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Speaker 1: It was a hypothetical.

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Speaker 2: It's a hypothetical, Joel's hypothetical.

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Speaker 3: I love any Friday, but my Fridays have got exponentially

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Speaker 3: better since meeting Joel because because this stuff just tickles me.

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Speaker 3: Will Joel joins us on the phone.

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Speaker 4: Hey Joel, how are you doing?

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Speaker 1: Good? Mate?

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Speaker 4: That jolly.

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Speaker 3: We've heard from the Prid's mate that you've had to

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Speaker 3: step away from something to engage in this week's hypothetical.

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Speaker 5: I'm at a wedding.

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Speaker 1: We heard your wedding rehearsal.

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Speaker 5: I'm dedicated.

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Speaker 1: Yeah, you're at a wedding rehearsal, so you must be

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Speaker 1: in the bridal party. Are you getting married?

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Speaker 5: No? No, I actually your producer taught me wedding terminology.

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Speaker 5: I was completely out of touch.

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Speaker 1: Oh okay, yeah, it's just the day before, that's all said,

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Speaker 1: so the rehearsal.

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Speaker 6: Yeah exactly, Yeah, right, okay.

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Speaker 1: Were you in the bridal party or.

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Speaker 5: Partner of the bridal party?

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Speaker 1: You're a partner of the bridal party, and geez, she's

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Speaker 1: got a good hold on you. Joel. You're going to

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Speaker 1: the wedding rehearsal, right, okay, exactly, and.

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Speaker 3: You've stepped away to give us a hypothetical. I love you, Joel,

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Speaker 3: love you, Joel, I love you.

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Speaker 5: I love you.

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Speaker 1: All right, let's get.

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Speaker 5: Are you ready?

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Speaker 1: Yeah, we're ready? Ready?

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Speaker 5: Okay, all right, So here's here's my hypothetical. I'm at

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Speaker 5: a wedding, so it's pretty fitting.

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Speaker 1: Oh, here we go.

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Speaker 5: It's for those out there who have partners. If your

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Speaker 5: partner by chance, right, it's just gone out for the

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Speaker 5: day and they've come back, like, honey, I don't know

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Speaker 5: how it happens, but I've knocked all my teeth out,

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Speaker 5: but I kind of like it. I like my gummy. Look, ye,

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Speaker 5: could you still be with them?

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Speaker 4: Have you seen the movie, Yes Man with Jim Carrey.

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Speaker 5: Yeah, that's like years ago, and my memory is not

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Speaker 5: that great.

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Speaker 1: Let's let's stick on the facts for everyone else who

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Speaker 1: hasn't seen it. Yeah.

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Speaker 3: Yeah, I can't go into my reasoning behind it anyway. Okay,

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Speaker 3: but if you've send the film, you know what I'm

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Speaker 3: talking about.

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Speaker 1: Okay.

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Speaker 3: Anyway, So Sam knocks out all her teeth, well, yep,

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Speaker 3: and she wants to remain toothless yep.

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Speaker 1: Gummy shark, gummy shark. Yeah. Can she get Dencher's Joel?

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Speaker 4: I don't think she wants them.

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Speaker 5: No, no, no, yeah, that's the thing that she doesn't

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Speaker 5: want that she likes.

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Speaker 1: Can I get any for special occasions, like you know,

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Speaker 1: she's allowed to have the look, but if you know,

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Speaker 1: if we're going over my parents place or something, I

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Speaker 1: can get a little bit of teeth in.

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Speaker 5: No, And you think that for something like that, if

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Speaker 5: you went out to dinner and they were just owning it,

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Speaker 5: you might get weird looks and you might maybe you

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Speaker 5: might not even get let in. But no, she gets

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Speaker 5: let she gets let in. She come out managers.

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Speaker 3: I think there's no one's stopping a woman at the

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Speaker 3: door for not having teeth.

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Speaker 4: But she can only have for soup.

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Speaker 5: There's a lot of places out there. Oh she's in one.

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Speaker 4: She's a cheaper she's a cheaper date. There's not that

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Speaker 4: many foods.

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Speaker 3: That Yeah, potato, mashed potato, soup, stewed fruit drinks.

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Speaker 1: Yeah.

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Speaker 5: State she gets the steak too.

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Speaker 4: So she like struggles with a steak, gums it. She

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Speaker 4: just gums down the steak.

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Speaker 3: Okay, Geez doesn't have to worry about brushing her teeth,

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Speaker 3: which is a beauty skin deep.

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Speaker 1: Yeah, you know, I'm very much in love with sim

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Speaker 1: I'd make it work.

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Speaker 3: I don't want to get to you personal here, but

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Speaker 3: I don't mind a nibble on my elbe.

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Speaker 5: Yeah, but it's different.

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Speaker 7: That's the limb of a leh.

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Speaker 1: It's arguably a little bit more sensual, isn't it.

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Speaker 5: Well, it's not. It's not a nibble anymore. You wouldn't

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Speaker 5: even remotely.

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Speaker 1: Ignoring at it. You're took what his ear by the way, yeah,

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Speaker 1: joint Joel.

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Speaker 3: What would you do, Joel if your if your partner

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Speaker 3: decided she didn't like her teeth anymore.

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Speaker 5: We haven't extended discussion about this. I think I'd have

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Speaker 5: to make it work. But it would be like every

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Speaker 5: maybe second night, I'd sit her down and be like, listen,

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Speaker 5: I found the best ansers place.

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Speaker 1: You should have a try.

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Speaker 3: You do anything you could right, Well, maybe you hit

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Speaker 3: a compromise and you go, look, it's my birthday.

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Speaker 4: Can you chuck some teeth in?

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Speaker 1: Yeah? Could you go like maybe like a half way house.

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Speaker 1: Could you get her to put like something else in

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Speaker 1: there other than teeth?

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Speaker 4: You know, maybe try and met her at Cane West.

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Speaker 1: Met her at the Yeah, some animal numbers or you know,

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Speaker 1: funk it up a little bit. I don't know, put

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Speaker 1: some rainbow teeth in there, you know, just you know,

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Speaker 1: oh yeah.

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Speaker 4: Like those the vampire teeth you get on Halloween. That's

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Speaker 4: a bit of fun. That's an interesting.

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Speaker 1: It's will it.

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Speaker 8: Woodies, Vegas Cabbes for Jonas Brothers.

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Speaker 1: Live for the first time in Australia.

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Speaker 9: The Jonas Brothers are bringing their five albums One Night

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Speaker 9: to Her to Us in March. Tickets on sale now

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Speaker 9: at live nation dot com dot au. Crazy Woods, absolutely

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Speaker 9: bloody crazy.

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Speaker 1: I was driving past one of the stadiums that the

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Speaker 1: Boys are playing out in the weekend. They're a big deal.

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Speaker 1: They're a huge deal.

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Speaker 4: Joe Bros.

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Speaker 1: Joe Brose a list, the Bronus Jonas. They're gonna be

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Speaker 1: here live the first time in Australia. Jonas Brothers bring

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Speaker 1: their five albums One Night to Our to us as

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Speaker 1: in March. We're here, we are in it, we are

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Speaker 1: in the month the performance month, as they called, and

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Speaker 1: the beers, I believe take us on sound our livenation

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Speaker 1: dot com dot are you. The way you can win

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Speaker 1: your way to go and see the Boys is by

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Speaker 1: guessing which song cover we are playing a song sung

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Speaker 1: by another bunch of brothers Woods.

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Speaker 4: Yes, there's a panasonic keyboard in here.

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Speaker 3: Will you'll be tickling the ivories on that electronic board.

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Speaker 4: I mean, have a listen to that Australia or was that?

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Speaker 4: What's that?

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Speaker 3: I don't know, I've just been playing You've been rapped anyway.

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Speaker 3: So we've we've got a song to rehearse us.

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Speaker 4: We've got a.

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Speaker 1: Song to rehearse getting warmed up, just getting warmed up.

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Speaker 3: It's not necessarily man, yeah, nice, you're getting wrapped well,

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Speaker 3: running out of time. So we've got a song to

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Speaker 3: put together, a song that's been performed by brothers. All right,

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Speaker 3: if you know who it is, your cause thirteen one

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Speaker 3: oh sixty five, okay, then.

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Speaker 4: Double the Jones brothers.

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Speaker 3: We get to see the song now, okay, interesting.

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Speaker 1: Alrighty, chances to go to the seat the Jonas brother's

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Speaker 1: got a guest. Which cover we are playing here in

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Speaker 1: the studio. It is a song sung by some other brothers, Yes,

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Speaker 1: some brothers from another mother's No, it's not at all,

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Speaker 1: but I just always wanted to say that. All right,

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Speaker 1: here we go. So we've got two people on the

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Speaker 1: line who want to win jeers going to the Joe Bros.

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Speaker 4: Yes, we've got Michelle and Stephanie here.

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Speaker 3: Hey, guys, Okay, the way this works, guys, your names

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Speaker 3: is buzzers.

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Speaker 4: Can we just turn will for a second. Yeah, yeah, no,

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Speaker 4: keep going, brother, keep going brother from another mother. I'm

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Speaker 4: just talking to Michelle and Steff.

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Speaker 3: So, guys, you'll hear a ding, and that's when you

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Speaker 3: can start to get so. After you hear the ding,

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Speaker 3: that's when you can yell your name out. It can't

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Speaker 3: get some sort of confirmation from.

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Speaker 4: Awesome, awesome. Okay, hey, hey, going over there, big guy.

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Speaker 4: Not well, not well, We'll be fine.

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Speaker 1: We'll be fine.

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Speaker 4: The rehearsal was good. Now can you appoint at me

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Speaker 4: when I start?

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Speaker 1: Okay, okay, Oh my god, this is gonna be bad.

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Speaker 4: How many? How many have we started?

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Speaker 3: There is freedom within, there is freedom without trying to catch.

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Speaker 4: The deluge in a paper cup.

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Speaker 1: Nice.

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Speaker 4: It's a battle ahead. Many battles are lost, but you'll

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Speaker 4: never see the end of the road while you're traveling

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Speaker 4: with me. Here we go.

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Speaker 10: Hey, now, hell, now, don't do it.

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Speaker 1: I don't even keep the drums in yet.

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Speaker 4: What is Michelle? That's our best yet? Egon, that was

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Speaker 4: pretty good. I felt really good.

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Speaker 1: Never get the drums in there? Did you want the drums?

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Speaker 4: I definitely wanted the drums to cover up some of

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Speaker 4: my singing.

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Speaker 1: Yeah, you can take us out of you of chorus.

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Speaker 4: Hey now.

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Speaker 6: Bill Woodie percent the Squreliest, Tallest.

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Speaker 9: Explore Australia's biggest arts festival, Adelaide Fride f sixteen to

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Speaker 9: March seventeen.

187
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Speaker 1: Tickets at Adelaide.

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Speaker 4: Fringe dot com dot ain't you audro.

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Speaker 1: We are sending the best storytellers in Australia to the

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Speaker 1: Adelaide Fringe Festival. Yes, and they will all compete for

191
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Speaker 1: the Ultimate Story Glory. Ten thousand dollars is the main

192
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Speaker 1: prize if you can get an entry, So the way

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Speaker 1: to do it go to Williamwio dot com. Tell us

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Speaker 1: your story. If you get on the radio and we agree,

195
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Speaker 1: then you get flights and your a com all covered

196
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Speaker 1: for us to go to the Adelaide Fringe all thanks

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Speaker 1: to Rex. They're doing all the flights thanks to Rex,

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Speaker 1: Ja's most reliable airline. Book younext flight Rex dot com

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Speaker 1: dot au.

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Speaker 3: Yeah, we sent Hailey yesterday Wilber who told a cracking tale.

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Speaker 3: But you know what, we've got a bit of audio here.

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Speaker 3: I think it's worth hearing Hailey's story again. This is

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Speaker 3: the kind of quality you need to be sent instantly

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Speaker 3: to the Adelaide fringe.

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Speaker 11: So my dog painting had a problem with him Willie

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Speaker 11: and I noticed that. It came out one day and

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Speaker 11: about a week later it was still eate. So I

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Speaker 11: gave us that a call and she was like, oh,

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Speaker 11: that's an emergency. You need to rush him in names

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Speaker 11: So I left work, I took them in. She gave

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Speaker 11: them a quick hand job, and she was like, cool,

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Speaker 11: it's all sorted. You had whole nae. It won't happen again.

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Speaker 1: Sorry, you've got you tell us.

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Speaker 4: That you said.

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Speaker 1: That's so.

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Speaker 11: So she sent me home and was like, it should

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Speaker 11: be fine, it won't happen again. We got home, he weeds,

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Speaker 11: it came back out. I'm like, oh, this is an emergency.

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Speaker 11: So I take him back in the next day, she

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Speaker 11: gives him another hand job, and she's like, I think

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Speaker 11: we need to look at a more permanent solution. Bear

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Speaker 11: in mind, it's one hundred and eighty five dollars for

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Speaker 11: a dug hand job.

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Speaker 4: I'll go.

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Speaker 11: We can book them in a month's time. I was like,

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Speaker 11: I can't afford one hundred and eighty five dollars every

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Speaker 11: time it comes out in the next month. What you

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Speaker 11: can do is you can either bring them back in

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Speaker 11: or you can do it yourself. How to do hand

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Speaker 11: job and send home to make my decisions. So on

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Speaker 11: the way home, I stopped in a Calls to pick

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Speaker 11: up a couple of things for dinner, and I noticed

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Speaker 11: in the corner of my eye a bottle of loup

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Speaker 11: and I think myself, Oh, the vet you start on

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Speaker 11: Paddington today, it's probably picture of that. Yeah, you just

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Speaker 11: say he had a surgery a month later and he

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Speaker 11: didn't see the vat in between.

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Speaker 1: Give me a.

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Speaker 3: Number, Haley, how many times did you help out your

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Speaker 3: dog Paddington?

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Speaker 2: Oh?

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Speaker 12: Probably like twice a day?

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Speaker 1: Maybe, sweet, unbelievable stuff that truly, it's un twice a day, believable.

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Speaker 4: Twice a day for a month. That's that's sixty sixty

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Speaker 4: for mine. Wow, anyway, run up next.

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Speaker 1: Thirty's actually outrageous. We've got more, right, don't we know? Again?

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Speaker 1: If you heard that and you're like, I've got a

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Speaker 1: great story in the bank, I wheel this out all

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Speaker 1: the time. Maybe you've got a dad or a friend

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Speaker 1: who's got a cracking story and you think it's a

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Speaker 1: ten thousand dollars story.

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Speaker 3: Ten thousand bucks is yours, Steve O. You are sitting

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Speaker 3: on a belt of a story. I can't wait to

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Speaker 3: hear it. Why don't we just crack instead?

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Speaker 12: How are we? Boys? And I do love telling it?

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Speaker 4: Okay?

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Speaker 1: Great?

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Speaker 12: Right?

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Speaker 5: Say?

260
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Speaker 12: Old man starts watching TikTok thinks he can pull off

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Speaker 12: pranks that these guys can do. No worries, let's go try.

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Speaker 12: He invites to save her for dinner. He's cut out

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Speaker 12: a goldfish from a carrot and he's put it in

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Speaker 12: his fish tank.

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Speaker 1: Like like like the stencil of a goldfish.

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Speaker 12: Yeah. My daughter goes over for dinner. Grandpa, Grandpa, your

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Speaker 12: fish is dead.

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Speaker 5: Ah.

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Speaker 12: He comes running over to it, grabs it out of

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Speaker 12: a fish tank, takes a massive bite, mortifies my daughter.

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Speaker 1: Yeah. Yeah, good good. And I like where this is going.

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Speaker 12: On, so I'm like, I'll get him back. Do you

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Speaker 12: we go camping? Boy? We go camping?

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Speaker 1: Yeah?

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Speaker 4: Yeah?

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Speaker 12: I dip my finger in the petrol container and rub

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Speaker 12: it on his top lips.

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Speaker 4: Yep.

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Speaker 12: But my little body throws a bucket of water on him,

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Speaker 12: so he spakes up smith and Jesus, he's been covered

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Speaker 12: in petrol. So he gets out running. Meanwhile, myself, my

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Speaker 12: brother and a little boy a flicking matches at him.

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00:13:11,080 --> 00:13:14,439
Speaker 12: Gets better, it gets better. In the process of him

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Speaker 12: running away, trips over a camp chair, breaks two ribs.

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Speaker 5: Oh so.

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00:13:23,640 --> 00:13:28,160
Speaker 12: He has a pull a prank s.

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Speaker 4: Tell me more, tell me more.

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Speaker 12: So he's just recovered from his broken ribs. He takes

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Speaker 12: some calm hay down to the cows and give him

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Speaker 12: a feed. One of the cows gets a bit lippy

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Speaker 12: head button breaks two ribs on the other side. Oh,

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Speaker 12: I thought it was the best.

293
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Speaker 4: This is all calmer for quite a small little.

294
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Speaker 12: And the piece wasn't start off multiple planks. Ceazy falls me.

295
00:14:04,200 --> 00:14:05,079
Speaker 12: He will crux me out.

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Speaker 5: We love it?

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00:14:08,040 --> 00:14:10,960
Speaker 4: Yeah, sure, for sure, surest.

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Speaker 1: I'll tell you what. A few people listening right now

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00:14:13,480 --> 00:14:16,360
Speaker 1: got a camping trip lined up this weekend. That is

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Speaker 1: all time.

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Speaker 3: That's pretty aggressive, I reckon that, I think so. The

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00:14:20,240 --> 00:14:22,960
Speaker 3: goldfish run though, that that is good clean fun.

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00:14:23,160 --> 00:14:25,600
Speaker 1: Really, I was thinking that the old match flicking was

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00:14:26,200 --> 00:14:33,360
Speaker 1: would hope you got a great story and you want

305
00:14:33,360 --> 00:14:35,240
Speaker 1: to compete for ten thousand dollars Head on to Willem

306
00:14:35,320 --> 00:14:37,520
Speaker 1: dot com or you go do tell us your story

307
00:14:37,560 --> 00:14:40,880
Speaker 1: and again you could win ten thousand dollars, go to

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00:14:40,920 --> 00:14:42,840
Speaker 1: the final as well as the Adelaide Fringe Festival, doing

309
00:14:42,880 --> 00:14:44,360
Speaker 1: your flights and your a comp.

310
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Speaker 2: Taking all every second, self serve checkouts, my fancible second

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00:14:50,760 --> 00:14:57,560
Speaker 2: artificial intelligence, it's taking all the radio.

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00:14:58,400 --> 00:15:00,000
Speaker 1: Got chat gp taking over the show.

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Speaker 3: Yes, chat GPT, it's just AI effectively. So we chuck

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00:15:05,600 --> 00:15:08,880
Speaker 3: a news story into chat GPT or more specifically Tom

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00:15:08,880 --> 00:15:10,680
Speaker 3: a button push that does that because he's good with

316
00:15:10,720 --> 00:15:14,400
Speaker 3: the tech, and then chat GPT just getting your phone. Tom,

317
00:15:14,680 --> 00:15:16,880
Speaker 3: he did fix my phone. He fixes everything to do.

318
00:15:16,960 --> 00:15:20,200
Speaker 1: To work at the genius bar. I wasn't good enough

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Speaker 1: for the genius I was just a specialist. I didn't

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00:15:22,600 --> 00:15:23,960
Speaker 1: meant to bring that up. You were good enough in

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Speaker 1: my specialist in the red zone. Sometimes in the family room.

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Speaker 1: That's nice as a family room. We're talking about you

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00:15:29,440 --> 00:15:30,960
Speaker 1: at Montograph for a while there, but yeah, let's in

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00:15:31,040 --> 00:15:34,040
Speaker 1: the family room and the red zone larger the family room,

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Speaker 1: and I had to back out.

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Speaker 3: Anyway, Let's focus on the story that we want to

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Speaker 3: put into chat GPT, and this is this is a

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Speaker 3: story that really tickles me, so DJ corled.

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Speaker 1: Gjet colored.

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Speaker 4: He knows his way around a tune. D excuse me.

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Speaker 1: It doesn't fly.

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00:15:53,720 --> 00:15:56,000
Speaker 4: Fear of flying, fear of genuine. That's why he doesn't

333
00:15:56,000 --> 00:15:57,480
Speaker 4: tour anyway.

334
00:15:58,080 --> 00:16:01,360
Speaker 1: I have to tranquilize him before and he just wakes

335
00:16:01,440 --> 00:16:02,200
Speaker 1: up where he's playing.

336
00:16:02,520 --> 00:16:05,640
Speaker 4: Yeah, what a life. Anyway, it doesn't fly. Also, it

337
00:16:05,640 --> 00:16:06,560
Speaker 4: doesn't like to walk.

338
00:16:07,480 --> 00:16:10,880
Speaker 3: He's been caught on social media asking his bodyguards to

339
00:16:10,920 --> 00:16:12,920
Speaker 3: carry him to the stage.

340
00:16:13,520 --> 00:16:15,760
Speaker 13: I don't want to get my chorders dirty? Can I

341
00:16:15,800 --> 00:16:22,400
Speaker 13: get anybody help me? I appreciate you can't mess up

342
00:16:22,440 --> 00:16:24,960
Speaker 13: the cheese. I'll performing live right now.

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00:16:26,040 --> 00:16:27,640
Speaker 4: Why you or Miami be sulpi?

344
00:16:29,840 --> 00:16:31,400
Speaker 1: My god?

345
00:16:31,520 --> 00:16:34,320
Speaker 3: Do you want to get the Jays dirty?

346
00:16:34,360 --> 00:16:36,120
Speaker 4: So he got carried to the stage.

347
00:16:36,240 --> 00:16:40,480
Speaker 3: So we've chucked that story into chat GPT. Tommy, what

348
00:16:40,560 --> 00:16:43,720
Speaker 3: are the phone topics that chat GPT has put together.

349
00:16:43,560 --> 00:16:46,160
Speaker 8: Some absolute caucus today from chat GPT. The first one,

350
00:16:46,480 --> 00:16:47,320
Speaker 8: who did you carry?

351
00:16:48,640 --> 00:16:50,600
Speaker 4: It's simple? Nice, simple, but it could be fun.

352
00:16:51,040 --> 00:16:52,960
Speaker 1: Did you get someone else to carry your Jays?

353
00:16:53,760 --> 00:16:54,000
Speaker 3: Oh?

354
00:16:54,080 --> 00:16:56,040
Speaker 4: Yeah, nice tweet, nice tweek.

355
00:16:56,280 --> 00:16:57,600
Speaker 1: Have you traveling internationally?

356
00:16:58,240 --> 00:17:00,520
Speaker 4: Yeah?

357
00:17:00,720 --> 00:17:03,080
Speaker 1: Number two? Outrageous boss requests.

358
00:17:03,600 --> 00:17:07,679
Speaker 4: Oh he's the boss, and that's a pretty outrageous request.

359
00:17:07,680 --> 00:17:08,159
Speaker 1: I don't mind it.

360
00:17:08,240 --> 00:17:09,760
Speaker 4: Chat gpt what else we got?

361
00:17:10,440 --> 00:17:13,080
Speaker 8: And the last one it spout out is what got

362
00:17:13,200 --> 00:17:15,240
Speaker 8: dirty that you didn't want to.

363
00:17:15,800 --> 00:17:17,680
Speaker 4: Because he was trying to get you keep his shoes clean?

364
00:17:17,720 --> 00:17:20,000
Speaker 4: He's trying to keep his shoes clean. What do you like? Well?

365
00:17:20,280 --> 00:17:23,639
Speaker 1: None of them? You know, I don't like this segment.

366
00:17:23,680 --> 00:17:28,960
Speaker 4: What do you what do you hate? Least? Who'd you carry?

367
00:17:30,280 --> 00:17:32,280
Speaker 1: I think? Who'd you have to carry? Is is fun?

368
00:17:32,280 --> 00:17:33,240
Speaker 4: Who do you have to carry him?

369
00:17:33,240 --> 00:17:36,359
Speaker 1: Why? And obviously we don't want to hear about like

370
00:17:36,480 --> 00:17:38,879
Speaker 1: taking your child from the car to now boring?

371
00:17:39,680 --> 00:17:41,080
Speaker 4: What's adult did you carry?

372
00:17:41,560 --> 00:17:43,639
Speaker 1: Yeah? Which adult did you have? Which carry? Yes?

373
00:17:43,720 --> 00:17:45,119
Speaker 4: And why did you have to carry them?

374
00:17:45,119 --> 00:17:45,439
Speaker 6: What are you?

375
00:17:45,600 --> 00:17:46,960
Speaker 1: What are you hoping for here?

376
00:17:47,200 --> 00:17:47,720
Speaker 4: Dream call?

377
00:17:48,359 --> 00:17:51,720
Speaker 1: Are you about to carry someone like an adult?

378
00:17:53,000 --> 00:17:54,960
Speaker 3: Sometimes my partner when we go for a walk gets

379
00:17:55,040 --> 00:18:01,800
Speaker 3: very tired. We have a final which adult?

380
00:18:02,160 --> 00:18:03,480
Speaker 1: Which adult did you?

381
00:18:03,520 --> 00:18:03,680
Speaker 5: Did?

382
00:18:03,720 --> 00:18:03,800
Speaker 14: You?

383
00:18:04,080 --> 00:18:05,679
Speaker 1: Did you find hisself? An addition where you had to

384
00:18:05,720 --> 00:18:06,240
Speaker 1: carry them?

385
00:18:06,400 --> 00:18:11,440
Speaker 4: Dream call? Komodo dragon attacked my wife? She lost her foot?

386
00:18:11,600 --> 00:18:14,679
Speaker 4: Oh wow, so she got mauled wow by Kimodo dragon?

387
00:18:14,760 --> 00:18:16,399
Speaker 3: Yeah, you said, then I had to carry her to

388
00:18:16,440 --> 00:18:18,800
Speaker 3: a helicopter that's dream call.

389
00:18:18,960 --> 00:18:20,280
Speaker 1: Is this still Mimi in this now?

390
00:18:21,440 --> 00:18:24,080
Speaker 4: No, it's had to be a bit weird. One six five?

391
00:18:24,640 --> 00:18:26,800
Speaker 4: Who'd you have to carry? And it has to be adults.

392
00:18:28,119 --> 00:18:30,920
Speaker 1: We got to hear the audio. It's good. I don't

393
00:18:30,920 --> 00:18:32,160
Speaker 1: want to get my shorders dirty?

394
00:18:32,320 --> 00:18:32,880
Speaker 6: Can I can?

395
00:18:32,880 --> 00:18:34,000
Speaker 4: I get everybody to help.

396
00:18:33,840 --> 00:18:40,520
Speaker 13: Me appreciate you can't mess up the cheese and I'll

397
00:18:40,560 --> 00:18:42,080
Speaker 13: perform a live right now.

398
00:18:43,240 --> 00:18:45,840
Speaker 4: Why you're on Miami be sufage chain.

399
00:18:45,920 --> 00:18:49,040
Speaker 3: He's slapping his bodyguard there, No, that sounded like a

400
00:18:49,080 --> 00:18:50,240
Speaker 3: table table.

401
00:18:50,800 --> 00:18:51,520
Speaker 1: That sounded like that.

402
00:18:51,840 --> 00:18:57,080
Speaker 3: I'm picturing a corl ed like getting piggy backed by bodyguards,

403
00:18:57,119 --> 00:19:00,600
Speaker 3: slapping the bald bodyguard's head what I picture in it?

404
00:19:00,680 --> 00:19:00,880
Speaker 12: Yeah?

405
00:19:00,920 --> 00:19:02,800
Speaker 1: Yeah, yeah, But he's in the air when he says,

406
00:19:02,840 --> 00:19:06,720
Speaker 1: when he says, that's what I'm imagining. That's what he's getting.

407
00:19:06,920 --> 00:19:07,400
Speaker 4: Is he I think?

408
00:19:07,520 --> 00:19:08,800
Speaker 1: Is he a big guy?

409
00:19:09,440 --> 00:19:12,000
Speaker 4: DJ Carlett? Yeah, I wouldn't say he's a small guy.

410
00:19:12,920 --> 00:19:13,480
Speaker 1: That's safe.

411
00:19:13,800 --> 00:19:14,520
Speaker 4: Yeah.

412
00:19:14,560 --> 00:19:18,280
Speaker 3: Anyway, So chat JPT wanted to do the topic thirteen

413
00:19:18,320 --> 00:19:20,119
Speaker 3: one oh sixty five. If you can relate to it,

414
00:19:20,160 --> 00:19:23,040
Speaker 3: if you can engage with it, who'd you have to carry?

415
00:19:23,400 --> 00:19:26,760
Speaker 4: He's a big guysy DJ Carlor, big fella. Yeah, who'd

416
00:19:26,800 --> 00:19:27,639
Speaker 4: you have to carry?

417
00:19:27,680 --> 00:19:27,840
Speaker 10: Now?

418
00:19:27,840 --> 00:19:30,000
Speaker 3: The only story that came to mind for me, which

419
00:19:30,000 --> 00:19:33,040
Speaker 3: I you know, maybe radio word. I was in the

420
00:19:33,040 --> 00:19:36,239
Speaker 3: ocean recently and I thought a woman was drowning, so

421
00:19:36,400 --> 00:19:40,600
Speaker 3: I believed she needed to be carried. So I was like, yeah,

422
00:19:41,520 --> 00:19:43,280
Speaker 3: I will carry, I will be the carrier.

423
00:19:44,000 --> 00:19:44,320
Speaker 1: Anyway.

424
00:19:44,359 --> 00:19:46,720
Speaker 3: It turns out she was just staying underwater because she'd

425
00:19:46,840 --> 00:19:48,119
Speaker 3: lost her bottoms.

426
00:19:49,880 --> 00:19:51,679
Speaker 1: Yeah, and you were trying to drag her out bottom

427
00:19:51,760 --> 00:19:52,320
Speaker 1: or trying.

428
00:19:52,080 --> 00:19:53,879
Speaker 4: To carry her out anyway.

429
00:19:53,920 --> 00:19:56,560
Speaker 3: Yeah, So yeah, there's there's an example. So thirteen one

430
00:19:56,560 --> 00:19:58,919
Speaker 3: oh sixty five, who'd you have to carry? Whether it's

431
00:19:58,920 --> 00:20:01,680
Speaker 3: a success or a failure, let's go to Nathan here, Nathan,

432
00:20:01,760 --> 00:20:02,560
Speaker 3: knock our socks off?

433
00:20:02,560 --> 00:20:03,800
Speaker 4: Who'd you have to carry?

434
00:20:04,440 --> 00:20:04,680
Speaker 1: Hey?

435
00:20:04,680 --> 00:20:07,080
Speaker 6: Boys, I went out drink them all night, my mate.

436
00:20:07,160 --> 00:20:10,360
Speaker 6: So one of them just located his knee stuff at

437
00:20:10,359 --> 00:20:12,760
Speaker 6: the start of the day at work. Sorry, I was

438
00:20:12,800 --> 00:20:16,080
Speaker 6: drinking later that night and throughout night we on his

439
00:20:16,240 --> 00:20:18,000
Speaker 6: house up the Central Coast, and I had to came

440
00:20:18,080 --> 00:20:20,639
Speaker 6: up and down the stairs. And let's just say it

441
00:20:20,680 --> 00:20:21,560
Speaker 6: was a very light bloke.

442
00:20:22,600 --> 00:20:27,520
Speaker 4: You just carried a mate the entire night pretty much.

443
00:20:27,600 --> 00:20:29,080
Speaker 6: Yeah, I was his right hand man.

444
00:20:29,080 --> 00:20:31,600
Speaker 4: I guess you could say, yeah, I'm going to say why.

445
00:20:31,840 --> 00:20:35,640
Speaker 3: But I was once carried for an entire night by

446
00:20:35,640 --> 00:20:37,400
Speaker 3: a man named Adrian Zorzi.

447
00:20:38,040 --> 00:20:38,479
Speaker 4: Remember that?

448
00:20:38,600 --> 00:20:39,800
Speaker 1: Yeah, I do remember that.

449
00:20:39,880 --> 00:20:40,199
Speaker 4: Remember that.

450
00:20:41,840 --> 00:20:43,600
Speaker 1: We can't say why, So we're gonna put it.

451
00:20:43,560 --> 00:20:44,160
Speaker 4: Down to Tara.

452
00:20:44,280 --> 00:20:49,639
Speaker 1: He shot outsting, Tara, Tara, have you ever had to

453
00:20:49,680 --> 00:20:50,960
Speaker 1: carry an adult? And why?

454
00:20:51,560 --> 00:20:54,720
Speaker 6: Hey, guys, No, I got carried.

455
00:20:55,400 --> 00:20:57,720
Speaker 5: I was I was young.

456
00:20:57,880 --> 00:21:00,399
Speaker 6: I had to get my sister to carry me, and

457
00:21:00,600 --> 00:21:02,960
Speaker 6: I didn't want to get my wiggle socks dirty, and

458
00:21:03,160 --> 00:21:05,640
Speaker 6: I and.

459
00:21:05,600 --> 00:21:06,800
Speaker 5: I ended up with a concussion.

460
00:21:07,040 --> 00:21:10,240
Speaker 1: So she dropped you.

461
00:21:10,359 --> 00:21:12,560
Speaker 15: Yeah, I was so I wanted my wigle socks to

462
00:21:12,600 --> 00:21:14,119
Speaker 15: be clean. I was like six.

463
00:21:14,320 --> 00:21:16,240
Speaker 1: No, I know that, But how did you get the concussion?

464
00:21:17,280 --> 00:21:17,760
Speaker 12: She felt?

465
00:21:17,920 --> 00:21:22,919
Speaker 4: I felt, Yeah, she dropped so quickly, go dear. I

466
00:21:22,920 --> 00:21:24,359
Speaker 4: mean that's the danger you can.

467
00:21:24,240 --> 00:21:26,240
Speaker 1: You ever, America? Can you imagine owning a pair of

468
00:21:26,280 --> 00:21:28,480
Speaker 1: shoes or socks that you cared about so much you

469
00:21:28,520 --> 00:21:29,520
Speaker 1: didn't want to get dirty.

470
00:21:29,960 --> 00:21:30,360
Speaker 6: Nah?

471
00:21:30,560 --> 00:21:32,920
Speaker 4: No, I'm not a shoe shoe and socker. I was

472
00:21:32,960 --> 00:21:35,520
Speaker 4: a football guy. I liked footballs when I was young.

473
00:21:35,600 --> 00:21:37,560
Speaker 1: So she kind of thinking of piggyback out of like

474
00:21:37,560 --> 00:21:39,360
Speaker 1: a wedding or something before because her feet a saw.

475
00:21:39,520 --> 00:21:42,639
Speaker 1: But think back to the airbnb or something I've definitely

476
00:21:42,760 --> 00:21:45,200
Speaker 1: carried a few weekends ago. Yeah, it's a high heel things.

477
00:21:45,200 --> 00:21:47,199
Speaker 4: It's a heel thing. They get stuck in the grass.

478
00:21:47,440 --> 00:21:52,560
Speaker 1: No, I was more just like aching feet, Chloe said, Chloe.

479
00:21:53,080 --> 00:21:54,600
Speaker 4: Hi, who did you have to carry?

480
00:21:54,640 --> 00:21:59,480
Speaker 15: Chloe went out with my partner obviously had a few

481
00:21:59,480 --> 00:22:02,520
Speaker 15: too many, so a party came home. He fell asleep

482
00:22:02,560 --> 00:22:06,200
Speaker 15: in the car. Couldn't get him awake to carry him inside,

483
00:22:06,200 --> 00:22:07,160
Speaker 15: which can end up too.

484
00:22:07,080 --> 00:22:10,880
Speaker 1: Well, by yourself. You carried a grown man by yourself

485
00:22:10,920 --> 00:22:12,159
Speaker 1: out of a car into a house.

486
00:22:12,800 --> 00:22:15,720
Speaker 15: Yep, we're by myself up the few stairs and then

487
00:22:15,800 --> 00:22:16,320
Speaker 15: inside and.

488
00:22:16,920 --> 00:22:19,800
Speaker 1: Ragging him like he was he helping at all? Was

489
00:22:19,800 --> 00:22:20,680
Speaker 1: he completely?

490
00:22:21,240 --> 00:22:21,400
Speaker 6: Not?

491
00:22:21,440 --> 00:22:21,680
Speaker 5: Really?

492
00:22:21,680 --> 00:22:24,199
Speaker 15: He was grunting a little, but not really helping at all.

493
00:22:24,720 --> 00:22:28,080
Speaker 4: He was one pretending to be That is well played,

494
00:22:31,040 --> 00:22:40,159
Speaker 4: Lady General Willard Woodies fine alone. I love this. I

495
00:22:40,240 --> 00:22:42,640
Speaker 4: look forward to it every Friday. I think we're very

496
00:22:42,640 --> 00:22:43,360
Speaker 4: good at this.

497
00:22:43,200 --> 00:22:45,320
Speaker 1: Will And you've thrown down the gauntlet here, You've thrown

498
00:22:45,359 --> 00:22:47,080
Speaker 1: down the bird is the word.

499
00:22:47,520 --> 00:22:48,399
Speaker 4: Don't do it often?

500
00:22:49,480 --> 00:22:51,960
Speaker 1: One hundred dollars to go and spend a red rooder

501
00:22:52,000 --> 00:22:53,720
Speaker 1: for somebody who can convince this. They're in the car

502
00:22:53,760 --> 00:22:54,400
Speaker 1: with somebody else.

503
00:22:54,640 --> 00:22:57,240
Speaker 3: Yes, because you put you, you put that person on

504
00:22:57,280 --> 00:22:59,280
Speaker 3: the phone. Will you try and guess is it someone

505
00:22:59,400 --> 00:23:02,800
Speaker 3: real or your putting on the voice. Let's go to Craigi. Here, Craig,

506
00:23:03,040 --> 00:23:04,280
Speaker 3: who are you in the car with?

507
00:23:04,960 --> 00:23:05,120
Speaker 15: Hey?

508
00:23:05,160 --> 00:23:05,480
Speaker 5: You going?

509
00:23:05,560 --> 00:23:07,840
Speaker 12: Boys, I'm in the car with me, mate, Steve, and

510
00:23:07,880 --> 00:23:11,919
Speaker 12: here Steven. Yeah, when you're sitting in some traffic.

511
00:23:11,760 --> 00:23:13,200
Speaker 4: Nice chuck Steven on the phone.

512
00:23:13,200 --> 00:23:17,760
Speaker 7: Please, here you go, boys, there you go pretty good.

513
00:23:17,800 --> 00:23:20,800
Speaker 4: Steve, though, what's on for your Friday night with Craig.

514
00:23:22,280 --> 00:23:23,440
Speaker 12: Fucking traffic at the moment?

515
00:23:23,520 --> 00:23:24,040
Speaker 4: Mate?

516
00:23:25,720 --> 00:23:29,920
Speaker 1: Hey Steve, what's Craig's best physical feature?

517
00:23:31,880 --> 00:23:33,119
Speaker 7: I have to say, muscle?

518
00:23:33,720 --> 00:23:38,840
Speaker 3: Which muscle? Which muscle? Which muscle? In particular? Craig put

519
00:23:38,840 --> 00:23:43,040
Speaker 3: Craig back on. Please yeah, boys, Hey Craig.

520
00:23:43,160 --> 00:23:45,080
Speaker 4: What's Steve's best physical feature?

521
00:23:45,840 --> 00:23:47,600
Speaker 7: Oh it's gonna be his ears?

522
00:23:47,600 --> 00:23:50,080
Speaker 1: Man? Why? What what is it about the ears? I mean,

523
00:23:50,080 --> 00:23:51,440
Speaker 1: the biceps I get, but what is it.

524
00:23:51,359 --> 00:23:54,159
Speaker 6: About they just they're just they're just out there, They're massive,

525
00:23:54,200 --> 00:23:55,879
Speaker 6: They're just in a good way, you know.

526
00:23:55,920 --> 00:23:56,320
Speaker 3: What I mean.

527
00:23:56,640 --> 00:24:02,200
Speaker 1: Okay, Okay, let's let's go back to Steve. I reckon Dave.

528
00:24:03,760 --> 00:24:04,880
Speaker 4: There's two different people there.

529
00:24:05,280 --> 00:24:08,120
Speaker 1: Steve Craig's biceps could make a noise. What would they make?

530
00:24:10,960 --> 00:24:18,200
Speaker 7: Oh, Jesus, I don't know, like a bang noise?

531
00:24:18,720 --> 00:24:19,359
Speaker 1: Like a banging.

532
00:24:22,640 --> 00:24:23,280
Speaker 4: You guys are real.

533
00:24:25,119 --> 00:24:25,919
Speaker 12: Yeah, you got a.

534
00:24:27,480 --> 00:24:29,440
Speaker 1: Great game banging man love.

535
00:24:29,520 --> 00:24:34,600
Speaker 4: That's standing for the wang bang. It's got to Vanessa.

536
00:24:35,240 --> 00:24:37,160
Speaker 1: This weekend?

537
00:24:36,280 --> 00:24:38,560
Speaker 4: Are the Oh Vanessa in.

538
00:24:38,520 --> 00:24:40,480
Speaker 12: The car with I'm good?

539
00:24:40,480 --> 00:24:41,280
Speaker 5: How are you, guys?

540
00:24:41,440 --> 00:24:43,040
Speaker 12: I am in the car with my sister.

541
00:24:43,880 --> 00:24:49,240
Speaker 4: What's what's her name? Her name is Alyssa, Alyssa nice?

542
00:24:49,280 --> 00:24:50,159
Speaker 4: Older you or younger?

543
00:24:50,840 --> 00:24:51,720
Speaker 12: She's younger than me?

544
00:24:51,920 --> 00:24:52,840
Speaker 4: How many years?

545
00:24:53,640 --> 00:24:54,680
Speaker 14: Oh? I'm the old one.

546
00:24:54,720 --> 00:24:57,880
Speaker 11: Sho's I'm thirty six and she is eighteen?

547
00:24:58,040 --> 00:24:58,520
Speaker 5: Lucky her?

548
00:24:59,320 --> 00:25:04,000
Speaker 4: Did you hesitate there? Can you throw lucky? Can you

549
00:25:04,040 --> 00:25:05,199
Speaker 4: throw on a? Lissa? Please?

550
00:25:06,000 --> 00:25:07,439
Speaker 12: I can put Alyssa on.

551
00:25:07,720 --> 00:25:17,199
Speaker 1: Okay, hold already go Hi, Hi Alissa, Hi, Alissa?

552
00:25:17,280 --> 00:25:18,480
Speaker 4: I what are you doing tonight? Alyssa?

553
00:25:21,560 --> 00:25:22,719
Speaker 12: I'm going to watch a movie.

554
00:25:23,400 --> 00:25:25,240
Speaker 1: Oh yeah, what movie are you going to watch? As

555
00:25:25,280 --> 00:25:26,600
Speaker 1: an eighteen year old?

556
00:25:29,560 --> 00:25:30,040
Speaker 14: Mean girl?

557
00:25:31,080 --> 00:25:32,760
Speaker 1: Mean girls sounds.

558
00:25:32,320 --> 00:25:35,959
Speaker 3: Old like there's a there's a remake. There's a remake

559
00:25:36,040 --> 00:25:37,600
Speaker 3: of Mean Girls, which is an.

560
00:25:37,920 --> 00:25:39,840
Speaker 1: That you've given that to it? Well, okay, so who

561
00:25:40,000 --> 00:25:42,280
Speaker 1: stars in the remake of Mean Girls?

562
00:25:42,320 --> 00:25:42,800
Speaker 4: Alyssa?

563
00:25:44,800 --> 00:25:51,400
Speaker 1: Who's the star Alyssa with the pauses? I don't know names,

564
00:25:51,520 --> 00:25:54,600
Speaker 1: you don't I don't know names. I think it's just Vanessa,

565
00:25:55,160 --> 00:25:56,040
Speaker 1: just you, Vanessa.

566
00:25:57,760 --> 00:26:01,400
Speaker 3: Oh yeah, you say good effort, though.

567
00:26:02,600 --> 00:26:05,680
Speaker 1: Just mimicked and mocked an eighteen year old otherwise Brady

568
00:26:05,800 --> 00:26:11,720
Speaker 1: on thirty one six five? Can I Brady? Hey, yeah,

569
00:26:11,840 --> 00:26:12,760
Speaker 1: good Man? Are in the cover?

570
00:26:13,800 --> 00:26:14,000
Speaker 13: Yeah?

571
00:26:14,040 --> 00:26:16,880
Speaker 1: No, Bed, You're no bed? Who are you there with? Though?

572
00:26:16,880 --> 00:26:24,080
Speaker 1: Bradycky Becky Becky or Seki Tecky Seki? Who is Seki?

573
00:26:25,640 --> 00:26:26,240
Speaker 12: Work mate?

574
00:26:26,480 --> 00:26:29,480
Speaker 4: All right, Chuck Sechi on the big sexy?

575
00:26:30,040 --> 00:26:31,080
Speaker 1: Oh good? I Seki?

576
00:26:31,200 --> 00:26:33,840
Speaker 5: How are you? Let's about yourself?

577
00:26:34,560 --> 00:26:34,879
Speaker 4: Good?

578
00:26:34,960 --> 00:26:35,120
Speaker 15: Good?

579
00:26:35,119 --> 00:26:36,879
Speaker 4: What's what area do you work in?

580
00:26:37,000 --> 00:26:38,359
Speaker 1: Secid? I don't know what to make.

581
00:26:38,240 --> 00:26:41,720
Speaker 3: Of all around Sydney, you were all around?

582
00:26:41,720 --> 00:26:44,200
Speaker 1: I think he was asking more vocation. But that's cool, Sechi.

583
00:26:44,240 --> 00:26:47,800
Speaker 1: All right, let's chuck Brady back on if we can. Hello,

584
00:26:48,960 --> 00:26:52,679
Speaker 1: Oh hey, Brady, Brady, how well? I mean, what's your

585
00:26:52,680 --> 00:26:56,320
Speaker 1: favorite thing about Seki? I mean, describe your perfect day?

586
00:26:56,359 --> 00:26:56,919
Speaker 1: With Seki.

587
00:26:58,280 --> 00:26:59,840
Speaker 12: There's never a perfect day with this.

588
00:27:00,720 --> 00:27:01,960
Speaker 1: Oh you don't like him?

589
00:27:02,800 --> 00:27:03,760
Speaker 7: He's a bit of a pine.

590
00:27:04,200 --> 00:27:06,160
Speaker 4: Oh yeah, and what do you think about that? Said?

591
00:27:06,200 --> 00:27:09,600
Speaker 4: You throw Seki back on seih I.

592
00:27:09,560 --> 00:27:10,640
Speaker 5: Can probably say the same thing.

593
00:27:11,600 --> 00:27:13,040
Speaker 1: Yeah, So why are you guys in the same car?

594
00:27:13,080 --> 00:27:13,240
Speaker 6: Then?

595
00:27:13,240 --> 00:27:14,200
Speaker 1: If you don't like each other?

596
00:27:18,400 --> 00:27:19,560
Speaker 12: The only way I can go to live?

597
00:27:19,840 --> 00:27:23,120
Speaker 1: Yeah, fair enough. I think he's County Choo is real? Real,

598
00:27:23,160 --> 00:27:25,080
Speaker 1: they're real, they're sick. Dog's big.

599
00:27:25,119 --> 00:27:27,440
Speaker 4: I reckon the six dog is real much, he's big.

600
00:27:28,240 --> 00:27:31,040
Speaker 1: I think he's really meant that, like he's at large.

601
00:27:31,480 --> 00:27:33,600
Speaker 4: Agon. You're real, Bride, he's sick? You reckon? You're real?

602
00:27:35,760 --> 00:27:35,960
Speaker 12: Yeah?

603
00:27:36,280 --> 00:27:38,720
Speaker 1: Yeah, we're right, boy?

604
00:27:38,800 --> 00:27:39,359
Speaker 4: Give me ah?

605
00:27:39,600 --> 00:27:42,440
Speaker 1: What do you mean these pauses, these pregnant pauses between

606
00:27:42,480 --> 00:27:44,640
Speaker 1: these people spense?

607
00:27:45,119 --> 00:27:46,440
Speaker 4: Asher, Who are you in the car?

608
00:27:47,480 --> 00:27:49,600
Speaker 7: I'm in the car with my friend Lola.

609
00:27:49,359 --> 00:27:50,600
Speaker 4: Lola Chuck Lola on?

610
00:27:51,400 --> 00:27:54,760
Speaker 1: Okay? Hi Hi Lola?

611
00:27:55,560 --> 00:27:55,720
Speaker 11: Hi?

612
00:27:57,040 --> 00:27:58,080
Speaker 4: What are you doing with Asha?

613
00:27:58,200 --> 00:27:58,520
Speaker 1: Loa?

614
00:27:59,880 --> 00:28:02,439
Speaker 15: I we're driving to netballbar.

615
00:28:03,240 --> 00:28:04,000
Speaker 4: Are you from America?

616
00:28:04,080 --> 00:28:04,359
Speaker 6: Lola?

617
00:28:05,240 --> 00:28:05,480
Speaker 12: Oh?

618
00:28:05,600 --> 00:28:08,919
Speaker 1: No, where you're from Australia?

619
00:28:09,359 --> 00:28:09,600
Speaker 12: Yeah?

620
00:28:09,720 --> 00:28:12,240
Speaker 1: Okay, just a bit of playing there a twine?

621
00:28:12,480 --> 00:28:14,080
Speaker 4: Can I hear from Asher again? In their place?

622
00:28:16,440 --> 00:28:22,200
Speaker 3: What position do you play netball lasher shooting god shooting?

623
00:28:23,000 --> 00:28:25,320
Speaker 1: All right, chuck it, let's chug it back onto the Texan.

624
00:28:27,280 --> 00:28:28,800
Speaker 7: Yeah what Yeah?

625
00:28:29,080 --> 00:28:30,480
Speaker 1: What position do you play? Lola?

626
00:28:31,560 --> 00:28:31,879
Speaker 12: Shooter?

627
00:28:32,320 --> 00:28:36,480
Speaker 1: Shooter shooter McGavin? If you do it, if you're not American,

628
00:28:37,800 --> 00:28:38,440
Speaker 1: very American?

629
00:28:39,080 --> 00:28:40,240
Speaker 4: Where'd you get your twin from?

630
00:28:40,560 --> 00:28:42,920
Speaker 1: Where do you get your where's the twain from?

631
00:28:42,960 --> 00:28:44,120
Speaker 15: My uncle's American?

632
00:28:45,160 --> 00:28:45,400
Speaker 14: Yeah?

633
00:28:45,480 --> 00:28:47,720
Speaker 1: Right, I never heard of that an uncle an uncle

634
00:28:49,120 --> 00:28:50,360
Speaker 1: on the uncle part.

635
00:28:50,160 --> 00:28:54,120
Speaker 3: Of her life. You reckon, Well, it doesn't sound like

636
00:28:54,120 --> 00:28:55,400
Speaker 3: a voice I've never heard.

637
00:28:55,440 --> 00:28:58,880
Speaker 1: I've never heard of anyone getting from their uncle, unless

638
00:28:58,920 --> 00:29:02,680
Speaker 1: unless Lola's uncle raised her. We feel as if Asher

639
00:29:02,920 --> 00:29:05,720
Speaker 1: you were there by yourself. I'll tell you what if

640
00:29:05,480 --> 00:29:08,520
Speaker 1: if if you are not there by yourself, if Lola

641
00:29:08,680 --> 00:29:11,240
Speaker 1: is real, you and the Texan gets to get to

642
00:29:11,240 --> 00:29:12,800
Speaker 1: go on feast on a bit of bird, you get

643
00:29:12,840 --> 00:29:18,160
Speaker 1: one hundred dollars red roost of out you people.

644
00:29:18,720 --> 00:29:25,360
Speaker 10: Oh, well done, show American accent phone alone.

645
00:29:28,000 --> 00:29:33,640
Speaker 1: Woods. Yes, our phone lines have effectively been blocked for

646
00:29:33,680 --> 00:29:34,680
Speaker 1: the last two weeks.

647
00:29:34,720 --> 00:29:37,000
Speaker 4: Bloody pink pink fans just blocking it.

648
00:29:38,440 --> 00:29:40,520
Speaker 1: Yeah, no, the pink fans were They're one part of

649
00:29:40,560 --> 00:29:45,400
Speaker 1: the equation. Yes, but also the the swifties continued. Now

650
00:29:46,000 --> 00:29:49,000
Speaker 1: not not not that we weren't thrilled that we are

651
00:29:49,080 --> 00:29:52,360
Speaker 1: giving away flights, accommodation and a whole row of tickets

652
00:29:52,360 --> 00:29:55,600
Speaker 1: to go and see Taylor's feels in your.

653
00:29:55,600 --> 00:29:58,520
Speaker 4: Seat, house, your tree, tables.

654
00:29:58,160 --> 00:30:01,440
Speaker 1: To the right physician. Yes, we fly.

655
00:30:02,720 --> 00:30:06,400
Speaker 4: A two hour tea on Core. Welcome to the errors too.

656
00:30:07,080 --> 00:30:09,800
Speaker 1: I've just made that joke so many times now I'm

657
00:30:09,800 --> 00:30:10,640
Speaker 1: starting to believe it.

658
00:30:11,160 --> 00:30:13,719
Speaker 3: Just picking up what you're putting down, though, we're picking

659
00:30:13,760 --> 00:30:16,719
Speaker 3: up what I'm putting down. No, no, no, no, we

660
00:30:16,800 --> 00:30:19,520
Speaker 3: do make dreams come true here. We're very lucky that

661
00:30:19,560 --> 00:30:22,800
Speaker 3: we've got these access to these tickets. Yeah, and so

662
00:30:22,880 --> 00:30:24,920
Speaker 3: many people would have missed out when she was here

663
00:30:24,960 --> 00:30:28,560
Speaker 3: in Australia. But luckily we do have some tickets to

664
00:30:28,600 --> 00:30:29,760
Speaker 3: the Singapore on Court.

665
00:30:30,240 --> 00:30:32,800
Speaker 1: Now, are these the final tickets that we have to

666
00:30:32,880 --> 00:30:34,720
Speaker 1: Singapore on Core?

667
00:30:35,360 --> 00:30:35,400
Speaker 14: This?

668
00:30:36,960 --> 00:30:41,440
Speaker 1: Okay, So categorically you've heard it here first once we

669
00:30:41,560 --> 00:30:46,479
Speaker 1: give these away, guys, just we love you, we really

670
00:30:46,560 --> 00:30:48,400
Speaker 1: we do. We think you're all wonderful people.

671
00:30:48,720 --> 00:30:50,720
Speaker 3: And keep calling the show if you want to engage

672
00:30:50,760 --> 00:30:53,600
Speaker 3: with you know the topic we're talking about, obviously, you know,

673
00:30:53,680 --> 00:30:54,240
Speaker 3: we love you.

674
00:30:54,200 --> 00:30:57,240
Speaker 1: Guys, but we do enjoy doing fun topics. We like

675
00:30:57,280 --> 00:31:00,120
Speaker 1: hearing from you guys, and it would be nice if

676
00:31:00,160 --> 00:31:00,800
Speaker 1: you bug it off.

677
00:31:01,560 --> 00:31:01,720
Speaker 14: Now.

678
00:31:01,880 --> 00:31:05,160
Speaker 1: That was strong. That was strong. That was a bit strong. Okay,

679
00:31:05,160 --> 00:31:05,640
Speaker 1: fair enough?

680
00:31:05,680 --> 00:31:07,120
Speaker 4: Can I say Will with this one?

681
00:31:07,200 --> 00:31:10,240
Speaker 3: We're sorting your flights, your a com spending money and

682
00:31:10,360 --> 00:31:11,320
Speaker 3: the entire.

683
00:31:11,120 --> 00:31:12,520
Speaker 4: Of tickets to the end care.

684
00:31:13,560 --> 00:31:15,640
Speaker 1: So I understand why you've been calling around the clock.

685
00:31:15,680 --> 00:31:21,600
Speaker 1: I do understand that. Now we've got Tashash. Is that right?

686
00:31:21,760 --> 00:31:24,600
Speaker 4: Okay? Is that Tash is everywhere going?

687
00:31:24,680 --> 00:31:25,120
Speaker 1: Could be me?

688
00:31:25,560 --> 00:31:28,360
Speaker 4: Could be me? Let's call the.

689
00:31:33,480 --> 00:31:33,840
Speaker 12: Hello.

690
00:31:35,080 --> 00:31:36,320
Speaker 4: Hello? Is that Tash speaking?

691
00:31:36,880 --> 00:31:38,040
Speaker 15: It is to speaking?

692
00:31:39,240 --> 00:31:40,400
Speaker 6: Put you onluse Hey?

693
00:31:40,640 --> 00:31:42,080
Speaker 15: Is that Will Woody?

694
00:31:42,640 --> 00:31:43,160
Speaker 4: It's Woody.

695
00:31:43,440 --> 00:31:44,800
Speaker 11: It's Woody, Hey, Woody.

696
00:31:45,040 --> 00:31:46,920
Speaker 5: How you going? Can I put you on speaker?

697
00:31:48,760 --> 00:31:50,640
Speaker 4: Totally? Totally? What are your daughter's names?

698
00:31:51,680 --> 00:31:52,760
Speaker 12: Freedom and Indigo?

699
00:31:53,120 --> 00:31:57,000
Speaker 4: Freedom and Indigo awesome track is on speaker? He Hi,

700
00:31:57,160 --> 00:31:58,400
Speaker 4: Freedom high Indigo.

701
00:32:00,600 --> 00:32:03,720
Speaker 1: So you guys seem very nervous.

702
00:32:03,120 --> 00:32:05,600
Speaker 15: I think I think they're a little bit of being

703
00:32:05,680 --> 00:32:06,520
Speaker 15: just disbelief.

704
00:32:06,560 --> 00:32:10,440
Speaker 1: Really, okay, all right, what are you? What are you?

705
00:32:10,520 --> 00:32:14,280
Speaker 1: What are you so nervous about? Guys, they've been.

706
00:32:14,200 --> 00:32:16,200
Speaker 5: Sitting there with their fingers and toes crossed.

707
00:32:16,200 --> 00:32:18,720
Speaker 11: We've been listening to the radio while in anticipation.

708
00:32:19,680 --> 00:32:22,320
Speaker 1: Can I speak to Indigo? Indigo, you're there.

709
00:32:22,800 --> 00:32:23,760
Speaker 11: Hi.

710
00:32:24,840 --> 00:32:26,440
Speaker 1: You're expecting a call from us.

711
00:32:26,280 --> 00:32:26,960
Speaker 4: About what.

712
00:32:30,040 --> 00:32:34,040
Speaker 1: Right did you get to see her in while she

713
00:32:34,120 --> 00:32:34,880
Speaker 1: was in Australia?

714
00:32:35,400 --> 00:32:36,040
Speaker 15: No?

715
00:32:36,880 --> 00:32:38,320
Speaker 4: You did you try and get tickets?

716
00:32:38,880 --> 00:32:39,120
Speaker 14: Yeah?

717
00:32:39,560 --> 00:32:43,360
Speaker 15: We tried last year, and then we tried on the marketplace.

718
00:32:44,200 --> 00:32:47,160
Speaker 15: Then we tried the brief sale that they did for

719
00:32:47,320 --> 00:32:49,680
Speaker 15: Sydney and Melbourne, but we couldn't get any.

720
00:32:49,560 --> 00:32:53,840
Speaker 1: Well, we're obviously just calling everyone and just seeing how

721
00:32:53,880 --> 00:32:57,479
Speaker 1: available they are and you know whether or not they

722
00:32:57,480 --> 00:32:58,960
Speaker 1: can go. So it sounds like you guys would go

723
00:32:59,000 --> 00:32:59,960
Speaker 1: if we gave you the tickets.

724
00:33:00,240 --> 00:33:02,040
Speaker 6: Oh, we would definitely go.

725
00:33:02,440 --> 00:33:05,840
Speaker 1: Okay, all right, Well we've got another all right, all right,

726
00:33:05,880 --> 00:33:08,840
Speaker 1: all right, I can't hear myself think we've got another

727
00:33:08,840 --> 00:33:10,520
Speaker 1: fifty people to call. Okay, so we're just going to

728
00:33:10,560 --> 00:33:14,080
Speaker 1: put you on hold, No way, sorry, okay, just just

729
00:33:14,080 --> 00:33:16,680
Speaker 1: hang on there, okay, making them wait?

730
00:33:17,280 --> 00:33:18,040
Speaker 4: How long are you going to do that?

731
00:33:18,360 --> 00:33:20,720
Speaker 1: We've got on my note though, we're doing this weekend.

732
00:33:22,040 --> 00:33:26,600
Speaker 4: I'm going to the beach. Actually, can't wait, Yeah, yeah,

733
00:33:26,600 --> 00:33:27,200
Speaker 4: I can't wait.

734
00:33:27,640 --> 00:33:32,840
Speaker 3: I go for dawn swims with the elderly anyway, should

735
00:33:32,840 --> 00:33:33,520
Speaker 3: we get them back?

736
00:33:35,000 --> 00:33:37,400
Speaker 4: Hey, Tash, Freedom, Indigo, you're there.

737
00:33:38,120 --> 00:33:42,920
Speaker 3: Yeah, you're going to Singapore to swim.

738
00:33:45,000 --> 00:33:45,320
Speaker 5: This is it?

739
00:33:45,400 --> 00:33:51,800
Speaker 14: Amazing, Thank you, thank you so much. Wow, this is

740
00:33:51,920 --> 00:33:55,480
Speaker 14: this is amazing. What an absolute what an absolute dream.

741
00:33:56,400 --> 00:34:00,200
Speaker 14: The girls are speechless, They're crying, thank you so much,

742
00:34:00,680 --> 00:34:01,040
Speaker 14: so much.

743
00:34:02,080 --> 00:34:06,840
Speaker 1: Sounds like you want an oscar, Thank god.

744
00:34:06,480 --> 00:34:09,319
Speaker 15: Ask are you.

745
00:34:09,280 --> 00:34:10,919
Speaker 4: There, Indigo? You're there?

746
00:34:11,600 --> 00:34:14,880
Speaker 1: Yeah, girls, Freedom, Indigo, you're there.

747
00:34:14,880 --> 00:34:16,840
Speaker 12: Overwhelmed.

748
00:34:18,360 --> 00:34:23,920
Speaker 3: Oh wow, and what about you, Indigo?

749
00:34:24,520 --> 00:34:25,239
Speaker 1: Do you guys know that.

750
00:34:25,160 --> 00:34:25,560
Speaker 4: What he does?

751
00:34:25,760 --> 00:34:27,360
Speaker 1: I think called dawn swims with the elderly?

752
00:34:33,360 --> 00:34:33,640
Speaker 11: Straight.

753
00:34:36,680 --> 00:34:38,000
Speaker 1: That's it. We're out.

754
00:34:39,040 --> 00:34:42,319
Speaker 8: It's willing wood is what you know or who you

755
00:34:42,400 --> 00:34:45,560
Speaker 8: know with better job matches than ever before.

756
00:34:45,640 --> 00:34:49,240
Speaker 4: There is no secret, simply and you shall find.

757
00:34:51,160 --> 00:34:53,680
Speaker 1: Yeah, that's right. And I put in the myth it's

758
00:34:53,719 --> 00:34:55,040
Speaker 1: not what you know, but who you know to the

759
00:34:55,040 --> 00:34:56,520
Speaker 1: test and the way we're doing it, Woody, is it

760
00:34:56,640 --> 00:34:59,359
Speaker 1: you are choosing something that I'm competent at, like I've

761
00:34:59,360 --> 00:35:02,400
Speaker 1: done it before, and then you try and beat me

762
00:35:02,440 --> 00:35:05,759
Speaker 1: at that thing with the help of someone you know.

763
00:35:06,160 --> 00:35:09,200
Speaker 3: Yes, you you produce a little bit of music. Well, yeah,

764
00:35:09,320 --> 00:35:12,280
Speaker 3: you know your ways around a final cut, pro.

765
00:35:14,160 --> 00:35:14,680
Speaker 1: Video editings.

766
00:35:14,719 --> 00:35:18,359
Speaker 4: I got back a bag quick sticks. No, what's the pro?

767
00:35:18,800 --> 00:35:21,719
Speaker 3: No, no, ableton, I don't know, but look, you know

768
00:35:21,800 --> 00:35:24,680
Speaker 3: you around this music production thing, you DJ and your

769
00:35:24,680 --> 00:35:25,200
Speaker 3: free time.

770
00:35:25,320 --> 00:35:27,600
Speaker 4: He's available for bar mitzvahs, guys, DM.

771
00:35:27,680 --> 00:35:29,839
Speaker 1: I still can't figure out what you going. Not sure.

772
00:35:30,400 --> 00:35:32,120
Speaker 4: I think I've made it very clear that I don't

773
00:35:32,160 --> 00:35:32,880
Speaker 4: produce music.

774
00:35:32,920 --> 00:35:35,160
Speaker 3: I have no interest in doing the beats and the

775
00:35:35,239 --> 00:35:37,080
Speaker 3: drums and the and the guitar riffs.

776
00:35:37,080 --> 00:35:41,200
Speaker 1: The beats are the drums, right, I know nothing about it.

777
00:35:41,280 --> 00:35:45,160
Speaker 3: But I still believe that if I have a phone

778
00:35:45,200 --> 00:35:49,520
Speaker 3: call right now with my friend Ruben from Peaking.

779
00:35:49,239 --> 00:35:57,680
Speaker 4: Dark, I mean, listen to that music production. I don't

780
00:35:57,680 --> 00:35:58,719
Speaker 4: even know what he's doing.

781
00:35:58,520 --> 00:36:06,560
Speaker 3: There singing, but the bomb kick drum, kick drums. He

782
00:36:06,640 --> 00:36:08,520
Speaker 3: knows his way around a banger. If I give him

783
00:36:08,520 --> 00:36:11,200
Speaker 3: a phone call right now and just go mate, tell

784
00:36:11,200 --> 00:36:12,960
Speaker 3: me how to do music production, I think I'll be

785
00:36:13,000 --> 00:36:13,839
Speaker 3: able to produce a better song.

786
00:36:13,880 --> 00:36:13,960
Speaker 15: Now.

787
00:36:13,960 --> 00:36:15,759
Speaker 1: I'm happy for this to go ahead. But as it

788
00:36:15,800 --> 00:36:17,600
Speaker 1: has been, as it was with the waiting thing, when

789
00:36:17,640 --> 00:36:20,680
Speaker 1: you called Matt Preston, you only got You've only got

790
00:36:20,680 --> 00:36:24,319
Speaker 1: a minute, fine, because I just otherwise a I think

791
00:36:24,320 --> 00:36:26,759
Speaker 1: it'll get very boring Ruby. I mean, Ruby's got a

792
00:36:26,800 --> 00:36:28,719
Speaker 1: boring guy at all. But the other thing.

793
00:36:29,000 --> 00:36:31,239
Speaker 3: Yeah, so one minute you agree with that he's a

794
00:36:31,239 --> 00:36:37,280
Speaker 3: bit tangentile.

795
00:36:35,600 --> 00:36:38,080
Speaker 1: With you're not going to get pas tello. I'll let him.

796
00:36:38,560 --> 00:36:40,480
Speaker 1: All of a sudden, we start talking about a time

797
00:36:40,520 --> 00:36:42,200
Speaker 1: when he and Adam were in Ireland and they were

798
00:36:42,239 --> 00:36:44,279
Speaker 1: riding Shetland ponies together, and.

799
00:36:44,200 --> 00:36:45,800
Speaker 4: I want to hear that story, and I want to

800
00:36:45,840 --> 00:36:47,000
Speaker 4: hear that story story.

801
00:36:47,040 --> 00:36:50,040
Speaker 1: So you're going to call Reuben, yes, the most aloof

802
00:36:50,680 --> 00:36:53,719
Speaker 1: tangential random person on the planet. Yes, ask him how

803
00:36:53,760 --> 00:36:56,080
Speaker 1: to make a banger? Yep, he's got a minute, yep.

804
00:36:56,600 --> 00:36:58,000
Speaker 1: And then you think you're going to be able to

805
00:36:58,000 --> 00:36:59,240
Speaker 1: make a banger that'll be better.

806
00:36:59,080 --> 00:37:00,439
Speaker 4: Than mine undred percent.

807
00:37:05,960 --> 00:37:07,239
Speaker 7: Well, hello, hello.

808
00:37:07,640 --> 00:37:08,799
Speaker 4: Rubes, it's wood you here.

809
00:37:09,360 --> 00:37:09,960
Speaker 15: Oh what are you?

810
00:37:10,000 --> 00:37:10,600
Speaker 7: How are you doing?

811
00:37:10,680 --> 00:37:10,799
Speaker 11: Right?

812
00:37:11,000 --> 00:37:12,440
Speaker 4: Outstanding? Really really good?

813
00:37:12,520 --> 00:37:14,400
Speaker 3: Now now now quickly, I have to mention that you

814
00:37:14,480 --> 00:37:18,919
Speaker 3: are live on radio. God, yeah, don't don't freak out.

815
00:37:19,000 --> 00:37:20,680
Speaker 3: And we've only got sixty seconds.

816
00:37:20,680 --> 00:37:23,080
Speaker 7: Oh my god. All right, okay, pressures.

817
00:37:22,680 --> 00:37:25,520
Speaker 4: On, Okay, I need to produce some music.

818
00:37:25,920 --> 00:37:28,719
Speaker 3: So I wanted to ask you, Rubes twenty second, how

819
00:37:28,719 --> 00:37:29,800
Speaker 3: do you make a banger?

820
00:37:30,239 --> 00:37:31,360
Speaker 5: How do you make a banger?

821
00:37:31,520 --> 00:37:31,759
Speaker 1: Yeah?

822
00:37:31,880 --> 00:37:36,840
Speaker 7: Oh mate, okay, well apart from you know, going to

823
00:37:36,840 --> 00:37:39,160
Speaker 7: to the butcher and getting a bunch of sausages and

824
00:37:39,320 --> 00:37:41,120
Speaker 7: chucking the barbecue.

825
00:37:40,560 --> 00:37:47,240
Speaker 3: And no, make a good song.

826
00:37:47,320 --> 00:37:48,120
Speaker 12: I say a song?

827
00:37:48,320 --> 00:37:51,000
Speaker 7: Okay, Well would I'd say is start with a kick trup,

828
00:37:51,080 --> 00:37:54,200
Speaker 7: make it really really loud, and then make it louder.

829
00:37:55,200 --> 00:37:58,440
Speaker 7: Get some hot sints. Maybe just strip off someone else's

830
00:37:58,520 --> 00:38:03,239
Speaker 7: ideas with sin and then sick vocals with hooks to

831
00:38:03,280 --> 00:38:04,400
Speaker 7: make people fall in love.

832
00:38:04,280 --> 00:38:08,319
Speaker 3: With the Okay, that's actually got a lot there, I

833
00:38:08,320 --> 00:38:09,000
Speaker 3: actually got a lot.

834
00:38:09,040 --> 00:38:11,239
Speaker 1: I really kicked. What is a kick drum?

835
00:38:11,360 --> 00:38:14,000
Speaker 4: Kick drums loud? It's the drum that you kick, you

836
00:38:14,080 --> 00:38:14,400
Speaker 4: kick it?

837
00:38:14,520 --> 00:38:18,680
Speaker 3: Yeah, no set pedal, I know that that's right.

838
00:38:18,800 --> 00:38:22,520
Speaker 4: Yeah, so kick kick drums really loud. But yeah, hot synth.

839
00:38:22,680 --> 00:38:24,640
Speaker 3: I don't know what a hot synth is, but I'm

840
00:38:24,640 --> 00:38:26,640
Speaker 3: pretty sure a synth is an electronic piano.

841
00:38:27,040 --> 00:38:28,759
Speaker 4: So make that hot one.

842
00:38:29,560 --> 00:38:31,480
Speaker 3: I had to do that, but synth okay, And then

843
00:38:31,520 --> 00:38:34,360
Speaker 3: he just said sexy vocals that people will fall in

844
00:38:34,360 --> 00:38:34,640
Speaker 3: love with.

845
00:38:34,760 --> 00:38:38,279
Speaker 4: He also said, just steal someone's synth I'm pretty sure.

846
00:38:38,480 --> 00:38:39,960
Speaker 1: No, not actually steal there.

847
00:38:40,560 --> 00:38:42,839
Speaker 4: I think he said that he's just steal someone's synth.

848
00:38:43,000 --> 00:38:45,800
Speaker 1: No, no, not actually physically take their piano.

849
00:38:46,000 --> 00:38:47,200
Speaker 4: No, I know that I'm saying.

850
00:38:47,360 --> 00:38:48,839
Speaker 1: I thought I thought you were like I thought you're

851
00:38:48,840 --> 00:38:52,880
Speaker 1: taking that very literally to break into Jess mal Boy's

852
00:38:52,920 --> 00:38:54,120
Speaker 1: house and take a kayboard.

853
00:38:54,200 --> 00:38:56,000
Speaker 3: Well, I do need a synth actually, so I will

854
00:38:56,000 --> 00:38:58,080
Speaker 3: physically steal a syth. And then I'm just going to

855
00:38:58,120 --> 00:39:01,839
Speaker 3: steal someone's rift someone scyth imp riff, Oh jeez, put

856
00:39:01,840 --> 00:39:04,960
Speaker 3: that in and then a hot vocal banger Tina Arena.

857
00:39:05,360 --> 00:39:05,759
Speaker 15: We've got a.

858
00:39:05,840 --> 00:39:08,560
Speaker 4: Number, don't you, Mike and Tina. Well, I'm in a

859
00:39:08,560 --> 00:39:09,399
Speaker 4: pretty good spot there.

860
00:39:09,560 --> 00:39:12,280
Speaker 1: I think that was actually amazing. I mean he really

861
00:39:13,120 --> 00:39:21,360
Speaker 1: mean Jack Classic Group. He just couldn't help himself. Just

862
00:39:21,400 --> 00:39:24,440
Speaker 1: go to there and get yourself a couple of sages

863
00:39:25,480 --> 00:39:29,080
Speaker 1: could not help himself. Oh wow, what a guy. All right,

864
00:39:29,160 --> 00:39:31,640
Speaker 1: it is Will and you having a great drive. I'm

865
00:39:31,640 --> 00:39:33,160
Speaker 1: going to find out what the result of that is

866
00:39:33,200 --> 00:39:35,440
Speaker 1: when you go and try and make a banger. Woods

867
00:39:35,440 --> 00:39:37,600
Speaker 1: and we brought to the test whether it's not what

868
00:39:37,680 --> 00:39:39,919
Speaker 1: you know but who you know. I will also make

869
00:39:40,080 --> 00:39:42,800
Speaker 1: a banger knowing what I know in my limited knowledge

870
00:39:42,840 --> 00:39:45,040
Speaker 1: of music production, and then you guys will hear it

871
00:39:45,440 --> 00:39:48,840
Speaker 1: very shortly on your radio. It is all thanks to

872
00:39:48,880 --> 00:39:49,120
Speaker 1: see