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Speaker 1: Good morning.

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Speaker 2: It's a Christian O'Connor show podcast.

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Speaker 3: Hey, good morning, Thursday morning. Welcome to the Christian O'Connor Show.

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Speaker 3: Come on in Jack Post.

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Speaker 4: Good morning, Christian.

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Speaker 3: By the way, just hearing Patsy there. Patsy back with

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Speaker 3: us Monday. She had a routine and she wants me

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Speaker 3: to really emphasize that routine hospital procedure last week. So

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Speaker 3: she's back on the show last week. By the way,

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Speaker 3: you need to get your story straight, Aliz. You're gonna

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Speaker 3: have a tough first show back.

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Speaker 4: What do you mean.

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Speaker 3: On the day of her operation, me Rio, collecte Tom,

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Speaker 3: everyone who works on this show sent her message saying, hey,

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Speaker 3: thinking of you today. The only reason I know you

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Speaker 3: didn't is because pats.

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Speaker 4: Told me, yeah, yeah, good point and like.

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Speaker 3: Your big brother. Do you know what she said, because

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Speaker 3: as soon as I read it, Oh, I text him

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Speaker 3: now she went, and don't you tell him.

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Speaker 4: To Yeah, he's in that one. Having a team is for.

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Speaker 3: No one told me to do it. I just went

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Speaker 3: she she told us both when.

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Speaker 4: It was hate missing something for pats as well, because

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Speaker 4: she never forgets every time there's anything on, like if

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Speaker 4: it was my uncle's birthday.

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Speaker 3: She's never met it like it's Thursday today. You've got

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Speaker 3: four days. If I was you send us some flowers.

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Speaker 4: That's a good idea, and I actually will, and you

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Speaker 4: don't think I will.

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Speaker 3: But I'm going, well, here's what happened. You'll go and

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Speaker 3: tell your wife. Christian said, I need to send flowers.

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Speaker 3: Can you help Jack to do that? In fact, can

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Speaker 3: you just do it? Don't forget please, otherwise it's going

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Speaker 3: to be a frosty old joke.

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Speaker 4: I don't want to start like that.

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Speaker 3: We really don't. All right, Okay, so today's shows it's

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Speaker 3: mullet's really over the next twenty four hours. In fact,

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Speaker 3: it's not just next twenty four hours. This week. I

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Speaker 3: didn't know this week. We take the shape this week,

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Speaker 3: but this show just sort of slips and sides around

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Speaker 3: and whatever. Mullets have been the big talking point last week.

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Speaker 3: Are you. We're not going to know now until Monday

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Speaker 3: whether or not you are going to get drunk this

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Speaker 3: weekend and turn your hair into a munet.

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Speaker 4: You're keeping the wider But I can tell you it's

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Speaker 4: a very very slim chance I'll be able.

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Speaker 3: To do I understand that.

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Speaker 4: All I say you you know what you said Christian,

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Speaker 4: as I'm leaving in the building yesday, said to me,

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Speaker 4: It's like, ah, I'm just trying to imagine how happy

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Speaker 4: I'd be if you came in on Monday with a mullet.

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Speaker 3: I meant for you, obviously, I mean for you. Would

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Speaker 3: you mind if I bring you and your wife some

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Speaker 3: delicious alcohol tomorrow to enjoy over the weekend?

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Speaker 4: That is the best chance we have of coming mullett

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Speaker 4: great getting drunk?

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Speaker 5: All right?

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Speaker 3: Forget Jimmy brings, Christian brings tomorrow for you. Okay, So

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Speaker 3: later on this morning, the Mount Rushmore is dedicated to

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Speaker 3: the best four the greatest four munnets? Who wore that look?

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Speaker 3: The best?

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Speaker 1: Is it?

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Speaker 3: Michael Wolton from what whatever area?

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Speaker 1: Was?

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Speaker 3: It sport to me? So many munnets, not just in

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Speaker 3: the past. Has the monet ever left AFL. I think

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Speaker 3: it's always been there. It went it went down for

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Speaker 3: a little bit.

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Speaker 4: I think in the nineties it probably said we said

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Speaker 4: goodbye to a little bit. Late nineties, early two thousands.

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Speaker 3: Can spot the age of the current footy players, can't

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Speaker 3: you buy? Who is still rocking the munet? The younger guys,

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Speaker 3: it's like a default look for them. Isn't it. Yeah,

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Speaker 3: So today the Mount Rushmore is going to be munnets

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Speaker 3: tomorrow on the show. Do you think we're going to

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Speaker 3: much with themunets as well? I've got a little bit

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Speaker 3: excited Tomorrow there's a whole hour of munnet songs between

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Speaker 3: seven and eight. Sometimes when I think it saying things

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Speaker 3: on air, not everything needs to oppen. Okay, And we

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Speaker 3: haven't been talking about ferret racing yet, which has actually planned.

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Speaker 3: They must have thought it even it's not even listen

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Speaker 3: to them properly. They won't be racing ferrets. We are

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Speaker 3: very soon munet hour tomorrow, So to light its all

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Speaker 3: munllet song.

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Speaker 2: The Christian O'Connell Show Podcast.

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Speaker 3: Let's read some of your emails late late Lavarty your

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Speaker 3: home for all your emails whenever you want email the

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Speaker 3: show Christian at Christian O'Connell dot com dot au. Savvy's

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Speaker 3: at First. This week we're talking about widos items in

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Speaker 3: your freezer grown up. My mum used to keep my

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Speaker 3: dad's business shirts in the freezer. As she reckoned they

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Speaker 3: ironed better. Never heard that she also put her cigarettes

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Speaker 3: in there.

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Speaker 4: Wait, so how do you get a business shirt in there?

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Speaker 4: You can't hang it up unless you got one of

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Speaker 4: those phrases they got at McDonald's.

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Speaker 3: This is amazing. I know some people that put the

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Speaker 3: jeans and the freezer. I could instead of washing them

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Speaker 3: to preserve the denamosity. But I've never heard of a

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Speaker 3: it's a thing. Maybe I've never had business shirts in there. Amazing.

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Speaker 3: And then then the pack of fags as well. Let's

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Speaker 3: just be frozen anyway. Thank you very much, Sabby Christian,

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Speaker 3: who were talking show this week about beating your parents

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Speaker 3: after your daughter beat at the weekend racing. When I

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Speaker 3: was about four teen, me and my dad would go

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Speaker 3: out on our bicycles and ended up racing each other

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Speaker 3: on the way home from school. He'd cycle to he'd

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Speaker 3: go and get me, and we'd cycle back together. It's

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Speaker 3: that lovely man, I've just been on your bikes with

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Speaker 3: your dad anyway. One of our races, we were neck

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Speaker 3: and neck, hurtling on the path when all of a sudden,

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Speaker 3: my dad rode slightly too close to a tiny brick

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Speaker 3: wall going round someone's driveway. He hit the wall at

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Speaker 3: full speed, went flying.

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Speaker 4: He's tried to take the chicage.

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Speaker 3: Because I knew this would now mean I will win

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Speaker 3: the race, so I'm ashamed to say carried on to make

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Speaker 3: sure I won before cycling back to check my dad

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Speaker 3: was okay. He wasn't. He lost two teeth.

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Speaker 4: That's terrible.

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Speaker 3: He lost two teeth and this bike was an absolute mess.

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Speaker 3: It ended our racing competitions on bicycles ever that we

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Speaker 3: never raced again after that. Chris Great email. Now, this

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Speaker 3: is quite a little story here on Late to the party.

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Speaker 3: Was it Monday? We were talking about the EPL player

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Speaker 3: Eric Dyer, who had to leave again a big London derby.

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Speaker 3: So you got eighty thousand people watching in the stands,

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Speaker 3: millions watching all over the world between Chelsea and Spurs.

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Speaker 3: He had to leave to go to the toilet. And

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Speaker 3: I don't mean the number one and number two? How

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Speaker 3: is it? Marinia? The manager chases after and asked, what

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Speaker 3: the bloody how is he playing at? It's banging on

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Speaker 3: the cubicle doortelling to hurry up. But you got to go,

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Speaker 3: you gotta go, all right. So we've got story here

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Speaker 3: from Nicole which I didn't know about and some of

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Speaker 3: you may well know about. Christian listen to Monday Show

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Speaker 3: and you're talking about how when you have to go,

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Speaker 3: especially if you have the squits you need to go.

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Speaker 3: I'm not sure about any of you guys on the

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Speaker 3: show now about a famous Australian squat incident that my

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Speaker 3: sister and I had only been talking about last week.

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Speaker 3: How would you be suddenly bringing this up. Let's go

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Speaker 3: back to nineteen eighty two and famous Australian mouth and

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Speaker 3: runner Robert de Castilla vieu Coria. Yeah, no, it's him, Yeah,

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Speaker 3: it's not in a developed diarrhea. Just after the halfway

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Speaker 3: point of the nineteen eighty two Commonwealth Games marathon, in

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Speaker 3: what has become marathoning folklore, he started to experience sharp

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Speaker 3: abdominal pains that were inhibiting his chase of becoming the

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Speaker 3: race leader. He was quoted as saying, I let go

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Speaker 3: of my bows and there was some explosive diarrhea. He

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Speaker 3: won the race, and Urban dictionary dot com now describes

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Speaker 3: the word as a deek named after him. Robert D.

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Speaker 3: Costella to have such violent and plentiful diarrhea that it

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Speaker 3: runs down your leg into port in your shoe. This

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Speaker 3: is too much, Come on, tidy this up. During the race,

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Speaker 3: he signaled to his people to get some down touse

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Speaker 3: when she used to wipe his legs and continue running.

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Speaker 4: What is the signal for damn town?

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Speaker 3: I mean, we've got people on this show. But if

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Speaker 3: I was gonna, he's not. He's not done that again?

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Speaker 3: Is he wipe his legs? I mean the dedication to

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Speaker 3: winning this marathon, the nineteen eighty two Conworth Games, is

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Speaker 3: to be in mind. Surely at the time, For quite

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Speaker 3: some time afterwards, no one had realized that he was

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Speaker 3: actually cleaning his legs off. Yeah, we get what what

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Speaker 3: have happened? Because only he knew and I don't think

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Speaker 3: him and his people had got hand signals for I've

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Speaker 3: followed through. He went on to win the race, and

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Speaker 3: now other athletes used this as a technique. If they

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Speaker 3: need to go, they just run and go signal for

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Speaker 3: the down market boos. Yes, this is amazing. What a story.

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Speaker 3: That's from Nicole. Nicole, thank you very much for your email.

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Speaker 3: If you've got any email, sort late to the email

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Speaker 3: me Christian at Christian oo'connell dot com dot au.

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Speaker 2: Christian, Hey, hello, Christian O'Connell Show Podcast.

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Speaker 3: We're coming to your hair.

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Speaker 6: You gotta come.

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Speaker 3: Get a cut. You get a cut, you gotta cut.

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Speaker 4: Everybody gets the cut, just like oh, bra button, no cuts.

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Speaker 3: We've just got a cut. Christian O'Connors a man who's

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Speaker 3: got because whil So we all wait, wait, wait, wait

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Speaker 3: until the announcement in two weeks time from Dan and

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Speaker 3: Show's the big thing that everyone's talking about the moment

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Speaker 3: is come down to our hair, especially for guys, because guys,

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Speaker 3: we got our haircut more regular so it's like every

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Speaker 3: three or four weeks, and most people just rock up

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Speaker 3: at the local barbers. You wait your ten twenty minutes

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Speaker 3: and that sort of circle of death before you are

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Speaker 3: allowed to go into the middle and get your haircut.

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Speaker 4: I honestly think my barber where I go doesn't take

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Speaker 4: appointments like you ring him and you go, can I

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Speaker 4: have an appointment for this day? He says yes. I

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Speaker 4: don't think he writes it down anywhere, because when I

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Speaker 4: get there, I see with the walking customers and I

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Speaker 4: just wait.

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Speaker 3: That's not preferential treatment, that's not VIP. There's a guy

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Speaker 3: by the way who works in this building on the

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Speaker 3: Rival Breakfast show. Have you seen him recently? No came

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Speaker 3: in at the same time with him yesterday. It was

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Speaker 3: like I was walking in with the hedge that was

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Speaker 3: chatting to me. I could barely see the eyes. Seriously,

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Speaker 3: it was amazing. And you know when you look at something,

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Speaker 3: they know you're like, go and he went, you're looking

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Speaker 3: at my hair? I went, yeah, I it's effecting all

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Speaker 3: of us. But wow, it's like he's got this thatch.

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Speaker 3: It's like a walking edge with eyes. And there'll be

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Speaker 3: more of him out there.

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Speaker 7: Oh.

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Speaker 4: I better be careful not to walk too close to

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Speaker 4: him or else we'll get tangled. Cup up.

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Speaker 3: So the good news is we have we're here for

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Speaker 3: your hair Melbourne. We have eighteen appointments all over different

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Speaker 3: suburbs all over Melbourne North South East West. We've got

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Speaker 3: them for as soon as the salon's open. We've got

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Speaker 3: the appointments that week. So men and ladies' haircuts, half heads, tones,

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Speaker 3: whatever you need doing. I don't even know what tone.

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Speaker 3: She had a hit a couple of years ago, didn't she?

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Speaker 3: Where is tones? Tones? And she's cut your hair at

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Speaker 3: the moment in North Comb. Let's start that documentary on Netflix.

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Speaker 3: We're having the Tones all right. Lines are open now.

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Speaker 2: Christian Christian O'Connell Christian o'connells.

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Speaker 3: Show podcast time for us to open up the salon.

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Speaker 4: You got get a cut, You get a cut, you

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Speaker 4: got a cut, everybody gets the cut, just like Obra

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Speaker 4: button no cuts.

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Speaker 3: We've just got a cut. Christian coloris man who's got

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Speaker 3: because all right, we got eighteen appointments at eighteen different

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Speaker 3: salms all over Melbourne. We can slot you in if

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Speaker 3: you haven't booked in to get your haircut. When they

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Speaker 3: do open up in a couple of weeks time, when

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Speaker 3: are they actually opening.

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Speaker 4: Well hope, everyone's hoping they'll be October sixteen, but you

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Speaker 4: know it's nothing's guaranteed at the moment. But we're all

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Speaker 4: doing that same thing we did at first lockdown. It's like,

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Speaker 4: ah soon, it's only a couple of weeks away. And

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Speaker 4: then were all opens up and three parties.

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Speaker 3: Everything's back on. It's like Dan didn't say, listen, guys

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Speaker 3: on the sixteenth you can all kick off, don't go

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Speaker 3: to work, get drunk for the week, all right. So

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Speaker 3: when the saddles do open though, they're all going to

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Speaker 3: be booked up. People have got their appointments already ahead

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Speaker 3: of time. So if your hair is getting huge and

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Speaker 3: everybody's is, we can help you out. Let us know

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Speaker 3: where you are. We'll slot you in. All right, So

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Speaker 3: you've got your appoint you've got our apotment.

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Speaker 4: I've got the appointment book. The only one I didn't

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Speaker 4: put in was remember the shy Who is the shy

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Speaker 4: emailer that said he was too shiny?

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Speaker 8: Mark?

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Speaker 3: Was the guy email saying he was too shy to

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Speaker 3: call so shy Mark? It is here in Richmond, now

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Speaker 3: I do know, looking at our appoint where we can

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Speaker 3: fit him in with Brauquel on Tuesday, the twenty seventh

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Speaker 3: October ten am. Mark can get a half head and

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Speaker 3: a couple of low wave on the half. Yes, ladies,

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Speaker 3: you know what half head is is when they don't

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Speaker 3: want all their hair dyed, they get their roots done.

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Speaker 3: They call it a half head.

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Speaker 4: Oh, I imagine just one half like the left, right.

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Speaker 3: On the front or back. All right, let's take some

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Speaker 3: calls now and slot some customer, sorry, clients here, just

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Speaker 3: to call them, don't they By the way, when we

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Speaker 3: hear this, it means there's another client.

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Speaker 4: Oh I like that.

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Speaker 3: I sent a ton of producer. Get the sound effect

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Speaker 3: night someone's coming head. What hairdressers have you been in? There?

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Speaker 3: Sounds like this. It's more like a grossers, like.

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Speaker 4: The corner store, like buy your newspaper on the waken.

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Speaker 3: When it's the bet as well, I get really anxious

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Speaker 3: because that's often that short where there's there's that person

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Speaker 3: there who's got all that stuff in their shop and

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Speaker 3: no one else is in there, and that clang. You

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Speaker 3: get terrified. I don't like anything here already. You can't

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Speaker 3: leave straight away. You're trapped in there with that scary horror, Belle.

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Speaker 3: Can I help you? Look round?

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Speaker 4: I just left?

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Speaker 3: All right, Let's go to the lines and Hailey, good morning?

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Speaker 3: You going, Hailey? Good morning? I want tell us about

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Speaker 3: your hair? Hailey, what's going on?

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Speaker 8: Absolute lying at the moment?

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Speaker 9: So you want to say gee weep?

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Speaker 3: All right, Hayley. So where about saw your mate? We'll

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Speaker 3: fit you in somewhere.

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Speaker 10: Oh anyway, Ringwood, you know, all go anywhere.

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Speaker 3: Okay, we can get you into Biber salon Eastland, Ringwoods.

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Speaker 3: You can get to that, can't you.

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Speaker 2: I can get there, yep.

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Speaker 3: Friday, the thirtieth of October, still a couple of weeks away.

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Speaker 3: Two PM. You with Michael, who is brilliant.

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Speaker 4: I can't like to meet Michael.

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Speaker 3: Okay, well you can meet him two o'clock. You got

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Speaker 3: that Jack Friday the thirtieth that we could do a

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Speaker 3: half head tone, protein treatment and a cut and blow wave.

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Speaker 11: I get the whole kicking boodle.

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Speaker 3: Yeah, someone else is coming in the nineteen fifties shot

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Speaker 3: Chloe's here. That's just just coming Chloe, good morning. Hello, Hello, alright, Chloe,

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Speaker 3: tell us about your hair, mate, what's going on?

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Speaker 8: Okay, So I banged my hair in December for Cherry,

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Speaker 8: and I've decided to grow it out. But it is

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Speaker 8: a complete mock at the moment, and I tempted my

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Speaker 8: own eyes hair color, which I regret. So yeah, it's

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Speaker 8: just a look horrible.

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Speaker 3: What color would you say it is at the moment? Then?

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Speaker 3: How would you just gob?

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Speaker 8: It's like it's a brownie but a little bit red

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Speaker 8: and like throwing off kings of blonde.

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Speaker 3: That's a lot going on there, isn't it. I don't

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Speaker 3: be rude here. It sounds like rust.

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Speaker 4: It sounds like you wanted to have of all the

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Speaker 4: hair colors.

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Speaker 8: That's exactly what it looks like.

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Speaker 3: Okay, so where about sorry Chloe, kezy? Okay. Whenever I'm

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Speaker 3: out that way, I always look at that spring Bell

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Speaker 3: caravans out that way, aren't they. I always look at

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Speaker 3: all the caravans that I'm thinking about buying a mobile office.

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Speaker 8: What do you mean would be amazing?

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Speaker 3: Well, when I can't work at home, I'm getting the caravan.

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Speaker 3: I use that as my funk working office is just

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Speaker 3: going rock up somewhere. What do you think I think?

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Speaker 3: I think I'll get it as a tax jodge. Can't

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Speaker 3: you as well? Anyway? Belgrave, you can.

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Speaker 8: Do Bell Brave cart you I can, Yes, thank you.

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Speaker 3: Saturday, the thirty first of October one fifteen, cut and

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Speaker 3: blow wave with Simone, who is brilliant one of our

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Speaker 3: best stylists, two days.

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Speaker 8: Before my birthday. That is perfect.

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Speaker 3: Oh right, I'll let simono so you'll get an extra

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Speaker 3: special treatment while you're there as well. That's on us.

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Speaker 8: Oh, thank you so much.

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Speaker 11: I really appreciate someone else.

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Speaker 3: This is coming the store, Bonnie. Good morning, Good morning, Christian, Bonnie.

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Speaker 3: Let's play that this morning right for every time a

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Speaker 3: corner comes off on corner, coming in Bonnie? Where about

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Speaker 3: sell you mate? I'm in your park okay, And what's

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Speaker 3: going on with your hair?

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Speaker 12: My hair is lack Rapunzel, really it is so long? Yeah,

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Speaker 12: and I guess over the last six months, it's just

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Speaker 12: growing and growing, and it's at the point now that

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Speaker 12: it's past my hips and it's got to go.

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Speaker 3: And so have you thought about getting anyone to cut

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Speaker 3: it in the house or do anything like that, or

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Speaker 3: they just get it wrong?

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Speaker 12: Oh god, I pray end up with a bowl over

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Speaker 12: my head and that just chop around. It's no, no, no,

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Speaker 12: let's get professional help.

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Speaker 3: Okay, we can help you. So what about then? Where

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Speaker 3: can we fit at.

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Speaker 4: Preston Preston or North get Bonnie either one.

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Speaker 12: Preston is probably close suns.

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Speaker 3: Well, you've got two options here. I can get you

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Speaker 3: into Preston on Saturday the thirty first of October nine

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Speaker 3: am with Brook, or I can get you in the

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Speaker 3: start of that week Monday, the twenty sixth of October

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Speaker 3: at a gentleman's haircutter, Fleet Street barbers where they give

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Speaker 3: you a short back in size Rapunzel.

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Speaker 12: Oh gosh, no, no, no, no, okay, all right.

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Speaker 3: So it's Biber Salon Preston, nine am Saturday morning, nice

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Speaker 3: and early. Right when they open someone get Brook gets

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Speaker 3: there early, one of our best tightists. Thirty first of October.

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Speaker 4: They're all very good.

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Speaker 3: We only have the best jack wi.

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Speaker 6: Oh gosh, you booked in.

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Speaker 3: And also I'm giving you because I love the sound

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Speaker 3: of you. I'm giving you the refresh package, which is

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Speaker 3: semiperment kind of roots to end, no idea what that is?

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Speaker 4: Intensive when they do the roots halfway? Yes, and you

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Speaker 4: go come on, can't you go to the end?

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Speaker 11: Yes?

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Speaker 3: Go right to the end of the tip?

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Speaker 7: Please?

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Speaker 3: Intensive treatment follicles. Excuse me, I said intensive treatment, cut

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Speaker 3: and blow dry. You're getting alder that Okay.

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Speaker 12: I'm getting the work.

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Speaker 3: You're getting the works. Yes, the enjoy body, take care.

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Speaker 4: Christian.

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Speaker 2: Hello, Christian O'Connell show podcast.

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Speaker 3: A couple of weeks ago, was saying how I'd ordered

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Speaker 3: an inflatable hot tub because I'm a very very classy guy,

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Speaker 3: and classy guys get inflatable hot tubs. If you want

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Speaker 3: to know which one is, the classy guy owned the

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Speaker 3: Miami you know.

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Speaker 4: I looked it up for the first time since you've

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Speaker 4: started talking about it, and it's actually way shorter than

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Speaker 4: I thought it would be. I thought it'd be. I

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Speaker 4: think of hot tubs like you know those wooden jacozzies

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Speaker 4: you see like ski resort. Yeah, right up until your neckline.

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Speaker 4: But now the people in the photos like it really

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Speaker 4: barely gets over their hips.

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Speaker 3: Now, the one we got said you can get six

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Speaker 3: adults in Yep, the thing we've got, it's cozy with two. Okay,

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Speaker 3: it's cozy your knees. You need to be friendly with

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Speaker 3: the person you're in there with because there's a lot

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Speaker 3: of knee So still excuse me, you know. So anyway,

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Speaker 3: we've had it up now for two weeks, right, and

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Speaker 3: I've I am starting to live in it in the evening.

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Speaker 3: I don't even tell the family that I'm going in it,

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Speaker 3: right because it's around the side of the house, and

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Speaker 3: so I can disappear around there for half an hour

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Speaker 3: before anyone realizes that I'm missing. And I sit in

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Speaker 3: that hot tub and it's all hot. It's got a

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Speaker 3: bubble to get the little button to get the bubbles going,

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Speaker 3: and it is in the evening. It is so nice,

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Speaker 3: just a solitude, serenity now, just in that hot tub. Right,

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Speaker 3: it's brilliant, so much so. Right, I've taken I've got

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Speaker 3: a small little chair that I put in as well,

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Speaker 3: so I can sit in it.

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Speaker 4: Wait, you can put a chair in there? What if

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Speaker 4: it goes through the rubber.

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Speaker 3: Well, yeah, maybe maybe I could punch it. I hadn't

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Speaker 3: thought about that, but I've got a little lawn chair. Actually,

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Speaker 3: you know, I won't punch it. Hubby heartbroke of it.

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Speaker 3: That was that hot tub. So I sit in it

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Speaker 3: now in a chair, right, and I read my kindle

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Speaker 3: and stuff like that. I've got it all sat done.

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Speaker 3: And then my wife yesterday evening said the kids want

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Speaker 3: it moved, right, and I almost started to cry. It

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Speaker 3: takes about seven hours to fill it up there one hundred.

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Speaker 3: It's like, don't just fell it up for ten minutes

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Speaker 3: with the old host stood there and it's like a

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Speaker 3: bird bath and we all get it. It takes hours,

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Speaker 3: and I've got to drain it, and plus I don't

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Speaker 3: know where to drain it because you're going to flood

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Speaker 3: the garden. There's one hundreds of liters in there. So

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Speaker 3: now I've got to move the hot tub. I'm actually

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Speaker 3: got it. But the really big thing is that, so

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Speaker 3: you know in lockdown, I've got the hot tub, I

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Speaker 3: got the rowing machine and the table tennis. One of

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Speaker 3: them has to go.

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Speaker 4: Of course you can't. You've just got this weird gymnas.

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Speaker 3: It's like my favorite kids. Okay, I'm not the dad

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Speaker 3: in the castle.

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Speaker 4: Well, he's in the table tennis table, the obvious one,

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Speaker 4: because you guys haven't hit a table tennis ball since March.

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Speaker 3: It's the table tennis that I have to sell, and

436
00:19:52,920 --> 00:19:54,840
Speaker 3: I feel really sad about that. I felt I've let

437
00:19:54,840 --> 00:19:57,240
Speaker 3: down that table tennis. I brought that table tennis table

438
00:19:57,400 --> 00:19:59,520
Speaker 3: in good Steed and now I've got to sell it.

439
00:19:59,560 --> 00:20:01,880
Speaker 3: So I'm actually thinking about whether we do a competition

440
00:20:01,920 --> 00:20:04,240
Speaker 3: on the show to win my table tennis table, because

441
00:20:04,400 --> 00:20:07,400
Speaker 3: it's virtually in mint condition. Is yeah, but then we've

442
00:20:07,440 --> 00:20:09,440
Speaker 3: still got the five K rule. What if someone wins it?

443
00:20:09,480 --> 00:20:11,480
Speaker 3: How do we get it to anyone else? But you

444
00:20:11,480 --> 00:20:13,720
Speaker 3: can do deliveries, So you can do deliveries, all right,

445
00:20:13,760 --> 00:20:15,560
Speaker 3: maybe next week on the show, then you can win

446
00:20:15,640 --> 00:20:19,240
Speaker 3: my table tennis table. It could be yours. It's mint condition, Okay,

447
00:20:19,359 --> 00:20:22,280
Speaker 3: mint condition. I think we've used it ten times.

448
00:20:22,400 --> 00:20:24,840
Speaker 2: The Christian O'Connell show podcast.

449
00:20:25,040 --> 00:20:26,320
Speaker 3: This is going to be a big one. This morning.

450
00:20:26,359 --> 00:20:27,720
Speaker 3: We're talking about the Mount Rushmore.

451
00:20:30,200 --> 00:20:34,639
Speaker 1: Ladnie's amazing, Pie's amazing. Combined the two, it's like putting

452
00:20:34,680 --> 00:20:36,760
Speaker 1: the Sistine Chapel in the taj mahal.

453
00:20:39,400 --> 00:20:41,399
Speaker 3: All right, So each week we do something called the

454
00:20:41,440 --> 00:20:44,399
Speaker 3: Mount Rushmore and we pick a different category to debate

455
00:20:44,440 --> 00:20:47,119
Speaker 3: and argue what are the top four, the very best

456
00:20:47,160 --> 00:20:49,960
Speaker 3: four in that area? They go up on the Mount Rushmore.

457
00:20:50,280 --> 00:20:52,359
Speaker 3: Today's one. We've been talking about it so much this

458
00:20:52,480 --> 00:20:56,320
Speaker 3: week because it sits possibly a top jack's head. Jack

459
00:20:56,440 --> 00:20:58,520
Speaker 3: is toying. They'll get the feeling that the toying has

460
00:20:58,560 --> 00:21:01,439
Speaker 3: gone down to not toying a toy with growing here

461
00:21:01,560 --> 00:21:03,159
Speaker 3: boof on which is getting bigger and bigger, and a

462
00:21:03,160 --> 00:21:05,320
Speaker 3: lot of hair. So are we giving away free haircuts

463
00:21:05,320 --> 00:21:07,320
Speaker 3: half an hour ago into a mullet?

464
00:21:07,400 --> 00:21:10,159
Speaker 4: Yeah, where it's not the heat's not completely off, but

465
00:21:10,240 --> 00:21:14,040
Speaker 4: it's been turned right down to a low simmer because

466
00:21:14,359 --> 00:21:16,320
Speaker 4: both my mum came on the show and said, no,

467
00:21:16,359 --> 00:21:18,520
Speaker 4: don't get a mullet, and my wife said, please don't

468
00:21:18,520 --> 00:21:19,240
Speaker 4: get a money.

469
00:21:19,000 --> 00:21:21,120
Speaker 3: These are the biggest nose a man can ever have.

470
00:21:21,320 --> 00:21:24,080
Speaker 4: But biancared. Don't you think she left a little bit

471
00:21:24,119 --> 00:21:26,240
Speaker 4: of the door open with saying, hey, if we have

472
00:21:26,320 --> 00:21:29,240
Speaker 4: a fun happy hour this weekend, maybe we'll have a

473
00:21:29,240 --> 00:21:31,280
Speaker 4: few drinks and we'll shave the side of your head

474
00:21:31,280 --> 00:21:32,439
Speaker 4: and see what a mullet looks like.

475
00:21:32,760 --> 00:21:35,280
Speaker 3: All I can say is tune in tomorrow morning at

476
00:21:35,320 --> 00:21:38,520
Speaker 3: ten past state. I have taken on board the loop

477
00:21:38,600 --> 00:21:40,720
Speaker 3: warmness now of you're getting a monnet, but the door

478
00:21:40,760 --> 00:21:43,080
Speaker 3: being left slightly a child with the cocktails and the

479
00:21:43,160 --> 00:21:46,560
Speaker 3: happy hour. Okay, I have a proposition a gift to

480
00:21:46,640 --> 00:21:48,560
Speaker 3: both of you, you and your wife tomorrow morning at

481
00:21:48,600 --> 00:21:51,480
Speaker 3: ten past eight. This is a last stitch. How Mary

482
00:21:51,520 --> 00:21:51,919
Speaker 3: passed it?

483
00:21:52,000 --> 00:21:53,919
Speaker 4: Yeah, if it doesn't, If it doesn't work this weekend,

484
00:21:53,920 --> 00:21:55,280
Speaker 4: I don't think I'll ever have a mullet.

485
00:21:55,640 --> 00:21:57,879
Speaker 3: I'm going to put about with you now twenty dollars

486
00:21:57,920 --> 00:22:00,879
Speaker 3: that when you come in Monday you've got a munnet. Okay,

487
00:22:01,440 --> 00:22:02,320
Speaker 3: well I want one.

488
00:22:02,480 --> 00:22:04,919
Speaker 4: I'm excited to see what it looks like.

489
00:22:05,760 --> 00:22:08,600
Speaker 3: All right. So the Mount Rushmore this week then is

490
00:22:08,640 --> 00:22:11,160
Speaker 3: the top four? They very greatest on the Mount Rushmore?

491
00:22:11,200 --> 00:22:12,040
Speaker 3: Who wore it best?

492
00:22:12,160 --> 00:22:15,000
Speaker 6: The money just a little off the top and nothing else,

493
00:22:15,359 --> 00:22:17,120
Speaker 6: and be proud of it, folks.

494
00:22:17,720 --> 00:22:18,960
Speaker 2: It's time to bring back.

495
00:22:22,680 --> 00:22:24,600
Speaker 3: I mean, he says, bring back the money. We're in

496
00:22:24,640 --> 00:22:29,880
Speaker 3: a country where yes been around permanently. Has there ever

497
00:22:29,920 --> 00:22:32,400
Speaker 3: been a decade where there weren't men in Australia rock

498
00:22:32,440 --> 00:22:32,960
Speaker 3: in the money.

499
00:22:33,720 --> 00:22:37,400
Speaker 4: Well, I said yesterday, I thought in the late nineties,

500
00:22:37,440 --> 00:22:39,359
Speaker 4: early two thousands it went away for a little bit

501
00:22:39,400 --> 00:22:41,760
Speaker 4: and feels like it's coming back as we as we

502
00:22:41,840 --> 00:22:46,480
Speaker 4: come into the like twenty twenty. But I think it's

503
00:22:46,520 --> 00:22:48,720
Speaker 4: always been there. And the person I want to put

504
00:22:48,760 --> 00:22:49,639
Speaker 4: on that can I start off?

505
00:22:49,720 --> 00:22:50,639
Speaker 3: Yeah, go on first, I.

506
00:22:50,680 --> 00:22:53,560
Speaker 4: Want to put on Mount Rushmore completely contradicts what I

507
00:22:53,600 --> 00:22:55,680
Speaker 4: said yesterday. I said, by the end of the nineties,

508
00:22:55,760 --> 00:22:58,080
Speaker 4: no one in football had a mullet anymore. And then

509
00:22:58,119 --> 00:23:01,840
Speaker 4: there's this perfect footballing. This has been around all three

510
00:23:01,880 --> 00:23:06,000
Speaker 4: his playing career. Sticks Stephen Kernahan for the Carton Blues.

511
00:23:06,280 --> 00:23:07,560
Speaker 4: We spoke to him on this show.

512
00:23:07,680 --> 00:23:09,720
Speaker 3: What a voice here was the one when I first

513
00:23:09,760 --> 00:23:12,159
Speaker 3: started on the show. Obviously it was very very important.

514
00:23:12,160 --> 00:23:13,800
Speaker 3: People didn't want to know why I was here, that

515
00:23:13,840 --> 00:23:15,119
Speaker 3: we like, what team you're going to bear it for?

516
00:23:15,320 --> 00:23:17,800
Speaker 3: And it was this horrendous choice. If I don't get

517
00:23:17,800 --> 00:23:19,639
Speaker 3: this out of the way really quickly, my chances were

518
00:23:19,640 --> 00:23:23,040
Speaker 3: succeeding here are zero, and so we speed dated were

519
00:23:23,080 --> 00:23:25,480
Speaker 3: every day for about the first eighteen shows. We had

520
00:23:25,520 --> 00:23:28,400
Speaker 3: a representative, a former player or a coach from each

521
00:23:28,400 --> 00:23:31,360
Speaker 3: of the footy teams trying to make me convince them

522
00:23:31,359 --> 00:23:32,639
Speaker 3: to be a fan of their so on behalf of

523
00:23:32,680 --> 00:23:35,199
Speaker 3: the Blues. We had sticks to legend. But his voice,

524
00:23:35,760 --> 00:23:37,359
Speaker 3: I think he was calling from the bathroom, which had

525
00:23:37,520 --> 00:23:40,400
Speaker 3: a bit of echo and reverb. But it's the deepest

526
00:23:40,480 --> 00:23:44,639
Speaker 3: voice we've ever had on this show. It was like

527
00:23:44,680 --> 00:23:47,439
Speaker 3: a kidnapper's voice. It sounded like Styx Kernerhan, he's a leegend.

528
00:23:47,720 --> 00:23:50,200
Speaker 4: You actually thought we might have that program.

529
00:23:50,240 --> 00:23:51,919
Speaker 3: I thought it was a technical problem. This voice was

530
00:23:51,960 --> 00:23:55,800
Speaker 3: so terrifying and manly and deep, and it was like verberating.

531
00:23:56,160 --> 00:23:58,520
Speaker 3: But his money is an amazing money.

532
00:23:58,520 --> 00:24:01,439
Speaker 4: He had this beautiful, such a well kept mullet, and

533
00:24:01,480 --> 00:24:03,040
Speaker 4: I think that's what I really liked about it.

534
00:24:03,040 --> 00:24:05,040
Speaker 3: It keeps its shape. The munet is solid, doesn't it.

535
00:24:05,080 --> 00:24:07,840
Speaker 3: You know? Even even playing sport. Or Wayne Gretzky had

536
00:24:07,840 --> 00:24:10,119
Speaker 3: one ice hockey, got the helmet on you moving around,

537
00:24:10,240 --> 00:24:11,200
Speaker 3: The hair doesn't move.

538
00:24:11,359 --> 00:24:11,560
Speaker 7: Yep.

539
00:24:11,720 --> 00:24:13,760
Speaker 4: It was so big in the back. But he must

540
00:24:13,760 --> 00:24:16,560
Speaker 4: have combed it and kept it in the shape really clean.

541
00:24:16,600 --> 00:24:18,840
Speaker 3: What we're saying is it's a well maintained monet. It's

542
00:24:18,840 --> 00:24:20,920
Speaker 3: a really you look after the munnet, the mullet will

543
00:24:20,920 --> 00:24:22,520
Speaker 3: look after you. It's a hair helmet.

544
00:24:22,600 --> 00:24:24,320
Speaker 4: And that's what I can promise to my wife if

545
00:24:24,320 --> 00:24:26,680
Speaker 4: she lets me keep get a mullet, I will keep

546
00:24:26,720 --> 00:24:28,040
Speaker 4: it looking good.

547
00:24:28,080 --> 00:24:29,320
Speaker 3: You know. You're also what you need to do is

548
00:24:29,359 --> 00:24:31,439
Speaker 3: you get you need to get a special brush, you know,

549
00:24:31,800 --> 00:24:34,160
Speaker 3: mullet brush. What's that bet of glory? What's that Will

550
00:24:34,240 --> 00:24:38,000
Speaker 3: Ferrell brush that he's got for his hair brush. Yes,

551
00:24:38,080 --> 00:24:40,520
Speaker 3: it's well known, all right. So who do you think

552
00:24:40,600 --> 00:24:43,080
Speaker 3: more the best? What are the greatest munnets, whether it's

553
00:24:43,080 --> 00:24:46,520
Speaker 3: sport or music. Who's had the greatest money. That's what

554
00:24:46,560 --> 00:24:48,760
Speaker 3: we're looking for this morning. Gup on the Mount Rushmore.

555
00:24:48,760 --> 00:24:53,359
Speaker 2: Christian Christian O'Connell show podcast.

556
00:24:53,520 --> 00:24:56,399
Speaker 3: We're talking about mullets today and our Mount Rushmore this

557
00:24:56,480 --> 00:24:59,240
Speaker 3: week is dedicated to the great munnet who had it

558
00:24:59,280 --> 00:25:01,959
Speaker 3: the best? So was just saying about Stick's Kernahan and

559
00:25:01,960 --> 00:25:03,440
Speaker 3: how when he came on the show in the early

560
00:25:03,520 --> 00:25:06,399
Speaker 3: days trying to convince me or when you hear this

561
00:25:06,480 --> 00:25:10,880
Speaker 3: more threatened me it must support the blues. How deep

562
00:25:10,960 --> 00:25:13,200
Speaker 3: his voice was? Have it listen to this? We found

563
00:25:13,200 --> 00:25:16,159
Speaker 3: it right, It's really deep. It's slightly echoing because I

564
00:25:16,200 --> 00:25:17,479
Speaker 3: think he was on I think he said he went

565
00:25:17,520 --> 00:25:19,960
Speaker 3: into the bathroom. Have a listen to this. It sounds

566
00:25:20,000 --> 00:25:21,320
Speaker 3: like he's in witness protection.

567
00:25:21,840 --> 00:25:24,720
Speaker 7: Oh thank you yours, Christian Walker, os my hope. Be

568
00:25:24,800 --> 00:25:25,400
Speaker 7: loving it here.

569
00:25:25,520 --> 00:25:30,320
Speaker 3: I mean, how it so madly it's just one hundred

570
00:25:30,320 --> 00:25:32,800
Speaker 3: percent testosterone. And of course mullet.

571
00:25:33,080 --> 00:25:36,040
Speaker 7: Oh thank you yours Christian Walker, os my hope, you're

572
00:25:36,040 --> 00:25:38,640
Speaker 7: loving it here. If we listening to you and Jackson

573
00:25:38,680 --> 00:25:41,640
Speaker 7: to start last mon done gold to gripe shot, good

574
00:25:41,680 --> 00:25:44,160
Speaker 7: beer to gripe tunes, and to listen to you, I've

575
00:25:44,280 --> 00:25:46,720
Speaker 7: worked out, he's got the house sorted, he's had a

576
00:25:46,760 --> 00:25:49,760
Speaker 7: school for your two girls. And given way of speaking

577
00:25:49,760 --> 00:25:52,320
Speaker 7: this morning, you're saying we're still have important things are

578
00:25:52,320 --> 00:25:53,840
Speaker 7: going well at sounds right.

579
00:25:53,960 --> 00:25:55,840
Speaker 4: You know what it sounds like is when you play

580
00:25:56,000 --> 00:25:58,560
Speaker 4: muck around with that graphic equalizer on the old school

581
00:25:58,960 --> 00:26:01,240
Speaker 4: stereos and you turn and all the high end it's

582
00:26:01,280 --> 00:26:01,919
Speaker 4: just the low end.

583
00:26:01,960 --> 00:26:03,920
Speaker 3: It's just all the lower end. All right, So stick's

584
00:26:03,960 --> 00:26:07,240
Speaker 3: kin a hand for Jackie Boye. I'm going for this guy,

585
00:26:08,240 --> 00:26:12,560
Speaker 3: Mickey Bolton. You don't have a serious conversation about mudllets

586
00:26:12,600 --> 00:26:15,120
Speaker 3: without Michael Malton being up there on the Mount Rushmore.

587
00:26:15,560 --> 00:26:17,359
Speaker 3: All right, let's take some of your calls. Matt's on

588
00:26:17,440 --> 00:26:18,119
Speaker 3: the like and what in.

589
00:26:18,119 --> 00:26:20,480
Speaker 11: Matt, good morning guys, how are we going good?

590
00:26:20,560 --> 00:26:23,480
Speaker 3: So mount rushmore of mullets. Who has to go up Matt.

591
00:26:23,359 --> 00:26:27,760
Speaker 11: A, you cannot beat John Steinmos playing Jesse in Full House.

592
00:26:27,840 --> 00:26:31,720
Speaker 11: The volume, the curls, the gloss, black, the passion, the

593
00:26:31,840 --> 00:26:34,280
Speaker 11: care about his hair, not the hair, not the hair,

594
00:26:34,400 --> 00:26:37,199
Speaker 11: like just absolute classic, iconic mullet.

595
00:26:37,640 --> 00:26:39,760
Speaker 3: Yeah, you're right, it's a it's a it's you're right.

596
00:26:39,840 --> 00:26:42,399
Speaker 3: It's a classic one. And it never moved, did it.

597
00:26:42,400 --> 00:26:44,960
Speaker 3: It was it was immacketed whatever scene he was in

598
00:26:44,960 --> 00:26:47,359
Speaker 3: in Full House. And it's a beautiful muddet. And he

599
00:26:47,440 --> 00:26:50,720
Speaker 3: says he's quite a short little guy. About eighty percent

600
00:26:50,760 --> 00:26:51,720
Speaker 3: of him is the mullet.

601
00:26:53,320 --> 00:26:56,280
Speaker 4: Yeah it's another really clean yet well kept mullet.

602
00:26:56,359 --> 00:26:59,640
Speaker 3: Yeah yeah, yeah, no, that that's an iconic one. Stemos,

603
00:26:59,720 --> 00:27:02,080
Speaker 3: John's Damos has to go up there. That's a great one. Matt,

604
00:27:02,119 --> 00:27:02,920
Speaker 3: Thank you very much.

605
00:27:03,200 --> 00:27:04,320
Speaker 11: Thanks guys, have a great day.

606
00:27:04,480 --> 00:27:06,520
Speaker 3: Anybody'd say save Calvin.

607
00:27:07,119 --> 00:27:12,520
Speaker 6: A morning, Christian I reckon the best mullet of all time.

608
00:27:12,960 --> 00:27:16,520
Speaker 6: Credit where credits due would have to be Dermot Breridon

609
00:27:16,680 --> 00:27:18,520
Speaker 6: played Cena half forward.

610
00:27:18,160 --> 00:27:18,920
Speaker 2: For the Hawks.

611
00:27:19,080 --> 00:27:22,159
Speaker 6: I mean, I'm a Hawks hater, but he did like

612
00:27:22,280 --> 00:27:23,400
Speaker 6: a good mallow.

613
00:27:23,560 --> 00:27:26,159
Speaker 3: He did, he rocked it. It's an amazing look that munet.

614
00:27:26,160 --> 00:27:28,680
Speaker 3: It was to me he's famous the two things, punching

615
00:27:28,720 --> 00:27:31,680
Speaker 3: people in the face and having an amazing mullet. Really

616
00:27:31,800 --> 00:27:34,480
Speaker 3: told me you're right, one of the greatest footy mullets ever.

617
00:27:35,720 --> 00:27:36,800
Speaker 6: Yes, exactly.

618
00:27:36,880 --> 00:27:40,960
Speaker 5: That was an absolutely fantastic mullet and Matt Mullett running

619
00:27:41,000 --> 00:27:45,199
Speaker 5: through the Essendam huddle at three quarter time in the

620
00:27:45,520 --> 00:27:49,200
Speaker 5: I think it was the eighty six Grand Final. Yes,

621
00:27:49,840 --> 00:27:53,040
Speaker 5: don't like Dermitt Breridon, but he did rock a good muller.

622
00:27:53,240 --> 00:27:55,640
Speaker 3: That's right, well, said Calvin. Thank you very much. You Colma,

623
00:27:55,720 --> 00:27:56,240
Speaker 3: have a good day.

624
00:27:57,320 --> 00:27:58,199
Speaker 6: Thank you too.

625
00:27:58,400 --> 00:28:00,400
Speaker 5: Cave up the good work, Thank.

626
00:28:00,200 --> 00:28:07,520
Speaker 3: You, Kevin. Bye, Johnny, Johnny, good morning, Good morning, Johnny says,

627
00:28:08,880 --> 00:28:11,080
Speaker 3: I'm good buddy. And uh mulletts who has to go

628
00:28:11,200 --> 00:28:11,720
Speaker 3: up there.

629
00:28:12,000 --> 00:28:14,400
Speaker 11: Like these guys have got nothing on that you can't

630
00:28:14,440 --> 00:28:17,040
Speaker 11: be to seek for see Hulk Hogan man, that's the ripper.

631
00:28:17,320 --> 00:28:19,439
Speaker 3: Oh yeah, he had. He even had the tash to

632
00:28:19,480 --> 00:28:21,679
Speaker 3: go with it. His was a very sort of close

633
00:28:21,760 --> 00:28:29,520
Speaker 3: crocked one, wasn't it Johnny here, what's going on there?

634
00:28:29,520 --> 00:28:29,680
Speaker 7: Mate?

635
00:28:29,680 --> 00:28:31,639
Speaker 3: It sounds like you're driving industrial.

636
00:28:31,160 --> 00:28:35,120
Speaker 11: Digger just in the truck.

637
00:28:35,160 --> 00:28:36,400
Speaker 10: Actually, how big.

638
00:28:36,280 --> 00:28:39,600
Speaker 3: Is the truck? It sounds like we're stuck in the engine.

639
00:28:40,840 --> 00:28:43,120
Speaker 1: It's probably because I've got the ephones in plugged in me.

640
00:28:44,280 --> 00:28:48,680
Speaker 3: Right, well, stay safe? Okay, so you're saying, hold right, gotcha?

641
00:28:48,920 --> 00:28:50,400
Speaker 3: All right, thank you very much, Johnny.

642
00:28:50,400 --> 00:28:51,120
Speaker 7: I have a great guy.

643
00:28:51,200 --> 00:28:52,440
Speaker 9: Guys have done alug job.

644
00:28:52,720 --> 00:28:55,760
Speaker 3: Thank you very much, Bye by bye? Is it me?

645
00:28:55,920 --> 00:28:58,120
Speaker 3: A lot of the cords? They got other stuff going

646
00:28:58,120 --> 00:29:00,840
Speaker 3: on in the background. Normally, you know, sometimes we're just

647
00:29:00,960 --> 00:29:03,160
Speaker 3: like central attention, but it felt like they're all the

648
00:29:03,240 --> 00:29:05,000
Speaker 3: last two quarters I've had other stuff going on. There

649
00:29:05,040 --> 00:29:06,760
Speaker 3: is quickly just ticking this off.

650
00:29:06,640 --> 00:29:08,360
Speaker 4: You know what it is? People are busy, but they

651
00:29:08,400 --> 00:29:10,920
Speaker 4: hear about wanting to hear about the best mullet, and

652
00:29:10,920 --> 00:29:12,040
Speaker 4: they're like, all right, well I've.

653
00:29:11,920 --> 00:29:18,960
Speaker 3: Got to call in money magnetic power to its drawing ladies.

654
00:29:19,000 --> 00:29:26,840
Speaker 3: Where's the ladies that some one don't even care about? Munnets?

655
00:29:27,560 --> 00:29:30,040
Speaker 2: Christian O'Connell show podcast.

656
00:29:30,240 --> 00:29:33,120
Speaker 3: All right, so we're talking about Rushmore today of munnets,

657
00:29:33,160 --> 00:29:34,680
Speaker 3: who is definitely up there so far?

658
00:29:36,000 --> 00:29:36,440
Speaker 4: I think?

659
00:29:36,720 --> 00:29:37,960
Speaker 3: Please tell me Michael Bolton.

660
00:29:38,800 --> 00:29:41,680
Speaker 4: Bolton's definitely up there, Mickey b I think after looking

661
00:29:41,680 --> 00:29:43,160
Speaker 4: at Hulk Hogan photos, which.

662
00:29:43,000 --> 00:29:44,600
Speaker 3: Was their last call, this is horrifying.

663
00:29:44,720 --> 00:29:47,719
Speaker 4: This is horrifying because he's going bored. But keeping the mullet.

664
00:29:47,760 --> 00:29:50,360
Speaker 4: I think, you know it's a denial mullet, isn't it?

665
00:29:51,200 --> 00:29:53,719
Speaker 4: Money is all about someone growing out. His is actually

666
00:29:53,760 --> 00:29:55,600
Speaker 4: in retreat.

667
00:29:55,920 --> 00:29:58,200
Speaker 3: You know those dolls that your sister's down where you

668
00:29:58,240 --> 00:29:59,960
Speaker 3: can wind up the ham and it comes in or out.

669
00:30:00,240 --> 00:30:01,920
Speaker 3: Someone was doing that to go.

670
00:30:02,560 --> 00:30:04,480
Speaker 4: I think he should get extra points for keeping the

671
00:30:04,560 --> 00:30:05,760
Speaker 4: mullet with no hell on top?

672
00:30:05,800 --> 00:30:08,480
Speaker 3: All right? Fine? Does he sit slightly below the other four?

673
00:30:09,080 --> 00:30:10,560
Speaker 3: Is he like a little one in the gift shop

674
00:30:10,640 --> 00:30:13,080
Speaker 3: or something? All right, let's got to course before we

675
00:30:13,120 --> 00:30:16,640
Speaker 3: go to the news headlines. Shelley, good morning, Oh high Christians.

676
00:30:16,800 --> 00:30:19,080
Speaker 12: I think Billy ray Cyrus is a big one for

677
00:30:19,160 --> 00:30:23,160
Speaker 12: the big mullet. He had had something to compensate to

678
00:30:23,240 --> 00:30:23,800
Speaker 12: his singing.

679
00:30:25,120 --> 00:30:29,959
Speaker 3: Yeah, I mean his was an aggressive, big, noticeable mudget.

680
00:30:30,000 --> 00:30:30,560
Speaker 3: Wasn't it that.

681
00:30:30,920 --> 00:30:32,240
Speaker 2: He didn't call it a mullet.

682
00:30:32,320 --> 00:30:34,000
Speaker 12: He called it the Kentucky Waterfall?

683
00:30:34,680 --> 00:30:34,960
Speaker 3: Did he?

684
00:30:35,840 --> 00:30:36,160
Speaker 11: Yes?

685
00:30:36,520 --> 00:30:38,480
Speaker 3: Never heard that. I did not know about that. The

686
00:30:38,560 --> 00:30:42,880
Speaker 3: Kentucky Waterfall. You say, yes, that's what he called it. Now, Shelley,

687
00:30:42,880 --> 00:30:45,239
Speaker 3: you're the first lady to call and have any kind

688
00:30:45,280 --> 00:30:47,200
Speaker 3: of opinion about the munet today. So while you're on,

689
00:30:47,560 --> 00:30:49,560
Speaker 3: where do you think about Jack's monet? Is it another

690
00:30:49,640 --> 00:30:52,840
Speaker 3: no like his wife and his mum or no, I

691
00:30:52,880 --> 00:30:53,640
Speaker 3: say go for it.

692
00:30:53,840 --> 00:30:55,720
Speaker 10: If it looks bad, you've always cut it off.

693
00:30:55,880 --> 00:30:56,240
Speaker 4: That's right.

694
00:30:56,760 --> 00:30:58,840
Speaker 3: Yeah, you've got wiggle room. All right, Shelley, have a

695
00:30:58,920 --> 00:31:00,480
Speaker 3: nice day. Thanks for calling, Worries.

696
00:31:00,560 --> 00:31:02,280
Speaker 2: Thank you, bye, Scott.

697
00:31:02,320 --> 00:31:06,440
Speaker 3: Come on, let's go to Scotty. Now, come on in, Scott. Yeah,

698
00:31:06,480 --> 00:31:08,080
Speaker 3: we're good, Scott. Who do you think has to go

699
00:31:08,160 --> 00:31:08,520
Speaker 3: up there?

700
00:31:09,080 --> 00:31:12,000
Speaker 9: Well, we have to have to recognize you ossy musicians,

701
00:31:12,040 --> 00:31:13,920
Speaker 9: So big, big, big blond mullet.

702
00:31:14,000 --> 00:31:15,520
Speaker 1: Mullet would be John Faron.

703
00:31:16,520 --> 00:31:21,120
Speaker 4: The Australian Billy Ray Tarras. No one ever called him.

704
00:31:21,120 --> 00:31:24,920
Speaker 3: You're the voice and you're the munet. It's the Australian

705
00:31:24,960 --> 00:31:28,240
Speaker 3: Billy Ray cyrus what he's saying tag there? Yeah, I

706
00:31:28,240 --> 00:31:30,440
Speaker 3: mean that's a definite contender for FANSI up there. Yeah,

707
00:31:30,480 --> 00:31:32,880
Speaker 3: he's had an amazing hand. Scott. That's a great one.

708
00:31:32,880 --> 00:31:36,760
Speaker 3: Thank you very much. And cool let's go to Tracy. Hi,

709
00:31:36,960 --> 00:31:39,160
Speaker 3: how are you? I'm good, Tracy? What do you reckon

710
00:31:39,200 --> 00:31:39,760
Speaker 3: about the mudet?

711
00:31:39,800 --> 00:31:39,920
Speaker 7: Then?

712
00:31:39,920 --> 00:31:41,480
Speaker 3: Who wore it best? Ah?

713
00:31:41,840 --> 00:31:44,320
Speaker 9: John Farnham's was good? But heir, can you go past

714
00:31:44,480 --> 00:31:45,240
Speaker 9: Richard Mark?

715
00:31:45,760 --> 00:31:47,120
Speaker 1: I mean, come on, you look.

716
00:31:47,040 --> 00:31:50,040
Speaker 8: At the face, you look at the hair. He sings

717
00:31:50,080 --> 00:31:53,400
Speaker 8: an oh, you're just melt away.

718
00:31:53,600 --> 00:31:58,160
Speaker 3: Yeah, trifactor, the voice, the hair, the man, triple threat.

719
00:31:58,240 --> 00:31:59,960
Speaker 11: Yep, exactly.

720
00:32:01,040 --> 00:32:03,240
Speaker 3: You take away one of those bases of that pyramid.

721
00:32:03,280 --> 00:32:08,160
Speaker 3: It's not the same. Yeah, that's a good one. Richard

722
00:32:08,200 --> 00:32:11,920
Speaker 3: Mark's had a very well manicured mullet, didn't He Not

723
00:32:12,080 --> 00:32:15,480
Speaker 3: so big and noisy as say Billy Ray Cyrus. It's

724
00:32:15,520 --> 00:32:16,760
Speaker 3: more contained.

725
00:32:17,760 --> 00:32:18,520
Speaker 7: No, that's right.

726
00:32:18,560 --> 00:32:20,800
Speaker 9: You know they say that the quiet ones are the

727
00:32:20,840 --> 00:32:22,080
Speaker 9: ones you gotta watch out for.

728
00:32:22,880 --> 00:32:27,040
Speaker 3: Quite that can be a quiet mullet.

729
00:32:27,280 --> 00:32:29,440
Speaker 4: I wouldn't call it a quiet mullet. I don't think

730
00:32:29,480 --> 00:32:31,320
Speaker 4: there is such a thing as a quiet mullet. They're

731
00:32:31,320 --> 00:32:32,680
Speaker 4: all loud and everything.

732
00:32:32,400 --> 00:32:34,400
Speaker 9: Goes quiet when you look at him, you just go

733
00:32:34,760 --> 00:32:37,600
Speaker 9: on melt away and.

734
00:32:37,640 --> 00:32:39,760
Speaker 3: Tracy, have you seen him recently? I don't know what

735
00:32:39,760 --> 00:32:43,560
Speaker 3: he's done, whether he sold his soul. He looks lately,

736
00:32:43,840 --> 00:32:46,400
Speaker 3: but he looks great. He's a smoke show. I mean,

737
00:32:46,480 --> 00:32:48,680
Speaker 3: I'm happily married, but that is a great looking man

738
00:32:48,720 --> 00:32:50,040
Speaker 3: who's aging beautifully.

739
00:32:50,200 --> 00:32:53,880
Speaker 9: I know, I know, you know, I mean, I just

740
00:32:53,920 --> 00:32:57,360
Speaker 9: imagine the mullet's still on there now is Tracy?

741
00:32:57,400 --> 00:32:58,160
Speaker 3: Thank you very much?

742
00:32:58,160 --> 00:32:58,680
Speaker 1: It called.

743
00:33:00,480 --> 00:33:02,800
Speaker 2: A Christian O'Connell show podcast.

744
00:33:03,120 --> 00:33:06,120
Speaker 3: So this week it's been the Budget and Paduca Rio

745
00:33:06,600 --> 00:33:09,040
Speaker 3: saw on Channel nine as part of their news coverage.

746
00:33:09,040 --> 00:33:11,440
Speaker 3: This always happens all over the world whenever it's a budget.

747
00:33:11,480 --> 00:33:14,560
Speaker 3: They go and they cut to a real family, a

748
00:33:14,600 --> 00:33:17,120
Speaker 3: typical family. But what does all this mean to you

749
00:33:17,240 --> 00:33:20,160
Speaker 3: at home? They always refer to us as you at home,

750
00:33:20,240 --> 00:33:22,640
Speaker 3: don't they We don't do what they're on radio? What

751
00:33:22,680 --> 00:33:24,440
Speaker 3: does this mean to you? To you? And wouldn't you

752
00:33:24,480 --> 00:33:28,360
Speaker 3: at home give us a call this morning? Anyway, there's

753
00:33:28,360 --> 00:33:30,520
Speaker 3: a photo of a family. I don't know what's going

754
00:33:30,600 --> 00:33:33,560
Speaker 3: on this family. They look as miserable as sin, maybe

755
00:33:33,560 --> 00:33:36,600
Speaker 3: because they're watching the Budget, you know, in the evening

756
00:33:36,880 --> 00:33:40,480
Speaker 3: and not Netflix or anything else will stand. However, what

757
00:33:40,600 --> 00:33:45,120
Speaker 3: caught producer Rio's eye is the enormous size of this couch.

758
00:33:46,200 --> 00:33:48,720
Speaker 3: I mean, it looks like an airport waiting lounge. Doesn't

759
00:33:48,720 --> 00:33:52,040
Speaker 3: it first class or something? How many seats are on

760
00:33:52,080 --> 00:33:53,560
Speaker 3: this L shaped couch?

761
00:33:53,560 --> 00:33:55,680
Speaker 4: We should we go through them and try and count.

762
00:33:55,760 --> 00:33:58,440
Speaker 3: Yeah, starting on the left side of this photo.

763
00:33:58,200 --> 00:34:01,200
Speaker 4: Yeah, it's a family of six but there, But then.

764
00:34:01,080 --> 00:34:04,360
Speaker 3: Why is there room for possibly twelve one two? Is

765
00:34:04,400 --> 00:34:08,279
Speaker 3: there also a clubhouse for a VFL team to conduct

766
00:34:08,320 --> 00:34:09,920
Speaker 3: sort of halftime talks?

767
00:34:10,239 --> 00:34:13,879
Speaker 4: One, two, three, four, five, six, seven, eight, nine ten?

768
00:34:14,000 --> 00:34:16,880
Speaker 4: Do we count that corner seat that would be squishy

769
00:34:16,880 --> 00:34:18,000
Speaker 4: if someone will skip and.

770
00:34:17,960 --> 00:34:20,280
Speaker 3: A family get to the Christmas there's always an argument.

771
00:34:20,320 --> 00:34:21,640
Speaker 3: It's always one of the kids that's meant to go

772
00:34:21,680 --> 00:34:23,520
Speaker 3: in the corner one. You can't make your nan go

773
00:34:23,560 --> 00:34:24,360
Speaker 3: in the corner seat.

774
00:34:26,160 --> 00:34:31,200
Speaker 4: Eleven, twelve, thirteen would fit thirteen adults comfortably.

775
00:34:30,920 --> 00:34:33,640
Speaker 3: Right, I mean, but there's only how many people are

776
00:34:33,640 --> 00:34:37,040
Speaker 3: on this here? For this staged photo for Channel nine,

777
00:34:39,239 --> 00:34:42,799
Speaker 3: where's unconscious or dead or asleep? It's a budget There's

778
00:34:42,840 --> 00:34:45,040
Speaker 3: a kid that looks is like look like he's watching

779
00:34:45,040 --> 00:34:46,799
Speaker 3: a horror movie. It's Friedenburg on TV.

780
00:34:47,120 --> 00:34:48,960
Speaker 4: Also, the kid is squished between the mum and.

781
00:34:48,960 --> 00:34:51,680
Speaker 3: There's a time who's come from nineteen eighty two to

782
00:34:51,719 --> 00:34:54,200
Speaker 3: about munets? Is not a doll or a human the

783
00:34:54,520 --> 00:34:57,239
Speaker 3: third person. I mean, this could be a family violences.

784
00:34:57,280 --> 00:34:59,920
Speaker 3: I'm really sorry. But and then there's two at the end.

785
00:35:00,000 --> 00:35:02,080
Speaker 3: You look like they've just been drafted in or like

786
00:35:02,120 --> 00:35:04,680
Speaker 3: the work, or they've had a massive fall out with

787
00:35:04,719 --> 00:35:07,399
Speaker 3: these random adults. They don't look like a family. I'm

788
00:35:07,400 --> 00:35:09,720
Speaker 3: trying to work out whose mum and dad, brother sister.

789
00:35:10,200 --> 00:35:12,160
Speaker 4: Maybe they work for Channel nine and they're like, feel

790
00:35:12,200 --> 00:35:13,560
Speaker 4: like they couch. It looks too empty.

791
00:35:14,000 --> 00:35:15,520
Speaker 3: Not just that you could tell this this stage right,

792
00:35:15,560 --> 00:35:18,120
Speaker 3: it's making me feel uncomfortable. The table that's got the

793
00:35:18,120 --> 00:35:20,040
Speaker 3: two remotes. We all have two remotes, now, don't you

794
00:35:20,080 --> 00:35:21,360
Speaker 3: have all the different stream in servis and you in

795
00:35:21,400 --> 00:35:23,960
Speaker 3: the one that turns off on the volume is eighty

796
00:35:24,040 --> 00:35:25,560
Speaker 3: five feet away from them.

797
00:35:26,480 --> 00:35:27,760
Speaker 4: You have to get up. You couldn't.

798
00:35:27,800 --> 00:35:29,480
Speaker 3: That's making me anxious. I don't know about you, Rup,

799
00:35:29,480 --> 00:35:31,480
Speaker 3: but it's like it's like a holstered gun to me right,

800
00:35:31,560 --> 00:35:33,759
Speaker 3: because I can't stand having to find the remote. It

801
00:35:33,880 --> 00:35:35,959
Speaker 3: sits on my lap. It has to be I can't

802
00:35:35,960 --> 00:35:38,080
Speaker 3: relax us. I know where they are. They're next to me,

803
00:35:38,120 --> 00:35:39,879
Speaker 3: so I can get to them really quickly. Gets my gun.

804
00:35:39,960 --> 00:35:42,000
Speaker 4: I even balance it on the end of my knee. Yeah,

805
00:35:42,080 --> 00:35:43,759
Speaker 4: it's like right, you don't even have to pick it up,

806
00:35:43,800 --> 00:35:46,319
Speaker 4: you just point it and click. They also notice that

807
00:35:46,440 --> 00:35:49,479
Speaker 4: Dad is on a reclining chair, which means I think

808
00:35:49,600 --> 00:35:52,600
Speaker 4: every one of these seats is reclining as well.

809
00:35:53,920 --> 00:35:56,439
Speaker 3: Yeah, it's an individual recliner, you know, where you don't

810
00:35:56,440 --> 00:35:58,720
Speaker 3: all move as one. Yeah, you can have your own thing. Plus,

811
00:35:58,719 --> 00:36:02,240
Speaker 3: I've also noticing some have got their shoes off, some haven't.

812
00:36:02,960 --> 00:36:05,719
Speaker 3: That's all right if I don't understand the etiquette there.

813
00:36:06,560 --> 00:36:08,760
Speaker 3: Who's keeping that? Dad's kept his on? Does he always

814
00:36:08,800 --> 00:36:11,120
Speaker 3: got a shoes on when he's watching TV? Anyway? The

815
00:36:11,200 --> 00:36:14,960
Speaker 3: question is what is the biggest couch in Melbourne? Let's

816
00:36:14,960 --> 00:36:16,719
Speaker 3: try and find out, has anyone? So what do you reckon?

817
00:36:16,760 --> 00:36:17,840
Speaker 3: This is a twelve seater.

818
00:36:18,000 --> 00:36:20,759
Speaker 4: I think it's a thirteen theater fourteen. If you shove

819
00:36:20,800 --> 00:36:22,640
Speaker 4: someone in that corner seat, right.

820
00:36:22,880 --> 00:36:25,759
Speaker 3: It's huge, all right? Does anyone? So let's try and

821
00:36:25,800 --> 00:36:29,279
Speaker 3: find out who's got the biggest couch listening right now?

822
00:36:29,400 --> 00:36:31,759
Speaker 3: We need numbers. We're looking at a thirteen seater here?

823
00:36:32,120 --> 00:36:36,600
Speaker 3: Can you get anywhere near that with your couch? Christian

824
00:36:36,680 --> 00:36:41,319
Speaker 3: O'Connell Christian o'connells Show Podcast Welcome to the Christian O'Connell show.

825
00:36:41,640 --> 00:36:44,080
Speaker 3: Do you have a story one of those, Well, it

826
00:36:44,200 --> 00:36:46,080
Speaker 3: wasn't my time to go. We go one the other day.

827
00:36:46,120 --> 00:36:49,920
Speaker 3: We're doing three topic Tuesday about you won't believe what

828
00:36:50,000 --> 00:36:51,640
Speaker 3: hit me in the head, and it was someone told

829
00:36:51,640 --> 00:36:54,399
Speaker 3: about how they survived a they're blowing up a chimney work.

830
00:36:54,440 --> 00:36:56,600
Speaker 3: So I was telling the team years ago they used

831
00:36:56,600 --> 00:36:59,359
Speaker 3: to just blow up buildings, not for funnel kicks, but

832
00:36:59,640 --> 00:37:01,279
Speaker 3: rather than knock it down, then we'll just blow it

833
00:37:01,400 --> 00:37:04,800
Speaker 3: up and you'd see like a car park and it

834
00:37:04,800 --> 00:37:06,920
Speaker 3: would like be the main story on the news and

835
00:37:07,160 --> 00:37:09,040
Speaker 3: people have to be evacuated from the area and they

836
00:37:09,080 --> 00:37:11,839
Speaker 3: would literally blow up. It's an amazing thing to see, Yeah,

837
00:37:12,080 --> 00:37:13,719
Speaker 3: blow up a car parks. So we just sort of

838
00:37:13,760 --> 00:37:15,400
Speaker 3: collapse in on itself. But we've got on this. I

839
00:37:15,520 --> 00:37:17,080
Speaker 3: do the sound effective here because it's the radio. I

840
00:37:17,120 --> 00:37:17,520
Speaker 3: know a pro.

841
00:37:19,200 --> 00:37:25,880
Speaker 4: Oh, I can really picture it. It hasn't finished. Very

842
00:37:25,960 --> 00:37:26,760
Speaker 4: quiet explosion.

843
00:37:26,880 --> 00:37:29,480
Speaker 3: Yeah, and that's a surprising thing about it because you're

844
00:37:29,560 --> 00:37:33,960
Speaker 3: drawing in the sound. You know it's an implosion. Explosion

845
00:37:34,000 --> 00:37:37,440
Speaker 3: would be okay, but obviously it's going to be. As

846
00:37:37,440 --> 00:37:39,279
Speaker 3: a kid, I love seeing that but anyway, she got

847
00:37:39,360 --> 00:37:40,560
Speaker 3: hit in the head when they've blown up a chin,

848
00:37:40,640 --> 00:37:43,600
Speaker 3: it's with her with a load of bricks. And so

849
00:37:43,680 --> 00:37:45,680
Speaker 3: she had one of those stories Pat Birch where it

850
00:37:45,800 --> 00:37:47,759
Speaker 3: ended with her saying it wasn't her time to go.

851
00:37:48,040 --> 00:37:49,759
Speaker 3: And there are quite a lot of you with these

852
00:37:49,800 --> 00:37:53,680
Speaker 3: stories out there. Some of these are so some of

853
00:37:53,680 --> 00:37:56,840
Speaker 3: them are very, very full on. So we are wading

854
00:37:56,880 --> 00:37:58,960
Speaker 3: through a lot of amazing stories right now. So the

855
00:37:59,000 --> 00:38:00,680
Speaker 3: ones are puting on air, the ones that we think

856
00:38:01,400 --> 00:38:04,320
Speaker 3: it's good to listen to. Some of them are incredible

857
00:38:04,320 --> 00:38:05,600
Speaker 3: that you're calling in with, and some of them are

858
00:38:05,680 --> 00:38:08,279
Speaker 3: very traumatic. Sean, good morning.

859
00:38:08,640 --> 00:38:09,480
Speaker 9: Good morning, Christian.

860
00:38:09,560 --> 00:38:12,359
Speaker 3: Here you going of you what is your story? Then

861
00:38:13,920 --> 00:38:14,960
Speaker 3: it wasn't my time to go?

862
00:38:15,800 --> 00:38:16,040
Speaker 2: Yeah?

863
00:38:16,080 --> 00:38:19,200
Speaker 9: Thirty years ago, I was driving my Volkswagen beat Down

864
00:38:19,239 --> 00:38:21,520
Speaker 9: along the highway with my best mates sitting beside me,

865
00:38:21,640 --> 00:38:25,200
Speaker 9: and I fell asleep behind the wheel and left the highway,

866
00:38:25,320 --> 00:38:27,439
Speaker 9: driving right over the top of a colbt which would

867
00:38:27,440 --> 00:38:30,400
Speaker 9: have flipped the car, and my mate screamed at me

868
00:38:30,440 --> 00:38:33,480
Speaker 9: and I woke up and we were driving in thick grass,

869
00:38:33,480 --> 00:38:37,400
Speaker 9: couldn't see, went straight through a whole row of really

870
00:38:37,600 --> 00:38:40,480
Speaker 9: big gum trees, which you could have hit there only

871
00:38:40,480 --> 00:38:43,000
Speaker 9: a couple of inches either side of the car, and

872
00:38:43,520 --> 00:38:47,239
Speaker 9: after a couple hundred meters the car spun out and

873
00:38:47,400 --> 00:38:49,520
Speaker 9: we stopped. We got out of the car, and we

874
00:38:49,520 --> 00:38:51,839
Speaker 9: were less than a meter away from a tree which

875
00:38:51,880 --> 00:38:54,640
Speaker 9: we would have hit head on, which was as wide

876
00:38:54,800 --> 00:38:59,360
Speaker 9: as the car. And it just wasn't my time to go, Sean,

877
00:38:59,480 --> 00:38:59,799
Speaker 9: And so.

878
00:39:00,000 --> 00:39:01,600
Speaker 3: Can you say you and anybody got out of the car.

879
00:39:01,760 --> 00:39:03,040
Speaker 3: Were you unscathed?

880
00:39:03,520 --> 00:39:08,000
Speaker 9: Unscathed? The car was pretty badly beaten up, but we

881
00:39:08,000 --> 00:39:10,120
Speaker 9: were unscathed, that.

882
00:39:10,120 --> 00:39:12,560
Speaker 3: Is, you know, you can only describe that as a miracle.

883
00:39:13,600 --> 00:39:16,680
Speaker 9: Well, God was looking for me that night, because, as

884
00:39:16,719 --> 00:39:18,359
Speaker 9: I said, the car spun out, we were less than

885
00:39:18,400 --> 00:39:20,239
Speaker 9: a meter away from a tree which was wide and

886
00:39:20,320 --> 00:39:22,200
Speaker 9: the CARF we'd hit that head on, we would have

887
00:39:22,239 --> 00:39:23,400
Speaker 9: been killed outright.

888
00:39:23,760 --> 00:39:26,520
Speaker 3: Yeah, so you said this happened thirty years ago.

889
00:39:26,960 --> 00:39:28,000
Speaker 9: Yeah, thirty years ago.

890
00:39:28,320 --> 00:39:30,600
Speaker 3: So there's no air bags and a lot I don't

891
00:39:30,640 --> 00:39:32,919
Speaker 3: eve think seat belts were mandatory, were they?

892
00:39:33,800 --> 00:39:36,360
Speaker 9: They were mandatory then? But it was a Volkswagen Beetle

893
00:39:36,480 --> 00:39:38,960
Speaker 9: so and we had a pretty full tank of fuel

894
00:39:39,040 --> 00:39:41,120
Speaker 9: and the fuel tanks right in front of the car.

895
00:39:42,640 --> 00:39:42,839
Speaker 3: Yeah.

896
00:39:43,400 --> 00:39:47,600
Speaker 9: So yeah, as I said, we got out of the car.

897
00:39:47,680 --> 00:39:51,560
Speaker 9: We were laughing. We were following my brother in his car,

898
00:39:51,600 --> 00:39:53,879
Speaker 9: and he came back after about ten minutes wondering where

899
00:39:53,880 --> 00:39:55,680
Speaker 9: the hell we were. He was very angry with us.

900
00:39:56,080 --> 00:39:57,840
Speaker 9: And then you saw we were laughing and saw that

901
00:39:57,920 --> 00:40:01,279
Speaker 9: we survived, so he see the funny side of it,

902
00:40:01,480 --> 00:40:04,040
Speaker 9: but he wasn't very happy at.

903
00:40:02,800 --> 00:40:06,799
Speaker 3: This incredible All right, Sean, thank you very much the story.

904
00:40:06,800 --> 00:40:09,520
Speaker 3: It really wasn't your time to go. No, have a

905
00:40:09,560 --> 00:40:11,279
Speaker 3: good run, all right, and thank you for sharing that

906
00:40:11,360 --> 00:40:13,800
Speaker 3: with us. Pizza, good morning, by here you going. I

907
00:40:13,920 --> 00:40:16,440
Speaker 3: good pizza. So it wasn't your time to go. What's

908
00:40:16,480 --> 00:40:16,920
Speaker 3: your story?

909
00:40:17,160 --> 00:40:20,440
Speaker 1: Well, actually it was actually my mate. We were at

910
00:40:21,160 --> 00:40:23,640
Speaker 1: you know, when we're young and dumb. We were at

911
00:40:23,680 --> 00:40:26,839
Speaker 1: my mate house was getting built, and we thought I'd

912
00:40:26,840 --> 00:40:29,480
Speaker 1: be find a jump on top of a chipping container.

913
00:40:30,080 --> 00:40:33,600
Speaker 1: And while we're jumping around and set to a cock

914
00:40:33,680 --> 00:40:38,439
Speaker 1: and night, can't there thing and he full off. Now

915
00:40:39,080 --> 00:40:42,880
Speaker 1: leaning up against the chip container was a hop of

916
00:40:43,440 --> 00:40:47,360
Speaker 1: jagged steel and timber all that sort of stuff, and

917
00:40:47,360 --> 00:40:49,319
Speaker 1: then there was a one meter gap and then there

918
00:40:49,400 --> 00:40:53,359
Speaker 1: was a whole heap of reinforced rubble and other missilanious

919
00:40:54,360 --> 00:40:57,600
Speaker 1: glass all that kind of stuff, and he landed mac

920
00:40:57,680 --> 00:40:59,800
Speaker 1: dang and middll on his butt without scratch.

921
00:41:00,320 --> 00:41:00,600
Speaker 3: Wow.

922
00:41:01,320 --> 00:41:02,600
Speaker 1: Yeah, clearly he wasn't.

923
00:41:03,280 --> 00:41:05,920
Speaker 3: Yeah, that's incredible. All right, Peter, thank you very much

924
00:41:05,920 --> 00:41:06,239
Speaker 3: and cool.

925
00:41:06,320 --> 00:41:07,279
Speaker 1: Thank thank you.

926
00:41:07,680 --> 00:41:13,719
Speaker 3: Christian O'Connell Show podcast. We got the outword tying Wester

927
00:41:13,840 --> 00:41:16,000
Speaker 3: on the way right now. Last couple of stories saying

928
00:41:16,080 --> 00:41:19,600
Speaker 3: it wasn't my time to go. Graham Is went to

929
00:41:19,640 --> 00:41:22,439
Speaker 3: talk to us. Now, Graham, good morning, good day Christian.

930
00:41:22,480 --> 00:41:24,319
Speaker 3: Now am I I'm good buddy, So it wasn't your

931
00:41:24,360 --> 00:41:25,520
Speaker 3: time to go? What's your story?

932
00:41:27,160 --> 00:41:30,839
Speaker 10: This actually happened just on Tuesday night. He was up

933
00:41:30,880 --> 00:41:33,839
Speaker 10: cut and would help the bush and had this big

934
00:41:33,880 --> 00:41:36,719
Speaker 10: long with it would there at the he plugs in

935
00:41:36,760 --> 00:41:39,920
Speaker 10: and just cutting away daydream and sort of and this

936
00:41:40,239 --> 00:41:42,239
Speaker 10: boy sawt in my head said check the oil in

937
00:41:42,280 --> 00:41:44,279
Speaker 10: the floor, and I just sort of ignored it. Then

938
00:41:44,480 --> 00:41:47,080
Speaker 10: something yelled at me and checked the oil. I walked

939
00:41:47,120 --> 00:41:49,600
Speaker 10: over to you under the oil. Then I just this

940
00:41:50,280 --> 00:41:52,919
Speaker 10: massive bang. Sorry, I'm just shaking a because I'm telling

941
00:41:52,960 --> 00:41:55,920
Speaker 10: you because still a bit raw. And I looked up

942
00:41:55,960 --> 00:41:59,360
Speaker 10: and the massive branch landed it right where I was standing.

943
00:42:00,160 --> 00:42:04,279
Speaker 10: Second earlier sir, just sh it wasn't my time to go,

944
00:42:04,560 --> 00:42:04,839
Speaker 10: was it?

945
00:42:05,200 --> 00:42:06,839
Speaker 3: That's increment? This only happened two.

946
00:42:06,800 --> 00:42:10,360
Speaker 10: Days ago, Yeah, Tuesday night. I'm still a bit a

947
00:42:10,360 --> 00:42:11,399
Speaker 10: bit nervy about it.

948
00:42:11,760 --> 00:42:13,360
Speaker 3: Yeah. They say when you have something like that, you

949
00:42:13,360 --> 00:42:16,160
Speaker 3: have this adrenal dumping for days and that. You know,

950
00:42:16,239 --> 00:42:18,279
Speaker 3: it's why animals, you see sometimes after they have a

951
00:42:18,320 --> 00:42:20,400
Speaker 3: near that the experience for a fight, they when they

952
00:42:20,440 --> 00:42:22,680
Speaker 3: walk away, they shake it off. It's literally to get

953
00:42:22,680 --> 00:42:25,160
Speaker 3: your body moving again because you will that. Uh, that

954
00:42:25,160 --> 00:42:27,320
Speaker 3: would have really affected you. When you say branch, I

955
00:42:27,400 --> 00:42:30,560
Speaker 3: get the feeling you're describing You're you're under describing it.

956
00:42:30,600 --> 00:42:32,520
Speaker 3: Do you mean like a great big tree trunk fell

957
00:42:32,520 --> 00:42:34,120
Speaker 3: where you were a couple of seconds before.

958
00:42:34,760 --> 00:42:37,839
Speaker 10: Yeah, pretty solid light branch probably I would have owned

959
00:42:37,840 --> 00:42:42,359
Speaker 10: probably ten inches in diameter, you know, and probably thirty

960
00:42:42,360 --> 00:42:45,359
Speaker 10: foot long or something. Climb me up.

961
00:42:45,680 --> 00:42:47,799
Speaker 3: Isn't that incredible? When you say I always told you

962
00:42:47,840 --> 00:42:50,000
Speaker 3: to go and check the oil, isn't that amazing?

963
00:42:50,600 --> 00:42:53,399
Speaker 10: I can't believe it's a favorite pasted on me. I'll

964
00:42:53,440 --> 00:42:54,399
Speaker 10: probably be checking the oil.

965
00:42:56,960 --> 00:42:58,280
Speaker 3: Just go and check it again.

966
00:43:04,040 --> 00:43:09,279
Speaker 2: Christian Christian O'Connell show podcast.

967
00:43:08,920 --> 00:43:11,520
Speaker 3: Today's Time Waste for them. This is something I'm excited

968
00:43:11,520 --> 00:43:13,600
Speaker 3: about because you know how much I love talking about

969
00:43:13,600 --> 00:43:17,799
Speaker 3: on the show Ancient Egypt. What are they playing at?

970
00:43:17,960 --> 00:43:22,440
Speaker 3: Has twenty twenty not develops enough scary stuff? Why would

971
00:43:22,440 --> 00:43:25,520
Speaker 3: they open up coffins from two and a half thousand

972
00:43:25,600 --> 00:43:28,760
Speaker 3: years ago? Why would they think? What hell is gonna

973
00:43:29,000 --> 00:43:30,640
Speaker 3: await us now in those coffins?

974
00:43:30,719 --> 00:43:32,760
Speaker 4: What are you What kind of curse are you worried about?

975
00:43:32,800 --> 00:43:34,879
Speaker 3: Well, I've told about the curse of touton car Moon,

976
00:43:34,960 --> 00:43:39,000
Speaker 3: how everyone involved in going into the inner tomb died.

977
00:43:39,200 --> 00:43:40,920
Speaker 4: Yeah, and they turned the pair off in London, they.

978
00:43:40,840 --> 00:43:42,960
Speaker 3: Didn't turn the power off. The power went off when

979
00:43:43,000 --> 00:43:45,840
Speaker 3: Howard Carter, the man that opened up the tomb of

980
00:43:45,880 --> 00:43:48,640
Speaker 3: Tuton Carmou and the book boy king, the power went out.

981
00:43:48,680 --> 00:43:51,160
Speaker 3: All the streets up of London went out because of

982
00:43:51,160 --> 00:43:55,760
Speaker 3: the curse of Tuden Carmen. Now they're doing this, These

983
00:43:55,840 --> 00:43:58,520
Speaker 3: coffins are sealed for good reasons, you know, are opening

984
00:43:58,600 --> 00:44:01,160
Speaker 3: up coffins Egyptian ancient coff that have been silver for

985
00:44:01,239 --> 00:44:02,439
Speaker 3: two and off one thousand years.

986
00:44:02,480 --> 00:44:04,200
Speaker 4: It's our ratings go down at the end of the year.

987
00:44:04,280 --> 00:44:04,719
Speaker 3: Is this? Now?

988
00:44:04,800 --> 00:44:05,719
Speaker 4: Will know? Why is this?

989
00:44:05,840 --> 00:44:07,640
Speaker 3: And tripping him and get back to number one. That's

990
00:44:07,680 --> 00:44:11,680
Speaker 3: the curse. Eddie's behind this. I'm telling you conspiracy theory.

991
00:44:11,719 --> 00:44:12,680
Speaker 3: You heard it here first.

992
00:44:13,040 --> 00:44:13,160
Speaker 12: Now.

993
00:44:13,200 --> 00:44:14,600
Speaker 3: A couple of weeks ago, I was talking about how

994
00:44:14,640 --> 00:44:17,799
Speaker 3: they'd mastually get the what the voice would sound like

995
00:44:17,840 --> 00:44:22,120
Speaker 3: of an ancient Egyptian young prince NeSSI Aamun who was

996
00:44:22,280 --> 00:44:27,880
Speaker 3: three thousand years old. And this scientist spent seven years

997
00:44:28,160 --> 00:44:31,040
Speaker 3: to get this right, spending seven years of the life

998
00:44:31,080 --> 00:44:33,600
Speaker 3: right every year, they going, you must have analyzed from

999
00:44:33,600 --> 00:44:35,440
Speaker 3: his vocal is larynx what he would have sounded up

1000
00:44:35,480 --> 00:44:37,480
Speaker 3: right now, I'm going to need another five years, guys, Okay,

1001
00:44:37,840 --> 00:44:40,840
Speaker 3: seven years. He gathers everyone together and all you get

1002
00:44:40,880 --> 00:44:47,160
Speaker 3: is this. I mean, that's it. Seven years of your

1003
00:44:47,200 --> 00:44:51,359
Speaker 3: life and all you've got is this science doesn't thank you, sir.

1004
00:44:51,520 --> 00:44:53,600
Speaker 4: That's a guy who's done his homework the night before.

1005
00:44:54,600 --> 00:44:57,920
Speaker 4: Hey have you got that voice of the Pharaoh?

1006
00:44:58,000 --> 00:45:00,719
Speaker 3: I reckon he'd spent all the recent much many years

1007
00:45:00,760 --> 00:45:03,359
Speaker 3: ago and gambling each and now he just got some

1008
00:45:03,560 --> 00:45:06,839
Speaker 3: sound effect. This isn't anyone. No one sounds like this

1009
00:45:09,360 --> 00:45:15,239
Speaker 3: anyway today. Cue Egyptian music sitting are from Macy DC.

1010
00:45:18,520 --> 00:45:23,879
Speaker 3: At what time wasted today is ancient Egyptian songs. We're

1011
00:45:23,920 --> 00:45:27,640
Speaker 3: going off on one here, aren't we ancient Egyptian songs?

1012
00:45:30,920 --> 00:45:34,040
Speaker 3: All right? Ancient Egyptian songs? You ready, Jackie boy? Ready,

1013
00:45:35,560 --> 00:45:37,000
Speaker 3: I Sphinx. We're alone? Now?

1014
00:45:37,280 --> 00:45:38,320
Speaker 4: Oh God?

1015
00:45:38,480 --> 00:45:40,400
Speaker 3: Plus, I Sphinx? We're alone?

1016
00:45:40,600 --> 00:45:42,440
Speaker 4: Making me cross out my Sphinx one? It's just not

1017
00:45:42,560 --> 00:45:44,080
Speaker 4: as good Pharaoh?

1018
00:45:44,560 --> 00:45:46,680
Speaker 3: Is it me? You're looking for Pharaoh?

1019
00:45:46,960 --> 00:45:47,320
Speaker 1: Is it me?

1020
00:45:47,440 --> 00:45:49,719
Speaker 3: You're looking for cartouche?

1021
00:45:49,760 --> 00:45:49,800
Speaker 11: This?

1022
00:45:52,400 --> 00:45:55,280
Speaker 3: Who's cartos Cartoushe isn't it? Who is? What is the cartoos?

1023
00:45:55,280 --> 00:45:58,960
Speaker 3: She's an ancient calf scroll. Like I said, this is

1024
00:45:59,040 --> 00:46:01,800
Speaker 3: in my wheelhouse. I know too much about ancient Egyptian history.

1025
00:46:02,000 --> 00:46:04,160
Speaker 3: Cartoosis Papyrus. Don't preach.

1026
00:46:04,400 --> 00:46:07,040
Speaker 4: Oh no, you've just my only good one.

1027
00:46:07,160 --> 00:46:11,520
Speaker 3: I'm sorry, I'm sorry. All right, two more than I'm done.

1028
00:46:12,600 --> 00:46:16,719
Speaker 3: Things that make you go too gold? Can I get?

1029
00:46:16,800 --> 00:46:18,840
Speaker 3: This will be my first ever all gold run of

1030
00:46:18,880 --> 00:46:23,760
Speaker 3: the year. I'm looking at two here. She's wisely stuck

1031
00:46:23,840 --> 00:46:28,920
Speaker 3: in the pyramidal with you gold. Yes, go run folks.

1032
00:46:29,520 --> 00:46:30,799
Speaker 3: All right, Jackie boy, what have you got?

1033
00:46:31,800 --> 00:46:33,719
Speaker 4: It's a series of things I've crossed out because now

1034
00:46:33,760 --> 00:46:35,239
Speaker 4: I'm embarrassed to go up.

1035
00:46:35,200 --> 00:46:37,879
Speaker 3: Against ancient Egyptian hieroglyphics.

1036
00:46:38,280 --> 00:46:40,520
Speaker 4: The only thing I really have left that it's any good.

1037
00:46:40,920 --> 00:46:44,440
Speaker 4: Of course, we all know the word bar b a

1038
00:46:44,840 --> 00:46:47,839
Speaker 4: that means the physical vitality present in every living thing.

1039
00:46:48,040 --> 00:46:48,759
Speaker 4: Essentially the soul.

1040
00:46:49,280 --> 00:46:52,120
Speaker 3: You can't explain, funny, Come.

1041
00:46:52,000 --> 00:46:56,879
Speaker 4: On, essentially everybody's soul is the bar that's right, yeah, baby,

1042
00:46:56,960 --> 00:46:59,120
Speaker 4: bar bar bar bye bye.

1043
00:47:01,000 --> 00:47:01,040
Speaker 1: No.

1044
00:47:04,920 --> 00:47:08,120
Speaker 3: This already, even as starter with opening up those coffins

1045
00:47:08,520 --> 00:47:11,759
Speaker 3: is taking Jack's funny bone. That's not what you've got.

1046
00:47:12,040 --> 00:47:14,200
Speaker 4: The reason I really wanted to do an en sinc

1047
00:47:14,320 --> 00:47:18,120
Speaker 4: song is because Ba ba who sings that n sphinx?

1048
00:47:18,840 --> 00:47:18,960
Speaker 12: Now?

1049
00:47:19,080 --> 00:47:20,120
Speaker 3: That is a goal.

1050
00:47:22,239 --> 00:47:22,839
Speaker 4: That's all I've got.

1051
00:47:23,040 --> 00:47:24,440
Speaker 3: I've got one I didn't do. Do you want to

1052
00:47:24,480 --> 00:47:24,960
Speaker 3: do it? Thank you?

1053
00:47:25,560 --> 00:47:25,640
Speaker 1: Right?

1054
00:47:26,160 --> 00:47:27,719
Speaker 3: Can you pass that to Jet's that one there? I

1055
00:47:28,000 --> 00:47:31,280
Speaker 3: circled it for you. I've just found one more ancient

1056
00:47:31,360 --> 00:47:33,680
Speaker 3: Egyptian songs. What have you got? Can you read this

1057
00:47:33,880 --> 00:47:35,520
Speaker 3: writing code for me?

1058
00:47:39,040 --> 00:47:42,280
Speaker 4: Simply? Simply, simply the fee.

1059
00:47:42,920 --> 00:47:47,640
Speaker 3: Simply the fez, simply the fairs. You can have a

1060
00:47:47,680 --> 00:47:50,640
Speaker 3: gold for my Okay, alright, what have you got ancient

1061
00:47:50,800 --> 00:47:54,319
Speaker 3: Egyptian songs? Isn't that hard to read my handwriting? Yeah?

1062
00:47:54,960 --> 00:47:57,520
Speaker 4: Especially because you use the big sharpie use like it's

1063
00:47:57,640 --> 00:48:00,200
Speaker 4: one word per a four page. But it's still had

1064
00:48:00,200 --> 00:48:00,520
Speaker 4: to read.

1065
00:48:01,040 --> 00:48:06,080
Speaker 3: The Christian O'Connell show podcast, Good morning to listener. Pats

1066
00:48:06,800 --> 00:48:07,960
Speaker 3: are pats Ah.

1067
00:48:08,120 --> 00:48:10,560
Speaker 4: She's listening. Hello, pats Hey, I've been meaning to say

1068
00:48:10,640 --> 00:48:12,279
Speaker 4: as well. I hope you're feeling better.

1069
00:48:12,840 --> 00:48:15,520
Speaker 3: And why didn't you do it with flowers or a

1070
00:48:15,640 --> 00:48:17,840
Speaker 3: gift like I did the the day that arrived Monday.

1071
00:48:18,000 --> 00:48:20,319
Speaker 4: Yep, I'm going to have when you return, Pats, I'm

1072
00:48:20,320 --> 00:48:22,360
Speaker 4: gonna have flowers waiting for you in the studio.

1073
00:48:22,880 --> 00:48:27,440
Speaker 3: Pat's his message is still way too much explanation in

1074
00:48:27,600 --> 00:48:29,640
Speaker 3: the time waste today from posty.

1075
00:48:29,719 --> 00:48:31,399
Speaker 4: Ah, your flowers are gone.

1076
00:48:33,880 --> 00:48:35,840
Speaker 3: Producer Tom just said me, by the way, I don't

1077
00:48:35,920 --> 00:48:39,399
Speaker 3: think Patsy's going to be around to do the time. Sorry,

1078
00:48:39,400 --> 00:48:41,680
Speaker 3: I do double thumbs up. Fright of you guys. All right,

1079
00:48:41,760 --> 00:48:44,319
Speaker 3: So she doesn't fancy even though she's she's off because

1080
00:48:44,320 --> 00:48:47,280
Speaker 3: she had surgery last week and she's recovering. She doesn't

1081
00:48:47,280 --> 00:48:49,520
Speaker 3: want to be on the phone at six am tomorrow

1082
00:48:50,280 --> 00:48:53,920
Speaker 3: just to talk about what's going on at kmart. I

1083
00:48:53,920 --> 00:48:56,800
Speaker 3: don't know who Patsy is right now. They's so strange

1084
00:48:56,840 --> 00:49:00,359
Speaker 3: I mean, anyone who's off because they've had surgery, can't

1085
00:49:00,440 --> 00:49:03,200
Speaker 3: sit up right right now, wants the chance to speak

1086
00:49:03,239 --> 00:49:06,360
Speaker 3: on the radio at six am about what they're enjoying

1087
00:49:06,480 --> 00:49:06,799
Speaker 3: right now.

1088
00:49:06,880 --> 00:49:07,879
Speaker 4: Lo called TV shows.

1089
00:49:07,880 --> 00:49:10,960
Speaker 3: They said, yes, yeah, perhaps he got fat. She sent

1090
00:49:11,040 --> 00:49:12,880
Speaker 3: another one here, saying pathetic.

1091
00:49:12,520 --> 00:49:14,280
Speaker 4: Jack about the flowers.

1092
00:49:14,400 --> 00:49:16,040
Speaker 3: Yeah, you send those flowers.

1093
00:49:16,040 --> 00:49:21,200
Speaker 4: Okay, No, they're going to be in her mailbox tomorrow's.

1094
00:49:20,000 --> 00:49:24,560
Speaker 3: Flowers in a melbo. Hang in a minute, where's the music?

1095
00:49:24,600 --> 00:49:26,800
Speaker 3: I got the wrong one? There we go. Let's go

1096
00:49:27,280 --> 00:49:31,120
Speaker 3: back in time to ancient Egypt for today's time waster.

1097
00:49:32,080 --> 00:49:36,440
Speaker 3: Ancient Egyptian songs. They're opening up the tombs that have

1098
00:49:36,520 --> 00:49:38,600
Speaker 3: been sealed for two and a half thousand years. Why

1099
00:49:38,719 --> 00:49:40,160
Speaker 3: do that this year? Why?

1100
00:49:41,239 --> 00:49:41,600
Speaker 4: All right?

1101
00:49:41,719 --> 00:49:43,279
Speaker 3: Ancient Egyptian songs? You were ready to.

1102
00:49:43,360 --> 00:49:47,360
Speaker 4: Mark ready, mummy Mia right start Gold.

1103
00:49:48,840 --> 00:49:50,080
Speaker 3: Knocking on Pharaoh's door.

1104
00:49:50,280 --> 00:49:52,960
Speaker 4: Oh gold plus David, that's very good.

1105
00:49:53,200 --> 00:49:54,560
Speaker 3: We don't need another pharaoh.

1106
00:49:55,640 --> 00:50:05,759
Speaker 4: Silver Lisa uh toon Camun Eileen, not quite there, Bronze, boom, boom,

1107
00:50:05,880 --> 00:50:09,319
Speaker 4: shake the throne room Silver, Summer of sixty nine BC.

1108
00:50:10,719 --> 00:50:16,719
Speaker 3: Gold, Gerard, well done. I want to dance with mummy body.

1109
00:50:17,719 --> 00:50:20,120
Speaker 4: Totally creepy and I like.

1110
00:50:22,239 --> 00:50:29,600
Speaker 3: Excavating my staysy. No, it's not can't tuck this gold

1111
00:50:30,200 --> 00:50:36,719
Speaker 3: five hundred niles proclaimers gold Uh katacomb as you are. Oh,

1112
00:50:37,080 --> 00:50:42,600
Speaker 3: oh wow, that's very good. Someone's been googling. Let's get

1113
00:50:42,719 --> 00:50:48,320
Speaker 3: higher glypher. Let's get higher glyph physical instead of physical

1114
00:50:48,520 --> 00:50:55,520
Speaker 3: bronze Uh, John Rob well done, Camel Eileen Gold. We

1115
00:50:55,640 --> 00:50:58,400
Speaker 3: can't do dude wears my right. We need a break

1116
00:50:58,600 --> 00:51:02,160
Speaker 3: at least one shot of five. But the five dude

1117
00:51:02,200 --> 00:51:04,640
Speaker 3: words mind that have been crowbat in. No, we're not

1118
00:51:04,719 --> 00:51:07,200
Speaker 3: doing them. Encourage them. Wake me up before you Pharaoh

1119
00:51:07,920 --> 00:51:13,759
Speaker 3: Silver plus shut up your fairs, our old friend Joe

1120
00:51:13,880 --> 00:51:17,000
Speaker 3: Dolce from who's calling? Alice? Well done? Who let the

1121
00:51:17,040 --> 00:51:17,600
Speaker 3: mummies out?

1122
00:51:18,200 --> 00:51:18,520
Speaker 4: Silver?

1123
00:51:18,800 --> 00:51:22,960
Speaker 3: Tanya, Baby, you can drive my ra Ah, Yes, we

1124
00:51:23,040 --> 00:51:24,719
Speaker 3: all know the ra ancient sun god.

1125
00:51:25,760 --> 00:51:29,440
Speaker 4: We do all know the ra Gold. Uh Babyloni has

1126
00:51:29,480 --> 00:51:34,840
Speaker 4: got back Silver plus. Uh, baby, you can drive my

1127
00:51:35,000 --> 00:51:36,720
Speaker 4: chariot bronze.

1128
00:51:36,840 --> 00:51:37,600
Speaker 3: Who ra are you?

1129
00:51:37,800 --> 00:51:37,920
Speaker 8: Who?

1130
00:51:38,000 --> 00:51:38,160
Speaker 12: Who?

1131
00:51:38,480 --> 00:51:38,640
Speaker 3: Who?

1132
00:51:38,719 --> 00:51:38,879
Speaker 11: Who?

1133
00:51:39,960 --> 00:51:40,240
Speaker 4: Silver?

1134
00:51:41,120 --> 00:51:41,799
Speaker 3: Enter the two man?

1135
00:51:42,680 --> 00:51:45,200
Speaker 4: You know the music stop dating, yes.

1136
00:51:47,760 --> 00:51:49,800
Speaker 3: So much. It's like the Oscars, isn't it with the

1137
00:51:49,920 --> 00:51:54,760
Speaker 3: music actually stops As the opposite the Christian O'Connell Show podcast,