1 00:00:00,520 --> 00:00:05,280 Speaker 1: When what you bite sized interesting hook before the song? 2 00:00:05,360 --> 00:00:06,040 Speaker 2: Interesting hook? 3 00:00:06,160 --> 00:00:08,960 Speaker 1: Was it one of those hooks where you were deliberately 4 00:00:09,000 --> 00:00:11,800 Speaker 1: confused in the audience or are we actually about to 5 00:00:11,800 --> 00:00:12,159 Speaker 1: make it out? 6 00:00:12,280 --> 00:00:16,720 Speaker 3: Well, look, I pitched this idea earlier today. You weren't 7 00:00:16,720 --> 00:00:19,279 Speaker 3: on the emails today. You had a day off on Friday. Classic, 8 00:00:19,320 --> 00:00:21,800 Speaker 3: you so got in my contract. Got it in my contract, 9 00:00:21,840 --> 00:00:25,640 Speaker 3: and I don't do ideas on a Friday. So so look, 10 00:00:26,160 --> 00:00:27,960 Speaker 3: I'll go through the story first and then I'll get 11 00:00:28,000 --> 00:00:30,280 Speaker 3: to my idea about how why I think we should 12 00:00:30,320 --> 00:00:32,840 Speaker 3: make out in the studio. Okay, I'm not looking forward 13 00:00:32,880 --> 00:00:34,760 Speaker 3: to it, by the way, but I want to prove 14 00:00:34,760 --> 00:00:35,440 Speaker 3: a lucky boy. 15 00:00:35,560 --> 00:00:37,920 Speaker 2: You're you're looking forward to You. 16 00:00:37,880 --> 00:00:41,080 Speaker 1: Are no my partner's here at the moment, your partner's away. 17 00:00:41,080 --> 00:00:43,120 Speaker 1: You're a little bit lonely at the moment you're on 18 00:00:43,120 --> 00:00:43,800 Speaker 1: my sweet lips. 19 00:00:45,560 --> 00:00:48,640 Speaker 3: What I'm worried about I told you into it. 20 00:00:49,640 --> 00:00:50,800 Speaker 2: This is why we don't do this. 21 00:00:50,840 --> 00:00:52,040 Speaker 4: I teach you a few things. 22 00:00:56,320 --> 00:00:57,320 Speaker 2: What did you do for lunch? 23 00:00:57,720 --> 00:00:58,680 Speaker 4: What did you way for lunch? 24 00:00:58,960 --> 00:00:59,480 Speaker 2: A bagel? 25 00:01:00,280 --> 00:01:02,320 Speaker 4: But was there garlic cor onion? This is a concern 26 00:01:02,360 --> 00:01:02,560 Speaker 4: for me. 27 00:01:03,240 --> 00:01:06,720 Speaker 2: Can we just talk about why we're doing What's What's 28 00:01:06,720 --> 00:01:07,160 Speaker 2: in my Mouth? 29 00:01:08,560 --> 00:01:11,759 Speaker 3: So this massive blow up on the set of Don't 30 00:01:11,760 --> 00:01:17,880 Speaker 3: Worry Darling, the Harry Styles, Florence Pugh, Olivia Wilde Foe 31 00:01:18,000 --> 00:01:22,559 Speaker 3: love triangle. They think that they've actually figured out why 32 00:01:23,200 --> 00:01:27,240 Speaker 3: Florence Pugh was so distant during the filming, why we 33 00:01:27,319 --> 00:01:30,720 Speaker 3: had the spit from Harry Styles, all of those things. 34 00:01:31,760 --> 00:01:36,240 Speaker 3: A source told a newspaper in the UK that Harry 35 00:01:36,280 --> 00:01:40,880 Speaker 3: and Florence apparently had amazing chemistry. 36 00:01:41,000 --> 00:01:42,440 Speaker 4: They do in the movie. I've seen the movie. 37 00:01:42,480 --> 00:01:46,119 Speaker 3: I haven't seen the movie, but apparently apparently off screen 38 00:01:46,160 --> 00:01:51,840 Speaker 3: they had really amazing chemistry as well, and apparently one 39 00:01:51,960 --> 00:01:56,560 Speaker 3: night they had a bit of a snog. Yes, so 40 00:01:56,680 --> 00:01:58,960 Speaker 3: it was gossiped about by a couple of members of production. 41 00:01:59,040 --> 00:02:00,320 Speaker 2: Otherwise no one would have known. 42 00:02:00,720 --> 00:02:04,480 Speaker 3: And then obviously Harry was single at the time, Florence 43 00:02:04,520 --> 00:02:09,120 Speaker 3: had just separated from Zach Braff and then brah by 44 00:02:09,120 --> 00:02:09,680 Speaker 3: the way, who. 45 00:02:09,560 --> 00:02:12,240 Speaker 1: Was best friends with Jason Sudeikas, who was the ex 46 00:02:12,400 --> 00:02:14,000 Speaker 1: of Olivia as well. 47 00:02:14,080 --> 00:02:15,720 Speaker 4: So Harry is just right. 48 00:02:15,560 --> 00:02:16,239 Speaker 2: In the middle of it. 49 00:02:17,280 --> 00:02:20,079 Speaker 3: So apparently they're saying that he and Florence made out 50 00:02:20,440 --> 00:02:23,560 Speaker 3: on a night together. Apparently it wasn't anything more than that, 51 00:02:23,639 --> 00:02:28,480 Speaker 3: But then ge Whiz, Florence's behavior behavior afterwards wouldn't suggest that. 52 00:02:29,040 --> 00:02:31,640 Speaker 3: Then he cozies up to Olivia Wild, the director of 53 00:02:31,639 --> 00:02:34,480 Speaker 3: the film, and then that kicks off the whole feud. 54 00:02:35,080 --> 00:02:39,280 Speaker 3: Whizz apparently was quite clear to Florence that they had 55 00:02:39,280 --> 00:02:43,040 Speaker 3: a real connection, and you know, bloody hell, Harry was 56 00:02:43,080 --> 00:02:45,760 Speaker 3: just getting in there for a bit of watermelon sugar. 57 00:02:48,639 --> 00:02:48,919 Speaker 2: Wow. 58 00:02:49,520 --> 00:02:54,600 Speaker 4: Yeah, So from if this is true, styles is sort 59 00:02:54,639 --> 00:02:56,200 Speaker 4: of is the root of all the drama. 60 00:02:56,520 --> 00:03:03,360 Speaker 2: Yeah, Jo there he is? Wow? Yes, yes, so but 61 00:03:03,440 --> 00:03:04,120 Speaker 2: look Woods. 62 00:03:04,240 --> 00:03:07,360 Speaker 3: Yeah, my philosophy is that a snog is just a snog, 63 00:03:07,840 --> 00:03:10,200 Speaker 3: right at the end of the day. A snog's a snog, 64 00:03:10,280 --> 00:03:12,280 Speaker 3: and you should be able to continue working with each 65 00:03:12,280 --> 00:03:13,359 Speaker 3: other after your snog. 66 00:03:13,720 --> 00:03:16,680 Speaker 1: Well, you once kissed a co host and had to 67 00:03:16,680 --> 00:03:18,160 Speaker 1: do radio shows with. 68 00:03:18,520 --> 00:03:19,160 Speaker 2: That co host. 69 00:03:19,840 --> 00:03:21,680 Speaker 3: And you also made out with a client at a 70 00:03:21,680 --> 00:03:22,600 Speaker 3: client function. 71 00:03:22,320 --> 00:03:26,079 Speaker 4: And that has nothing to do. That has nothing talking. 72 00:03:25,960 --> 00:03:28,880 Speaker 2: About if you want to if you play, you're going 73 00:03:28,919 --> 00:03:34,200 Speaker 2: to get burned. Shut down you. 74 00:03:34,200 --> 00:03:35,800 Speaker 3: You also made out with an engaged woman at a 75 00:03:35,880 --> 00:03:39,120 Speaker 3: Christmas party, So how did Don'd come for him? 76 00:03:39,520 --> 00:03:39,600 Speaker 5: All? 77 00:03:39,720 --> 00:03:44,000 Speaker 3: Right, Okay, you've got you've got a break. 78 00:03:44,720 --> 00:03:45,800 Speaker 2: You didn't know she was engaged. 79 00:03:46,000 --> 00:03:48,240 Speaker 3: All right, that's bad that big her finger, but no 80 00:03:48,320 --> 00:03:53,880 Speaker 3: you didn't alright, A kiss was poor form. 81 00:03:53,920 --> 00:03:56,040 Speaker 2: And that's the idea here. So what we're going to 82 00:03:56,120 --> 00:03:56,680 Speaker 2: do up next? 83 00:03:56,680 --> 00:03:58,520 Speaker 3: And I can't believe I'm suggesting it, but I like 84 00:03:58,600 --> 00:04:01,760 Speaker 3: proving a point and I think it's important for the 85 00:04:01,760 --> 00:04:02,839 Speaker 3: rest of the world. 86 00:04:02,960 --> 00:04:06,080 Speaker 2: To hear and see this. Up next, we're going to 87 00:04:06,120 --> 00:04:08,000 Speaker 2: go to a song. You and I are going to 88 00:04:08,080 --> 00:04:08,520 Speaker 2: make out. 89 00:04:08,920 --> 00:04:10,520 Speaker 4: Yeah, like tongueunk tunk. 90 00:04:10,920 --> 00:04:12,880 Speaker 3: It has to be well, it's a snug, it's a snog, 91 00:04:12,880 --> 00:04:16,120 Speaker 3: it's a proper snog. Ten seconds I was suggesting I was. 92 00:04:16,080 --> 00:04:19,760 Speaker 1: Going to go for five five, okay, fair enough, there's 93 00:04:19,760 --> 00:04:22,080 Speaker 1: no way to really get the chemistry too, Keen. 94 00:04:22,160 --> 00:04:23,719 Speaker 2: For me, this is this is the issue. 95 00:04:23,720 --> 00:04:25,280 Speaker 4: Do you want to be in the shark cage, the 96 00:04:25,320 --> 00:04:26,120 Speaker 4: woody showercase? 97 00:04:26,600 --> 00:04:29,719 Speaker 1: I like to I like to hand No, No, I'm sorry, 98 00:04:29,760 --> 00:04:30,440 Speaker 1: I'm in control. 99 00:04:32,160 --> 00:04:33,640 Speaker 2: You will not be holding my face. 100 00:04:33,720 --> 00:04:35,560 Speaker 4: Let's just see what happens. Let's just see what happens. 101 00:04:35,560 --> 00:04:37,200 Speaker 2: All right, We're going to go to a song. 102 00:04:37,360 --> 00:04:40,360 Speaker 3: On the other side, we're going to snog, and then 103 00:04:40,440 --> 00:04:43,839 Speaker 3: afterwards we're going to prove to Florence and Harry that 104 00:04:43,920 --> 00:04:47,560 Speaker 3: we can continue doing our jobs without it being weird. Okay, yeah, nice, 105 00:04:47,560 --> 00:04:50,039 Speaker 3: all right, So we'll snog and then we'll go straight 106 00:04:50,080 --> 00:04:52,040 Speaker 3: back to doing the radio show, have a standard two 107 00:04:52,080 --> 00:04:53,880 Speaker 3: minute conversation because we're professionals. 108 00:04:53,920 --> 00:04:55,560 Speaker 4: Of course, of course we are all right, of course 109 00:04:55,600 --> 00:04:55,840 Speaker 4: we are. 110 00:04:56,000 --> 00:05:00,560 Speaker 3: Hands to yourself, mate, next villain, I hope you're having 111 00:05:00,600 --> 00:05:01,880 Speaker 3: a hell of a Friday after Thane. 112 00:05:01,960 --> 00:05:03,920 Speaker 2: If you're not, it's about to get a whole lot better. 113 00:05:04,000 --> 00:05:05,760 Speaker 3: Woods and I are about to make out live in 114 00:05:05,800 --> 00:05:09,240 Speaker 3: the studio. Yeah, and you are far too keen on this, 115 00:05:09,320 --> 00:05:10,839 Speaker 3: and this is why I don't suggest it, but I 116 00:05:10,880 --> 00:05:13,360 Speaker 3: want to prove a point. So it's just been uncovered 117 00:05:13,400 --> 00:05:16,320 Speaker 3: that the reason that Harry styles Florence Pugh Olivia wild 118 00:05:16,680 --> 00:05:20,360 Speaker 3: feud sparked is apparently because Harry and Florence had a 119 00:05:20,360 --> 00:05:25,680 Speaker 3: snog off screen, and look, Florence then thought there was 120 00:05:25,680 --> 00:05:27,480 Speaker 3: a bit of connection and they couldn't continue to work. 121 00:05:27,680 --> 00:05:30,840 Speaker 2: And I call that unprofessional. I think it's highly unprofessional. 122 00:05:30,839 --> 00:05:33,200 Speaker 3: Woods, and I think we're doing this because I want 123 00:05:33,200 --> 00:05:34,040 Speaker 3: to I want to show her up. 124 00:05:34,040 --> 00:05:35,400 Speaker 2: I want to prove her wrong. You and I as 125 00:05:35,440 --> 00:05:36,480 Speaker 2: consummate professionals. 126 00:05:36,760 --> 00:05:39,680 Speaker 3: We will be able to snog in the studio right now, yep, 127 00:05:39,720 --> 00:05:41,440 Speaker 3: and then we will be able to continue the radio 128 00:05:41,520 --> 00:05:44,200 Speaker 3: show as normal without being weirded out by it. 129 00:05:44,480 --> 00:05:46,640 Speaker 4: You're a lucky boy. You're a very lucky boy. 130 00:05:46,839 --> 00:05:50,120 Speaker 1: Now I've got brought in some listening because I know 131 00:05:50,240 --> 00:05:50,920 Speaker 1: preally weird about. 132 00:05:50,960 --> 00:05:52,599 Speaker 2: You've been going to make out with me for years 133 00:05:54,279 --> 00:05:56,760 Speaker 2: and weely this is your idea. Actually have a d 134 00:05:57,080 --> 00:05:58,640 Speaker 2: you should see him the dream. 135 00:05:58,760 --> 00:06:00,240 Speaker 4: So I'm going to put a bit of listening then. 136 00:06:04,240 --> 00:06:09,280 Speaker 2: Off Mike. All right, I'm promientd it as well. All right, 137 00:06:09,320 --> 00:06:12,640 Speaker 2: So what's the rule here on the on the time 138 00:06:13,480 --> 00:06:13,800 Speaker 2: this thing? 139 00:06:13,839 --> 00:06:15,600 Speaker 1: There are no rules when it comes to love will 140 00:06:15,839 --> 00:06:16,839 Speaker 1: there are no rules. 141 00:06:17,080 --> 00:06:20,479 Speaker 4: I say, we just kiss, we feel what's right? Well 142 00:06:20,520 --> 00:06:22,320 Speaker 4: that's really spicy, all right? 143 00:06:22,839 --> 00:06:25,440 Speaker 1: So are there any like you know I do tend 144 00:06:25,440 --> 00:06:28,680 Speaker 1: to have wandering hands. Are there any real off limits? 145 00:06:29,240 --> 00:06:31,280 Speaker 2: Well? We all know your moves the shark cage. You're 146 00:06:31,279 --> 00:06:32,119 Speaker 2: a one trick pony. 147 00:06:32,240 --> 00:06:33,280 Speaker 4: I'm not a one trick you are? 148 00:06:33,360 --> 00:06:35,200 Speaker 2: You like you like the double hand on the check. 149 00:06:35,240 --> 00:06:35,960 Speaker 2: That's all you've got. 150 00:06:36,080 --> 00:06:37,839 Speaker 4: That's not all I've got. It is you're about to 151 00:06:37,839 --> 00:06:38,240 Speaker 4: find out. 152 00:06:38,279 --> 00:06:39,760 Speaker 2: And I'm being totally honest with you. 153 00:06:39,760 --> 00:06:44,799 Speaker 3: I'd prefer your hands to be upstairs because I don't. 154 00:06:44,600 --> 00:06:48,000 Speaker 2: Want to go anywhere else. I think five seconds is enough. 155 00:06:48,200 --> 00:06:49,520 Speaker 4: So what you're gonna have this? Countdown? 156 00:06:49,520 --> 00:06:49,640 Speaker 2: Guy? 157 00:06:49,680 --> 00:06:51,280 Speaker 4: That's hard. They're going to be romantic if we're getting 158 00:06:51,320 --> 00:06:51,919 Speaker 4: countered down. 159 00:06:53,000 --> 00:06:56,200 Speaker 1: No, I think in my head Florence and Harry we're 160 00:06:56,200 --> 00:06:58,080 Speaker 1: not getting countered down when they had their kiss. This 161 00:06:58,160 --> 00:06:59,760 Speaker 1: needs to be a passionate kiss to see if we 162 00:06:59,760 --> 00:07:02,320 Speaker 1: can move on in our relationship after. 163 00:07:03,120 --> 00:07:04,880 Speaker 2: You stop being so keen about this. 164 00:07:05,120 --> 00:07:07,359 Speaker 1: I'm just I'm not being I'm not being so okay, 165 00:07:07,360 --> 00:07:08,560 Speaker 1: and I'm just being normal about it. 166 00:07:08,600 --> 00:07:10,520 Speaker 2: All right, okay, all right, so I come over to 167 00:07:10,560 --> 00:07:12,280 Speaker 2: you now. We've got a microphone station in the corner 168 00:07:12,320 --> 00:07:15,320 Speaker 2: going to you'll come, of course, you'll come to stop it. 169 00:07:16,360 --> 00:07:18,280 Speaker 2: Stop it. We're going to try and turn this microphone 170 00:07:18,360 --> 00:07:19,760 Speaker 2: up so you guys can hear the kiss. 171 00:07:19,760 --> 00:07:22,120 Speaker 3: Obviously, a kiss is not a great bit of radio. 172 00:07:22,480 --> 00:07:24,200 Speaker 2: You'll be able to see this one with them Instagram 173 00:07:24,200 --> 00:07:24,760 Speaker 2: and Facebook. 174 00:07:24,960 --> 00:07:30,440 Speaker 1: Get out here, big boy on, stop talking, Stop being 175 00:07:30,440 --> 00:07:31,080 Speaker 1: so nervous. 176 00:07:32,320 --> 00:07:32,880 Speaker 4: I'm your boy. 177 00:07:32,880 --> 00:07:35,720 Speaker 2: You're the one who's making you nervous because you're to relax. 178 00:07:36,400 --> 00:07:36,880 Speaker 2: Nervous too. 179 00:07:36,920 --> 00:07:39,600 Speaker 4: I'm hating this. Oh God, take my eyes. Go on, 180 00:07:39,720 --> 00:07:40,240 Speaker 4: get out of here. 181 00:07:42,160 --> 00:07:45,040 Speaker 2: Come on, come on, coming into the case, professional, coming 182 00:07:45,040 --> 00:07:45,520 Speaker 2: into the cage. 183 00:07:45,560 --> 00:07:47,360 Speaker 4: Okay, come on, come to Papa. 184 00:07:47,480 --> 00:07:49,240 Speaker 2: All right, turn the music down. I want people to 185 00:07:49,240 --> 00:07:50,280 Speaker 2: be able to hear the kiss. 186 00:07:50,120 --> 00:07:50,960 Speaker 4: This is how you are. 187 00:07:51,000 --> 00:07:52,600 Speaker 1: You always as nervous when you're kissing someone. 188 00:07:52,640 --> 00:07:54,040 Speaker 2: No, no, because I'm a heterosexual. 189 00:07:54,160 --> 00:07:56,600 Speaker 4: Okay, all right, me a bit more curious. 190 00:07:58,120 --> 00:08:01,080 Speaker 2: Okay, here we go. Are you gonna stop me? 191 00:08:01,640 --> 00:08:01,800 Speaker 5: You? 192 00:08:01,840 --> 00:08:07,120 Speaker 2: Look, where are you gonna hold me? 193 00:08:08,920 --> 00:08:10,520 Speaker 1: You wouldn't say that if you were kissing someone. 194 00:08:10,560 --> 00:08:11,120 Speaker 2: Just get in here? 195 00:08:17,040 --> 00:08:17,440 Speaker 4: Mm hmm. 196 00:08:20,960 --> 00:08:50,480 Speaker 5: It's like, all. 197 00:08:35,960 --> 00:08:37,280 Speaker 4: Right, better kissing than expected. 198 00:08:37,280 --> 00:08:38,720 Speaker 2: That nice. 199 00:08:39,360 --> 00:08:41,480 Speaker 4: You don't get me more aggressive with your tongue. You 200 00:08:41,520 --> 00:08:44,480 Speaker 4: are beautifuitey sensual with your tongue very much. 201 00:08:44,960 --> 00:08:48,360 Speaker 2: I was lovely. I was lovely? Am I The 202 00:08:53,320 --> 00:08:57,000 Speaker 4: More of the boys on the full podcast, just scroll up.