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Speaker 1: Podcasting.

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Speaker 2: Now the wedding song that will lead to divorce, we

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Speaker 2: do get.

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Speaker 3: There, must listen to podcast. I'd say if you having

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Speaker 3: a successful marriage, yes, is unmissible And.

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Speaker 2: This is based on stats Australian viewer of statistic stats.

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Speaker 3: Over millions of people interviewed, analyzed.

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Speaker 2: We wouldn't say that woods. Do you then have a

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Speaker 2: song yet? Question Joel, that's a great question.

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Speaker 3: No, I wouldn't say we do smell trouble. It's only

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Speaker 3: been it's only been a month and a half. Sorry,

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Speaker 3: show over there. He's married, he's got two kids.

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Speaker 4: He's unfortunately he's the most experienced.

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Speaker 2: He is the most experiencedship in the room.

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Speaker 3: Thirteen wonderful years.

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Speaker 2: Wow. Wow. And I come in second with four, which

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Speaker 2: is good. I mean both of us have beards as well.

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Speaker 3: Four weeks is impressive though forwards, I mean, that's that's

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Speaker 3: that's eternity.

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Speaker 2: Well, it wasn't a four year relationship, you know, four.

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Speaker 3: And a half years. I was in a four and

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Speaker 3: a half year relationship prior to the gap. Didn't have

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Speaker 3: a song with her either. Well, there you going that's

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Speaker 3: what the research might show as well, not having a song.

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Speaker 2: Yeah, Well it's interesting isn't it whether you've got a

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Speaker 2: song or not. Is that Is that an indictment on

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Speaker 2: your relationship?

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Speaker 5: Yeah?

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Speaker 2: It It might be a gimmicky thing.

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Speaker 3: We have to talk about this tomorrow.

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Speaker 2: Yeah, that's a good point.

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Speaker 3: Listen to the podcast today you'll hear the wedding song

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Speaker 3: that leads to divorce and tomorrow live on our radio show. Yeah,

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Speaker 3: you're going to hear us discuss if it's bad for

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Speaker 3: a relationship not to have a song.

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Speaker 2: I once was in a relationship that didn't have a song,

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Speaker 2: and she asked me if we had a song, and

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Speaker 2: I just made one.

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Speaker 3: Up, Well, what'd you make up?

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Speaker 2: It was actually a great song, was Otis reading These

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Speaker 2: Arms of Mine?

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Speaker 3: Which is sad nice nice because now I can't get

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Speaker 3: around that song anymore without the time that I lied

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Speaker 3: to someone about the fact that it had emotional weight

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Speaker 3: for me.

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Speaker 6: Yeah.

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Speaker 2: Cool, So don't do that, kids. I mean, song's got

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Speaker 2: to come naturally. You can't. You can't just ask them

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Speaker 2: for a song. You can't force the song. It's just

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Speaker 2: going to happen.

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Speaker 3: That's what I'm currently doing. But you know, four weeks

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Speaker 3: in thinks I'm already in trouble.

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Speaker 2: No, no, no, it'll have a few.

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Speaker 3: It'll have a few.

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Speaker 2: I thought you told me you said who let the

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Speaker 2: dogs out? As your alarm on your phone, just to

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Speaker 2: sort of subliminally.

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Speaker 3: Every time she comes home, every time I come home,

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Speaker 3: I play that anyway. I also dress up as a

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Speaker 3: Christmas crow. We talk about Ellen's apology, amongst a whole

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Speaker 3: bunch of other gid.

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Speaker 2: Enjoy ever podcasting. Now, yeah, this afternoon we talk about

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Speaker 2: that Ellen apology. Plus we are genuinely scrambling before the

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Speaker 2: biggest interview of our lives on Willing Body.

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Speaker 7: Yeah, and wire is Farnboddy doesn't care what else.

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Speaker 2: Okay, listen, listen, lit can I watch how I am?

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Speaker 3: Oh a bit offended? To be honest, I'm a bit offended.

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Speaker 3: Do you think we're scrambling for our interview with Kylie Minot? Firstly,

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Speaker 3: I mean huge thanks to me for organizing that one.

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Speaker 3: But secondly, were we didn't do a thing.

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Speaker 2: But anyway, carry on.

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Speaker 3: We are not scrambling. There is a lot of work

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Speaker 3: going on on my end, that's for sure, a lot

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Speaker 3: of preparation for questions.

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Speaker 2: To be honest. The other one that I'm worried about.

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Speaker 2: You've had a few stinker interviews. Recently, we had Scottie

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Speaker 2: cam on yesterday. You just asked him what other people

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Speaker 2: had asked him that day.

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Speaker 8: As you know, Will and I are both lazy broadcasters,

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Speaker 8: so we just want to ask you, mate, what's the

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Speaker 8: best question you've received today?

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Speaker 3: And then can you answer that question?

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Speaker 9: What is the best question?

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Speaker 2: I threw you in there? Didn't I?

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Speaker 3: It was smart for me?

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Speaker 6: You did?

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Speaker 5: You did?

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Speaker 3: That's the one bad question I've asked in the last

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Speaker 3: blew it with.

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Speaker 2: Kate Miller Hike. Any songwriter wrote one of the best

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Speaker 2: musicals Australia's ever seen, you asked her this?

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Speaker 3: Did the masked singer top all the achievements over the

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Speaker 3: last six years? No Europision probably.

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Speaker 2: Hows mate? You worried about you?

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Speaker 3: You threw me into that one.

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Speaker 2: I wasn't prepared.

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Speaker 3: I wasn't prepared.

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Speaker 2: I'm worried about you and Kyle, and I've said it now.

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Speaker 2: Everyone knows that we're going to talk about it later

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Speaker 2: in the show as well. We're going to get the

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Speaker 2: audience's help because I think we're cooked. If it's just you,

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Speaker 2: I'm being honest.

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Speaker 3: Wow, all this is very offensive, but the show's got

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Speaker 3: to move.

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Speaker 2: On podcasting now.

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Speaker 3: Shit's Creek Will absolutely dominated the Emmys yesterday, broke records

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Speaker 3: for a comedy series. They won nine Emmys.

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Speaker 2: Look, apparently it's a very like I know people that

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Speaker 2: love it. I mean, I do take the Emmys with

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Speaker 2: a grain of salt, knowing that it's Americans did vote.

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Speaker 2: Oh well, do you know what I mean? No, Like,

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Speaker 2: it's not it's not. I think American humor is not

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Speaker 2: everyone's cape.

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Speaker 3: That's that's that's true. That's true. But nine nine Emmys

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Speaker 3: makes you go, I've got to give it a chance. Yeah, no,

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Speaker 3: fair enough.

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Speaker 2: I've lost a lot of respect for those people recently, Americans.

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Speaker 3: Yeah, yeah, what they do.

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Speaker 2: They just they chose the wrong blocked around the country

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Speaker 2: a little while, and it's been a bad place recently.

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Speaker 2: I just I've actually blocked out the whole thing. Tried

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Speaker 2: to watch Succession recently sucked just a whole bunch of

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Speaker 2: white dudes talking about cash, like, come on, true, we're

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Speaker 2: over it and there's lots of money. Let's get a

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Speaker 2: helicopter in place in baseball. What's the first episode. I

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Speaker 2: was like, Oh, God, get some more cash, let's talk

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Speaker 2: about it more, Let's make a show.

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Speaker 3: What's another show we can make anyway? Back on Ship's Creek. Sorry, yeah,

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Speaker 3: A really beautiful moment if I just take off your

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Speaker 3: negativity towards America. A really beautiful moments happened when Daniel Levy,

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Speaker 3: he's a star of Ship's Creek and he actually wrote

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Speaker 3: and directed Ship's Creek. Oh rights, and directs it as well.

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Speaker 3: His dad is Eugene Levy right now. He's the guy

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Speaker 3: of American Pie. Oh yeah, yeah guy, the old guy

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Speaker 3: in American Pie, Jim Dad. And he's also in Shit's Creek.

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Speaker 3: But this is Daniel accepting his award for Outstanding Writing

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Speaker 3: in a Comedy Series. And that was just a really

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Speaker 3: beautiful moment where I acknowledged his dad.

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Speaker 10: Okay, first of all, I just want to say thank

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Speaker 10: you to my dad for giving me the reins to

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Speaker 10: this show, even though I didn't have any experience in

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Speaker 10: a writer's room, which is saying that out loud right

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Speaker 10: now feels like a wild choice on your part, but

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Speaker 10: I am very grateful for it. I wouldn't be here

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Speaker 10: if it.

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Speaker 11: Weren't for you.

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Speaker 2: How to explain slightly biased, I mean, you don't have

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Speaker 2: to be a review of that process when Christ.

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Speaker 3: Your negative today.

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Speaker 2: Can that is a beautiful that is an independent group

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Speaker 2: into review that he is outrageous to go father son

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Speaker 2: favoritism from the way down and man talk about a

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Speaker 2: pubet for the patriarchy. Jesus Christ.

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Speaker 3: I thought it was a beautiful moment watching that. I

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Speaker 3: actually got a tear in my eyes. And look, I

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Speaker 3: just love the moments in life where parents back in

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Speaker 3: their kids when they're against the odds, almost like blindly

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Speaker 3: back in their kids.

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Speaker 2: Jo know what I'm talking about, favoring them over a

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Speaker 2: whole bunch of other people in the cast.

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Speaker 3: Sure will God, you hard to get past today. I'll

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Speaker 3: move on to my personal life. So when we first

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Speaker 3: got a radio job like eight years ago, we got

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Speaker 3: fired from that radio job for good reasons may redundant. Fine, yeah,

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Speaker 3: all these things A tough time anyway.

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Speaker 8: After we got fired, I was struggling a fair bit.

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Speaker 8: I was struggling for money, etcetera. And my dad, he

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Speaker 8: was runing a business at the time, he made up

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Speaker 8: a job for me within his business. I found out

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Speaker 8: it wasn't actually going through the business. He was just

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Speaker 8: paying me to do this made up job within his

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Speaker 8: business just to keep me afloat while I was still

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Speaker 8: chasing the entertainment dreamt.

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Speaker 2: Xpres.

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Speaker 3: At the time, it wasn't looking good for me getting

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Speaker 3: back and I was making YouTube videos.

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Speaker 8: But I'll never forget that. I love your dad because

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Speaker 8: of that. I would love to hear more stories of

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Speaker 8: parents backing in their kids against the odds. So, if

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Speaker 8: you were the kid and your.

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Speaker 3: Parents back to you in parents, if you want to

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Speaker 3: call up now, when did you back in your kid

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Speaker 3: when they are against the odds?

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Speaker 2: Give me a call.

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Speaker 3: He need to cheer up a little bit as well.

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Speaker 2: We'll see what the calls can do for us. And

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Speaker 2: it's a heart warming phone topic. Warm this cold cold heart.

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Speaker 2: Let's do it podcasting Now, when did a.

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Speaker 3: Parent back you in against the odds? Daniel Levy, who

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Speaker 3: is the writer and director of Shit's Creek, won a

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Speaker 3: number of awards yesterday, and when he was accepting the

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Speaker 3: award for Outstanding Writing in a Comedy Series, he paid

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Speaker 3: credit to his dad, Eugene, for backing him in.

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Speaker 10: Okay, first of all, I just want to say thank

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Speaker 10: you to my dad for giving me the reins to

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Speaker 10: this show, even though I didn't have any experience in

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Speaker 10: a writer's room. Which is saying that out loud right now.

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Speaker 10: Feels like a wild choice on your part, but I

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Speaker 10: am very grateful for it.

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Speaker 3: I wouldn't be.

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Speaker 7: Here if it weren't for you.

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Speaker 3: To explain why to back.

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Speaker 2: In your kids.

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Speaker 3: Even though he's against the ods, he's never written a

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Speaker 3: show in his life.

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Speaker 2: Will Yeah, I know. I mean absolutely Kanes for the

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Speaker 2: people that spent ten years trying to get a script

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Speaker 2: in front of a big producer.

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Speaker 3: But you know, feels a bit close to home works.

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Speaker 2: That's the way the world works, isn't it.

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Speaker 3: How is the TV pitch pilor going?

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Speaker 2: So I'll talk about it.

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Speaker 8: I've got a Thomas here on thirteen one oh six five. Thomas,

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Speaker 8: are you the parents here or the kid?

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Speaker 12: I'm the kid?

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Speaker 2: You're the kid?

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Speaker 3: When did your parents back you went against the odds?

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Speaker 5: Last year I was.

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Speaker 11: Doing a pre app pre apparendship and plumbing. I don't

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Speaker 11: have any money. I'm trying to send link and my

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Speaker 11: dad was doing too much money. So you end up

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Speaker 11: paying for the pre app paying for my clothes, giving

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Speaker 11: him money every week to get a coffee or breaks

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Speaker 11: or somethings.

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Speaker 3: That trying to do his pre app apprentice ship fumbing thing.

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Speaker 2: Whatever.

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Speaker 3: He said, Dad paid for his clothes.

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Speaker 2: Do you laugh at him? You're exactly the same position.

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Speaker 2: He had the same position, and you went the sentimental touch.

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Speaker 2: Tommy calls up. He's doing his pre app and you're

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Speaker 2: having a go at him. I mean, there we go

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Speaker 2: two sides to you would.

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Speaker 3: He's going to Garantee on thirty one six, trying to

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Speaker 3: go for the touching topic.

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Speaker 2: Get around him.

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Speaker 3: I was getting around here.

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Speaker 2: You were't getting around him. I just said he heard

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Speaker 2: the clothes. He brought him a coffe as well, you bastard.

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Speaker 3: Yeah, Jared coffee Jared.

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Speaker 2: On thirty one six. Right when did a parent back

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Speaker 2: you in?

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Speaker 1: Hey you guys, how you Gallen?

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Speaker 5: Good? Yeah? Good?

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Speaker 2: Well, pretty good.

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Speaker 5: Yeah.

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Speaker 13: It's a bit like you guys. I'm in the entertainment

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Speaker 13: industry as well, and it's a bit tough at the moment.

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Speaker 13: So my old man's got myself back working into warehouse.

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Speaker 2: But there's been a number of auditions.

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Speaker 13: Where I'm like, this is too hard, but the result

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Speaker 13: from some of it it's pretty awesome. I've been with

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Speaker 13: High five for a couple of years and worked on

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Speaker 13: Disney Cruise Line and they've always backed me all the way,

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Speaker 13: so I can't take them enough.

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Speaker 3: Sorry too. Where's is Jared from High five?

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Speaker 4: Yeah?

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Speaker 2: Holy moly?

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Speaker 3: Chared from called this up absolutely Jared got an absolute

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Speaker 3: treat to have you on the show, mate, Thank you

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Speaker 3: for having me. No, you're absolutely welcome. High five still

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Speaker 3: doing their thing.

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Speaker 13: I mean not at the moment with the whole COVID thing.

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Speaker 13: It's a bit the last couple of years.

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Speaker 3: Well, good luck, Jared. I'm sure you have there in

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Speaker 3: no time. Ha's going to eloise here on thirty one

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Speaker 3: or six. Onth is Jared from High five Wheels called

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Speaker 3: the show.

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Speaker 2: Yeah you get him on the podcast icon.

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Speaker 3: La please you backed your kid in for something against.

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Speaker 1: The kid who I've got a two year old daughter

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Speaker 1: and I've been toilet training her and she's doing a

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Speaker 1: little poo dance. So I was like, oh, it's time

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Speaker 1: we need to take her to the toilet. And I

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Speaker 1: was like, reckon, you can do it all by yourself.

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Speaker 1: She was She assured me yes, mom. So I chucked

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Speaker 1: her in there all by herself and waited outside for her,

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Speaker 1: and then I backed her to do a pooh by herself,

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Speaker 1: and she ended up backing one out against the walls.

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Speaker 2: Wow, probably should have stuck with the extended chat with

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Speaker 2: Jared from High five. I reckon podcasting now, well it's

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Speaker 2: right now. What song would you go with to be

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Speaker 2: the first time at your wedding?

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Speaker 8: As in when the bride's walking, Oh, the dancer dance

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Speaker 8: on the dance, first dance? So geez, great question got

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Speaker 8: me in the hop. Here got me on the hop,

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Speaker 8: no doubt about it. Maybe that Bruno Mars one. You

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Speaker 8: know that phone can the uptown?

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Speaker 2: You know this one?

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Speaker 5: Yeah?

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Speaker 2: Another one?

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Speaker 3: You know this one?

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Speaker 2: Give them a little bit more, you.

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Speaker 5: Know this one?

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Speaker 3: Still nothing.

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Speaker 2: I stopped asking, Yeah for asking, because we thought that

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Speaker 2: it was gonna be a whole the dog's out.

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Speaker 3: It was no inappropriate a wedding. Though inappropriate the wedding,

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Speaker 3: I think.

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Speaker 2: So whot the dogs out?

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Speaker 14: You know?

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Speaker 2: Oh?

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Speaker 3: Yeah, you told me the real meaning behind that, songe

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Speaker 3: It rattled me.

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Speaker 2: Yeah, I don't remember that now. The reason I'm asking

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Speaker 2: this thirty one of six or five, if you have

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Speaker 2: had a first dance at a wedding, give us a call.

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Speaker 2: You don't, and the key is you don't still have

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Speaker 2: to be married to that person. Okay, we've got to

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Speaker 2: stress that call if you've had as if you've had

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Speaker 2: a first dance at a wedding, you don't have to

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Speaker 2: still be married to that person. Because it turns out

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Speaker 2: it's a study I was reading today that said you

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Speaker 2: can tell if someone is still married based on their

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Speaker 2: wedding song.

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Speaker 3: Mmmm, isn't that fascinating?

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Speaker 2: Interesting? So that song either still means everything to or

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Speaker 2: you obviously never want to hear it ever. Again, let's

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Speaker 2: go to We've got Jackie, who's called Hey, Jackie?

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Speaker 5: How are you?

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Speaker 1: Hi?

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Speaker 2: How are you Jackie? What was your what was your

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Speaker 2: first dance song at your wedding?

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Speaker 11: Falling in Love with You by Elvis Presley's a crackerune.

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Speaker 2: Now, Jackie, are you still with your partner?

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Speaker 6: Yes?

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Speaker 5: I am lovely?

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Speaker 2: How nice?

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Speaker 3: So beautiful moment.

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Speaker 2: Eleven percent of all people that get married choose Elvis's

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Speaker 2: I can't help falling in love with you, Sorry to

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Speaker 2: cheap in the moment for you Jackie Hope. Yeah, yeah,

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Speaker 2: eleven percent of all people get this. Fifty two percent

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Speaker 2: of them end up happy, forty eight percent end up unhappy.

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Speaker 2: So it's a bit of a split. Gee, yeah, yeah,

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Speaker 2: I'll give you another one here, Yeah, yeah, This one.

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Speaker 3: That'd be a sticker. Surely had to be about ninety

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Speaker 3: percent breaking up? There wasn't there.

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Speaker 2: Can You Feel the Love Tonight has the highest percentage

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Speaker 2: of happy people after they get married. Seventy seven percent

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Speaker 2: of people are still happy after they dance to Elton

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Speaker 2: John's can you Feel the Love Tonight? Really know You're

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Speaker 2: another one? Yeah?

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Speaker 3: Sure, okay, this would be seventy five percent breaking up.

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Speaker 2: That's the second happiest rate. Listen to a w World

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Speaker 2: in Aladdin?

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Speaker 5: Really yeah?

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Speaker 2: And the third is under the Sea from The Little Mermaid.

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Speaker 2: God's the worst I'm joking about under the Sea. That

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00:14:26,760 --> 00:14:27,120
Speaker 2: was a joke.

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Speaker 3: One does someone go badly?

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Speaker 2: No, that wasn't even the list. Mate, who the hell

352
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Speaker 2: requests under the sea for their first down? That th actu?

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Speaker 2: She would have been pretty good. Actually it might have

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Speaker 2: notne a bad? What have we come about this one?

355
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Speaker 2: Have listened to this one? Another one for you?

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Speaker 6: I me love with you.

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Speaker 2: I don't ever know that all these little things, it's

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Speaker 2: a boys one direction doing their work.

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Speaker 8: It's too it's too I'm in love with you like

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Speaker 8: shoving it down the throats. I'm going to say, really unsuccessful.

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Speaker 2: He's done well. There he's done.

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Speaker 5: Well, here we go.

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Speaker 2: Oh he's starting to find a bit of a starting

364
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Speaker 2: to find the needle, aren't you.

365
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Speaker 3: I'm warming up?

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Speaker 2: Okay, right, So twenty five percent of people, well only

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Speaker 2: twenty that's the lowest out of all the songs, twenty

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Speaker 2: five percent end up happy. So seventy five percent of

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Speaker 2: people break up after they dance to little Things by

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Speaker 2: one direction.

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Speaker 3: I was bang on there, bang on.

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Speaker 2: Let me test this right up next. Tell us what

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Speaker 2: song your dance too first at your wedding, and what

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Speaker 2: do you'll tell you whether or not you're still married?

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Speaker 3: Yeah, and then you've got me warm. Thank you for

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Speaker 3: warming me up. I'm hot right now.

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Speaker 2: That's my job, warm me up any day. Baby. That's

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00:15:24,880 --> 00:15:28,920
Speaker 2: got a bit with posting now right now, love for

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00:15:28,920 --> 00:15:31,320
Speaker 2: you to call if you've had a first dance at

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Speaker 2: a wedding, don't have to still be married to that person.

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Speaker 2: In fact, we want a bit of variety here because

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Speaker 2: apparently woods, according to my work on nine Honey Today

383
00:15:39,320 --> 00:15:42,360
Speaker 2: in a huge fan of that site, turns out you

384
00:15:42,440 --> 00:15:44,680
Speaker 2: can tell if someone is still married based on the

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00:15:44,840 --> 00:15:46,880
Speaker 2: song that they did their first dance to at their wedding.

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Speaker 2: Pretty amazing. Stuff. Now, you, as the love guru slash celebrant,

387
00:15:52,600 --> 00:15:54,480
Speaker 2: seem to think that you might have this in the bag.

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Speaker 3: Well before the song there, I started hitting it hot,

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Speaker 3: didn't I will?

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Speaker 2: Well, you were one from four, so you got the

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Speaker 2: one at the end, if that's what you mean.

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Speaker 3: So I'm on a streak. I'm on a streak. We've

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Speaker 3: got John here on thirteen one oh six five. Johnny,

394
00:16:05,040 --> 00:16:06,760
Speaker 3: what was your first dance song?

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Speaker 5: It was nothing else matters Metallica?

396
00:16:14,400 --> 00:16:17,080
Speaker 2: Wow, can we do that? Just your choice there, John,

397
00:16:17,120 --> 00:16:18,800
Speaker 2: did you overall or was that a negotiation?

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Speaker 5: Yeah, it was a joint decision, but it ended up

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Speaker 5: being my first original choice.

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00:16:22,560 --> 00:16:28,200
Speaker 3: Yeah, nice one, John, Well negotiated. Okay, Johnny, here's the thing.

401
00:16:28,280 --> 00:16:29,880
Speaker 3: I mean, here's what's going through my mind.

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Speaker 8: I mean, when people go for the stereotypically romantic songs,

403
00:16:34,360 --> 00:16:37,000
Speaker 8: I think they're force in chemistry and love. There, that's

404
00:16:37,120 --> 00:16:40,720
Speaker 8: not a stereotypically romantic song, John, you are still happily

405
00:16:40,800 --> 00:16:41,960
Speaker 8: married to that lucky woman.

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Speaker 5: Correct?

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00:16:45,320 --> 00:16:47,120
Speaker 2: Nice, very good?

408
00:16:47,280 --> 00:16:51,320
Speaker 3: Thanks John. Congratulations. By the way, in the twenty five years.

409
00:16:51,120 --> 00:16:53,040
Speaker 2: Two from about five nice woods.

410
00:16:53,080 --> 00:16:54,400
Speaker 3: Let's just go for the last time. I'm on a

411
00:16:54,560 --> 00:16:59,760
Speaker 3: too run streak. Amy, what was your first dance song?

412
00:17:00,800 --> 00:17:03,840
Speaker 1: Delilah by the Plain White Tea, The Plane White Tea.

413
00:17:07,080 --> 00:17:07,280
Speaker 5: Yes.

414
00:17:08,359 --> 00:17:12,159
Speaker 3: I once did a parody of this song and sent

415
00:17:12,240 --> 00:17:15,880
Speaker 3: it to an x ex girlfriend. And here's the thing. Yeah,

416
00:17:15,920 --> 00:17:17,280
Speaker 3: it was a nice thing to do at the time.

417
00:17:17,359 --> 00:17:20,119
Speaker 3: But here's the thing. The relationship ended pretty soon after that,

418
00:17:21,280 --> 00:17:24,680
Speaker 3: so I'm thinking this song, Sorry, Amy, it's a little

419
00:17:24,720 --> 00:17:28,000
Speaker 3: bit cursed, it's a bit forcing the romance. So that's

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Speaker 3: what my ex ex girlfriend told me. So Amy, unfortunately

421
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Speaker 3: you are no longer with that person.

422
00:17:33,760 --> 00:17:40,879
Speaker 2: You got it right, Wow, move on? What was the

423
00:17:40,960 --> 00:17:41,719
Speaker 2: parody that you did?

424
00:17:43,640 --> 00:17:46,200
Speaker 3: My ex ex girlfriend was in Byron Bay so hey

425
00:17:46,359 --> 00:17:47,160
Speaker 3: the her name?

426
00:17:47,359 --> 00:17:47,800
Speaker 5: Hey there?

427
00:17:47,960 --> 00:17:52,720
Speaker 3: Also, Hey there, Anna mcgavor. What's like in Byron Bay?

428
00:17:55,080 --> 00:17:55,240
Speaker 5: Hey?

429
00:17:55,440 --> 00:17:57,600
Speaker 3: And would you like to send me nudes?

430
00:17:57,680 --> 00:17:57,720
Speaker 14: No?

431
00:17:57,840 --> 00:18:00,399
Speaker 3: I didn't say that. It's got Adam here thirty one

432
00:18:00,440 --> 00:18:02,560
Speaker 3: oh six five? Adam, mate, what was the song of

433
00:18:02,640 --> 00:18:03,840
Speaker 3: your first dance.

434
00:18:04,680 --> 00:18:09,160
Speaker 5: From this moment? On and Twain? Wow?

435
00:18:09,560 --> 00:18:10,919
Speaker 2: Adam your choice there?

436
00:18:12,720 --> 00:18:14,320
Speaker 5: Ah, yeah, bye?

437
00:18:14,359 --> 00:18:15,639
Speaker 2: For the of course it is.

438
00:18:16,040 --> 00:18:17,760
Speaker 3: Were you at the Were you at the concert last

439
00:18:17,840 --> 00:18:20,520
Speaker 3: year when she came to Australia, Adam, No.

440
00:18:20,680 --> 00:18:21,520
Speaker 5: We didn't make to that one.

441
00:18:22,080 --> 00:18:25,400
Speaker 3: No, that's interesting. Didn't go to Shania Twain. I mean,

442
00:18:25,440 --> 00:18:27,439
Speaker 3: I dare say that means the song might be tainted

443
00:18:27,520 --> 00:18:29,320
Speaker 3: for him. Then there's the other side of my brain

444
00:18:29,400 --> 00:18:30,879
Speaker 3: that says Shania Twaine.

445
00:18:31,320 --> 00:18:35,000
Speaker 8: Anyone who wants Shania Twain is a romantic, incredible man.

446
00:18:35,280 --> 00:18:38,200
Speaker 8: And Adam, that's you. You are still with your beautiful wife.

447
00:18:39,040 --> 00:18:39,960
Speaker 5: Yes, you got the right.

448
00:18:41,520 --> 00:18:46,399
Speaker 3: God, he's gotta go five from five's going to Marilena.

449
00:18:46,480 --> 00:18:51,760
Speaker 3: Oh my god, Rolena, this is huge. Never ever question

450
00:18:51,880 --> 00:18:55,480
Speaker 3: Shania Twain. Matter of Marilena, what was your first dance song?

451
00:18:57,200 --> 00:19:03,600
Speaker 6: It was Edda James at Last, only a.

452
00:19:03,640 --> 00:19:06,000
Speaker 3: Good song, Marilana. I'm so sorry about the divorce.

453
00:19:08,080 --> 00:19:09,639
Speaker 6: No, I was still happily married.

454
00:19:10,000 --> 00:19:13,280
Speaker 2: M Well you never know, though, do you.

455
00:19:13,680 --> 00:19:13,720
Speaker 5: No.

456
00:19:14,119 --> 00:19:16,200
Speaker 3: Sorry, Sorry, I'm really really happy for you.

457
00:19:17,400 --> 00:19:23,200
Speaker 2: Podcasting now with my office bone being Go office phone

458
00:19:23,320 --> 00:19:28,160
Speaker 2: being Go phone being co office phone being.

459
00:19:28,080 --> 00:19:33,760
Speaker 3: Go sixty four office phones will in a vacant office,

460
00:19:33,800 --> 00:19:36,560
Speaker 3: we call randomly one of them, and then I've got

461
00:19:36,600 --> 00:19:40,000
Speaker 3: to try and get to that phone just using my senses.

462
00:19:39,640 --> 00:19:42,479
Speaker 8: Will just your ears, not your senses, no division as well,

463
00:19:42,480 --> 00:19:46,000
Speaker 8: because the phone flashes. It really is an art and

464
00:19:46,080 --> 00:19:47,720
Speaker 8: if you want to see it go to Instagram, Will

465
00:19:47,760 --> 00:19:49,280
Speaker 8: and Woody or of course I'll use.

466
00:19:49,240 --> 00:19:51,880
Speaker 2: Sight and you're hearing also. I mean, I've got an issue.

467
00:19:51,880 --> 00:19:53,240
Speaker 2: I've got to be my bonnet with you in this

468
00:19:53,359 --> 00:19:55,560
Speaker 2: census chat today because you came in you said you

469
00:19:55,640 --> 00:19:57,119
Speaker 2: got to dirt in your eye while you're riding your

470
00:19:57,119 --> 00:19:58,399
Speaker 2: bike to work, and then you had to ride like

471
00:19:58,520 --> 00:19:59,800
Speaker 2: daredevil using your senses.

472
00:20:00,000 --> 00:20:00,719
Speaker 3: It's pretty remarkable.

473
00:20:00,880 --> 00:20:02,440
Speaker 2: So this is the second time you brought up the

474
00:20:02,480 --> 00:20:02,959
Speaker 2: census chat.

475
00:20:03,040 --> 00:20:04,880
Speaker 3: Actually went in and around traffic without eyes.

476
00:20:05,200 --> 00:20:08,520
Speaker 2: Now that's not true, and that's not a nice thing

477
00:20:08,560 --> 00:20:10,120
Speaker 2: to say. Use your eyes when you're riding your bike.

478
00:20:10,200 --> 00:20:13,160
Speaker 3: Kids, Oh I couldn't they it's blinded by pollen. Let's

479
00:20:13,160 --> 00:20:17,119
Speaker 3: got to Stella here on thirty one O sixty five. Stella, Hi, welcome.

480
00:20:17,359 --> 00:20:18,639
Speaker 3: What number would you like to ring?

481
00:20:19,320 --> 00:20:21,320
Speaker 1: I would like number ten and be careful.

482
00:20:22,000 --> 00:20:24,440
Speaker 3: I appreciate that you're the first person to be concerned

483
00:20:24,440 --> 00:20:25,000
Speaker 3: about my head.

484
00:20:25,000 --> 00:20:26,560
Speaker 2: Do you actually care about his health, Stella?

485
00:20:26,640 --> 00:20:29,240
Speaker 1: Or you just want to I don't want any accidents.

486
00:20:29,600 --> 00:20:31,399
Speaker 1: I just wanted to get to the pone safely.

487
00:20:31,600 --> 00:20:36,359
Speaker 3: Yes, so that you can win, though, yes, if if

488
00:20:36,400 --> 00:20:38,359
Speaker 3: it comes down to me being hurt or you winning.

489
00:20:38,400 --> 00:20:39,359
Speaker 3: What's more important to you?

490
00:20:40,080 --> 00:20:40,199
Speaker 14: Now?

491
00:20:40,280 --> 00:20:41,040
Speaker 5: You being hurt?

492
00:20:41,800 --> 00:20:43,600
Speaker 3: I really appreciate that, Stell, I really pressure that.

493
00:20:43,720 --> 00:20:45,600
Speaker 1: That's okay, what is I'm my hardest point?

494
00:20:45,640 --> 00:20:47,480
Speaker 3: Now, sell, let's do this read.

495
00:20:49,680 --> 00:20:50,080
Speaker 5: Jesus.

496
00:20:50,960 --> 00:20:52,560
Speaker 2: I mean, what do you think about the idea of

497
00:20:52,560 --> 00:20:54,919
Speaker 2: the Christmas Crow? Stellar Obviously the least amount of work

498
00:20:55,000 --> 00:20:55,760
Speaker 2: going into the outfit.

499
00:20:58,760 --> 00:21:00,800
Speaker 1: I haven't seen it, but on his grams, I'll have

500
00:21:00,880 --> 00:21:01,640
Speaker 1: to go back and fly.

501
00:21:01,960 --> 00:21:04,720
Speaker 2: Easily, easily least. I mean, what you this morning? Woods?

502
00:21:05,320 --> 00:21:06,080
Speaker 2: What's just wanting?

503
00:21:06,280 --> 00:21:07,480
Speaker 3: I have a lot of business meetings?

504
00:21:07,640 --> 00:21:10,480
Speaker 2: Actually, you got one job on a Tuesday, I do

505
00:21:11,000 --> 00:21:13,240
Speaker 2: from his phone being go, I'm writing children's book.

506
00:21:13,240 --> 00:21:13,560
Speaker 5: You know that.

507
00:21:20,359 --> 00:21:21,680
Speaker 2: Number ten? Let me just double check we got the

508
00:21:21,680 --> 00:21:23,920
Speaker 2: extension plugged in. Sorry, so they'll give me two six.

509
00:21:24,440 --> 00:21:26,080
Speaker 1: Okay, all right, we're good to go.

510
00:21:27,520 --> 00:21:29,480
Speaker 2: Are you ready Christmas Crow?

511
00:21:29,640 --> 00:21:30,880
Speaker 3: I've never been more ready in my life.

512
00:21:30,920 --> 00:21:31,080
Speaker 1: Brother.

513
00:21:31,280 --> 00:21:33,119
Speaker 2: All right, let's just hope this is the end of

514
00:21:33,160 --> 00:21:39,240
Speaker 2: that outfit calling. Now all right, here we go. First ring.

515
00:21:42,240 --> 00:21:45,800
Speaker 2: That's the second ring for you, Stella. Come on, third

516
00:21:45,920 --> 00:21:49,040
Speaker 2: ring for you, Stella, Fourth ring for.

517
00:21:49,040 --> 00:21:57,240
Speaker 12: Your cokemon in the do.

518
00:22:04,320 --> 00:22:05,200
Speaker 2: The Christmas Crow?

519
00:22:05,920 --> 00:22:06,240
Speaker 5: Jeez?

520
00:22:06,480 --> 00:22:08,840
Speaker 2: What's is he? I think he's actually wounded. Is he

521
00:22:08,960 --> 00:22:13,280
Speaker 2: down out there? The Christmas Crow? He's gone, yeah, No,

522
00:22:13,280 --> 00:22:15,560
Speaker 2: I sell the bad that you want you selling you

523
00:22:15,680 --> 00:22:17,119
Speaker 2: you actually did not end up hurting. You want to

524
00:22:17,119 --> 00:22:19,959
Speaker 2: tell a hundred about all thanks to a bank congratulates himself.

525
00:22:20,440 --> 00:22:25,200
Speaker 2: Thank you, no worries at all. Don't get yourself. He's bank.

526
00:22:25,440 --> 00:22:25,959
Speaker 5: How do you go there?

527
00:22:26,040 --> 00:22:29,240
Speaker 2: Christmas Crow? Take your mind the ball. You're still in

528
00:22:29,280 --> 00:22:30,080
Speaker 2: air again. We're still.

529
00:22:43,000 --> 00:22:47,480
Speaker 7: And where is Barboddy doesn't care?

530
00:22:59,200 --> 00:23:02,960
Speaker 2: Okay, listen, listen to them body. I hope everyone's having

531
00:23:02,960 --> 00:23:05,600
Speaker 2: a wonderble drive home. We have a chat with this

532
00:23:05,840 --> 00:23:12,760
Speaker 2: woman very shortly, would jee whiz?

533
00:23:13,440 --> 00:23:13,600
Speaker 5: Nick?

534
00:23:13,640 --> 00:23:16,160
Speaker 2: Gonna need your help with the interview Australia. I'm gonna

535
00:23:16,160 --> 00:23:19,800
Speaker 2: be honest, pulling the curtain down, fresh out of ideas here.

536
00:23:20,000 --> 00:23:22,360
Speaker 3: Oh, I've prepared a number of good questions. I don't

537
00:23:22,359 --> 00:23:23,120
Speaker 3: know what you've been doing.

538
00:23:24,280 --> 00:23:26,159
Speaker 2: Come on, mate, we've got we both know you're the

539
00:23:26,200 --> 00:23:28,159
Speaker 2: week link in the chain when it comes to the chats.

540
00:23:28,440 --> 00:23:30,520
Speaker 3: I've done research though, apparently that's the thing you've got

541
00:23:30,600 --> 00:23:31,320
Speaker 3: to do before interviews.

542
00:23:31,480 --> 00:23:33,120
Speaker 2: I never knew what have you discovered about.

543
00:23:32,960 --> 00:23:35,520
Speaker 3: Her used to date? Michael Hutchins, Yeah, we all need that.

544
00:23:35,680 --> 00:23:42,640
Speaker 2: Oh did we see the question A trulliusesuous Yes.

545
00:23:44,440 --> 00:23:47,119
Speaker 3: Flying Today we've got Anna Anna. There are thirty seconds

546
00:23:47,160 --> 00:23:49,159
Speaker 3: on the clock. You got to get ten questions right.

547
00:23:49,240 --> 00:23:51,520
Speaker 8: You can pass on any question, got to take your

548
00:23:51,560 --> 00:23:53,880
Speaker 8: first answer first, but always spend the cash on Anna.

549
00:23:54,880 --> 00:23:57,119
Speaker 9: Hey, guys, I am I've just shy.

550
00:23:57,359 --> 00:23:59,280
Speaker 6: I've just found out I'm pregnant.

551
00:23:59,359 --> 00:24:03,720
Speaker 15: So maybe a dinner rout to celebrate.

552
00:24:04,400 --> 00:24:07,520
Speaker 3: My congratulations Anna boost free dinner as well.

553
00:24:07,600 --> 00:24:11,160
Speaker 2: It'll be cheaper easily keep it under the five hundred

554
00:24:11,160 --> 00:24:14,720
Speaker 2: mild bang for your buck with the food. You guys

555
00:24:14,760 --> 00:24:17,000
Speaker 2: with a sob story, and that puts junior producers George

556
00:24:17,040 --> 00:24:21,520
Speaker 2: on notices often the real demonic one when it comes

557
00:24:21,560 --> 00:24:22,800
Speaker 2: to the judging and all of a sudden she got

558
00:24:22,800 --> 00:24:25,879
Speaker 2: a newborn child, George, So good luck saying oder the

559
00:24:25,920 --> 00:24:27,959
Speaker 2: five hundred bucks there. Everyone in Australia will think you're

560
00:24:27,960 --> 00:24:30,560
Speaker 2: an absolute do s K I certainly will. All right,

561
00:24:30,640 --> 00:24:32,080
Speaker 2: let's do it. I know we've got thirty sevens on

562
00:24:32,119 --> 00:24:33,960
Speaker 2: the cock, ten questions and a whole bunch of goodwill

563
00:24:34,040 --> 00:24:36,320
Speaker 2: and guilt trips to go with it. So let's do it.

564
00:24:36,840 --> 00:24:42,240
Speaker 2: Your time starts now. Who is Beyonce married to Jaz

565
00:24:42,480 --> 00:24:45,440
Speaker 2: What type of shoes are you wearing? What do you

566
00:24:45,480 --> 00:24:48,720
Speaker 2: have a breakfast this morning? Scrammedy name of ju a leap?

567
00:24:48,720 --> 00:24:52,840
Speaker 2: A song? What's what's? What would you associate Patrick Dangerfield

568
00:24:52,880 --> 00:24:58,520
Speaker 2: with football? What's sixteen by eight? Who played Rachel and Friends?

569
00:25:00,640 --> 00:25:01,440
Speaker 5: J In?

570
00:25:01,480 --> 00:25:04,680
Speaker 2: What century was the two thousand and four Olympics? What

571
00:25:04,800 --> 00:25:08,560
Speaker 2: school did Harry Potter attend? What sounded the seagull?

572
00:25:08,640 --> 00:25:08,760
Speaker 5: Make?

573
00:25:11,119 --> 00:25:14,560
Speaker 2: Well done? We have to give her that one, obviously

574
00:25:15,920 --> 00:25:16,640
Speaker 2: that's in the clock.

575
00:25:18,800 --> 00:25:24,280
Speaker 3: Still haven't quite got there, and so sorry, I mean

576
00:25:24,280 --> 00:25:26,639
Speaker 3: it was a great quiz, really good quiz the past

577
00:25:26,720 --> 00:25:31,240
Speaker 3: early Hirscher, You a leaper? She's got that song? Don't

578
00:25:31,400 --> 00:25:32,080
Speaker 3: don't show up.

579
00:25:35,760 --> 00:25:39,240
Speaker 2: We're all finding don't start now, don't start now. Obviously

580
00:25:39,359 --> 00:25:41,200
Speaker 2: that's what I was going to say. But what we're

581
00:25:41,240 --> 00:25:44,680
Speaker 2: all finding with these quizzes is those those questions which

582
00:25:44,800 --> 00:25:48,639
Speaker 2: name an artist's song. They're tough to do from. It

583
00:25:48,680 --> 00:25:50,720
Speaker 2: doesn't matter if they're your favorite artist. It's really hard

584
00:25:50,760 --> 00:25:51,600
Speaker 2: to recall, isn't it?

585
00:25:52,560 --> 00:25:52,879
Speaker 3: Agreed?

586
00:25:52,920 --> 00:25:53,080
Speaker 1: Will?

587
00:25:53,400 --> 00:25:54,960
Speaker 3: The only other one was wrong here was in what

588
00:25:55,200 --> 00:25:58,679
Speaker 3: century are the two thousand and four Summer Olympics? Actually

589
00:25:58,720 --> 00:25:59,919
Speaker 3: the twenty first century.

590
00:26:01,040 --> 00:26:01,880
Speaker 2: That is confusing.

591
00:26:01,920 --> 00:26:03,880
Speaker 3: I always get confused to that as well. Anna, It's

592
00:26:03,920 --> 00:26:04,360
Speaker 3: not hard.

593
00:26:04,400 --> 00:26:08,159
Speaker 2: You just add at a century for whatever century it's in.

594
00:26:08,240 --> 00:26:09,840
Speaker 3: Well, that's a good little trick. Actually, when you do that,

595
00:26:09,920 --> 00:26:10,480
Speaker 3: it's not a tree.

596
00:26:10,600 --> 00:26:14,000
Speaker 2: It's just kind of knowledge of yeah. Yeah, like if

597
00:26:14,040 --> 00:26:16,160
Speaker 2: it's in the nineteen hundreds, it's the twentieth century. See

598
00:26:16,160 --> 00:26:16,520
Speaker 2: what I mean.

599
00:26:16,680 --> 00:26:18,879
Speaker 3: Yeah, it is easy. It is when you think about it.

600
00:26:19,040 --> 00:26:22,760
Speaker 3: Or mana good luck with your Pregnancyna.

601
00:26:24,880 --> 00:26:29,520
Speaker 2: Podcasting now right now, though, Woods, after everything she went through,

602
00:26:29,760 --> 00:26:33,920
Speaker 2: Ellen de Generes's first show back on TV Today obviously

603
00:26:34,040 --> 00:26:38,119
Speaker 2: had to make an apology of some sort. That's what

604
00:26:38,240 --> 00:26:38,600
Speaker 2: she went with.

605
00:26:39,560 --> 00:26:40,439
Speaker 11: I know that I'm in a.

606
00:26:40,480 --> 00:26:43,000
Speaker 12: Position of privilege and power, and I realize that with

607
00:26:43,160 --> 00:26:46,720
Speaker 12: that comes responsibility, and I take responsibility for what happens

608
00:26:46,800 --> 00:26:49,760
Speaker 12: at my show. This is the Ellen de Generous Show.

609
00:26:49,840 --> 00:26:52,800
Speaker 12: I am Ellen de Generess. My name is there, my

610
00:26:52,960 --> 00:26:55,680
Speaker 12: name is there, my name is on underwear.

611
00:27:00,960 --> 00:27:03,840
Speaker 2: Look. I think that people should be allowed to apologize

612
00:27:03,880 --> 00:27:07,240
Speaker 2: if they make a mistake. I genuinely think that what

613
00:27:07,320 --> 00:27:09,919
Speaker 2: I don't write about cancel culture is that people can

614
00:27:10,000 --> 00:27:12,639
Speaker 2: get fired after having an earnest slip of the tongue.

615
00:27:13,119 --> 00:27:15,560
Speaker 2: And then if they then go on to earnestly apologize

616
00:27:15,600 --> 00:27:18,320
Speaker 2: for that slip of the tongue, I think that's actually cool.

617
00:27:19,680 --> 00:27:22,440
Speaker 2: Couple of caveats on the apology you've just heard, though,

618
00:27:24,119 --> 00:27:26,880
Speaker 2: Number one. I don't think she just had a slip

619
00:27:26,920 --> 00:27:28,840
Speaker 2: of the tongue and had a little bit of an error.

620
00:27:29,119 --> 00:27:33,399
Speaker 2: Sounds like there was bulk misdemeanors. We've got a myriad

621
00:27:33,440 --> 00:27:38,680
Speaker 2: of complaints and a litany of people. Number two, and

622
00:27:38,760 --> 00:27:41,640
Speaker 2: I'll play I'm happy to play it again if you're

623
00:27:41,680 --> 00:27:46,800
Speaker 2: going to do the apology afterwards, like the earnest, heartfelt apology,

624
00:27:47,280 --> 00:27:51,439
Speaker 2: tell all thing, don't make a joke at the end.

625
00:27:53,520 --> 00:27:55,920
Speaker 12: I know that I'm in a position of privilege and power,

626
00:27:56,000 --> 00:27:58,720
Speaker 12: and I realize that with that comes responsibility, and I

627
00:27:58,800 --> 00:28:02,200
Speaker 12: take responsibility for or what happens at my show. This

628
00:28:02,440 --> 00:28:05,080
Speaker 12: is the Ellen de Generess show. I am Ellenda Generis.

629
00:28:05,440 --> 00:28:08,560
Speaker 12: My name is there, my name is there, my name

630
00:28:08,720 --> 00:28:09,640
Speaker 12: is on underwear.

631
00:28:12,720 --> 00:28:14,320
Speaker 3: It's okay, isn't it to put it like?

632
00:28:14,600 --> 00:28:14,639
Speaker 5: No?

633
00:28:14,760 --> 00:28:16,000
Speaker 2: No, I disagree.

634
00:28:16,119 --> 00:28:18,680
Speaker 3: Does it take away from the earnest side of what

635
00:28:18,760 --> 00:28:20,520
Speaker 3: she's saying? If she's so cute, little.

636
00:28:20,400 --> 00:28:22,159
Speaker 2: I think so. Look, I think I think if it

637
00:28:22,280 --> 00:28:25,920
Speaker 2: was a different sort of a as I said, if

638
00:28:25,960 --> 00:28:28,159
Speaker 2: she has a slip of the tongue, she gets caught up,

639
00:28:28,240 --> 00:28:30,840
Speaker 2: she says something wrong, she's it live, and she goes, whoops,

640
00:28:31,280 --> 00:28:34,359
Speaker 2: didn't mean to say that? Does her apology chucks a

641
00:28:34,400 --> 00:28:37,200
Speaker 2: gag at the end. But she's got like loads of

642
00:28:37,280 --> 00:28:41,000
Speaker 2: people complaining about the fact that they like she abused them.

643
00:28:40,960 --> 00:28:43,120
Speaker 3: Super nastic effectively. Yeah yeah, yeah, but.

644
00:28:43,240 --> 00:28:44,720
Speaker 2: Then she went for a bit of a cheeky gang

645
00:28:44,760 --> 00:28:46,200
Speaker 2: at the end. I mean, I just I mean if

646
00:28:46,240 --> 00:28:48,640
Speaker 2: I was one of those people. But that being said,

647
00:28:49,440 --> 00:28:51,200
Speaker 2: I don't want to put a line through jokes and

648
00:28:51,280 --> 00:28:54,600
Speaker 2: apologies either, because I think they if they're done well,

649
00:28:55,760 --> 00:28:58,800
Speaker 2: you can turn the whole situation upside down. I agree, Like,

650
00:28:58,920 --> 00:29:01,480
Speaker 2: if I'm in real trouble with Mike girlfriend, you get

651
00:29:01,520 --> 00:29:06,040
Speaker 2: to a point, you apologize, you notice that the apologies worked,

652
00:29:06,360 --> 00:29:10,360
Speaker 2: you chuck your cheeky gag in champagne showers at the end.

653
00:29:10,400 --> 00:29:12,640
Speaker 8: It's high risk, but high reward because if they if

654
00:29:12,680 --> 00:29:16,040
Speaker 8: they laugh there, if you're apologizing and they laugh, all

655
00:29:16,400 --> 00:29:17,160
Speaker 8: that's a slam dunk.

656
00:29:18,160 --> 00:29:19,480
Speaker 2: And I knew you'd be a big fan of this.

657
00:29:19,560 --> 00:29:21,640
Speaker 2: You're you're a big gagger in apologies.

658
00:29:21,480 --> 00:29:23,080
Speaker 3: If you do it right. I think the way you

659
00:29:23,160 --> 00:29:25,360
Speaker 3: described it before is exactly right. You've got to keep

660
00:29:25,440 --> 00:29:27,360
Speaker 3: have your earnest side, which is what Ellen did as well.

661
00:29:27,400 --> 00:29:29,800
Speaker 3: By the way, if you watch the whole three minute spiel,

662
00:29:29,840 --> 00:29:33,240
Speaker 3: there's a lot of Ernest apologizing within there. Yeah, when

663
00:29:33,280 --> 00:29:34,200
Speaker 3: that's out of the way.

664
00:29:34,240 --> 00:29:36,440
Speaker 2: But she did That's not the only gag she went for.

665
00:29:36,640 --> 00:29:37,520
Speaker 2: She went for a few in there.

666
00:29:37,560 --> 00:29:39,480
Speaker 3: She had for three or four gags. Yeah, no doubt

667
00:29:39,480 --> 00:29:44,160
Speaker 3: about it. But after abusing people. Yeah, well, I've never

668
00:29:44,280 --> 00:29:46,320
Speaker 3: liked Dylan. I'm not really team Ellen.

669
00:29:46,640 --> 00:29:49,160
Speaker 8: I'm not really team Ellen either, But if we're just

670
00:29:49,200 --> 00:29:51,280
Speaker 8: focusing on the apology, yeah, I think the way she

671
00:29:51,320 --> 00:29:53,200
Speaker 8: did it wasn't so bad. Take nothing away though, from

672
00:29:53,200 --> 00:29:55,400
Speaker 8: what she's done, because I disagree with everything she did. Yeah,

673
00:29:55,480 --> 00:29:59,880
Speaker 8: toxic workplace, really really bad stuff. But Ernest into a gag,

674
00:30:00,080 --> 00:30:01,040
Speaker 8: that's the dream apology.

675
00:30:01,080 --> 00:30:02,560
Speaker 2: Well, yeah, see, I thought you'd say that. What I

676
00:30:02,640 --> 00:30:06,080
Speaker 2: want to do up next? I think you'd be very

677
00:30:06,120 --> 00:30:06,440
Speaker 2: good at this.

678
00:30:06,480 --> 00:30:10,200
Speaker 3: Woods been good in the past, been able to squeeze

679
00:30:10,240 --> 00:30:13,080
Speaker 3: my wayt of some shocking situations. Absolutely get them laughing.

680
00:30:13,480 --> 00:30:16,000
Speaker 2: But you're good. If you're driving home and you're listening

681
00:30:16,000 --> 00:30:17,239
Speaker 2: to this and you think, geez, I've got to make

682
00:30:17,240 --> 00:30:20,120
Speaker 2: a really big apology at some stage soon. So you're

683
00:30:20,200 --> 00:30:23,320
Speaker 2: driving home and you've stuffed up, I reckon Woods can

684
00:30:23,400 --> 00:30:24,680
Speaker 2: graft your apology with for you.

685
00:30:24,920 --> 00:30:27,240
Speaker 3: Oh yeah, perfect and put the perfect gag in there. Well,

686
00:30:27,280 --> 00:30:28,360
Speaker 3: I wouldn't say the perfect gag.

687
00:30:28,440 --> 00:30:29,600
Speaker 2: Well, that's what you're good.

688
00:30:29,760 --> 00:30:31,440
Speaker 3: You actually shouldn't do a perfect gag either.

689
00:30:31,520 --> 00:30:33,080
Speaker 8: You want to do this cute sort of gag which

690
00:30:33,120 --> 00:30:35,920
Speaker 8: isn't laugh out loud funny, but it's just like a

691
00:30:36,040 --> 00:30:38,400
Speaker 8: mid range funny podcasting.

692
00:30:38,840 --> 00:30:42,240
Speaker 2: Now, Ellen degenerous set of cracking an apology, She's cracked

693
00:30:42,240 --> 00:30:44,040
Speaker 2: a gag on the end of it. If you haven't

694
00:30:44,080 --> 00:30:44,680
Speaker 2: heard it, have a listen.

695
00:30:44,760 --> 00:30:44,880
Speaker 4: It is.

696
00:30:45,320 --> 00:30:47,600
Speaker 12: I know that I'm in a position of privilege and power,

697
00:30:47,680 --> 00:30:50,400
Speaker 12: and I realize that with that comes responsibility, and I

698
00:30:50,480 --> 00:30:54,160
Speaker 12: take responsibility for what happens at my show. This is

699
00:30:54,280 --> 00:30:57,160
Speaker 12: the Ellen de Generess Show. I am Ellenda Generis. My

700
00:30:57,320 --> 00:31:01,320
Speaker 12: name is there? My name is there? Name is on underwear.

701
00:31:04,920 --> 00:31:06,240
Speaker 2: Yeah, so you're having a bit of a giggles.

702
00:31:06,240 --> 00:31:10,680
Speaker 3: Still, if you watch the whole thing, she is quite

703
00:31:10,760 --> 00:31:14,320
Speaker 3: honest about it. And again, I'm just commenting on her apology.

704
00:31:14,360 --> 00:31:16,840
Speaker 3: I'm not commenting on what she's done because I realize

705
00:31:16,880 --> 00:31:19,280
Speaker 3: what she's done is really really bad. But if we

706
00:31:19,360 --> 00:31:21,920
Speaker 3: take in isolation her apology, yeah, I don't think she

707
00:31:22,000 --> 00:31:22,440
Speaker 3: did that bad.

708
00:31:22,680 --> 00:31:25,360
Speaker 2: So we're talking about timely gags during apologies. Woods is

709
00:31:25,440 --> 00:31:27,120
Speaker 2: a big proponent of them. I'm gonna be honest. I

710
00:31:27,160 --> 00:31:30,280
Speaker 2: think it's one of your great skills, thank you, and

711
00:31:30,360 --> 00:31:31,160
Speaker 2: so we're going to prove.

712
00:31:31,040 --> 00:31:31,440
Speaker 5: That right now.

713
00:31:31,880 --> 00:31:34,960
Speaker 2: One six five. You're driving home and you've done something wrong,

714
00:31:35,480 --> 00:31:37,239
Speaker 2: you feel like an apology is due. It doesn't matter

715
00:31:37,320 --> 00:31:39,720
Speaker 2: how big. The apologies can be, massive can be very small.

716
00:31:40,160 --> 00:31:42,800
Speaker 2: Give us a call. Woods is gonna give you the

717
00:31:42,840 --> 00:31:44,360
Speaker 2: perfect gag to check in that apology.

718
00:31:44,440 --> 00:31:46,720
Speaker 3: So well, I'm not the perfect gag, but have a

719
00:31:46,760 --> 00:31:48,120
Speaker 3: cute little light one of the end there for we

720
00:31:48,200 --> 00:31:49,960
Speaker 3: got Kevin here. Kevin, you need to make an apology

721
00:31:49,960 --> 00:31:53,400
Speaker 3: to your partner mate? Yeah, I do strong, Okay, what

722
00:31:53,480 --> 00:31:54,080
Speaker 3: do you do? keV?

723
00:31:54,920 --> 00:31:55,080
Speaker 2: Oh?

724
00:31:55,480 --> 00:31:57,680
Speaker 5: So pretty much she had she had like four or

725
00:31:57,680 --> 00:32:01,280
Speaker 5: five bottles of wine on the kitchen can yep, And

726
00:32:01,960 --> 00:32:04,200
Speaker 5: well I didn't know, but she wanted to take Instagram

727
00:32:04,280 --> 00:32:07,280
Speaker 5: photos for her. So I went and I obviously moved

728
00:32:07,280 --> 00:32:09,640
Speaker 5: all the wine bottles because like why are they all

729
00:32:09,680 --> 00:32:12,480
Speaker 5: around like my kitchen counter? Of course, of course, and

730
00:32:13,600 --> 00:32:17,280
Speaker 5: she walks into the room and I don't hear the

731
00:32:17,400 --> 00:32:20,040
Speaker 5: end of it, the end of it, and pretty much

732
00:32:20,040 --> 00:32:22,520
Speaker 5: I haven't spoken spoke to me for about two three days.

733
00:32:23,200 --> 00:32:26,400
Speaker 5: So what do I do? It's just white break up

734
00:32:26,480 --> 00:32:28,320
Speaker 5: bottles of the scart.

735
00:32:29,000 --> 00:32:36,680
Speaker 3: Break Kevin nor So have you gone for any sort

736
00:32:36,720 --> 00:32:37,840
Speaker 3: of apology at Kevin?

737
00:32:38,840 --> 00:32:41,880
Speaker 5: Yeah, I have. Well, I try to, like I try

738
00:32:41,920 --> 00:32:43,840
Speaker 5: to bring the cat. And I was trying. I was

739
00:32:43,880 --> 00:32:48,040
Speaker 5: talking like I was mimicking like a cat, a cat.

740
00:32:48,080 --> 00:32:49,960
Speaker 3: You were mimicking where were.

741
00:32:49,800 --> 00:32:52,360
Speaker 5: Have a pet cat? And I was holding the cat

742
00:32:52,520 --> 00:32:54,560
Speaker 5: up in front of her face, talking like I was

743
00:32:54,600 --> 00:32:59,000
Speaker 5: the cat. Hilarious, hilarious, you know, like comedy this and

744
00:32:59,120 --> 00:33:00,360
Speaker 5: that and nothing comedy.

745
00:33:00,640 --> 00:33:03,440
Speaker 3: Okay, Kevin, Okay, here's here's your problem with your apology.

746
00:33:03,520 --> 00:33:05,280
Speaker 3: You just sort of went for a gag with the

747
00:33:05,320 --> 00:33:07,960
Speaker 3: cat there. It wasn't related enough to the bottles of wine.

748
00:33:08,000 --> 00:33:10,280
Speaker 3: Here's what you do tonight, Kevin. You go past a

749
00:33:10,320 --> 00:33:11,440
Speaker 3: bottle shop Dan Murphy's.

750
00:33:11,440 --> 00:33:11,840
Speaker 2: They're the best.

751
00:33:11,840 --> 00:33:15,280
Speaker 3: They'll beat all the prices. Go into Dan Murphy's get yourself. Yeah,

752
00:33:15,440 --> 00:33:20,600
Speaker 3: write that down. Um, apologies, Well, of course, okay, you

753
00:33:20,680 --> 00:33:23,920
Speaker 3: get ten bottles of Passion Pop. That's super cheap champagne. Kevin.

754
00:33:24,000 --> 00:33:26,040
Speaker 5: Okay, Oh yeah, bargain. What a bargain?

755
00:33:26,160 --> 00:33:30,600
Speaker 3: Yeah, bargain keV Okay. Do you have a bathtub? Kevin? Okay?

756
00:33:30,600 --> 00:33:34,240
Speaker 3: You beautiful strip completely nude when you get home. Kevin, Yeah,

757
00:33:35,840 --> 00:33:38,520
Speaker 3: take a photo of yourself completely nude in the bath

758
00:33:38,640 --> 00:33:41,160
Speaker 3: tub with all the bottles of Passion Pop all around you,

759
00:33:41,600 --> 00:33:43,680
Speaker 3: and then go there you go. Honey, there's your perfect

760
00:33:43,720 --> 00:33:54,080
Speaker 3: Instagram post on your legend, your bloody proposed Kevin. Good stuff,

761
00:33:54,320 --> 00:33:56,800
Speaker 3: that's good stuff. Let's go to Nicola. God, I'm good

762
00:33:56,800 --> 00:33:56,960
Speaker 3: at this.

763
00:33:57,080 --> 00:33:58,840
Speaker 2: Start with that phone call Nicola.

764
00:34:00,240 --> 00:34:01,120
Speaker 3: What have you done wrong?

765
00:34:01,320 --> 00:34:03,040
Speaker 2: Tell me it's not moving bottles of Wide in the

766
00:34:03,080 --> 00:34:03,640
Speaker 2: kitchen counter.

767
00:34:04,480 --> 00:34:08,480
Speaker 9: Hi guys, I actually haven't done anything wrong. What are

768
00:34:08,480 --> 00:34:10,239
Speaker 9: you going to make your life easy? I actually want

769
00:34:10,280 --> 00:34:11,279
Speaker 9: an apology from Will?

770
00:34:11,920 --> 00:34:12,399
Speaker 3: Oh great?

771
00:34:12,440 --> 00:34:13,360
Speaker 2: What for what for you?

772
00:34:13,600 --> 00:34:13,759
Speaker 5: Well?

773
00:34:13,960 --> 00:34:18,160
Speaker 9: Last week my boyfriend actually overheard the story about buying

774
00:34:18,360 --> 00:34:21,719
Speaker 9: lingerie for your girlfriend. Oh yeah, yeah, and he went

775
00:34:21,760 --> 00:34:24,120
Speaker 9: out and did that on the weekend and bought Laingderie

776
00:34:24,160 --> 00:34:25,040
Speaker 9: two sizes too.

777
00:34:24,920 --> 00:34:25,360
Speaker 15: Big for me.

778
00:34:28,200 --> 00:34:29,480
Speaker 2: Why am I apologizing for that?

779
00:34:29,600 --> 00:34:32,319
Speaker 8: Because it was your idea to get the landerie. It's

780
00:34:32,400 --> 00:34:33,640
Speaker 8: your fault that they're fighting now.

781
00:34:33,680 --> 00:34:35,640
Speaker 3: Oh you're fighting now, obviously that Nicola, because he thought

782
00:34:35,640 --> 00:34:37,480
Speaker 3: you're a lot bigger than you are. Of course they are,

783
00:34:37,520 --> 00:34:39,680
Speaker 3: and you've done that well, So in what.

784
00:34:39,840 --> 00:34:42,200
Speaker 2: World is that my fault because you put it in

785
00:34:42,360 --> 00:34:44,440
Speaker 2: his head mate, that's a great idea, Nikola. It's not

786
00:34:44,520 --> 00:34:46,560
Speaker 2: my problem that your boyfriend can't buy the right size

787
00:34:46,600 --> 00:34:48,479
Speaker 2: for you. Well, it's true.

788
00:34:49,160 --> 00:34:52,080
Speaker 9: Yes, I think I still deserve an apology.

789
00:34:52,640 --> 00:34:54,719
Speaker 2: You've called the wrong guy, like, I'm sorry that just

790
00:34:54,719 --> 00:34:58,040
Speaker 2: apologize to her. Oh my god, this is outrageous. I'm sorry, Nicola,

791
00:34:59,200 --> 00:34:59,480
Speaker 2: thank you.

792
00:34:59,520 --> 00:35:00,880
Speaker 9: It's much appreciated.

793
00:35:02,040 --> 00:35:03,799
Speaker 3: Average when you don't do a gag on the end

794
00:35:03,800 --> 00:35:05,799
Speaker 3: of it, like an apology when you don't do a joke.

795
00:35:05,960 --> 00:35:07,600
Speaker 3: This is why Ellen obviously went for a joke, because

796
00:35:07,600 --> 00:35:10,600
Speaker 3: an apology without a joke is, i mean, flat out boring.

797
00:35:11,760 --> 00:35:13,000
Speaker 2: I just can't believe that.

798
00:35:13,280 --> 00:35:20,040
Speaker 3: Yeah, Jesus, you're pretty far upting.

799
00:35:17,840 --> 00:35:20,200
Speaker 2: Now, Kolbert, we had a pretty intr call from a

800
00:35:20,200 --> 00:35:23,759
Speaker 2: little kid called Fletcher. I'm not sure what the phone top.

801
00:35:23,800 --> 00:35:25,440
Speaker 2: It was something brilliant around what does your dad do?

802
00:35:26,400 --> 00:35:26,480
Speaker 5: Now?

803
00:35:26,560 --> 00:35:29,120
Speaker 3: It was what are you better at your dad at?

804
00:35:29,440 --> 00:35:30,880
Speaker 3: What are you better at your dad at? Yeah, it

805
00:35:30,880 --> 00:35:32,600
Speaker 3: was totally wild. It was actually pretty good. Areas from

806
00:35:32,600 --> 00:35:33,680
Speaker 3: men rare rare.

807
00:35:35,000 --> 00:35:40,280
Speaker 2: Anyway, Fletcher called up and he told us this, My dad.

808
00:35:40,200 --> 00:35:43,399
Speaker 14: Is navy and I can tire not better than he can.

809
00:35:47,239 --> 00:35:50,000
Speaker 2: You know, we had a laugh about whatever. I hit

810
00:35:50,040 --> 00:35:51,480
Speaker 2: the now on the head Fletcher, well done. But then

811
00:35:51,520 --> 00:35:54,560
Speaker 2: we got talking afterwards and we had the moment where

812
00:35:54,600 --> 00:35:58,560
Speaker 2: we were like, in what world do you become a

813
00:35:58,680 --> 00:36:02,040
Speaker 2: sailor and not know how to tie a knot? So

814
00:36:02,200 --> 00:36:04,439
Speaker 2: not not just a sailor. You're in the navy. Surely

815
00:36:04,480 --> 00:36:08,719
Speaker 2: you've got knot tests. Sure, that's like stage one first week, Right, guys,

816
00:36:08,880 --> 00:36:10,839
Speaker 2: here are the knots. Let's see him.

817
00:36:10,840 --> 00:36:13,640
Speaker 3: How the hell's that guy docking? Will you know what

818
00:36:13,680 --> 00:36:16,239
Speaker 3: I mean? You got to tie not to dock, don't you. Yeah,

819
00:36:16,239 --> 00:36:17,800
Speaker 3: that's why they need them knots. You know, when he

820
00:36:17,880 --> 00:36:19,640
Speaker 3: got them for anything? When the ship goes out to

821
00:36:19,680 --> 00:36:23,840
Speaker 3: a peer, Gary chuck the knot on that knob, there'd go.

822
00:36:24,040 --> 00:36:27,759
Speaker 4: Sorry, No, he's out in the kitchen. He goes, he

823
00:36:27,840 --> 00:36:29,800
Speaker 4: goes and takes a poo whenever, whenever they pup to

824
00:36:29,880 --> 00:36:33,680
Speaker 4: a pier, just he doesn't how to do it, which

825
00:36:33,719 --> 00:36:35,000
Speaker 4: God is thinking even more though.

826
00:36:35,000 --> 00:36:37,040
Speaker 2: I mean, this is the genius of the two blokes

827
00:36:37,040 --> 00:36:37,839
Speaker 2: that are on air right now.

828
00:36:38,000 --> 00:36:39,719
Speaker 3: Oh behind the scenes, here we go thirty one oh

829
00:36:39,760 --> 00:36:40,160
Speaker 3: six y five.

830
00:36:40,160 --> 00:36:41,640
Speaker 2: A bit of a phone topic for everyone to join

831
00:36:41,719 --> 00:36:44,840
Speaker 2: in here, because I'm interested if these people exist elsewhere

832
00:36:44,880 --> 00:36:50,360
Speaker 2: in the world. Has anyone got a job without actually

833
00:36:50,480 --> 00:36:52,640
Speaker 2: being able to do the thing that the job entails.

834
00:36:53,480 --> 00:36:56,680
Speaker 3: This is a true story. When I used to do

835
00:36:56,760 --> 00:36:58,920
Speaker 3: swimming lessons when I was a lot younger. Yeah, my

836
00:36:59,080 --> 00:37:03,719
Speaker 3: swimming coach, I didn't know how to swim. Kidding, not kidding, hell,

837
00:37:04,200 --> 00:37:04,600
Speaker 3: not kidding.

838
00:37:04,680 --> 00:37:07,080
Speaker 8: He loved he loved the strokes, and he loved everything

839
00:37:07,120 --> 00:37:08,440
Speaker 8: about it and was obsessed with swimming.

840
00:37:08,719 --> 00:37:09,319
Speaker 3: Couldn't swim.

841
00:37:10,320 --> 00:37:11,399
Speaker 2: How did you find that out?

842
00:37:11,880 --> 00:37:16,400
Speaker 3: I was asking my day, I said, my wonder even

843
00:37:16,440 --> 00:37:17,880
Speaker 3: get in the pool. I thought he actually had done

844
00:37:17,880 --> 00:37:21,759
Speaker 3: her body might count him, which as a ten year

845
00:37:21,760 --> 00:37:22,840
Speaker 3: old made you feel very unsafe.

846
00:37:22,840 --> 00:37:24,359
Speaker 2: I'm gonna be honest with you, as someone who has

847
00:37:24,400 --> 00:37:26,960
Speaker 2: their certificate as a swimming coach, I'm not sure that's possible,

848
00:37:27,000 --> 00:37:28,400
Speaker 2: but I love the story.

849
00:37:29,600 --> 00:37:30,320
Speaker 3: I love the effort.

850
00:37:30,440 --> 00:37:32,120
Speaker 2: It woulds we got Georgia.

851
00:37:33,719 --> 00:37:34,360
Speaker 3: Totally made.

852
00:37:35,960 --> 00:37:36,160
Speaker 7: Five.

853
00:37:36,280 --> 00:37:38,520
Speaker 2: Georgia, what job you end up doing without actually being

854
00:37:38,560 --> 00:37:38,920
Speaker 2: able to.

855
00:37:38,960 --> 00:37:39,400
Speaker 6: Do the thing.

856
00:37:40,520 --> 00:37:44,160
Speaker 15: I'm a primary school teacher, and I do not know

857
00:37:44,560 --> 00:37:45,480
Speaker 15: my time's.

858
00:37:45,160 --> 00:37:54,560
Speaker 2: Table six times six. She's gotta don't get yourself out.

859
00:37:54,800 --> 00:37:58,080
Speaker 15: I know, like my six times tables and my five.

860
00:37:58,120 --> 00:38:02,000
Speaker 3: And my nine, right, so hang on, hang on Georgia

861
00:38:02,040 --> 00:38:02,719
Speaker 3: seven times eight.

862
00:38:02,920 --> 00:38:04,759
Speaker 1: Yes, I don't know.

863
00:38:05,520 --> 00:38:06,319
Speaker 3: That is a tricky one.

864
00:38:06,400 --> 00:38:11,000
Speaker 15: I really struggle. I've never learned my timetables. I teach

865
00:38:11,080 --> 00:38:12,360
Speaker 15: my kids timetables.

866
00:38:12,560 --> 00:38:15,280
Speaker 2: What us do you teach? What us do you teach? Georgia.

867
00:38:15,480 --> 00:38:17,240
Speaker 15: I'm teaching history at the moment.

868
00:38:17,160 --> 00:38:19,239
Speaker 2: Truth and so do they just come out of your

869
00:38:19,280 --> 00:38:22,120
Speaker 2: class on knowing their five, six, and nine timestables like

870
00:38:22,239 --> 00:38:26,000
Speaker 2: they just they skipped the Yeah, that is awful. You

871
00:38:26,000 --> 00:38:31,000
Speaker 2: shouldn't be employed. Thanks for going thought. Now, has anyone

872
00:38:31,080 --> 00:38:33,920
Speaker 2: got a job but actually didn't know how to do

873
00:38:34,040 --> 00:38:36,120
Speaker 2: the thing that the job was? Now it's a very

874
00:38:36,200 --> 00:38:37,600
Speaker 2: worthy way of saying it. But we had a kid

875
00:38:37,640 --> 00:38:39,680
Speaker 2: called flat show called the show yesterday or a couple

876
00:38:39,680 --> 00:38:41,160
Speaker 2: of days ago. He said, this.

877
00:38:41,840 --> 00:38:44,600
Speaker 14: My dad is navy, and I can tire navy not

878
00:38:44,760 --> 00:38:49,160
Speaker 14: better than he can, Jason on your fledg out tire.

879
00:38:49,200 --> 00:38:52,160
Speaker 2: Your dad always huge. But it got down to the

880
00:38:52,200 --> 00:38:54,600
Speaker 2: point that his dad's in the Navy and can't actually

881
00:38:54,680 --> 00:38:57,799
Speaker 2: tie a knot, which surely, like you're learning to think

882
00:38:58,200 --> 00:39:00,920
Speaker 2: when the government's in charge of the Navy, you'd like

883
00:39:01,000 --> 00:39:03,440
Speaker 2: to think that would be part of the sign process.

884
00:39:03,480 --> 00:39:05,000
Speaker 3: It would be some sort of practical exam.

885
00:39:05,400 --> 00:39:06,000
Speaker 2: I'd like to think.

886
00:39:06,080 --> 00:39:08,880
Speaker 3: So you do a couple of knots, because you know, imagine.

887
00:39:08,680 --> 00:39:10,840
Speaker 2: All the you know worse first Navy test. What do

888
00:39:10,880 --> 00:39:11,160
Speaker 2: you reckon?

889
00:39:11,239 --> 00:39:11,400
Speaker 5: It is?

890
00:39:11,760 --> 00:39:14,120
Speaker 3: First Navy test are orientation? So which way was north?

891
00:39:14,120 --> 00:39:16,640
Speaker 3: Which was south? Which was west? Surely not what's starboard?

892
00:39:16,719 --> 00:39:19,080
Speaker 3: What's the other one? That'd be another question?

893
00:39:19,200 --> 00:39:23,800
Speaker 2: And nuts? And he slipped through, he slipped through the cracks.

894
00:39:24,200 --> 00:39:25,759
Speaker 2: Do we need to do a full review of the navy?

895
00:39:26,320 --> 00:39:28,800
Speaker 2: Get them all down? How many are there? Tens of thousands?

896
00:39:28,840 --> 00:39:31,240
Speaker 2: I reckon, throw them all piece of string, guys, sheepshank

897
00:39:31,320 --> 00:39:32,400
Speaker 2: in three seconds? Can't do it?

898
00:39:32,800 --> 00:39:34,680
Speaker 3: Gone, yeah, I like that. Let's do that. Let's go

899
00:39:34,680 --> 00:39:35,759
Speaker 3: to brook on thirty one.

900
00:39:35,800 --> 00:39:37,480
Speaker 2: Six, great story out a couple of weeks of that,

901
00:39:37,560 --> 00:39:39,960
Speaker 2: I reckon, bloody earth Brook.

902
00:39:41,600 --> 00:39:42,960
Speaker 3: Firstly, what's the job you've got?

903
00:39:44,480 --> 00:39:47,040
Speaker 1: Well, I was younger, I worked at a tie shot,

904
00:39:47,600 --> 00:39:48,239
Speaker 1: a tie shop.

905
00:39:48,400 --> 00:39:53,560
Speaker 3: Yeah, what couldn't you do? I couldn't gee, so Brooke,

906
00:39:53,600 --> 00:39:56,120
Speaker 3: when a gentleman comes in happened?

907
00:39:56,239 --> 00:39:56,479
Speaker 2: Brook?

908
00:39:56,480 --> 00:39:58,560
Speaker 3: When a gentleman comes in and is trying on ties?

909
00:39:59,000 --> 00:39:59,440
Speaker 5: What do you do?

910
00:40:01,520 --> 00:40:02,600
Speaker 10: To be honest, I just winded.

911
00:40:03,480 --> 00:40:08,240
Speaker 11: I guess it never looked like what I was supposed

912
00:40:08,280 --> 00:40:08,360
Speaker 11: to do.

913
00:40:08,520 --> 00:40:11,759
Speaker 2: But did you ever did you ever sell a tie?

914
00:40:12,800 --> 00:40:13,000
Speaker 3: Yeah?

915
00:40:13,400 --> 00:40:16,959
Speaker 1: Well, not many, but I did sell straight away.

916
00:40:18,440 --> 00:40:20,360
Speaker 2: How did you get surely when you walk into a

917
00:40:20,400 --> 00:40:20,719
Speaker 2: tire shop?

918
00:40:20,840 --> 00:40:21,080
Speaker 3: Surely?

919
00:40:21,239 --> 00:40:23,120
Speaker 2: Sorry? Sorry, Brook. I think that is what I'm learning,

920
00:40:23,200 --> 00:40:27,080
Speaker 2: is just employment, is just strategies are awful? Brook? Yeah,

921
00:40:28,160 --> 00:40:29,799
Speaker 2: at any point did he ask you if you could

922
00:40:29,800 --> 00:40:30,279
Speaker 2: tie a tie?

923
00:40:32,000 --> 00:40:32,400
Speaker 11: They did not?

924
00:40:32,800 --> 00:40:36,080
Speaker 3: That is just what was the interview process? Sorry Brooke?

925
00:40:36,120 --> 00:40:36,799
Speaker 2: What I mean what questions?

926
00:40:36,880 --> 00:40:41,480
Speaker 3: I'm asking your experience, retal experience, and I had it.

927
00:40:43,800 --> 00:40:47,040
Speaker 3: They focused too much on experience everyone. I reckon, well,

928
00:40:47,040 --> 00:40:47,560
Speaker 3: I didn't.

929
00:40:47,360 --> 00:40:50,359
Speaker 2: Focus on the experience of my first one slipped through

930
00:40:50,360 --> 00:40:53,080
Speaker 2: the cracks. But either that's called this is outright Eva.

931
00:40:53,560 --> 00:40:55,520
Speaker 2: You had a job, but you couldn't actually do the thing.

932
00:40:56,480 --> 00:41:01,120
Speaker 6: Yes, I'm a newborn photographer and I have no idea

933
00:41:01,160 --> 00:41:02,600
Speaker 6: how to use a camera.

934
00:41:05,080 --> 00:41:06,239
Speaker 3: Either. How do you do your job?

935
00:41:07,480 --> 00:41:10,320
Speaker 6: So thankfully I have a mentor and basically she and

936
00:41:10,400 --> 00:41:11,800
Speaker 6: I do the same thing. So she just tells me

937
00:41:11,880 --> 00:41:13,640
Speaker 6: what settings to put it on and I just work

938
00:41:13,719 --> 00:41:14,040
Speaker 6: from there.

939
00:41:14,920 --> 00:41:17,239
Speaker 2: Right, So you just take the mentor with you. So

940
00:41:17,320 --> 00:41:19,000
Speaker 2: it's not really good your job at all.

941
00:41:19,120 --> 00:41:21,279
Speaker 3: So sorry, what are you doing again? I ask that

942
00:41:21,360 --> 00:41:23,480
Speaker 3: question again? So your mentor takes photos and then you.

943
00:41:23,800 --> 00:41:24,680
Speaker 5: Just what it?

944
00:41:25,080 --> 00:41:27,279
Speaker 6: So I actually run my own business. I work for

945
00:41:27,360 --> 00:41:31,000
Speaker 6: myself because she and I have the same business.

946
00:41:31,280 --> 00:41:32,720
Speaker 15: Everything she does I copy?

947
00:41:33,360 --> 00:41:35,359
Speaker 3: Okay, so what's in it for her?

948
00:41:35,440 --> 00:41:36,000
Speaker 2: And I'm sorry?

949
00:41:36,120 --> 00:41:39,160
Speaker 3: It sounds like a good relationship. Now you're a legend, David.

950
00:41:39,239 --> 00:41:39,440
Speaker 3: Thank you.

951
00:41:40,360 --> 00:41:43,400
Speaker 2: No, that's a great question. Though, maybe she's she's blackmailing

952
00:41:43,560 --> 00:41:46,240
Speaker 2: or something. Yeah, it sounded like that. Ever sounded evil

953
00:41:46,320 --> 00:41:49,879
Speaker 2: if I'm honest. Well, she takes photos of babies as well.

954
00:41:50,120 --> 00:41:50,680
Speaker 2: That's crook.

955
00:41:51,200 --> 00:41:51,759
Speaker 3: There's nothing wrong.

956
00:41:51,960 --> 00:41:53,719
Speaker 2: It just sounds a bit wicked, doesn't it. She's got

957
00:41:53,719 --> 00:41:56,720
Speaker 2: this slave woman that she copies, shocking. Can we skipport

958
00:41:56,760 --> 00:42:01,160
Speaker 2: her to Jess, Jess, your job mean in your dental assistant?

959
00:42:02,160 --> 00:42:06,439
Speaker 15: Hey, guys, yeah, so I actually got my wisdom teeth

960
00:42:06,560 --> 00:42:09,040
Speaker 15: out just a couple of weeks ago. Anyway, I was

961
00:42:09,120 --> 00:42:12,240
Speaker 15: like mid surgery and I'm looking up and my dental

962
00:42:12,280 --> 00:42:15,320
Speaker 15: assistant was like completely facing the wall. And as I

963
00:42:15,400 --> 00:42:17,919
Speaker 15: got up, she's like, oh yeah, I can't watch teeth

964
00:42:17,960 --> 00:42:18,640
Speaker 15: getting pulled out.

965
00:42:18,680 --> 00:42:19,600
Speaker 9: And I was thinking.

966
00:42:21,600 --> 00:42:22,640
Speaker 15: You being the wrong job.

967
00:42:22,880 --> 00:42:28,719
Speaker 2: I was like, wow, so did you fire it?

968
00:42:30,200 --> 00:42:30,359
Speaker 6: Oh?

969
00:42:30,719 --> 00:42:33,160
Speaker 15: Well, thank god she wasn't the one actually pulling my

970
00:42:33,239 --> 00:42:37,080
Speaker 15: teeth out, which was good. She was just assisting the guy.

971
00:42:37,800 --> 00:42:41,840
Speaker 2: But she works at all, she works as a dentist

972
00:42:42,080 --> 00:42:50,320
Speaker 2: and she can't watch one of us do not listening

973
00:42:50,400 --> 00:42:52,120
Speaker 2: to someone. Well, yeah, we're not really listening to you

974
00:42:52,160 --> 00:42:52,959
Speaker 2: at the moment, to be honest.

975
00:42:53,000 --> 00:42:55,120
Speaker 3: But it was a direct whack at us.

976
00:42:58,680 --> 00:42:59,840
Speaker 5: Well you.

977
00:43:01,440 --> 00:43:02,280
Speaker 3: See what you're hearing.

978
00:43:02,480 --> 00:43:05,720
Speaker 2: Find us on Instagram and Facebook search Will and Woody