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Speaker 1: The Will and Woody Podcast.

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Speaker 2: Hello, welcome to the Will and Woody Podcast, where you

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Speaker 2: get the hottest gear of the week with all the

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Speaker 2: behind the scenes action. You need to lose that snifstick, bro,

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Speaker 2: you need to lose it. The only time I'll say it.

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Speaker 1: It's becoming a problem.

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Speaker 2: I do wonder to the point where you didn't have

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Speaker 2: one the other day and you were putting a NERF

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Speaker 2: bullet in your nose instead, and you didn't realize that

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Speaker 2: it was a NERF bullet.

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Speaker 3: Yeah, because that feels comfortable to me, Like I kind

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Speaker 3: of feel I feel naked without something up my nose now,

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Speaker 3: which is the true sign of someone who's has a problem.

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Speaker 1: And I'm also I.

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Speaker 3: Don't know if you've ever been addicted to something so

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Speaker 3: much that like I'm now putting shorts on. Yeah, like

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Speaker 3: I'm raffling through my shorts. I'll put my shorts on

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Speaker 3: and I'll be like, what's this in my bucket? Sniffsticks?

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Speaker 2: There's sticks jerking you've got into your house.

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Speaker 1: I think I've got like about nine on rotation. But

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Speaker 1: the thing is I keep losing them.

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Speaker 3: Yeah, right, but they will just turn up in places

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Speaker 3: like they'll be in like a cereal box, Like, hey

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Speaker 3: did you get in here?

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Speaker 1: You sneaky little bugger? It not illegal?

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Speaker 2: Well, but like I feel like they are, like they

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Speaker 2: could be at some stage.

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Speaker 3: Well, No, they're not illegal because there's nothing wrong with

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Speaker 3: them because they are all natural, So they're not all

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Speaker 3: nice to know that.

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Speaker 1: What is camp for? I think that is my only concern.

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Speaker 2: Does that sound all natural to you?

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Speaker 4: Camp four?

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Speaker 2: Well?

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Speaker 1: Menthol does menthol sounds good?

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Speaker 2: Well?

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Speaker 1: Yeah, Menthols Just that's that's like a that's a that's

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Speaker 1: a herd. I'm pretty sure.

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Speaker 2: So they're just they've just put a piece of mint.

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Speaker 2: It's just got a mint leaf and just put it

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Speaker 2: in a water and pestel and shoved it in the stick.

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Speaker 1: Yeah, they've grounded up. Probably had some preservatives. I'll give

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Speaker 1: you that. There's a few preserves.

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Speaker 5: Camp four is a chemical that's used to be made

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Speaker 5: by distilling the bark and would have a camp for.

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Speaker 1: Tree natural natural, That's what I'm That's what I'm saying.

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Speaker 1: I'm saying that, like, of all all the things for.

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Speaker 2: Me to be addicted to, the people down at Vicks

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Speaker 2: have got mortar and pestl out mint leaf, the bark

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Speaker 2: of a camp for tree, yes, grounded up.

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Speaker 1: Well today it's usually made from terps.

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Speaker 2: You're just inhaling.

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Speaker 1: Well you're not. That's that's the hang on. But that's the.

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Speaker 2: Beautiful to be honest, that is interesting.

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Speaker 1: I'm going to put that down.

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Speaker 5: It is classified as a turpanoid.

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Speaker 4: Oh wow, It's just.

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Speaker 2: This doesn't surprise me at all because you like your

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Speaker 2: favorite child And then we did this topic on the

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Speaker 2: show recently, what was your favorite? Oh, what's a nostalgic

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Speaker 2: childhood smell? And people were like opening an old book

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Speaker 2: smelling mum's cake, and yours were all like when dad

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Speaker 2: got out at the petrol station, like every time, every

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Speaker 2: time I've got a new chemistry of tennis balls.

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Speaker 5: Can I remind you in that phone bank? Yeah, we

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Speaker 5: had a lady call up who said that she smelled camphor, remember,

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Speaker 5: and we thought that she was saying cancer.

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Speaker 1: Yes, and she was saying camp fer. Yeah.

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Speaker 2: Well we were going it's.

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Speaker 4: A hops gipping a jump.

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Speaker 2: As far as I'm concerned, you're smelling campforpe, you're smelling

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Speaker 2: cancer in.

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Speaker 4: The future, That's what it is.

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Speaker 1: That's a shame.

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Speaker 4: Camp four smells like cancer.

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Speaker 1: That's a shame.

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Speaker 2: That's it's a shame. Hey, I'll put it down. I'll

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Speaker 2: try eight others somewhere else. You know, you're not fooling me.

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Speaker 2: You're the guy that quits smoking. And he's like, yeah, no,

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Speaker 2: I'm definitely out. This is my last time, puts it

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Speaker 2: out and knows that he's got to pack hidden in

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Speaker 2: the dryer.

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Speaker 4: That's where I used to hide mind.

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Speaker 2: Hey until my ex girlfriend used the dryer and tobacco

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Speaker 2: went all through the clothes.

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Speaker 1: Hey. Nice, yeah, nice Yeah.

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Speaker 2: Chante Lunton's on the show a little bit later on.

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Speaker 1: She's amazing. Chantell. She the idea of her podcast.

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Speaker 3: I do always feel a little bit weird promoting another

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Speaker 3: podcast in podcast form, so no need to go anywhere.

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Speaker 1: Stick with us.

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Speaker 3: But her podcast is way better than this because she

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Speaker 3: actually she records real therapy sessions with couples and individuals

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Speaker 3: all to do with sex therapy, which because there's so

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Speaker 3: much taboo around talking about the bedroom, it's like, it's

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Speaker 3: such a good idea. Yeah, I haven't heard it myself,

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Speaker 3: to be fair, while I'm just want to make that

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Speaker 3: clear while I'm making this.

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Speaker 2: Huge pitch, No, we actually and you know, I think

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Speaker 2: I was actually thinking about this afterwards, because I mean

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Speaker 2: part of if you have met Chantell, you know Chantel

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Speaker 2: like she is incredibly I mean she's she's she's Dutch,

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Speaker 2: so not surprisingly like my partner Sam, incredibly literal. Like,

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Speaker 2: it's just that there's no reason to sugar coat anything.

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Speaker 2: Truth is, you know, just the highest priority. There's no

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Speaker 2: mincing of any words.

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Speaker 1: Me too, I can relate to that.

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Speaker 4: That's you in a nutshell. I was just thinking of very.

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Speaker 3: Direct, very confrontational, that be very fairy crap, and I

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Speaker 3: need if people, please you, let's just get down to

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Speaker 3: rough facts.

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Speaker 2: What you hear at the start of the conversation is

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Speaker 2: is is me kind of with like my commercial radio

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Speaker 2: brain on going, you know, trying to use euphemisms and

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Speaker 2: metaphors to get around you know, sex because it's not

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Speaker 2: something that we can talk about but that on commercial radio.

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Speaker 2: But I was kind of thinking as we were talking

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Speaker 2: to her about that, like this is the problem all

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Speaker 2: the pitfalls of it not being literal, which is sex

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Speaker 2: gets weird and sex gets awkward, and sex gets shit

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Speaker 2: because of ambiguity, because of the fact that people don't

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Speaker 2: feel like they can express what they want all more importantly,

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Speaker 2: what they don't want because they're afraid of using the language.

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Speaker 2: When I was doing sexual offenses at Unis as a

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Speaker 2: subject law, that the first thing that our electro came

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Speaker 2: out and said Nicki Millard and again like it's useful

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Speaker 2: in terms of like you're improving your sex life, but

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Speaker 2: also just in terms of just the language. She was like,

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Speaker 2: all right, guys, I know you're all twenty one, but

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Speaker 2: like men have a penis, women have a vagina, And the.

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Speaker 1: Whole lecture theater started giggling. Still a little bit funny, and.

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Speaker 2: She was like, guys, we need to get over this

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Speaker 2: a little bit, like that's the thing still funny, you

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Speaker 2: still find it funny. What do you call what do

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Speaker 2: you see? You said doodle. You couldn't even say penis.

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Speaker 1: I go, I go with stiffy or doodle. That's brilliant.

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Speaker 2: What do you say to what do you say to

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Speaker 2: Remy daddy's got a penis a day, he's got a doodle.

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Speaker 3: Unfortunately, she points at my at my jack at the

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Speaker 3: moment and says.

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Speaker 2: Poop pool.

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Speaker 1: I'm like, I don't know a little bit of you

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Speaker 1: got confused my not based on smell, based.

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Speaker 2: On she's young, she's obviously, you know, speaking of literal

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Speaker 2: it's just she's just going off her first world impressions

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Speaker 2: of the world. Man, someone's getting a bit of a

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Speaker 2: whiff down there. Poo.

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Speaker 1: It's like, no, I don't call it poopoo? What how

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Speaker 1: did you jump on that? How does it come to poopoo?

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Speaker 1: Why is it a poo?

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Speaker 2: And I think that and I think that's important that

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Speaker 2: there are people like Chandell who are going, we kind

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Speaker 2: of need to stop laughing about this so that people

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Speaker 2: can feel comfortable talking about it, which is.

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Speaker 4: What she is all about totally.

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Speaker 1: But I think you can still.

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Speaker 3: I think there's I think there's room for laughter within

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Speaker 3: all of this because it can, like it can, in

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Speaker 3: my opinion, can make it less serious. Like I think

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Speaker 3: if you if all your sex talk is so goddamn

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Speaker 3: serious as well, that for me well personally, can take

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Speaker 3: a lot of the fun out of it. I mean,

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Speaker 3: when I think there is absolutely space for humans.

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Speaker 4: Can I ask, can I ask you a personal question?

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Speaker 3: Depends on the personal question, of course, but can I

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Speaker 3: ask you could ask? Oh, yeah, absolutely answer?

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Speaker 2: Do you just extending kind of the question I was

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Speaker 2: asking before?

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Speaker 4: Do you do you?

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Speaker 2: And mim refer to like, do you refer to your

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Speaker 2: penis as a penis? Do you use the words penis

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Speaker 2: and vagina in the bedroom with mim or do you

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Speaker 2: use slang? Because I find this hilarious.

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Speaker 1: That's a good question.

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Speaker 4: What do you know what I mean slang?

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Speaker 1: Like, Yeah, no, I know exactly what you mean. I'm

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Speaker 1: just trying to because it's.

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Speaker 2: Pretty fat like I find it. I find that hilarious

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Speaker 2: because it changes totally on the person, because again it's

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Speaker 2: around this like comfortability with the words, because you're kind

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Speaker 2: of making yourself feel vulnerable because in for it so

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Speaker 2: for in porn, for example, it's like, you know, pussy

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Speaker 2: and cock, and you know that's how it is. But

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Speaker 2: I don't.

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Speaker 1: I want to be careful around what mom's comfortable with.

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Speaker 3: But I I I don't think I use a term

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Speaker 3: for like I I'm not sure if it ever comes up,

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Speaker 3: like me referring to her vagina, I don't, like, I

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Speaker 3: don't think it comes up like it's obvious what I'm

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Speaker 3: talking about. I'm just trying to think what I would say.

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Speaker 3: But I don't think I'm ever like, what is.

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Speaker 2: It like Voldemort?

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Speaker 1: Yeah, I think so volveremort.

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Speaker 6: Not that that's what I call it is volvermort coming

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Speaker 6: out to play today, expellingness.

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Speaker 1: Because here's my want that is.

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Speaker 7: It's so good.

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Speaker 1: But she is the word for mine.

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Speaker 2: She was using the sea word for her.

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Speaker 1: Gets a little bit rough.

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Speaker 3: It gets a little bit rough and a little bit

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Speaker 3: of grass that you asked no for mine hers volvermore

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Speaker 3: mine is the sea word.

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Speaker 2: Okay, great, are you gonna would you like me to?

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Speaker 2: Of course I'm already like Sam's. It's hilarious because Sam

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Speaker 2: is the same as chantell And that she's Dutch. It's

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Speaker 2: penis and vagina like it's very sure. Yeah, but they

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Speaker 2: would have invented sex culture, the Dutch.

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Speaker 1: Dutch the first one to have sex.

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Speaker 2: Yeah, I think so. Sometimes have you heard what Holand

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Speaker 2: is doing?

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Speaker 1: No, they're doing this thing called sex. What's that? I

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Speaker 1: think you just I think you just put a penis

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Speaker 1: in the vagina. They're doing it. I don't know.

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Speaker 3: I saw it one time, spoke to a Dutch guy

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Speaker 3: dubbed imagine if that.

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Speaker 2: Was a thing, because everyone got bored. We must have

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Speaker 2: been born somehow. There's no way that it was in

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Speaker 2: you unless it was just constantly stumbled into.

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Speaker 1: Well maybe can you yeah, but that imagine that rumor

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Speaker 1: getting out.

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Speaker 4: Yeah, well, if you're going to claim to anything.

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Speaker 1: Unbelievable, if you said that you invented it.

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Speaker 2: Invented clogs, bicycles, cheese, and sex. I think it's a

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Speaker 2: hell of a list, by the way, Like I mean,

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Speaker 2: they're a tiny country.

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Speaker 1: Clogs are overrated.

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Speaker 4: Sorry, yeah, fair enough, bicycles, cheese.

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Speaker 1: They x but yeah, that's really good cheese. I don't

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Speaker 1: know ese.

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Speaker 2: I'm gonna throw candy in the mix as well.

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Speaker 3: Come on, well, wind mills, wind mills. That's that's very impressive.

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Speaker 3: That's really we invented goon. So we've also brought some

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Speaker 3: cultural things.

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Speaker 1: Did we piss off?

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Speaker 2: Yeah?

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Speaker 1: Cop that holand that's way better than cheese.

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Speaker 2: Not better than sex. Sometimes.

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Speaker 5: Do you want to know what else about invented?

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Speaker 2: Yeah, microscope what that's a good list. But anyway the

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Speaker 2: chat will play, that would be the chat. That's I'm

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Speaker 2: I'm trying to say, is I think they really invented

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Speaker 2: accessible sex culture where it was like the Red Light

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Speaker 2: District and everything, where it was like we're all doing

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Speaker 2: this thing, we may as well talk about it and

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Speaker 2: make it something. I mean, like I said this to

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Speaker 2: you before. If you if you go to Amsterdam, there

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Speaker 2: are a sex toy show that aren't like a little

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Speaker 2: dingy neon sign. They look like an active wear shop.

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Speaker 2: It's like Lulu Lemon, but with vibrators. And there's like

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Speaker 2: normal people standing there in you know, office a tire

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Speaker 2: talking to you about it in a very very normal way.

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Speaker 3: Like you don't feel like having a hat like over

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Speaker 3: your head when you walk in there, or or a

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Speaker 3: big coat on.

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Speaker 4: Not at all.

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Speaker 3: You just go, I've gotta get my groceries, got to

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Speaker 3: go as a sex stoor, Yeah, batteries or whatever.

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Speaker 4: Yes.

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Speaker 2: I think Sam actually told me a story and again

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Speaker 2: I gotta be really careful about.

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Speaker 1: This, but we're in podcast form. It's fine, okay.

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Speaker 2: I think she told me a story one time where

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Speaker 2: her dad actually found her vibrator like in her suitcase

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Speaker 2: one time. To her, I'm really glad that you know

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Speaker 2: how to pleasure yourself. You get more touch than that.

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Speaker 2: What's an awkward about it at all?

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Speaker 4: I'm really glad to know that that's.

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Speaker 1: Your mother has the same one similar tastes.

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Speaker 2: I think there's some really good questions and big shout

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Speaker 2: out to producer Analyst for actually listening to a lot

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Speaker 2: of season two of the podcast.

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Speaker 3: And that was a coincidence. She listened to all of

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Speaker 3: the season two and was like, oh, chantalats.

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Speaker 2: Came up with some great questions and there's some really

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Speaker 2: good chat there around sex after kids, and I just

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Speaker 2: think Chantal's awesome.

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Speaker 4: So you guys can look forward to that. Woodrow.

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Speaker 2: My favorite bit of the week, YEP, was actually the

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Speaker 2: return of a segment that I had pushed before. Pitching

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Speaker 2: something as a segment you.

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Speaker 1: Don't do it before it's been very successful is.

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Speaker 2: Pretty much the death of that bit, Like it's a

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Speaker 2: dumb thing to do, but I notoriously get very excited,

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Speaker 2: and if I have a good idea, I get around

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Speaker 2: myself way too much.

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Speaker 3: And if you're expecting me to jump in here and

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Speaker 3: say no, you don't know, I'm just not going to

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Speaker 3: do that.

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Speaker 1: Well, it's like best radio idea ever. I think this

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Speaker 1: will change the game forever.

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Speaker 3: Sometimes you actually go like okay, here's the oh wow,

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Speaker 3: sorry before I say it.

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Speaker 1: It's that's brilliant.

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Speaker 3: It's like you're playing it in your head before you've

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Speaker 3: even said it, and we're all kind of sitting there

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Speaker 3: being like, yeah, get to the idea, but yes, you

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Speaker 3: go this this, lock this in Thursday four thirty for

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Speaker 3: the rest of the year like that.

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Speaker 4: That's that's so chat.

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Speaker 1: Yeah.

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Speaker 2: I also often mentioned where I came up with the idea,

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Speaker 2: but that's just for me. So so I'll be like

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Speaker 2: guys in the garden this morning, I have the best

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Speaker 2: of all time, and.

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Speaker 3: Then we're like, oh, garden, garden related idea. It's never nothing,

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Speaker 3: never related to, nothing to do with it.

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Speaker 2: I imagine when I'm starting came up with eacles mc squid, like.

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Speaker 1: You're comparing yourself to wines and I was like, Radio,

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Speaker 1: I've just got it.

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Speaker 4: I've got it.

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Speaker 2: I've got a very simple equation to describe the universe.

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Speaker 2: Everyone's waiting on it. And he goes before I get there,

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Speaker 2: what a pizza? I was thinking about ordering pizza. I

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Speaker 2: imagine that's what he did.

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Speaker 4: I like. I also like doing that.

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Speaker 1: Like you like people waiting on your idea.

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Speaker 2: Yeah, I've got the best idea of all time. Now

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Speaker 2: you do you want me?

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Speaker 4: You want me, I'm gonna go to the toy It'll

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Speaker 4: be back.

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Speaker 3: In to see if I can give us some feedback there.

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Speaker 3: Though sometimes you do it too much, so you have diluted.

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Speaker 1: It a bit.

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Speaker 4: That's fine for me, it's not it's for me.

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Speaker 2: That's a pure No part of that is for anyone

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Speaker 2: else but my little ego.

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Speaker 1: I've only had one formula.

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Speaker 2: He's been the second half of his life trying to

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Speaker 2: define quantum mechanics with a with a similar formula and

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Speaker 2: diet having no idea. That right, that's right.

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Speaker 1: You don't hear about that?

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Speaker 4: Yeah, no, I know, right hilarious.

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Speaker 2: He was like, all right, cool, I've conquered the relative

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Speaker 2: world now to go to the quantum world and just

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Speaker 2: couldn't do. It's impossible to find. Let's talk about this

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Speaker 2: idea of mine, so segment ideas. Sorry, before we get

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Speaker 2: to the best radio idea ever, maybe you want to do.

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Speaker 4: To you.

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Speaker 2: Welcome back everyone you've been Will McMahon, All right, Now.

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Speaker 3: Even Einstein wouldn't have said that. He would have read

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Speaker 3: the room a little bit there and been like, no,

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Speaker 3: that's too much. They're gonna start throwing beakers at me.

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Speaker 3: Don't prepared me yet.

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Speaker 2: I do have a formula. So we're all thinking about

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Speaker 2: the science lab right now. Everyone's reaching for the next thing.

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Speaker 2: Buns and burner, top of my head anyway, So buns.

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Speaker 1: And burners were fun. They shouldn't have been trusted us.

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Speaker 1: Wasn't that silly?

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Speaker 4: That was silly.

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Speaker 2: So my idea this week we had I don't know

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Speaker 2: how this originally came up, but we had this idea

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Speaker 2: to get people to tell stories over the top of

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Speaker 2: reggae music, and we called it story Regale.

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Speaker 3: It came about because you were doing a topic called

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Speaker 3: Rare Rare about rare rashes, and.

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Speaker 4: Then we were like, oh, that's right.

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Speaker 1: We were like, let's do a parody of the song

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Speaker 1: red red Wine except a.

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Speaker 8: Rare which was a hot rashes.

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Speaker 3: And so in that bit, you because you're a big

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Speaker 3: music guy, because this this was this is called a bed,

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Speaker 3: so that was playing under these stories, and during the bit, you.

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Speaker 2: You just I just got all community radio on it,

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Speaker 2: and I just just having nice leisurely music playing in

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Speaker 2: the background of talking, and then you have these great

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Speaker 2: moments where you might say something completely non sequito but

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Speaker 2: then just raise the music bed. Yeah, it's just a

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Speaker 2: fun thing to do.

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Speaker 3: So then you were kind of like, how do we

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Speaker 3: just get people on air talking over reggae?

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Speaker 4: That's right.

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Speaker 2: I was in the garden and yeah, so I had

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Speaker 2: this idea. Anyway, so we had and then I don't know,

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Speaker 2: I didn't actually I didn't comet with the name.

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Speaker 4: The name is too good. Story of Regale is what's

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Speaker 4: what the name of the game is. What the name

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Speaker 4: of the segment is.

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Speaker 3: Getting reggae within a storytelling name was It was quite amazing.

380
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Speaker 2: Yeah, So basically Story Regale this week was my favorite

381
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Speaker 2: segment of this week. You'll hear all the bits and

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Speaker 2: bobs as to what it's about and how it's about that.

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Speaker 2: I think we have one of my favorite calls. And

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Speaker 2: the call is a bit perverted. It's a bit sick,

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Speaker 2: but I kind of enjoyed, I mean, in the spirit

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Speaker 2: of freak off, which we're all enjoying right now. I

387
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Speaker 2: did kind of enjoy just unraveling what this woman was

388
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Speaker 2: calling about and she I feel it was also unraveling

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Speaker 2: what was happening as she was calling about it.

390
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Speaker 3: I's got a jasmine though, Jasmine, you love the bit.

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Speaker 3: You've got a story about feet or a foot?

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Speaker 9: I do, boys, and I think I've cracked it. I

393
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Speaker 9: found an actual foot in our dumpster at the back

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Speaker 9: of my work.

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Speaker 1: No human, was it human?

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Speaker 4: Was it human?

397
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Speaker 9: It was human?

398
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Speaker 1: Yes, it was wow, the human foot.

399
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Speaker 9: Human well and other parts. But yes, we have a

400
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Speaker 9: shared shared dumpster at the back of my work where

401
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Speaker 9: a lot of businesses you know, have access to it. True,

402
00:19:02,480 --> 00:19:04,680
Speaker 9: and and to be honest, a lot of dumping goes

403
00:19:04,720 --> 00:19:10,080
Speaker 9: on because it's free. You know, three bins. Yes, and

404
00:19:10,240 --> 00:19:12,160
Speaker 9: I went out the back and we were loading stuff

405
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Speaker 9: into the bins and.

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Speaker 2: The god Jasmine, did you find that human foot human food?

407
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Speaker 1: Was it in like a bag like aad in a bag?

408
00:19:20,640 --> 00:19:22,160
Speaker 9: Yeah, it was in a bag back back.

409
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Speaker 2: Yeah.

410
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Speaker 1: Did you did you find out the details as to

411
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Speaker 1: like who?

412
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Speaker 9: No, we can't yet. It has gone How.

413
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Speaker 2: Long ago did you find the food?

414
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Speaker 10: Oh?

415
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Speaker 9: Only a couple of months ago.

416
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Speaker 2: Oh yeah, male foot, female foot.

417
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Speaker 8: I didn't get that you looked at it, though, you

418
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Speaker 8: had a good look.

419
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Speaker 9: I did look, Yes, we had.

420
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Speaker 10: I don't know.

421
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Speaker 9: I thought maybe you know these shops, you know, because

422
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Speaker 9: we're around the base warehouse, you know, there's halloween stuff

423
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Speaker 9: goes up, so early I thought it was a Halloween

424
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Speaker 9: Well I didn't actually know what it was, so yes,

425
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Speaker 9: I did. Haven't tell you. It wasn't painful.

426
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Speaker 2: It was jamine foot in a dumpster? Could win story

427
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Speaker 2: regale feet for today. Let's play the reggae music before.

428
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Speaker 3: Do you think you definitely know a male foot from

429
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Speaker 3: a female foot?

430
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Speaker 2: Yep, while we're putting that to the test, thirty one

431
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Speaker 2: six five. It is story regale stories over the top

432
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Speaker 2: of reggae music. I have very delicate twinking. The topic

433
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Speaker 2: is feet today. No, you've got choking feet in a

434
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Speaker 2: lineup in.

435
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Speaker 1: The reggae play stop stilencing me with reggae. Reggae beautiful

436
00:20:37,480 --> 00:20:41,360
Speaker 1: that the reggae suit you beautiful is beautiful.

437
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Speaker 2: If you had your feet in a lineup of other

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Speaker 2: women's feet, I'd know your feet of metal. Molly's called

439
00:20:46,640 --> 00:20:49,640
Speaker 2: on thirty one and six five, I'd smell them your

440
00:20:49,640 --> 00:20:52,520
Speaker 2: feet stink. Molly, you know that, you know that I

441
00:20:52,960 --> 00:20:57,160
Speaker 2: am very sweaty Molly in the feet Molly, Hello, Molly,

442
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Speaker 2: you've got a feet story? I do, I do.

443
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Speaker 11: It's a little bit funny.

444
00:21:01,880 --> 00:21:05,760
Speaker 12: So I went to a Catholic high school and when

445
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Speaker 12: I was in year twelve, I was trying to get

446
00:21:07,400 --> 00:21:09,000
Speaker 12: all the points I called to try and win this

447
00:21:09,080 --> 00:21:11,800
Speaker 12: major award to like to participate a lot at school,

448
00:21:11,800 --> 00:21:14,760
Speaker 12: and I actually decided to be a part of a

449
00:21:14,840 --> 00:21:16,920
Speaker 12: liturgy at school, and.

450
00:21:16,920 --> 00:21:17,840
Speaker 2: I didn't actually know.

451
00:21:18,920 --> 00:21:20,840
Speaker 12: I don't know it was about a story in the Bible,

452
00:21:20,840 --> 00:21:23,000
Speaker 12: but I'm not actually sure of what the story was.

453
00:21:23,000 --> 00:21:24,800
Speaker 1: An ethgy give a egy.

454
00:21:25,240 --> 00:21:26,439
Speaker 12: Could be, I don't know.

455
00:21:26,800 --> 00:21:27,080
Speaker 10: Go on.

456
00:21:27,240 --> 00:21:30,520
Speaker 11: So I ended up sitting with a bunch of people

457
00:21:30,640 --> 00:21:33,879
Speaker 11: and Jesus, who was my principal at the time. He

458
00:21:34,000 --> 00:21:36,320
Speaker 11: was playing Jesus. He ended up having to wash my

459
00:21:36,440 --> 00:21:38,879
Speaker 11: feet in front of the whole entire school. And I

460
00:21:38,960 --> 00:21:41,440
Speaker 11: have the most piglish feet, so I had to try

461
00:21:41,440 --> 00:21:44,760
Speaker 11: and control myself as she was washing my feet. But

462
00:21:44,800 --> 00:21:46,840
Speaker 11: it was also a lillergy, so I couldn't be laughing

463
00:21:46,840 --> 00:21:48,119
Speaker 11: because that would be inappropriate.

464
00:21:48,400 --> 00:21:50,040
Speaker 2: Let me get this straight. Let me get this straight.

465
00:21:51,720 --> 00:22:00,000
Speaker 2: Your principal dresses up as Jesus and WASH's school kid's feet. Yeah,

466
00:22:00,960 --> 00:22:05,600
Speaker 2: he's no longer still a large Let's let the reggae

467
00:22:05,640 --> 00:22:16,600
Speaker 2: wash that away for a Second's.

468
00:22:11,560 --> 00:22:13,639
Speaker 1: Definitely as if it's going on there, isn't it.

469
00:22:13,680 --> 00:22:16,480
Speaker 2: I mean, let's just start with the god complex. Guys

470
00:22:16,480 --> 00:22:18,840
Speaker 2: we're doing inativity saying I'm obviously Jesus.

471
00:22:18,960 --> 00:22:21,280
Speaker 1: That strike one of Jesus Christ. I've got to give

472
00:22:21,320 --> 00:22:22,920
Speaker 1: him the car I've got.

473
00:22:23,520 --> 00:22:28,440
Speaker 2: Taking the bolt, catch your fad out kids doing. I'm

474
00:22:28,480 --> 00:22:40,320
Speaker 2: gonna what we doing? You suppose to put my molly

475
00:22:40,440 --> 00:22:43,240
Speaker 2: with the parents there, Like surely the parents are watching

476
00:22:43,280 --> 00:22:45,040
Speaker 2: and they're like, you know, they say the birth of

477
00:22:45,119 --> 00:22:50,280
Speaker 2: Jesus with the.

478
00:22:50,320 --> 00:22:54,159
Speaker 1: Parents close said anyway, that's what we'll said.

479
00:22:54,000 --> 00:22:55,280
Speaker 2: About that Molly, give me the reg guy.

480
00:22:55,480 --> 00:23:01,440
Speaker 4: So they washed me out with the reggae as well.

481
00:23:01,480 --> 00:23:04,040
Speaker 2: That yeah, poop Pens wants us to hurry up here,

482
00:23:04,040 --> 00:23:06,280
Speaker 2: which means he's got a bit.

483
00:23:06,160 --> 00:23:06,960
Speaker 1: Of our third caller.

484
00:23:07,080 --> 00:23:08,560
Speaker 2: Well, look at that savage mate.

485
00:23:08,640 --> 00:23:09,399
Speaker 4: Bad luck, Kelly.

486
00:23:10,080 --> 00:23:14,639
Speaker 1: So Jesus, it's Jesus the principal or Jesus.

487
00:23:14,280 --> 00:23:17,240
Speaker 2: The Principle watching the student's feet.

488
00:23:17,840 --> 00:23:20,360
Speaker 3: Or a human foot being found in a dumb stat

489
00:23:21,840 --> 00:23:23,920
Speaker 3: I mean, I'm so happy for Story of Regale the

490
00:23:23,960 --> 00:23:25,640
Speaker 3: segment because I think it's back grades off.

491
00:23:26,480 --> 00:23:28,480
Speaker 1: All we have to do is attach amazing tickets to

492
00:23:28,520 --> 00:23:29,480
Speaker 1: it and then it's a hot bit.

493
00:23:29,960 --> 00:23:30,520
Speaker 2: Who would have.

494
00:23:34,440 --> 00:23:37,440
Speaker 4: They were amazing calls? Really? Now, if I just.

495
00:23:38,119 --> 00:23:41,040
Speaker 3: I you, you obviously think what was going on there

496
00:23:41,040 --> 00:23:44,359
Speaker 3: with the Principle was dorn't think the right word here,

497
00:23:44,359 --> 00:23:47,879
Speaker 3: but maybe a bit inappropriate. I more think that you've

498
00:23:47,920 --> 00:23:50,480
Speaker 3: got quite a sad principle out there who maybe was

499
00:23:50,520 --> 00:23:54,359
Speaker 3: a failed actor, and like I think he genuinely loves

500
00:23:54,400 --> 00:23:57,000
Speaker 3: playing the role of Jesus and finds any opportunity to

501
00:23:57,040 --> 00:24:01,119
Speaker 3: get himself back on the stage. And a big scene

502
00:24:01,160 --> 00:24:03,400
Speaker 3: in the Bible is the foot washing? Is the foot

503
00:24:03,520 --> 00:24:03,960
Speaker 3: washing one?

504
00:24:04,480 --> 00:24:08,400
Speaker 2: I just can't. I just I'm sorry, I can't. There's

505
00:24:08,440 --> 00:24:11,280
Speaker 2: no way that like that guy walks into the staff

506
00:24:11,359 --> 00:24:15,280
Speaker 2: room at lunchtime and just goes. Guys gather around in

507
00:24:15,320 --> 00:24:18,160
Speaker 2: a week's time, if you could all nominate a child,

508
00:24:19,000 --> 00:24:23,199
Speaker 2: get and with great feet and get them to come

509
00:24:23,280 --> 00:24:26,359
Speaker 2: up on the stage, I mean, addresses Jesus and wash

510
00:24:26,440 --> 00:24:30,960
Speaker 2: their feet individually in front of the whole school. I'm sorry.

511
00:24:30,200 --> 00:24:34,880
Speaker 2: I think it's just the flags. I think there's more

512
00:24:34,920 --> 00:24:36,720
Speaker 2: flags than ground at that stage. I don't think he

513
00:24:36,720 --> 00:24:38,040
Speaker 2: discusses this with other teachers.

514
00:24:38,080 --> 00:24:38,360
Speaker 3: I don't.

515
00:24:38,440 --> 00:24:41,160
Speaker 2: I mean as and you remember, like the other cooked

516
00:24:41,160 --> 00:24:43,160
Speaker 2: thing that she says, I mean, as you just heard

517
00:24:43,200 --> 00:24:45,919
Speaker 2: is she's like I want he was there was an

518
00:24:45,960 --> 00:24:53,080
Speaker 2: award for participation. Yeah, okay, no, the more you know,

519
00:24:53,160 --> 00:24:55,440
Speaker 2: the other like the teeth that the parents were there

520
00:24:55,600 --> 00:25:06,800
Speaker 2: like that just kept tumbling the defense rest.

521
00:25:07,600 --> 00:25:11,560
Speaker 3: It is amazing call so my favorite bit, and this

522
00:25:11,600 --> 00:25:14,280
Speaker 3: is I think the main reason this is my favorite

523
00:25:14,280 --> 00:25:16,639
Speaker 3: bit is because I'm I'm just going through a stage

524
00:25:16,640 --> 00:25:18,840
Speaker 3: of my life where I'm getting quite obsessed with the

525
00:25:18,880 --> 00:25:22,160
Speaker 3: idea of what do you do with ashes after you die,

526
00:25:22,720 --> 00:25:25,080
Speaker 3: or after after anyone does, or it's the best way

527
00:25:25,240 --> 00:25:26,240
Speaker 3: to honor someone.

528
00:25:26,920 --> 00:25:28,919
Speaker 4: I knew that. I knew that you would choose this

529
00:25:29,200 --> 00:25:30,000
Speaker 4: this week. I knew it.

530
00:25:30,040 --> 00:25:31,640
Speaker 3: So I don't want to talk about it too much

531
00:25:31,760 --> 00:25:33,959
Speaker 3: just yet because I'm about to do that. But I

532
00:25:34,040 --> 00:25:36,679
Speaker 3: have further questions for you, because your response to this

533
00:25:36,840 --> 00:25:41,560
Speaker 3: entire thing was, if I'm being honest, disappointing. Really yeah, yeah,

534
00:25:41,800 --> 00:25:45,439
Speaker 3: so maybe it was realistic, but no, well I hope not.

535
00:25:45,720 --> 00:25:47,360
Speaker 2: Okay, we can talk about it more on the other side,

536
00:25:47,359 --> 00:25:49,199
Speaker 2: because I'm happy to justify it for you.

537
00:25:49,320 --> 00:25:51,119
Speaker 1: Sure, sure, here we go.

538
00:25:52,200 --> 00:25:54,760
Speaker 3: I do want to talk about a woman who ate

539
00:25:55,440 --> 00:25:56,720
Speaker 3: her husband's ashes.

540
00:25:59,400 --> 00:26:05,320
Speaker 1: I ate the Now this is interesting powder well, actually she.

541
00:26:05,320 --> 00:26:08,640
Speaker 2: Described sprinkle on some She just be good to add

542
00:26:08,640 --> 00:26:10,600
Speaker 2: a bit of charcoal to a poached chicken.

543
00:26:11,040 --> 00:26:14,840
Speaker 1: She do you know what I mean? She's described what

544
00:26:14,880 --> 00:26:15,360
Speaker 1: it was like.

545
00:26:15,480 --> 00:26:19,720
Speaker 3: She said, felt dry against my fingertips, coarser than baking

546
00:26:19,800 --> 00:26:24,600
Speaker 3: powder grainier than salt, when a bit like a mineral

547
00:26:24,680 --> 00:26:26,879
Speaker 3: mud on the back of my tongue, is what she said.

548
00:26:27,240 --> 00:26:30,159
Speaker 1: Anyway, you'd think will that she did that out of

549
00:26:30,200 --> 00:26:32,919
Speaker 1: love when I thought so cooked, super cooked.

550
00:26:33,119 --> 00:26:34,760
Speaker 3: When I first read the story, I was like, oh,

551
00:26:34,760 --> 00:26:37,800
Speaker 3: that's she was obviously expressing love to her dead husband

552
00:26:38,280 --> 00:26:40,840
Speaker 3: by eating them's what That's what I thought.

553
00:26:40,840 --> 00:26:42,600
Speaker 2: But it turns out as the gesture of love in that.

554
00:26:42,800 --> 00:26:46,199
Speaker 3: It's just I want you to be kind of like

555
00:26:46,320 --> 00:26:50,080
Speaker 3: always with me, so I'm going to eat you. Like

556
00:26:50,080 --> 00:26:51,679
Speaker 3: That's what I think was going through a head and

557
00:26:51,680 --> 00:26:54,439
Speaker 3: like a misguided way. I think that was her intention. Anyway,

558
00:26:54,480 --> 00:26:57,480
Speaker 3: turns out not the case. After he died, she found

559
00:26:57,480 --> 00:26:59,560
Speaker 3: out he was living living a double life and he'd

560
00:26:59,560 --> 00:27:02,879
Speaker 3: been sleeping with escorts, having several affairs, and this orders

561
00:27:02,880 --> 00:27:05,159
Speaker 3: came out and she was she had the bag of

562
00:27:05,160 --> 00:27:07,320
Speaker 3: ashes and she's like, I hate you. So the first

563
00:27:07,320 --> 00:27:09,960
Speaker 3: thing she did was mix in some dog pooh. She

564
00:27:10,119 --> 00:27:12,240
Speaker 3: was like, well, stuff, yeah, I'm gonna put dog pool

565
00:27:12,280 --> 00:27:15,920
Speaker 3: on you. And she was like got him obviously, mixed

566
00:27:15,920 --> 00:27:17,439
Speaker 3: the bag around like copy it.

567
00:27:17,560 --> 00:27:18,679
Speaker 1: You know, You've got pool over you.

568
00:27:19,040 --> 00:27:21,000
Speaker 3: And then she was like, I just didn't feel right,

569
00:27:21,480 --> 00:27:23,680
Speaker 3: so so her next step was to obviously get a

570
00:27:23,720 --> 00:27:24,840
Speaker 3: bit that hadn't been.

571
00:27:25,119 --> 00:27:26,760
Speaker 2: I was gonna say that she just didn't eat the

572
00:27:26,800 --> 00:27:29,520
Speaker 2: dog pool as well, she's the one who suffers in.

573
00:27:29,480 --> 00:27:30,440
Speaker 1: This interesting order.

574
00:27:30,520 --> 00:27:33,359
Speaker 3: Yes, afterwards she said she wasn't she wasn't content with

575
00:27:33,400 --> 00:27:36,240
Speaker 3: the revenge, so she obviously found some that was uncontaminated

576
00:27:36,240 --> 00:27:38,120
Speaker 3: by the pooh and she ate it.

577
00:27:39,119 --> 00:27:41,360
Speaker 1: So that's her. I just I do.

578
00:27:41,640 --> 00:27:43,760
Speaker 3: I think it's interesting though, what you do with ashes,

579
00:27:44,720 --> 00:27:46,080
Speaker 3: because it's this funny thing, you know.

580
00:27:46,440 --> 00:27:48,439
Speaker 1: I don't think you really plan.

581
00:27:48,960 --> 00:27:50,960
Speaker 3: You obviously don't think too much about like a loved

582
00:27:50,960 --> 00:27:53,280
Speaker 3: one dying for starters, and then obviously thinking about what

583
00:27:53,320 --> 00:27:55,040
Speaker 3: you are going to do with the ashes if you

584
00:27:55,080 --> 00:27:57,480
Speaker 3: do choose to cremate a loved one is interesting and

585
00:27:58,320 --> 00:28:00,639
Speaker 3: it made me think, I'm don't know if you've done it.

586
00:28:00,680 --> 00:28:05,240
Speaker 3: I've I'm doing my will stuff now, like someone advised me,

587
00:28:05,320 --> 00:28:06,560
Speaker 3: like it's probably a good thing to do. Now you've

588
00:28:06,560 --> 00:28:10,040
Speaker 3: got a child, and also him and I are not

589
00:28:10,080 --> 00:28:11,600
Speaker 3: married yet getting married very very soon.

590
00:28:11,760 --> 00:28:15,440
Speaker 1: You probably write down some stuff. So like I have quite.

591
00:28:15,200 --> 00:28:19,320
Speaker 3: Specifically said what I want done with my ashes, and

592
00:28:19,359 --> 00:28:20,200
Speaker 3: I wouldn't mind, just.

593
00:28:20,119 --> 00:28:22,120
Speaker 1: A bit of the temperature check now, just to see

594
00:28:22,560 --> 00:28:23,160
Speaker 1: is this the git?

595
00:28:23,520 --> 00:28:26,120
Speaker 3: I mean, I can see this is it's a legal

596
00:28:26,160 --> 00:28:28,640
Speaker 3: document which I will be sending this to the lawyers.

597
00:28:28,960 --> 00:28:30,760
Speaker 1: There's two parts to it.

598
00:28:30,480 --> 00:28:33,080
Speaker 2: Two parts. It's ashes Part one Part two.

599
00:28:33,440 --> 00:28:35,959
Speaker 3: There's a direction as to what I want done with

600
00:28:36,000 --> 00:28:38,120
Speaker 3: my ashes, and then there's also I've written something that

601
00:28:38,120 --> 00:28:41,840
Speaker 3: I want read out. So it's like, so if I die,

602
00:28:41,840 --> 00:28:43,640
Speaker 3: the lawyer will obviously send this out and be like,

603
00:28:43,680 --> 00:28:44,480
Speaker 3: this is what he wanted.

604
00:28:44,920 --> 00:28:45,720
Speaker 2: Is there a part three?

605
00:28:45,800 --> 00:28:45,920
Speaker 3: Like?

606
00:28:46,040 --> 00:28:48,680
Speaker 2: Is the is the reading out? You know your twin

607
00:28:48,800 --> 00:28:50,720
Speaker 2: towers and what's your what's your part three?

608
00:28:50,760 --> 00:28:52,320
Speaker 3: I don't have a part three at that point, but

609
00:28:52,360 --> 00:28:53,760
Speaker 3: you know, I mean, I can still send something else

610
00:28:53,800 --> 00:28:54,240
Speaker 3: to the lawyer.

611
00:28:54,280 --> 00:28:55,680
Speaker 2: But so I think you might need a part three.

612
00:28:56,120 --> 00:28:57,880
Speaker 2: You have two parts. You might make it a trilogy.

613
00:28:58,000 --> 00:29:00,360
Speaker 1: This is the idea, so the ashes themselves. I have

614
00:29:00,400 --> 00:29:00,800
Speaker 1: said that.

615
00:29:01,000 --> 00:29:04,240
Speaker 3: So I want to be cremated at step one normal

616
00:29:04,280 --> 00:29:07,040
Speaker 3: at this point second one, and and I hope, I

617
00:29:07,080 --> 00:29:09,360
Speaker 3: would hope that you're you're going to attend to this service,

618
00:29:09,400 --> 00:29:11,360
Speaker 3: if you're still with us, if you make it longer

619
00:29:11,360 --> 00:29:12,240
Speaker 3: than me, even I'm.

620
00:29:12,160 --> 00:29:13,920
Speaker 2: Still here, if you're still here. Is there a talent

621
00:29:13,960 --> 00:29:14,560
Speaker 2: for you attached?

622
00:29:15,560 --> 00:29:17,239
Speaker 1: No? Okay, I don't hope you just be there out

623
00:29:17,280 --> 00:29:18,560
Speaker 1: of love anyway.

624
00:29:18,640 --> 00:29:21,920
Speaker 3: So there's this place next to the river, like quite

625
00:29:21,960 --> 00:29:23,960
Speaker 3: close to my house, Like go down to this river.

626
00:29:24,160 --> 00:29:26,840
Speaker 1: Right, there's going to be a two is part one?

627
00:29:27,160 --> 00:29:27,920
Speaker 1: You're asking a lot.

628
00:29:28,080 --> 00:29:29,760
Speaker 2: There's going to be a bottle of the part two.

629
00:29:29,880 --> 00:29:32,719
Speaker 2: I thought part one was the cremation Jesus Christ. Right,

630
00:29:32,880 --> 00:29:35,320
Speaker 2: there's going to be a bottle of mescal, oh my,

631
00:29:35,560 --> 00:29:38,800
Speaker 2: which is a tequila had to be bloody messcal.

632
00:29:38,600 --> 00:29:41,800
Speaker 3: My request to my loved ones is going to be

633
00:29:42,320 --> 00:29:44,440
Speaker 3: and obviously like I'm going to make it very clear,

634
00:29:44,480 --> 00:29:45,880
Speaker 3: like you don't have to do this, but this is

635
00:29:45,920 --> 00:29:48,720
Speaker 3: what would he wanted, And if you're down, get involved.

636
00:29:49,000 --> 00:29:50,480
Speaker 3: The idea is, you know how when you do like

637
00:29:50,560 --> 00:29:52,120
Speaker 3: a tequila slammer, not to.

638
00:29:52,080 --> 00:29:54,920
Speaker 1: Condone alcohol, you is god. You know how you do

639
00:29:55,120 --> 00:29:57,200
Speaker 1: like shot and then you lick salt.

640
00:29:57,880 --> 00:30:02,920
Speaker 3: Yeah, My idea is you do a shot of mescal,

641
00:30:02,960 --> 00:30:05,440
Speaker 3: which is my favorite drink, and then a little bit

642
00:30:05,480 --> 00:30:07,360
Speaker 3: of my ashes is on your hand and you lick

643
00:30:07,560 --> 00:30:09,840
Speaker 3: and you lick the hand and so that would be

644
00:30:09,880 --> 00:30:11,160
Speaker 3: like an optional.

645
00:30:12,680 --> 00:30:16,760
Speaker 1: Would you do that you wouldn't.

646
00:30:16,800 --> 00:30:20,440
Speaker 2: I don't want to lick you. I don't want to

647
00:30:20,440 --> 00:30:21,080
Speaker 2: eat a dead person.

648
00:30:21,160 --> 00:30:23,280
Speaker 3: So it's only a tiny bit. It's like an optional

649
00:30:24,200 --> 00:30:26,520
Speaker 3: it's like an optional thing. And then after that, I can't.

650
00:30:26,280 --> 00:30:28,120
Speaker 4: Tell if you're not joking.

651
00:30:28,960 --> 00:30:30,239
Speaker 3: This is going to the lord. But again I've been

652
00:30:30,320 --> 00:30:33,000
Speaker 3: very clear about optional. And then I'm not sure.

653
00:30:32,840 --> 00:30:33,640
Speaker 1: Who is going to read you.

654
00:30:33,760 --> 00:30:34,480
Speaker 2: That's part one.

655
00:30:34,520 --> 00:30:35,120
Speaker 1: That's part one.

656
00:30:35,200 --> 00:30:37,400
Speaker 2: So part one, go to a river with your ashes,

657
00:30:37,560 --> 00:30:41,480
Speaker 2: do it to kill a slammer? Messcal a messcal slammer

658
00:30:41,560 --> 00:30:45,080
Speaker 2: by the river. Yes, who's doing who's organizing that? Like?

659
00:30:45,120 --> 00:30:45,680
Speaker 1: Who's well?

660
00:30:45,680 --> 00:30:47,080
Speaker 3: The lawyer will have to give it to someone like

661
00:30:47,080 --> 00:30:49,160
Speaker 3: obviously mim. If you're still with us, you might get

662
00:30:49,160 --> 00:30:51,920
Speaker 3: a call up my brother. Don't know, little sister Renny.

663
00:30:52,000 --> 00:30:52,800
Speaker 3: It might be my daughter.

664
00:30:53,160 --> 00:30:54,560
Speaker 2: But everyone take a shot.

665
00:30:54,960 --> 00:30:56,480
Speaker 3: Who's doing well? She might be over eighteen, you know.

666
00:30:56,520 --> 00:30:57,840
Speaker 3: I mean, that's a funny thing about it. You don't know

667
00:30:57,840 --> 00:30:59,480
Speaker 3: when this is going to happen. And then the lawyers

668
00:30:59,480 --> 00:31:01,640
Speaker 3: are going to send someone this letter and it says this,

669
00:31:02,920 --> 00:31:07,160
Speaker 3: if you're reading this, I'm bloody dead, shoot bugger bum.

670
00:31:07,760 --> 00:31:09,800
Speaker 3: I'm not sure who was entrusted to read this out,

671
00:31:10,200 --> 00:31:13,320
Speaker 3: but I hope you practiced and really nail the delivery.

672
00:31:14,280 --> 00:31:16,760
Speaker 3: And then it starts getting really deep, so I won't

673
00:31:16,800 --> 00:31:26,560
Speaker 3: read that out. So let's pick things up here, because

674
00:31:26,880 --> 00:31:28,800
Speaker 3: that was a pretty vulnerable thing of me to do,

675
00:31:28,960 --> 00:31:31,120
Speaker 3: to be so honest about what I want, what.

676
00:31:31,040 --> 00:31:33,480
Speaker 1: My wishes are after I die. I'm just going to

677
00:31:33,560 --> 00:31:37,080
Speaker 1: repeat that Diete.

678
00:31:37,320 --> 00:31:39,120
Speaker 3: You know, I get that, But I'm a loved one

679
00:31:39,120 --> 00:31:42,960
Speaker 3: of yours and I have died, and you find out,

680
00:31:43,000 --> 00:31:45,400
Speaker 3: and I've made that very clear that I have this

681
00:31:45,440 --> 00:31:50,520
Speaker 3: one wish for my for my remains, for my ashy remains,

682
00:31:51,120 --> 00:31:52,640
Speaker 3: and that is for you to do it quite as

683
00:31:52,720 --> 00:31:55,600
Speaker 3: simple to kill a slammer or mescal.

684
00:31:55,320 --> 00:31:59,640
Speaker 1: Slammer and just and mescal tequila. It's mescal, but you

685
00:31:59,680 --> 00:32:03,320
Speaker 1: don't do a mescal slammer. You you're more likely to

686
00:32:03,320 --> 00:32:05,160
Speaker 1: do you shot a tequila, lick the salt. You don't

687
00:32:05,160 --> 00:32:05,760
Speaker 1: do that with mescal.

688
00:32:06,240 --> 00:32:07,280
Speaker 4: It's your funeral mate.

689
00:32:07,440 --> 00:32:09,840
Speaker 1: Yeah, I get that, but I like mescal over tequila. Anyway.

690
00:32:09,880 --> 00:32:11,120
Speaker 1: These are small details.

691
00:32:11,200 --> 00:32:13,600
Speaker 3: The fact that you firstly wanted a talent feed for

692
00:32:13,680 --> 00:32:18,640
Speaker 3: rocking up to my little service after I die, right off, Yeah,

693
00:32:18,800 --> 00:32:22,960
Speaker 3: that's right off. Second one, you it's like, come on,

694
00:32:23,320 --> 00:32:29,480
Speaker 3: guns down, commercial radio, you know, armor down down.

695
00:32:29,560 --> 00:32:32,320
Speaker 1: Let's just put two let's just two two guys, nude

696
00:32:32,360 --> 00:32:32,920
Speaker 1: men here.

697
00:32:33,000 --> 00:32:33,720
Speaker 4: No, we're not rude.

698
00:32:33,760 --> 00:32:35,480
Speaker 1: Well, but like, let's just drop.

699
00:32:35,240 --> 00:32:37,719
Speaker 4: The walls, drop the Jesus outside.

700
00:32:37,760 --> 00:32:40,600
Speaker 3: But yes, two naked men, naked men to naked many,

701
00:32:41,120 --> 00:32:42,400
Speaker 3: penis to penis.

702
00:32:42,880 --> 00:32:46,760
Speaker 1: Do that too much? Yeah, you wouldn't.

703
00:32:47,320 --> 00:32:49,800
Speaker 3: You know that I'm dead and you know that I

704
00:32:49,880 --> 00:32:51,280
Speaker 3: was like, I just really like you to take in

705
00:32:51,320 --> 00:32:51,960
Speaker 3: some of my ashes.

706
00:32:52,080 --> 00:32:53,000
Speaker 1: You definitely wouldn't do it.

707
00:32:53,480 --> 00:32:55,560
Speaker 2: Can I just give you like the straight up workings

708
00:32:55,560 --> 00:32:56,200
Speaker 2: of my head here?

709
00:32:56,440 --> 00:32:57,920
Speaker 1: Sure? Okay, sure, let me in.

710
00:32:58,320 --> 00:33:00,520
Speaker 2: I can lie to you and make you feel better

711
00:33:00,640 --> 00:33:01,800
Speaker 2: and tell you I'm gonna do it.

712
00:33:01,920 --> 00:33:04,120
Speaker 1: That would be nice because okay, I'm dead.

713
00:33:04,200 --> 00:33:06,240
Speaker 2: Okay, that's not what I'm saying, because once you're.

714
00:33:06,120 --> 00:33:07,960
Speaker 1: Dead, you've kind of ruined it. Now they're not telling

715
00:33:08,560 --> 00:33:09,920
Speaker 1: I know, why did you ruin it to?

716
00:33:10,720 --> 00:33:13,640
Speaker 2: You? Said man to man, penis to penis? What what

717
00:33:13,760 --> 00:33:15,320
Speaker 2: is the truth? Like, what's the truth here? And the

718
00:33:15,360 --> 00:33:17,200
Speaker 2: truth is I can tell you whatever you want to

719
00:33:17,200 --> 00:33:17,400
Speaker 2: tell you.

720
00:33:17,440 --> 00:33:20,800
Speaker 1: Bro, you're gone, you know, like you I don't know

721
00:33:20,840 --> 00:33:21,680
Speaker 1: if you had me or not.

722
00:33:22,560 --> 00:33:28,120
Speaker 2: Mate, as far as you know, we might have got your.

723
00:33:27,560 --> 00:33:29,120
Speaker 1: Put me in you're gonna put me in the river.

724
00:33:29,720 --> 00:33:30,800
Speaker 1: But you put me in the river.

725
00:33:31,440 --> 00:33:34,520
Speaker 2: I could have said anything there, I stayed. I stayed

726
00:33:34,520 --> 00:33:38,040
Speaker 2: off about five different but we could have.

727
00:33:38,160 --> 00:33:39,600
Speaker 1: Yeah, put me in the river. You put me in

728
00:33:39,600 --> 00:33:39,920
Speaker 1: the river.

729
00:33:40,080 --> 00:33:43,080
Speaker 4: Whatever. But you don't know. I mean, this is okay.

730
00:33:43,120 --> 00:33:46,680
Speaker 2: This is what I find very funny about a funeral

731
00:33:47,040 --> 00:33:51,760
Speaker 2: requests in general. To me, when you die, the lights

732
00:33:51,800 --> 00:33:56,920
Speaker 2: go out, like but my remains, there's nothing more so

733
00:33:57,080 --> 00:34:01,200
Speaker 2: to me what I amn't really thought but me, but

734
00:34:01,640 --> 00:34:06,520
Speaker 2: to me what people wanted. I'm not there anymore. Like you,

735
00:34:06,520 --> 00:34:08,839
Speaker 2: you don't know that though, No I don't. I might

736
00:34:08,880 --> 00:34:12,040
Speaker 2: be floating above you guys watching being like you dog.

737
00:34:12,840 --> 00:34:15,359
Speaker 1: Yeah you lied to me, just eat me.

738
00:34:15,440 --> 00:34:16,319
Speaker 4: Maybe I may do it.

739
00:34:16,360 --> 00:34:19,080
Speaker 2: I actually do a tequila slammer, just despite you. I

740
00:34:19,120 --> 00:34:22,640
Speaker 2: bring a bottle of like cheap that little like tequila

741
00:34:22,680 --> 00:34:25,720
Speaker 2: with the red hat, the sombrero tequila. That's cheap sombrera

742
00:34:25,760 --> 00:34:27,960
Speaker 2: tequila I serve at Taco B I bring it. I

743
00:34:28,000 --> 00:34:31,319
Speaker 2: bring a pack of ten lines from war Worth, and

744
00:34:31,400 --> 00:34:31,759
Speaker 2: I just.

745
00:34:31,719 --> 00:34:33,320
Speaker 4: Do a little tequila slammer station.

746
00:34:33,440 --> 00:34:35,640
Speaker 2: I just give people the option, just like would you

747
00:34:35,719 --> 00:34:37,239
Speaker 2: like to stick with wood he's orders or would you

748
00:34:37,320 --> 00:34:38,640
Speaker 2: like to stick it to him? And then you might

749
00:34:38,680 --> 00:34:39,879
Speaker 2: get a few of your enemies.

750
00:34:39,560 --> 00:34:40,080
Speaker 4: That come down.

751
00:34:40,200 --> 00:34:41,200
Speaker 1: I don't have any enemies.

752
00:34:41,239 --> 00:34:41,960
Speaker 4: You've got enemies.

753
00:34:42,320 --> 00:34:44,840
Speaker 1: No, I don't have any. Hang on, whoa nod's all round?

754
00:34:45,200 --> 00:34:46,959
Speaker 1: I live my dure.

755
00:34:47,920 --> 00:34:50,480
Speaker 3: Not an enemy, not an enemy. I heard through a

756
00:34:50,520 --> 00:34:52,400
Speaker 3: third party that she said some nasty things about me

757
00:34:52,400 --> 00:34:54,279
Speaker 3: at a wedding, But outside of that, all.

758
00:34:54,200 --> 00:34:54,640
Speaker 1: Good to me.

759
00:34:56,320 --> 00:34:58,760
Speaker 2: So comes down, she's doing a tequila slammer.

760
00:34:58,880 --> 00:34:59,080
Speaker 3: Nothing.

761
00:34:59,120 --> 00:35:00,000
Speaker 1: We've got a good relationship.

762
00:35:00,480 --> 00:35:03,640
Speaker 2: Yeah, I saw you guys the other day stairwell, which

763
00:35:03,680 --> 00:35:04,560
Speaker 2: is all good as all hell.

764
00:35:04,760 --> 00:35:05,120
Speaker 1: It wasn't.

765
00:35:05,160 --> 00:35:07,200
Speaker 2: She's nice around me. She's nice to me when you're

766
00:35:07,239 --> 00:35:08,520
Speaker 2: not there. She was weird when you were there.

767
00:35:08,600 --> 00:35:13,560
Speaker 1: She what she comments on my Instagram? Sometimes I think, yeah, well.

768
00:35:13,400 --> 00:35:16,319
Speaker 2: There's no there's no vendetts anyway. Look, let's not talk

769
00:35:16,320 --> 00:35:18,160
Speaker 2: about the vendettes. Let's not talk about the debts.

770
00:35:18,280 --> 00:35:21,000
Speaker 1: I think about the other celebrity though. What that celebrity

771
00:35:21,000 --> 00:35:21,719
Speaker 1: that dislikes me.

772
00:35:21,680 --> 00:35:24,560
Speaker 5: One that you met at the at the logis one year?

773
00:35:24,760 --> 00:35:27,160
Speaker 4: No, No, that's that's more me than him. Oh really okay?

774
00:35:27,360 --> 00:35:29,200
Speaker 1: Yeah, So I'm clean. I'm the nice guy.

775
00:35:29,480 --> 00:35:32,040
Speaker 3: Will On the other hand, My god, the enemies you've got,

776
00:35:32,080 --> 00:35:35,160
Speaker 3: I haven't got that many. Oh mate, what no, I

777
00:35:35,160 --> 00:35:37,600
Speaker 3: can't still controversial, they're litigious.

778
00:35:37,640 --> 00:35:39,400
Speaker 1: You make yourself litigious enemies.

779
00:35:39,920 --> 00:35:42,080
Speaker 2: Ah, also an enemy of yours.

780
00:35:42,280 --> 00:35:46,360
Speaker 3: Oh yep, can't say his name. Definitely me, he said,

781
00:35:47,440 --> 00:35:49,279
Speaker 3: that's too much. We're gonna have put beeps in there.

782
00:35:49,920 --> 00:35:50,920
Speaker 3: That could go to the courts.

783
00:35:51,160 --> 00:35:52,640
Speaker 2: Actually, did we have to settle out of court for

784
00:35:52,640 --> 00:35:53,000
Speaker 2: that one?

785
00:35:54,360 --> 00:35:55,520
Speaker 1: So definitely put beets there.

786
00:35:55,960 --> 00:35:58,840
Speaker 4: But yeah, look, just back to your question.

787
00:35:58,920 --> 00:36:01,040
Speaker 1: Yeah, yeah, yeah, yeah, both before you.

788
00:36:02,320 --> 00:36:08,279
Speaker 2: Or there your top two enemies. It doesn't matter what

789
00:36:08,320 --> 00:36:11,160
Speaker 2: we do with you. It doesn't matter. It doesn't matter

790
00:36:11,400 --> 00:36:12,279
Speaker 2: to me. It matters to me.

791
00:36:12,640 --> 00:36:14,800
Speaker 4: But you're dead, you don't.

792
00:36:15,280 --> 00:36:17,080
Speaker 1: I think it's important for the rest of your to

793
00:36:17,080 --> 00:36:18,319
Speaker 1: continue for the rest of your So.

794
00:36:18,280 --> 00:36:20,640
Speaker 2: Now you're speaking on behalf of my guilt and how

795
00:36:20,719 --> 00:36:21,440
Speaker 2: much like.

796
00:36:22,960 --> 00:36:25,439
Speaker 1: And there's no guilt there. You're dead inside.

797
00:36:27,800 --> 00:36:29,840
Speaker 3: Poopants said here, drink me. Would you sprinkle me in

798
00:36:29,920 --> 00:36:32,560
Speaker 3: the mess cat poopants? Is it producing me last year face?

799
00:36:32,960 --> 00:36:36,360
Speaker 3: Oh yes, sir, three bags full, sir. Oh, this is

800
00:36:36,400 --> 00:36:40,279
Speaker 3: the best break I've ever heard. Would you, Okay, I

801
00:36:40,280 --> 00:36:42,719
Speaker 3: feel like the tahilous lammer idea was maybe too much.

802
00:36:43,000 --> 00:36:45,200
Speaker 3: Would you sprinkle if there was a messcout bottle of

803
00:36:45,200 --> 00:36:46,160
Speaker 3: messcal and there was a bit.

804
00:36:46,040 --> 00:36:48,560
Speaker 1: Of sprinkled ashes in there, would you drink that messcut.

805
00:36:48,280 --> 00:36:51,680
Speaker 5: I would take putting you in a capsule and swallowing you,

806
00:36:51,719 --> 00:36:52,840
Speaker 5: oh like in a little.

807
00:36:52,880 --> 00:36:54,480
Speaker 4: So he doesn't have to taste you like a pill.

808
00:36:54,680 --> 00:36:57,400
Speaker 5: Yeah, I don't want to otherwise, to be like you

809
00:36:57,440 --> 00:36:59,719
Speaker 5: when you get lettuce and you haven't washed it.

810
00:37:00,840 --> 00:37:04,680
Speaker 7: Oh oh, I know exactly what the little dirty bit

811
00:37:04,840 --> 00:37:06,279
Speaker 7: like when you used to be a kid and your

812
00:37:06,360 --> 00:37:08,399
Speaker 7: mum used to give you a sandwich that she'd pre made,

813
00:37:08,440 --> 00:37:09,800
Speaker 7: but a bit of sound got in the sandwich and

814
00:37:09,800 --> 00:37:11,000
Speaker 7: then you took a bite and you had sand in

815
00:37:11,000 --> 00:37:11,359
Speaker 7: your teeth.

816
00:37:11,960 --> 00:37:13,520
Speaker 1: That's what a bee like beach sandwiches.

817
00:37:13,600 --> 00:37:14,400
Speaker 4: I do the capsule.

818
00:37:14,680 --> 00:37:16,000
Speaker 1: Okay, that's good feedback.

819
00:37:16,000 --> 00:37:18,560
Speaker 3: I might actually I might, Yeah, caps Who wants a

820
00:37:18,560 --> 00:37:22,640
Speaker 3: cap So I might actually put that in my legal document? Well,

821
00:37:22,680 --> 00:37:28,560
Speaker 3: because I I ate Remy's placenta in cap form, all right,

822
00:37:29,520 --> 00:37:34,640
Speaker 3: putting that down. Putting that down, ads get very excited

823
00:37:34,640 --> 00:37:36,360
Speaker 3: for the ads enjoy.

824
00:37:36,880 --> 00:37:38,479
Speaker 1: There might be a few funeral homes in here.

825
00:37:46,840 --> 00:37:47,239
Speaker 2: All right.

826
00:37:47,280 --> 00:37:47,879
Speaker 4: Welcome back.

827
00:37:48,520 --> 00:37:50,120
Speaker 2: No, I'm not going to say that, but it's good

828
00:37:50,200 --> 00:37:53,920
Speaker 2: dab be back, particularly after the particularly after the chats.

829
00:37:54,000 --> 00:37:54,799
Speaker 4: But we had so far.

830
00:37:54,840 --> 00:37:56,720
Speaker 1: Did people loved the welcome back.

831
00:37:56,600 --> 00:38:00,680
Speaker 2: Welcome back. Now we both had a good chat about

832
00:38:00,719 --> 00:38:02,799
Speaker 2: our fabites of the week. Tommy is stepping up on

833
00:38:02,840 --> 00:38:06,120
Speaker 2: behalf of the production team this week. It'll rotate, It's

834
00:38:06,400 --> 00:38:07,799
Speaker 2: to rotate, It'll rotate.

835
00:38:09,600 --> 00:38:10,720
Speaker 4: Bit from the week for you guys.

836
00:38:10,920 --> 00:38:14,239
Speaker 5: I thought the favorite bit was we do this thing

837
00:38:14,640 --> 00:38:17,680
Speaker 5: where people train guess between soft drink and beer.

838
00:38:18,320 --> 00:38:20,440
Speaker 1: Just from the sound of it opening, can you hear it?

839
00:38:20,480 --> 00:38:22,360
Speaker 1: You've probably seen it on the socials.

840
00:38:22,920 --> 00:38:24,200
Speaker 4: And this week.

841
00:38:24,880 --> 00:38:27,880
Speaker 1: Things went a whole new direction.

842
00:38:31,640 --> 00:38:33,600
Speaker 3: You know what happened with Yeah, no, no, just giving

843
00:38:33,600 --> 00:38:35,359
Speaker 3: you the Greek chorus response, you know, just.

844
00:38:38,200 --> 00:38:40,920
Speaker 2: Whether that was to throw like were you? I didn't know.

845
00:38:42,440 --> 00:38:44,040
Speaker 5: I was just I was waiting for you to take

846
00:38:44,080 --> 00:38:47,240
Speaker 5: over if you want what's the what what's the new direction?

847
00:38:47,360 --> 00:38:47,600
Speaker 2: Sorry?

848
00:38:47,600 --> 00:38:49,799
Speaker 3: I was I was actually a genuine Do you mean

849
00:38:50,440 --> 00:38:52,840
Speaker 3: the gladiator or do you mean the drinks?

850
00:38:52,960 --> 00:38:53,359
Speaker 1: The drink?

851
00:38:53,560 --> 00:38:57,800
Speaker 2: The gladiator? Yeah, the gladiator, the gladiator, the gladiator, the gladiator.

852
00:38:57,800 --> 00:39:01,959
Speaker 2: Who's stormed in here and yeah, what a show.

853
00:39:02,560 --> 00:39:03,680
Speaker 1: Where are we picking it up from?

854
00:39:04,600 --> 00:39:05,560
Speaker 4: Are you not entertained?

855
00:39:06,160 --> 00:39:06,560
Speaker 1: Really?

856
00:39:07,000 --> 00:39:07,280
Speaker 8: God?

857
00:39:07,880 --> 00:39:08,440
Speaker 1: Did you?

858
00:39:08,680 --> 00:39:12,000
Speaker 3: Probably can't say this, but speaking of Understained Gladi had

859
00:39:12,000 --> 00:39:14,600
Speaker 3: to guess who's coming to Australia, poor Mescal.

860
00:39:15,880 --> 00:39:16,680
Speaker 1: Guess what that means?

861
00:39:17,000 --> 00:39:21,360
Speaker 2: Mescal and Mescal? Oh you want to have an interview?

862
00:39:21,360 --> 00:39:21,800
Speaker 2: Want to interview?

863
00:39:23,080 --> 00:39:23,799
Speaker 1: Are you kidding me?

864
00:39:24,239 --> 00:39:24,399
Speaker 2: Yeah?

865
00:39:24,440 --> 00:39:25,600
Speaker 1: I want to interview Paul Mescal?

866
00:39:25,640 --> 00:39:25,920
Speaker 4: All right?

867
00:39:26,280 --> 00:39:29,160
Speaker 1: Anyway, sorry, so a woman is enough.

868
00:39:29,040 --> 00:39:30,800
Speaker 4: Movie chat in this podcast. We've had feedback.

869
00:39:30,960 --> 00:39:31,640
Speaker 1: I've had feedback.

870
00:39:31,680 --> 00:39:33,880
Speaker 2: Yep, if you're not a cross, can you hear it?

871
00:39:34,000 --> 00:39:36,160
Speaker 2: I do want to engage in that learn but I

872
00:39:36,160 --> 00:39:37,279
Speaker 2: thought we could kick things off.

873
00:39:37,520 --> 00:39:39,120
Speaker 1: Yeah yeah, yeah, yes.

874
00:39:38,800 --> 00:39:40,040
Speaker 4: Yes, with the journey so far?

875
00:39:40,480 --> 00:39:42,439
Speaker 2: Oh right, okay take him back?

876
00:39:42,719 --> 00:39:45,040
Speaker 1: Yeah yeah yeah, can you hear it?

877
00:39:45,120 --> 00:39:46,480
Speaker 4: Take him back? You're a bit of kisstory.

878
00:39:47,360 --> 00:39:47,920
Speaker 3: In this bit.

879
00:39:48,040 --> 00:39:51,279
Speaker 1: You're going to every player who's ever played. Can you

880
00:39:51,360 --> 00:39:52,760
Speaker 1: hear it? Enjoy?

881
00:39:54,000 --> 00:40:03,000
Speaker 2: Imagine? Can you hear it? The game where you guess

882
00:40:03,080 --> 00:40:05,040
Speaker 2: whether it's a burea or soft drink just from the

883
00:40:05,080 --> 00:40:06,240
Speaker 2: sound of the can opening.

884
00:40:06,920 --> 00:40:09,920
Speaker 3: Gary Barlow from Take That holds the current record with

885
00:40:10,000 --> 00:40:12,480
Speaker 3: seven cans in a row be.

886
00:40:12,560 --> 00:40:22,000
Speaker 2: A and I'm just so sick. You're just saying Gary

887
00:40:22,160 --> 00:40:25,080
Speaker 2: Barlow from take that over and over again.

888
00:40:25,320 --> 00:40:28,080
Speaker 3: Beatrice was standing in a servo as she hunted down

889
00:40:28,080 --> 00:40:29,960
Speaker 3: a record eight cans in a row.

890
00:40:30,239 --> 00:40:31,759
Speaker 1: You reckon, you're good enough to get eight?

891
00:40:31,960 --> 00:40:33,520
Speaker 13: Definitely, I think I can do it.

892
00:40:33,560 --> 00:40:35,680
Speaker 1: We back your beauty. Let's do your first can.

893
00:40:39,600 --> 00:40:40,000
Speaker 12: Cider?

894
00:40:40,320 --> 00:40:47,799
Speaker 2: Yes, beauty, that's got a can too, all right, soft drink? Yeah,

895
00:40:47,800 --> 00:40:49,280
Speaker 2: that's a soft Betress.

896
00:40:49,400 --> 00:40:56,440
Speaker 4: Yeah, can three Beatrice, soft drink?

897
00:40:57,360 --> 00:40:58,760
Speaker 1: Nice Beatress.

898
00:40:59,080 --> 00:41:00,000
Speaker 2: Just a little bit about yourself.

899
00:41:00,120 --> 00:41:03,640
Speaker 14: I was born in Sydney, but I grew up in Rome,

900
00:41:03,760 --> 00:41:06,319
Speaker 14: Italy in my whole life, and I've only recently moved

901
00:41:06,320 --> 00:41:08,640
Speaker 14: back to Australia two years ago.

902
00:41:09,160 --> 00:41:19,040
Speaker 2: Beatrice cider that she's got four?

903
00:41:19,239 --> 00:41:26,480
Speaker 1: Here comes can five cider.

904
00:41:29,000 --> 00:41:30,440
Speaker 2: How do you say your name in Italian?

905
00:41:31,600 --> 00:41:32,719
Speaker 1: Here we go, Can six.

906
00:41:38,000 --> 00:41:38,360
Speaker 12: Cider?

907
00:41:41,440 --> 00:41:44,040
Speaker 1: Beatrice? Are you ready for can seven? This would tie

908
00:41:44,040 --> 00:41:45,080
Speaker 1: with Gary Varlow.

909
00:41:45,200 --> 00:41:45,880
Speaker 2: You can take that.

910
00:41:47,600 --> 00:41:49,440
Speaker 4: Let's do seven.

911
00:41:55,800 --> 00:42:07,480
Speaker 2: That's drink. Beatrice in the studio now she's out of

912
00:42:07,480 --> 00:42:10,440
Speaker 2: the survey. Welcome mate, thank you, thank you for having me.

913
00:42:10,520 --> 00:42:12,799
Speaker 2: We're very very very happy to have you.

914
00:42:12,920 --> 00:42:13,680
Speaker 4: Thank you for coming in.

915
00:42:14,080 --> 00:42:17,360
Speaker 3: Appreciated overnight Beatrice, I haven't slept.

916
00:42:17,640 --> 00:42:19,240
Speaker 1: I can imagine, I can imagine.

917
00:42:19,239 --> 00:42:21,799
Speaker 2: I can't tell whether you're being sarcastic you actually have.

918
00:42:21,960 --> 00:42:23,480
Speaker 2: You actually struggled to sleep last night?

919
00:42:23,520 --> 00:42:25,120
Speaker 13: Yeah, because my partner snows really best.

920
00:42:27,120 --> 00:42:27,720
Speaker 2: Did you train?

921
00:42:27,880 --> 00:42:29,799
Speaker 1: Did you train last night? Were you opening cans? Were

922
00:42:29,840 --> 00:42:31,439
Speaker 1: getting your partner and open cans for you?

923
00:42:31,480 --> 00:42:31,600
Speaker 9: No?

924
00:42:31,640 --> 00:42:33,760
Speaker 14: Because I thought that would have made it worse, because

925
00:42:33,800 --> 00:42:35,319
Speaker 14: surely he doesn't open them like you.

926
00:42:35,400 --> 00:42:37,960
Speaker 13: Guys like you probably do it faster or something. Yeah,

927
00:42:38,360 --> 00:42:41,160
Speaker 13: I shouldn't be training. That would probably mess it up.

928
00:42:41,480 --> 00:42:44,319
Speaker 2: Now, you were saying before that you've been listening how

929
00:42:44,320 --> 00:42:45,440
Speaker 2: long you've been listening to the segment?

930
00:42:45,480 --> 00:42:47,080
Speaker 4: Four months? Okay?

931
00:42:47,719 --> 00:42:52,120
Speaker 2: Sounded like you were sick of it.

932
00:42:50,400 --> 00:42:51,319
Speaker 13: For many months.

933
00:42:51,360 --> 00:42:53,120
Speaker 4: I don't know, like four or five okay.

934
00:42:53,160 --> 00:42:54,719
Speaker 2: And then you just got to a point where you're like,

935
00:42:54,719 --> 00:42:55,600
Speaker 2: I think I can hear something.

936
00:42:55,680 --> 00:42:57,240
Speaker 13: Yeah, And that was three days ago, okay.

937
00:42:57,239 --> 00:42:58,719
Speaker 4: And then you're like, I might as well call up.

938
00:42:58,760 --> 00:43:00,120
Speaker 13: I'm going to call I'm going to do it.

939
00:43:00,239 --> 00:43:03,640
Speaker 2: And you got through. You've got seven cans in a row.

940
00:43:04,800 --> 00:43:07,560
Speaker 2: How I mean, how are you feeling about the eighth fair?

941
00:43:08,320 --> 00:43:09,040
Speaker 13: I'm feeling good.

942
00:43:09,080 --> 00:43:11,760
Speaker 14: I hope it doesn't feel different in the studio.

943
00:43:12,480 --> 00:43:16,680
Speaker 3: Yeah, okay, you bring that up, actually, because we do.

944
00:43:17,440 --> 00:43:20,640
Speaker 3: We do want to give you the option of whether

945
00:43:20,680 --> 00:43:22,440
Speaker 3: you want to keep hearing it the way you have

946
00:43:22,560 --> 00:43:24,920
Speaker 3: been hearing it, which is we can actually make you

947
00:43:24,960 --> 00:43:26,839
Speaker 3: step out of the studio and you can listen through

948
00:43:26,840 --> 00:43:31,320
Speaker 3: a phone, or you can stay in the studio.

949
00:43:31,920 --> 00:43:35,399
Speaker 14: I think I prefer saying in the studio because it's

950
00:43:35,480 --> 00:43:36,280
Speaker 14: much louder.

951
00:43:36,840 --> 00:43:38,839
Speaker 2: I really I don't want to influence you either way here.

952
00:43:38,880 --> 00:43:40,759
Speaker 2: I'm just we're not doing it to try and make

953
00:43:40,800 --> 00:43:42,880
Speaker 2: it harder for you. We're actually saying it to give

954
00:43:42,920 --> 00:43:44,600
Speaker 2: you the option just in case it might be easier,

955
00:43:44,640 --> 00:43:46,239
Speaker 2: you know, like it's what you're used to.

956
00:43:46,560 --> 00:43:50,040
Speaker 13: I think it's going to be now I'm going to say, studios, however.

957
00:43:49,760 --> 00:43:52,120
Speaker 4: You want to do it. What are you hearing?

958
00:43:53,760 --> 00:43:58,960
Speaker 2: What's what's the difference, what's the difference to you? I'm

959
00:44:00,120 --> 00:44:01,080
Speaker 2: not I promise, I promise.

960
00:44:01,280 --> 00:44:04,240
Speaker 14: I just what I think, what I believe I'm hearing

961
00:44:04,440 --> 00:44:09,359
Speaker 14: is that when it's a soft drink, fuzziness lasts for longer, so.

962
00:44:09,320 --> 00:44:09,759
Speaker 2: It goes like.

963
00:44:11,520 --> 00:44:16,040
Speaker 14: And when it's a cider or a br that fuzziness

964
00:44:17,160 --> 00:44:18,480
Speaker 14: is like almost non existent.

965
00:44:18,560 --> 00:44:20,520
Speaker 13: Like you hear it, but it's not as long.

966
00:44:20,840 --> 00:44:22,160
Speaker 2: Okay, that's what I hear.

967
00:44:22,400 --> 00:44:25,360
Speaker 3: Okay, in the sixth months you've been listening to this segment,

968
00:44:25,440 --> 00:44:26,359
Speaker 3: have you ever got one wrong?

969
00:44:26,400 --> 00:44:28,760
Speaker 2: I think she said three months for sure.

970
00:44:29,239 --> 00:44:31,120
Speaker 14: For sure I did at the beginning. At the beginning,

971
00:44:31,200 --> 00:44:33,680
Speaker 14: I was not even I couldn't even understand the difference.

972
00:44:34,280 --> 00:44:36,239
Speaker 2: But you've got your eye in now or your ear it?

973
00:44:36,320 --> 00:44:39,160
Speaker 13: Yes, okay, yes, I didn't like. That's the thing. I

974
00:44:39,160 --> 00:44:40,000
Speaker 13: didn't want to call.

975
00:44:40,280 --> 00:44:43,319
Speaker 14: I never called until I knew I can do this,

976
00:44:43,560 --> 00:44:43,960
Speaker 14: I can win.

977
00:44:44,040 --> 00:44:45,399
Speaker 13: So I only called when I was like, no, I'm

978
00:44:45,400 --> 00:44:46,200
Speaker 13: calling because I win it.

979
00:44:50,480 --> 00:44:54,640
Speaker 2: It's the Mediterranean blood in their look at it. Okay,

980
00:44:54,680 --> 00:44:56,120
Speaker 2: there's a conviction about it.

981
00:44:56,440 --> 00:44:57,520
Speaker 1: Absolutely there is.

982
00:44:57,760 --> 00:45:03,440
Speaker 2: I mean, look like you're nervous though, Yeah, okay, all right,

983
00:45:03,440 --> 00:45:05,360
Speaker 2: I reckon, you've got this, mate, I really do. What

984
00:45:05,800 --> 00:45:06,640
Speaker 2: are you going to do with the money if you

985
00:45:06,719 --> 00:45:07,640
Speaker 2: win a thousand dollars?

986
00:45:09,920 --> 00:45:14,399
Speaker 14: Ah, well, very unromantically. I got a huge fine because

987
00:45:14,440 --> 00:45:16,080
Speaker 14: my REGI was expired.

988
00:45:16,040 --> 00:45:16,959
Speaker 15: Two weeks ago.

989
00:45:17,360 --> 00:45:20,640
Speaker 14: It was one thousand dollars.

990
00:45:20,760 --> 00:45:21,120
Speaker 4: Perfect.

991
00:45:21,280 --> 00:45:27,319
Speaker 3: That's so boring, beautiful, okay, blindfold on, please, Beatrice.

992
00:45:27,280 --> 00:45:28,160
Speaker 4: Thanks for being honest.

993
00:45:28,760 --> 00:45:29,200
Speaker 13: No, worries.

994
00:45:29,440 --> 00:45:33,719
Speaker 2: Okay, all right, well do you know what you're going for?

995
00:45:33,760 --> 00:45:36,320
Speaker 2: But because she's got the blindfold on now, so obviously

996
00:45:36,800 --> 00:45:37,880
Speaker 2: I'm still undecided.

997
00:45:37,920 --> 00:45:38,799
Speaker 1: Are you really yes?

998
00:45:38,840 --> 00:45:47,200
Speaker 2: I am? Okay, okay, okay, all right, Beatrice has got

999
00:45:47,200 --> 00:45:51,400
Speaker 2: her hands bread across the desk, head down. This means

1000
00:45:51,440 --> 00:45:56,600
Speaker 2: more to her. Look seriously, I feel like this means

1001
00:45:56,600 --> 00:45:58,359
Speaker 2: more to you than Italy wining the World Cup right now?

1002
00:45:58,560 --> 00:45:59,799
Speaker 1: This is this is big, isn't it?

1003
00:46:00,080 --> 00:46:00,279
Speaker 2: Yah?

1004
00:46:00,960 --> 00:46:03,040
Speaker 1: Are you happy with your headphone volume as well?

1005
00:46:03,560 --> 00:46:03,719
Speaker 15: Yeah?

1006
00:46:03,760 --> 00:46:04,400
Speaker 1: But you continue?

1007
00:46:04,680 --> 00:46:05,840
Speaker 2: Yeah, worst perfectly?

1008
00:46:21,000 --> 00:46:29,000
Speaker 1: So now hang on, now, hang on? Are you one

1009
00:46:29,080 --> 00:46:29,880
Speaker 1: hundred percentral?

1010
00:46:31,160 --> 00:46:31,839
Speaker 10: Oh my god?

1011
00:46:34,760 --> 00:46:35,400
Speaker 2: We got.

1012
00:46:40,840 --> 00:46:43,480
Speaker 1: Can't instant?

1013
00:46:44,680 --> 00:46:45,239
Speaker 8: Instant?

1014
00:46:47,920 --> 00:46:49,320
Speaker 14: You're trying to trick me.

1015
00:46:49,640 --> 00:46:55,080
Speaker 13: You're trying to answer, Yeah, you.

1016
00:46:57,680 --> 00:47:00,520
Speaker 1: Gotta build suspence cans.

1017
00:47:00,840 --> 00:47:01,520
Speaker 7: Are you going?

1018
00:47:06,000 --> 00:47:06,840
Speaker 13: I want to continue?

1019
00:47:07,640 --> 00:47:08,640
Speaker 2: You want to keep going?

1020
00:47:08,840 --> 00:47:09,640
Speaker 1: Can we keep going?

1021
00:47:09,719 --> 00:47:10,960
Speaker 13: Can we be like ten?

1022
00:47:11,160 --> 00:47:12,680
Speaker 2: You want to put a new record on it?

1023
00:47:13,239 --> 00:47:15,480
Speaker 1: I mean, I wasn't planning on going further. But what

1024
00:47:15,560 --> 00:47:18,560
Speaker 1: do you reckon I get to ten? I mean ten

1025
00:47:18,600 --> 00:47:19,920
Speaker 1: would be totally wild.

1026
00:47:20,280 --> 00:47:21,520
Speaker 13: What if I get to ten?

1027
00:47:21,600 --> 00:47:21,640
Speaker 10: No?

1028
00:47:21,719 --> 00:47:27,680
Speaker 2: No, no, there's no more cash? Trying to waste more money?

1029
00:47:29,080 --> 00:47:29,560
Speaker 15: Do you want to go?

1030
00:47:33,120 --> 00:47:36,120
Speaker 2: Okay? Okay, beach just chucked the blind felt back on

1031
00:47:37,719 --> 00:47:44,359
Speaker 2: can nine, can nine, this uncharted territory. This feels are

1032
00:47:44,400 --> 00:47:50,040
Speaker 2: you are right? You can nine? Were it? Oh my god?

1033
00:47:50,760 --> 00:47:54,200
Speaker 2: This woman doesn't blink. There was just no hesitation.

1034
00:47:55,880 --> 00:47:59,839
Speaker 1: I should have been high. She just knew, okay, here

1035
00:47:59,880 --> 00:48:01,759
Speaker 1: we can nine.

1036
00:48:01,760 --> 00:48:03,719
Speaker 2: He's already got one thousand dollars. She's already got a

1037
00:48:03,760 --> 00:48:06,400
Speaker 2: world record. This is just this is gloating, That's what

1038
00:48:06,520 --> 00:48:11,759
Speaker 2: this is. This is sheer Italian arrogance. Here we go,

1039
00:48:17,160 --> 00:48:20,000
Speaker 2: soft drink, she.

1040
00:48:21,480 --> 00:48:22,280
Speaker 1: Just got nine.

1041
00:48:25,360 --> 00:48:29,840
Speaker 2: Just clots herself off. I'm terrified.

1042
00:48:29,920 --> 00:48:32,640
Speaker 1: I'm I feel like you've got this like sixth cents

1043
00:48:32,760 --> 00:48:34,400
Speaker 1: or something like. You can't be stopped.

1044
00:48:34,440 --> 00:48:43,120
Speaker 10: You want to know something I don't drink now the

1045
00:48:43,200 --> 00:48:44,759
Speaker 10: Australian beer drinkers the.

1046
00:48:46,400 --> 00:48:53,280
Speaker 2: Shame that the foreign non drinker has got nine cans

1047
00:48:53,320 --> 00:48:55,319
Speaker 2: in a row, a new world record. We were saying

1048
00:48:55,360 --> 00:48:58,440
Speaker 2: before it's our favorite gladiator from Rome is obviously Maximus

1049
00:48:58,520 --> 00:49:00,840
Speaker 2: descimous moodies. But oh yeah, I think we've got a

1050
00:49:00,880 --> 00:49:05,680
Speaker 2: brand new one in the studio now, Beatrice the Gladiator.

1051
00:49:05,760 --> 00:49:09,319
Speaker 1: Our gun flex are like a cans in a row?

1052
00:49:09,600 --> 00:49:12,560
Speaker 2: What a sensation in Australia. We've got a new round

1053
00:49:12,600 --> 00:49:19,680
Speaker 2: record holder. No more Gary Barlow, Beatrice, well done. That

1054
00:49:19,960 --> 00:49:20,479
Speaker 2: was a feat.

1055
00:49:20,719 --> 00:49:25,839
Speaker 1: Congratulations, It's been great to have you in, great to watch.

1056
00:49:25,880 --> 00:49:28,279
Speaker 2: I mean now, well, so now from now on, I mean,

1057
00:49:28,320 --> 00:49:31,359
Speaker 2: do we need because every time we play Candy here

1058
00:49:31,360 --> 00:49:32,960
Speaker 2: it now we will need to say that the current

1059
00:49:33,000 --> 00:49:35,400
Speaker 2: record holder is Beatrice. I mean, I'm happy to call

1060
00:49:35,440 --> 00:49:37,320
Speaker 2: you Beatrice the Gladiator, but what would you prefer?

1061
00:49:37,880 --> 00:49:38,360
Speaker 10: I like that.

1062
00:49:44,560 --> 00:49:49,880
Speaker 2: Massive moment, unbelievable, brand new champion, what a gun, brilliant.

1063
00:49:50,040 --> 00:49:52,120
Speaker 2: I'm so happy and so happy that we don't have

1064
00:49:52,160 --> 00:49:55,200
Speaker 2: to say Gary Barlow's name anymore. Yes, lest we forget

1065
00:49:55,560 --> 00:49:58,440
Speaker 2: so much better, I don't have to say from take

1066
00:49:58,520 --> 00:50:01,600
Speaker 2: that you might know him from this like my god,

1067
00:50:01,760 --> 00:50:03,600
Speaker 2: and we no longer have to play that song, although

1068
00:50:03,640 --> 00:50:05,200
Speaker 2: I do enjoy that chorus.

1069
00:50:05,360 --> 00:50:07,120
Speaker 3: Real quick, just because we played this so again. I'm

1070
00:50:07,160 --> 00:50:09,960
Speaker 3: sorry I can't put it down, but it's stress about

1071
00:50:10,000 --> 00:50:11,480
Speaker 3: like we're gonna play Shantellott and by the way in

1072
00:50:11,800 --> 00:50:13,120
Speaker 3: like literally forty five seconds.

1073
00:50:13,200 --> 00:50:14,640
Speaker 1: Promise, but I just have something to talk to you

1074
00:50:14,680 --> 00:50:14,960
Speaker 1: about it.

1075
00:50:15,280 --> 00:50:17,960
Speaker 2: Promises you can't keep you open if you're about to

1076
00:50:18,040 --> 00:50:19,320
Speaker 2: engage in a Gladiator Chat.

1077
00:50:19,239 --> 00:50:21,560
Speaker 3: Or a film chat, but it's kind of like it's

1078
00:50:21,640 --> 00:50:24,680
Speaker 3: more behind the scenes you and me interview opportunity related

1079
00:50:24,719 --> 00:50:28,319
Speaker 3: to Gladiator Chat. So Paul Mescal, star of Gladiada two,

1080
00:50:28,360 --> 00:50:31,720
Speaker 3: is going to be in Australia. Okay, yeah, following apparently

1081
00:50:31,800 --> 00:50:35,000
Speaker 3: the people who are bringing Gladiator Too to Australia promoting

1082
00:50:35,000 --> 00:50:37,320
Speaker 3: the whole thing. Yes, they heard us saying that we

1083
00:50:37,400 --> 00:50:38,560
Speaker 3: weren't impressed with the trailer.

1084
00:50:39,200 --> 00:50:43,920
Speaker 2: What I know, I know what like a man or

1085
00:50:43,960 --> 00:50:46,160
Speaker 2: a woman just considering that woman chat we heard earlier.

1086
00:50:46,400 --> 00:50:48,040
Speaker 3: I'm not sure of the sex of the person who

1087
00:50:48,160 --> 00:50:51,160
Speaker 3: made these claims, but they saw us saying we didn't

1088
00:50:51,280 --> 00:50:53,800
Speaker 3: like the trailer, which has kind of pulled our interview

1089
00:50:53,840 --> 00:50:54,520
Speaker 3: opportunity with.

1090
00:50:54,600 --> 00:50:58,239
Speaker 1: Paul in are you joking, like, well, not sure they

1091
00:50:58,360 --> 00:51:00,840
Speaker 1: just actually connected.

1092
00:51:00,960 --> 00:51:01,600
Speaker 2: How do you know that?

1093
00:51:01,840 --> 00:51:04,120
Speaker 1: I just know that they saw us maybe saying that.

1094
00:51:04,239 --> 00:51:04,920
Speaker 1: How do you know that?

1095
00:51:05,239 --> 00:51:07,120
Speaker 3: How do you know there's one of our team metals

1096
00:51:07,160 --> 00:51:10,839
Speaker 3: with email not saying names. That's the current state of play.

1097
00:51:11,320 --> 00:51:14,000
Speaker 2: Chantell the guest final part of the podcast for today

1098
00:51:14,719 --> 00:51:19,280
Speaker 2: chantelot Woods. You didn't catch the first season of this podcast,

1099
00:51:19,360 --> 00:51:24,359
Speaker 2: we chantel about this, but she's got this podcast which exclusively.

1100
00:51:24,480 --> 00:51:27,200
Speaker 1: I'm so into this Chantell.

1101
00:51:27,280 --> 00:51:31,160
Speaker 3: From my understanding, you are running real sex therapy sessions

1102
00:51:31,160 --> 00:51:35,280
Speaker 3: with real couples and your individuals and individuals and recording

1103
00:51:35,320 --> 00:51:35,880
Speaker 3: those sessions.

1104
00:51:38,120 --> 00:51:41,520
Speaker 15: Of course, Yeah's we're not doing a secret one.

1105
00:51:42,680 --> 00:51:46,400
Speaker 3: But this is to remove that stigma obviously around couples

1106
00:51:46,520 --> 00:51:47,600
Speaker 3: doing therapy.

1107
00:51:47,840 --> 00:51:50,960
Speaker 15: Yeah, about anyone doing therapy. It's really cool. The studio

1108
00:51:51,520 --> 00:51:54,440
Speaker 15: is like a therapy room, so we've got two couches

1109
00:51:54,560 --> 00:51:58,360
Speaker 15: that are sitting opposite each other. It's very cozy, lapel mikes,

1110
00:51:58,400 --> 00:52:01,400
Speaker 15: overhead mikes. And the first time that I meet the

1111
00:52:01,520 --> 00:52:05,480
Speaker 15: participants is in the recording studio when I come in

1112
00:52:05,600 --> 00:52:07,000
Speaker 15: to start the therapy session.

1113
00:52:07,480 --> 00:52:10,840
Speaker 1: So it really is exactly as a therapy session would run. Chantel.

1114
00:52:11,000 --> 00:52:15,279
Speaker 15: Yeah, and because we have to create an episode out

1115
00:52:15,320 --> 00:52:17,040
Speaker 15: of it that has a theme, then I do pull

1116
00:52:17,560 --> 00:52:18,400
Speaker 15: like more out of them.

1117
00:52:18,760 --> 00:52:20,960
Speaker 2: Now there's a range of things that I think are

1118
00:52:20,960 --> 00:52:22,640
Speaker 2: it'd be really interesting for people to listen to.

1119
00:52:23,400 --> 00:52:24,319
Speaker 4: So season two is out now.

1120
00:52:24,320 --> 00:52:26,880
Speaker 2: It's exclusively to audible as well, so you can go

1121
00:52:26,920 --> 00:52:30,040
Speaker 2: and get it inaudible. But junior producer Analyst listened to

1122
00:52:30,520 --> 00:52:31,880
Speaker 2: a lot of Season two and a lot of the

1123
00:52:31,960 --> 00:52:34,080
Speaker 2: show notes. And there's a few questions here because I

1124
00:52:34,239 --> 00:52:35,680
Speaker 2: was just going to fire away with some of these

1125
00:52:35,760 --> 00:52:38,120
Speaker 2: questions in some of these areas that she's highlighted, but

1126
00:52:38,320 --> 00:52:40,359
Speaker 2: some of the questions I feel like she might need

1127
00:52:40,440 --> 00:52:42,520
Speaker 2: to ask rather than me asking, because it looks like

1128
00:52:42,600 --> 00:52:43,239
Speaker 2: I'm a bit sick.

1129
00:52:43,920 --> 00:52:44,440
Speaker 1: You're professional.

1130
00:52:44,440 --> 00:52:46,319
Speaker 3: I just want to flag that it's a safe space.

1131
00:52:46,360 --> 00:52:49,520
Speaker 3: That's the first thing I say in therapy is okay, okay,

1132
00:52:49,880 --> 00:52:50,600
Speaker 3: go there, We'll got this.

1133
00:52:50,920 --> 00:52:51,359
Speaker 2: Go there.

1134
00:52:51,640 --> 00:52:52,520
Speaker 1: What are you going to kick off with?

1135
00:52:54,280 --> 00:52:59,600
Speaker 3: You're nervous, you're going very red, you're going very rad

1136
00:52:59,680 --> 00:53:03,040
Speaker 3: this is all let's not don't look at it.

1137
00:53:04,480 --> 00:53:06,800
Speaker 2: Okay, here we go as a man, how can we

1138
00:53:06,960 --> 00:53:09,600
Speaker 2: create an environment where our partner is in a comfortable

1139
00:53:09,640 --> 00:53:10,640
Speaker 2: space to climax.

1140
00:53:10,920 --> 00:53:14,560
Speaker 15: Oh that's a really great question. Yeah, uncovered the eyes.

1141
00:53:15,080 --> 00:53:17,440
Speaker 15: I mean, I think it's all about having fun and

1142
00:53:17,520 --> 00:53:21,480
Speaker 15: playfulness and aiming for pleasure rather than the goal of orgasm,

1143
00:53:21,800 --> 00:53:24,200
Speaker 15: and so take away the goal of penetration, take away

1144
00:53:24,239 --> 00:53:26,759
Speaker 15: the goal of orgasm, of course, focus on like the

1145
00:53:26,960 --> 00:53:29,840
Speaker 15: literal area. I think that's really great, but don't be

1146
00:53:30,120 --> 00:53:33,600
Speaker 15: like asking your partner, how's it going? Are you close?

1147
00:53:33,719 --> 00:53:35,880
Speaker 15: Are we getting there? That kind of thing, because you know,

1148
00:53:36,040 --> 00:53:39,800
Speaker 15: like vice versa, if you were getting asked those questions,

1149
00:53:39,840 --> 00:53:43,280
Speaker 15: you'd be like, WHOA, Like I'm starting yeah, I'm starting

1150
00:53:43,320 --> 00:53:45,080
Speaker 15: to feel it. No, No, I'm starting to feel the

1151
00:53:45,120 --> 00:53:45,759
Speaker 15: pressure now to.

1152
00:53:45,920 --> 00:53:46,719
Speaker 1: Perform for you.

1153
00:53:47,239 --> 00:53:50,200
Speaker 15: The focus should be on me receiving the pleasure and

1154
00:53:50,320 --> 00:53:52,960
Speaker 15: me just having a really great experience so I can

1155
00:53:53,040 --> 00:53:56,759
Speaker 15: actually go somewhere with that pleasure, not actually just be

1156
00:53:56,920 --> 00:54:00,200
Speaker 15: doing the deed of having sex or having whatever it

1157
00:54:00,360 --> 00:54:03,360
Speaker 15: is that you know I'm experiencing. So aim for pleasure,

1158
00:54:03,760 --> 00:54:06,160
Speaker 15: create a safe space, don't feel like you need to

1159
00:54:06,239 --> 00:54:09,080
Speaker 15: rush it. It takes around twenty five minutes or so

1160
00:54:09,520 --> 00:54:11,960
Speaker 15: for someone who does have a volver or a clitorists

1161
00:54:12,040 --> 00:54:15,040
Speaker 15: to reach that climatic state, so it's a lot longer

1162
00:54:15,320 --> 00:54:17,280
Speaker 15: than someone who has a penis for example.

1163
00:54:17,960 --> 00:54:20,360
Speaker 3: Yes, I think this is somewhat linked all in the

1164
00:54:20,440 --> 00:54:24,320
Speaker 3: area of growing sexual confidence. How does one overcome that

1165
00:54:24,520 --> 00:54:27,160
Speaker 3: feeling of the sex needing to be perfect?

1166
00:54:27,760 --> 00:54:28,360
Speaker 1: Because I think I.

1167
00:54:28,400 --> 00:54:30,799
Speaker 3: Can relate to I think early on in a relationship,

1168
00:54:30,920 --> 00:54:32,520
Speaker 3: and I don't know if other people feel this, but

1169
00:54:32,880 --> 00:54:35,880
Speaker 3: sometimes you're comparing what sex should look like based on

1170
00:54:36,040 --> 00:54:38,400
Speaker 3: movies you've seen, and you have this idea in your

1171
00:54:38,440 --> 00:54:40,160
Speaker 3: head of like, oh, I want the first time we

1172
00:54:40,320 --> 00:54:40,960
Speaker 3: have sex to you.

1173
00:54:40,960 --> 00:54:44,200
Speaker 1: Know, almost be like movie sex, which is an outrageous

1174
00:54:44,320 --> 00:54:45,239
Speaker 1: bar to have.

1175
00:54:45,440 --> 00:54:47,400
Speaker 3: And then the longer you date someone, the more you

1176
00:54:47,480 --> 00:54:49,960
Speaker 3: realize that that expectation of perfect sex every time it's

1177
00:54:50,080 --> 00:54:50,879
Speaker 3: just not going to happen.

1178
00:54:51,360 --> 00:54:53,160
Speaker 1: How do you work about overcoming that?

1179
00:54:53,719 --> 00:54:55,560
Speaker 15: I mean, I think at the end of the day,

1180
00:54:56,000 --> 00:54:59,319
Speaker 15: like the movies that we grew up watching around sex

1181
00:54:59,360 --> 00:55:01,759
Speaker 15: were more wrong comms right, so like they were like

1182
00:55:02,000 --> 00:55:04,920
Speaker 15: very passionate, up against the wall. It's like three minutes

1183
00:55:05,000 --> 00:55:07,919
Speaker 15: in they're both coming at the same time. Like that's

1184
00:55:08,080 --> 00:55:12,120
Speaker 15: just not real. Yeah, it's not real. So I think

1185
00:55:12,200 --> 00:55:15,560
Speaker 15: the fact is you have to accept that sex is messy.

1186
00:55:16,080 --> 00:55:17,880
Speaker 15: It's not going to be perfect the first time, the

1187
00:55:17,960 --> 00:55:19,920
Speaker 15: second time, a third time, full time. You know, it

1188
00:55:20,480 --> 00:55:23,640
Speaker 15: takes a while to get into flow with the person

1189
00:55:23,680 --> 00:55:27,160
Speaker 15: that you are intimate with. That takes like good communication.

1190
00:55:27,360 --> 00:55:29,600
Speaker 15: I loved it when you did this, or like, hey,

1191
00:55:29,680 --> 00:55:31,640
Speaker 15: can you move to the left a little bit more?

1192
00:55:33,080 --> 00:55:35,320
Speaker 15: Or I think we need to start using lube like

1193
00:55:35,600 --> 00:55:37,600
Speaker 15: when we get to this stage or boys.

1194
00:55:37,680 --> 00:55:40,840
Speaker 2: I find that coms well is actually important.

1195
00:55:41,040 --> 00:55:45,000
Speaker 15: It's full play and I think like suggesting like different times,

1196
00:55:45,120 --> 00:55:48,239
Speaker 15: different locations, especially if you have kids. It's like, let's

1197
00:55:48,360 --> 00:55:51,880
Speaker 15: like have a shower together, like let's just be naked together.

1198
00:55:52,280 --> 00:55:55,160
Speaker 15: I mean, I like to see sex as an umbrella

1199
00:55:55,280 --> 00:55:56,960
Speaker 15: term for all the things that you can do in

1200
00:55:57,040 --> 00:55:59,480
Speaker 15: an intimate or erotic way. And it doesn't even have

1201
00:55:59,640 --> 00:56:04,239
Speaker 15: to touch at all, right, Like it's even sharing fantasies.

1202
00:56:04,400 --> 00:56:07,760
Speaker 15: It's like talking dirty to each other, it's sending videos

1203
00:56:08,040 --> 00:56:11,520
Speaker 15: or sexy photos. It's everything. But I think what you're

1204
00:56:11,680 --> 00:56:14,440
Speaker 15: talking about is like that three course meal kind of

1205
00:56:14,560 --> 00:56:17,040
Speaker 15: aspect of sex. You know, we have some for play,

1206
00:56:18,200 --> 00:56:20,120
Speaker 15: we go into like a bit of action, and then

1207
00:56:20,160 --> 00:56:22,680
Speaker 15: for dessert we have an orgasm, and then we're finished

1208
00:56:23,200 --> 00:56:26,120
Speaker 15: and a lot of people go, Okay, well we find

1209
00:56:26,239 --> 00:56:30,759
Speaker 15: the formula for our menu, right. I like to say

1210
00:56:30,840 --> 00:56:33,040
Speaker 15: this with people who have been together for a long time,

1211
00:56:33,400 --> 00:56:35,759
Speaker 15: they tend to start having the same menu every single

1212
00:56:35,800 --> 00:56:37,759
Speaker 15: time they're in the bedroom. So it would be like

1213
00:56:37,840 --> 00:56:39,880
Speaker 15: if we went out for dinner and I was like,

1214
00:56:40,239 --> 00:56:43,759
Speaker 15: let's go to an Italian restaurant. We'll get garlic bread

1215
00:56:43,840 --> 00:56:49,280
Speaker 15: for entree, lasagna for main course, and then tiramisu for dessert,

1216
00:56:49,480 --> 00:56:51,800
Speaker 15: and we go, yeah, sick, that was amazing.

1217
00:56:51,760 --> 00:56:52,160
Speaker 1: Loved that.

1218
00:56:52,600 --> 00:56:53,600
Speaker 4: Let's do that again.

1219
00:56:53,880 --> 00:56:56,720
Speaker 15: Let's go back next week, and then we go again

1220
00:56:56,920 --> 00:57:02,520
Speaker 15: and I'm like, I'll garlic bread. You're like, that was

1221
00:57:02,560 --> 00:57:05,759
Speaker 15: awesome again. And then next week I'm like, shall we

1222
00:57:06,480 --> 00:57:09,840
Speaker 15: and you're like, no, we need variety now, So you

1223
00:57:09,920 --> 00:57:12,320
Speaker 15: do need to mix it up, Whereas also, like you

1224
00:57:12,440 --> 00:57:15,040
Speaker 15: can just say, actually, the Tiara massou is good for me,

1225
00:57:15,600 --> 00:57:18,120
Speaker 15: like I just want to have the lasagna by itself,

1226
00:57:18,280 --> 00:57:21,600
Speaker 15: Like it's literally saying any act that you do in

1227
00:57:21,720 --> 00:57:26,000
Speaker 15: the bedroom that is pleasurable and you know, exciting and

1228
00:57:26,160 --> 00:57:28,640
Speaker 15: has a bit of variety, like go to a different restaurant,

1229
00:57:28,720 --> 00:57:31,439
Speaker 15: have different menus, different cuisines, different times of the day.

1230
00:57:31,840 --> 00:57:34,240
Speaker 15: Then you'll end up having a much more fulfilling sex life.

1231
00:57:34,520 --> 00:57:36,320
Speaker 3: And I think it's okay to like, for example, go

1232
00:57:36,400 --> 00:57:39,280
Speaker 3: for the Aaron Ginie balls and then you might go like, hey,

1233
00:57:39,640 --> 00:57:42,520
Speaker 3: I didn't like that dish, and that's also okay asolutely.

1234
00:57:42,600 --> 00:57:45,200
Speaker 3: I think I think sometimes we can get stuck in

1235
00:57:45,400 --> 00:57:47,840
Speaker 3: not wanting to do the wrong thing so naturally, and

1236
00:57:47,920 --> 00:57:50,040
Speaker 3: people do the restaurants actually like I know that.

1237
00:57:50,120 --> 00:57:52,040
Speaker 16: Meal is good, I'm just gonna always order that meal.

1238
00:57:52,040 --> 00:57:55,120
Speaker 16: Because it works and it's good, but yeah, it's gonna

1239
00:57:55,120 --> 00:57:58,120
Speaker 16: get it. It is hard to say, though, isn't it

1240
00:57:58,480 --> 00:58:00,680
Speaker 16: Like you feel you're letting the other person down.

1241
00:58:01,240 --> 00:58:03,440
Speaker 15: Safety is the main thing in the bedroom. And I'm

1242
00:58:03,480 --> 00:58:07,960
Speaker 15: not just saying like like ongoing, enthusiastic consent. I'm saying

1243
00:58:08,080 --> 00:58:11,280
Speaker 15: like a safe environment where you feel excited, where you

1244
00:58:11,360 --> 00:58:13,800
Speaker 15: don't have to feel nervous or like ten stuff at all.

1245
00:58:14,320 --> 00:58:16,600
Speaker 15: That might be saying I don't want to have any

1246
00:58:16,880 --> 00:58:20,080
Speaker 15: sex with alcohol involves yeah, you know for sure, Like

1247
00:58:20,240 --> 00:58:21,760
Speaker 15: I don't want to do it at ten pm at

1248
00:58:21,840 --> 00:58:24,720
Speaker 15: night because I'm already stiff, I'm tired, Like I'm thinking

1249
00:58:24,760 --> 00:58:26,840
Speaker 15: about the next day. Why don't we do it in

1250
00:58:26,960 --> 00:58:29,560
Speaker 15: the morning or Sunday mornings instead, because we've had a

1251
00:58:29,600 --> 00:58:30,080
Speaker 15: whole day.

1252
00:58:30,000 --> 00:58:33,320
Speaker 1: Off, Yeah, to rest. Yep, all good conversations.

1253
00:58:33,640 --> 00:58:34,680
Speaker 4: It's such a good conversation.

1254
00:58:34,920 --> 00:58:35,120
Speaker 7: Yeah.

1255
00:58:35,200 --> 00:58:35,400
Speaker 2: Yeah.

1256
00:58:35,640 --> 00:58:36,040
Speaker 1: Everyone.

1257
00:58:36,320 --> 00:58:38,080
Speaker 2: I feel like in my age bracket is kind of

1258
00:58:38,280 --> 00:58:40,560
Speaker 2: entering the same sort of revelation where they were like,

1259
00:58:41,000 --> 00:58:43,840
Speaker 2: oh my god, I can't believe we haven't discussed this

1260
00:58:44,000 --> 00:58:47,320
Speaker 2: sort of stuff before. And it's coming sort of after

1261
00:58:47,640 --> 00:58:50,680
Speaker 2: generally speaking, after their partners have had one or two kids.

1262
00:58:51,080 --> 00:58:53,720
Speaker 15: Often you have sex to have a baby. Yeah, doing

1263
00:58:53,760 --> 00:58:56,320
Speaker 15: IVF and then having a baby ruins your sex life.

1264
00:58:56,520 --> 00:58:59,680
Speaker 2: Yeah, No, I mean it's true.

1265
00:59:00,440 --> 00:59:02,680
Speaker 15: I think we're a lot of parents in my clinic.

1266
00:59:02,920 --> 00:59:05,480
Speaker 2: Yeah, a lot of parents, and so weirdly, I'm just

1267
00:59:05,520 --> 00:59:07,520
Speaker 2: having this thought now that like it's almost like having

1268
00:59:07,560 --> 00:59:09,520
Speaker 2: a baby means that, you know, in the first instance,

1269
00:59:09,560 --> 00:59:12,240
Speaker 2: short inverning commons destroys your sex life. But the cool

1270
00:59:12,280 --> 00:59:13,720
Speaker 2: thing about it is at the same time it makes

1271
00:59:13,760 --> 00:59:15,520
Speaker 2: you go, we're going to start a square one again.

1272
00:59:15,840 --> 00:59:17,160
Speaker 2: That's why we are all of a sudden having these

1273
00:59:17,200 --> 00:59:20,240
Speaker 2: great conversations around what sex actually is for us is

1274
00:59:20,280 --> 00:59:22,240
Speaker 2: because we did bottom out and.

1275
00:59:22,320 --> 00:59:25,560
Speaker 3: Sometimes planning the sex opens all these new doors because

1276
00:59:25,600 --> 00:59:27,680
Speaker 3: before having a baby, maybe having more time, you weren't

1277
00:59:27,680 --> 00:59:28,920
Speaker 3: planning the sex everywhere.

1278
00:59:29,000 --> 00:59:30,520
Speaker 1: Is now it's like you start planning and go, what

1279
00:59:30,560 --> 00:59:31,360
Speaker 1: do you actually want.

1280
00:59:32,400 --> 00:59:34,920
Speaker 2: Your your beauty and the beast role play the other day,

1281
00:59:35,080 --> 00:59:36,680
Speaker 2: we don't need to go into that because.

1282
00:59:39,000 --> 00:59:40,240
Speaker 1: We were a dressing up for our.

1283
00:59:40,880 --> 00:59:42,240
Speaker 8: Amazing go into it.

1284
00:59:42,360 --> 00:59:46,280
Speaker 1: Chantelt Sex Therapy in season three.

1285
00:59:49,480 --> 00:59:52,840
Speaker 2: He is available now exclusively on audible. Chantel thank you

1286
00:59:52,880 --> 00:59:54,400
Speaker 2: for coming in. It's great to see you.