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Speaker 1: The Will and Woody podcast. It's the Will and Moodie

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Speaker 1: podcast that we get the best gear of the week

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Speaker 1: with all the behind the scenes action.

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Speaker 2: Woods quite subjective though, as in it's like I pick

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Speaker 2: my favorite bit and you pick your favorite bit. So

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Speaker 2: I don't think we can just kind of like claim

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Speaker 2: that this is the best stuff we can.

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Speaker 1: But if we don't know what the best gear is

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Speaker 1: do or you guys can say you can decide.

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Speaker 2: Well, given that we're involved in it, where where I

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Speaker 2: mean the actual statement there means that we're incredibly biased.

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Speaker 1: That's true.

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Speaker 2: Like I've picked my bit specifically because I feel like

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Speaker 2: I fire a shot at you and it lands and

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Speaker 2: that never happens. So bit's just self serving totally, like

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Speaker 2: the whole bit subpart, but the fact that I just

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Speaker 2: got a shot off, and like because I try to

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Speaker 2: remember what that was, I yeah, I'm surprised you haven't

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Speaker 2: remembered it, because like I sit in this radio studio

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Speaker 2: with my gun like.

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Speaker 1: Heavily sheathed constantly. I know it's their sword, you see.

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Speaker 1: I'd say that you see the sword, you don't see

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Speaker 1: the gun. Holster a gun, So I holster a gun. Yeah,

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Speaker 1: And I know it's there.

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Speaker 2: I might unclip it every now and then, you know how,

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Speaker 2: you just take the clip off and it goes hey hey.

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Speaker 1: But I never shoot because my fear is that if

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Speaker 1: you do, sometimes I bury you. Exactly.

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Speaker 2: I know that if I take my gun out of

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Speaker 2: the whole stuff, I'm going to be shot twenty seven

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Speaker 2: times before I even point it forward.

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Speaker 1: Yes, I operate on a methodology of Machiavelian methodology of

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Speaker 1: if one peasant revolts in the village, kill you're a peasant,

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Speaker 1: kill all the peasants. Yeah, And I feel because if

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Speaker 1: you just kill one of them, then that gives them

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Speaker 1: hope and they've got something to fight against. Oh, you

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Speaker 1: just level the Town'll wipe them out. Yeah well okay,

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Speaker 1: so yeah I wipe you out? You do. Yeah, if

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Speaker 1: I'm the town in this scenario and they're not just

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Speaker 1: one peasant, if I'm order creative reader leader, Yes.

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Speaker 2: I feel like sometimes I show a little bit of

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Speaker 2: like defiance and they live the smallest piece of es,

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Speaker 2: a bit like Oliver Twist asking for a bit more porridge.

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Speaker 2: Like that's the level of devines I would need to

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Speaker 2: show you, and you eviscerate me.

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Speaker 1: Yeah, well it has to be done. I'm gonna put

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Speaker 1: down the Uprising totally.

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Speaker 2: But amazingly, in one of the most rarest occurrences radio,

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Speaker 2: I fire a shot.

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Speaker 1: At you early in a spot and it lads, how

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Speaker 1: do you lands?

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Speaker 2: And because your reaction, because usually you're like teflon, it

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Speaker 2: just kind of like ricochets off you like your Superman

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Speaker 2: and then you just fire back with your laser eyes

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Speaker 2: to the Superman metaphor yeah yeah, this time I hit

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Speaker 2: and it's like Superman's holding that green stuff kryptonite and

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Speaker 2: a bullet get like its lands and it's like, I

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Speaker 2: really like that you're that you think of me as Superman,

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Speaker 2: by the way, I mean, that's kind of.

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Speaker 1: Within confrontation wrapped up, which is really lovely. It's true

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Speaker 1: you are calling me Soupman, which is really nice.

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Speaker 2: Thank you, And think about that if Superman was a

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Speaker 2: real person, would you ever fire a gun at him?

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Speaker 2: The answer is no, because you know that he's just

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Speaker 2: gonna like he will destroy you. Yeah, yeah, straight after.

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Speaker 2: But amazingly, I don't know, I don't even know what

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Speaker 2: came across me, but I fire and the bullet sticks in.

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Speaker 1: Okay, Well, that's something people to look forward to clearly

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Speaker 1: you more than anyone. Jason Siegel's on the show, which

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Speaker 1: is cool. We get to talk to him because it

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Speaker 1: We're huge fans of Shrinking, which we saw season I

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Speaker 1: haven't seen have you sucked with season two?

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Speaker 2: I've watched two or three episodes of season two put

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Speaker 2: it down, and but only put it down because I

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Speaker 2: got the advanced screening.

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Speaker 1: It's on the TV and it comes out weekly. Yeah,

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Speaker 1: it's on the TV. You haven't done it. No, No,

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Speaker 1: you're doing the Old Man with me. We're back in TV.

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Speaker 1: We're back in to get away, get Away. We'll save, save,

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Speaker 1: save for the movie podcast. No, just one. I obviously

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Speaker 1: had one question for you.

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Speaker 2: Yeah, these weekly releases that the Shrinking is doing the

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Speaker 2: weekly release, that frustrates me.

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Speaker 1: I don't like that. I know you don't like that.

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Speaker 3: I don't.

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Speaker 1: You're a very impatient person. I'm very impatient, the most

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Speaker 1: impatient person I met my whole life. That is incorrect,

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Speaker 1: that's one hundred percent. You are the most impulsive, least

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Speaker 1: patient person I've ever met. You you cannot handle, you

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Speaker 1: can't get I'm a bottle of calm with a lot

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Speaker 1: of things you are. But I think that's because you

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Speaker 1: have everything you want. Wow, and that's sometimes scarier than chasing.

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Speaker 1: Let that sink in. What do you mean?

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Speaker 2: Well, I just feel like sometimes when you get everything

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Speaker 2: that you want, it can be like that was supposed

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Speaker 2: to solve everything.

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Speaker 1: Yeah, exactly, exactly.

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Speaker 2: More often than not, it doesn't. That's a good lesson. Actually, ever,

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Speaker 2: run if you're chasing something, just don't expect. Don't expect this,

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Speaker 2: this this world of nirvana to appear out of nowhere.

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Speaker 1: Well it doesn't. That's right, great advice. I've just stumbled

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Speaker 1: into some fling. I think if you do kind of

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Speaker 1: get your hands on everything, right, it's all there. You've

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Speaker 1: got everything. Ever, when you're not used to it, you're not

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Speaker 1: used to resistance and resilience and patience, then that's when

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Speaker 1: you start developing crippling addictions such as stisticks, I will

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Speaker 1: have you or or Robin Williams famously said this. He

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Speaker 1: was a cocaine addict, and he said, cocaine is God's

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Speaker 1: way of saying you have too much. Definitely.

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Speaker 2: Well, luckily sniff sticks aren't as expensive as cocaine.

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Speaker 1: But I will have you know.

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Speaker 2: I have not had a sniff of my sniff stick

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Speaker 2: for two days, and I'm really proud of that.

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Speaker 1: Tom, you can you can vouch for me and I

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Speaker 1: haven't even We don't know this though. You said that

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Speaker 1: you've got fifteen in your house. Your words are cheap.

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Speaker 2: No, no, but and I'm not throwing the mat. That's

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Speaker 2: the key. I'm this thing. This sniffstick is steering at me.

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Speaker 2: I'm currently holding into my hand.

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Speaker 1: The power that I have over this sniffstick right now

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Speaker 1: should be aspiring for those that don't know what a

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Speaker 1: sniff stick is. It's a vixenhaler. Oh good flag, that's

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Speaker 1: good flack, good play. But that's I'm holding it. Look

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Speaker 1: at me, look at me toying with it. You're holding it,

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Speaker 1: just playing with it. Hey, before we get into the

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Speaker 1: best gear of the week. Proud of me, so proud

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Speaker 1: of you. I was actually thinking, I was actually thinking

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Speaker 1: earlier today. And I don't know whether this is going

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Speaker 1: to be suitable for the podcast or not, but oh god,

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Speaker 1: if you love that, if you love doing this, I

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Speaker 1: love it. I love it. Poop pantsy little antenna just

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Speaker 1: went up out there.

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Speaker 2: If you're concerned this isn't suitable for the podcast, Yeah,

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Speaker 2: like podcast suitability should be pretty open.

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Speaker 1: This is different to when we're alive on radio.

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Speaker 2: So if you think this is potentially unsuitable for the podcast,

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Speaker 2: this must be pretty yeah bratty.

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Speaker 1: Well, but I was thinking because I was just trying

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Speaker 1: to make the podcast a bit current, because it's your

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Speaker 1: Bucks this weekend. I was like a little treat for

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Speaker 1: the podcast audience, a little exclusive treat for the podcast audience,

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Speaker 1: because there's lots of stories that we can't tell when

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Speaker 1: we're on radio about you know, your wild younger days. Sure,

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Speaker 1: so I was thinking, what story could I bring to

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Speaker 1: the podcast Woodies Bucks this weekend? That would be you

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Speaker 1: look worried? Of course I look worried. That would be

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Speaker 1: a reflection on you as a party boy.

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Speaker 2: I've never been a party boy though, I've never No,

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Speaker 2: that's ridiculous, I've actually never been a party boy. I

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Speaker 2: get excited, I get really excited really early in nights.

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Speaker 4: And then I've only known you for a year and

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Speaker 4: a half, and already I reckon, I've got six stories.

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Speaker 1: Not why but will put Will exaggerates these stories. We'll

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Speaker 1: just got this money.

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Speaker 2: I put that one down immediately. That's not coming up tomorrow,

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Speaker 2: is it? About my bucks.

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Speaker 1: I can't guarantee. I can't guarantee anything.

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Speaker 5: You can't have dad.

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Speaker 1: Knowing about that one carrots wild in some stage. Let

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Speaker 1: me tell you that my love of carrots, great cats.

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Speaker 1: You want me to tell this story or.

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Speaker 2: Not, I'm going to give me, give you, give me

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Speaker 2: a few cryptic clues, and then I will tell you

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Speaker 2: honestly if maybe i'm if I'm okay with that bean shared.

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Speaker 1: Okay, three clues, Yes, child, money dancing. I think it's fine,

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Speaker 1: It's absolutely fine. It's absolutely fine.

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Speaker 2: But you are gonna have to within this story from

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Speaker 2: this to like for I think, for it to make sense, and.

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Speaker 1: To give me any kind of good words, by the way, yeah,

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Speaker 1: really good words to make sure I'm worried, to make

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Speaker 1: sure that I don't look completely outrageous.

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Speaker 2: You're probably going to have to in some way lean

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Speaker 2: into my state at the time.

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Speaker 1: Yes, mate, oh, will don't worry about that. So we're

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Speaker 1: at a music festival and Meredith, to be exact anyway,

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Speaker 1: I was sitting up on the hill at the Pink Flamingo,

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Speaker 1: but lost Woody for a while, and I just had

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Speaker 1: a couple of drinks. I probably probably always tran responsible guys.

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Speaker 1: But we're at a music festival, mate. I think enough said.

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Speaker 1: I think enough said. We're at a music vestival. It's

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Speaker 1: the afternoon. I'm sitting on the hill out the front

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Speaker 1: of the Pink Flamingo. But I for anyone's been there.

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Speaker 1: Lovely spot Woody comes up the hill, sniff stick in nose,

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Speaker 1: wearing a dress. You looks beautiful, You look beautiful. Actually

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Speaker 1: got objectified that day, I know you did. And then

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Speaker 1: you ran back to the tent and saying the lion

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Speaker 1: king by yourself?

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Speaker 2: Now you so you it was going to get me

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Speaker 2: out of the tent.

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Speaker 1: So you walked out the hill to me, you got

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Speaker 1: a snifftick in your nose. Which which Which of our

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Speaker 1: friends were you hanging out with at this stage we

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Speaker 1: were doing the watching with. Can you remember who it

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Speaker 1: was or you by yourself? Can't? I can't remember. I

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Speaker 1: thought it might have been. Will go anyway you might

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Speaker 1: have been. You walk back up the hill and you've

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Speaker 1: clearly you're excited. You're excited about something, and I could

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Speaker 1: see that excited for moment. You've seen me, You've seen

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Speaker 1: me from a mile aud. I'm sitting in the pink

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Speaker 1: Flamingo bar enjoying your pink Flamingo, probably talking about philosophy

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Speaker 1: or no doubt, Matchiavellian destruction of peasant towns. Anyway, so

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Speaker 1: see your way, You're like, well, well, well that was

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Speaker 1: exactly what the next question was going to be. You

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Speaker 1: you often have this look on your face where you

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Speaker 1: know that you've thought of something which is on the line.

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Speaker 1: So you come to me as the no guy. I'm

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Speaker 1: kind of like your moral accountant, Yeah, like your moral

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Speaker 1: I'm like his moral mortgage broker. Yeah, he needs someone

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Speaker 1: to say no, so he comes to me.

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Speaker 2: I don't necessarily need the no I just like I mean,

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Speaker 2: I find myself in a situation where I'm like, there's

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Speaker 2: something I want to do with all the right intentions.

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Speaker 1: That's always the case, it's always a good intention.

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Speaker 2: Then I'm like, this might be received poorly, and I

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Speaker 2: often bend jewelry.

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Speaker 4: Can I ask? Was this question asked? Because at the

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Speaker 4: Pink Flamingo there's a fence. That's that's right, the norm insight.

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Speaker 4: So were you having a conversation through through the wire,

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Speaker 4: that's right?

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Speaker 1: Like I was a prisoner of war, that's right, and

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Speaker 1: you're outside Yeah, yeah, you're yeah, it was like we

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Speaker 1: were in this like haven and you were in kind

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Speaker 1: of like a zombie camp on the outside. That's what

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Speaker 1: it felt like in the real world. Yeah, anyway, you

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Speaker 1: can't to me very excited, like we'll will kind of

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Speaker 1: ask you something. I was like, absolutely, brother talk to me,

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Speaker 1: so you let and he said to me, so we'll go.

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Speaker 1: And I've just been watching this child dance with their

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Speaker 1: fa the last half an hour. The family.

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Speaker 2: I've been watching a kid because think about if you

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Speaker 2: don't know Meredith Music Festival, people go with their families,

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Speaker 2: so like it's actually it's quite a beautiful festival.

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Speaker 1: In that way that you can go. You can tell

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Speaker 1: your kids absolutely. So you're watching this kid dance and

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Speaker 1: I'm like, yeah, great, and you're like you're like, I

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Speaker 1: know who the parents are. Yeah, because the parents were

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Speaker 1: the kid that's right sing You've seen him in parents

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Speaker 1: in direction And I was like great. Then you were

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Speaker 1: like nominal dance, Yes, okay, so this is the next

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Speaker 1: but you were like the kids the best answer you

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Speaker 1: ever seen, And I was like great.

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Speaker 2: Like unbelievable, Like he was doing like flips and it

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Speaker 2: was quite extraordinary.

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Speaker 1: Yeah, I should throw this question out to the group

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Speaker 1: a little bit because there you know, this is for

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Speaker 1: me at three o'clock on the Saturday after Meredith was

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Speaker 1: a very hard one to sort of like tie into.

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Speaker 1: But he goes, the kid's the best answer I've ever

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Speaker 1: seen will come and I want to walk. We want

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Speaker 1: to go up to the parents and say to them,

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Speaker 1: your child's the best dancer we've ever seen. He's fifty

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Speaker 1: dollars wow. Now with the instruction that you need to

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Speaker 1: invest in his dancing future. I said that. I said that.

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Speaker 2: I was like, you need to put him in an

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Speaker 2: academy or something, because this is the most untouched, this

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Speaker 2: is unearthed potential that I'm seeing.

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Speaker 1: What's your what's your initial reaction there? Because because something

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Speaker 1: twigged in me, but I wasn't quite sure what it was.

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Speaker 6: My first initial thought was, why on earth are you

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Speaker 6: the authority on who is a good or bad dancer?

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Speaker 1: Like?

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Speaker 6: What gives you If I'm this parent and you come

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Speaker 6: over to me and say that, why do I care

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Speaker 6: about what you think about the quality making.

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Speaker 2: That's a good Christian well for start as, I'm a

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Speaker 2: phenomenal dancer myself, so I know I know what makes

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Speaker 2: great dancing. And secondly, I didn't go to the thought of,

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Speaker 2: you know, I'm a dance scout or something. But what

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Speaker 2: I saw was was unequivocally phenomenal dancing like any any

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Speaker 2: any mere human being.

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Speaker 1: Would know that.

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Speaker 6: But whether or not that's your intention, that is absolutely

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Speaker 6: what it looks like. You've been watching this kid and you.

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Speaker 1: Go you've got it.

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Speaker 2: Yeah, yeah, yeah, it doesn't like Simon Cow wasn't it

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Speaker 2: like yes, that's yes, that's true.

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Speaker 1: And then there's obviously the other yeah, fair point because

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Speaker 1: also so I actually didn't even I actually wasn't even

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Speaker 1: thinking on that level. The moral bone in my body went,

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Speaker 1: you're admitting to parents that you've been watching their child

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Speaker 1: dance for half an hour. This is why I wanted

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Speaker 1: to come and be which was the factor that so

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Speaker 1: that And I don't think you'd realize that it was

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Speaker 1: thoughty No, No, I realized, well that's why I came

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Speaker 1: in spot. Yeah, no, I know, but I don't think

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Speaker 1: you bet put words on that yet. You were just like,

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Speaker 1: there's something in me that feels wrong about this. You

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Speaker 1: knew that. I was like when you were like, can

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Speaker 1: you help me unpack this? And I was like Okay,

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Speaker 1: that also feels wrong for me. I'm not sure why

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Speaker 1: went through your intentions. You were like yeah, I was like,

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Speaker 1: that's a really nice thing to want to do. It

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Speaker 1: sounds like you want to get around the kid. And look,

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Speaker 1: it was just like the money thing made it dirty,

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Speaker 1: but it was going all of a sudden. I was

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Speaker 1: like just I was like, go and give him a compliment.

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Speaker 1: You were like no, And I remember saying to me,

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Speaker 1: I want them to invest in the child's future.

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Speaker 2: I wanted to do a first dance lesson on me

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Speaker 2: kind of thing, is what I wanted to say. And

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Speaker 2: then the sky's limit kind of thing. So and then

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Speaker 2: my second suggestion was, okay, well if I can't because

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Speaker 2: I was like, I can't give it to the child.

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Speaker 2: Parents would just be like you count to a child.

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Speaker 2: So I was like, I'll go to the parent. And

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Speaker 2: then the same weird feeling in my stomach. So then

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Speaker 2: my third suggestion was, what if I just walk past

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Speaker 2: and I'll accidentally drop fifty dollars and this walk off

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Speaker 2: into the sunset and maybe.

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Speaker 1: I'm I'm out of the woods. And so I did

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Speaker 1: wrap this up because we didn't get in the mistcue

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Speaker 1: of the week. I didn't know what was wrong with it.

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Speaker 1: I knew something was wrong. I get some counsel for

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Speaker 1: him from a very sage friend of ours, Bookie Bookie,

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Speaker 1: Daniel Bookman. He is just very ethically sound, and run

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Speaker 1: over to him and I'm like, can you come over here.

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Speaker 1: I don't know what's wrong with this, but this doesn't

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Speaker 1: feel right, and he's photo. I've got a photo of it.

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Speaker 1: I've got a photo of the moment that you tell

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Speaker 1: him what you're thinking. And his face. I don't know

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Speaker 1: if we can put that in the podcast notes or anybody.

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Speaker 1: His face is the best thing you've ever seen. He's

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Speaker 1: much younger kids, so he's being a naughty boy, and

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Speaker 1: he's smoking. He's got a cigarette in one hand, so

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Speaker 1: he looks like he's a gangster. And he brings BOOKI

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Speaker 1: in in address, Beauty and he's in address. He's got

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Speaker 1: a cigarette and he tells, he tells Booky's idea. Bookie

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Speaker 1: is like, visibly, I have a mixture of like confused

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Speaker 1: and repulsed. And then he just turns the both of

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Speaker 1: us and he goes, Okay, I'm like, the clearest way

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Speaker 1: I can explain this to you, guys, let me put

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Speaker 1: let me put yourself in the parents shoes. A stranger,

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Speaker 1: a full stranger, walks up to you an address, says

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Speaker 1: that we're watching your child for half an hour and

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Speaker 1: they want to give you fifty dollars. You call the

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Speaker 1: fucking cops, and we left it there.

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Speaker 2: And when we left it there, you probably when you

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Speaker 2: put it like that, that's a very good point, Bookie.

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Speaker 1: Let's get into the best here of the week. Shout

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Speaker 1: out to Bookie if he's listening, and to all those

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Speaker 1: beautiful friends that we rely on for counsel in those

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Speaker 1: moments in time. He was really good. He was really good.

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Speaker 1: He was there.

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Speaker 2: I think I should kick off with myfe have a

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Speaker 2: bit of the well. I just feel like I've kind

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Speaker 2: of talked about it a little bit. So yeah, this

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Speaker 2: happens early, by the way, guys, so just enjoy this.

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Speaker 2: But like, yeah, outside of that, I feel like this

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Speaker 2: topic is potentially solving a weekly household chore for everyone.

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Speaker 2: But again, the main reason I want to play this

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Speaker 2: is because of the shot I fire at will at

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Speaker 2: the very start and at bloody hits.

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Speaker 1: Have a listen to this.

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Speaker 2: I'm sure you won't mind me saying this, but you

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Speaker 2: don't do many jobs around the home.

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Speaker 1: Will it's not fair, But it's just a gag.

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Speaker 7: How dare you?

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Speaker 1: It's making it sound like you don't now because I

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Speaker 1: was just joking. I was just you do a great

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Speaker 1: amount of I don't believe that you said that it

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Speaker 1: was a bit of joke. It's just a joke serious

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Speaker 1: because we've been on air canning the fact that you've

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Speaker 1: been the worst groom in History's a revenge going on,

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Speaker 1: there's a bit of business. There's definitely some.

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Speaker 2: Revenge going on, but that's because I've got so many

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Speaker 2: chores around the home world. I'm a very busy man.

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Speaker 2: And one of those chawls is maintaining the lawn. And

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Speaker 2: we're coming into spring now. And the other people out

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Speaker 2: there who are the lawn mowers of their family that

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Speaker 2: know that, gee, the grass starts growing real fast in spring.

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Speaker 1: It's like it's like a bye weekly thing. Now, just

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Speaker 1: a broad stereotype. Everyone who mows the lawn makes a

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Speaker 1: big point of telling everyone that they mow the lawn.

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Speaker 1: Really bring it.

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Speaker 2: Up, and this is one of those rare occasions where

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Speaker 2: I'm bringing it up, but I am struggling.

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Speaker 1: To, you know, just just get on top of it.

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Speaker 1: So comes in and my got to push a little

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Speaker 1: four wheel trolley up and down the lawn three times.

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Speaker 2: Tough going, half going, but amazingly will We got this

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Speaker 2: call from Rebecca a couple of days ago, and I

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Speaker 2: think I think the intention of Rebecca was to laugh

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Speaker 2: at her father here, But yeah, this is genius.

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Speaker 8: My dad bought a goat for the backyard because the

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Speaker 8: lawnmower living in a suburban home with no bigger than

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Speaker 8: a six d square meter block.

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Speaker 1: When I bought a goat, is the goat working suasan

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Speaker 1: no complaint? I think this is genius. I still think

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Speaker 1: this is genius. Yeah, yeah, I can tell. I just

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Speaker 1: think if I brought it back, if I had a

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Speaker 1: goat in the backyard. No way you're going to be

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Speaker 1: a goat mate. I know your partner. There's no way

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Speaker 1: you're convincing her to put a live animal, particularly a goat,

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Speaker 1: with traditionally angry little bastards.

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Speaker 2: Look, I'm not there yet, but here's the thing. We've

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Speaker 2: got Colin Arnold here from a little company called raise Away.

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Speaker 2: That's grais Away, one word capital a for away. And

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Speaker 2: Colin correct if I'm wrong. We can find you on

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Speaker 2: Facebook if anyone else is interested by this. But you

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Speaker 2: hire out goats.

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Speaker 5: I do.

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Speaker 1: That's exactly what I do, outstanding now, Colin. If I

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Speaker 1: was a job, Colin, sorry, just before you go onwards,

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Speaker 1: is your job?

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Speaker 3: Sorry?

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Speaker 1: Is this your job? Colin?

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Speaker 3: Yeah, that is my job. I've been doing it for

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Speaker 3: about nearly twenty years now, and.

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Speaker 2: Amazing, I've heard you the best in the bizcoon, that

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Speaker 2: is the word in the goat industry. Now, Colin, if

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Speaker 2: I was to put a goat in my backyard, you

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Speaker 2: are you telling me? And I hope this isn't just

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Speaker 2: you know, marketing spin, but are you telling me that

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Speaker 2: the goats would maintain the lawn at a good level

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Speaker 2: at all times?

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Speaker 3: Well? Look, they do eat grass down pretty short if

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Speaker 3: if that's all I've got available to them. And look,

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Speaker 3: we get asked to do all sorts of back yet

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Speaker 3: some are just a bit of long grass. Some are

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Speaker 3: just completely overgrown with all sorts of stuff that people

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Speaker 3: didn't want there. So it's not so much lawn upkeep,

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Speaker 3: it's more dealing with an absolute jungle of stuff like

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Speaker 3: ivy and blackberries and all sorts of things that have

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Speaker 3: got out of hand. But having said that, they do

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Speaker 3: eat grass down really short and maintain it will Yeah.

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Speaker 1: Cole, you mean to tell me that, like rather than

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Speaker 1: going to Bunnings and getting yourself a reob hedge stamer

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Speaker 1: and some roundup. Which is great that we love Reoby

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Speaker 1: on this show, I no doubt about it. But as

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Speaker 1: an alternative, people hire a live ghost to put a

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Speaker 1: in a patch of scrub.

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Speaker 8: They do.

433
00:19:53,040 --> 00:19:54,600
Speaker 1: Have You've been doing that for twenty years.

434
00:19:54,960 --> 00:19:56,160
Speaker 3: I've been doing it for twenty years.

435
00:19:56,200 --> 00:19:59,520
Speaker 1: I can't believe that, Colin, I actually cannot believe that. So, Colin,

436
00:19:59,560 --> 00:20:01,760
Speaker 1: how much time? That's the last thing I'm thinking of?

437
00:20:01,920 --> 00:20:04,959
Speaker 1: My God, my jeez, that heads looks unmanageable. I'll tell

438
00:20:05,000 --> 00:20:07,239
Speaker 1: you what I'll give Colin from grays Away call. We'll

439
00:20:07,320 --> 00:20:11,440
Speaker 1: chuck a nod out here for a few hours. Check

440
00:20:11,480 --> 00:20:13,520
Speaker 1: your feet up, you crack a beer, check your feet up.

441
00:20:13,720 --> 00:20:15,800
Speaker 1: Let the goat gate it. How much is a goat

442
00:20:15,840 --> 00:20:16,280
Speaker 1: for an hour?

443
00:20:16,480 --> 00:20:20,080
Speaker 3: Coal? Well, we don't hire at a goat for an hour?

444
00:20:20,440 --> 00:20:22,840
Speaker 2: Okay, So how would we work this weekend if I

445
00:20:22,920 --> 00:20:25,399
Speaker 2: because my lawns are out of control, Colin and I

446
00:20:25,440 --> 00:20:26,960
Speaker 2: are definitely going to need to attend to that.

447
00:20:28,080 --> 00:20:29,959
Speaker 1: If we're to talk business, right now. What's it going

448
00:20:30,000 --> 00:20:31,440
Speaker 1: to cost me to get a couple of goats to

449
00:20:31,640 --> 00:20:32,480
Speaker 1: do the job for me?

450
00:20:33,040 --> 00:20:34,560
Speaker 3: Well, there's a whole lot of questions that I would

451
00:20:34,600 --> 00:20:37,960
Speaker 3: have to ask, but my basic, my minimal price for

452
00:20:38,080 --> 00:20:41,800
Speaker 3: putting goats into a suburban backyard, yes, is five hundred

453
00:20:41,800 --> 00:20:42,679
Speaker 3: and fifty dollars.

454
00:20:43,000 --> 00:20:45,120
Speaker 1: Okay, okay, thanks for joining us. Gol on until I've

455
00:20:45,119 --> 00:20:58,520
Speaker 1: got time. Good afternoon everyone. Shit, Honestly, I'm like a

456
00:20:58,600 --> 00:21:01,720
Speaker 1: wind up doll. It's it's horrific. I'm going to do that.

457
00:21:01,960 --> 00:21:04,000
Speaker 1: You've got one and four you father, good morning, good

458
00:21:04,000 --> 00:21:05,040
Speaker 1: afternoon or good night?

459
00:21:05,160 --> 00:21:05,360
Speaker 3: Sorry?

460
00:21:05,400 --> 00:21:08,960
Speaker 2: One in three really so yeah, a chance like thirty

461
00:21:09,000 --> 00:21:10,800
Speaker 2: three thirty three percent of people in.

462
00:21:10,880 --> 00:21:12,680
Speaker 1: General, like I swear to God, I'm going to like

463
00:21:12,880 --> 00:21:15,399
Speaker 1: when I am in some sort of elderly person's home

464
00:21:15,440 --> 00:21:16,680
Speaker 1: at the end of my life, he's going to find

465
00:21:16,680 --> 00:21:19,640
Speaker 1: me in a rocking chair going good after Yeah, good afternoon.

466
00:21:21,840 --> 00:21:22,040
Speaker 8: Yeah.

467
00:21:22,640 --> 00:21:28,120
Speaker 1: Quiz very shortly, the quiz very shortly, Jesus. That's anyway.

468
00:21:28,640 --> 00:21:31,439
Speaker 1: We are doing Best Year of the Week. Our fo

469
00:21:31,600 --> 00:21:34,320
Speaker 1: bits and the producers have got another one. But they're

470
00:21:34,320 --> 00:21:36,720
Speaker 1: going to They're going to slink in here brilliant and

471
00:21:36,840 --> 00:21:38,920
Speaker 1: Jason Seagal coming up soon as well.

472
00:21:39,000 --> 00:21:43,000
Speaker 2: Wood trow But emails one of the all time stories

473
00:21:43,160 --> 00:21:45,399
Speaker 2: about a focus group that watch Forgetting Sarah Marshall.

474
00:21:45,920 --> 00:21:52,000
Speaker 1: It's as good, it's awesome. It's also he also tells

475
00:21:52,040 --> 00:21:54,480
Speaker 1: it beautifully in the context of how big Forgetting Sarah

476
00:21:54,520 --> 00:21:57,040
Speaker 1: Marshall was for him as well. He was young. It

477
00:21:57,200 --> 00:21:59,680
Speaker 1: was his first big thing and he wrote it. You know,

478
00:22:00,000 --> 00:22:03,280
Speaker 1: wrecked its starting it, the whole lot. It's really cool. Anyway,

479
00:22:03,920 --> 00:22:09,280
Speaker 1: my favorite bit of the week is sheer narcissism. I

480
00:22:10,160 --> 00:22:13,399
Speaker 1: was we were doing the show from Sydney and I,

481
00:22:14,920 --> 00:22:16,560
Speaker 1: I mean, this is just what happens when people give

482
00:22:16,560 --> 00:22:19,440
Speaker 1: me too much control. I had control of the buttons. Oh,

483
00:22:20,880 --> 00:22:23,520
Speaker 1: Tommy was down here in Melbourne, way too much. I

484
00:22:23,720 --> 00:22:26,119
Speaker 1: was in control of all of everything. And we'd had

485
00:22:26,119 --> 00:22:26,760
Speaker 1: a big day.

486
00:22:27,520 --> 00:22:31,320
Speaker 2: Yeah memory, so we're already like when we have big days,

487
00:22:31,560 --> 00:22:33,000
Speaker 2: you might be able to hear we get a little

488
00:22:33,040 --> 00:22:34,439
Speaker 2: bit looser, you.

489
00:22:34,680 --> 00:22:43,760
Speaker 1: Get very childish. Yeah, that's definitely for me to say that.

490
00:22:43,840 --> 00:22:46,760
Speaker 1: You get adult ish in those moments as well, just

491
00:22:46,840 --> 00:22:49,119
Speaker 1: doing my job. Were you compensate, don't you? It's like

492
00:22:49,160 --> 00:22:50,720
Speaker 1: if I go down that end of the scale. You

493
00:22:50,800 --> 00:22:52,040
Speaker 1: feel like you've got to go to you just come

494
00:22:52,040 --> 00:22:53,040
Speaker 1: and join me in the playground, bro.

495
00:22:55,200 --> 00:22:57,440
Speaker 2: And so when you when you're in this childish state,

496
00:22:57,520 --> 00:23:01,159
Speaker 2: and then you also have control of people's microphone levels.

497
00:23:01,720 --> 00:23:05,760
Speaker 1: Two microphone levels. Anchoring a national radio show could be

498
00:23:05,800 --> 00:23:07,679
Speaker 1: in everyone's best interest that they just take us off

499
00:23:07,720 --> 00:23:10,119
Speaker 1: air on those afternoons. But they plow on and I

500
00:23:10,200 --> 00:23:11,800
Speaker 1: have a lot of fun and you're going to hear

501
00:23:11,840 --> 00:23:15,720
Speaker 1: that here as I was getting in control of the

502
00:23:15,840 --> 00:23:20,240
Speaker 1: volume faders and then designed a bit in the show

503
00:23:21,440 --> 00:23:24,760
Speaker 1: to fit around that concept. That was clever. Just thank you, yes,

504
00:23:25,000 --> 00:23:29,000
Speaker 1: just so I could have full control over everyone and everything. Hey,

505
00:23:29,000 --> 00:23:32,760
Speaker 1: Olivia Rodrigo, she's obviously in Australia at the moment. She

506
00:23:32,880 --> 00:23:34,440
Speaker 1: fell through a hole on the floor while she was

507
00:23:34,480 --> 00:23:35,439
Speaker 1: performing last night.

508
00:23:39,600 --> 00:23:40,560
Speaker 7: That was fun.

509
00:23:44,000 --> 00:23:54,720
Speaker 9: Sometimes, all right, okay, funny hole on the stage.

510
00:23:54,960 --> 00:23:57,399
Speaker 1: Now, someone's definitely lost their job for that. And as

511
00:23:57,480 --> 00:24:00,840
Speaker 1: you said to me beforewards, she like she's probably.

512
00:24:00,600 --> 00:24:03,080
Speaker 2: In a lot of pain there, yes, but if anyone

513
00:24:03,240 --> 00:24:05,760
Speaker 2: knows from a four where there's a crowd watching, the

514
00:24:05,880 --> 00:24:09,320
Speaker 2: embarrassment takes over and the adrenaline kicks in, you don't

515
00:24:09,359 --> 00:24:11,639
Speaker 2: feel it. She could have broken her arm there, and

516
00:24:11,680 --> 00:24:14,160
Speaker 2: she's got to know. But she could have the point

517
00:24:14,160 --> 00:24:16,080
Speaker 2: I'm trying to make. Well, she's got a deep bruise.

518
00:24:16,119 --> 00:24:20,960
Speaker 2: You played guitars, you got a deep bruise, deep bruise,

519
00:24:21,000 --> 00:24:23,280
Speaker 2: I would say. On the I would say that she's fallen.

520
00:24:23,359 --> 00:24:26,800
Speaker 2: And if I've followed him many holes, and naturally when

521
00:24:26,840 --> 00:24:28,359
Speaker 2: you fall in a hole, you put arms out and

522
00:24:28,400 --> 00:24:32,720
Speaker 2: you get the bruise on your bicep. There she's I

523
00:24:32,760 --> 00:24:36,720
Speaker 2: don't know why, but I don't look down. I like Olivia,

524
00:24:36,920 --> 00:24:39,920
Speaker 2: but I agree that something is. Obviously someone's responsible. A

525
00:24:39,960 --> 00:24:47,600
Speaker 2: stagey is responsible for closing her trap doors, but someone

526
00:24:47,640 --> 00:24:50,560
Speaker 2: would be responsible, like trap door boy, make sure you

527
00:24:50,640 --> 00:24:52,760
Speaker 2: get all the trap doors and he's gone.

528
00:24:53,840 --> 00:25:00,320
Speaker 1: In the stage. Yeah, another show. Maybe I had used

529
00:25:00,359 --> 00:25:03,840
Speaker 1: the stage like she'd bring her own stage. They might

530
00:25:03,880 --> 00:25:05,880
Speaker 1: pass her a guitar at some point through the trap door.

531
00:25:06,359 --> 00:25:10,080
Speaker 1: I haven't seen the show, poop here is he's already

532
00:25:10,119 --> 00:25:12,600
Speaker 1: on the mic? Yes, you've seen the show, Pooie. This

533
00:25:12,680 --> 00:25:15,000
Speaker 1: is what I mean. This is the studio. Yeah, so

534
00:25:15,080 --> 00:25:17,240
Speaker 1: she you said, is she getting a guitar through the

535
00:25:17,280 --> 00:25:18,240
Speaker 1: floor in his stage?

536
00:25:19,320 --> 00:25:21,800
Speaker 6: During parts of the show, She'll go away and then

537
00:25:22,080 --> 00:25:23,880
Speaker 6: appear through the up through the trap door.

538
00:25:24,000 --> 00:25:25,719
Speaker 1: She uses the trap door. She used the trap door.

539
00:25:25,840 --> 00:25:27,320
Speaker 1: This is the trap door. And what did you actually

540
00:25:27,359 --> 00:25:30,600
Speaker 1: think of the show? It was incredible, was gone and

541
00:25:30,720 --> 00:25:38,439
Speaker 1: he's gone. Absolutely, I've trapped. I've trapped. And that's how

542
00:25:38,520 --> 00:25:44,520
Speaker 1: this is going to work. So key review, It's amazing.

543
00:25:44,600 --> 00:25:48,920
Speaker 1: And he kept going, he kept going, give me his power.

544
00:25:48,960 --> 00:25:51,600
Speaker 1: But I have got an idea based down that. So

545
00:25:51,800 --> 00:25:54,120
Speaker 1: thirty one and six five you live here. Rodrigo fell

546
00:25:54,240 --> 00:25:58,760
Speaker 1: through a trap door? Yes, obviously the trap door. The

547
00:25:58,800 --> 00:26:01,879
Speaker 1: metaphorical trap door in this studio are the faders on

548
00:26:02,040 --> 00:26:06,400
Speaker 1: the desk where if you're talking, we can make it sounds. Yeah,

549
00:26:06,480 --> 00:26:08,320
Speaker 1: you just did yourself there. I just did myself there.

550
00:26:09,080 --> 00:26:10,639
Speaker 1: Trap door. Mate. So if I'm talking now and I

551
00:26:10,720 --> 00:26:13,800
Speaker 1: get a bit boring, so I can either wipe you

552
00:26:13,920 --> 00:26:15,399
Speaker 1: right out, yeah, or if I'm want to do a

553
00:26:15,480 --> 00:26:17,240
Speaker 1: bit of a slow trap door yeah right, okay, I'll

554
00:26:17,280 --> 00:26:19,160
Speaker 1: leave you. Rodrigue fell through a trap door in there.

555
00:26:19,160 --> 00:26:26,320
Speaker 1: I'm gone. So what I want to do? And I've

556
00:26:26,480 --> 00:26:29,640
Speaker 1: I realize that this is hard. Yes, I realized it's hard.

557
00:26:30,000 --> 00:26:32,440
Speaker 1: It's four o'clock on a Tuesday. Have a crack, have

558
00:26:32,520 --> 00:26:34,719
Speaker 1: a crack. I'm might have to sweeten the deal one

559
00:26:34,760 --> 00:26:38,680
Speaker 1: hundred bucks suspend at Red Roaster thirteen one oh six five.

560
00:26:39,160 --> 00:26:44,680
Speaker 1: Have you got a story about a trapdoor? And is

561
00:26:44,720 --> 00:26:48,119
Speaker 1: it good enough to beat the studio trap door? So

562
00:26:48,320 --> 00:26:53,160
Speaker 1: basically you've got to tell us and gone, it's too good,

563
00:26:54,000 --> 00:26:57,119
Speaker 1: it's too good. But yeah, I'll explain you're off. Now

564
00:26:57,320 --> 00:26:59,560
Speaker 1: you've got Yeah, you've gone through the trap door. Mate,

565
00:26:59,560 --> 00:27:01,879
Speaker 1: it's the end of the line. Give us call thirty six,

566
00:27:02,000 --> 00:27:03,919
Speaker 1: five hundred dollars to spend it Red Roaster. Tell us

567
00:27:03,960 --> 00:27:06,920
Speaker 1: a story about a trapdoor, and it's got to be

568
00:27:06,960 --> 00:27:08,880
Speaker 1: good enough for you to avoid the trap door woods.

569
00:27:08,920 --> 00:27:10,960
Speaker 1: You can come back into the room. It'll be short lived,

570
00:27:11,000 --> 00:27:13,440
Speaker 1: I'm sure. But we've got Steve here is Steve. You

571
00:27:13,480 --> 00:27:15,639
Speaker 1: want to have a crack. This is tough. You got

572
00:27:15,720 --> 00:27:17,040
Speaker 1: a story about a trap door, mate?

573
00:27:17,560 --> 00:27:20,879
Speaker 8: Yeah, a trap door caught me on fire. Back in

574
00:27:20,920 --> 00:27:23,640
Speaker 8: the day. We used to burn trap door spiders while

575
00:27:23,680 --> 00:27:26,080
Speaker 8: they were in our backyard. And one of them came

576
00:27:26,240 --> 00:27:28,879
Speaker 8: out of the hole and he didn't look like it

577
00:27:29,000 --> 00:27:30,840
Speaker 8: had a fire on it, and I hit it with

578
00:27:30,920 --> 00:27:34,000
Speaker 8: the jerry can again, but the fire went all over

579
00:27:34,119 --> 00:27:38,000
Speaker 8: me all over the ground and end up causing the

580
00:27:38,080 --> 00:27:40,800
Speaker 8: fibergate turned up. I got burnt, the ground got burnt

581
00:27:40,840 --> 00:27:42,800
Speaker 8: at the roll on Bindy's on the ground trying to

582
00:27:42,800 --> 00:27:43,560
Speaker 8: put myself out.

583
00:27:45,560 --> 00:27:49,359
Speaker 1: Great story about a trapdoor, Stave, Well, doe him the

584
00:27:49,400 --> 00:27:52,160
Speaker 1: red rooster straight up. You can have one hundred bucks.

585
00:27:52,160 --> 00:27:55,600
Speaker 1: Suspend it, red roaster. Steve did the trap door completely?

586
00:27:56,200 --> 00:27:59,439
Speaker 1: How was that? Gee? How bad were you burned? Steve?

587
00:28:00,480 --> 00:28:01,120
Speaker 8: All my legs?

588
00:28:02,000 --> 00:28:08,080
Speaker 1: Yeah, no one cares. We're back on top. Let's go

589
00:28:08,240 --> 00:28:10,800
Speaker 1: to Amy. She would I know you haven't necessarily got

590
00:28:10,840 --> 00:28:12,280
Speaker 1: a trap door story. You've got that story about the

591
00:28:12,320 --> 00:28:14,359
Speaker 1: heating ducts in your house when you were a child.

592
00:28:14,760 --> 00:28:23,280
Speaker 1: Oh yeah, this is close enough. Gone Amy, trap door? Hello,

593
00:28:23,920 --> 00:28:27,840
Speaker 1: good luck Amy, trap door story to avoid the trap door.

594
00:28:28,720 --> 00:28:31,480
Speaker 3: Okay, so my story is actually a trap.

595
00:28:32,960 --> 00:28:34,199
Speaker 8: So what happened was.

596
00:28:36,000 --> 00:28:38,280
Speaker 1: I was a slow exit that one. But nevertheless, what

597
00:28:38,360 --> 00:28:44,080
Speaker 1: did you say? It was a tractor? What's a tractor? Tractor? Tractor?

598
00:28:45,080 --> 00:28:47,000
Speaker 1: She's gone now then gone to God. Wish we could

599
00:28:47,000 --> 00:28:52,080
Speaker 1: get her back, but he's down there a bit. It

600
00:28:52,240 --> 00:28:54,800
Speaker 1: puts the lotion in the basket from down there. Lucky

601
00:28:55,080 --> 00:29:00,240
Speaker 1: on thurday one, six five and lucky. Yeah, got story

602
00:29:00,280 --> 00:29:03,160
Speaker 1: about the trap door to avoid the trap door Lockdoug, Yeah,

603
00:29:03,200 --> 00:29:05,120
Speaker 1: I do. I used to work in a pail plant,

604
00:29:05,160 --> 00:29:07,760
Speaker 1: and every time a boss wanted DeFi someone.

605
00:29:07,600 --> 00:29:08,840
Speaker 5: He' put him through the trap door.

606
00:29:09,760 --> 00:29:14,920
Speaker 7: No, no, actually his name was mister burn. No, his

607
00:29:15,080 --> 00:29:18,040
Speaker 7: name was mister gas damn. And we didn't get him

608
00:29:18,080 --> 00:29:21,000
Speaker 7: before he got to do his ship, don't God damn it.

609
00:29:31,320 --> 00:29:36,000
Speaker 1: Welcome back, hey, before we get into the producer's best

610
00:29:36,080 --> 00:29:39,960
Speaker 1: get a gear of the week caves in. She's going

611
00:29:40,000 --> 00:29:41,880
Speaker 1: to deliver that. What's up? I just thought i'd show

612
00:29:41,920 --> 00:29:44,640
Speaker 1: you everyone's in here. This is the photo. I don't

613
00:29:44,640 --> 00:29:46,480
Speaker 1: know we can put this somewhere. Maybe I think I

614
00:29:46,480 --> 00:29:48,640
Speaker 1: don't know what it's appropriate. Cave is the digital Judici.

615
00:29:49,240 --> 00:29:51,120
Speaker 1: This is the photo of when Wood he told book

616
00:29:51,160 --> 00:29:53,280
Speaker 1: he wanted that he wanted to pay the parents fifty

617
00:29:53,320 --> 00:29:58,760
Speaker 1: dollars for watching their child dance. Oh jeez, look at

618
00:29:58,800 --> 00:30:01,000
Speaker 1: the look on Booki's face as I tell him the plan.

619
00:30:03,760 --> 00:30:05,160
Speaker 1: I look beautiful in that they don't know.

620
00:30:05,760 --> 00:30:07,360
Speaker 10: Beautiful, gorgeous.

621
00:30:07,520 --> 00:30:11,280
Speaker 1: Yeah, your hair looks slushous. Yeah, it was, Oh my god,

622
00:30:12,040 --> 00:30:14,880
Speaker 1: are we allowed to put that anywhere? kV No, Because

623
00:30:14,920 --> 00:30:17,680
Speaker 1: he's holding he's holding a secret. It's just a secret.

624
00:30:17,760 --> 00:30:21,360
Speaker 1: It's a secrets. I wouldn't do anything else but and

625
00:30:21,440 --> 00:30:23,880
Speaker 1: that was obviously I don't smoke now. I think smoking's awful.

626
00:30:24,200 --> 00:30:25,960
Speaker 1: Maybe we can put an emoji over the cigarette. If

627
00:30:25,960 --> 00:30:29,440
Speaker 1: it's anything, How good is that? I'll post it? You

628
00:30:29,560 --> 00:30:30,200
Speaker 1: post it? Ye?

629
00:30:30,960 --> 00:30:32,120
Speaker 10: Yeah, favorite bit for this week.

630
00:30:32,240 --> 00:30:35,520
Speaker 1: You can out the cigarette. I'll have to put a

631
00:30:35,640 --> 00:30:40,360
Speaker 1: demon put a demon emoji on it. Maybe okay, little

632
00:30:40,360 --> 00:30:41,000
Speaker 1: a little smiley.

633
00:30:41,600 --> 00:30:42,720
Speaker 10: You want me to photoshop that?

634
00:30:43,440 --> 00:30:45,479
Speaker 1: Put an emoji. Just put an emoji over the over

635
00:30:45,520 --> 00:30:46,520
Speaker 1: the cigarette.

636
00:30:46,240 --> 00:30:49,160
Speaker 4: Do the AI photoshop and ASKT to replace something great.

637
00:30:49,640 --> 00:30:53,840
Speaker 10: It always comes up with something random. Holding the carrot, great, perfectory.

638
00:30:53,840 --> 00:30:55,000
Speaker 10: He's gonna have anything better to do.

639
00:30:58,200 --> 00:31:01,600
Speaker 1: I just he just sarcasm in no, no, no, no, no.

640
00:31:02,320 --> 00:31:05,360
Speaker 10: Favorite thing this week from the producers, and I think

641
00:31:05,400 --> 00:31:08,640
Speaker 10: this is a collective from all of us. Has been

642
00:31:09,920 --> 00:31:12,440
Speaker 10: our special guest, Chris Martin.

643
00:31:13,360 --> 00:31:16,080
Speaker 1: Ah, Chris, Yeah, it's been so We've been very lucky

644
00:31:16,120 --> 00:31:17,560
Speaker 1: to have Chris on so much, haven't we.

645
00:31:17,680 --> 00:31:20,280
Speaker 10: It's amazing that he's just standing in the corner of

646
00:31:20,360 --> 00:31:23,680
Speaker 10: this studio ready to go at a moment's notice.

647
00:31:24,040 --> 00:31:26,080
Speaker 1: Yeah. Well, he ducks out like you're actually like, we

648
00:31:26,160 --> 00:31:28,080
Speaker 1: don't give him breaks like he does. You know, we

649
00:31:28,200 --> 00:31:31,560
Speaker 1: give him toilet break, his lunch. He has lunch, you

650
00:31:31,560 --> 00:31:32,600
Speaker 1: guys don't get a sandwich.

651
00:31:32,720 --> 00:31:34,480
Speaker 10: Yeah, but he does stay here overnight. He's not allowed

652
00:31:34,480 --> 00:31:35,080
Speaker 10: to leave studio.

653
00:31:35,760 --> 00:31:37,160
Speaker 1: That's part of the deal, I mean, and that's his

654
00:31:37,240 --> 00:31:39,160
Speaker 1: record label at the end of the day. That's their fault.

655
00:31:39,160 --> 00:31:41,080
Speaker 1: We're promoting his gigs all the time, so he should

656
00:31:41,080 --> 00:31:43,280
Speaker 1: be he should be grateful giving away rows of tickets

657
00:31:43,280 --> 00:31:45,360
Speaker 1: every day as well. I actually quite like having him

658
00:31:45,400 --> 00:31:46,520
Speaker 1: in here. He's a bit arrogant.

659
00:31:46,600 --> 00:31:50,640
Speaker 2: He's like surprisingly arrogant when he gets on the on

660
00:31:50,720 --> 00:31:52,640
Speaker 2: the microphone talking to these great listeners.

661
00:31:52,840 --> 00:31:55,440
Speaker 10: It's kind of confusing because every other interview I've seen

662
00:31:55,480 --> 00:31:59,280
Speaker 10: of him, you know, he's been very humble, modest, and yeah,

663
00:31:59,360 --> 00:32:02,440
Speaker 10: here he's just maybe it's just the vibe in here.

664
00:32:02,560 --> 00:32:04,240
Speaker 10: He just wants to be a big dog or something.

665
00:32:04,880 --> 00:32:08,680
Speaker 1: Intimidated imprisoned him as well. You know that's obviously getting

666
00:32:08,680 --> 00:32:10,600
Speaker 1: to him. You know, you put me on a cage.

667
00:32:10,640 --> 00:32:13,520
Speaker 1: They don't need a bit weird. Yeah, weird, he's definitely

668
00:32:13,560 --> 00:32:17,960
Speaker 1: got weird. Strange to give you the tickets today, we've

669
00:32:18,000 --> 00:32:19,880
Speaker 1: actually got Chris Martin here in the studio.

670
00:32:20,120 --> 00:32:22,600
Speaker 2: You're a huge Phanoma band.

671
00:32:22,640 --> 00:32:29,520
Speaker 1: I thought you'd know my name a huge stop saying them.

672
00:32:29,840 --> 00:32:31,440
Speaker 1: He went and saw me, He went on me in

673
00:32:31,480 --> 00:32:33,960
Speaker 1: two thousand. I came and saw you in two thousand

674
00:32:34,000 --> 00:32:36,520
Speaker 1: and sixteen. How was I How was my performance?

675
00:32:36,880 --> 00:32:38,280
Speaker 8: It was absolutely fantastic.

676
00:32:38,400 --> 00:32:40,600
Speaker 2: Guess what, Nancy, you can tell your family you've got

677
00:32:40,680 --> 00:32:42,320
Speaker 2: a whole roll tickets to see me again.

678
00:32:44,160 --> 00:32:46,240
Speaker 1: What's my name, Nancy? What's my name?

679
00:32:46,480 --> 00:32:46,920
Speaker 9: Your name?

680
00:32:48,440 --> 00:32:54,520
Speaker 1: Bo? It's Chris Martin here, Chris Martin.

681
00:32:55,760 --> 00:32:58,320
Speaker 2: Outstanding, And guess what, You've got a whole roll of

682
00:32:58,400 --> 00:32:59,880
Speaker 2: tickets to go and see me like this?

683
00:33:00,120 --> 00:33:03,240
Speaker 1: You Oh my god, Oh my god.

684
00:33:04,760 --> 00:33:07,440
Speaker 11: You guys have gotten me through it anymore.

685
00:33:07,960 --> 00:33:10,920
Speaker 5: You know, a good times, sad times. It just means

686
00:33:11,000 --> 00:33:14,160
Speaker 5: the world that you guys make music the way you do.

687
00:33:15,400 --> 00:33:21,160
Speaker 1: Lisa, it's Chris Martin here. What's your favorite song that

688
00:33:21,240 --> 00:33:24,640
Speaker 1: I perform with my band Coldplay every time?

689
00:33:24,760 --> 00:33:27,600
Speaker 11: But yellow and also green Eyes?

690
00:33:27,800 --> 00:33:29,760
Speaker 1: You know what I love most when people sing me

691
00:33:29,880 --> 00:33:31,840
Speaker 1: back my own songs. You wouldn't sing it for me,

692
00:33:31,920 --> 00:33:32,200
Speaker 1: would you?

693
00:33:32,520 --> 00:33:33,040
Speaker 8: Oh god?

694
00:33:33,240 --> 00:33:35,200
Speaker 3: No, I don't have this voice like you.

695
00:33:36,000 --> 00:33:36,600
Speaker 1: No one does.

696
00:33:37,160 --> 00:33:38,520
Speaker 9: And it was a little yellow.

697
00:33:39,520 --> 00:33:44,320
Speaker 1: Maybe you can show a last out done on the line.

698
00:33:45,600 --> 00:33:48,400
Speaker 1: Come on mate, not come on mate, Maybe chut me

699
00:33:48,440 --> 00:33:50,680
Speaker 1: on speaker and listen to this and be here. You

700
00:33:50,760 --> 00:33:51,680
Speaker 1: might want to sit down.

701
00:33:52,320 --> 00:33:54,960
Speaker 2: Para para para.

702
00:33:57,920 --> 00:33:58,920
Speaker 5: Parad Eyes.

703
00:34:01,960 --> 00:34:03,960
Speaker 1: Live performance as well. He's the best.

704
00:34:04,920 --> 00:34:07,360
Speaker 10: Just gives so much time he does to this show.

705
00:34:07,400 --> 00:34:08,640
Speaker 12: It's incredible he does.

706
00:34:08,800 --> 00:34:11,320
Speaker 1: Ye, we really appreciate it. I feel I'm trying to

707
00:34:11,320 --> 00:34:12,920
Speaker 1: feel bad about what.

708
00:34:13,200 --> 00:34:15,360
Speaker 2: About giving these people an amazing opportunity to talk to

709
00:34:15,440 --> 00:34:16,040
Speaker 2: the real Christmas.

710
00:34:16,080 --> 00:34:19,480
Speaker 1: I'm feeling bad for Chris. Oh yeah, that's fair. We

711
00:34:19,520 --> 00:34:23,719
Speaker 1: should give him give Does he get the weekend? Does

712
00:34:23,800 --> 00:34:25,960
Speaker 1: he get the week gets the weekend? We don't give

713
00:34:25,960 --> 00:34:28,680
Speaker 1: away tickets. What's he doing on the weekend? Getting the

714
00:34:28,680 --> 00:34:29,960
Speaker 1: big foul? I have to ask him next time he

715
00:34:30,040 --> 00:34:32,040
Speaker 1: comes in. But what did he do last weekend? I

716
00:34:32,160 --> 00:34:35,680
Speaker 1: don't talk to him socially him at all. High. Do

717
00:34:36,440 --> 00:34:37,640
Speaker 1: you say hi, Kate? Yeah?

718
00:34:37,640 --> 00:34:38,400
Speaker 10: I say high to him.

719
00:34:38,560 --> 00:34:40,319
Speaker 1: Yeah? Why don't we ask him now? Chris?

720
00:34:40,960 --> 00:34:41,880
Speaker 10: What do you do on the weekend?

721
00:34:43,080 --> 00:34:44,200
Speaker 1: Yeah, he's here, he's here.

722
00:34:48,200 --> 00:34:59,760
Speaker 12: He's on the weekend. Like bag bitches, get out.

723
00:35:02,400 --> 00:35:11,840
Speaker 1: What you have a fiance? Does he Yeah? He's gone on.

724
00:35:12,920 --> 00:35:16,719
Speaker 1: You even say that bags bitch, But I don't know

725
00:35:16,840 --> 00:35:25,840
Speaker 1: what right off? He was like the park or something side?

726
00:35:28,600 --> 00:35:29,359
Speaker 3: Is that even mean?

727
00:35:30,360 --> 00:35:31,160
Speaker 1: Bringing up with Chris?

728
00:35:33,040 --> 00:35:34,280
Speaker 10: Back to your cage, Chris.

729
00:35:36,719 --> 00:35:40,080
Speaker 1: From my big guest to another. Yeah, thanks, thanks for

730
00:35:40,200 --> 00:35:44,520
Speaker 1: coming in. Get out of here. Gonna work on that photo. Yeah,

731
00:35:45,960 --> 00:35:49,479
Speaker 1: that Jason Siegel. Guys, we had a chat with him. Listen,

732
00:35:50,440 --> 00:35:52,960
Speaker 1: we are about to be joined by Jason Siegel. Take

733
00:35:53,000 --> 00:35:55,239
Speaker 1: our promo shots down. We love this man. He's from

734
00:35:55,320 --> 00:35:59,120
Speaker 1: Forgetting Sarah Marshall movie, I Love You Man, Worship him. Yeah,

735
00:35:59,160 --> 00:36:01,200
Speaker 1: we've got this promo shots of us. You guys would

736
00:36:01,200 --> 00:36:05,480
Speaker 1: have seen the promo We're gangsters? Can we take them down?

737
00:36:06,239 --> 00:36:07,920
Speaker 1: I don't. I think I think it might be. I

738
00:36:08,000 --> 00:36:11,160
Speaker 1: think it might be too. He's going in now. So hey, Jason,

739
00:36:11,200 --> 00:36:11,960
Speaker 1: what's going on? Man?

740
00:36:12,200 --> 00:36:12,680
Speaker 5: How's it going?

741
00:36:12,800 --> 00:36:15,120
Speaker 11: Is that you guys in the background on the backdrop?

742
00:36:15,520 --> 00:36:19,319
Speaker 1: Yes, yes it is, And it's not the first time

743
00:36:19,400 --> 00:36:20,000
Speaker 1: you've seen us.

744
00:36:20,040 --> 00:36:24,719
Speaker 2: Actually, Jason looking particularly provocative and sexy. I definitely don't

745
00:36:24,719 --> 00:36:26,680
Speaker 2: expect you to recognize our faces. But I'm going to

746
00:36:26,719 --> 00:36:28,120
Speaker 2: play some audio for you right now.

747
00:36:28,200 --> 00:36:28,560
Speaker 1: Jason.

748
00:36:28,719 --> 00:36:31,120
Speaker 2: This was when you were doing promo for the film

749
00:36:31,600 --> 00:36:35,040
Speaker 2: the five year engagement with Emily Blunt. Okay, there was

750
00:36:35,040 --> 00:36:38,120
Speaker 2: a guy dressed as a dinosaur and a guy dressed

751
00:36:38,120 --> 00:36:42,439
Speaker 2: as Superman who whose suit was a little bit tight

752
00:36:42,640 --> 00:36:45,160
Speaker 2: around the crutch, and this is your Jason.

753
00:36:45,960 --> 00:36:48,399
Speaker 1: Wow, oh my god, look at these two.

754
00:36:51,120 --> 00:36:52,880
Speaker 5: Look at his camel tal look at your camera.

755
00:36:53,320 --> 00:36:54,560
Speaker 1: Let's get the camelo out of it.

756
00:37:02,560 --> 00:37:04,879
Speaker 5: Into large Superman. We're going to be get into large.

757
00:37:05,320 --> 00:37:06,080
Speaker 5: That's the way it is.

758
00:37:06,760 --> 00:37:08,800
Speaker 1: The network took a big gamble on us to do

759
00:37:08,880 --> 00:37:11,479
Speaker 1: this interview with you for ten minutes and you spoke

760
00:37:11,480 --> 00:37:13,080
Speaker 1: about my penis for ten.

761
00:37:13,560 --> 00:37:17,320
Speaker 5: Oh good, and you guys got promoted absolutely.

762
00:37:17,400 --> 00:37:19,480
Speaker 1: I mean here we are now, I mean like and

763
00:37:19,520 --> 00:37:24,440
Speaker 1: the rest is history. Thank you, Thank you so much

764
00:37:24,520 --> 00:37:27,200
Speaker 1: for that moment. And I also want to say that

765
00:37:27,280 --> 00:37:29,600
Speaker 1: we are both of us enormous fans of dhrinking. We

766
00:37:29,680 --> 00:37:32,160
Speaker 1: both watched the first season, so we're on it, like,

767
00:37:32,320 --> 00:37:35,400
Speaker 1: actually massive on it. Loved all the screenwriting. It's kind

768
00:37:35,400 --> 00:37:37,200
Speaker 1: of my favorite genre at the moment. Is that beautiful

769
00:37:37,600 --> 00:37:41,360
Speaker 1: melange of humor whip meets kind of like serious content

770
00:37:41,440 --> 00:37:44,640
Speaker 1: that everyone's coming, which is just so hard to pull off,

771
00:37:45,080 --> 00:37:47,440
Speaker 1: Like it's so hard to nail and you guys have

772
00:37:47,480 --> 00:37:48,800
Speaker 1: done such a good job of that, and obviously that

773
00:37:48,920 --> 00:37:50,239
Speaker 1: comes out of the casting and the writing. I know

774
00:37:50,280 --> 00:37:52,800
Speaker 1: you've had a lot to do with that, and I

775
00:37:52,880 --> 00:37:55,520
Speaker 1: think in particular, the interaction that I'm really enjoying at

776
00:37:55,560 --> 00:37:58,440
Speaker 1: the moment is your character Jimmy and your daughter Alice.

777
00:37:58,520 --> 00:38:00,440
Speaker 1: What do you know, I both have daughters and just

778
00:38:01,600 --> 00:38:04,440
Speaker 1: is just being like basically a minefield of what not

779
00:38:04,640 --> 00:38:04,840
Speaker 1: to do.

780
00:38:05,840 --> 00:38:06,840
Speaker 3: Yeah, it was.

781
00:38:07,000 --> 00:38:09,960
Speaker 11: It's the most interesting storyline to me as well, because

782
00:38:10,200 --> 00:38:13,440
Speaker 11: I think, like you know, we don't explicitly say it

783
00:38:13,600 --> 00:38:16,480
Speaker 11: really until as season two goes on we really deal

784
00:38:16,520 --> 00:38:21,360
Speaker 11: with it. But you know, the expectation is that if

785
00:38:21,440 --> 00:38:25,480
Speaker 11: the thing ever really goes down, that the parent will

786
00:38:25,520 --> 00:38:29,240
Speaker 11: protect the kid. That's sort of a built in silent

787
00:38:30,000 --> 00:38:34,239
Speaker 11: arrangement expectation, you know, it's like the natural law in

788
00:38:34,400 --> 00:38:38,800
Speaker 11: this show. Really, what's happened, it's like force masure. The

789
00:38:39,000 --> 00:38:43,439
Speaker 11: thing happened and Jimmy ran away. He didn't tacked his kid.

790
00:38:44,080 --> 00:38:46,000
Speaker 1: Yeah yeah, So how do you.

791
00:38:46,239 --> 00:38:49,200
Speaker 5: Ever look your kid in the eye after that? Do

792
00:38:49,440 --> 00:38:51,640
Speaker 5: they ever look you in the eye after that? Because

793
00:38:51,680 --> 00:38:54,520
Speaker 5: you know, it happened and they ran away?

794
00:38:54,960 --> 00:38:58,440
Speaker 1: Yeah? Yeah, so true. You also continue, all your characters

795
00:38:59,160 --> 00:39:00,839
Speaker 1: continues to refit to themselves as.

796
00:39:00,840 --> 00:39:04,240
Speaker 2: Daddy, even though I feel like you're pasted or she's

797
00:39:04,280 --> 00:39:06,280
Speaker 2: passed the age where you can refer to yourself as daddy.

798
00:39:06,320 --> 00:39:07,719
Speaker 1: Do you think there is a number there where you

799
00:39:07,760 --> 00:39:08,879
Speaker 1: can stop calling yourself daddy?

800
00:39:08,920 --> 00:39:10,759
Speaker 2: Because our daughters again are around the age of two,

801
00:39:10,880 --> 00:39:12,520
Speaker 2: so we're very much still in the daddy zone.

802
00:39:12,800 --> 00:39:15,399
Speaker 1: But when should we drop daddy? Jason, I don't know as.

803
00:39:15,320 --> 00:39:16,280
Speaker 5: An actual parent.

804
00:39:16,520 --> 00:39:20,560
Speaker 11: I just remember that that actually happened on set between

805
00:39:20,760 --> 00:39:23,719
Speaker 11: Lukeita and I where daddy was written into the thing

806
00:39:23,880 --> 00:39:25,800
Speaker 11: and both of us looked at each other and were like,

807
00:39:26,239 --> 00:39:27,520
Speaker 11: let's let's skip daddy.

808
00:39:29,160 --> 00:39:33,080
Speaker 5: Daddy isn't feeling right here. That's actually where that whole

809
00:39:33,120 --> 00:39:33,920
Speaker 5: bit came from.

810
00:39:35,360 --> 00:39:38,600
Speaker 1: That's nice. She seems she seems really cool. As I said,

811
00:39:38,600 --> 00:39:40,440
Speaker 1: it semems between you guys have are fun. That particularly

812
00:39:40,480 --> 00:39:42,400
Speaker 1: like if everyone once you starts saying season two a

813
00:39:42,440 --> 00:39:44,240
Speaker 1: lot of you spying on her kind of like checking

814
00:39:44,360 --> 00:39:48,919
Speaker 1: on her, being overhearing and kind of like overhearing her conversations.

815
00:39:49,239 --> 00:39:52,560
Speaker 1: Am I right in saying speaking of overhearing conversations that

816
00:39:53,080 --> 00:39:55,640
Speaker 1: a junior in an editing suite, you once overheard them

817
00:39:55,680 --> 00:39:58,560
Speaker 1: saying that your penis was weird looking, wasn't.

818
00:39:58,400 --> 00:39:59,240
Speaker 5: In an editing sweeter?

819
00:39:59,320 --> 00:40:02,120
Speaker 11: Is it the first test screening for Forgetting Sarah Marshall,

820
00:40:02,280 --> 00:40:04,600
Speaker 11: where I had is the first thing I'd ever written.

821
00:40:04,960 --> 00:40:07,560
Speaker 11: I was so scared. I was first movie I'd ever

822
00:40:07,600 --> 00:40:09,759
Speaker 11: been the lead of. And they snuck me into the

823
00:40:09,840 --> 00:40:11,800
Speaker 11: test screening and I'm sitting in the back because I

824
00:40:11,840 --> 00:40:14,000
Speaker 11: guess they'd done some others and they didn't tell me,

825
00:40:14,080 --> 00:40:16,400
Speaker 11: but it was going really well, so they thought the

826
00:40:16,480 --> 00:40:19,359
Speaker 11: gift will be that I'll get to experience this how

827
00:40:19,440 --> 00:40:21,560
Speaker 11: well it's going. So I hid in the back and

828
00:40:21,680 --> 00:40:26,680
Speaker 11: the movie played to like giant laughs and triumphant applause,

829
00:40:26,840 --> 00:40:28,080
Speaker 11: and I was like, it was like one of the

830
00:40:28,120 --> 00:40:29,759
Speaker 11: best moments in my life. And then they get to

831
00:40:29,960 --> 00:40:32,800
Speaker 11: you and a after and they're asking people questions and

832
00:40:32,880 --> 00:40:35,279
Speaker 11: people are just saying glowing things about the movie, and

833
00:40:35,320 --> 00:40:39,120
Speaker 11: then one dude, it's always one dude, raises his hand

834
00:40:39,400 --> 00:40:42,520
Speaker 11: and they're like, yes, sir in the baseball cap, and

835
00:40:42,640 --> 00:40:45,800
Speaker 11: he's like, yeah, I got a I got a comment.

836
00:40:46,360 --> 00:40:48,480
Speaker 11: Is no one going to talk about this guy's weird dick?

837
00:40:49,880 --> 00:40:53,440
Speaker 11: And it's the only thing that I ended up taking.

838
00:40:56,080 --> 00:40:56,120
Speaker 8: You.

839
00:40:56,800 --> 00:40:58,879
Speaker 2: I feel like you got to deserve that, Jyson though,

840
00:40:58,920 --> 00:41:01,680
Speaker 2: because obviously you wrote Forgetting Sarah Marshall, so you wrote

841
00:41:01,760 --> 00:41:04,160
Speaker 2: a saying where a doctor describes you a paenus as

842
00:41:04,160 --> 00:41:05,239
Speaker 2: a beautiful Painnis as well.

843
00:41:06,160 --> 00:41:08,520
Speaker 11: You know, man, I had the naivety and bravery of

844
00:41:08,600 --> 00:41:10,759
Speaker 11: youth at that point where I just did exactly what

845
00:41:10,840 --> 00:41:13,800
Speaker 11: I thought was funny. And I try to remind myself,

846
00:41:14,040 --> 00:41:17,080
Speaker 11: like be the guy who wrote the Dracula musical, because

847
00:41:17,160 --> 00:41:19,880
Speaker 11: something happens as you get older and you get more

848
00:41:19,920 --> 00:41:22,759
Speaker 11: responsibility and you get savvier where you I think you

849
00:41:22,840 --> 00:41:26,879
Speaker 11: start getting a little too strategic and starting to think

850
00:41:26,920 --> 00:41:27,800
Speaker 11: a little too much.

851
00:41:27,640 --> 00:41:29,520
Speaker 5: About what will work and what won't work.

852
00:41:30,000 --> 00:41:32,839
Speaker 11: Yeah, and I try to like zero back in when

853
00:41:32,880 --> 00:41:35,800
Speaker 11: I get a little lost around, like, no, what do

854
00:41:35,960 --> 00:41:36,480
Speaker 11: you like?

855
00:41:37,280 --> 00:41:40,360
Speaker 5: The whole point of this is, do have faith?

856
00:41:41,120 --> 00:41:43,880
Speaker 11: The reason that it's the reason that you do this

857
00:41:44,120 --> 00:41:48,200
Speaker 11: job is that what you think is interesting might end

858
00:41:48,320 --> 00:41:49,520
Speaker 11: up being interesting to other people.

859
00:41:49,880 --> 00:41:51,800
Speaker 1: Yeah, one hundred percent. That's such a big trap for

860
00:41:52,120 --> 00:41:52,879
Speaker 1: so many people.

861
00:41:53,280 --> 00:41:56,320
Speaker 5: Yeah, it's easy to get less brave and success.

862
00:41:56,719 --> 00:42:00,399
Speaker 1: Yes, more to lose, there's more to lose, Yes, that's right, success, Yes,

863
00:42:00,520 --> 00:42:03,719
Speaker 1: so true. Hey, mate, back to shrinking. Obviously. Another one

864
00:42:03,719 --> 00:42:05,799
Speaker 1: of the relationships that people can see is you kind

865
00:42:05,840 --> 00:42:08,239
Speaker 1: of living with one of your patients who you know

866
00:42:08,480 --> 00:42:10,920
Speaker 1: steadily becomes your friend. Which, by the way, if anyone's

867
00:42:10,960 --> 00:42:13,040
Speaker 1: in therapy and your psychologist starts you to live with them,

868
00:42:13,440 --> 00:42:13,680
Speaker 1: it's a.

869
00:42:13,680 --> 00:42:14,160
Speaker 3: Big no no.

870
00:42:15,400 --> 00:42:18,359
Speaker 1: This is just a TV show. Do not accept the offer.

871
00:42:18,840 --> 00:42:22,520
Speaker 1: But Sean's a veteran, he's you know, shomming with PTSD,

872
00:42:23,320 --> 00:42:26,239
Speaker 1: a whole bunch of other things, and that relationship is

873
00:42:26,600 --> 00:42:30,839
Speaker 1: again another fascinating one to watch play out. And then.

874
00:42:32,560 --> 00:42:34,759
Speaker 11: Luke Tanney, I'll just jump in real quick, is like

875
00:42:35,120 --> 00:42:39,239
Speaker 11: an amazing actor. It's really cool to watch this guy

876
00:42:39,480 --> 00:42:42,720
Speaker 11: blossom and he can do. He has some big comedy

877
00:42:42,800 --> 00:42:45,520
Speaker 11: to do this year. He's just one of the best

878
00:42:45,680 --> 00:42:46,680
Speaker 11: human beings.

879
00:42:46,400 --> 00:42:48,920
Speaker 5: I've been around. So I'm proud to watch this guy.

880
00:42:49,040 --> 00:42:51,359
Speaker 5: Same with Lukita. I'm like, very proud of them.

881
00:42:51,880 --> 00:42:54,320
Speaker 1: He grew in the first season. By the end of it,

882
00:42:54,400 --> 00:42:56,719
Speaker 1: I was like, whoa, all right, you're you're in it now.

883
00:42:57,040 --> 00:42:59,279
Speaker 5: This guy is an acting heavyweight man. He's going to

884
00:42:59,360 --> 00:43:00,239
Speaker 5: do great stuff.

885
00:43:00,080 --> 00:43:02,279
Speaker 1: All right. Cool. That kind of ties into the fact

886
00:43:02,280 --> 00:43:04,560
Speaker 1: that I recently saw that you were actually living with

887
00:43:04,680 --> 00:43:06,160
Speaker 1: Kevin hot, Is that true?

888
00:43:06,719 --> 00:43:08,600
Speaker 11: Yeah, this is like years and years ago. I mean,

889
00:43:08,640 --> 00:43:11,359
Speaker 11: I'm probably twenty two at that point. I think Kevin

890
00:43:11,360 --> 00:43:14,160
Speaker 11: and I are around the same age. We were doing

891
00:43:14,200 --> 00:43:17,480
Speaker 11: a TV show together, a pilot that didn't get picked up.

892
00:43:17,560 --> 00:43:18,080
Speaker 5: It was crazy.

893
00:43:18,120 --> 00:43:21,320
Speaker 11: It was me, Kevin Hart and Amy Poehler before was

894
00:43:21,560 --> 00:43:24,320
Speaker 11: very famous. Yeah, Kevin and I lived together for like

895
00:43:24,440 --> 00:43:26,000
Speaker 11: six months while we were making that show.

896
00:43:26,360 --> 00:43:27,960
Speaker 1: What were you guys like his roommates? Did you get

897
00:43:27,960 --> 00:43:28,879
Speaker 1: on as well as you and showing?

898
00:43:30,160 --> 00:43:32,680
Speaker 5: We got along great, but we were definitely an odd couple.

899
00:43:32,880 --> 00:43:35,400
Speaker 11: And the thing that I learned from that experience is

900
00:43:35,480 --> 00:43:38,200
Speaker 11: I have never seen anyone, even at that period, working

901
00:43:38,280 --> 00:43:41,000
Speaker 11: as hard as Kevin Hart worked. We were going out

902
00:43:41,160 --> 00:43:43,359
Speaker 11: and we were partying, and like, you know, we were

903
00:43:43,360 --> 00:43:45,440
Speaker 11: working hard too, but we were young guys.

904
00:43:45,600 --> 00:43:45,759
Speaker 1: You know.

905
00:43:46,280 --> 00:43:48,520
Speaker 11: That guy would stay home and he would write and

906
00:43:48,680 --> 00:43:51,560
Speaker 11: write and write and write his sets and write his jokes,

907
00:43:51,600 --> 00:43:52,680
Speaker 11: and man it paid off.

908
00:43:53,400 --> 00:43:55,680
Speaker 1: Wow, that's awesome, Luddy. I also heard that you called

909
00:43:55,760 --> 00:43:57,839
Speaker 1: him into buying a friend at all screenwriting software as

910
00:43:57,880 --> 00:44:01,120
Speaker 1: part of that, So congratulations, it's a win for you.

911
00:44:01,719 --> 00:44:05,000
Speaker 1: Work hard, you're smarter. Jason It's been so nice to

912
00:44:05,080 --> 00:44:07,960
Speaker 1: see you again. You two guys with the camelto this time.

913
00:44:08,000 --> 00:44:12,759
Speaker 1: Congratulations on shrinking too. It's awesome men, and thanks thanks so.

914
00:44:12,840 --> 00:44:14,879
Speaker 5: Much to Jacob'll see you later.

915
00:44:15,520 --> 00:44:16,920
Speaker 1: All right, guys, we're going to get out of here.

916
00:44:17,640 --> 00:44:22,520
Speaker 1: Jason's ega wata chat honestly awesome. Yeah, I think be

917
00:44:22,719 --> 00:44:26,279
Speaker 1: the guy writing the Dracula. Yeah, if you're in if

918
00:44:26,320 --> 00:44:29,279
Speaker 1: you're in creative or the arts or something, or trying

919
00:44:29,280 --> 00:44:31,279
Speaker 1: to write anything, I think that is some of the

920
00:44:31,360 --> 00:44:34,840
Speaker 1: best message I would say, just for you don't need

921
00:44:34,880 --> 00:44:37,279
Speaker 1: to be in the creative industry. Like he's just talking

922
00:44:37,320 --> 00:44:40,600
Speaker 1: about writing from the purest part of himself, connecting with

923
00:44:40,640 --> 00:44:42,279
Speaker 1: the purest part of his health and being happy to

924
00:44:42,320 --> 00:44:45,839
Speaker 1: be that about trying to be something more or he said,

925
00:44:46,320 --> 00:44:47,560
Speaker 1: writers as they get older.

926
00:44:47,400 --> 00:44:50,719
Speaker 2: Get very very concerned about how someth'm going to be

927
00:44:50,719 --> 00:44:55,600
Speaker 2: received and like thinking too much about and then they lose.

928
00:44:55,440 --> 00:44:55,839
Speaker 1: It a bit.

929
00:44:55,960 --> 00:44:58,800
Speaker 2: Whereas Dracula Musical is just such a perfect example of

930
00:44:58,880 --> 00:45:01,799
Speaker 2: like this not like surely no one thinks this is good,

931
00:45:01,880 --> 00:45:03,960
Speaker 2: but you love it and you're going to continue to

932
00:45:04,000 --> 00:45:07,040
Speaker 2: do it. It's awesome and killed pooy, what are you

933
00:45:07,080 --> 00:45:09,080
Speaker 2: doing in here man, Oh poo, he's jumped in.

934
00:45:09,239 --> 00:45:10,480
Speaker 1: What do you just invited me in?

935
00:45:10,600 --> 00:45:12,120
Speaker 12: I was outside and then you said come back in

936
00:45:12,440 --> 00:45:12,920
Speaker 12: your dreams.

937
00:45:13,840 --> 00:45:16,160
Speaker 1: I don't recall Will saying that. Get out? Did you

938
00:45:16,239 --> 00:45:19,160
Speaker 1: want to drag me? We're trying to get this done.

939
00:45:19,200 --> 00:45:22,399
Speaker 1: You've been on our backs about time, hasn't he? Can

940
00:45:22,480 --> 00:45:24,160
Speaker 1: you just at least have a word with Chris Martin

941
00:45:24,239 --> 00:45:27,280
Speaker 1: he's buy the bustard from this part of the broadcast.

942
00:45:27,560 --> 00:45:32,000
Speaker 12: Yeah, he's rights a bit sick, sleep.

943
00:45:32,239 --> 00:45:38,439
Speaker 1: Out, get out? I mean at least yeah, hey, best

944
00:45:38,480 --> 00:45:40,000
Speaker 1: call of the week. Now you reading this is the

945
00:45:40,040 --> 00:45:41,600
Speaker 1: best call of the week. Own, This is a bit wild.

946
00:45:42,320 --> 00:45:44,480
Speaker 1: This is a phenomenal call. Yeah, a bit sick, I

947
00:45:44,560 --> 00:45:46,239
Speaker 1: mean like it's a bit it's not sick. Well, I

948
00:45:46,280 --> 00:45:48,799
Speaker 1: think he has some great calls this week. I find

949
00:45:48,840 --> 00:45:51,160
Speaker 1: it quite sad personally, but a nice way to finish

950
00:45:51,200 --> 00:45:54,799
Speaker 1: the podcast. Yeah, maybe tintsive tintsive sad.

951
00:45:55,120 --> 00:45:57,600
Speaker 2: But anyway, and what we were asking, we're asking, what's

952
00:45:57,600 --> 00:45:59,200
Speaker 2: the bombshell you found out about your partner?

953
00:45:59,320 --> 00:46:01,200
Speaker 1: Like when you're sad, story that's making is going to

954
00:46:01,239 --> 00:46:03,399
Speaker 1: make us all, you know, be grateful for our lives?

955
00:46:03,800 --> 00:46:05,920
Speaker 1: Was the phone? Is that the topic. It must have

956
00:46:05,920 --> 00:46:07,839
Speaker 1: been a sad Monday. Anyway, enjoyed this, guys, and then

957
00:46:08,560 --> 00:46:10,600
Speaker 1: we'll see your next pod and I hope we hopefully

958
00:46:10,640 --> 00:46:14,359
Speaker 1: we're going to post that photo. Oh yeah, yeah, yeah, okay, yeah,

959
00:46:14,680 --> 00:46:18,799
Speaker 1: go to social all right. Why did you find out

960
00:46:18,840 --> 00:46:20,480
Speaker 1: about your partner? That was the big bombshell?

961
00:46:21,239 --> 00:46:22,000
Speaker 11: Yeah, hi, guys.

962
00:46:22,480 --> 00:46:25,440
Speaker 5: After six months of dating, I found out he was

963
00:46:25,440 --> 00:46:26,120
Speaker 5: a male escort.

964
00:46:26,840 --> 00:46:31,640
Speaker 1: Woh, double full, double live m So how did you

965
00:46:31,800 --> 00:46:32,879
Speaker 1: respond to that? Emma?

966
00:46:34,200 --> 00:46:36,520
Speaker 3: I just broke it off immediately.

967
00:46:36,760 --> 00:46:39,839
Speaker 1: I was horrified. Oh did you have any how did

968
00:46:39,920 --> 00:46:40,960
Speaker 1: you find out that he was?

969
00:46:42,360 --> 00:46:43,880
Speaker 5: Just through his social media account?

970
00:46:44,200 --> 00:46:45,920
Speaker 1: He was in the background. There is that your kid?

971
00:46:46,520 --> 00:46:46,719
Speaker 2: Yeah?

972
00:46:46,800 --> 00:46:48,239
Speaker 1: It is, yeah, with him.

973
00:46:48,239 --> 00:46:51,880
Speaker 3: He got some stuff, You got some stuff, some messages

974
00:46:51,920 --> 00:46:52,399
Speaker 3: coming through.

975
00:46:52,520 --> 00:46:53,759
Speaker 8: So then I worked it all out.

976
00:46:54,160 --> 00:46:57,200
Speaker 2: Oh sorry, he was using his Instagram to get clients. Yeah,

977
00:46:57,360 --> 00:47:00,440
Speaker 2: but it's just like a normal looking Instagram. You don't

978
00:47:00,480 --> 00:47:03,200
Speaker 2: know he's an escort from the Instagram page. But he

979
00:47:03,320 --> 00:47:05,640
Speaker 2: was obviously giving out like business cards on the sly

980
00:47:06,080 --> 00:47:07,719
Speaker 2: and they would direct message.

981
00:47:07,440 --> 00:47:11,080
Speaker 1: Him pretty much. She was wow, And was there one

982
00:47:11,160 --> 00:47:13,400
Speaker 1: of you that was like, you know, I don't know

983
00:47:13,400 --> 00:47:16,200
Speaker 1: if you've seen the movie pretty woman. But Richard gear

984
00:47:16,280 --> 00:47:21,399
Speaker 1: seems to get on with Julia Roberts pretty well. Yeah,

985
00:47:21,560 --> 00:47:21,920
Speaker 1: I don't know.

986
00:47:22,080 --> 00:47:23,480
Speaker 3: I just for me, I just couldn't.

987
00:47:23,520 --> 00:47:24,520
Speaker 8: I just broke it all off.

988
00:47:24,440 --> 00:47:28,520
Speaker 1: Immediately, particularly if he's if he's leaving with other people

989
00:47:28,560 --> 00:47:31,439
Speaker 1: while you're seeing him, and you don't and he hasn't said,

990
00:47:31,480 --> 00:47:33,600
Speaker 1: and he hasn't said, like I mean in the movie

991
00:47:33,680 --> 00:47:36,000
Speaker 1: Pretty Woman, take him back there, but make me there

992
00:47:36,640 --> 00:47:40,320
Speaker 1: she he knows that she's a prostitute or a sex worker. Yeah, exactly,

993
00:47:40,360 --> 00:47:43,719
Speaker 1: Well he hires he hires her, and you weren't hiring him,

994
00:47:43,760 --> 00:47:44,279
Speaker 1: were you, Emma?

995
00:47:44,960 --> 00:47:45,960
Speaker 5: No, definitely not.

996
00:47:47,239 --> 00:47:48,840
Speaker 1: How much would you have been paying? Like what was

997
00:47:48,920 --> 00:47:49,919
Speaker 1: his was his ration?

998
00:47:51,320 --> 00:47:53,839
Speaker 3: It was one thousand dollars for how long?

999
00:47:55,080 --> 00:47:55,640
Speaker 11: Half an hour?

1000
00:47:56,440 --> 00:48:01,520
Speaker 1: Thousand dollars? You know you got you you got the treatment, right,

1001
00:48:01,600 --> 00:48:03,320
Speaker 1: so you you you'd had the treatment. I can't. I

1002
00:48:03,360 --> 00:48:04,680
Speaker 1: can't do if therese are kids in your car, but

1003
00:48:04,760 --> 00:48:08,560
Speaker 1: if they are, this might be inappropriate. A thousand dollars

1004
00:48:08,600 --> 00:48:13,640
Speaker 1: for half an hour worth it not really no bang,

1005
00:48:13,840 --> 00:48:14,680
Speaker 1: not good for business