windings are stated by being on

0:29:35.200 --> 0:29:38.680
<v Speaker 4>a story, by being intrigued by something. I just find that.

0:29:38.920 --> 0:29:41.280
<v Speaker 4>So like if I wake up, you know what, I've

0:29:41.280 --> 0:29:43.240
<v Speaker 4>got this bar. Now we live in the middle of nowhere,

0:29:43.280 --> 0:29:46.640
<v Speaker 4>and I've got this barn where I work, and I'm

0:29:46.720 --> 0:29:48.840
<v Speaker 4>there at like five thirty or six in the morning,

0:29:48.880 --> 0:29:51.560
<v Speaker 4>and I turned on all the lights and sit in

0:29:51.600 --> 0:29:54.480
<v Speaker 4>my chair and I find myself and it's still dark,

0:29:54.480 --> 0:29:57.880
<v Speaker 4>this doesn't come up yet, and I find myself smiling

0:29:58.200 --> 0:30:01.240
<v Speaker 4>like like this is like this is where. This is great,

0:30:01.400 --> 0:30:05.400
<v Speaker 4>Like I've got something to do. I have purpose, I've

0:30:05.400 --> 0:30:10.240
<v Speaker 4>got a story that gives me. That's the thing I do. Well. Yeah,

0:30:10.280 --> 0:30:11.080
<v Speaker 4>I just love it.

0:30:11.520 --> 0:30:12.800
<v Speaker 3>Oh my god, that's so beautiful.

0:30:12.920 --> 0:30:14.800
<v Speaker 5>I love that. Yeah.

0:30:14.840 --> 0:30:15.840
<v Speaker 3>How wonderful. John.

0:30:15.880 --> 0:30:17.600
<v Speaker 1>Thank you so much for taking the time to talk

0:30:17.640 --> 0:30:18.760
<v Speaker 1>to us.

0:30:18.760 --> 0:30:19.960
<v Speaker 5>So lovely to have you on.

0:30:20.120 --> 0:30:22.920
<v Speaker 1>And I know, like your thought, I wasn't messaging you

0:30:22.960 --> 0:30:25.640
<v Speaker 1>in the middle of nights. We're podcasting right now and

0:30:25.680 --> 0:30:30.080
<v Speaker 1>you having to go, oh shit, finishing your book and everything.

0:30:30.080 --> 0:30:33.080
<v Speaker 1>I'm so excited about the new book and and and

0:30:33.240 --> 0:30:38.080
<v Speaker 1>you know, is there more psychopath test Nights coming soon again.

0:30:38.840 --> 0:30:42.480
<v Speaker 4>I just did another Psychopath Night tour in Britain, which

0:30:42.520 --> 0:30:45.200
<v Speaker 4>I really loved. I really finessed it. I think it's

0:30:45.240 --> 0:30:47.080
<v Speaker 4>like the best version of the show. I did like

0:30:47.160 --> 0:30:50.280
<v Speaker 4>seventeen of them. But no, I think with the new

0:30:50.280 --> 0:30:53.160
<v Speaker 4>book with the Castle coming out, will probably put Psychopath

0:30:53.520 --> 0:30:56.040
<v Speaker 4>Night on the shelf for at least a few years.

0:30:56.440 --> 0:30:59.320
<v Speaker 4>There's a little bit of talk about it being dramatized

0:30:59.320 --> 0:31:02.320
<v Speaker 4>together like over the years, like that's every so often

0:31:02.720 --> 0:31:05.240
<v Speaker 4>it looks like it may be dramatized and then it isn't.

0:31:05.640 --> 0:31:07.800
<v Speaker 4>But there's a bit more talk of that, and if

0:31:07.800 --> 0:31:10.920
<v Speaker 4>that happens, definitely, because I love psychopath nic and so

0:31:11.880 --> 0:31:14.040
<v Speaker 4>I would absolutely do it again if something like that

0:31:14.080 --> 0:31:16.320
<v Speaker 4>came up. But I was actually going to tell you

0:31:16.320 --> 0:31:26.360
<v Speaker 4>a story, which I can I tell you it now. Okay, Well,

0:31:26.400 --> 0:31:28.800
<v Speaker 4>it's just because of the theme of this and and

0:31:29.520 --> 0:31:33.640
<v Speaker 4>it's it's a self aggrandizing story, so I apologize, but

0:31:33.640 --> 0:31:36.800
<v Speaker 4>but I don't think I've ever told it. So it's

0:31:36.840 --> 0:31:39.360
<v Speaker 4>just that. So you know, the reason why we're sitting

0:31:39.400 --> 0:31:42.800
<v Speaker 4>here and everybody is so interested in to crime these

0:31:42.880 --> 0:31:46.240
<v Speaker 4>days is to a large extent because of Season one

0:31:46.280 --> 0:31:51.240
<v Speaker 4>of Cereal. And yeah, you know that was like such

0:31:51.320 --> 0:31:54.560
<v Speaker 4>a kind of revolution in storytelling and you know, a

0:31:54.600 --> 0:32:01.440
<v Speaker 4>million h copy caps and so on, so again.

0:32:03.880 --> 0:32:05.000
<v Speaker 5>Throughout Iconic.

0:32:05.880 --> 0:32:12.760
<v Speaker 4>Yeah, that's right. Anyway, Sarah Kanik and Julie Snyder, who

0:32:12.800 --> 0:32:16.680
<v Speaker 4>made it, who were like brilliant and brilliant, brilliant journalists,

0:32:16.680 --> 0:32:18.680
<v Speaker 4>and they were like the kind of beating heart of

0:32:18.720 --> 0:32:21.720
<v Speaker 4>this American life. And I'd worked with both of them

0:32:21.920 --> 0:32:25.640
<v Speaker 4>on the Tony story in the psychopath Test. I told

0:32:25.680 --> 0:32:27.240
<v Speaker 4>them I was working on the story for the book,

0:32:27.240 --> 0:32:28.680
<v Speaker 4>and they said, I'll do it for us as well.

0:32:28.760 --> 0:32:31.160
<v Speaker 4>So I was like working with Sarah Julie. And then

0:32:31.200 --> 0:32:33.760
<v Speaker 4>a couple of years later they made Cereal and I

0:32:34.200 --> 0:32:36.720
<v Speaker 4>emailed them to say like how much I was enjoying it,

0:32:37.120 --> 0:32:39.520
<v Speaker 4>and they said, like, we've been thinking, like while we've

0:32:39.560 --> 0:32:41.440
<v Speaker 4>been making it, we've been thinking a lot about that

0:32:41.600 --> 0:32:44.840
<v Speaker 4>Tony story about broad Moore. It's good, like and so

0:32:44.960 --> 0:32:48.200
<v Speaker 4>I think, like I can't say that like like that

0:32:48.360 --> 0:32:53.560
<v Speaker 4>story inspired, yeah, but I do think that maybe it

0:32:53.680 --> 0:32:56.560
<v Speaker 4>sort of influenced some of the storytelling a little bit.

0:32:56.640 --> 0:33:01.480
<v Speaker 3>And the original podcast influencer.

0:33:02.600 --> 0:33:07.360
<v Speaker 4>Right, yeah, And because and the the repels from season

0:33:07.360 --> 0:33:09.320
<v Speaker 4>one of Servia was so huge.

0:33:11.600 --> 0:33:14.040
<v Speaker 5>And for a long time as well. And you've been

0:33:14.040 --> 0:33:16.080
<v Speaker 5>at you know, this American life and everything.

0:33:17.120 --> 0:33:20.880
<v Speaker 1>When you talk about the fictionalized version of the Psychopaths,

0:33:21.120 --> 0:33:22.680
<v Speaker 1>who would you feel comfortable playing?

0:33:22.720 --> 0:33:25.600
<v Speaker 5>You?

0:33:25.640 --> 0:33:30.040
<v Speaker 4>Not? Louis, you know what I am? So what I

0:33:30.160 --> 0:33:34.000
<v Speaker 4>learned really early on with adaptations is just stay the

0:33:34.040 --> 0:33:39.840
<v Speaker 4>fuck away, like leave, and so I don't even think

0:33:39.840 --> 0:33:43.600
<v Speaker 4>about it, like like they could just do whatever they want.

0:33:44.720 --> 0:33:45.520
<v Speaker 3>Very diplomatic.

0:33:45.960 --> 0:33:49.600
<v Speaker 1>Obviously, Frank was very different for you. But what about

0:33:49.640 --> 0:33:51.440
<v Speaker 1>you know, the man who stret goats when that was

0:33:51.480 --> 0:33:53.440
<v Speaker 1>made into a film, were you were you a bit

0:33:53.480 --> 0:33:55.520
<v Speaker 1>more hands off to that one and decided to let

0:33:55.560 --> 0:33:57.680
<v Speaker 1>them do it or because it's so personal to you?

0:33:57.720 --> 0:33:58.800
<v Speaker 5>Did you feel again?

0:33:58.960 --> 0:34:01.040
<v Speaker 4>Oh no, I was, I was very very hands off.

0:34:01.040 --> 0:34:05.640
<v Speaker 4>We in the screenwriting process. Peter Strawn wrote the screenplay

0:34:05.960 --> 0:34:10.080
<v Speaker 4>Who Won an Oscar last Year for Conentlave and he

0:34:10.120 --> 0:34:12.919
<v Speaker 4>wrote the screenplay. I was remember walking into a Starbucks

0:34:12.920 --> 0:34:16.640
<v Speaker 4>in central London one time while Peter was writing the screenplay,

0:34:16.880 --> 0:34:19.839
<v Speaker 4>and Peter was in there and as he looked over

0:34:19.920 --> 0:34:25.040
<v Speaker 4>at me, his face just sank and it's like the

0:34:25.160 --> 0:34:27.319
<v Speaker 4>last and I get it. Like when I was writing Frank,

0:34:27.360 --> 0:34:28.799
<v Speaker 4>I would have felt the same way if the real

0:34:28.840 --> 0:34:31.640
<v Speaker 4>Frank side boss walked in the room, like you want it,

0:34:31.719 --> 0:34:37.000
<v Speaker 4>you don't want real life. And so I had nothing

0:34:37.000 --> 0:34:39.320
<v Speaker 4>to do with the screenwriting process. We visited the set.

0:34:39.680 --> 0:34:43.920
<v Speaker 4>The best, the best thing in terms of you know,

0:34:43.960 --> 0:34:46.719
<v Speaker 4>that process was you know, we visited the set for

0:34:46.760 --> 0:34:50.840
<v Speaker 4>a couple of days, me and Peter. But when the

0:34:50.880 --> 0:34:56.120
<v Speaker 4>film came out, George Clooney like so nicely, like, I

0:34:56.120 --> 0:35:00.719
<v Speaker 4>will never forget this kindness. Really included me, Peter in

0:35:00.840 --> 0:35:05.080
<v Speaker 4>all of the like the like in the film festivals.

0:35:05.120 --> 0:35:08.399
<v Speaker 4>We were up on the stage with them and and

0:35:09.160 --> 0:35:12.120
<v Speaker 4>like included us in all of the publicity for it.

0:35:12.719 --> 0:35:15.239
<v Speaker 4>And you know, a lot of people don't do that.

0:35:15.400 --> 0:35:18.680
<v Speaker 4>For a lot of people, we're like the dirty secrets,

0:35:18.719 --> 0:35:19.320
<v Speaker 4>like the right.

0:35:20.000 --> 0:35:23.600
<v Speaker 2>Pretend they don't exist, and it's our movie.

0:35:23.680 --> 0:35:27.880
<v Speaker 4>Yeah, And I don't know. That was so generous of

0:35:27.960 --> 0:35:28.600
<v Speaker 4>him to do that.

0:35:29.400 --> 0:35:29.800
<v Speaker 3>Wow.

0:35:30.000 --> 0:35:32.600
<v Speaker 2>You know it's funny because as as such a book

0:35:32.640 --> 0:35:35.680
<v Speaker 2>lover myself, I am always nervous when a book that

0:35:35.719 --> 0:35:38.520
<v Speaker 2>I love is turned into a series or a movie,

0:35:38.560 --> 0:35:40.640
<v Speaker 2>because I want it to be traditional to the book.

0:35:40.640 --> 0:35:41.839
<v Speaker 3>So that's so interesting to.

0:35:41.760 --> 0:35:45.520
<v Speaker 2>Hear someone from the novel side of it, you know,

0:35:45.600 --> 0:35:47.920
<v Speaker 2>the book side, say I'll stay away from it because

0:35:47.960 --> 0:35:49.799
<v Speaker 2>if it needs to be different, it can be because

0:35:49.840 --> 0:35:53.520
<v Speaker 2>as the consumer, I'm like, no, let the writer of it.

0:35:53.520 --> 0:35:54.640
<v Speaker 3>It's their story, right.

0:35:55.080 --> 0:35:57.680
<v Speaker 4>Well. I have a number of reasons for having that attitude.

0:35:58.320 --> 0:36:01.080
<v Speaker 4>One is that I'm not as good at fiction as

0:36:01.080 --> 0:36:04.279
<v Speaker 4>I am a nonfiction. So if I did interfere and

0:36:04.560 --> 0:36:08.319
<v Speaker 4>I may not know what I'm talking about. So you know,

0:36:08.400 --> 0:36:11.040
<v Speaker 4>if I'm on a non you know, in nonfiction, I

0:36:11.200 --> 0:36:14.520
<v Speaker 4>know what I'm talking about. In fiction, I don't. So

0:36:14.560 --> 0:36:19.720
<v Speaker 4>that's one reason. Another reason, that's kind of the main reason.

0:36:21.640 --> 0:36:23.160
<v Speaker 4>I'm sure there are other reasons for that.

0:36:23.200 --> 0:36:23.480
<v Speaker 3>Everyone.

0:36:25.080 --> 0:36:29.600
<v Speaker 4>Yeah, I just think, well, I always remember, like like

0:36:30.680 --> 0:36:33.319
<v Speaker 4>Nick Hornby, I used to like have the odd lunch

0:36:33.320 --> 0:36:37.040
<v Speaker 4>with him because we both lived in Islington, and he

0:36:37.360 --> 0:36:42.319
<v Speaker 4>was like, if you if you are getting involved in Hollywood,

0:36:42.920 --> 0:36:47.279
<v Speaker 4>just just go to it with no emotion, because if

0:36:47.320 --> 0:36:50.600
<v Speaker 4>you go to it with any emotion, you're gonna get

0:36:50.719 --> 0:36:53.600
<v Speaker 4>hurt in someone in one way or another that you

0:36:53.600 --> 0:36:58.000
<v Speaker 4>won't even expect. And Hollywood is a very alpha male place,

0:36:58.120 --> 0:37:00.760
<v Speaker 4>like it's a very like Glen Garry glen Ross type place.

0:37:01.360 --> 0:37:04.000
<v Speaker 4>And so for all of those reasons, I go in

0:37:04.040 --> 0:37:06.080
<v Speaker 4>with no emotion or I don't go in at all,

0:37:06.400 --> 0:37:07.839
<v Speaker 4>and I just let him get on with it. They

0:37:07.880 --> 0:37:12.680
<v Speaker 4>know what they're doing. I don't. I don't love that

0:37:12.840 --> 0:37:18.879
<v Speaker 4>Glen glen Ross atmosphere, and so it's just best to

0:37:18.920 --> 0:37:20.520
<v Speaker 4>let them. Let people get on with them.

0:37:20.560 --> 0:37:21.040
<v Speaker 3>Do they thing?

0:37:21.239 --> 0:37:25.440
<v Speaker 1>Yeah, I had that story about me Carnby that the

0:37:25.680 --> 0:37:27.960
<v Speaker 1>reason About a Boy is such a good film is

0:37:27.960 --> 0:37:33.239
<v Speaker 1>because he wrote the book in Hugh Grant's voice. He

0:37:33.320 --> 0:37:38.000
<v Speaker 1>had Hugh Grant in his mind already where he wrote

0:37:38.040 --> 0:37:38.439
<v Speaker 1>it just.

0:37:38.320 --> 0:37:43.319
<v Speaker 3>Like, oh my god, character and picturing translates so well

0:37:43.360 --> 0:37:43.839
<v Speaker 3>to the movie.

0:37:43.920 --> 0:37:46.520
<v Speaker 1>And when you read it, absolutely I can't imagine anyone

0:37:46.520 --> 0:37:47.160
<v Speaker 1>else doing it.

0:37:47.280 --> 0:37:50.600
<v Speaker 5>Well, ye day when the psychopaths.

0:37:50.800 --> 0:37:53.400
<v Speaker 3>Yes, so who is is tiny in your mind?

0:37:54.840 --> 0:37:59.800
<v Speaker 4>I don't have a clue. I don't even realize that. Yeah, listeners,

0:38:00.520 --> 0:38:03.719
<v Speaker 4>it's not. Honestly, I don't think about it because you

0:38:03.800 --> 0:38:06.080
<v Speaker 4>never because you know what, when I was making Stanley

0:38:06.160 --> 0:38:09.239
<v Speaker 4>Kubrick's Boxes, I was remember this. I've met this guy

0:38:09.280 --> 0:38:11.920
<v Speaker 4>who was really high up in Warner Brothers, like a

0:38:11.960 --> 0:38:14.640
<v Speaker 4>real old timer and I and I said to him.

0:38:14.640 --> 0:38:16.880
<v Speaker 4>He was in Saint John's Word and this big mansion

0:38:16.960 --> 0:38:21.080
<v Speaker 4>in London, and you know, real kind of grizzled Hollywood

0:38:21.080 --> 0:38:24.040
<v Speaker 4>old timer, high up in Warner Brothers. And at the

0:38:24.120 --> 0:38:26.120
<v Speaker 4>end of the interview I said to him, I said, oh,

0:38:26.200 --> 0:38:28.200
<v Speaker 4>you know, I've written this book called The Menisteric Goats,

0:38:28.719 --> 0:38:31.080
<v Speaker 4>and you know this talk that it might be getting

0:38:31.080 --> 0:38:34.879
<v Speaker 4>turned into a movie, and this guy goes a job.

0:38:35.880 --> 0:38:38.239
<v Speaker 4>I'm going to tell you something about movies. This is

0:38:38.280 --> 0:38:42.320
<v Speaker 4>what you need to know about Hollywood. No film ever

0:38:43.000 --> 0:38:53.239
<v Speaker 4>gets made. I've been involved with three films that got made,

0:38:53.400 --> 0:38:56.640
<v Speaker 4>and on each occasion it's like such a fucking miracle.

0:38:57.920 --> 0:39:00.239
<v Speaker 4>That's another reason to not get involved. It's like, why

0:39:00.360 --> 0:39:03.640
<v Speaker 4>that's with this miracle, Like there's a million reasons for

0:39:03.719 --> 0:39:07.759
<v Speaker 4>films NOTT to not get made, and it's that you know,

0:39:07.840 --> 0:39:09.520
<v Speaker 4>it's a miracle when it happens.

0:39:09.880 --> 0:39:11.000
<v Speaker 3>Well, I'm just picture.

0:39:11.239 --> 0:39:14.000
<v Speaker 2>I'm a massive Broadway nerd, So that whole story on

0:39:14.040 --> 0:39:21.239
<v Speaker 2>my mind was in the set of Sunset Boulevard. I'm

0:39:21.239 --> 0:39:23.880
<v Speaker 2>invested in this story.

0:39:25.200 --> 0:39:28.400
<v Speaker 4>Well, yeah, that was really fun.

0:39:28.880 --> 0:39:31.439
<v Speaker 2>Oh thank you, thank you sign for your time and

0:39:31.560 --> 0:39:34.000
<v Speaker 2>just your your openness with us today.

0:39:34.040 --> 0:39:34.920
<v Speaker 3>But with everything you.

0:39:34.880 --> 0:39:38.360
<v Speaker 2>Do with such massive fans, and we know our lessons

0:39:38.400 --> 0:39:39.680
<v Speaker 2>are as well, and we.

0:39:39.800 --> 0:39:40.960
<v Speaker 3>Can't wait to have you back.

0:39:41.160 --> 0:39:42.520
<v Speaker 2>And we need to get you back before we can

0:39:42.520 --> 0:39:44.360
<v Speaker 2>talk about the castle, because I'm worried that's going to

0:39:44.360 --> 0:39:46.640
<v Speaker 2>be too far away and I need to know more.

0:39:48.120 --> 0:39:51.000
<v Speaker 4>Well, it's only August. It's like the end of August,

0:39:52.000 --> 0:39:54.120
<v Speaker 4>and I might be coming back to Australia, like I hope,

0:39:54.160 --> 0:39:56.120
<v Speaker 4>So this talk of it, I don't know if it's

0:39:56.160 --> 0:39:58.719
<v Speaker 4>going to actually happen or not, but if it does,

0:39:58.760 --> 0:40:00.680
<v Speaker 4>i'd love to see you with Yeah.

0:40:00.719 --> 0:40:03.600
<v Speaker 1>Absolutely, you know you're my hero, John, and I found

0:40:03.640 --> 0:40:05.720
<v Speaker 1>boy over you every time. I'll see you in person

0:40:05.800 --> 0:40:08.239
<v Speaker 1>but twice now, and I found boy every time.

0:40:08.320 --> 0:40:09.759
<v Speaker 3>So now he's just showing off.

0:40:10.640 --> 0:40:12.879
<v Speaker 1>But thank you so much, John for taking the time.

0:40:12.920 --> 0:40:13.920
<v Speaker 1>We really appreciate it.

0:40:14.360 --> 0:40:15.480
<v Speaker 4>Thank you, it's a pleasure.