1 00:00:00,720 --> 00:00:02,880 Speaker 1: You can catch us all Howard at the Riverside Theater 2 00:00:02,920 --> 00:00:06,160 Speaker 1: of February twenty seven and twenty eight. Tickets are through 3 00:00:06,280 --> 00:00:08,600 Speaker 1: ticket tak and he's with us now, good morning. 4 00:00:09,119 --> 00:00:11,080 Speaker 2: Hey, how you doing very well? 5 00:00:11,119 --> 00:00:14,880 Speaker 1: Thanks for joining us. Now new show. The last show 6 00:00:15,000 --> 00:00:18,079 Speaker 1: was called Lubricant. How does this one differ from that? 7 00:00:19,480 --> 00:00:24,319 Speaker 3: Completely new jokes. It's as yet untitled. I've got a 8 00:00:24,360 --> 00:00:28,800 Speaker 3: working title, but I want to save that for the special. 9 00:00:29,360 --> 00:00:33,680 Speaker 3: But yeah, it's a big fat funny show I've done mate. 10 00:00:33,720 --> 00:00:35,920 Speaker 3: I've done so many gigs that did two hundred shows 11 00:00:35,960 --> 00:00:39,800 Speaker 3: in the UK. I've done I think thirty in the US. 12 00:00:40,159 --> 00:00:45,240 Speaker 3: So it's arriving in ours, ready tight, ready to go. 13 00:00:47,880 --> 00:00:49,000 Speaker 2: When you prepared earlier. 14 00:00:49,800 --> 00:00:53,640 Speaker 3: Yeah, I feel like I don't know, it feels like 15 00:00:53,680 --> 00:00:55,440 Speaker 3: a lot of comics go to Australia and sort of 16 00:00:55,480 --> 00:00:56,160 Speaker 3: knock it around. 17 00:00:57,120 --> 00:00:57,920 Speaker 4: Yeah, no doubt. 18 00:00:58,320 --> 00:01:02,000 Speaker 2: On a summer holiday, yeah, we weather. 19 00:01:01,520 --> 00:01:04,080 Speaker 1: In our hamster wheels kind skinny. 20 00:01:05,720 --> 00:01:06,000 Speaker 2: Try. 21 00:01:07,360 --> 00:01:08,959 Speaker 3: I prefer doing it the other way. I mean, don't 22 00:01:09,000 --> 00:01:11,199 Speaker 3: get me wrong, I'm getting a holiday out of you people. 23 00:01:13,560 --> 00:01:17,039 Speaker 4: It's the end yea absolutely. What about Ukrainian grandmother's what 24 00:01:17,040 --> 00:01:18,280 Speaker 4: have they got to do with an influence? On this 25 00:01:18,319 --> 00:01:18,680 Speaker 4: one right. 26 00:01:19,080 --> 00:01:19,720 Speaker 2: Oh wow. 27 00:01:20,560 --> 00:01:25,360 Speaker 3: Well, I saw a video of some Ukrainian grandmothers making 28 00:01:25,400 --> 00:01:28,039 Speaker 3: missiles and defending their land and in that video they 29 00:01:28,040 --> 00:01:31,480 Speaker 3: were laughing, and that made complete sense to me. So 30 00:01:31,520 --> 00:01:33,760 Speaker 3: I've got a bit in the show about sort of 31 00:01:33,840 --> 00:01:36,479 Speaker 3: laughter in dark places. I don't want to give anything away, 32 00:01:36,560 --> 00:01:39,800 Speaker 3: but it's a particular it's a particularly filthy joke. 33 00:01:41,480 --> 00:01:41,840 Speaker 2: It does. 34 00:01:42,080 --> 00:01:44,840 Speaker 3: But the point I'm making, I guess an extension of 35 00:01:44,840 --> 00:01:47,240 Speaker 3: the last special is that laughed as the lubricant that 36 00:01:47,319 --> 00:01:52,920 Speaker 3: makes life Liverpool and when you're when the world is 37 00:01:52,960 --> 00:01:58,760 Speaker 3: out bleakers, sometimes the humor is dark and daring and 38 00:01:58,800 --> 00:02:01,360 Speaker 3: delicious and enough to get you through the day. 39 00:02:01,440 --> 00:02:04,320 Speaker 2: So it's kind of celebrating those moments. I guess Them's 40 00:02:04,360 --> 00:02:05,360 Speaker 2: a balance, isn't it. 41 00:02:05,400 --> 00:02:08,280 Speaker 1: I Mean, sometimes the darker it gets, the darker the 42 00:02:08,680 --> 00:02:11,760 Speaker 1: humor has to be. But unfortunately we're living in this horrible, 43 00:02:11,840 --> 00:02:15,120 Speaker 1: woke world where people are so upset by everything and 44 00:02:15,160 --> 00:02:17,239 Speaker 1: we're being starved of that balance. 45 00:02:17,720 --> 00:02:17,919 Speaker 2: Yeah. 46 00:02:18,000 --> 00:02:21,080 Speaker 3: I think the brilliant thing about live comedy is that 47 00:02:21,280 --> 00:02:24,920 Speaker 3: it just it's there's no other art form where you 48 00:02:24,960 --> 00:02:28,400 Speaker 3: get constant ticks and if they're laughing, it's working. 49 00:02:28,680 --> 00:02:30,240 Speaker 2: And if they're not. It ain't. 50 00:02:30,320 --> 00:02:34,800 Speaker 3: It's such a beautiful sort of experience, and the audience 51 00:02:34,840 --> 00:02:38,040 Speaker 3: will quickly let you know whether it's not funny enough, 52 00:02:38,200 --> 00:02:38,760 Speaker 3: you know what I mean. 53 00:02:38,840 --> 00:02:40,160 Speaker 2: So it's you. 54 00:02:40,120 --> 00:02:42,440 Speaker 3: Don't get feedback like this, and it's a bit like 55 00:02:42,480 --> 00:02:45,240 Speaker 3: writing a song with an audience, you know. I mean, 56 00:02:45,280 --> 00:02:47,200 Speaker 3: every night you're going on stage and it'll be the 57 00:02:47,240 --> 00:02:49,360 Speaker 3: equivalent of Coldplay gun it was all blue. 58 00:02:49,520 --> 00:02:52,919 Speaker 2: Nope, it's all green yellow. It was yellow. 59 00:02:52,960 --> 00:02:57,760 Speaker 3: We'll do yellow tomorrow. And so that's how every comic works. 60 00:02:57,800 --> 00:02:59,600 Speaker 3: You just get this amazing feedback. 61 00:03:01,680 --> 00:03:06,679 Speaker 1: Were performing through the most amazing shows. 62 00:03:07,120 --> 00:03:15,120 Speaker 4: They didn't do halftimes, they left green off. No, no, Russell, 63 00:03:15,160 --> 00:03:17,760 Speaker 4: what about you talk about literally the laughing of or not. 64 00:03:17,800 --> 00:03:19,320 Speaker 4: But sometimes you want to have an impact on people. 65 00:03:19,400 --> 00:03:21,440 Speaker 4: If there is an uncomfortable groan in the room, that 66 00:03:21,480 --> 00:03:24,040 Speaker 4: can be a hit too right at times. 67 00:03:25,200 --> 00:03:29,480 Speaker 2: Ye know, I'm a real I find groaning difficult, Like okay, 68 00:03:29,520 --> 00:03:31,800 Speaker 2: like when when people do that thing of. 69 00:03:31,880 --> 00:03:35,560 Speaker 3: Go and they're kind of playing along with the sort 70 00:03:35,560 --> 00:03:36,480 Speaker 3: of pantomime of it. 71 00:03:36,560 --> 00:03:38,680 Speaker 2: I really struggle with that because. 72 00:03:38,560 --> 00:03:40,560 Speaker 3: It's the only place that you do that you don't like. 73 00:03:40,560 --> 00:03:42,640 Speaker 3: If you tell one of your mates like a dark joke. 74 00:03:42,840 --> 00:03:48,320 Speaker 3: They laugh or they don't. They would never go. You know, 75 00:03:48,880 --> 00:03:51,840 Speaker 3: it's the performing for each other. I've never met a 76 00:03:51,960 --> 00:03:55,280 Speaker 3: human being mates that noise one on one to a joke. 77 00:03:57,280 --> 00:04:01,280 Speaker 3: Sometimes a group of people get together, they sound like 78 00:04:01,400 --> 00:04:04,680 Speaker 3: someone's pulling a bagpie out of a walkie. 79 00:04:04,720 --> 00:04:07,400 Speaker 2: It's just this kind of. 80 00:04:08,320 --> 00:04:08,400 Speaker 3: So. 81 00:04:08,520 --> 00:04:13,640 Speaker 1: Yeah, I don't think anyone wants to be grown at 82 00:04:13,680 --> 00:04:17,039 Speaker 1: whatever they're doing for whether they're on stage, performing or 83 00:04:17,160 --> 00:04:20,120 Speaker 1: you know, serving you at a shop. It's always my 84 00:04:20,200 --> 00:04:22,279 Speaker 1: One of my favorite sein Feld episodes was where he 85 00:04:22,320 --> 00:04:24,640 Speaker 1: was getting heckled when he was doing a show. So 86 00:04:24,680 --> 00:04:26,520 Speaker 1: he found out where the guy worked, and he went 87 00:04:26,520 --> 00:04:28,680 Speaker 1: to his workplace and and heckled. 88 00:04:28,400 --> 00:04:30,719 Speaker 2: Him on his job. And I was like, how do 89 00:04:30,760 --> 00:04:35,200 Speaker 2: you how do you feel? How do you handle the growners? 90 00:04:35,839 --> 00:04:41,159 Speaker 2: Oh Jesus, I mean that's commitment. Never I've never tracked 91 00:04:41,200 --> 00:04:41,760 Speaker 2: anyone down. 92 00:04:42,320 --> 00:04:45,360 Speaker 1: Would be good, though, It feel good, wouldn't it? 93 00:04:45,360 --> 00:04:46,239 Speaker 2: It would feel great. 94 00:04:46,400 --> 00:04:48,840 Speaker 3: I'd be slightly worried about some of the hecklers I've 95 00:04:48,880 --> 00:04:49,600 Speaker 3: had done the years. 96 00:04:49,640 --> 00:04:51,640 Speaker 2: I wouldn't want to meet them one on one. 97 00:04:51,720 --> 00:04:56,000 Speaker 3: You know. Yeah, I remember I did a Christmas gig 98 00:04:56,120 --> 00:04:58,960 Speaker 3: in Essex in England once and a lady threw a 99 00:04:59,000 --> 00:05:03,800 Speaker 3: dildo at me And as far as as far as 100 00:05:03,839 --> 00:05:08,160 Speaker 3: heckles go, that's up there. Yeah, she had something in 101 00:05:08,200 --> 00:05:11,440 Speaker 3: her in her back. I mean like she had there 102 00:05:11,480 --> 00:05:13,360 Speaker 3: was no faith in the evening, do you know what 103 00:05:13,440 --> 00:05:16,200 Speaker 3: I mean. I've got my wallet, got my keys. I 104 00:05:16,240 --> 00:05:19,560 Speaker 3: then he forgot my sex toy just in case, and 105 00:05:19,640 --> 00:05:21,960 Speaker 3: the one thing that could bring her pleasure she threw 106 00:05:22,000 --> 00:05:25,200 Speaker 3: at me. And it's it's it's just a vulnerable moment 107 00:05:25,240 --> 00:05:27,279 Speaker 3: when you get hit by a dildo through the kind 108 00:05:27,279 --> 00:05:31,040 Speaker 3: of lights. Yeah, but the point I'm making I wouldn't 109 00:05:31,080 --> 00:05:33,440 Speaker 3: want to I wouldn't want to track her down in daylight, 110 00:05:33,800 --> 00:05:36,000 Speaker 3: do you know what I mean? If she's she's willing 111 00:05:36,080 --> 00:05:40,479 Speaker 3: to do that, let her. 112 00:05:37,680 --> 00:05:41,239 Speaker 4: Up just a return lost property. 113 00:05:41,279 --> 00:05:45,240 Speaker 3: Maybe, Yeah, it was And do you know what, really 114 00:05:45,520 --> 00:05:49,560 Speaker 3: she twitched it on before she threw it, whirling and spinning. 115 00:05:51,120 --> 00:05:53,719 Speaker 2: It was like an X rated matrix. I was trying 116 00:05:53,720 --> 00:05:55,960 Speaker 2: to todg you you know what I mean? Could rather 117 00:05:55,960 --> 00:05:56,520 Speaker 2: get a bottle? 118 00:05:56,560 --> 00:05:59,040 Speaker 1: I just I really fear that maybe in the dark 119 00:05:59,200 --> 00:06:01,160 Speaker 1: she grabbed the wrong thing out of her back to. 120 00:06:01,160 --> 00:06:01,680 Speaker 2: Throw at you. 121 00:06:01,760 --> 00:06:04,800 Speaker 1: Maybe she was just going for a piece of fruit. 122 00:06:07,480 --> 00:06:12,960 Speaker 2: No one. Yeah, I mean. 123 00:06:14,440 --> 00:06:16,160 Speaker 3: The poor guy that had to sweep up at the 124 00:06:16,279 --> 00:06:18,720 Speaker 3: end of the night. That job's pretty bleak at the 125 00:06:18,760 --> 00:06:25,640 Speaker 3: best of times. But if it's boiled sweets and Sex Toys, yeah. 126 00:06:23,600 --> 00:06:26,080 Speaker 2: And by the way, that'd be a great, great album. 127 00:06:26,800 --> 00:06:30,080 Speaker 1: Yeah, great album titled World Sweets and Sex Toys. 128 00:06:30,240 --> 00:06:31,440 Speaker 2: Yeah. 129 00:06:31,800 --> 00:06:36,159 Speaker 3: I don't think that's complain Probably Tom Jones is riding now. 130 00:06:36,839 --> 00:06:40,760 Speaker 4: Actually right, maybe before we go, I just want to 131 00:06:40,800 --> 00:06:43,200 Speaker 4: know you've said the shows a road hardened and ready 132 00:06:43,240 --> 00:06:44,520 Speaker 4: to rock and nize and type. But what about for 133 00:06:44,560 --> 00:06:46,359 Speaker 4: local markets when you come in, I know you like 134 00:06:46,360 --> 00:06:47,560 Speaker 4: to do a little bit of research. You've got a 135 00:06:47,600 --> 00:06:49,520 Speaker 4: bit of room to move when you're coming in talking 136 00:06:49,520 --> 00:06:51,880 Speaker 4: about things in Perth to Perth people. 137 00:06:52,200 --> 00:06:53,000 Speaker 2: Yeah, definitely. 138 00:06:53,000 --> 00:06:55,160 Speaker 3: What it would be so different because the last time 139 00:06:55,160 --> 00:06:57,960 Speaker 3: I was there was your is it the premiere? 140 00:06:58,320 --> 00:07:04,160 Speaker 2: Is the leader? Purpose? He guy called Mark McGowan stupid. 141 00:07:04,240 --> 00:07:05,360 Speaker 2: Now he's gone, he's quick. 142 00:07:05,640 --> 00:07:08,640 Speaker 3: So when I was there last time, it was obviously 143 00:07:08,720 --> 00:07:10,000 Speaker 3: I was in the smack in the middle of. 144 00:07:10,040 --> 00:07:13,040 Speaker 2: COVID, Yeah, and he was like god, it was a 145 00:07:13,120 --> 00:07:16,720 Speaker 2: rock star. It was so I. 146 00:07:16,720 --> 00:07:19,960 Speaker 3: Remember the whole show being about it was sort of 147 00:07:19,960 --> 00:07:23,000 Speaker 3: Mark McGowan is this sort of cricket guy that was 148 00:07:23,120 --> 00:07:25,760 Speaker 3: just playing a forward defensive to anyone that's trying to 149 00:07:25,760 --> 00:07:30,000 Speaker 3: get into Western Australia. He stood there on the border 150 00:07:30,240 --> 00:07:34,200 Speaker 3: just looking at Victoria, just going no. And then because 151 00:07:34,280 --> 00:07:41,560 Speaker 3: Brisbane absolutely not playing various cricket shots, but it just 152 00:07:41,600 --> 00:07:45,320 Speaker 3: felt like Perth was its own kingdom away from it 153 00:07:45,400 --> 00:07:48,800 Speaker 3: was like Game of Thrones. I mean, you were west 154 00:07:48,800 --> 00:07:50,800 Speaker 3: for us, you were way out on your own, doing 155 00:07:50,800 --> 00:07:51,320 Speaker 3: your own thing. 156 00:07:51,480 --> 00:07:53,560 Speaker 2: Were the most isolated city in the world. 157 00:07:53,640 --> 00:07:57,680 Speaker 4: Enough already, but he he was Steve Smith before saying 158 00:07:57,680 --> 00:07:58,120 Speaker 4: paper Gate. 159 00:07:58,200 --> 00:08:01,520 Speaker 3: Yeah, no doubt, but yeah, but everyone was My main 160 00:08:01,560 --> 00:08:04,600 Speaker 3: memory of Perth, which is everyone was happy compared to 161 00:08:04,600 --> 00:08:05,280 Speaker 3: the rest of ours. 162 00:08:05,320 --> 00:08:06,400 Speaker 2: You just seen once you. 163 00:08:06,280 --> 00:08:09,760 Speaker 3: Were in, you were in and it was great, so 164 00:08:10,600 --> 00:08:12,280 Speaker 3: very different this time. I just want to see if 165 00:08:12,320 --> 00:08:14,760 Speaker 3: it's the same vibe. But yeah, it changes from the 166 00:08:14,840 --> 00:08:15,520 Speaker 3: place to place. 167 00:08:15,640 --> 00:08:18,800 Speaker 4: Really, yeah's gone. He left him in a week. He 168 00:08:18,800 --> 00:08:20,760 Speaker 4: didn't give a lot of notice. 169 00:08:21,040 --> 00:08:21,400 Speaker 2: That's it. 170 00:08:21,440 --> 00:08:26,840 Speaker 1: I'm off Man Well Russell. February twenty seven and twenty 171 00:08:26,880 --> 00:08:30,320 Speaker 1: eight at the Riverside Theater. Tickets are through tic Tech. 172 00:08:31,680 --> 00:08:34,760 Speaker 1: It's a hot, hot time of the year. Packy boardies. 173 00:08:35,080 --> 00:08:37,240 Speaker 2: Yeah. Man, yeah, I'm looking forward to it all right. 174 00:08:37,320 --> 00:08:39,240 Speaker 2: Wait yeah and who are there guys? 175 00:08:39,360 --> 00:08:43,440 Speaker 4: Yeah? Thanks bring for any random sex toys, but all 176 00:08:43,480 --> 00:08:43,800 Speaker 4: the best. 177 00:08:45,000 --> 00:08:46,559 Speaker 2: Nice