1 00:00:00,480 --> 00:00:07,080 Speaker 1: Stephen Frye is an English actor, screenwriter, author, playwright, journalist, poet, comedian, 2 00:00:07,160 --> 00:00:13,560 Speaker 1: television presenter, film director and all round international treasure. This morning, 3 00:00:13,800 --> 00:00:16,599 Speaker 1: thank you much, and an evening with Stephen Fryes on 4 00:00:16,640 --> 00:00:19,720 Speaker 1: at the First Concert Hall this Sunday and Monday. Sunday 5 00:00:19,800 --> 00:00:22,960 Speaker 1: is sold out, but there are a handful of tickets 6 00:00:23,000 --> 00:00:25,919 Speaker 1: to spend the evening with Stephen fry on Monday. I 7 00:00:25,960 --> 00:00:31,680 Speaker 1: would be getting into Ticketmaster to sweet Stephen fry good morning. 8 00:00:31,440 --> 00:00:35,880 Speaker 2: Welcome well, thank you for that glorious, glorious introduction. 9 00:00:40,360 --> 00:00:41,839 Speaker 3: Was magnificent but well justified. 10 00:00:42,440 --> 00:00:43,560 Speaker 1: Welcome back to Perth. 11 00:00:44,360 --> 00:00:51,279 Speaker 2: Thank you, delight always to be in Western Australia. Remote possibly, Yes, definitely, 12 00:00:52,120 --> 00:00:54,280 Speaker 2: isn't that a good thing? I think it probably is. 13 00:00:54,400 --> 00:00:55,320 Speaker 3: It was through COVID. 14 00:00:55,560 --> 00:01:00,480 Speaker 2: We think absolutely you were the winners there, weren't you, Melbourne, 15 00:01:00,480 --> 00:01:02,120 Speaker 2: Poor Melbourne. 16 00:01:01,240 --> 00:01:03,920 Speaker 3: There was a lot of people who are still affected 17 00:01:03,920 --> 00:01:05,360 Speaker 3: by that lockdown, I think from Melville. 18 00:01:05,520 --> 00:01:09,880 Speaker 2: Yeah, I think so. Anyway, good so, and I gathered 19 00:01:10,640 --> 00:01:13,640 Speaker 2: you know that indeed that people have been very kind 20 00:01:13,680 --> 00:01:17,320 Speaker 2: and have sold out the first the first performance on Sunday, 21 00:01:17,400 --> 00:01:20,560 Speaker 2: so a lot of new one on Monday, which is 22 00:01:20,720 --> 00:01:23,360 Speaker 2: really nice. But do you know it's the first place 23 00:01:23,400 --> 00:01:25,240 Speaker 2: I ever came to in Australia was Perth back in 24 00:01:25,319 --> 00:01:29,000 Speaker 2: nineteen eighty one. Yeah, when you were it was like 25 00:01:29,520 --> 00:01:36,080 Speaker 2: entering a sort of double a double identity city because 26 00:01:36,319 --> 00:01:40,640 Speaker 2: half of it was basically nineteen fifty two. Yes, the 27 00:01:40,680 --> 00:01:44,200 Speaker 2: other half was being I think the phrase is probably 28 00:01:44,240 --> 00:01:51,040 Speaker 2: what would you say, bondified. That's right. The America's Cup 29 00:01:51,160 --> 00:01:54,160 Speaker 2: was about to be one, and there was a whole 30 00:01:54,200 --> 00:02:01,000 Speaker 2: new spirits abroad. And obviously now it's a total the modern, 31 00:02:01,040 --> 00:02:04,080 Speaker 2: amazing place. So it last a few years ago and 32 00:02:05,360 --> 00:02:07,680 Speaker 2: there are always new buildings. You arrive in you think, 33 00:02:07,840 --> 00:02:10,920 Speaker 2: my goodness, but obviously we know where you get all 34 00:02:10,919 --> 00:02:15,239 Speaker 2: the all the building aggregates from, because it's a it's 35 00:02:15,240 --> 00:02:17,720 Speaker 2: a state that tears itself apart for mineral. 36 00:02:20,919 --> 00:02:26,280 Speaker 1: It was bondified the eighties. Perth loved along Launch the eighties, 37 00:02:26,280 --> 00:02:26,680 Speaker 1: were good to. 38 00:02:26,680 --> 00:02:31,560 Speaker 3: Purs often used other people's money, but he did have visions. 39 00:02:31,560 --> 00:02:35,600 Speaker 1: Steven, it's an evening with and people can ask you questions. 40 00:02:35,840 --> 00:02:39,760 Speaker 1: Can you think what an example of one of the 41 00:02:39,760 --> 00:02:42,200 Speaker 1: more surprising questions that you've been asked? 42 00:02:44,000 --> 00:02:50,639 Speaker 2: Well, I mean they are in the cliche ones are 43 00:02:50,680 --> 00:02:54,240 Speaker 2: always to any British person who are always about you know, 44 00:02:54,960 --> 00:02:58,320 Speaker 2: used to be Have you met the queen? Did you 45 00:02:58,360 --> 00:03:03,840 Speaker 2: meet the queen? And there are strange ones about what's 46 00:03:03,880 --> 00:03:06,200 Speaker 2: the weirdest thing a fan has ever said to you? 47 00:03:06,480 --> 00:03:11,080 Speaker 2: Or whatever? And you know, the answers to that are 48 00:03:11,400 --> 00:03:16,880 Speaker 2: pretty strange, of course, because you know, sometimes I'm not 49 00:03:16,919 --> 00:03:20,200 Speaker 2: suggesting that I am in any way Harry styles or 50 00:03:20,240 --> 00:03:24,440 Speaker 2: anything on that level. But for some reason, some people 51 00:03:24,480 --> 00:03:27,640 Speaker 2: when they see you in the street, their brain takes 52 00:03:27,720 --> 00:03:31,600 Speaker 2: a little bit of a hiccup, and we'll ask something 53 00:03:31,680 --> 00:03:34,000 Speaker 2: strange like you know, what kind of underwear are you 54 00:03:34,000 --> 00:03:37,760 Speaker 2: wearing it? And you go, what, No, I just meant 55 00:03:38,520 --> 00:03:40,720 Speaker 2: because I don't think of you as someone who wears 56 00:03:40,800 --> 00:03:46,000 Speaker 2: underwear or something. You know, they just their mouth runs away. 57 00:03:46,680 --> 00:03:48,520 Speaker 3: I'll probably get very nervous around you. 58 00:03:48,600 --> 00:03:51,240 Speaker 2: Yeah, it is. And of course the mistake you make, 59 00:03:51,400 --> 00:03:54,440 Speaker 2: which I discovered early on, because you know, you naturally 60 00:03:54,560 --> 00:04:00,920 Speaker 2: think that a witty response, or at least not too 61 00:04:01,040 --> 00:04:04,960 Speaker 2: cruelly sarcastic responds would amuse them. So if you're in 62 00:04:05,000 --> 00:04:10,280 Speaker 2: a supermarket and sometimes people say what are you doing here? 63 00:04:11,200 --> 00:04:14,000 Speaker 2: And so I'll say something like, well, I'm just waiting. 64 00:04:14,000 --> 00:04:17,400 Speaker 2: It's the world finals of the badminton and I'm about 65 00:04:17,440 --> 00:04:22,840 Speaker 2: to umpire them in L three and they'll go, really, no, 66 00:04:23,640 --> 00:04:30,760 Speaker 2: I'm shopping. What does anyone But it's very understandable. And 67 00:04:30,920 --> 00:04:33,560 Speaker 2: I remember once it's very early on. It was a lesson. Actually, 68 00:04:33,680 --> 00:04:35,720 Speaker 2: I was walking along the street with Rowan Atkinson and 69 00:04:35,760 --> 00:04:38,000 Speaker 2: this was I was still at university and we'd just 70 00:04:38,080 --> 00:04:43,039 Speaker 2: become friends, and he'd been c our university show I 71 00:04:43,080 --> 00:04:47,080 Speaker 2: did with Hugh Laurian Emma Thompson, and he had been 72 00:04:47,200 --> 00:04:50,680 Speaker 2: very kind about it, and he'd been sent by his 73 00:04:50,760 --> 00:04:54,880 Speaker 2: agent who wanted to know whether he agreed that we 74 00:04:54,920 --> 00:04:57,320 Speaker 2: should be on this agent's books, and so he was 75 00:04:57,360 --> 00:05:01,200 Speaker 2: like a scout, but he'd come around to that stage 76 00:05:01,279 --> 00:05:03,560 Speaker 2: drawing was very kind and he was a star at 77 00:05:03,560 --> 00:05:05,400 Speaker 2: the time. There was a series called Not the Nine 78 00:05:05,400 --> 00:05:08,479 Speaker 2: o'clock News that he was kind of break out brilliant on. 79 00:05:09,040 --> 00:05:11,440 Speaker 2: And so when we walked down the street to get 80 00:05:11,440 --> 00:05:15,440 Speaker 2: a cup of tea and someone said to him, I 81 00:05:15,480 --> 00:05:18,440 Speaker 2: suppose you get fed up with people stopping you and 82 00:05:18,480 --> 00:05:22,039 Speaker 2: he said, no, I get fed up with people saying 83 00:05:22,240 --> 00:05:27,000 Speaker 2: I expect you get fed up, and which I thought 84 00:05:27,040 --> 00:05:31,080 Speaker 2: was quite funny. They went bright red and well, oh sorry, 85 00:05:31,160 --> 00:05:34,000 Speaker 2: I won't bother you then, and off they went, and 86 00:05:34,600 --> 00:05:38,640 Speaker 2: Roan said, oh dear, I said, well maybe they would. Yeah. 87 00:05:38,880 --> 00:05:42,640 Speaker 2: So that was a kind of lesson in that you 88 00:05:42,760 --> 00:05:46,760 Speaker 2: have to understand that people are sometimes a bit they've 89 00:05:47,640 --> 00:05:52,400 Speaker 2: built up their courage to say hello and yeah exactly, 90 00:05:52,720 --> 00:05:55,800 Speaker 2: and also you mustn't say no, I'm not This was 91 00:05:55,880 --> 00:05:59,880 Speaker 2: again to name drop, this time even bigger company. I 92 00:06:00,360 --> 00:06:04,080 Speaker 2: was with John Clees and we've been doing it, yeah 93 00:06:04,080 --> 00:06:11,320 Speaker 2: exactly and way, and someone came up and to us 94 00:06:11,360 --> 00:06:15,560 Speaker 2: both and John Lees said all these amazing things, and 95 00:06:15,600 --> 00:06:17,720 Speaker 2: he signed a piece of paper. This was in the 96 00:06:17,800 --> 00:06:21,039 Speaker 2: days before selfies. And they said, oh, I really like you, 97 00:06:21,440 --> 00:06:25,560 Speaker 2: Stephen and I said, oh nonsense. I said, you know 98 00:06:25,760 --> 00:06:29,160 Speaker 2: there's John Cleese here. Then'd be ridiculous. And they said no, no, 99 00:06:29,200 --> 00:06:31,640 Speaker 2: I think you're very funny. I said no, I'm not knowing. Anyway, 100 00:06:31,720 --> 00:06:34,920 Speaker 2: I signed their thing, and John Lee said a word 101 00:06:34,960 --> 00:06:38,480 Speaker 2: of advice. He said, don't disagree with people. If they 102 00:06:38,520 --> 00:06:40,880 Speaker 2: say that they like you and that they're good. Don't 103 00:06:40,920 --> 00:06:44,480 Speaker 2: just say oh no, I'm hopeless, Just say thank you. 104 00:06:46,040 --> 00:06:49,280 Speaker 2: And I thought it's so simple, just say yes, thank you, 105 00:06:49,720 --> 00:06:52,719 Speaker 2: it's so obvious. You know, you one kind of works 106 00:06:52,760 --> 00:06:55,480 Speaker 2: oneself up into a lather about how not to sound, 107 00:06:56,640 --> 00:06:59,640 Speaker 2: you know, too pleased with oneself whatever, and you you 108 00:06:59,760 --> 00:07:01,600 Speaker 2: end up up kind of being ridiculous. 109 00:07:01,680 --> 00:07:05,840 Speaker 3: Yeah, yeah, that's it exactly. 110 00:07:05,960 --> 00:07:06,559 Speaker 2: That's the great. 111 00:07:07,960 --> 00:07:09,680 Speaker 1: This is a little related to a couple of the 112 00:07:09,760 --> 00:07:13,640 Speaker 1: names that you just ran down earlier this morning, Stephen, 113 00:07:13,680 --> 00:07:16,160 Speaker 1: we were talking with our listeners about great comedy duos, 114 00:07:16,240 --> 00:07:18,240 Speaker 1: and a bit of Frian Laurie came up more than 115 00:07:18,240 --> 00:07:21,119 Speaker 1: a couple of times. And I feel as though you've 116 00:07:21,120 --> 00:07:23,480 Speaker 1: made it a thing over the years to work with 117 00:07:23,600 --> 00:07:26,480 Speaker 1: great friends. What a wonderful caper that's been. 118 00:07:27,200 --> 00:07:30,120 Speaker 2: Oh, I've been so lucky. It's absolutely right. And Hugh 119 00:07:30,600 --> 00:07:34,400 Speaker 2: primus inter pares, as the Romans said, first amongst equells. 120 00:07:34,440 --> 00:07:37,760 Speaker 3: Whatever that means. It sounds beird lover. 121 00:07:40,800 --> 00:07:43,560 Speaker 2: You know, Hugh Hugh. I mean when I first met Hugh, 122 00:07:43,840 --> 00:07:46,440 Speaker 2: it was Emma Thompson who introduced us at the university, 123 00:07:46,480 --> 00:07:51,280 Speaker 2: and the name dropping. I didn't imagine when I was. 124 00:07:52,760 --> 00:07:54,160 Speaker 1: Called Steven's friends, you know. 125 00:07:57,640 --> 00:08:01,240 Speaker 2: I just remember Hugh was sitting on on a bed. 126 00:08:02,000 --> 00:08:04,400 Speaker 2: She took me around to his rooms at his college 127 00:08:04,440 --> 00:08:07,480 Speaker 2: at Cambridge, and his girlfriend was there making a cup 128 00:08:07,520 --> 00:08:10,760 Speaker 2: of coffee and knocked on the door and she had 129 00:08:10,800 --> 00:08:12,760 Speaker 2: opened it and there was Hugh sitting on a bed 130 00:08:12,800 --> 00:08:15,640 Speaker 2: and he just said hello, and I said hello, and 131 00:08:16,360 --> 00:08:18,840 Speaker 2: he had a guitar on his lap and he was 132 00:08:19,040 --> 00:08:21,480 Speaker 2: He said, I've just been writing this song and he 133 00:08:22,440 --> 00:08:25,000 Speaker 2: sang a verse of a chorus and he said, I 134 00:08:25,000 --> 00:08:26,360 Speaker 2: don't know how it should go on. And I thought 135 00:08:26,360 --> 00:08:28,560 Speaker 2: it was a very funny song. So I sat next 136 00:08:28,560 --> 00:08:31,320 Speaker 2: to him. We started adding lyrics to it, and then 137 00:08:31,320 --> 00:08:35,719 Speaker 2: we finished the song and started writing a sketch. And 138 00:08:35,760 --> 00:08:39,080 Speaker 2: Emma and Katie his friend, just staring at us because 139 00:08:39,080 --> 00:08:43,920 Speaker 2: we hadn't basically said anything except this comedy writing, and 140 00:08:44,600 --> 00:08:46,920 Speaker 2: it had just we'd just fallen into it. It was 141 00:08:47,000 --> 00:08:51,520 Speaker 2: the weirdest thing. It's sort of like if musicians can 142 00:08:51,559 --> 00:08:55,360 Speaker 2: do this. You know, someone has a guitar, someone else 143 00:08:55,400 --> 00:09:00,600 Speaker 2: has a you know, a piano, and they just join 144 00:09:00,679 --> 00:09:04,240 Speaker 2: each other and start playing chords and stuff. It's less 145 00:09:04,240 --> 00:09:07,520 Speaker 2: common with with with comedy, I suppose. But it was 146 00:09:07,640 --> 00:09:11,600 Speaker 2: like an instant romance. And and I mean we did 147 00:09:12,120 --> 00:09:16,480 Speaker 2: in that I suppose cliche way. We fitted different parts 148 00:09:16,480 --> 00:09:21,199 Speaker 2: of each other. I'm an intensely verbal person, and Hugh 149 00:09:21,320 --> 00:09:29,640 Speaker 2: is not brilliant physically and get oh dear got unhealthy. Well, 150 00:09:29,800 --> 00:09:31,880 Speaker 2: it's because all the other pubs and they are missing. 151 00:09:32,400 --> 00:09:36,040 Speaker 2: I'm not musical like you, and I'm not athletic like him. 152 00:09:36,760 --> 00:09:39,200 Speaker 2: All I have are my words, my poor words. 153 00:09:39,400 --> 00:09:42,640 Speaker 3: Yeah, Steve, think about John and stop putting yourself down. 154 00:09:42,760 --> 00:09:47,160 Speaker 1: Yes, thank yous A fellow cricket tragic. 155 00:09:47,240 --> 00:09:49,800 Speaker 3: I need to ask you get your take on something right. 156 00:09:49,840 --> 00:09:53,160 Speaker 3: So retired Australian opening batsman David Warner said this week 157 00:09:53,440 --> 00:09:55,720 Speaker 3: to the Australian Selectors, I'm here if you need me, 158 00:09:55,840 --> 00:09:59,000 Speaker 3: despite the fact that he's retired. Once they're retired, should 159 00:09:59,000 --> 00:10:00,680 Speaker 3: they be gone forever? I do a bit of a 160 00:10:00,720 --> 00:10:03,040 Speaker 3: column Cowdry and say I'm here anytime you need me. 161 00:10:04,400 --> 00:10:08,920 Speaker 2: It's an interesting question, isn't it. I mean it's in 162 00:10:08,960 --> 00:10:11,920 Speaker 2: the case of Colin Cowdry and a few others like 163 00:10:11,960 --> 00:10:16,720 Speaker 2: Brian Closed, David Steele, it's because Australia and the West 164 00:10:16,760 --> 00:10:20,360 Speaker 2: Indies had these unbelievable fast bowlers and none of our 165 00:10:20,360 --> 00:10:23,520 Speaker 2: batsman seemed able to face up to them, and so 166 00:10:23,640 --> 00:10:26,200 Speaker 2: we pulled out the old brigade, thinking they might be 167 00:10:26,280 --> 00:10:29,920 Speaker 2: braver and more sensible than you know, not took them, 168 00:10:30,240 --> 00:10:33,600 Speaker 2: or more robust. But I don't think I mean David, 169 00:10:33,800 --> 00:10:36,840 Speaker 2: I mean brilliant obviously in all regards, unless he's facing 170 00:10:36,880 --> 00:10:42,360 Speaker 2: Stuart Broad, in which case he collapses. But yeah, I 171 00:10:42,400 --> 00:10:45,040 Speaker 2: suppose I can't blame them though that you know, you 172 00:10:45,080 --> 00:10:47,200 Speaker 2: would do that. You would think, maybe it's time for 173 00:10:47,240 --> 00:10:50,280 Speaker 2: me to go, and I'll have my you know, final match, 174 00:10:50,280 --> 00:10:53,680 Speaker 2: and everybody will stand at the at you know, the 175 00:10:53,760 --> 00:10:56,120 Speaker 2: mcg or wherever my last match will be. I'll have 176 00:10:56,160 --> 00:10:58,480 Speaker 2: this huge evasion and I'll go off in tears to 177 00:10:58,559 --> 00:11:02,120 Speaker 2: the you know, to to the dressing room and all 178 00:11:02,160 --> 00:11:05,000 Speaker 2: the rest of it. But then a few months later 179 00:11:05,040 --> 00:11:07,520 Speaker 2: you think, oh god, I should be out there, especially 180 00:11:07,520 --> 00:11:10,400 Speaker 2: if you see that they haven't got a good opener, 181 00:11:10,120 --> 00:11:13,480 Speaker 2: and you think, well, if you want to recall me, 182 00:11:13,800 --> 00:11:16,720 Speaker 2: I might consider it. You know, I can just imagine it. 183 00:11:16,720 --> 00:11:21,160 Speaker 2: It's very hard, you know, but to have the courage 184 00:11:22,320 --> 00:11:25,920 Speaker 2: not to be that overweight heavyweight that trips over as 185 00:11:25,960 --> 00:11:30,360 Speaker 2: he sets back into the ring for that final purse, 186 00:11:32,400 --> 00:11:36,920 Speaker 2: I don't know. But no, it's the thing about if 187 00:11:36,920 --> 00:11:40,720 Speaker 2: I can bring it back to Greek myths, one of 188 00:11:40,720 --> 00:11:45,800 Speaker 2: the most beloved of the Greek heroes was Achilles, golden Achilles, 189 00:11:46,559 --> 00:11:49,319 Speaker 2: and his mother was told that there was a prophecy 190 00:11:49,360 --> 00:11:51,760 Speaker 2: that he would be a glorious hero, and the more 191 00:11:51,800 --> 00:11:53,920 Speaker 2: glorious than any that had ever lived, but that he 192 00:11:53,960 --> 00:11:58,760 Speaker 2: would die young, or he could have a long, happy, 193 00:11:58,880 --> 00:12:03,000 Speaker 2: serene life in obscurity, no one ever having heard of him. 194 00:12:03,240 --> 00:12:05,000 Speaker 2: And she wanted that for him, which is why she 195 00:12:05,080 --> 00:12:08,040 Speaker 2: dipped him in the river Lethy, so that he would 196 00:12:08,120 --> 00:12:12,360 Speaker 2: be invincible. She held him by the ankle and. 197 00:12:12,280 --> 00:12:14,280 Speaker 1: Dipped him in the waters of. 198 00:12:13,960 --> 00:12:17,880 Speaker 2: Lisi, and that bit which her fingers held on the ankle, 199 00:12:17,920 --> 00:12:21,560 Speaker 2: which was his literal Achilles heel, and that's where he 200 00:12:21,640 --> 00:12:24,480 Speaker 2: died when he was young in the Trojan War, Paris 201 00:12:24,720 --> 00:12:29,840 Speaker 2: got him with an envenomed arrow. But he was in 202 00:12:29,880 --> 00:12:32,240 Speaker 2: that sense. I think Achilles was if you like the 203 00:12:32,280 --> 00:12:36,920 Speaker 2: patron hero of athletes, because they have the same thing. 204 00:12:37,360 --> 00:12:40,600 Speaker 2: You can have glory, you can have sun, you can 205 00:12:40,679 --> 00:12:45,120 Speaker 2: have golden wonder in your life, but only until you're 206 00:12:45,640 --> 00:12:49,280 Speaker 2: thirty two thirty four, yeah, depending on the spots, and 207 00:12:49,320 --> 00:12:52,559 Speaker 2: from then on it's a pot belly and a rising 208 00:12:52,640 --> 00:12:59,240 Speaker 2: hairline and disappointment and bitterness and rancor and obscurity, but 209 00:12:59,559 --> 00:13:01,960 Speaker 2: that time in the sun would have been like nothing 210 00:13:02,000 --> 00:13:04,560 Speaker 2: on earth. And you know, and those of us who 211 00:13:04,600 --> 00:13:08,240 Speaker 2: are not Achilles, we look at those glorious figures in 212 00:13:08,440 --> 00:13:13,080 Speaker 2: those men and women of unbelievable supreme athletic ability, and 213 00:13:13,120 --> 00:13:16,640 Speaker 2: we think, oh, just for half an hour being them, 214 00:13:16,880 --> 00:13:19,000 Speaker 2: But in fact it is like half an hour and 215 00:13:19,040 --> 00:13:21,000 Speaker 2: then they have to end it. And if some of 216 00:13:21,040 --> 00:13:24,199 Speaker 2: them are lucky, they've got careers of you know, in 217 00:13:24,240 --> 00:13:28,640 Speaker 2: the sport as journalists and commentators on analysts. But others, 218 00:13:29,520 --> 00:13:32,520 Speaker 2: you know, they open a sports shop in Rockhampton or whatever, 219 00:13:32,600 --> 00:13:35,320 Speaker 2: and you know they'll do very well, and they sell 220 00:13:35,360 --> 00:13:39,520 Speaker 2: a few rackets and bats, and they sign a few autographs. 221 00:13:39,559 --> 00:13:42,679 Speaker 2: But it's it must be hard to deal with. I suppose, 222 00:13:42,720 --> 00:13:45,280 Speaker 2: that's all I'm saying. Really, I can understand why everyone 223 00:13:45,400 --> 00:13:48,680 Speaker 2: would want to put off the day when he's no longer. 224 00:13:48,880 --> 00:13:52,240 Speaker 1: Out there in the middle, before we gradually let you go. 225 00:13:52,840 --> 00:13:55,360 Speaker 1: If I may fawned for just a moment. One of 226 00:13:55,440 --> 00:13:58,880 Speaker 1: my favorite books ever is The Hippopotamus, and it turns 227 00:13:59,320 --> 00:14:02,160 Speaker 1: It turns thirty this year, and you know, I only 228 00:14:02,280 --> 00:14:04,440 Speaker 1: just discovered in the last couple of years that a 229 00:14:04,520 --> 00:14:06,960 Speaker 1: movie had been made of it back around twenty seventeen. 230 00:14:07,200 --> 00:14:08,640 Speaker 3: Really, yes, and it was. 231 00:14:10,240 --> 00:14:12,480 Speaker 2: I'm so pleased you did. I mean it is. It 232 00:14:12,600 --> 00:14:14,400 Speaker 2: is my favorite of my novels. I think it's the 233 00:14:14,440 --> 00:14:17,480 Speaker 2: second one, which is all the problematic one. Yes, oh, 234 00:14:17,520 --> 00:14:19,280 Speaker 2: thank you. That means the world to me. 235 00:14:19,400 --> 00:14:22,040 Speaker 1: You know, the thirtieth Birthday to the Hippopotamus. 236 00:14:22,680 --> 00:14:24,880 Speaker 2: Thank you so much. And I believe it's still in 237 00:14:24,880 --> 00:14:26,760 Speaker 2: print Australia. 238 00:14:26,120 --> 00:14:29,240 Speaker 1: Yes, I haven't got it back from the last person. 239 00:14:29,520 --> 00:14:35,640 Speaker 2: Let a murderous bring along. Bring along a copy on 240 00:14:35,800 --> 00:14:38,000 Speaker 2: Sunday or Monday when you come and see my show. 241 00:14:39,280 --> 00:14:41,840 Speaker 2: I will sign it for you with the greatest. 242 00:14:41,360 --> 00:14:45,040 Speaker 1: Player, Stephen fry There are there, As I said, getting 243 00:14:45,120 --> 00:14:48,400 Speaker 1: quick at Ticketmaster to get the precious few tickets left 244 00:14:48,440 --> 00:14:51,440 Speaker 1: for the Monday show. To spend an evening with Stephen Frye. 245 00:14:52,120 --> 00:14:54,240 Speaker 1: Thank you so much this morning. 246 00:14:54,280 --> 00:14:58,360 Speaker 3: Could have chat it all day and had lunch. Thank 247 00:14:58,400 --> 00:15:01,680 Speaker 3: you Stephens all the very bad you two. 248 00:15:01,720 --> 00:15:02,240 Speaker 2: Good Bye,