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Speaker 1: Jonesy and Amanda in the morning.

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Speaker 2: Sam, Well, we're heading into the playoffs on the Voice,

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Speaker 2: where contestants compete against each other for a spot in

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Speaker 2: the live performance shows. But Boy George and Kelly Rowland

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Speaker 2: are stuck in their home countries because of coronavirus. So

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Speaker 2: a couple of interesting people are stepping in to help,

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Speaker 2: one of whom is Marsha Heinz, who joins us now,

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Speaker 2: Hallo Marsha, Good morning, Amanda, Hello.

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Speaker 1: Masha, how are you? So when you say a couple

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Speaker 1: of interesting people, you are very interesting? Who's the other interesting?

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Speaker 1: Thank you?

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Speaker 3: The Veronicas, Ah.

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Speaker 1: The Veronicas.

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Speaker 2: So you're working with Kelly, So how does it work?

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Speaker 2: Talk us through what happens?

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Speaker 3: It was really cool. So we spoke the day before

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Speaker 3: I when I was to the studio on the phone,

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Speaker 3: and then I actually spoke with Kelly on zoom, so

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Speaker 3: she was off to my left on a huge stream

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Speaker 3: and she and I spoke to the contestants that way.

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Speaker 3: So it was I mean, you know, technology is amazing,

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Speaker 3: though it's at the moment the moment, it seems incredible.

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Speaker 3: So she's there in Los Angeles, I'm beer here in Sydney.

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Speaker 3: And we're talking to the contestants that way.

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Speaker 2: So they get sort of two for the price of

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Speaker 2: one when it comes to.

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Speaker 3: Mentor in there it seems that way. Yeah.

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Speaker 1: Yeah, Do you clash with Kelly on any of her ideas?

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Speaker 3: No, man, we got along really really well on the

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Speaker 3: same page when it came to performance, on the same page,

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Speaker 3: when it came to the presentation, the same page when

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Speaker 3: it came to you know, conviction when you when you're

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Speaker 3: singing a song. She was actually actually became a fan

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Speaker 3: of her that day. She was just so amazing to

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Speaker 3: work with. We worked together for a few hours too,

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Speaker 3: So yeah, she's pretty real, you know. I like her

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Speaker 3: empathy and how much she cares about the contestant. It

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Speaker 3: must be interesting for you, great respect for her to academy.

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Speaker 2: I just think it must be so interesting for you. You

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Speaker 2: were a judge for seven years on Australian Idol and

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Speaker 2: it's pretty much been said that you picked guy Sebastian

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Speaker 2: to win all those years ago, and here he is

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Speaker 2: on the voice. Do you feel proud?

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Speaker 1: Do you feel motherly?

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Speaker 2: It's great all.

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Speaker 3: The above, you know. I mean, the guy was always

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Speaker 3: very different from the day we saw him in Adelaide.

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Speaker 3: You know he was, you know, just this incredible guy

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Speaker 3: with this amazing vocabulary of music in his head. And yeah, look,

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Speaker 3: you know, I just think some of the talent that

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Speaker 3: we uncovered with Australian Idol was making And I do

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Speaker 3: believe I'm hoping that Kelly's got a winner in the Voice.

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Speaker 3: You might have a winner. Yeah.

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Speaker 2: Do you want to say who you think that is.

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Speaker 3: Not watched the program?

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Speaker 1: Because if Kelly wins, you win as well, Mosh, you'll

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Speaker 1: be part of the team.

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Speaker 3: Yes, but you know, look, it wouldn't be. It won't

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Speaker 3: be for lack of trying. Because and it's interesting to

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Speaker 3: watch the Voice compared to Australian Idol. These kids in

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Speaker 3: the Voice know what time it is if you get

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Speaker 3: might drift after watching all the reality shows they have watched.

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Speaker 3: They are so well prepared and the Voice prepares the amazingly,

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Speaker 3: you know for the finals. I mean, I was so

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Speaker 3: blown away, so blown away.

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Speaker 1: Do you think there's too much novelty? They got a

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Speaker 1: guys signing songs and then you've got to go dude

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Speaker 1: with the throat singing. Is there too much novelty in

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Speaker 1: the Voice?

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Speaker 3: No? No, I mean because the novelty is what makes

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Speaker 3: people sort of attach themselves to you. I think as

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Speaker 3: a performer, you know, you identify with somebody who sings

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Speaker 3: to your heart. I keep get my drift. Yeah.

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Speaker 2: Well, I know that you had a whole swathe of

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Speaker 2: stuff this year that's all being moved around. Will we

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Speaker 2: see a lot more of you in the second half

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Speaker 2: of the you w in theater? Yeah, all those productions.

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Speaker 3: Come back that we see. Yeah. Man, let's hope that

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Speaker 3: we see a swag of everybody my next year, you know.

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Speaker 3: I mean, it's really the weirdest thing, not having a geek.

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Speaker 3: This is something I don't know, you know, just listening

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Speaker 3: to Jim Brands too, and I've been watching him on

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Speaker 3: a messenger and he and Jane songs almost every other

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Speaker 3: day for you know, the general public. And it's just

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Speaker 3: so when you're used to gigging and getting on planes

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Speaker 3: and going to hotels and going to you know, concert

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Speaker 3: hall or clubs, and all of a sudden, it just

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Speaker 3: like snatched from UNDI. It's quite the guys, it's so bizire.

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Speaker 3: But I mean I'm digging being home, sure, I'm digging

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Speaker 3: hanging with my friends and you know, and and also

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Speaker 3: getting out to restaurants and stuff like that, all the

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Speaker 3: stuff that we couldn't do a while ago.

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Speaker 1: Well, I'm just I missed you as the Dragon in

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Speaker 1: Shrek the Musical.

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Speaker 3: Oh well, thank you, hey, Jaldy, that's very kind. I

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Speaker 3: love the gig. It was a great gig.

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Speaker 1: I wanted to see you in that. I was going

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Speaker 1: to go along and see and only I wasn't gonna

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Speaker 1: have for Todd McKinney, Arne, I was I was going

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Speaker 1: to get for Marshalls the Dragon.

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Speaker 3: It was fun, it was great, I mean it great

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Speaker 3: pass but that was so sad. And it's so because

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Speaker 3: I'd done a big gig in Adelaide for five weeks

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Speaker 3: at the Adelaide's Festival with Velvet Rewired, and then I

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Speaker 3: flew from Adelaide to Melbourne to hook up with Shrek.

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Speaker 3: I got there on the Monday, we had a leading

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Speaker 3: on a Tuesday, all done, and all these kids they've

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Speaker 3: got no work, guys. You know, it was so sad.

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Speaker 3: You know, all these people who has been working so

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Speaker 3: hard in you know, dance schools, boys schools and then

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Speaker 3: gotten the gigs from Shrek, and I don't know that

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Speaker 3: it's coming back, guys, I don't know. I don't know.

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Speaker 1: Todd was on his knees for that whole time for nothing.

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Speaker 3: The best you need to know.

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Speaker 2: He's a great guy.

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Speaker 3: He and I became really close friends in Shrek. Good guy.

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Speaker 1: Good well, Marsha, you're a great friend of ours. Always

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Speaker 1: great guy.

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Speaker 3: And we can see you you Amanda.

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Speaker 1: Absolutely.

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Speaker 2: Of course marsh is going to be joining us. Marsh

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Speaker 2: is going to be joining us in the living room.

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Speaker 1: And what are you doing in the living room? Well,

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Speaker 1: how did she be qualified? In the living room? We

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Speaker 1: have like a knock up some shells.

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Speaker 2: We're having started a seventies disco. Same and who else

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Speaker 2: would you have other than Marshall?

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Speaker 1: Het? Who else would you have before?

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Speaker 3: Then?

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Speaker 2: We can see you seven o'clock Sunday night on Channel

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Speaker 2: nine with the voice nice to talk to you, Marshall.

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Speaker 3: Forward to it. Thank you guys, appreciate it. Okay, join

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Speaker 3: the and Amanda in the morning one at one point seven,

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Speaker 3: tell you him. I