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Speaker 1: This is the Will and Woody podcast Sad.

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Speaker 2: Brock Bony Brooks still in the studio because Woods is

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Speaker 2: still in the jungle. Extraordinary. Another one bites the dust.

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Speaker 2: Last night, Pete Hellier exits one of the faves. You've

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Speaker 2: got to say Bones, you got.

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Speaker 3: To say that, Yeah, absolutely exits.

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Speaker 2: Last night's down to six now, oh my god. Yeah.

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Speaker 2: Woods is in the top six edging close up.

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Speaker 3: So wild, isn't it.

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Speaker 4: I mean I knew he'd do well, yeah, but just

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Speaker 4: seeing him survive every day, it's so wild.

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Speaker 2: It is. He's doing a great job. I do think

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Speaker 2: he's whittling away, and I do think that his mental

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Speaker 2: patience is slowly thinning out. But maybe his mental health

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Speaker 2: will improve given that he won't have Pete cracking dad

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Speaker 2: jokes and talking about Collingwood next to him anymore. And

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Speaker 2: Pete joints is right.

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Speaker 5: Now, lay guys, how are we doing? Yeah?

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Speaker 2: Good mate?

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Speaker 6: How are you?

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Speaker 2: Stupid? Quest? Gym? But I feel like it's a necessary

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Speaker 2: one because it's probably different for everyone. First thing you

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Speaker 2: did after you got out, the first thing.

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Speaker 5: I mean, you go through a series of kinds of

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Speaker 5: things that you meet the medical team and you meet

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Speaker 5: with a psych and you meet like the production they

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Speaker 5: do all that. But I thought I was going to

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Speaker 5: be on a safari right now.

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Speaker 6: I don't know why.

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Speaker 2: Why would you want to go to safari. You've just

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Speaker 2: come out of the jungle. Sure, you just want really

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Speaker 2: first world home comforts.

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Speaker 5: Yeah, it's a good point. And I hadn't Spaetty Bolinas

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Speaker 5: and I came out a few beers, but it was

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Speaker 5: it was a bit of business and pleasure going on.

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Speaker 5: But we're in a section, you know, of the jungle,

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Speaker 5: and they're keeping the wildlife as far as you know,

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Speaker 5: the Big five away from camp, you know there are

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Speaker 5: there are people who's around the camp which literally like

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Speaker 5: machine gun terrified. Yeah, and I did go on to

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Speaker 5: the verry before I went in because we get a

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Speaker 5: few days early, and literally the first hour they were like,

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Speaker 5: now this bird over here, and I'm not here for birds.

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Speaker 3: Plenty of them back. Don't don't need to see birds.

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Speaker 5: And then a boy pointed out a squirrel. I'm definitely

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Speaker 5: not here for.

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Speaker 3: Unless that thing is bait. I'm not interested.

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Speaker 5: I'm pretty sure the squirrels one in the top five.

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Speaker 5: I don't think the squirrels in the top top eighty tones,

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Speaker 5: So yeah.

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Speaker 2: Is there anything well speaking of birds, Pete there, I mean,

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Speaker 2: of all the things that you did in the camp,

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Speaker 2: the thing that I think was is comfortably possibly the

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Speaker 2: most annoying television I've seen in the past ten to

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Speaker 2: fifteen years. Was you trying to sing in a band

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Speaker 2: called the Flaming Ducks. If you guys have have a

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Speaker 2: listen to this, and this audio is really not for

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Speaker 2: the faint of heart.

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Speaker 5: Such a beautiful soul, beautiful soul, beautiful. Have you ever

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Speaker 5: seen some's a beautiful soul? Beautiful, so beautiful, beautiful?

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Speaker 3: How much did they hate you for doing that?

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Speaker 4: I mean, did you did you hate yourself a little

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Speaker 4: bit for subjecting them to that? That's a special kind

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Speaker 4: of torture.

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Speaker 3: Come on, come on enough.

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Speaker 5: I make up stupid songs all the time, and hope

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Speaker 5: my wife knows I'll do it. And when I was

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Speaker 5: doing it in camp, Asia was the one who kind

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Speaker 5: of really went along with it. And we carry with

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Speaker 5: a lot of songs before we got to the gold

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Speaker 5: that is beautiful soul, And there was one that probably

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Speaker 5: could not go to be broadcast. Asha had her habit

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Speaker 5: of turning things a little bit weird, and dark. Yeah right,

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Speaker 5: but yeah so but then Dick I said, most of

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Speaker 5: your songs are crap, but that beautiful soul, there's something

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Speaker 5: in that one. So he kind of mentored us just.

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Speaker 2: To stop you seeing the other atrocity, a lie, a

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Speaker 2: word of a lie, anything to stop you. Asia just

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Speaker 2: digging into a treasure trove of absolute stinkers that she had.

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Speaker 2: And by the way, you seem quite surprised that she

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Speaker 2: was positive about it. I feel like if you turned

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Speaker 2: to Asia and you're like, you know, Asia, I I'm

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Speaker 2: just going to go and drink some of the water

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Speaker 2: and try and get syphilis, she would just be like.

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Speaker 7: Yeah, sounds great, Let's go down there and do that

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Speaker 7: for the.

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Speaker 2: Next half hour.

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Speaker 5: Yeah yeah. I think the Asia test is it's how

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Speaker 5: many syllables she gives you, Like it'll be like if

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Speaker 5: something's really good, Oh that's awesome, that is incredible.

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Speaker 2: Pete Hellier I said this last night on his Exiting View.

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Speaker 2: Here's you, pet I, and even could win.

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Speaker 5: Obviously it's a borrowing answer, but my flying My Flaming

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Speaker 5: Ducks partner Asia or Woody, I think I think if

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Speaker 5: I was a press press for an answer those.

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Speaker 2: Why do you think Woods can win.

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Speaker 5: Well, keep in mind that was a surreal experience because

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Speaker 5: we particularly at that point, I knew nothing that had

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Speaker 5: gone to wear. It's just a vibing camp. He hadn't

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Speaker 5: been in the bottom three. You know, that's something to

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Speaker 5: go on. He's a very important part of camp. He's

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Speaker 5: part of a glue that He's very positive if he

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Speaker 5: keeps every spirits up. He's very curious about everybody. He's

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Speaker 5: a sensational play. I love having him in there. I

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Speaker 5: was very relieved when you know, they mounted his heading

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Speaker 5: into camp before it all started. So yeah, I think,

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Speaker 5: I mean, I do think anyone, any of them can win.

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Speaker 5: I think Liz is also a threat. It's going to

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Speaker 5: be tight. And I know, I know they had a

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Speaker 5: record amount of votes, and I literally know somebody just

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Speaker 5: sounds like it's just TV talk and they took me

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Speaker 5: through and how much the votes are changing. I think

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Speaker 5: one one they were changing on air like it was

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Speaker 5: almost somebody else is leaving, and then it literally changed

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Speaker 5: before they walked in. So every vote does genuinely count.

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Speaker 2: Yeah, as you found out, mate, you are.

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Speaker 5: Thought I thought, I thought cruelly ironic that my charity

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Speaker 5: is legacy and they kicked me out on Antic Day.

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Speaker 5: I'm not sure.

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Speaker 1: Hurt.

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Speaker 2: Maybe that was deliberate. Maybe they were trying to book

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Speaker 2: nd it a little bit bookend and Zac Day. Pizez

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Speaker 2: in there, push for the appeal. Bang rigged, isn't it?

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Speaker 6: Pete.

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Speaker 4: We've got to ask you, are you going to replace

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Speaker 4: doctor Chris Brown?

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Speaker 5: Well, I mean that's I mean, surely it's the it's

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Speaker 5: the brook It is a logical choice. Just just run

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Speaker 5: with that, both on the radio show and on the show.

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Speaker 5: If you could know it's it'd be the top story

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Speaker 5: me and Chris. It'd be like a booperrat really to

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Speaker 5: be honest, before and after photo christ And if I

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Speaker 5: like to do it, people can tune in next year

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Speaker 5: and go wow what.

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Speaker 2: It's almost like it's almost like it's the other way

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Speaker 2: around though, It's almost like you were the host and

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Speaker 2: then you went and I'm as so and then came

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Speaker 2: out the other side, Chris.

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Speaker 5: This is what happens that you're in the jungle, you're

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Speaker 5: going as Chris Brown and you come out of hell.

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Speaker 5: Oh and I just say, by the way, because I

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Speaker 5: just say, the shower wasn't that cold. It was actually

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Speaker 5: quite warm, So if if what he starts saying the

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Speaker 5: shots of him, you know, and that the shower was cold.

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Speaker 5: I actually found it quite warm, and I didn't I

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Speaker 5: didn't trivel.

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Speaker 2: I've got the audio here.

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Speaker 8: So the big routine for me in the jungle is

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Speaker 8: I like to have a cold shower, and I would

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Speaker 8: like to actually take this moment to say that the

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Speaker 8: shower is incredibly cold. I don't know how much a

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Speaker 8: show of the shower, but I am having nude showers

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Speaker 8: and it's never looked worse.

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Speaker 5: But that's okay.

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Speaker 8: But yeah, if there are only leaks, it's very cold.

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Speaker 5: No, it was warm. It was warm. It was warm toower.

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Speaker 2: Sorry, Hey, thanks for joining us, Pete. That's from tonight's episode.

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Speaker 2: Go and check it out tonight seven thirty on Channel

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Speaker 2: ten and ten play. You've got to see Woods. He's

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Speaker 2: in the top six there. It's been so good watching

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Speaker 2: your Pete. So good to have you on the show.

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Speaker 2: I glad you got to see the show. And before

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Speaker 2: it becomes Will and Brook officially Forwoods comes back.

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Speaker 5: There's the big bars over here in Africa about you too.

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Speaker 4: I'm sure that's been boying you spirits.

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Speaker 2: Have some go to hear your.

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Speaker 5: Voice, thanks so much, likewise jeers.

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Speaker 2: See Pete, thanks legend Brook. Do you still pretend to

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Speaker 2: be asleep at all?

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Speaker 6: I have?

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Speaker 4: Yeah, sometimes in recent years. There's one case in particular

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Speaker 4: that I can remember.

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Speaker 3: Why.

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Speaker 2: What were the consequences of falling asleep?

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Speaker 3: I got left alone?

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Speaker 2: Which is what I wanted, Oh, genius, genius.

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Speaker 4: I was at the beach with like a bunch of

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Speaker 4: friends and right her friends with guys. They came over

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Speaker 4: to talk to us and times to.

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Speaker 2: Sleep pretending to pretending to be asleep at the beach.

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Speaker 2: Is it's the ultimate get out of jail card for anything, really,

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Speaker 2: because you know, you just don't wake a sleeping person. No, yeah,

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Speaker 2: and if you're good at the noises.

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Speaker 6: Just doing the noises.

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Speaker 2: I was like this, such I would know that I

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Speaker 2: would have spotted that. You still get the same tactics.

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Speaker 2: The key. The key is just slightly raising your breathing,

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Speaker 2: so just not as fool as nor just a slight snort.

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Speaker 2: So it needs to go to just a little bit,

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Speaker 2: and that gets them too much, it's far too much.

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Speaker 2: Just got your help. I think I think I spot

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Speaker 2: a fake, but look, I've been doing this for look

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Speaker 2: ever since I was a kid. I'm very good at it.

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Speaker 2: And because when I was a kid, obviously you know,

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Speaker 2: I learned to do it. At the end of a

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Speaker 2: long road trip. You do at the end of long

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Speaker 2: road trip, you get carried to your bed like a pharaoh.

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Speaker 2: It's truly one of the great moments in life. I

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Speaker 2: hope my daughter manages to do the same thing to me.

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Speaker 2: And you know what, even if she doesn't actually successfully

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Speaker 2: convince me that she's still asleep, I will still carry

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Speaker 2: her because I remember how good that bit was.

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Speaker 3: But that's so hot warming.

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Speaker 2: I thought you said that's so hot, turn it down.

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Speaker 2: Bones asleep thirty one or six five. I'd love to

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Speaker 2: hear from you, guys. When did you pretend to be asleep?

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Speaker 2: Because I pretended to be asleep on the weekend and

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Speaker 2: it nearly led to my partner dying. Now that sounds

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Speaker 2: a bit hectic.

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Speaker 3: She tried to carry you up the stick.

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Speaker 2: That's right her back if you fell down to two flights. No, no, no,

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Speaker 2: it was it was. It got to the point where

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Speaker 2: I was like, okay, I'll explain what happened. I'll call

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Speaker 2: her up next. I'd love to hear from you, guys.

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Speaker 2: Third one on six five? When did you pretend to

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Speaker 2: be asleep? I was lying in bed. We're both lying

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Speaker 2: in bed. We heard the dog go nuts, and we're like, shit,

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Speaker 2: there's somebody there. Well, she doesn't know that I'm thinking

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Speaker 2: this because I'm asleep, but I got woken up by

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Speaker 2: the dog and I was like, I can't be bother

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Speaker 2: getting out of bed. It's probably no one anyway, she

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Speaker 2: goes downstairs, I'm like, absolute win for me. Went got

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Speaker 2: a bit cheeky when as far as went to the

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Speaker 2: toilet and had a glass of water, gone back into bed.

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Speaker 2: I got back into bed and I was like, damn,

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Speaker 2: she's still not back. And then I heard a few

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Speaker 2: more noises and I was like, something is really up.

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Speaker 2: The dog's bark goes to like a bit of a wine.

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Speaker 2: And I'm lying in bed going if I've pretended to

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Speaker 2: be asleep and Sam has been mugged and or kidnapped,

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Speaker 2: I will never tell anyone like it was. They're sorts

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Speaker 2: of things. I was thinking. I wasn't thinking I was

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Speaker 2: going to go downstairs. I'll tell you that much. I wasn't.

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Speaker 2: I was certainly wasn't going to go and help her.

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Speaker 2: I was just like this, This is weird. Anyway. Eventually,

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Speaker 2: right when I'm about to get up and go downstairs,

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Speaker 2: she comes upstairs and she was like, someone just tried

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Speaker 2: to break into the house. The front gate was open. Meanwhile,

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Speaker 2: I still had the call. When she came in. When

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Speaker 2: she opened the door, she had.

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Speaker 6: To wake me up.

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Speaker 2: So I still because I didn't want to admit to her.

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Speaker 2: But who goes that, what's going on?

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Speaker 6: What is this?

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Speaker 2: But I but I realized, I was like, this is

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Speaker 2: the thing about pretending to be asleep is you have

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Speaker 2: to you have to stay the course because if you

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Speaker 2: admit that you were pretending to be asleep, and you've

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Speaker 2: got to confess to what you deliberately opted out of

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Speaker 2: and or probably heard right, it's it's risky. So you've

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Speaker 2: got to stay the course. But I've realized that I

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Speaker 2: need to tell her. I've realized that she doesn't know,

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Speaker 2: and I realized how awful that is. So I'm lied.

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Speaker 2: I've carried this cross with me for a few days now.

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Speaker 2: I'm ready to get it off my chest for calling

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Speaker 2: Sam now and oh she's going around You're fine? Hello,

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Speaker 2: all Hey Sammy, how are you Hey? This is Brook,

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Speaker 2: This is Sam. Sam this is Brooke.

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Speaker 6: Hello, how are you nice to meet you?

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Speaker 2: To meet you, Brooks loving the Sam's loving the show.

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Speaker 2: Max is loving the show as well. You can hear

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Speaker 2: Max in the background, So she in drops again. Maybe

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Speaker 2: can put it back in the cage or one of

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Speaker 2: our choice punishments. Okay, So Sammy, I just have something

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Speaker 2: to tell you that I'm not sure if you Yeah,

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Speaker 2: I need to tell you this. So the other night

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Speaker 2: when the burglar, when the burglar nearly broke into the house, and.

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Speaker 5: Wait, wait, wait, wait, before you're going to tell this,

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Speaker 5: it is going to really freaked me out.

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Speaker 2: No no, no, no, it's not a scary thing. Well

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Speaker 2: it was scary for my dignity, but.

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Speaker 5: So call me and like the your own heroes.

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Speaker 2: But no, So, so you went out to go and

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Speaker 2: you went downstairs, and then you came back upstairs and

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Speaker 2: you had to shut up Max. Daddy's daddy's working, daddy's working,

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Speaker 2: silence the child. So so you went downstairs, U come says,

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Speaker 2: you had to tell me about the burglary, about the

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Speaker 2: breaking and stuff. You had to wake me up and

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Speaker 2: tell me. Yeah, okay, I heard the dog at the start,

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Speaker 2: and I pretended to be asleep during the whole thing

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Speaker 2: because I was too scared to go downstairs.

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Speaker 5: Oh god, yeah, of course.

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Speaker 2: You it's the flating.

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Speaker 3: I think that won't be the worst possible response.

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Speaker 4: She's like, yeah, I know, I've got to get up

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Speaker 4: and family. I assumed that I would have to do that.

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Speaker 4: Oh my god, Sam, I'm so glad that was the response.

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Speaker 5: Two weeks I mean, like, well two weeks ago where

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Speaker 5: it's down the beach and there's like a spider and

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Speaker 5: he locked himself in the bathroom, so.

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Speaker 2: I lock myself. I put myself. I put myself in.

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Speaker 2: There was no lock sliding going on there.

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Speaker 3: Well, the spider won't be able to unlock this. Good

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Speaker 3: luck getting in.

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Speaker 6: Here willenoy more.

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Speaker 3: After this, it's Will and Woody.

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Speaker 2: I'm going to crack at Brooks job.

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Speaker 6: You were. Yeah, you were a little bit.

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Speaker 3: One of the best episodes.

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Speaker 4: You're too good at this last week when we did

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Speaker 4: it last time, that was earlier.

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Speaker 2: I had a feeling that I would be good at

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Speaker 2: hand tag day really through us, didn't it. But look,

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Speaker 2: your day job, brook you do read the news on

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Speaker 2: channel and on the Today Show. So I just said,

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Speaker 2: you're in here doing my job. Very confidently. I had

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Speaker 2: a few friends who told me that arguably you could

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Speaker 2: do it better than me, so I wanted to have

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Speaker 2: a cranky.

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Speaker 3: Not true, not true.

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Speaker 2: They said that that's kind.

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Speaker 3: I appreciate that.

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Speaker 2: Frankly, I'm not happy about it. So the way this

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Speaker 2: works is I want to prove that I'm better than

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Speaker 2: you at your job. We've both got a news script

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Speaker 2: in front of us. You've written my script, I've written

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Speaker 2: your script yep. And we both haven't seen our scripts.

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Speaker 2: So we're just going to flick them open, hear the

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Speaker 2: news music, and then we'll both read it. The person

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Speaker 2: who breaks is the person who shouldn't be the news anchor.

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Speaker 2: Are you ready to go?

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Speaker 5: Yep?

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Speaker 3: Do you want me to go first?

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Speaker 2: I think I'm going first. No, you're going first, Okay,

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Speaker 2: So it's very confused me.

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Speaker 4: Already, I'm feeling a little bit more confident my job

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Speaker 4: will be safe. This justin prolific name drop at Channel

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Speaker 4: Nine's Brook Bonie has name dropped so many times that

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Speaker 4: Disney's World Tower of Terror is going to commemorate her

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Speaker 4: top ten thousandth name drop by renaming the ride the

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Speaker 4: Giant Bony name Drop. Bonie will ride the ride along

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Speaker 4: with five other C grade celebrities who she's name dropped

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Speaker 4: in the last week.

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Speaker 3: Mate, that was way too easy.

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Speaker 2: You've seen it any pooh, There wasn't any pooh.

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Speaker 4: It's like, I mean, you know what Narl Horn's going

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Speaker 4: to hear about this, so is James Corden.

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Speaker 2: All right, let's get you ready. I'll be fine. I'll

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Speaker 2: be fine, absolutely fine. You play dirty because you're scared,

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Speaker 2: and I get it. I would be scared as well

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Speaker 2: because I.

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Speaker 4: Am scared because you are actually quite good and I

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Speaker 4: feel like, you know, you think I'm just playing along

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Speaker 4: with it, but your news voice is good.

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Speaker 2: I just want to say that this is reflecting badly

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Speaker 2: on you and it's proving that you're childish. But here

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Speaker 2: we go. In breaking news, Sunrise presenter David Kosh has

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Speaker 2: filed a complaint with the Australian Press Association after being

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Speaker 2: mistaken by paparazzi for Kiss FM Drive host Will mcm.

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Speaker 2: In his complaint, he outlined his concerns, including but not

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Speaker 2: limited to the obvious discrimination and prejudice president, but he

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Speaker 2: also referenced the host coach incident from last weekend, when

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Speaker 2: an unfortunate bout of diarrhea just struck as McMahon was

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Speaker 2: about to take the stage. It went in his shoes.

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Speaker 2: Such a child. Pete Helly is going to us right out.

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Speaker 3: Should have wons made Sune.

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00:19:07,200 --> 00:19:11,439
Speaker 2: And Norman Cook aka fat Boy Slim filling in for

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Speaker 2: no one just in the studio. It's great to have

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Speaker 2: you here, mate, thanks so much for coming and really

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Speaker 2: appreciate it.

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Speaker 7: For having me.

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Speaker 3: This is a real tree, doesn't it?

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Speaker 2: Well pumped super pumps, particularly because I'm going to talk

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Speaker 2: about something and I realize it might be a bit niche,

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Speaker 2: but bugger it. You only meet someone like you very often.

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Speaker 2: So you're playing Revolver tonight. You're playing a nightclub in Melbourne,

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Speaker 2: which I used to go to all the time. You're

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Speaker 2: playing the cage there, super obscure, like very small venue

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Speaker 2: for someone like you to be playing. You'd played stadiums

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Speaker 2: with tens of thousands of people in there. How many?

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Speaker 2: How many people are playing and Revolver? Why is it

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Speaker 2: special to you? Why are you going there?

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Speaker 7: It's special to me because it's for me.

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Speaker 9: It's like playing dirty clubs is kind of what it's

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Speaker 9: all about. That's why how I got into doing this

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Speaker 9: and gradually we've sort of been elevated to playing festivals,

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Speaker 9: and my heart is still in filthy nightclubs, and so

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Speaker 9: I kind of search them out around the world.

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Speaker 7: And also for me because during the tour.

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Speaker 9: Like on the big shows, that kind of it's a

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Speaker 9: show and I have to give show.

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Speaker 5: Yeah.

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Speaker 2: Yeah, you've got to perform right so much.

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Speaker 7: It's quite hard work and there's a lot to think about.

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Speaker 2: We're talking.

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Speaker 9: When I'm in a club, I can just I don't

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Speaker 9: have to perform. I can just go with it and

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00:20:21,119 --> 00:20:23,760
Speaker 9: I can try iTunes. I can take risks that I

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00:20:23,760 --> 00:20:26,240
Speaker 9: can't take on the biggest story yourself. Yeah, So it's

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Speaker 9: for my benefit, not for the people.

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Speaker 2: If you're want to see him as going Tonight, speaking

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Speaker 2: of big shows, though, I did see you talking on

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00:20:34,040 --> 00:20:35,800
Speaker 2: this new Netflix show. We are going to talk about

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Speaker 2: this this Foxtel special, which is about a beach party

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00:20:37,760 --> 00:20:39,840
Speaker 2: where you played two hundred and fifty thousand people. But

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Speaker 2: the other big one that you've been on recently talking

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Speaker 2: about was Woodstock ninety nine, which just looked insane.

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Speaker 7: Yeah, it was on the area Nights of my Life.

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Speaker 6: What was it like?

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Speaker 5: Was it?

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Speaker 9: To be honest, it wasn't the violence and the really

402
00:20:54,000 --> 00:20:56,440
Speaker 9: bad stuff happened on the Sunday and we got out

403
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Speaker 9: on the Saturday.

404
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Speaker 7: I was like last thing on Saturday night and.

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Speaker 9: We could coming. We were feeling undercarrents. But the full

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00:21:03,040 --> 00:21:05,480
Speaker 9: carnage I missed, the full carriage right is good. I

407
00:21:05,480 --> 00:21:08,000
Speaker 9: mean we I just got straight on a plane literally

408
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Speaker 9: after my set, and by the time I got back

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Speaker 9: to England there.

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Speaker 7: Was footage on the news of my dressing room on fire.

411
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Speaker 7: Oh my god, just as well I left.

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Speaker 4: So we're just listening to you talk about doing mixes

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00:21:20,640 --> 00:21:24,240
Speaker 4: for people during Lockdown, playing revs and you know, playing

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Speaker 4: to a crowd of two hundred and fifty thousand people.

415
00:21:27,440 --> 00:21:30,399
Speaker 4: They're all such different gigs, but like the common thread

416
00:21:30,560 --> 00:21:33,160
Speaker 4: is that you obviously still just have such a love

417
00:21:33,920 --> 00:21:36,560
Speaker 4: for what you do. How do you maintain that.

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00:21:37,760 --> 00:21:42,040
Speaker 9: I think I probably maintain it through keeping all sides

419
00:21:42,080 --> 00:21:45,280
Speaker 9: of it open. I was just saying during Lockdown, I

420
00:21:45,600 --> 00:21:48,480
Speaker 9: did the mix this because my enjoyment of music is

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00:21:48,520 --> 00:21:50,720
Speaker 9: sharing it with other people. Like, if I don't play

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00:21:50,720 --> 00:21:52,040
Speaker 9: it to other people, it's like a tree in the

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Speaker 9: forest that falls, no one hears it.

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Speaker 7: So I think keeping it fun for me and keeping it.

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00:21:58,119 --> 00:22:02,480
Speaker 9: About me enjoying music via sharing it with other people

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00:22:02,520 --> 00:22:04,159
Speaker 9: and having a laugh. And that can be on a

427
00:22:04,200 --> 00:22:05,840
Speaker 9: small scale and a big scale. I think if I

428
00:22:06,000 --> 00:22:08,560
Speaker 9: just did it too much on the big scale, it

429
00:22:08,560 --> 00:22:11,480
Speaker 9: would feel like work. But doing the other stuff my

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Speaker 9: yeah reminder, you know, just keeps my love for it flowing.

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Speaker 2: Speaking at Brook, Rent mentioned it and I've mentioned it

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00:22:18,720 --> 00:22:21,200
Speaker 2: now as well. There's a Foxtel special which people can see.

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Speaker 2: It's called right here, Right Now. Premiere is Saturday May sixth,

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00:22:23,680 --> 00:22:26,760
Speaker 2: nine thirty on Fox. Docos available on demand on Foxtel

435
00:22:26,760 --> 00:22:28,959
Speaker 2: if you want to see yourself. But it's all about

436
00:22:29,040 --> 00:22:31,080
Speaker 2: this beach party, Big Speech part of the UK, probably

437
00:22:31,119 --> 00:22:34,639
Speaker 2: the world's ever seen beach boutique two. I think it

438
00:22:34,720 --> 00:22:37,359
Speaker 2: was called Big Beach Boutique. Big Beach Boutique too. So

439
00:22:37,760 --> 00:22:40,919
Speaker 2: it was a scheduled rave for forty thousand people in

440
00:22:40,960 --> 00:22:42,800
Speaker 2: the south in Brighton in the.

441
00:22:42,760 --> 00:22:45,200
Speaker 3: UK, which sounds wild enough, it.

442
00:22:45,160 --> 00:22:47,639
Speaker 2: Sounds big, sounds like that was what one sounds like

443
00:22:47,680 --> 00:22:52,399
Speaker 2: a decent dude. Two hundred and fifty thousand people turned up. Yeah,

444
00:22:52,800 --> 00:22:54,439
Speaker 2: can you talk us through that party?

445
00:22:54,680 --> 00:22:55,639
Speaker 7: Well, yeah, we've done it.

446
00:22:55,640 --> 00:22:57,600
Speaker 9: The year before we did Big Beach one, which is great,

447
00:22:57,640 --> 00:22:59,359
Speaker 9: and forty thousand people turned out.

448
00:22:59,920 --> 00:23:02,320
Speaker 7: Like so the council said do it again.

449
00:23:02,359 --> 00:23:04,520
Speaker 9: But the thing, because it was free, there was no

450
00:23:04,600 --> 00:23:07,840
Speaker 9: way we could style with people coming, and kind of

451
00:23:07,880 --> 00:23:10,359
Speaker 9: word got around, and then more word got around. And

452
00:23:10,359 --> 00:23:12,560
Speaker 9: this is like pre social media or anything, of course,

453
00:23:12,840 --> 00:23:15,440
Speaker 9: just all these people turned up, and by halfway through

454
00:23:15,480 --> 00:23:17,679
Speaker 9: the afternoon, it's like, this is more people than we can.

455
00:23:18,240 --> 00:23:19,520
Speaker 7: Guarantee their safety.

456
00:23:20,000 --> 00:23:22,159
Speaker 9: But by the time we thought that with the police,

457
00:23:22,359 --> 00:23:24,920
Speaker 9: it was like, well, it's more dangerous if you don't

458
00:23:24,920 --> 00:23:27,240
Speaker 9: do it, it's going to really kick off because.

459
00:23:26,960 --> 00:23:31,680
Speaker 2: You've got on the beach all kick people out of

460
00:23:31,720 --> 00:23:32,119
Speaker 2: your house.

461
00:23:34,640 --> 00:23:36,040
Speaker 7: So the premise to do if.

462
00:23:35,920 --> 00:23:38,119
Speaker 4: They were that monted, you could just play a record

463
00:23:38,119 --> 00:23:39,840
Speaker 4: and get out of there, save yourself.

464
00:23:39,880 --> 00:23:40,359
Speaker 6: They're not going to.

465
00:23:43,400 --> 00:23:43,960
Speaker 7: Well yeah.

466
00:23:44,000 --> 00:23:45,280
Speaker 9: So the thing was so we were doing something we

467
00:23:45,359 --> 00:23:47,720
Speaker 9: knew was really really dangerous, but it was less dangerous

468
00:23:47,720 --> 00:23:49,160
Speaker 9: than the alternatives, so we did.

469
00:23:49,280 --> 00:23:50,119
Speaker 7: Yeah.

470
00:23:50,280 --> 00:23:51,919
Speaker 9: But it was testaments to the people who were there,

471
00:23:51,960 --> 00:23:54,680
Speaker 9: who were you say mounted, I say, loved up.

472
00:23:55,320 --> 00:23:58,960
Speaker 7: They were. They were well enough behaved.

473
00:23:58,440 --> 00:24:00,840
Speaker 9: That we didn't have any we didn't have any serious problems.

474
00:24:00,840 --> 00:24:03,320
Speaker 9: But it was kind of for the city that.

475
00:24:03,320 --> 00:24:04,160
Speaker 7: I've lived in Brighton.

476
00:24:04,240 --> 00:24:06,320
Speaker 9: It was quite a big thing to be invaded by

477
00:24:06,520 --> 00:24:09,160
Speaker 9: basically double the population in the city, and we didn't

478
00:24:09,520 --> 00:24:11,480
Speaker 9: We didn't have enough toilets for them, we didn't have

479
00:24:11,560 --> 00:24:14,400
Speaker 9: enough alcohol. The whole of the city top sold out

480
00:24:14,400 --> 00:24:15,000
Speaker 9: of alcohol.

481
00:24:15,240 --> 00:24:15,520
Speaker 2: Wow.

482
00:24:15,600 --> 00:24:18,239
Speaker 9: And so it was kind of like one of those

483
00:24:18,240 --> 00:24:21,080
Speaker 9: sort of Woodstock moments where you're just overswamp, but with

484
00:24:21,200 --> 00:24:24,320
Speaker 9: very very good natured people. So luckily nothing bad happened,

485
00:24:24,320 --> 00:24:27,200
Speaker 9: but it's quite an interesting story. If you watch the documentary,

486
00:24:27,400 --> 00:24:32,240
Speaker 9: you'll see my face delight, sort of mild worried.

487
00:24:33,119 --> 00:24:37,520
Speaker 2: It's that Woodstock face again. Someone going to the fire

488
00:24:37,560 --> 00:24:40,320
Speaker 2: extinguiship from a dressing room. You can go and check

489
00:24:40,359 --> 00:24:43,560
Speaker 2: it out. Fat Boy Slim Right Here Right Now premiere Saturday,

490
00:24:43,600 --> 00:24:45,679
Speaker 2: May six, nine thirty on Fox. Doco is available on

491
00:24:45,720 --> 00:24:46,240
Speaker 2: demand on Fox.

492
00:24:46,280 --> 00:24:46,440
Speaker 5: Doll.

493
00:24:46,440 --> 00:24:48,280
Speaker 2: I want to take you back to Brighton right now

494
00:24:48,280 --> 00:24:51,880
Speaker 2: if I came Brighton in the UK, because we've got

495
00:24:51,880 --> 00:24:55,960
Speaker 2: someone right up next who doesn't know you're here, doesn't

496
00:24:55,960 --> 00:24:59,160
Speaker 2: know why she's here, but she is possibly the biggest

497
00:24:59,560 --> 00:25:02,479
Speaker 2: Fat Boy Slim fan on the planet. She's from Brighton,

498
00:25:02,520 --> 00:25:05,959
Speaker 2: she hasn't been home since twenty eighteen, and right up

499
00:25:05,960 --> 00:25:06,560
Speaker 2: next to love you.

500
00:25:06,520 --> 00:25:09,360
Speaker 7: Well, actually physically here yeah right? Why does she think

501
00:25:09,440 --> 00:25:09,840
Speaker 7: she's here?

502
00:25:09,960 --> 00:25:12,639
Speaker 2: She thinks she's here for she's actually one of our kidnaps,

503
00:25:12,800 --> 00:25:15,399
Speaker 2: producer's wife, one of our producers wives, right, And she

504
00:25:15,480 --> 00:25:17,359
Speaker 2: thinks she's in for like a post work dinner that

505
00:25:17,400 --> 00:25:20,040
Speaker 2: we're doing. She's got no idea that you're here. And

506
00:25:20,080 --> 00:25:21,840
Speaker 2: we're going to bring her in the studio right up next.

507
00:25:22,160 --> 00:25:24,640
Speaker 2: And if you can't surprise her, it'll melt her heart.

508
00:25:24,720 --> 00:25:25,560
Speaker 7: This sounds like funny.

509
00:25:25,560 --> 00:25:29,920
Speaker 2: It's going to be here right up next. That's gonna happen.

510
00:25:29,960 --> 00:25:31,240
Speaker 2: Run these guys. We had a bit of a pick

511
00:25:31,280 --> 00:25:33,639
Speaker 2: me up in the afternoon. It's going to beautiful. Actually,

512
00:25:33,640 --> 00:25:36,720
Speaker 2: can't wait for that. It's Will and Woody Brook. We've

513
00:25:36,760 --> 00:25:38,840
Speaker 2: got a very special guest in the studio, someone that

514
00:25:38,880 --> 00:25:40,880
Speaker 2: you haven't met before.

515
00:25:41,200 --> 00:25:42,960
Speaker 3: But I've heard a lot about it, a lot.

516
00:25:42,840 --> 00:25:47,000
Speaker 2: About heard a lot about. This is producer l Jay's wife, Meg,

517
00:25:47,080 --> 00:25:47,919
Speaker 2: who's in the studio.

518
00:25:48,000 --> 00:25:51,280
Speaker 3: Welcome Meggie, Hello, Meg, nice to meet you.

519
00:25:52,320 --> 00:25:53,080
Speaker 2: How are you mate?

520
00:25:53,119 --> 00:25:56,120
Speaker 1: All right, So I wonder why I'm here?

521
00:25:56,200 --> 00:26:00,640
Speaker 4: Yeah, wellity, well aity, well at tea?

522
00:26:01,359 --> 00:26:04,639
Speaker 2: Do you why do you think you're Why have you

523
00:26:04,640 --> 00:26:05,400
Speaker 2: been told that you're here.

524
00:26:06,800 --> 00:26:09,160
Speaker 1: I haven't been told anything. I've been told I've left

525
00:26:09,160 --> 00:26:10,480
Speaker 1: work and I'm here.

526
00:26:11,280 --> 00:26:12,240
Speaker 2: Earlier this afternoon.

527
00:26:12,680 --> 00:26:15,600
Speaker 3: Okay, great, But what's going through your head now? Like,

528
00:26:15,680 --> 00:26:16,480
Speaker 3: what what do you think?

529
00:26:16,520 --> 00:26:20,040
Speaker 1: If you had to guess, I think I might be

530
00:26:20,080 --> 00:26:23,000
Speaker 1: got to stitch up by Will maybe before.

531
00:26:23,160 --> 00:26:29,119
Speaker 2: It before before. So this morning we were talking l

532
00:26:29,240 --> 00:26:32,800
Speaker 2: J your wife. Senior producer Ol Day was telling us

533
00:26:32,800 --> 00:26:37,040
Speaker 2: that you if you could have two people on the

534
00:26:37,080 --> 00:26:41,680
Speaker 2: phone mm hmm, and one was Liam Gallagher and one

535
00:26:41,720 --> 00:26:47,040
Speaker 2: was fat boys slim gone to your head, which one

536
00:26:47,080 --> 00:26:53,399
Speaker 2: would you have? And you said, you said to shoot

537
00:26:53,440 --> 00:26:57,480
Speaker 2: me now because you couldn't choose between the two of them. Okay,

538
00:26:58,000 --> 00:26:59,639
Speaker 2: what if I told you one of them is on

539
00:26:59,680 --> 00:27:02,840
Speaker 2: the phone right now, hopefully.

540
00:27:02,520 --> 00:27:03,080
Speaker 6: I won't die.

541
00:27:05,200 --> 00:27:08,160
Speaker 2: Which which one do you think it is?

542
00:27:10,960 --> 00:27:13,680
Speaker 3: I guess that Boycelet he's.

543
00:27:13,480 --> 00:27:16,919
Speaker 2: Touring at the moment is And you're from Brian, You're

544
00:27:16,920 --> 00:27:19,359
Speaker 2: from where he's from. Why would he mean a lot

545
00:27:19,400 --> 00:27:23,040
Speaker 2: to you if he was on the phone. You love him?

546
00:27:23,119 --> 00:27:23,239
Speaker 5: Right?

547
00:27:23,280 --> 00:27:23,840
Speaker 6: I love him?

548
00:27:24,040 --> 00:27:25,600
Speaker 1: Yeah, he's a Brian boy.

549
00:27:25,880 --> 00:27:28,960
Speaker 2: Okay, make.

550
00:27:30,960 --> 00:27:34,320
Speaker 5: No where about him buying you from.

551
00:27:33,800 --> 00:27:38,560
Speaker 1: Oh lived just off a dyke rode?

552
00:27:38,560 --> 00:27:38,960
Speaker 6: How far?

553
00:27:39,080 --> 00:27:40,960
Speaker 5: How far? Up because I used to live at the dials.

554
00:27:41,000 --> 00:27:46,679
Speaker 1: Oh my god, I don't even know what to say.

555
00:27:47,359 --> 00:27:49,040
Speaker 5: By the way, this is Norman, not Liam.

556
00:27:54,200 --> 00:27:57,720
Speaker 1: Oh god, I can't believe you.

557
00:27:57,960 --> 00:27:59,880
Speaker 2: Are you seeing him when he's down here? Yeah?

558
00:28:00,080 --> 00:28:01,040
Speaker 3: Friday, Friday.

559
00:28:01,040 --> 00:28:03,439
Speaker 2: I'm going on Friday.

560
00:28:03,560 --> 00:28:06,000
Speaker 1: Yeah, I'm coming Friday. I've already got the brighten shirt

561
00:28:06,080 --> 00:28:07,640
Speaker 1: out and the Hawaiian shirt.

562
00:28:07,880 --> 00:28:08,679
Speaker 6: We were getting.

563
00:28:08,840 --> 00:28:14,240
Speaker 1: Yeah, I want to be right at the front. Oh wow, huge,

564
00:28:14,240 --> 00:28:14,880
Speaker 1: I'll being fan.

565
00:28:16,520 --> 00:28:18,720
Speaker 5: Did you watch the game on Sunday?

566
00:28:19,240 --> 00:28:20,399
Speaker 1: No, I haven't seen it.

567
00:28:21,680 --> 00:28:22,280
Speaker 3: Let me watch it.

568
00:28:22,520 --> 00:28:23,720
Speaker 1: I'll be too devastated.

569
00:28:26,040 --> 00:28:27,520
Speaker 2: He's just walking into the studio.

570
00:28:30,880 --> 00:28:50,920
Speaker 6: My god, I'm can I get you back?

571
00:28:54,200 --> 00:28:54,400
Speaker 5: Yeah?

572
00:28:54,400 --> 00:28:59,880
Speaker 2: That would be great, didn't you.

573
00:28:59,240 --> 00:29:01,120
Speaker 3: I've got nothing, You got nothing.

574
00:29:01,240 --> 00:29:02,640
Speaker 1: I've got nothing at all.

575
00:29:02,760 --> 00:29:04,560
Speaker 7: I've never done this before mega either.

576
00:29:04,600 --> 00:29:05,440
Speaker 2: So we were talking.

577
00:29:05,720 --> 00:29:08,040
Speaker 9: They just sprung this on me like thirty seconds before you.

578
00:29:08,600 --> 00:29:10,600
Speaker 9: So it's not like we're going to I think your

579
00:29:10,640 --> 00:29:15,000
Speaker 9: wife might might the answer. Hey, so, Meggie, we were

580
00:29:15,000 --> 00:29:17,960
Speaker 9: just talking about this bit. This rave the Big Beach

581
00:29:17,960 --> 00:29:18,800
Speaker 9: Boutique too.

582
00:29:19,400 --> 00:29:21,080
Speaker 2: Did you hear about that? Were you were you there

583
00:29:21,120 --> 00:29:23,120
Speaker 2: at all? No?

584
00:29:23,120 --> 00:29:25,800
Speaker 1: No, I've no. I really wanted to go. I wanted

585
00:29:25,840 --> 00:29:26,320
Speaker 1: to go to the.

586
00:29:26,320 --> 00:29:28,880
Speaker 2: One two hundred and fifty thousand people there.

587
00:29:29,480 --> 00:29:32,200
Speaker 1: I've listened to it. I have probably that many times,

588
00:29:32,320 --> 00:29:33,240
Speaker 1: really probably.

589
00:29:33,400 --> 00:29:34,040
Speaker 6: Yeah.

590
00:29:34,280 --> 00:29:35,880
Speaker 2: It's iconic, Ryan like it's.

591
00:29:35,680 --> 00:29:40,200
Speaker 1: This yeah, yeah, yeah, it's yeah, it is iconic. It's

592
00:29:40,240 --> 00:29:42,440
Speaker 1: bright and it's bright and beach, it's bright and pier.

593
00:29:43,160 --> 00:29:45,880
Speaker 7: How long how long since you since you lived in Brighton.

594
00:29:46,080 --> 00:29:46,520
Speaker 5: Ah be?

595
00:29:47,760 --> 00:29:49,760
Speaker 3: Probably about fourteen years years.

596
00:29:50,160 --> 00:29:51,800
Speaker 7: Picked up a little bit of the assy twang. I

597
00:29:51,880 --> 00:29:54,560
Speaker 7: noticed I'm not hearing the Brighton no one.

598
00:29:54,720 --> 00:29:56,800
Speaker 2: Nice cutting now, you know me. I think we just

599
00:29:56,800 --> 00:29:58,760
Speaker 2: need to explain Norman how much he means to you,

600
00:29:58,840 --> 00:30:01,120
Speaker 2: to you and Alger because it you've got lyrics. You

601
00:30:01,160 --> 00:30:03,960
Speaker 2: had lyrics from a fat boy slim song in your wedding.

602
00:30:03,800 --> 00:30:06,640
Speaker 1: Vows Yeah yeah, l J l J put it in

603
00:30:06,640 --> 00:30:07,400
Speaker 1: her wedding vowels.

604
00:30:09,320 --> 00:30:11,560
Speaker 7: Please tell me it was it was praise you and

605
00:30:11,600 --> 00:30:18,760
Speaker 7: not that'd be good.

606
00:30:20,520 --> 00:30:22,640
Speaker 2: Watch your body mails you two, ok't.

607
00:30:24,160 --> 00:30:24,840
Speaker 6: Know you did well?

608
00:30:24,920 --> 00:30:27,520
Speaker 2: You did well, kicking? What was what is the song

609
00:30:27,520 --> 00:30:28,640
Speaker 2: in the wedding veols? Does it praise you?

610
00:30:28,720 --> 00:30:28,920
Speaker 5: Is it?

611
00:30:29,040 --> 00:30:29,240
Speaker 6: No?

612
00:30:29,640 --> 00:30:30,360
Speaker 1: Right here right now?

613
00:30:31,800 --> 00:30:32,200
Speaker 6: Yeah?

614
00:30:32,400 --> 00:30:36,680
Speaker 9: Yeah right that very lyrical tune right here, right now,

615
00:30:36,760 --> 00:30:37,440
Speaker 9: right here, right now.

616
00:30:37,440 --> 00:30:39,640
Speaker 2: Have we got something of that right here, right now,

617
00:30:39,840 --> 00:30:44,680
Speaker 2: we'll playing it just before. That's that's beautiful, so nice.

618
00:30:44,880 --> 00:30:47,240
Speaker 2: And so you're going to see Norman on the weekend

619
00:30:47,280 --> 00:30:49,200
Speaker 2: front Center, but now you don't need to be center

620
00:30:49,200 --> 00:30:55,440
Speaker 2: anymore because you've said from him, Oh that was really special.

621
00:30:55,640 --> 00:30:57,760
Speaker 2: If you guys want to go and see fat Boy Slim,

622
00:30:58,040 --> 00:31:00,680
Speaker 2: check him out. He's throwing all over at right now.

623
00:31:00,720 --> 00:31:04,960
Speaker 2: You're the music where just the DJs make good luck

624
00:31:04,960 --> 00:31:06,360
Speaker 2: with the tour. I don't think you need it. You

625
00:31:06,400 --> 00:31:09,120
Speaker 2: are truly a doyen of dance music, and I think

626
00:31:09,160 --> 00:31:10,560
Speaker 2: anybody's going to be able to get along and have

627
00:31:10,560 --> 00:31:12,160
Speaker 2: a boogie if you're having any sort of a grim

628
00:31:12,200 --> 00:31:13,560
Speaker 2: time in your life or you want to go and

629
00:31:13,560 --> 00:31:15,720
Speaker 2: just have a dance. That's what it's for, right That's

630
00:31:15,720 --> 00:31:16,800
Speaker 2: what the music that's all about.

631
00:31:17,040 --> 00:31:18,680
Speaker 7: Yeah, that's just intention.

632
00:31:19,080 --> 00:31:19,280
Speaker 5: Yeah.

633
00:31:19,320 --> 00:31:20,920
Speaker 2: And you're a joy to go and watch mate. Thanks

634
00:31:20,960 --> 00:31:22,480
Speaker 2: so much for all the music you brought to everybody,

635
00:31:22,520 --> 00:31:23,880
Speaker 2: and all the parties and all the fun and all

636
00:31:23,880 --> 00:31:26,240
Speaker 2: the love. I know, all the way from Brighton all

637
00:31:26,280 --> 00:31:28,600
Speaker 2: the way down here in Australia. Truly just one of

638
00:31:28,680 --> 00:31:30,440
Speaker 2: the great artists of our time. It's been a great

639
00:31:30,440 --> 00:31:32,680
Speaker 2: pleasure to have you in here. Congratulations and all your success.

640
00:31:32,720 --> 00:31:33,280
Speaker 7: I'm blushing.

641
00:31:33,320 --> 00:31:37,720
Speaker 2: Thank you very No, that's thank you, mate. See your

642
00:31:37,760 --> 00:31:40,240
Speaker 2: mate Will and Moody with buddy Fat Boy Sleeve is

643
00:31:40,280 --> 00:31:41,160
Speaker 2: touring all over the country.

644
00:31:41,160 --> 00:31:41,680
Speaker 5: Go and see him.

645
00:31:41,720 --> 00:31:44,040
Speaker 2: Or if you're lucky and you're in Melbourne and you

646
00:31:44,080 --> 00:31:48,520
Speaker 2: can get a spot Revolver tonight in the cage, I'll

647
00:31:48,560 --> 00:31:52,280
Speaker 2: probably be there. You better be there, Will and Woody.

648
00:31:53,200 --> 00:31:53,680
Speaker 2: Thanks Meggi.

649
00:31:56,400 --> 00:31:59,280
Speaker 3: It's Will and Mordy. You were just talking about Adele.

650
00:31:59,600 --> 00:32:04,320
Speaker 3: There there she is.

651
00:32:05,640 --> 00:32:08,080
Speaker 4: You know, we all know she's singing all these sad songs.

652
00:32:08,160 --> 00:32:11,760
Speaker 4: She went through this big divorce. Well, she broke down

653
00:32:11,800 --> 00:32:15,800
Speaker 4: in tears during James Corden's final carpool karaoke.

654
00:32:16,000 --> 00:32:16,840
Speaker 3: She was the guest.

655
00:32:17,360 --> 00:32:19,840
Speaker 2: She kicked it off as well, wasn't she like she

656
00:32:20,040 --> 00:32:21,160
Speaker 2: was the one.

657
00:32:21,680 --> 00:32:25,400
Speaker 4: It's a nice cycle. It's a cyclical moment. But she

658
00:32:25,600 --> 00:32:32,040
Speaker 4: confessed brookended, that's what I call it, you know, thank you.

659
00:32:32,720 --> 00:32:32,960
Speaker 2: Yeah.

660
00:32:33,000 --> 00:32:39,160
Speaker 4: So she confessed that she goes on holidays with him

661
00:32:39,320 --> 00:32:43,760
Speaker 4: and his partner and that had Christmas together, and so

662
00:32:44,640 --> 00:32:49,640
Speaker 4: she'd also confessed that he inspired part of this song.

663
00:32:50,880 --> 00:32:53,760
Speaker 2: How can one become so bounded by choice?

664
00:32:53,920 --> 00:32:59,840
Speaker 1: Is that somebody else, Mads, how come we've booked?

665
00:33:00,280 --> 00:33:01,560
Speaker 3: You know, I'm a beautiful singer.

666
00:33:02,360 --> 00:33:07,880
Speaker 4: And yesterday for tour, my one of my girlfriends message me.

667
00:33:07,920 --> 00:33:09,280
Speaker 4: She's like, hey, do you want to come with me

668
00:33:09,360 --> 00:33:12,040
Speaker 4: and my boyfriend to the pub? And I realized that

669
00:33:12,200 --> 00:33:14,640
Speaker 4: it's not just the singing that I have in common

670
00:33:14,720 --> 00:33:17,280
Speaker 4: with Adele, it's the third wheeling as well.

671
00:33:18,840 --> 00:33:22,720
Speaker 2: Wait, so she joined James Corden's Christmas because she was

672
00:33:22,760 --> 00:33:24,680
Speaker 2: tagging along. She was effectively third wheeling.

673
00:33:24,720 --> 00:33:26,040
Speaker 3: Is Christmas exactly?

674
00:33:26,320 --> 00:33:26,520
Speaker 5: Rim?

675
00:33:26,680 --> 00:33:29,320
Speaker 2: Okay, all right, I know, okay.

676
00:33:29,560 --> 00:33:31,360
Speaker 4: We've all we've sort of grown accustomed to it over

677
00:33:31,360 --> 00:33:33,280
Speaker 4: the last few years though, right, Like people are away.

678
00:33:33,080 --> 00:33:33,840
Speaker 3: From their families.

679
00:33:33,880 --> 00:33:34,800
Speaker 6: I mean, do you do that.

680
00:33:34,760 --> 00:33:35,560
Speaker 3: When stems away?

681
00:33:36,160 --> 00:33:38,160
Speaker 2: Do I join someone else's Christmas?

682
00:33:38,440 --> 00:33:41,440
Speaker 4: Or do I go and sleep on the couch and hey,

683
00:33:41,480 --> 00:33:42,720
Speaker 4: guys take me wing?

684
00:33:43,000 --> 00:33:46,480
Speaker 2: I actually I do, And I quite like it. Actually

685
00:33:46,960 --> 00:33:49,320
Speaker 2: I don't mind it. I love it when she's away. No,

686
00:33:49,440 --> 00:33:52,680
Speaker 2: I quite quite. I quite like being a third wheel.

687
00:33:52,720 --> 00:33:55,520
Speaker 2: But that's that's it's a novelty for me. Like I know,

688
00:33:56,000 --> 00:33:58,360
Speaker 2: I know how sad it is to be tagging along

689
00:33:58,400 --> 00:34:01,880
Speaker 2: to something and then realize that you are tagging along

690
00:34:01,960 --> 00:34:04,800
Speaker 2: to something when you and particularly when you don't have

691
00:34:04,880 --> 00:34:07,480
Speaker 2: the option, because like when you're in a relationship, it's

692
00:34:07,600 --> 00:34:09,479
Speaker 2: you know, it's like it's a novelty. It's like, oh cool,

693
00:34:09,520 --> 00:34:11,360
Speaker 2: I'm the extra one here. I get a few. But

694
00:34:11,440 --> 00:34:14,680
Speaker 2: I remember being single, when I was single twenty five

695
00:34:14,760 --> 00:34:18,840
Speaker 2: years ago and being like, damn it, you've definitely invited

696
00:34:18,880 --> 00:34:21,160
Speaker 2: me to be nice to me. But I know that

697
00:34:21,200 --> 00:34:22,680
Speaker 2: you're being nice to me, and it feels like a

698
00:34:22,680 --> 00:34:24,399
Speaker 2: bit of a pity invite. Do you ever get that?

699
00:34:24,800 --> 00:34:27,319
Speaker 4: No, Well, sometimes I feel like, oh, you're inviting me

700
00:34:27,400 --> 00:34:29,080
Speaker 4: to like spice it up a bit, like you're a

701
00:34:29,120 --> 00:34:30,200
Speaker 4: bit bored of each other's coming.

702
00:34:30,400 --> 00:34:32,120
Speaker 2: When they want a bit of spice, they invite bony,

703
00:34:32,200 --> 00:34:35,120
Speaker 2: do how do we pull the red car? How we

704
00:34:35,120 --> 00:34:36,560
Speaker 2: push the red button on this dinner?

705
00:34:36,640 --> 00:34:40,040
Speaker 3: I know, well, how do we turn this up to eleven?

706
00:34:41,040 --> 00:34:41,920
Speaker 3: Let's invite babe.

707
00:34:42,360 --> 00:34:44,800
Speaker 4: No, But it's true, like sometimes there there is a

708
00:34:44,800 --> 00:34:46,640
Speaker 4: thing where you're like, oh, I'm bringing something to the table,

709
00:34:46,920 --> 00:34:50,040
Speaker 4: and then you're right. Other times you're like, oh my gosh,

710
00:34:50,080 --> 00:34:50,760
Speaker 4: this is sad.

711
00:34:51,160 --> 00:34:53,080
Speaker 3: This is sad. I should not be invited along to this.

712
00:34:53,480 --> 00:34:57,000
Speaker 2: It actually feels as if, well, the term is tagging

713
00:34:57,040 --> 00:34:59,759
Speaker 2: along like you're you're a third wheel. I actually am

714
00:34:59,800 --> 00:35:02,520
Speaker 2: in in that. If if people have got examples of this,

715
00:35:02,640 --> 00:35:04,279
Speaker 2: I'd love to hear from you, because Brook, I know

716
00:35:04,680 --> 00:35:06,600
Speaker 2: you're obviously you know, single at the moment, so it's

717
00:35:06,680 --> 00:35:08,560
Speaker 2: it's something that I know you can relate to, and

718
00:35:08,600 --> 00:35:10,800
Speaker 2: I'd like to tap more into it. Thirty one and

719
00:35:10,920 --> 00:35:14,520
Speaker 2: six five. What's the saddest thing that you've tagged along to?

720
00:35:15,520 --> 00:35:20,320
Speaker 2: Where's the saddest third wheel You've Christmas? Christmas with James,

721
00:35:20,400 --> 00:35:22,719
Speaker 2: Christmas with James Corden's got to be up there, like

722
00:35:22,800 --> 00:35:24,239
Speaker 2: that's going to be the moment where you're like, you know,

723
00:35:24,239 --> 00:35:26,719
Speaker 2: he's probably he's probably in a Santa suit doing some

724
00:35:26,760 --> 00:35:27,719
Speaker 2: sort of gear.

725
00:35:27,680 --> 00:35:29,160
Speaker 3: No wonder, she's writing sad song.

726
00:35:29,680 --> 00:35:32,160
Speaker 2: Taking calls from Nile Horror and while he drinks a whiskey.

727
00:35:32,160 --> 00:35:34,439
Speaker 2: You'd be like, mate, ah, this's is a sad day.

728
00:35:35,280 --> 00:35:40,000
Speaker 1: More willan Woody Goodness after this It's the Woman Woody.

729
00:35:39,840 --> 00:35:43,520
Speaker 2: Podcast thirty one six five. We're talking about the saddest

730
00:35:43,520 --> 00:35:45,640
Speaker 2: thing that you've tagged along to and Brooke, You've get

731
00:35:45,640 --> 00:35:47,719
Speaker 2: this under your hat, but we're just talking about how

732
00:35:47,760 --> 00:35:50,240
Speaker 2: sad it is that Adele had to because of her divorce,

733
00:35:50,280 --> 00:35:54,960
Speaker 2: had to tag along to James Corden's Christmas Super Tragic Sad,

734
00:35:55,080 --> 00:35:58,360
Speaker 2: So sad. But then in the song you revealed that

735
00:35:58,840 --> 00:36:01,799
Speaker 2: you would also tag DeLong with James.

736
00:36:01,800 --> 00:36:02,760
Speaker 3: James cordon to something.

737
00:36:02,840 --> 00:36:03,040
Speaker 6: Yeah.

738
00:36:03,120 --> 00:36:05,959
Speaker 4: So I was in la to do a whole bunch

739
00:36:05,960 --> 00:36:08,040
Speaker 4: of work and I had to interview Nyl Horan and

740
00:36:08,040 --> 00:36:09,840
Speaker 4: the only time we could get with him was to

741
00:36:09,880 --> 00:36:13,440
Speaker 4: sort of piggyback off the back of James Corden's interview.

742
00:36:13,920 --> 00:36:17,320
Speaker 4: And so we're sitting in the dressing room doing the interview.

743
00:36:17,320 --> 00:36:18,799
Speaker 4: He's like, Okay, cool, Like I'm going to go do

744
00:36:18,840 --> 00:36:20,320
Speaker 4: cup karaoke or something.

745
00:36:21,320 --> 00:36:22,840
Speaker 3: He didn't know, but he was.

746
00:36:22,920 --> 00:36:26,400
Speaker 4: He was about to go film something with James.

747
00:36:28,480 --> 00:36:28,920
Speaker 6: I think.

748
00:36:30,400 --> 00:36:31,359
Speaker 3: He's like, that's all I'm doing.

749
00:36:33,800 --> 00:36:36,600
Speaker 4: So anyway, then we finished the interview. I'm in there

750
00:36:36,680 --> 00:36:39,600
Speaker 4: with the producer, with Narl Horn, with the camo and

751
00:36:39,640 --> 00:36:42,200
Speaker 4: with the soundo, and then they start filming something in

752
00:36:42,239 --> 00:36:42,680
Speaker 4: the hallway.

753
00:36:42,680 --> 00:36:43,399
Speaker 6: So I opened the.

754
00:36:43,320 --> 00:36:45,320
Speaker 4: Door and they're like, shut the door, Shut the door.

755
00:36:45,800 --> 00:36:47,640
Speaker 4: Nyl Lauren's like, I got to get out of here.

756
00:36:48,440 --> 00:36:50,840
Speaker 4: I've got something to get to. Starts getting undressed. So

757
00:36:50,920 --> 00:36:54,719
Speaker 4: then I'm sort of like stuck between Nile Horran and

758
00:36:54,760 --> 00:36:59,920
Speaker 4: the exit and looking at me like, Brook you clean?

759
00:37:00,080 --> 00:37:02,560
Speaker 2: He thought you was just staying to watch him get

760
00:37:06,400 --> 00:37:08,319
Speaker 2: Look like, mate, can you leave?

761
00:37:08,800 --> 00:37:08,840
Speaker 5: No?

762
00:37:09,200 --> 00:37:11,920
Speaker 2: Start undoing my shirt? That's the cue to get out of.

763
00:37:11,840 --> 00:37:13,319
Speaker 3: The like what?

764
00:37:13,960 --> 00:37:16,000
Speaker 4: And he was talking to me the whole time, and

765
00:37:16,040 --> 00:37:18,160
Speaker 4: so I was trying not to break eye contact, like

766
00:37:18,200 --> 00:37:18,840
Speaker 4: I didn't.

767
00:37:18,560 --> 00:37:21,880
Speaker 3: Want my eyes to lower. It was so it was

768
00:37:22,080 --> 00:37:23,120
Speaker 3: so uncomfortable.

769
00:37:23,160 --> 00:37:26,480
Speaker 2: My producers like, how much did he get off before

770
00:37:26,640 --> 00:37:27,520
Speaker 2: you got out?

771
00:37:28,000 --> 00:37:28,120
Speaker 6: Well?

772
00:37:28,160 --> 00:37:30,280
Speaker 4: Then I just sort of like was like, oh, guys

773
00:37:30,280 --> 00:37:32,560
Speaker 4: were stuck in here, Like I made it really obvious.

774
00:37:32,640 --> 00:37:34,640
Speaker 4: I was like, oh, like trying to get out of

775
00:37:34,640 --> 00:37:36,120
Speaker 4: the door. Oh, I can't get out.

776
00:37:36,239 --> 00:37:38,320
Speaker 2: Nol Horn's got his shirt off and his pants around

777
00:37:38,320 --> 00:37:41,480
Speaker 2: his ankles, and you're got your eyes down trying to

778
00:37:41,520 --> 00:37:43,200
Speaker 2: jimmy a door open, get out.

779
00:37:43,520 --> 00:37:46,280
Speaker 3: Oh my God would have his face.

780
00:37:46,880 --> 00:37:49,040
Speaker 2: You are, mate. I'll give me the hot tip you are.

781
00:37:49,640 --> 00:37:53,160
Speaker 2: Jenna on th six mimes saddest thing you tagged along

782
00:37:53,239 --> 00:38:00,440
Speaker 2: to my ex boyfriend mom's funeral. Oh yeah, that's the

783
00:38:00,480 --> 00:38:03,640
Speaker 2: winner for now. That is a winner for now. We'll

784
00:38:03,680 --> 00:38:08,640
Speaker 2: take that, no doubt about it. Oh man, I didn't

785
00:38:08,640 --> 00:38:12,480
Speaker 2: think they'd all right far out, Sam thirty one zig five,

786
00:38:12,840 --> 00:38:14,440
Speaker 2: saddest thing you've tagged along too.

787
00:38:15,880 --> 00:38:18,360
Speaker 5: Well, mine's a bit more than a tag along because

788
00:38:18,360 --> 00:38:19,719
Speaker 5: I actually live with them.

789
00:38:20,160 --> 00:38:21,799
Speaker 2: So my sister and our partner.

790
00:38:21,480 --> 00:38:24,160
Speaker 5: Bought a house and I just moved right in with them.

791
00:38:25,360 --> 00:38:26,520
Speaker 3: I'm sure that's thrill.

792
00:38:26,760 --> 00:38:30,120
Speaker 2: Yeah, yeah, that's all right. I mean the circumstances happen, Sam,

793
00:38:30,200 --> 00:38:32,040
Speaker 2: that's what family is for. I think that's all right.

794
00:38:32,600 --> 00:38:35,719
Speaker 2: It's okay. Debbie's called that's fine, that's fine. Right, you're

795
00:38:35,719 --> 00:38:37,880
Speaker 2: moving in with my brother used to live with We

796
00:38:38,080 --> 00:38:39,480
Speaker 2: live with me and my partner for a while.

797
00:38:39,719 --> 00:38:41,560
Speaker 4: If there's a finite period, you don't want it to

798
00:38:41,560 --> 00:38:43,239
Speaker 4: be like, oh, I guess what, I'm going to live

799
00:38:43,280 --> 00:38:45,279
Speaker 4: with you forever. We'll all raise the children on a

800
00:38:45,320 --> 00:38:50,120
Speaker 4: happy commune.

801
00:38:50,840 --> 00:38:56,280
Speaker 2: Clubs love those communists, uh debs. Deb's called dead. We're talking.

802
00:38:56,400 --> 00:38:59,200
Speaker 2: Saddest thing you've tagged along to. You're exposed as a

803
00:38:59,200 --> 00:39:01,040
Speaker 2: as a third wheel New Year's Party.

804
00:39:02,400 --> 00:39:04,480
Speaker 4: I certainly was, so I went with a group of

805
00:39:04,480 --> 00:39:06,320
Speaker 4: friends and didn't think much of it.

806
00:39:06,320 --> 00:39:07,640
Speaker 7: Come to twelve o'clock.

807
00:39:07,320 --> 00:39:10,600
Speaker 5: Big countdown, everyone's on the dance floor. Everyone does the

808
00:39:10,640 --> 00:39:13,799
Speaker 5: big you know, it's who who. Here we go, Happy

809
00:39:13,880 --> 00:39:15,840
Speaker 5: New Year, And they all turn around and kiss on

810
00:39:15,880 --> 00:39:18,160
Speaker 5: another and I'm all standing in the dance floor by myself,

811
00:39:18,239 --> 00:39:21,399
Speaker 5: going I don't know what, like, where do I go?

812
00:39:22,120 --> 00:39:25,880
Speaker 4: So Debbie, in that moment, you need to embrace the tricycle.

813
00:39:26,200 --> 00:39:29,040
Speaker 4: What you do is you walk around embrace both of

814
00:39:29,040 --> 00:39:33,040
Speaker 4: them lovingly on the top of the head dudes that

815
00:39:34,560 --> 00:39:39,120
Speaker 4: it's going to be at these strangers, the strangers.

816
00:39:41,239 --> 00:39:41,560
Speaker 3: Friends.

817
00:39:41,680 --> 00:39:45,040
Speaker 2: Oh my god. I think in my situation there, I

818
00:39:45,080 --> 00:39:47,520
Speaker 2: would just find an inanimate object to make out with.

819
00:39:50,920 --> 00:39:55,240
Speaker 3: Faint, pretend to faint.

820
00:39:57,120 --> 00:40:00,360
Speaker 2: Actually note it will Hoodie