1 00:00:00,080 --> 00:00:04,120 Speaker 1: John Pinder, Good morning, right gang from you. 2 00:00:04,519 --> 00:00:08,039 Speaker 2: Well, listen when the show started today and I heard 3 00:00:08,039 --> 00:00:12,879 Speaker 2: about Chris Evans the I always find it strange when 4 00:00:12,880 --> 00:00:15,600 Speaker 2: people mention Chris Evans, who's the sexiest man alive? 5 00:00:15,960 --> 00:00:17,560 Speaker 1: And you think of the other Chris Evans. 6 00:00:17,600 --> 00:00:21,800 Speaker 2: I only know that Chris married to Billy Piper. Yeah, 7 00:00:23,000 --> 00:00:26,320 Speaker 2: Curly Ginger radio from the nineties. You're not a looker, 8 00:00:26,520 --> 00:00:33,120 Speaker 2: and yeah, not a looker as an understated Chris Evans 9 00:00:33,280 --> 00:00:35,440 Speaker 2: is an actor, but he's the sexiest man alive. 10 00:00:35,720 --> 00:00:40,120 Speaker 1: And in this Oh, do you know you like Idris Elber, 11 00:00:40,159 --> 00:00:44,440 Speaker 1: don't you? Yeah? He who's voted him in then People 12 00:00:45,520 --> 00:00:47,199 Speaker 1: People Magazine magazine. 13 00:00:47,320 --> 00:00:56,680 Speaker 2: This is something that's been won by Ryan Reynolds. 14 00:00:54,040 --> 00:00:57,319 Speaker 1: Because he likes a bit of Chris. You know, he's 15 00:00:57,320 --> 00:00:58,720 Speaker 1: a superhero on the on the screens. 16 00:00:58,800 --> 00:01:01,760 Speaker 2: Yeah, but his childhood crush, his first celebrity crush was 17 00:01:01,800 --> 00:01:03,400 Speaker 2: Winny Off the Wonder Years. 18 00:01:03,680 --> 00:01:06,240 Speaker 1: So was my Yeah it wasn't horrible. 19 00:01:08,160 --> 00:01:12,840 Speaker 2: Alive and the runner up, Yeah, both find the same celebrity. 20 00:01:13,360 --> 00:01:18,080 Speaker 2: You're bonkers, isn't it what he moved on to after that? 21 00:01:18,120 --> 00:01:20,720 Speaker 2: I moved on to that detail. But I know it 22 00:01:20,760 --> 00:01:22,560 Speaker 2: to be true. I moved on to Winnie the Poo 23 00:01:22,720 --> 00:01:27,039 Speaker 2: after that, and then Winnie Churchill. There's something about the 24 00:01:27,120 --> 00:01:34,319 Speaker 2: name for me. I like, I did actually have a 25 00:01:34,319 --> 00:01:37,800 Speaker 2: love affair with Winni Blues for many years, a torrid, 26 00:01:38,000 --> 00:01:38,720 Speaker 2: torrid affair. 27 00:01:39,200 --> 00:01:42,360 Speaker 1: It's kings Ale on this week? How was it good? 28 00:01:43,240 --> 00:01:46,200 Speaker 1: I've never been like school night gigs on but the week. 29 00:01:46,040 --> 00:01:48,760 Speaker 2: I' go to Weirday a Wednesday, and I don't realize 30 00:01:48,840 --> 00:01:51,160 Speaker 2: until you're there, like these people just rock it in 31 00:01:51,160 --> 00:01:53,880 Speaker 2: the dream. I always feel it has a very strange 32 00:01:53,880 --> 00:01:56,560 Speaker 2: effect on me going to any large venue to watch 33 00:01:56,600 --> 00:01:58,160 Speaker 2: any kind of gig, because I know I'm supposed to 34 00:01:58,200 --> 00:01:59,960 Speaker 2: be there to have fun, but all I feel is 35 00:02:00,040 --> 00:02:02,720 Speaker 2: uilt and shame about how I'm not working hard enough. 36 00:02:03,520 --> 00:02:04,240 Speaker 1: Look at these guys. 37 00:02:04,240 --> 00:02:07,040 Speaker 2: They're selling out an arena, an arena. It's a Bill 38 00:02:07,080 --> 00:02:09,440 Speaker 2: Bailey a couple of months back. Yeah, and it was 39 00:02:09,560 --> 00:02:12,840 Speaker 2: just like all they feel is is crushing, shame of 40 00:02:12,919 --> 00:02:15,040 Speaker 2: like I should be working harder to do that. 41 00:02:15,080 --> 00:02:18,400 Speaker 1: I can't even enjoy it. To enjoy it, I don't really. 42 00:02:19,720 --> 00:02:22,000 Speaker 2: I'm a comedian though it doesn't work. It's not in 43 00:02:22,040 --> 00:02:24,679 Speaker 2: our nature. I should know this, but it's I don't 44 00:02:24,720 --> 00:02:27,040 Speaker 2: get too many music gigs me, it's been a long 45 00:02:27,080 --> 00:02:29,800 Speaker 2: time since I really like, I very rarely get to them. 46 00:02:29,840 --> 00:02:31,239 Speaker 2: See a lot of comedy gigs. I don't see a 47 00:02:31,280 --> 00:02:35,799 Speaker 2: lot of it was Arena. Is that the same thing? 48 00:02:35,919 --> 00:02:38,400 Speaker 1: Yes, yeah, yeah, but. 49 00:02:38,560 --> 00:02:40,800 Speaker 2: It's a very strange thing, especially in the modern world. 50 00:02:40,840 --> 00:02:43,239 Speaker 2: Most people watch it through their phone as well. I 51 00:02:43,320 --> 00:02:47,880 Speaker 2: think I saw most of that gig through a lady's iPhone. 52 00:02:48,480 --> 00:02:51,040 Speaker 1: What a different crowd. 53 00:02:51,080 --> 00:02:54,920 Speaker 2: But we saw that billy like I feel you for 54 00:02:55,200 --> 00:02:57,880 Speaker 2: like an Instagram story. That's what the Instagram story is for. 55 00:02:58,400 --> 00:03:01,400 Speaker 2: What's we made up to? I'm a Liam Gallagher, Do 56 00:03:01,480 --> 00:03:02,000 Speaker 2: you know what I mean? 57 00:03:02,080 --> 00:03:04,520 Speaker 1: Yeah? Okay, But is anyone watching the whole gig back 58 00:03:04,560 --> 00:03:04,959 Speaker 1: on their phone? 59 00:03:05,000 --> 00:03:07,720 Speaker 2: And That's what I'm thinking, is it They're going, do 60 00:03:07,720 --> 00:03:09,360 Speaker 2: you know what, I'm going to be sneaky here and 61 00:03:09,440 --> 00:03:12,280 Speaker 2: I'm going to gather all this magic and atmosphere so 62 00:03:12,320 --> 00:03:14,720 Speaker 2: that I can absolutely rock out to this concert again 63 00:03:14,760 --> 00:03:15,440 Speaker 2: on the toilet. 64 00:03:16,880 --> 00:03:21,799 Speaker 1: These people don't know how clever at purpose You're missing out. 65 00:03:21,840 --> 00:03:23,799 Speaker 2: And another thing that I noticed as well is that 66 00:03:24,600 --> 00:03:26,880 Speaker 2: depending on what gig you're at as well, if that 67 00:03:26,960 --> 00:03:28,960 Speaker 2: gigs sold well, if they're a good enough band, that 68 00:03:29,000 --> 00:03:31,680 Speaker 2: it's sold. Well, you don't get an awful lot of 69 00:03:31,919 --> 00:03:35,480 Speaker 2: room to have a dance here. You're like that you could. 70 00:03:35,520 --> 00:03:37,920 Speaker 2: You really only get one dance move, and that's the 71 00:03:38,440 --> 00:03:38,960 Speaker 2: jump up. 72 00:03:38,880 --> 00:03:39,880 Speaker 1: Them down on the spot. 73 00:03:40,560 --> 00:03:43,440 Speaker 2: You can slightly rotate your shoulders a little bit, but 74 00:03:43,480 --> 00:03:46,640 Speaker 2: it's not our dance as such, is it. If it's 75 00:03:46,680 --> 00:03:49,240 Speaker 2: an emotional one, you sort of wave your arm side 76 00:03:49,240 --> 00:03:51,080 Speaker 2: to side, but you have to wait till everybody else 77 00:03:51,200 --> 00:03:53,920 Speaker 2: is doing that, otherwise you will be an imposition on people. Yeah, 78 00:03:53,960 --> 00:03:55,920 Speaker 2: because you'd be like, stop waving you And I got 79 00:03:56,120 --> 00:03:58,360 Speaker 2: I got hit in the neck with a plectrum at 80 00:03:58,400 --> 00:04:01,200 Speaker 2: that gig as well. Yeah, there was a chubby lad 81 00:04:01,240 --> 00:04:03,800 Speaker 2: in front of me and he went up on front 82 00:04:03,800 --> 00:04:06,320 Speaker 2: of his He went up on his friend's shoulders, and 83 00:04:06,360 --> 00:04:13,240 Speaker 2: the geezer, the smoldering handsome man from mister yeah good lord, 84 00:04:13,240 --> 00:04:16,320 Speaker 2: he's handsome. Yeah, handsome man. Yeah, he should be on 85 00:04:16,320 --> 00:04:20,680 Speaker 2: that list. Even I were aroused, I couldn't believe it. 86 00:04:20,720 --> 00:04:22,279 Speaker 1: I've never I've never. I didn't know what he looked like. 87 00:04:22,680 --> 00:04:25,320 Speaker 1: Follow will yet, I'll follow him about. 88 00:04:26,120 --> 00:04:28,560 Speaker 2: He spotted these guys on each other's shoulders and sort 89 00:04:28,560 --> 00:04:30,400 Speaker 2: of like, did this you know? The bottle cap flick 90 00:04:30,960 --> 00:04:33,560 Speaker 2: that people do with. He did that with a plectrum 91 00:04:33,880 --> 00:04:35,239 Speaker 2: and then it hit me in the net. I didn't 92 00:04:35,240 --> 00:04:36,680 Speaker 2: see it, but I felt I was like, that was 93 00:04:36,720 --> 00:04:38,359 Speaker 2: a plectrum. I know what being in the neck with 94 00:04:38,400 --> 00:04:42,839 Speaker 2: a plectrum, it feels like looking around, get to keep it. Well, 95 00:04:43,480 --> 00:04:45,960 Speaker 2: I don't think it's I don't think it's that's an 96 00:04:45,960 --> 00:04:46,960 Speaker 2: assault of some sort. 97 00:04:47,000 --> 00:04:50,599 Speaker 1: Isn't it a good thing? You like that? 98 00:04:50,680 --> 00:04:53,240 Speaker 2: Well, I'm gratefully he was a guitarist and not a 99 00:04:53,240 --> 00:04:54,800 Speaker 2: trumpet player, do you know what I mean? 100 00:04:55,800 --> 00:04:58,640 Speaker 1: And a drama? Where is it? Yeah? I always thinking that. 101 00:04:58,680 --> 00:05:03,600 Speaker 2: I tried to complain miss the Leon, sir, your highers 102 00:05:03,640 --> 00:05:08,240 Speaker 2: of Leon. I've called the police on him. That's you 103 00:05:08,240 --> 00:05:12,520 Speaker 2: can't do that. But where's where's the line drawn with musicians? 104 00:05:12,520 --> 00:05:15,080 Speaker 2: What are they allowed to throw like orchestras? 105 00:05:15,120 --> 00:05:15,560 Speaker 1: Don't do it. 106 00:05:15,600 --> 00:05:18,240 Speaker 2: I think I'll cancel me outon John tickets that much. 107 00:05:18,640 --> 00:05:23,520 Speaker 2: Drop a grand piano. You don't need none of that 108 00:05:24,120 --> 00:05:25,039 Speaker 2: as well? Out of order? 109 00:05:26,120 --> 00:05:28,039 Speaker 1: What they like at US as well? Did you see 110 00:05:28,040 --> 00:05:29,040 Speaker 1: that Taylor Swift? 111 00:05:29,080 --> 00:05:32,080 Speaker 2: Was it last week on the US The US charts 112 00:05:32,120 --> 00:05:37,840 Speaker 2: Taylor Swift, every single song Taylor Swift makes all the music. Now, 113 00:05:38,080 --> 00:05:41,359 Speaker 2: imagine what sort of a did you do it on 114 00:05:41,360 --> 00:05:44,760 Speaker 2: the Shore Report? Imagine that radio show and in at 115 00:05:44,800 --> 00:05:48,719 Speaker 2: number four, Taylor Swift again tonight, We've got a real treat. 116 00:05:49,320 --> 00:05:52,800 Speaker 2: All of it is Taylor Swift. Imagine. I think the 117 00:05:52,839 --> 00:05:55,520 Speaker 2: world's gone bonkers. I think if this, if it's Life 118 00:05:55,560 --> 00:05:58,400 Speaker 2: of Ours, is a simulation, like a video game that 119 00:05:58,440 --> 00:06:00,720 Speaker 2: somebody's just playing with. I reckon, he's I reckon, he's 120 00:06:00,760 --> 00:06:05,120 Speaker 2: let his little brother. You know, got a former comedian 121 00:06:05,160 --> 00:06:07,560 Speaker 2: as the president of Ukraine. We've got for we had 122 00:06:07,560 --> 00:06:10,080 Speaker 2: a former reality style that was a former president of 123 00:06:10,120 --> 00:06:11,480 Speaker 2: the United States. 124 00:06:11,520 --> 00:06:14,240 Speaker 1: There's been a pandemic. Taylor Swift makes all the music. 125 00:06:14,640 --> 00:06:15,320 Speaker 1: Do you know what I mean? 126 00:06:15,800 --> 00:06:19,719 Speaker 2: It's taken all that start two words. I think that's 127 00:06:19,760 --> 00:06:21,960 Speaker 2: what's pushed me over the edge. So the Taylor Swift 128 00:06:22,000 --> 00:06:25,920 Speaker 2: thing just does all the music. I can't tell if 129 00:06:25,920 --> 00:06:26,960 Speaker 2: I'm becoming old fashioned. 130 00:06:26,960 --> 00:06:28,359 Speaker 1: All the world is crazy, but I. 131 00:06:28,560 --> 00:06:31,440 Speaker 2: Have thought the world is for the first time, what 132 00:06:31,600 --> 00:06:32,560 Speaker 2: is the world coming to? 133 00:06:32,720 --> 00:06:35,480 Speaker 1: And then that's an old people think what else has 134 00:06:35,600 --> 00:06:38,200 Speaker 1: taken your fancy? This week? Stupid news? 135 00:06:38,640 --> 00:06:42,440 Speaker 2: Oh, yes, stupid the stupid news. 136 00:06:40,720 --> 00:06:46,040 Speaker 1: Yes, this is the very really proper stupid news. It's 137 00:06:46,040 --> 00:06:50,719 Speaker 1: a proper stupids. Okay, where do you go first? Copperload 138 00:06:50,800 --> 00:06:55,600 Speaker 1: of this? Imagine if the news readers did that. I'm 139 00:06:55,600 --> 00:06:58,760 Speaker 1: a Valentine. This very close to her. 140 00:07:00,240 --> 00:07:04,960 Speaker 2: In a grand symbolic gesture, American actor Sean Penn presented 141 00:07:05,360 --> 00:07:09,600 Speaker 2: his Oscar to President Zelenski of Ukraine during a recent 142 00:07:09,640 --> 00:07:10,480 Speaker 2: meeting in Kiev. 143 00:07:11,560 --> 00:07:13,640 Speaker 1: His oscar is like his Oscar statue. 144 00:07:13,680 --> 00:07:18,120 Speaker 2: He's like, listen, I want to help out have my 145 00:07:18,280 --> 00:07:23,440 Speaker 2: oscar statue, do you know? Yeah, it's a loan as well. 146 00:07:23,520 --> 00:07:25,720 Speaker 2: He's like, you give that back to me. When the 147 00:07:25,800 --> 00:07:29,560 Speaker 2: wars it was only a line and he said in 148 00:07:29,600 --> 00:07:31,800 Speaker 2: Malibu as well, He's like, I'm not going to come 149 00:07:31,840 --> 00:07:34,800 Speaker 2: back here for it. You have to visit me and 150 00:07:34,840 --> 00:07:39,120 Speaker 2: give me that for what purpose? I mean nothing against 151 00:07:39,120 --> 00:07:42,040 Speaker 2: Sean Penn. He seems like a nice enough man, but 152 00:07:43,080 --> 00:07:47,600 Speaker 2: do you know what I mean? Where where is self awareness? Yeah? Yeah, 153 00:07:47,640 --> 00:07:50,120 Speaker 2: the death is just trying to keep his people alive 154 00:07:50,240 --> 00:07:52,680 Speaker 2: and it's a proper war. He's like, do you want 155 00:07:52,760 --> 00:07:58,679 Speaker 2: this TACKI gold statue? You can put this listen, don't 156 00:07:58,720 --> 00:07:59,120 Speaker 2: thank me. 157 00:07:59,760 --> 00:08:04,000 Speaker 1: I think nothing of it. It's uselessest high brow than that. 158 00:08:04,240 --> 00:08:06,480 Speaker 1: So did I, so did. I just packed his bag 159 00:08:06,520 --> 00:08:09,119 Speaker 1: when he left home in America. He's made the thought 160 00:08:09,240 --> 00:08:10,720 Speaker 1: and they had the thought and gone, I'm going to 161 00:08:10,760 --> 00:08:11,920 Speaker 1: pack pack the award. 162 00:08:12,080 --> 00:08:14,800 Speaker 2: Yeah I'm taking I'm taking the oscar tic care, which 163 00:08:14,840 --> 00:08:17,480 Speaker 2: maybe it was for. It'd be more practical to have 164 00:08:17,520 --> 00:08:20,239 Speaker 2: given him a key for the oscars at least. 165 00:08:20,080 --> 00:08:22,520 Speaker 1: That would have at least that would have been useful 166 00:08:22,560 --> 00:08:24,640 Speaker 1: in some way. You know, what's he going to do 167 00:08:24,680 --> 00:08:24,920 Speaker 1: with it? 168 00:08:25,120 --> 00:08:27,280 Speaker 2: Yeah, but he's gonna use it as a baton to 169 00:08:27,320 --> 00:08:28,360 Speaker 2: swat at the enemy. 170 00:08:28,840 --> 00:08:31,080 Speaker 1: Sure, well, I don't even know what the oscar was for. 171 00:08:31,120 --> 00:08:32,760 Speaker 1: Actually was the one. 172 00:08:33,320 --> 00:08:36,920 Speaker 2: Here's this token of a time where I did really 173 00:08:37,040 --> 00:08:37,520 Speaker 2: really well. 174 00:08:37,600 --> 00:08:42,480 Speaker 1: Yeah yeah, yeah, in a frivolous anyway. Good luck us, 175 00:08:43,160 --> 00:08:45,920 Speaker 1: like was staying alive. Yeah yeah yeah with the real world. 176 00:08:46,000 --> 00:08:48,600 Speaker 2: Enjoy the rest of the war, Malib. There's another one, 177 00:08:49,440 --> 00:08:51,840 Speaker 2: another one. A man was detained on Wednesday after throwing 178 00:08:51,960 --> 00:08:54,880 Speaker 2: eggs at King Charles and Camilla Parker bowls. 179 00:08:55,000 --> 00:08:55,200 Speaker 1: Yeah. 180 00:08:55,240 --> 00:08:57,360 Speaker 2: This was this would have got your goal, isn't it. No, 181 00:08:58,000 --> 00:08:59,720 Speaker 2: You should never throw eggs at an old man. Anyway 182 00:08:59,760 --> 00:09:01,600 Speaker 2: you have is whether he's the king or not. Don't 183 00:09:01,640 --> 00:09:03,560 Speaker 2: don't throw an egg, you know, I mean it was 184 00:09:03,600 --> 00:09:06,560 Speaker 2: multiple legs to man, man, it was more accurate. It 185 00:09:06,559 --> 00:09:08,760 Speaker 2: was a scruffy layer about who lets Doc Martins go 186 00:09:08,800 --> 00:09:09,240 Speaker 2: to his head? 187 00:09:09,240 --> 00:09:10,360 Speaker 1: If you ask me, do you know what I mean? 188 00:09:10,360 --> 00:09:11,920 Speaker 1: It's something about them shoes. 189 00:09:11,600 --> 00:09:13,560 Speaker 2: You can always like you see the top half from 190 00:09:13,559 --> 00:09:15,520 Speaker 2: you go, let's have a look at his feet. And 191 00:09:15,640 --> 00:09:19,360 Speaker 2: I can almost guarantee little peanuts wearing Doc Martin. And 192 00:09:19,400 --> 00:09:22,679 Speaker 2: there used to be a really cool anti establishment symbol, 193 00:09:22,760 --> 00:09:25,760 Speaker 2: didn't they? Yeah, But more and more they're worn by 194 00:09:25,960 --> 00:09:28,080 Speaker 2: irritating little they. 195 00:09:28,160 --> 00:09:29,920 Speaker 1: Yeah, you can't be doing with them. 196 00:09:30,360 --> 00:09:32,360 Speaker 2: There's a sort of people that glue their faces to 197 00:09:32,440 --> 00:09:34,800 Speaker 2: paintings and stuff like that too. 198 00:09:34,840 --> 00:09:38,000 Speaker 1: Sure what action there is either, what do you mean 199 00:09:38,080 --> 00:09:42,680 Speaker 1: we're ruining art for the for the what is it? Guess? Yeah? 200 00:09:42,720 --> 00:09:45,720 Speaker 1: For the climate? Yeah, I get the connection. I don't know. 201 00:09:45,760 --> 00:09:48,520 Speaker 2: I think it's the old idea is you guys are 202 00:09:48,520 --> 00:09:51,400 Speaker 2: distracted by all this culture when you should be thinking 203 00:09:51,400 --> 00:09:54,720 Speaker 2: about there's the only point in surviving is so that 204 00:09:54,720 --> 00:09:55,600 Speaker 2: there's some fun. 205 00:09:55,440 --> 00:09:57,720 Speaker 1: Culture and stuff like that. You're ruined all that? Why 206 00:09:57,760 --> 00:10:00,280 Speaker 1: bother surviving? Have you protest? But keep you grabb little 207 00:10:00,280 --> 00:10:03,040 Speaker 1: hands off the money. It's thought better. I thought it 208 00:10:03,080 --> 00:10:04,960 Speaker 1: was just anywhere with these people looking because people are 209 00:10:04,960 --> 00:10:05,240 Speaker 1: going to be. 210 00:10:05,320 --> 00:10:07,319 Speaker 2: Yeah, I think that's what it is, to be honest 211 00:10:07,360 --> 00:10:09,680 Speaker 2: with you. I might be cynical and jaded me. 212 00:10:09,920 --> 00:10:10,360 Speaker 1: I don't. 213 00:10:10,600 --> 00:10:13,360 Speaker 2: I never listened to anybody protesting anything because I can't 214 00:10:13,360 --> 00:10:15,240 Speaker 2: help but think of it as an attention grab. 215 00:10:15,840 --> 00:10:17,120 Speaker 1: You know what I mean, even if you've got a 216 00:10:17,160 --> 00:10:20,600 Speaker 1: good point. If you you know what I mean. But 217 00:10:20,600 --> 00:10:21,839 Speaker 1: perhaps I'm jaded like that. 218 00:10:21,920 --> 00:10:24,560 Speaker 2: Here's my last bit of stupid news. 219 00:10:24,760 --> 00:10:26,960 Speaker 1: I just like the headline. It's not even that stupid. 220 00:10:27,600 --> 00:10:30,400 Speaker 2: A Virgin flight was forced to make an emergency landing 221 00:10:30,440 --> 00:10:33,960 Speaker 2: at Perth Airport the other day after losing flap control. 222 00:10:36,200 --> 00:10:38,320 Speaker 1: Did you know that was going? Did you read that headline? 223 00:10:39,880 --> 00:10:42,080 Speaker 2: It's like my nan are always used to say, just 224 00:10:42,160 --> 00:10:44,560 Speaker 2: keep your feet on the ground if you lose flap control. 225 00:10:45,080 --> 00:10:51,720 Speaker 1: Once a flap's busted, that's you done for. This has been. 226 00:10:53,200 --> 00:10:56,800 Speaker 2: And that was the stupid news. Thank you, John, cheers, 227 00:10:57,040 --> 00:10:57,600 Speaker 2: so you later.