WEBVTT - Never Heard Before Bloopers & Bits That Didn’t Air ✨

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<v Speaker 1>Flexen fromes.

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<v Speaker 2>I'm cater cater.

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<v Speaker 1>Flexen Frooms Big Icon Energy podcast.

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<v Speaker 3>Recorded live at Studios three oh one in Sydney. So, unfortunately,

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<v Speaker 3>if you didn't make it to our live recording, that's

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<v Speaker 3>so fine. There was a finite amount of tickets, there

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<v Speaker 3>was a finite amount of winners. It obviously means you

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<v Speaker 3>didn't try enough, try hard enough with your entry.

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<v Speaker 1>But that's so cool.

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<v Speaker 3>I'm sure we'll do something live in the future. I

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<v Speaker 3>personally dissociate when I'm in a live setting.

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<v Speaker 1>What does that look like for you?

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<v Speaker 2>So when I see your eyes glazed as they do

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<v Speaker 2>every now and then, I want to say three times pressure?

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<v Speaker 4>Is it?

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<v Speaker 2>No thoughts or so many thoughts that were not processing well?

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<v Speaker 3>Up until probably two years ago, I never zoned out

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<v Speaker 3>when anyone was talking, like I'd never had experienced the

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<v Speaker 3>feeling of zoning out. And then in the past two

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<v Speaker 3>years I've had the thing of having to go wait, wait.

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<v Speaker 1>I'd neverenced it. Have you experienced that with you all

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<v Speaker 1>the time?

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<v Speaker 2>Name seriously, why looking at me like that, You're like, huh, I've.

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<v Speaker 1>Never experienced hap until recently.

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<v Speaker 2>This is why I gotta do NLP, Babe, neuro linguistic

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<v Speaker 2>neural linguistic programming.

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<v Speaker 1>What's that? Just google it?

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<v Speaker 3>All right, I can't believe I'm going to hear with

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<v Speaker 3>the flexmimmy, just google it.

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<v Speaker 1>In real life, nobody is saying.

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<v Speaker 2>Anyway, are you the same person and off? Yeah, anyone

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<v Speaker 2>can get it.

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<v Speaker 1>I must say.

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<v Speaker 3>When people ask me what's flex like, I say, you

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<v Speaker 3>know what, She's exactly the same.

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<v Speaker 2>Even my own mum gets to just google it. But

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<v Speaker 2>I'm gentle with her because she's trying. She's been using

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<v Speaker 2>new emojis.

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<v Speaker 3>I'm like, what are you my hand up emoji?

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<v Speaker 5>Yeah?

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<v Speaker 2>And she said he genius. She's really good at sponging

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<v Speaker 2>things up like it's so smart. I love when adults

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<v Speaker 2>like allow themselves to learn new things, because I'm already

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<v Speaker 2>falling off. I've got about three years in me and

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<v Speaker 2>then I'm going to be bigoted.

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<v Speaker 1>Yeah, we're doing the reverse bigoted.

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<v Speaker 3>Anyway, This show is a supercart of all the allegedly

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<v Speaker 3>funny things out there live recording. As I said, don't

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<v Speaker 3>remember any thing about it. Definitely keen to do it again,

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<v Speaker 3>though perhaps around the country.

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<v Speaker 1>Any thoughts.

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<v Speaker 3>Yep, Marty director is doing his notes anyway, let's get

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<v Speaker 3>to it.

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<v Speaker 1>Idiots. When's the last time you cried this week? Anyone

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<v Speaker 1>cry this week?

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<v Speaker 2>I mean, if the week started on Sunday, where are

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<v Speaker 2>we sitting.

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<v Speaker 1>Scary Saturday? Fair enough?

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<v Speaker 5>Okay?

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<v Speaker 1>Anyone here not cried in a whole year. It gets

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<v Speaker 1>to me and.

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<v Speaker 5>I'm like, why can't I cry?

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<v Speaker 1>Let's fight, We'll get some zaps out. Oh, it's more.

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<v Speaker 2>Likely to make you cry, like a really like being intimidated,

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<v Speaker 2>like someone coming at you really aggressive, or something sentiment.

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<v Speaker 1>Tool, something sentimental for sure. Just what I'm saying.

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<v Speaker 2>Everything got stale. I keep telling you not even media

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<v Speaker 2>is like tickling is.

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<v Speaker 1>I don't have a soul.

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<v Speaker 3>I just like feelings, but they just don't.

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<v Speaker 1>They don't come out.

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<v Speaker 5>They don't.

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<v Speaker 1>Yeah, my tear ducks need to work harder. I'm so intrigued.

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<v Speaker 3>You're like, in like the second season of Big Brother,

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<v Speaker 3>there was a she called Bree I don't know if

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<v Speaker 3>anyone remembers, and she didn't have tear ducks, so she

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<v Speaker 3>couldn't cry.

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<v Speaker 1>It's the only thing I remember from that. Maybe I

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<v Speaker 1>should get that. Yeah, yeah, have a look.

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<v Speaker 3>Okay, thanks still a google. Okay, where's will? I was

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<v Speaker 3>in the sound booth.

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<v Speaker 5>What was that?

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<v Speaker 1>Was that the polter geist? I don't know.

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<v Speaker 3>If you listen to the podcast, you know that we

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<v Speaker 3>have a polter geist, a friendly ghost that visits us

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<v Speaker 3>in the studio. So hopefully they make a guest appearance.

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<v Speaker 3>We'll see if you come up with what we said

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<v Speaker 3>before slate, please see me.

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<v Speaker 1>It's plaguing my brain. Nah vibe since Vibe is.

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<v Speaker 2>Less new than slay, right, oh, love it, love it.

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<v Speaker 2>And then before Vibe there was.

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<v Speaker 1>Mint.

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<v Speaker 3>No, that's mint anyway, let's wrap it up, you alay

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<v Speaker 3>flexing fruit.

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<v Speaker 1>It's not the tip of my tongue though. Gas. Yes, yes, yes, yes,

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<v Speaker 1>thank you. But that was so long ago. Yeah, that's

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<v Speaker 1>I mean, that was yes, Vibe Slay.

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<v Speaker 2>I don't think there's a few things in between anything else.

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<v Speaker 1>Period. It was period on fleek. It was on fleak.

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<v Speaker 1>We're gonna writ these down, we'll do the break. Yeah,

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<v Speaker 1>this is why I love a period. That's why I

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<v Speaker 1>love a LA shooting audience.

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<v Speaker 2>FLEXI yeah, literally, because you couldn't google that knowledge in

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<v Speaker 2>the brain.

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<v Speaker 1>This is community, your flex and frooms.

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<v Speaker 3>Okay, before we go to the note new Brak, I

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<v Speaker 3>just need to write all these down.

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<v Speaker 2>Period Sleigh okay, per periods lay pro yeah, period sleigh yes,

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<v Speaker 2>per yes queen.

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<v Speaker 1>Per What else is there? Vibes vibes on fleak, that's

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<v Speaker 1>the one.

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<v Speaker 2>I love that.

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<v Speaker 5>But yeah, the fuck do we have anything else?

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<v Speaker 1>I was gonna say, slave, it's my brain.

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<v Speaker 3>Sleigh is so new they us give us one more

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<v Speaker 3>fetch oath oath.

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<v Speaker 2>Oh, but that's not new, that's like generational, traditional Australian.

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<v Speaker 1>Sick.

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<v Speaker 3>All right.

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<v Speaker 1>I think we've I've seen enough. I've seen.

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<v Speaker 5>Yeah.

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<v Speaker 2>For me is a pretty sensible spender. She doesn't like

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<v Speaker 2>to do like, you know, frivolous shopping. She's not one

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<v Speaker 2>of mine. So when she decided she wanted this water bottle,

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<v Speaker 2>I was like, finally, welcome to the dark side by

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<v Speaker 2>the water bottle. It is like two hundred Australian dollars

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<v Speaker 2>all up. But here's my thing. The world is number

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<v Speaker 2>one ending for sure, and if it's not ending, you will, Okay, your.

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<v Speaker 5>Body is decaying.

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<v Speaker 2>The things that you like only exist for a short

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<v Speaker 2>moment and then they're gone.

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<v Speaker 1>That's just life, you know. It's like joy and pleasure.

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<v Speaker 1>Maybe suffering inevitable.

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<v Speaker 2>So when you find moments where you can alleviate suffering

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<v Speaker 2>by bringing in joy and pleasure.

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<v Speaker 1>I say, do it.

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<v Speaker 2>But you've bought the bottle. About the bottle and what's

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<v Speaker 2>your review. I'm all for a small brand. I'm all

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<v Speaker 2>for a supporting small businesses.

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<v Speaker 3>You know, Colina Shoud is amazing because they're very into

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<v Speaker 3>the environment. They do a lot of like environmentally friendly thing.

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<v Speaker 2>I mean with the diamond ties, I'm not so sure.

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<v Speaker 1>This is a fair loom, same family for generations.

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<v Speaker 5>You did say it's not funny.

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<v Speaker 1>No, I think it's just me. Oh no, would I

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<v Speaker 1>buy this again? I mean, it's just nice.

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<v Speaker 3>To treat yourself sometimes, even if it's something that you

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<v Speaker 3>kind of like. I mean, it's a bit audacious, it's good.

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<v Speaker 3>I don't know if I'm really a diamondic kind of gal.

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<v Speaker 5>But is it making you happy?

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<v Speaker 1>Yeah, that's nice. It is. This is like a real

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<v Speaker 1>show you into the sausage factory literally, okay, really quickly.

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<v Speaker 2>So just before I was having a conversation about how

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<v Speaker 2>it's crazy that words mean things, but not just that

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<v Speaker 2>they mean things, that we assume that the way that

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<v Speaker 2>we're speaking is being interpreted in the exact same way,

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<v Speaker 2>and it just never is. Why do we have all

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<v Speaker 2>these words and yet we don't understand each other? Like

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<v Speaker 2>the underrated overrated thing. I think why people get me? Yeah, Becky,

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<v Speaker 2>what do you think?

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<v Speaker 1>Yeah, Becky gets it? Yeah, like in a really shallow sense.

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<v Speaker 2>Like I think that we're all understanding each other, but

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<v Speaker 2>I can understand why it constantly feels like we're just

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<v Speaker 2>never reaching a point of like a mass understanding because

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<v Speaker 2>we don't realize it's the little things that we're not meaning,

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<v Speaker 2>that we're not getting. Like, if we're differing so much

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<v Speaker 2>on this really incidental word, then what makes us social

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<v Speaker 2>that we're really understanding the way we both see the

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<v Speaker 2>big picture.

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<v Speaker 3>I think that's where artists and writers come in. I

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<v Speaker 3>think really popular or works of art that red note,

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<v Speaker 3>but the most people are things that capture an elemental

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<v Speaker 3>truth that can be described in words or a picture.

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<v Speaker 2>What's the mona Lisa telling you exactly para, but you

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<v Speaker 2>know it's chill, It's chill.

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<v Speaker 1>Did you hear that I did? It's the polvergeist.

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<v Speaker 3>So if you're a listening to the flex and From show,

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<v Speaker 3>you'll know that we have a poltergeist type being in

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<v Speaker 3>the studio.

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<v Speaker 1>A ghost.

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<v Speaker 3>Some would say let's start off. Do you believe in ghosts?

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<v Speaker 3>Put the puddle up?

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<v Speaker 2>Yeah, see your people, your people are Honestly, I think

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<v Speaker 2>people think I'm being facetious when I say there's a polticeist.

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<v Speaker 2>But if you're sitting in a room with no air

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<v Speaker 2>con and then ran with it as a cold chill,

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<v Speaker 2>some's off somes off. But I will say through me

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<v Speaker 2>is one of those people. She is you know when

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<v Speaker 2>you do a Maya's brigs and some people are intuitive

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<v Speaker 2>or sensing from is the type of person who needs

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<v Speaker 2>to see it, feel it, know what to believe it. Yes,

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<v Speaker 2>doesn't really believe in anything esoteric. However, she drops the

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<v Speaker 2>bomb a couple of weeks ago that her family does seances,

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<v Speaker 2>so that I'm kind of like, okay, so you're part

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<v Speaker 2>of a spooky family. You bring your spooky energy and

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<v Speaker 2>then you don't give anyone context.

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<v Speaker 3>Yeah, I'm the only one that's keeping it real for

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<v Speaker 3>the just being physical beings and no metaphysical experiences.

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<v Speaker 1>That's speaky, big icon energy. Do you get a red

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<v Speaker 1>hot text? I have gossip, but I don't know if

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<v Speaker 1>I can tell it on.

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<v Speaker 5>It, I'd say don't say it now, say it now.

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<v Speaker 1>Hold on, I say, now, so my friend yeah?

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<v Speaker 3>So oh, anyway, everybody, I'm obsessed with Tami in Parlor

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<v Speaker 3>obsessed I which they show on Thursday and else.

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<v Speaker 1>Go yeah, oh my god? Did you love it? How

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<v Speaker 1>amazing was it?

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<v Speaker 4>So?

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<v Speaker 1>My friend went backstage last night in Melbourne.

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<v Speaker 3>Oh and I got some goss that I can't share.

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<v Speaker 1>I know, I haven't even read it. I'm freaking out. Okay,

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<v Speaker 1>let's get this up just a moment. Do you read

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<v Speaker 1>a snipper little something?

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<v Speaker 3>Okay, have a quick look. Okay, Hi, I'm so hungover.

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<v Speaker 1>Wait read the we got we got the Poltic guys

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<v Speaker 1>back in the studio.

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<v Speaker 2>It's hard to whisper with the adyonna Mic, Why don't

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<v Speaker 2>you tell us, tell thee tell the.

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<v Speaker 4>Oh can we Okay, we have some cars that are

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<v Speaker 4>going to be toad So if this is your cool,

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<v Speaker 4>is that being sacred?

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<v Speaker 1>This is what I'm saying about community.

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<v Speaker 2>You know, this is Darwinism.

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<v Speaker 1>Car maker model, Let me see, let me see.

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<v Speaker 5>I don't know if it's Honda Da No.

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<v Speaker 1>I think you got this.

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<v Speaker 5>For we used to sell window.

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<v Speaker 1>This is a.

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<v Speaker 3>Handy Gets nineteen ninety nine to two thousand and five

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<v Speaker 3>model in a light blue shade.

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<v Speaker 1>It's usually called cool mint. Next to a.

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<v Speaker 3>Mazda Masa X five. We'll get there in a dark

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<v Speaker 3>gun middle gray probably twod and eight model.

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<v Speaker 1>The number player of the Mazda is anyone here? I

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<v Speaker 1>won't dox you, just go out.

0:11:15.240 --> 0:11:17.240
<v Speaker 3>And then the Heyundai gets in the ninety nine to

0:11:17.280 --> 0:11:19.800
<v Speaker 3>two thousand and three model. Oh yeah, this is a Jeep,

0:11:20.000 --> 0:11:26.280
<v Speaker 3>probably twenty twelve model. Anybody need anything repeated? Maybe they're

0:11:26.280 --> 0:11:29.600
<v Speaker 3>not in the room.

0:11:30.840 --> 0:11:32.640
<v Speaker 1>Are yuday.

0:11:35.240 --> 0:11:35.560
<v Speaker 5>Money?

0:11:36.760 --> 0:11:37.040
<v Speaker 2>Okay?

0:11:38.640 --> 0:11:41.400
<v Speaker 1>What is this Ponzi scheme? Big icon energy?

0:11:41.559 --> 0:11:43.720
<v Speaker 5>That is so crazy? How words mean things?

0:11:43.840 --> 0:11:46.160
<v Speaker 1>Also special mention to the Shrek a verse.

0:11:46.480 --> 0:11:49.600
<v Speaker 3>We had entries for Shrek, Donkey and Fiona.

0:11:49.960 --> 0:11:54.720
<v Speaker 1>Who is that? Anyone who got here? Who is he? Okay?

0:11:55.679 --> 0:11:58.720
<v Speaker 1>Fuck on Harry one kill one Shrek?

0:11:59.280 --> 0:12:03.760
<v Speaker 3>Fiona and Donkey married Donkey.

0:12:03.960 --> 0:12:10.400
<v Speaker 1>That dragon was lucky Shrag. I'd have to kill Shrek.

0:12:10.520 --> 0:12:17.920
<v Speaker 1>Sorry like that? Yeah, we have to okay, pre princess,

0:12:18.960 --> 0:12:24.600
<v Speaker 1>Yeah yeah, yeah, absolutely, I don't discriminate both, right, yeah absolutely.

0:12:26.200 --> 0:12:32.679
<v Speaker 1>At Sunset Justice in whatever shape and form she comes in. Literally,

0:12:33.600 --> 0:12:36.440
<v Speaker 1>show is not going to make itself kick it off.

0:12:36.480 --> 0:12:39.280
<v Speaker 3>Hunh that's all you Well, this is This is often

0:12:39.280 --> 0:12:41.720
<v Speaker 3>a fight that flecks not getting it literally says frooms,

0:12:43.360 --> 0:12:44.479
<v Speaker 3>this is my break.

0:12:44.240 --> 0:12:48.360
<v Speaker 1>But you open it. I'll start it. Welcome. Wait, let's confirm, Brickie.

0:12:48.360 --> 0:12:50.439
<v Speaker 1>Here's all right. Yes, you started.

0:12:51.760 --> 0:12:52.120
<v Speaker 3>Already.

0:12:55.920 --> 0:13:00.480
<v Speaker 1>It's not of fun. I'm right, how crazys fruit stand?

0:13:00.679 --> 0:13:00.760
<v Speaker 3>Like?

0:13:01.360 --> 0:13:03.960
<v Speaker 5>I saw an orange the other day?

0:13:06.600 --> 0:13:07.520
<v Speaker 1>Is it carra Kara?

0:13:09.520 --> 0:13:11.240
<v Speaker 2>It's something to look at the double name one anyway,

0:13:11.400 --> 0:13:13.959
<v Speaker 2>it was neon orange And I'm just like, how do

0:13:14.040 --> 0:13:17.480
<v Speaker 2>these colors exist in nature before we manufacture them?

0:13:17.640 --> 0:13:19.840
<v Speaker 1>Isn't it gorgeous? You don't think that? Yeah, I think

0:13:19.880 --> 0:13:23.240
<v Speaker 1>it's beautiful. These two colors exist in real life. Yeah,

0:13:23.480 --> 0:13:26.720
<v Speaker 1>what a high biscus flower? And this is a beautiful scene.

0:13:26.800 --> 0:13:35.000
<v Speaker 1>I beta, Yeah, she's traveled. We're going to do the

0:13:35.320 --> 0:13:37.760
<v Speaker 1>voice note as the extent of podcast instead.

0:13:38.000 --> 0:13:46.679
<v Speaker 3>Yeah, yeah, yeah.

0:13:45.160 --> 0:13:46.120
<v Speaker 1>That's all I need to know.

0:13:46.280 --> 0:13:50.480
<v Speaker 3>A bit of a confidence boosts into the show, big

0:13:50.880 --> 0:13:51.520
<v Speaker 3>icon energy.

0:13:51.640 --> 0:13:53.640
<v Speaker 2>Can we get a paddle up for anybody who's ghosted

0:13:53.679 --> 0:14:01.319
<v Speaker 2>someone platonically, familiarly, or romantically in the last three months?

0:14:01.360 --> 0:14:03.960
<v Speaker 5>Fascinating? I wish you could see what I see.

0:14:04.080 --> 0:14:05.559
<v Speaker 1>I'm learning so much.

0:14:06.760 --> 0:14:10.720
<v Speaker 2>Can we gotta paddle up any vegans and vegetarians.

0:14:11.240 --> 0:14:13.600
<v Speaker 1>That is so surprising, is it?

0:14:13.760 --> 0:14:19.560
<v Speaker 3>I feel like we've got a very vegetarian sympathizing audience,

0:14:20.720 --> 0:14:25.360
<v Speaker 3>a feeling audience. I mean it, I'm a vegetarian sympathizer.

0:14:25.400 --> 0:14:29.480
<v Speaker 1>However, I'm meeting my big mac. What does slay mean

0:14:29.560 --> 0:14:32.720
<v Speaker 1>to you? It's it's year twelve, essays.

0:14:32.760 --> 0:14:34.480
<v Speaker 5>What does belonging mean.

0:14:38.240 --> 0:14:39.520
<v Speaker 1>When you say it? What do you mean?

0:14:40.400 --> 0:14:42.840
<v Speaker 3>It's just I don't know what, Like anyone else, If

0:14:42.880 --> 0:14:44.360
<v Speaker 3>you've got an idea, think about all. I say this

0:14:45.000 --> 0:14:49.000
<v Speaker 3>because the mica will come slay. It feels good coming

0:14:49.000 --> 0:14:51.320
<v Speaker 3>off the tongue. I remember a time where I thought

0:14:51.320 --> 0:14:55.040
<v Speaker 3>of slayers like slay, like being flayed, like getting his

0:14:55.120 --> 0:14:55.800
<v Speaker 3>skin cut off.

0:14:56.720 --> 0:14:59.960
<v Speaker 1>But it's since changed meanings. Slay.

0:15:01.000 --> 0:15:04.440
<v Speaker 3>Slay to me is a state of mind. It's an emotion,

0:15:05.680 --> 0:15:06.640
<v Speaker 3>and it's the moment.

0:15:08.120 --> 0:15:10.200
<v Speaker 1>And what is the moment. The people that get it,

0:15:10.240 --> 0:15:10.520
<v Speaker 1>they get it.

0:15:11.120 --> 0:15:14.360
<v Speaker 3>It's a vibe, etcetera, etcetera, etcetera. Yeah, period, anyone got

0:15:14.360 --> 0:15:15.880
<v Speaker 3>an idea? What does slay mean to you?

0:15:16.000 --> 0:15:16.240
<v Speaker 1>Yeah?

0:15:16.760 --> 0:15:20.320
<v Speaker 5>Saucy execution, saucy execution.

0:15:20.800 --> 0:15:25.560
<v Speaker 1>I've not heard this one. Some of us are poets.

0:15:25.600 --> 0:15:26.520
<v Speaker 1>Saucy execution.

0:15:26.720 --> 0:15:28.880
<v Speaker 2>Some of us have a good grasp in the English language,

0:15:29.080 --> 0:15:31.479
<v Speaker 2>saucy execution that says everything.

0:15:31.800 --> 0:15:33.640
<v Speaker 1>Oh love, Okay, guys, let's wrap this thing up. I

0:15:33.640 --> 0:15:34.160
<v Speaker 1>want to drink.

0:15:35.280 --> 0:15:37.880
<v Speaker 3>There's actually going to be some cater representatives roaming around

0:15:37.920 --> 0:15:40.400
<v Speaker 3>the room seeing who you put up on the paddle.

0:15:40.760 --> 0:15:43.120
<v Speaker 3>And if I get more paddles, I'm going to get

0:15:43.120 --> 0:15:43.720
<v Speaker 3>a pay rise.

0:15:43.560 --> 0:15:47.120
<v Speaker 1>At the end of the year. A big icon energy.

0:15:47.280 --> 0:15:50.160
<v Speaker 1>You are with flex and frooms.

0:15:51.600 --> 0:15:54.560
<v Speaker 3>I wasn't ready. Sorry, I have a quick juice break. Yeah,

0:15:54.600 --> 0:15:56.560
<v Speaker 3>who put your paddle up? If you're excited to have

0:15:56.560 --> 0:16:03.840
<v Speaker 3>a juice, Yeah, lemonade. Anyone here work at boostoos at

0:16:03.840 --> 0:16:04.640
<v Speaker 3>any point in their life?

0:16:05.160 --> 0:16:06.000
<v Speaker 1>Is this crowd work?

0:16:08.040 --> 0:16:15.080
<v Speaker 5>What is happening? I just had something on my mind.

0:16:16.840 --> 0:16:19.160
<v Speaker 1>Eat my ass? Question number one?

0:16:19.160 --> 0:16:19.840
<v Speaker 5>Do you resonate?

0:16:20.320 --> 0:16:23.000
<v Speaker 1>So that's a break, and now I start again. Back,

0:16:23.120 --> 0:16:23.480
<v Speaker 1>I got it.

0:16:23.880 --> 0:16:24.280
<v Speaker 5>I don't know.

0:16:25.560 --> 0:16:27.720
<v Speaker 2>Maybe have some UNI students in the in the building

0:16:28.080 --> 0:16:28.920
<v Speaker 2>media students.

0:16:29.280 --> 0:16:33.920
<v Speaker 1>You said, yeah, I know you big icon energy.

0:16:34.040 --> 0:16:37.880
<v Speaker 3>What a stunning afternoon as always listening to CATERA. But

0:16:38.720 --> 0:16:40.920
<v Speaker 3>up next on the show, we're gonna be talking about icons,

0:16:41.000 --> 0:16:42.520
<v Speaker 3>keeping the iconic coming.

0:16:43.120 --> 0:16:48.040
<v Speaker 1>Did I say tonight? Huh? Next? Up next, I'll start again,

0:16:48.320 --> 0:16:50.440
<v Speaker 1>this is what we do, is we do some second takes.

0:16:53.800 --> 0:16:56.760
<v Speaker 1>Never on my violation. He's got a crash at.

0:16:56.720 --> 0:16:59.320
<v Speaker 5>The moment, paddles up, He's got a crash.

0:16:59.440 --> 0:17:02.720
<v Speaker 2>And this is exactly what I'm saying. I don't that

0:17:02.800 --> 0:17:04.800
<v Speaker 2>high school was so amazing, But how are you going

0:17:04.840 --> 0:17:06.560
<v Speaker 2>to be in a whole room full of adults no

0:17:06.600 --> 0:17:08.359
<v Speaker 2>one has a crush. How many of you are in

0:17:08.400 --> 0:17:12.080
<v Speaker 2>a relationship paddles up. See, that's even more concerning because

0:17:12.119 --> 0:17:14.280
<v Speaker 2>you got paddles up in a relationship.

0:17:14.320 --> 0:17:18.879
<v Speaker 1>You have a crush. Spooky, don't you have jobs?

0:17:18.960 --> 0:17:19.720
<v Speaker 5>I was thinking that.

0:17:19.640 --> 0:17:22.879
<v Speaker 2>When I was driving the next day, I let the

0:17:22.880 --> 0:17:23.719
<v Speaker 2>intrusive thought win.

0:17:23.800 --> 0:17:25.240
<v Speaker 1>I was thinking, I know why I'm here.

0:17:25.280 --> 0:17:25.919
<v Speaker 5>I'm at work?

0:17:26.200 --> 0:17:30.040
<v Speaker 2>Where what is your employment situation? On the count of three,

0:17:30.119 --> 0:17:32.600
<v Speaker 2>let's just say our reasons for not being at work

0:17:32.680 --> 0:17:33.080
<v Speaker 2>right now?

0:17:33.160 --> 0:17:38.959
<v Speaker 5>Three two one.

0:17:37.440 --> 0:17:42.000
<v Speaker 2>Night shift and you'll leave one more time, three two

0:17:42.119 --> 0:17:50.000
<v Speaker 2>one research research audience in between jobs.

0:17:50.000 --> 0:17:51.520
<v Speaker 5>At the moment I get it, big.

0:17:51.600 --> 0:17:54.840
<v Speaker 3>Icon energy, amazing and now do there's a Poulter. Guys,

0:17:54.880 --> 0:17:57.360
<v Speaker 3>they're on they're on here. I think that's my seat. Actually,

0:17:57.400 --> 0:17:59.520
<v Speaker 3>Like I keep moving and I think it's something behind me.

0:17:59.600 --> 0:18:00.320
<v Speaker 3>But I think it's me.

0:18:01.200 --> 0:18:03.520
<v Speaker 2>That's what I'm saying, Like you are the nightmare you're

0:18:03.560 --> 0:18:06.880
<v Speaker 2>hiding from guys like come.

0:18:06.720 --> 0:18:12.080
<v Speaker 3>On, the last breakup today, the last time before we

0:18:12.160 --> 0:18:14.760
<v Speaker 3>go is I think the best of the whole day.

0:18:15.280 --> 0:18:17.399
<v Speaker 3>I'm bringing something to the table, a voice recording that

0:18:17.480 --> 0:18:19.680
<v Speaker 3>you're not gonna want to miss that's coming up.

0:18:20.119 --> 0:18:24.600
<v Speaker 2>Well, they're not going anyway.

0:18:25.720 --> 0:18:27.680
<v Speaker 1>I'm just showing you how to be a great broadcastle.

0:18:27.840 --> 0:18:31.679
<v Speaker 1>See the work never stops. Bag Icon Energy.

0:18:32.200 --> 0:18:34.480
<v Speaker 3>If you've been listening to the Flex and Frooms Big

0:18:34.720 --> 0:18:38.280
<v Speaker 3>Icon Energy podcast. For more, tune into Cato and DAB

0:18:38.720 --> 0:18:40.879
<v Speaker 3>or stream it on iHeartRadio Radio