1 00:00:05,320 --> 00:00:08,160 Speaker 1: Injured himself. But he's back on tour, which is good. 2 00:00:08,160 --> 00:00:10,280 Speaker 1: And you can see him at the end. More figure 3 00:00:10,400 --> 00:00:13,320 Speaker 1: with Ala Hooper. This coming Sunday night. It's James Rain. 4 00:00:13,320 --> 00:00:13,880 Speaker 1: How are you mate? 5 00:00:13,880 --> 00:00:14,040 Speaker 2: Good? 6 00:00:14,040 --> 00:00:14,280 Speaker 3: Phil? 7 00:00:14,320 --> 00:00:14,960 Speaker 4: How are you good? 8 00:00:14,960 --> 00:00:16,040 Speaker 1: What did you do to yourself? 9 00:00:16,079 --> 00:00:18,959 Speaker 3: Mate? Nothing dramatic, nothing exciting. I tripped over to the 10 00:00:19,000 --> 00:00:20,520 Speaker 3: pavements as I was going down and. 11 00:00:20,440 --> 00:00:21,279 Speaker 4: Go protect the hands. 12 00:00:21,320 --> 00:00:23,800 Speaker 3: Put the hands. So I twisted, which broke the ankle 13 00:00:23,840 --> 00:00:24,959 Speaker 3: and I cracked a rib. 14 00:00:25,239 --> 00:00:27,120 Speaker 1: So Atlanta on the right side. I'll tell you what. 15 00:00:27,200 --> 00:00:29,760 Speaker 1: The ankle's bad. But that rib when you do rib damage, 16 00:00:29,880 --> 00:00:32,879 Speaker 1: doesn't that hurt? That really hurts because you've just done it. Yeah, 17 00:00:32,880 --> 00:00:34,959 Speaker 1: I got hit by a cyclist. At first it hurt, 18 00:00:35,040 --> 00:00:36,840 Speaker 1: but then two days later it hurt more. 19 00:00:36,960 --> 00:00:39,040 Speaker 3: That's right. And never time he sneeze or cough or 20 00:00:39,080 --> 00:00:40,839 Speaker 3: breathe deeply, it kills you. 21 00:00:40,960 --> 00:00:44,519 Speaker 1: That's right. So you're okay now, though it's not like 22 00:00:44,600 --> 00:00:47,159 Speaker 1: that famous incident where you were on the aeroplane in 23 00:00:47,240 --> 00:00:49,360 Speaker 1: Madrid and you tripped and we figured out that the 24 00:00:49,440 --> 00:00:52,400 Speaker 1: James Rain in Spain falls mainly on a plane. I mean, 25 00:00:52,440 --> 00:00:53,920 Speaker 1: that was one of the great moments, wasn't it. 26 00:00:54,000 --> 00:00:57,640 Speaker 3: That's very very good, James, Jane falls mainly on the plane. 27 00:00:57,880 --> 00:01:01,280 Speaker 1: You are one of the hardest working piece people in music. 28 00:01:01,440 --> 00:01:04,040 Speaker 1: You're always on tour, so for you to actually take 29 00:01:04,120 --> 00:01:06,160 Speaker 1: time off, was it, in a way a bit of 30 00:01:06,160 --> 00:01:07,920 Speaker 1: a breather. Did it take you a while to get 31 00:01:08,040 --> 00:01:09,440 Speaker 1: used to not being able to do anything? 32 00:01:09,480 --> 00:01:11,160 Speaker 3: That's very kind of you to say, But I think 33 00:01:11,720 --> 00:01:13,679 Speaker 3: I always keep myself busy though, and I'm when I 34 00:01:13,680 --> 00:01:15,720 Speaker 3: did the ankle, I thought, well, you know, the first 35 00:01:15,760 --> 00:01:17,679 Speaker 3: week I wasn't supposed to move much. I might as 36 00:01:17,720 --> 00:01:19,600 Speaker 3: well utilize this time rather than sit around filming sorry 37 00:01:19,640 --> 00:01:21,880 Speaker 3: for myself. So I'm always trying messing around with writing 38 00:01:21,880 --> 00:01:24,120 Speaker 3: songs or you know, doing stuff, you know, So I 39 00:01:24,319 --> 00:01:26,600 Speaker 3: keep myself busy. In a great band. It's great to 40 00:01:26,640 --> 00:01:28,600 Speaker 3: be in. This band is so great. And then our 41 00:01:28,680 --> 00:01:31,080 Speaker 3: band reverens I'm just a singer in the great band. 42 00:01:30,840 --> 00:01:33,080 Speaker 1: Which is of course your entire CV. 43 00:01:33,480 --> 00:01:36,880 Speaker 3: Well yeah, exactly. But everybody in this band is just 44 00:01:37,000 --> 00:01:39,559 Speaker 3: fantastic at what they do. So I've managed. It's taken 45 00:01:39,560 --> 00:01:41,200 Speaker 3: me a long time to get the best band in 46 00:01:41,200 --> 00:01:42,160 Speaker 3: Australia together, but. 47 00:01:42,160 --> 00:01:43,880 Speaker 1: I finally did it. Phil, Why what was that? What 48 00:01:43,920 --> 00:01:46,840 Speaker 1: was the criteria. Nothing, just be good. I mentioned before 49 00:01:46,880 --> 00:01:48,960 Speaker 1: that you have so many gigs coming up. We've got 50 00:01:48,960 --> 00:01:51,360 Speaker 1: the Way Out West gig with Ella Hooper, who's fantastic, 51 00:01:51,600 --> 00:01:53,840 Speaker 1: and more theater and you to have great venue too. 52 00:01:54,080 --> 00:01:55,720 Speaker 3: It is, and we've played there a lot. And there's 53 00:01:55,720 --> 00:01:57,640 Speaker 3: on a Sunday night because there's one of the rescheduled 54 00:01:57,640 --> 00:01:59,160 Speaker 3: gigs from where I broke my ankle, so. 55 00:01:59,120 --> 00:02:00,000 Speaker 1: It's a Sunday night. 56 00:02:00,200 --> 00:02:02,360 Speaker 3: So it's a moved show. So you know, it's obviously 57 00:02:02,480 --> 00:02:03,960 Speaker 3: h When I bought a ticket to s Ballad and 58 00:02:04,000 --> 00:02:05,240 Speaker 3: all that stuff, Which song. 59 00:02:05,080 --> 00:02:07,600 Speaker 1: Do you think you're most associated with? When you meet people, 60 00:02:07,600 --> 00:02:10,120 Speaker 1: do they go, oh, it's the Sorocco bloke. I imagine that. 61 00:02:10,320 --> 00:02:12,160 Speaker 1: You know, reckless would have to be one of the ones. 62 00:02:12,320 --> 00:02:14,040 Speaker 3: I don't know. You get lots and lots of different ones. 63 00:02:14,080 --> 00:02:16,600 Speaker 3: I mean I have people even got some bits talking 64 00:02:16,639 --> 00:02:19,639 Speaker 3: about recent songs, because I've made about ten albums. 65 00:02:20,639 --> 00:02:22,079 Speaker 1: Yeah, of course, people who. 66 00:02:21,919 --> 00:02:24,440 Speaker 3: Are annoyed I didn't play a song recently. 67 00:02:24,480 --> 00:02:25,800 Speaker 1: We didn't play Beautiful People. 68 00:02:26,240 --> 00:02:28,760 Speaker 3: There was Beautiful People. The guy was perfectly nice, but 69 00:02:28,800 --> 00:02:30,920 Speaker 3: he was a bit annoyed. He goes, mate, I drove 70 00:02:31,040 --> 00:02:33,320 Speaker 3: there was a sort of driven five hundred miles. I 71 00:02:33,520 --> 00:02:35,880 Speaker 3: have seen you. I drove five hundred miles to see 72 00:02:35,880 --> 00:02:38,560 Speaker 3: You've seen beautiful people. You didn't do it, Okay, we 73 00:02:38,639 --> 00:02:41,600 Speaker 3: just did ninety minutes of every other bloody song and 74 00:02:41,639 --> 00:02:43,359 Speaker 3: I had to kind of go, I'm so sorry. Come 75 00:02:43,440 --> 00:02:45,119 Speaker 3: next time and we'll do it. I promise. Yeah. 76 00:02:45,120 --> 00:02:47,400 Speaker 1: Well, I liked I was watching your Instagram page and 77 00:02:47,440 --> 00:02:49,639 Speaker 1: you caught the Manly Fairy and I would just love 78 00:02:49,639 --> 00:02:51,760 Speaker 1: to have seen anybody that was on that Manly Fairy gone. 79 00:02:51,840 --> 00:02:54,440 Speaker 1: Hang on a second, it's too good an opportunity to miss. 80 00:02:54,600 --> 00:02:58,880 Speaker 1: I mean, you're leaving your past catalog vicariously, directly, directly. 81 00:02:59,000 --> 00:03:01,440 Speaker 1: Even I remember playing at this opera house. 82 00:03:01,480 --> 00:03:04,239 Speaker 3: Outside the opera house and I was playing reckless and 83 00:03:04,280 --> 00:03:05,400 Speaker 3: the Manly f went past. 84 00:03:06,720 --> 00:03:08,800 Speaker 1: It's like an episode of Black Mirror. You're living your 85 00:03:08,800 --> 00:03:09,400 Speaker 1: own version. 86 00:03:10,120 --> 00:03:10,639 Speaker 4: That's right. 87 00:03:10,800 --> 00:03:12,400 Speaker 1: Well, I tell you what you should do now is 88 00:03:12,440 --> 00:03:15,240 Speaker 1: incorporate the moon Boot into it and have the moon 89 00:03:15,520 --> 00:03:18,040 Speaker 1: Boot walk sort of like your own version of the 90 00:03:18,080 --> 00:03:19,600 Speaker 1: Michael Jackson thing. What do you think? 91 00:03:19,800 --> 00:03:20,320 Speaker 3: That's good? 92 00:03:20,520 --> 00:03:22,960 Speaker 1: It takes it to another level, right, that's right, It 93 00:03:23,000 --> 00:03:26,239 Speaker 1: takes Let me think of me as your very own 94 00:03:26,280 --> 00:03:28,960 Speaker 1: Harry m. Miller. If there's any you know, ideas that 95 00:03:29,000 --> 00:03:31,160 Speaker 1: you want, gigs that you need a hand with, come 96 00:03:31,240 --> 00:03:31,800 Speaker 1: straight to me. 97 00:03:32,080 --> 00:03:34,639 Speaker 3: Creative ideas and on stage gags, your. 98 00:03:34,560 --> 00:03:38,480 Speaker 1: Very own VINCERRENTI, that's right, exactly. Are you going back 99 00:03:38,520 --> 00:03:39,160 Speaker 1: in the studio. 100 00:03:39,320 --> 00:03:41,440 Speaker 3: I got quite a few songs, so I do stop 101 00:03:41,480 --> 00:03:42,400 Speaker 3: injuring myself here. 102 00:03:42,480 --> 00:03:44,480 Speaker 1: And I love your vitality. And I know you've mentioned 103 00:03:44,480 --> 00:03:46,400 Speaker 1: this before that people will see you in the lift 104 00:03:46,440 --> 00:03:49,440 Speaker 1: or whatever and go, you know, James Rained, Oh mate, 105 00:03:49,440 --> 00:03:51,160 Speaker 1: you take me back. Sometimes I get this. 106 00:03:51,200 --> 00:03:53,000 Speaker 4: I get ugly, phil mate. 107 00:03:53,200 --> 00:03:55,240 Speaker 1: I used to listen to you at I was at school, 108 00:03:55,320 --> 00:03:57,120 Speaker 1: and my kids, you know, they listen to you now 109 00:03:57,280 --> 00:03:59,280 Speaker 1: and they're in their thirties, and you go, hang on 110 00:03:59,320 --> 00:03:59,880 Speaker 1: a second. 111 00:04:00,240 --> 00:04:02,280 Speaker 3: I used to see her eyes some morning. 112 00:04:02,760 --> 00:04:06,800 Speaker 1: She's ninety three. James, always a pleasure, my friend. Looking 113 00:04:06,800 --> 00:04:08,920 Speaker 1: forward to that gig at the and the Newtown in 114 00:04:09,040 --> 00:04:12,000 Speaker 1: More and may stay upright. I shall thank you, thank 115 00:04:12,040 --> 00:04:14,640 Speaker 1: you very much, James Rain. Okay, so let's get a 116 00:04:14,760 --> 00:04:17,160 Speaker 1: James Rain live performance because we like the live performances 117 00:04:17,160 --> 00:04:19,359 Speaker 1: here at WSFM. And this was James when he popped 118 00:04:19,360 --> 00:04:21,839 Speaker 1: into WSFM last time before he fell over, and he 119 00:04:21,920 --> 00:04:25,520 Speaker 1: did a terrific live acoustic version of the Australian crawl 120 00:04:25,560 --> 00:04:26,800 Speaker 1: song down Harden. 121 00:04:26,920 --> 00:05:08,400 Speaker 4: Here it is on WSFM. 122 00:04:45,720 --> 00:04:52,520 Speaker 2: Aria down Body, be. 123 00:04:55,760 --> 00:04:58,200 Speaker 4: Happy, way I. 124 00:04:58,120 --> 00:05:03,520 Speaker 2: Should be Abs William Love Steady. 125 00:05:06,240 --> 00:05:07,640 Speaker 4: Down Hide. 126 00:05:10,400 --> 00:05:20,640 Speaker 2: Brookery, the Lever Realist, gotta be Yay, down Hide Brooker, 127 00:05:20,800 --> 00:05:22,640 Speaker 2: Eaves and Lever Realist. 128 00:05:22,680 --> 00:05:32,680 Speaker 1: God's all you are, there's no end in sight. 129 00:05:34,520 --> 00:05:40,800 Speaker 2: Should not be fake, Drag you through this, Loves and 130 00:05:41,040 --> 00:05:44,040 Speaker 2: the spy. 131 00:05:45,440 --> 00:05:46,880 Speaker 1: Down Hide. 132 00:05:49,560 --> 00:05:59,760 Speaker 2: Brooker Eve level Realist, gotted yea and down Hide Broker 133 00:06:00,080 --> 00:06:51,840 Speaker 2: even never really start, do not Rockery, never really stoted. 134 00:06:52,400 --> 00:06:52,479 Speaker 3: Be. 135 00:06:53,960 --> 00:07:00,880 Speaker 2: Downed Rockery, never really start. 136 00:07:03,040 --> 00:07:06,360 Speaker 1: Sometimes think we should. 137 00:07:06,040 --> 00:07:09,840 Speaker 2: Stay happy on far. 138 00:07:12,800 --> 00:07:15,000 Speaker 1: Sometimes thank God. 139 00:07:15,080 --> 00:07:28,040 Speaker 2: All the way this loving loves jog down harding broken 140 00:07:28,160 --> 00:07:38,920 Speaker 2: even Lever really started, Yeah now hid broken He never 141 00:07:39,160 --> 00:07:40,800 Speaker 2: really scarted. 142 00:07:41,680 --> 00:07:43,680 Speaker 4: Yeay and own. 143 00:07:47,080 --> 00:07:54,280 Speaker 2: Broken even Lever really scotty yay and down hide. 144 00:07:56,840 --> 00:08:04,800 Speaker 1: Broken Lever really start Fabulous stuff. James Ray when he's 145 00:08:04,840 --> 00:08:06,760 Speaker 1: in here at WSFM playing live and you can see 146 00:08:06,800 --> 00:08:09,000 Speaker 1: him playing live with Ella Hooper at the end More 147 00:08:09,040 --> 00:08:10,640 Speaker 1: part of the Way out West tour, which he had 148 00:08:10,680 --> 00:08:13,120 Speaker 1: to reschedule those shows because so he fell over broke 149 00:08:13,160 --> 00:08:15,440 Speaker 1: his ankle. Always good to speak to James Rain and 150 00:08:15,840 --> 00:08:17,560 Speaker 1: I think we should try and get Ella Hooper to 151 00:08:17,640 --> 00:08:19,640 Speaker 1: pop in and play live for us as well, maybe 152 00:08:19,640 --> 00:08:22,640 Speaker 1: a killing Heidi song. Me, what about Diesel? I was 153 00:08:22,680 --> 00:08:25,080 Speaker 1: going to say. And for some inexplicable reason, when I 154 00:08:25,160 --> 00:08:26,720 Speaker 1: mentioned we should get more people in in the next 155 00:08:26,760 --> 00:08:28,440 Speaker 1: week and a half, we're filling in for Jones and manage. 156 00:08:28,440 --> 00:08:30,280 Speaker 1: You said, well, what about Diesel? And I said why, 157 00:08:30,360 --> 00:08:31,600 Speaker 1: you're a big fan? You said, no, I just saw 158 00:08:31,680 --> 00:08:33,719 Speaker 1: him on stage and I'd like to say hello to 159 00:08:33,840 --> 00:08:34,520 Speaker 1: him in person. 160 00:08:35,040 --> 00:08:35,920 Speaker 3: Yeah, and what's wrong with that. 161 00:08:36,200 --> 00:08:39,200 Speaker 1: Nothing. I'm a little worried about his safety, that's all. 162 00:08:39,760 --> 00:08:40,719 Speaker 1: So we'll try and get him in. 163 00:08:41,200 --> 00:08:44,520 Speaker 4: Yeah, and also he can be part of the bald head. 164 00:08:46,080 --> 00:08:46,960 Speaker 1: Elevator stunt. 165 00:08:47,040 --> 00:08:47,199 Speaker 2: Yeah. 166 00:08:47,320 --> 00:08:50,719 Speaker 1: There's a whole other story idea, wacky brained idea that 167 00:08:50,880 --> 00:08:51,599 Speaker 1: megs come up with. 168 00:08:52,160 --> 00:08:52,760 Speaker 3: Shut up me,