1 00:00:00,320 --> 00:00:03,720 Speaker 1: Queer, messy, fast, loose and ef thing hilarious. The K 2 00:00:03,960 --> 00:00:06,640 Speaker 1: Hole returns to Fringe World in twenty twenty five for 3 00:00:06,920 --> 00:00:10,960 Speaker 1: two nights only Reuben K February seven and eight at 4 00:00:11,000 --> 00:00:12,360 Speaker 1: the Aurora. 5 00:00:11,960 --> 00:00:13,920 Speaker 2: Spiegel Tent at the Pleasure Garden. 6 00:00:14,000 --> 00:00:16,799 Speaker 1: Tickets are available through fringeworld dot com dot au and 7 00:00:16,840 --> 00:00:19,360 Speaker 1: it is our Pleasure Garden to have him with us 8 00:00:19,360 --> 00:00:19,920 Speaker 1: this morning. 9 00:00:19,960 --> 00:00:22,119 Speaker 2: Hello, What a. 10 00:00:22,239 --> 00:00:24,640 Speaker 3: Thrill to be here. And the fact that I'm in 11 00:00:24,680 --> 00:00:28,480 Speaker 3: Sydney where it's eleven o'clock makes it so much easier. 12 00:00:29,960 --> 00:00:32,120 Speaker 4: Was up, Reuben? Just two shows? Keep them clean? 13 00:00:32,159 --> 00:00:35,280 Speaker 3: Eh? Well, I can't let the police know where I 14 00:00:35,320 --> 00:00:38,279 Speaker 3: am at any time. I've got to get in and 15 00:00:38,400 --> 00:00:41,360 Speaker 3: get out quick before the authorities find me, all right? 16 00:00:41,880 --> 00:00:43,919 Speaker 2: Was what is in the show? 17 00:00:44,080 --> 00:00:47,120 Speaker 1: What can we What's a little little, teeny tiny tasty 18 00:00:47,200 --> 00:00:48,680 Speaker 1: bit that we can expect? 19 00:00:49,040 --> 00:00:51,000 Speaker 3: Well, look, I'm coming back to Perth. It's one of 20 00:00:51,040 --> 00:00:53,920 Speaker 3: my favorite cities, my favorite festival, the festival that started 21 00:00:53,960 --> 00:00:58,360 Speaker 3: my career. So I'm coming back loud, brash, filthy as ever, 22 00:00:58,600 --> 00:01:01,520 Speaker 3: wearing less than ever. The audience has aretten for a 23 00:01:01,560 --> 00:01:05,600 Speaker 3: real street there. But then we've got Dale Woodbridge Brown, 24 00:01:05,640 --> 00:01:09,759 Speaker 3: the Camillroy cowboy. We've got whips, we've got chains, we've 25 00:01:09,800 --> 00:01:13,200 Speaker 3: got fire breathing, we've got burless, we've got singing, we've 26 00:01:13,240 --> 00:01:16,320 Speaker 3: got comedy, all the art forms that your parents didn't 27 00:01:16,360 --> 00:01:19,560 Speaker 3: tell you about. Yeah, we found people who've made their 28 00:01:19,600 --> 00:01:23,560 Speaker 3: careers in it, and we're bringing them here more flesh, 29 00:01:24,200 --> 00:01:25,880 Speaker 3: big music, live rock. 30 00:01:25,720 --> 00:01:29,000 Speaker 2: Band and me something for everyone. 31 00:01:30,160 --> 00:01:32,600 Speaker 3: I know, bring your pharmaceuticals and have a great time. 32 00:01:34,480 --> 00:01:37,440 Speaker 4: Absolutely, Hey, Ruben, what is the best thing about feedback 33 00:01:37,440 --> 00:01:39,400 Speaker 4: from all audience that you get? What is it? Is 34 00:01:40,120 --> 00:01:41,920 Speaker 4: someone having a bit of fun giving you a little 35 00:01:41,920 --> 00:01:43,039 Speaker 4: bit of a heckle, or is it love? 36 00:01:43,120 --> 00:01:46,800 Speaker 3: What is it? Do you know? What people have come 37 00:01:46,840 --> 00:01:50,880 Speaker 3: to the k Hole, the show, not the actual Kale, 38 00:01:51,640 --> 00:01:55,520 Speaker 3: and what they've loved most about it is this raging, 39 00:01:55,800 --> 00:01:59,400 Speaker 3: amped up party atmosphere. But yet at the same time 40 00:01:59,480 --> 00:02:04,560 Speaker 3: they feel completely safe in it. Yes, sometimes those really 41 00:02:04,600 --> 00:02:08,400 Speaker 3: amped up environments can get a little dicey, But in ours, 42 00:02:08,440 --> 00:02:11,320 Speaker 3: I think it's the family connection that we all have 43 00:02:11,880 --> 00:02:15,000 Speaker 3: because I call it out straight away, I call the 44 00:02:15,000 --> 00:02:17,920 Speaker 3: audience family and from that moment on, there's so much 45 00:02:18,000 --> 00:02:21,440 Speaker 3: love in the room and so much respect, and yet 46 00:02:21,480 --> 00:02:24,040 Speaker 3: we can all acknowledge all the things that are you know, 47 00:02:24,200 --> 00:02:26,519 Speaker 3: that are making us angry, that are wrong with the world, 48 00:02:26,720 --> 00:02:30,560 Speaker 3: and we can really unify in that and find that weird, 49 00:02:31,400 --> 00:02:37,200 Speaker 3: interesting and exciting bridge between like celebration and protest and 50 00:02:37,480 --> 00:02:40,560 Speaker 3: expression and just letting your head and having a great 51 00:02:40,600 --> 00:02:42,400 Speaker 3: time and letting it all go and leaving it at 52 00:02:42,400 --> 00:02:42,800 Speaker 3: the door. 53 00:02:44,160 --> 00:02:46,960 Speaker 1: We hear the term, can we hear the term spiegel 54 00:02:46,960 --> 00:02:48,720 Speaker 1: tent a bit? I must admit I'd never heard of 55 00:02:48,760 --> 00:02:51,240 Speaker 1: it until it first came to Fringe years ago. You're 56 00:02:51,280 --> 00:02:54,160 Speaker 1: in the Aurora spiegel ted. Spiegel ted is Dutch for 57 00:02:54,320 --> 00:02:59,160 Speaker 1: mirror tent. I believe due to the handmade architecture of wood, mirrors, 58 00:02:59,200 --> 00:03:03,280 Speaker 1: canvas and let glass with in detailing and veils, very lush, 59 00:03:03,400 --> 00:03:07,200 Speaker 1: very rich. Do you find being in that ads something 60 00:03:07,360 --> 00:03:08,480 Speaker 1: an extra dimension? 61 00:03:09,919 --> 00:03:12,079 Speaker 3: The only way I can climbax is if I'm staring 62 00:03:12,120 --> 00:03:14,720 Speaker 3: at my own reflection, So you go, I really do 63 00:03:14,880 --> 00:03:17,600 Speaker 3: need it. But I am always worried at Perth Fringe, 64 00:03:17,840 --> 00:03:21,200 Speaker 3: like I'm a homosexual dress in polyester. Do I need 65 00:03:21,280 --> 00:03:22,720 Speaker 3: to be in a wooden tent. 66 00:03:25,600 --> 00:03:30,680 Speaker 4: Risk time? Yeah, that's right, live keep a distance from 67 00:03:30,720 --> 00:03:31,480 Speaker 4: the fiber, ever. 68 00:03:31,720 --> 00:03:35,320 Speaker 3: But also there's something about the tents, right, they're old 69 00:03:35,360 --> 00:03:37,920 Speaker 3: school circus tents. They've been having this art form in 70 00:03:37,960 --> 00:03:39,840 Speaker 3: them for hundreds of years. So when you walk in, 71 00:03:40,480 --> 00:03:43,000 Speaker 3: you're right where that art form is born to be. 72 00:03:43,880 --> 00:03:45,320 Speaker 3: And that's really exciting. 73 00:03:45,520 --> 00:03:48,080 Speaker 4: Yeah, and remen having walked around Fringe and around the 74 00:03:48,080 --> 00:03:49,960 Speaker 4: Pleasure Garden and the log run through Northbridge and that 75 00:03:50,040 --> 00:03:52,640 Speaker 4: on Friday night, the Pleasure Garden looking better than ever. 76 00:03:52,680 --> 00:03:54,360 Speaker 4: And it's one of the great names for a garden too. 77 00:03:54,640 --> 00:03:55,480 Speaker 4: What a venue. 78 00:03:56,000 --> 00:04:00,640 Speaker 3: I mean, it's just fantastic. I started it in Perfue. 79 00:04:00,720 --> 00:04:03,320 Speaker 3: My first solo show was in Perth Fringe in I 80 00:04:03,320 --> 00:04:07,520 Speaker 3: think twenty seventeen, and from then on I was I 81 00:04:07,640 --> 00:04:11,120 Speaker 3: was hooked. Yeah, you know, I'm not just there for 82 00:04:11,160 --> 00:04:14,080 Speaker 3: the five Fi workers. I'm there. I'm there for the 83 00:04:14,080 --> 00:04:14,880 Speaker 3: pleasure Gardens. 84 00:04:15,320 --> 00:04:17,360 Speaker 4: You you're the one flying in and out. 85 00:04:17,520 --> 00:04:20,800 Speaker 2: We just mentioned polyester and flames. 86 00:04:20,960 --> 00:04:24,720 Speaker 1: Is it true that you once set fire to yourself 87 00:04:24,760 --> 00:04:25,480 Speaker 1: and somewhere else? 88 00:04:26,200 --> 00:04:29,240 Speaker 3: We're not talking about that now, not not not on 89 00:04:29,279 --> 00:04:34,480 Speaker 3: a on live radio, get me up on a morals chart. 90 00:04:34,680 --> 00:04:39,039 Speaker 4: Confession mitigation is ongoing me just tick that. 91 00:04:39,440 --> 00:04:45,440 Speaker 3: Yes, I will say this. It was not at the 92 00:04:45,480 --> 00:04:49,680 Speaker 3: show and when I was working as a bartender. I 93 00:04:49,760 --> 00:04:53,840 Speaker 3: got that. I was I was dismissed from quite quickly. 94 00:04:54,200 --> 00:04:56,960 Speaker 3: So I will say I'm doing the thing I was 95 00:04:57,080 --> 00:04:58,599 Speaker 3: meant to do. Now you are. 96 00:04:58,680 --> 00:05:01,640 Speaker 4: Right, absolutely, yeah, for sure. Now we're going to be 97 00:05:01,640 --> 00:05:04,080 Speaker 4: having you. You'll be actually in here because we'd be 98 00:05:04,120 --> 00:05:06,200 Speaker 4: talking about JC Superstar really soon. Me a couple of 99 00:05:06,200 --> 00:05:06,600 Speaker 4: weeks time. 100 00:05:06,800 --> 00:05:07,520 Speaker 2: So excited. 101 00:05:07,560 --> 00:05:10,440 Speaker 3: I know, isn't it ridiculous my name next to the 102 00:05:10,440 --> 00:05:12,400 Speaker 3: words Jesus Christ. We would have thought it. 103 00:05:14,560 --> 00:05:17,800 Speaker 1: I'm so excited because this is one of my absolute 104 00:05:17,920 --> 00:05:19,760 Speaker 1: I mean, I love musical theater, and this would have 105 00:05:19,800 --> 00:05:22,240 Speaker 1: been the first piece of musical theater I ever saw. 106 00:05:22,240 --> 00:05:23,920 Speaker 1: I think I went with We went as a school 107 00:05:23,960 --> 00:05:27,240 Speaker 1: class many many, many many moons ago, and I fell 108 00:05:27,279 --> 00:05:29,839 Speaker 1: in love with the show. And you're playing Herod, who 109 00:05:29,960 --> 00:05:32,560 Speaker 1: has one of the greatest songs in the whole show. 110 00:05:32,600 --> 00:05:34,800 Speaker 2: But we will will talk about that when you're in 111 00:05:34,880 --> 00:05:36,279 Speaker 2: town in a couple of weeks. 112 00:05:36,680 --> 00:05:38,479 Speaker 3: There's so much to talk about you. 113 00:05:39,279 --> 00:05:39,840 Speaker 4: I really want to. 114 00:05:40,320 --> 00:05:42,080 Speaker 3: I've got I've got some good goss for you when 115 00:05:42,080 --> 00:05:43,840 Speaker 3: I'm back at the studio. 116 00:05:44,160 --> 00:05:45,080 Speaker 4: I can't say now. 117 00:05:44,960 --> 00:05:45,480 Speaker 2: All right. 118 00:05:46,880 --> 00:05:51,719 Speaker 4: Through, imagine a school excursion going to see the k Hole. 119 00:05:53,160 --> 00:05:56,440 Speaker 3: Look I'm my worry, my great fear one day is 120 00:05:56,480 --> 00:05:59,960 Speaker 3: that some lovely school group or group of senior citizens 121 00:06:00,040 --> 00:06:01,720 Speaker 3: are going to try and book for the Jesus Christ 122 00:06:01,760 --> 00:06:06,239 Speaker 3: Superstar matinee and come into the K Hole and oh, 123 00:06:06,400 --> 00:06:10,719 Speaker 3: nosebleeds Central. Don't look. I'll just say they'll learn. 124 00:06:10,560 --> 00:06:12,520 Speaker 4: A lot, yes, very quickly. 125 00:06:12,600 --> 00:06:17,200 Speaker 1: It's an interesting crossover, though, I must say in the Temple, 126 00:06:17,279 --> 00:06:17,640 Speaker 1: I don't know. 127 00:06:19,920 --> 00:06:22,160 Speaker 3: I kind of really love it. I think the producers 128 00:06:22,200 --> 00:06:24,040 Speaker 3: of Jesus Christ Superstar. 129 00:06:23,720 --> 00:06:24,680 Speaker 2: There's something to it. 130 00:06:25,480 --> 00:06:27,600 Speaker 3: Yeah, there's something really genius. I mean the casting of 131 00:06:27,680 --> 00:06:31,040 Speaker 3: Jesus Christ Superstar, this production of it is insane factast. 132 00:06:31,080 --> 00:06:32,000 Speaker 3: We'll talk about it later. 133 00:06:32,120 --> 00:06:34,760 Speaker 2: Do we talk about that in a couple of weeks. 134 00:06:34,839 --> 00:06:35,600 Speaker 2: That's coming up. 135 00:06:35,880 --> 00:06:38,640 Speaker 1: I think opening night is February sixteen, so we'll see 136 00:06:38,640 --> 00:06:41,160 Speaker 1: you then. But in the meantime, you can catch Reuben 137 00:06:41,200 --> 00:06:43,839 Speaker 1: in the K Hole February seven and eight at the 138 00:06:43,920 --> 00:06:46,680 Speaker 1: Auroraspiegel Tent at the Pleasure Garden. Tickets are available, but 139 00:06:46,720 --> 00:06:50,040 Speaker 1: get them quick through fringeworld dot com dot au. 140 00:06:50,960 --> 00:06:52,960 Speaker 3: You two are very good at this. Have you ever 141 00:06:53,000 --> 00:06:54,000 Speaker 3: thought of going professional? 142 00:06:55,080 --> 00:07:01,719 Speaker 4: It's all the fun. It's more fun being Rank Ambus