1 00:00:04,519 --> 00:00:05,040 Speaker 1: The will M. 2 00:00:05,080 --> 00:00:06,119 Speaker 2: Woody Podcast. 3 00:00:08,960 --> 00:00:14,680 Speaker 3: Alrighty, welcome to episode whatever up to of the pod, 4 00:00:14,760 --> 00:00:16,840 Speaker 3: the best bits of the week, Woods behind the scenes, 5 00:00:16,880 --> 00:00:18,800 Speaker 3: gear Perry excited. 6 00:00:18,840 --> 00:00:21,000 Speaker 4: But she's our favorite spots off the week. And I 7 00:00:21,000 --> 00:00:23,000 Speaker 4: think Captain Pootpants is going to come in as our 8 00:00:24,680 --> 00:00:27,360 Speaker 4: producer guest, which is furious about because he thinks he's 9 00:00:27,360 --> 00:00:27,720 Speaker 4: about it. 10 00:00:27,800 --> 00:00:29,120 Speaker 5: But has he ever? 11 00:00:29,440 --> 00:00:32,120 Speaker 2: Has he ever been the producer coming in? 12 00:00:32,200 --> 00:00:34,520 Speaker 3: It's just it's just I just love getting him talking. 13 00:00:35,000 --> 00:00:36,680 Speaker 3: I saw, I saw it. I saw him, to say, 14 00:00:36,800 --> 00:00:40,879 Speaker 3: by the way, at my local cafe. He saw him 15 00:00:40,880 --> 00:00:41,400 Speaker 3: in the wild. 16 00:00:41,800 --> 00:00:42,239 Speaker 5: How was that? 17 00:00:42,320 --> 00:00:43,800 Speaker 3: Did he talk to you? I think I feel like 18 00:00:43,800 --> 00:00:45,600 Speaker 3: he tries to avoid it. I saw him while I 19 00:00:45,640 --> 00:00:49,360 Speaker 3: sent him twice. He's encroaching on my turf. Yeah, he's 20 00:00:49,360 --> 00:00:51,320 Speaker 3: going to all the restaurants around me. He's going to 21 00:00:51,320 --> 00:00:53,680 Speaker 3: the cinema next to me. Now he's at my local cafe. 22 00:00:53,880 --> 00:00:55,920 Speaker 5: You don't like that, not at all. I told him 23 00:00:55,960 --> 00:00:57,440 Speaker 5: if we were in a gangster war, I would have 24 00:00:57,480 --> 00:00:58,160 Speaker 5: shot him by now. 25 00:00:58,480 --> 00:01:00,640 Speaker 3: Oh, well, he's on my turf. Yeah, And that's what 26 00:01:00,760 --> 00:01:02,600 Speaker 3: you get, you know, you know the context. 27 00:01:02,360 --> 00:01:04,640 Speaker 5: There is, if we're in against the war, you shoot people, 28 00:01:04,720 --> 00:01:06,920 Speaker 5: right or if we're in like, you know, gangs of 29 00:01:06,959 --> 00:01:08,320 Speaker 5: New York, you know, oh. 30 00:01:08,200 --> 00:01:10,399 Speaker 3: Yeah, yeah, yeah yeah, and someone was on your turf, 31 00:01:10,360 --> 00:01:11,679 Speaker 3: if they're in my borough. 32 00:01:11,360 --> 00:01:13,200 Speaker 2: I think it's only if you shoot business from you. 33 00:01:13,240 --> 00:01:15,559 Speaker 3: So if he was running a prostitution now on your turf, 34 00:01:15,560 --> 00:01:17,640 Speaker 3: and you obviously run a very successful. 35 00:01:17,200 --> 00:01:19,720 Speaker 2: Ring, current tight ring, very tight ring, I think that's 36 00:01:19,720 --> 00:01:20,520 Speaker 2: when you chewed him. 37 00:01:20,520 --> 00:01:22,440 Speaker 3: But I think if it's a successful ring, good good 38 00:01:22,520 --> 00:01:27,000 Speaker 3: good good maternity leave though within my prostitution room. 39 00:01:26,920 --> 00:01:29,480 Speaker 2: Oh gentle, there's great health plans. 40 00:01:30,160 --> 00:01:32,119 Speaker 3: But I find when I see poop pans out these days, 41 00:01:32,120 --> 00:01:32,800 Speaker 3: it's a little bit. 42 00:01:32,680 --> 00:01:34,880 Speaker 2: Like you know, used to see, yeah, school teacher in 43 00:01:34,920 --> 00:01:35,360 Speaker 2: the wild. 44 00:01:35,920 --> 00:01:38,120 Speaker 5: Yeah, they very much. 45 00:01:39,160 --> 00:01:41,480 Speaker 2: Yeah, yeah, I'm not mister Jones. 46 00:01:41,760 --> 00:01:42,120 Speaker 5: No way. 47 00:01:42,400 --> 00:01:43,720 Speaker 2: First, there's no way. 48 00:01:43,840 --> 00:01:46,320 Speaker 4: And they're way too friendly with your parents, and your 49 00:01:46,400 --> 00:01:48,560 Speaker 4: parents are way too friendly with them. 50 00:01:48,640 --> 00:01:52,280 Speaker 2: You're like, just leave it a lite situation. 51 00:01:52,360 --> 00:01:53,920 Speaker 3: And then they always try and then they try and 52 00:01:53,960 --> 00:01:55,080 Speaker 3: include you in the conversation. 53 00:01:55,480 --> 00:01:56,800 Speaker 5: I don't like this dynamic at all. 54 00:01:57,120 --> 00:01:59,280 Speaker 3: A little gig about the classroom and then and then 55 00:01:59,320 --> 00:02:01,240 Speaker 3: your parents all always end up making a joke about 56 00:02:01,280 --> 00:02:02,360 Speaker 3: you with the teacher. 57 00:02:02,480 --> 00:02:03,160 Speaker 2: Yeah, the worst. 58 00:02:03,360 --> 00:02:06,960 Speaker 3: And then you see the next week and you're just like, yes, 59 00:02:07,520 --> 00:02:08,840 Speaker 3: we got too close on the way. Yes. 60 00:02:08,919 --> 00:02:11,600 Speaker 4: It's like you had a fear with them, isn't it. 61 00:02:11,600 --> 00:02:13,200 Speaker 5: You see them and you're like, oh, my. 62 00:02:13,160 --> 00:02:14,920 Speaker 3: Skin's crawling, and you like, don't mention it because if 63 00:02:14,960 --> 00:02:16,400 Speaker 3: you other kids find out that I saw you in 64 00:02:16,440 --> 00:02:17,880 Speaker 3: the wild, they are going to. 65 00:02:17,880 --> 00:02:19,320 Speaker 2: Destroy me at recess. 66 00:02:19,720 --> 00:02:19,960 Speaker 5: Yeah. 67 00:02:20,160 --> 00:02:21,600 Speaker 2: Yeah, like if that, if they knew there was like 68 00:02:21,600 --> 00:02:22,360 Speaker 2: a bit of something. 69 00:02:23,040 --> 00:02:25,600 Speaker 3: It was something going on, but like there's a friendship 70 00:02:25,600 --> 00:02:27,720 Speaker 3: outside of school, like you're you're mates. 71 00:02:27,520 --> 00:02:29,920 Speaker 2: With mister Jones outside of school, you lose up. 72 00:02:30,440 --> 00:02:35,000 Speaker 3: Yeah, we're going to chase you, and you know we 73 00:02:35,080 --> 00:02:36,079 Speaker 3: are going to chase you. 74 00:02:36,480 --> 00:02:38,120 Speaker 2: You are going to be it all recess. 75 00:02:38,919 --> 00:02:42,480 Speaker 5: Yeah, I hate it being it. That was too slow. Yeah. 76 00:02:42,520 --> 00:02:43,960 Speaker 2: If it was in water, you would have been good. 77 00:02:44,240 --> 00:02:48,160 Speaker 3: Great, loved it. Marco Polo Elite. Oh yeah, you can 78 00:02:48,200 --> 00:02:50,480 Speaker 3: hold my breath for a long time. Slick over the water. 79 00:02:50,840 --> 00:02:53,400 Speaker 2: Oh, very good in water, very good in great water. 80 00:02:53,480 --> 00:02:53,679 Speaker 5: Yeah. 81 00:02:53,680 --> 00:02:54,520 Speaker 2: Shocking on the ground. 82 00:02:54,560 --> 00:02:56,280 Speaker 3: Shocking on the ground. I shouldn't be allowed on the ground. 83 00:02:56,440 --> 00:02:58,040 Speaker 3: I should just be doing the show from a tank. 84 00:02:58,560 --> 00:03:00,400 Speaker 2: Yeah yeah, you should. 85 00:03:00,440 --> 00:03:03,280 Speaker 3: You should just your house should just be like Sea 86 00:03:03,320 --> 00:03:07,840 Speaker 3: World or like Kevin Costner's water World. 87 00:03:08,360 --> 00:03:10,560 Speaker 5: I did a great fact about Kevin water World the 88 00:03:10,639 --> 00:03:14,600 Speaker 5: other day. Yeah, what's the fact. 89 00:03:15,760 --> 00:03:17,880 Speaker 4: It's like, yeah, it's kind of like it was literally 90 00:03:17,960 --> 00:03:21,519 Speaker 4: he bowed out of Hollywood then for quite a while 91 00:03:21,560 --> 00:03:23,200 Speaker 4: because it was such a stinker. 92 00:03:22,840 --> 00:03:24,680 Speaker 2: Because it was huge at the time. 93 00:03:24,720 --> 00:03:27,040 Speaker 3: So he does so apparently. So I was listening to 94 00:03:27,080 --> 00:03:29,160 Speaker 3: The Rewatchables. Sorry to promote another podcast. 95 00:03:28,800 --> 00:03:31,400 Speaker 4: On the podcast, but they were talking about my favorite, 96 00:03:31,639 --> 00:03:33,600 Speaker 4: one of my favorite ever movies, which is Robin Hood 97 00:03:33,639 --> 00:03:35,200 Speaker 4: Prince of Thieves, which is a. 98 00:03:35,320 --> 00:03:37,280 Speaker 2: Very This is the third time you've brought up that 99 00:03:37,280 --> 00:03:37,880 Speaker 2: movie this week. 100 00:03:37,880 --> 00:03:38,960 Speaker 5: You got to have you watched it? 101 00:03:39,360 --> 00:03:40,480 Speaker 2: I think I have a while again. 102 00:03:40,280 --> 00:03:41,080 Speaker 5: It's unbelievable. 103 00:03:41,320 --> 00:03:42,960 Speaker 4: But the point was they were like, we're going to 104 00:03:43,040 --> 00:03:44,560 Speaker 4: make a Robin Hood and they were like, we're gonna 105 00:03:44,560 --> 00:03:47,600 Speaker 4: get Kevin Costner into do Robin Hood. And everyone was like, great, 106 00:03:47,680 --> 00:03:50,520 Speaker 4: can't wait to see Costner's British accent. Costnin just rocks 107 00:03:50,600 --> 00:03:53,480 Speaker 4: up doing a Midwestern American accent and he's like, I'm 108 00:03:53,480 --> 00:03:54,160 Speaker 4: not changing it. 109 00:03:54,320 --> 00:03:55,600 Speaker 5: Unreal, so they all. 110 00:03:55,440 --> 00:03:58,280 Speaker 4: Had to just so apparently people would rock up on 111 00:03:58,360 --> 00:04:00,480 Speaker 4: the set with their like British accents. And the like, 112 00:04:00,560 --> 00:04:04,520 Speaker 4: they'd stopped the scene and they'd be like, what. 113 00:04:06,120 --> 00:04:08,920 Speaker 5: Doing He's not He's not changing. 114 00:04:10,000 --> 00:04:11,800 Speaker 4: No, no, they would go to the director quite like 115 00:04:11,960 --> 00:04:15,280 Speaker 4: privately and be like, you do know Robinhood's British and 116 00:04:15,280 --> 00:04:16,679 Speaker 4: they're like, look, it's Costner. 117 00:04:17,000 --> 00:04:18,200 Speaker 5: This is just what he's doing now. 118 00:04:18,320 --> 00:04:23,600 Speaker 3: So did everyone start talking to Americans so English people? Yeah, 119 00:04:23,640 --> 00:04:27,159 Speaker 3: because famously the Sheriff of Nottingham is played by Alan Rickman, who. 120 00:04:27,000 --> 00:04:29,600 Speaker 5: Steals the show. Sure you said the number of right, 121 00:04:29,760 --> 00:04:30,160 Speaker 5: and so. 122 00:04:30,240 --> 00:04:33,200 Speaker 4: Apparently in the in the preview audience, they all sit 123 00:04:33,279 --> 00:04:37,400 Speaker 4: down and they all go, oh, is it like a 124 00:04:37,400 --> 00:04:38,680 Speaker 4: Sheriff of Nottingham movie? 125 00:04:39,240 --> 00:04:41,280 Speaker 3: Like you know, like Wicked is about? You know how 126 00:04:41,279 --> 00:04:42,960 Speaker 3: Wicked's actually about the Wicked which of the West? 127 00:04:43,520 --> 00:04:45,320 Speaker 5: They're like, is that what you've done with this? Robinhood? 128 00:04:45,360 --> 00:04:45,799 Speaker 5: Is it about? 129 00:04:46,000 --> 00:04:50,520 Speaker 4: Because Alan Rickman's so good, is so much better than 130 00:04:50,839 --> 00:04:53,800 Speaker 4: Robin Hood that we think. And then Costner found out 131 00:04:53,800 --> 00:04:56,320 Speaker 4: about that and was like, you need to cut half. 132 00:04:56,120 --> 00:04:56,960 Speaker 5: The Rickman scenes. 133 00:04:57,200 --> 00:04:59,280 Speaker 4: You're kidding here, because he's like, it's my it's my movie, 134 00:04:59,320 --> 00:05:01,200 Speaker 4: Like I'm not flown all the way over to England 135 00:05:01,240 --> 00:05:02,000 Speaker 4: here to do this movie. 136 00:05:02,240 --> 00:05:04,000 Speaker 3: Test audience when to go and watch a movie called 137 00:05:04,080 --> 00:05:06,279 Speaker 3: Robin Hood Prince of Thieves, and that they thought after 138 00:05:06,320 --> 00:05:08,479 Speaker 3: it that it was a movie about the sheriff, the 139 00:05:08,480 --> 00:05:12,200 Speaker 3: Sheriff of not Aff and then Costner heard this. 140 00:05:12,400 --> 00:05:15,520 Speaker 4: Yeah, well no, no, sorry, the directors were just like panicked, 141 00:05:15,960 --> 00:05:18,640 Speaker 4: like Costa finds out about this? 142 00:05:18,720 --> 00:05:20,960 Speaker 2: What is costnercause really that's scary? 143 00:05:21,080 --> 00:05:22,760 Speaker 4: No apparently, so this is the thing he was. He 144 00:05:23,640 --> 00:05:25,320 Speaker 4: I can't remember the movies he did before then, but 145 00:05:25,400 --> 00:05:25,919 Speaker 4: he was. 146 00:05:27,400 --> 00:05:27,760 Speaker 5: He was. 147 00:05:27,880 --> 00:05:31,200 Speaker 4: It Dances with Wolves huge, but then he does like 148 00:05:31,200 --> 00:05:33,880 Speaker 4: the Bodyguard, and there's. 149 00:05:33,720 --> 00:05:35,760 Speaker 5: Another really big one in there where. 150 00:05:35,680 --> 00:05:39,680 Speaker 3: You forget it like Dreams, Yes, Field of Dreams exactly so, 151 00:05:39,920 --> 00:05:43,680 Speaker 3: and that wins in Academy of Water. So he's literally 152 00:05:43,720 --> 00:05:45,760 Speaker 3: the biggest guy in Hollywood. That's why he rocked up, 153 00:05:45,880 --> 00:05:48,600 Speaker 3: you know with this just swinging his dick. I'll be 154 00:05:48,600 --> 00:05:51,560 Speaker 3: as American as I like it. Obviously in a British 155 00:05:51,600 --> 00:05:53,680 Speaker 3: folk and auditions, he wouldn't have auditioned, not at all. 156 00:05:53,720 --> 00:05:55,360 Speaker 2: It would have been like Kevin just. 157 00:05:55,279 --> 00:05:56,000 Speaker 5: Come over here, going to it. 158 00:05:56,560 --> 00:05:58,920 Speaker 4: So he finishes doing the movie and then he's kind 159 00:05:58,960 --> 00:06:01,920 Speaker 4: of like and it goes well, it goes surprisingly well. 160 00:06:02,000 --> 00:06:03,560 Speaker 5: So he's like Okay, I'll tell you what. 161 00:06:04,760 --> 00:06:07,120 Speaker 4: I can fly over without any breap and play an 162 00:06:07,120 --> 00:06:09,440 Speaker 4: American in British folklore. 163 00:06:09,880 --> 00:06:12,280 Speaker 5: I can do anything. Of course, goes to the director 164 00:06:12,320 --> 00:06:12,920 Speaker 5: and goes. 165 00:06:12,839 --> 00:06:16,320 Speaker 4: Here's this idea that I've had for ages about a 166 00:06:16,480 --> 00:06:19,120 Speaker 4: movie where it's just water everywhere. 167 00:06:20,520 --> 00:06:21,679 Speaker 5: Yeah, well he's in the directors. 168 00:06:21,680 --> 00:06:24,320 Speaker 4: They cooked it up and they make the most expensive 169 00:06:24,400 --> 00:06:28,880 Speaker 4: movie ever made at that time, and it is the 170 00:06:28,920 --> 00:06:32,520 Speaker 4: biggest train wreck of all time in terms of in 171 00:06:32,600 --> 00:06:35,240 Speaker 4: terms of money put in for what they gained from it, 172 00:06:35,240 --> 00:06:36,560 Speaker 4: it is the worst movie of all time. 173 00:06:36,640 --> 00:06:40,200 Speaker 2: What is the storyline of water World? Post apocalyptic? 174 00:06:40,279 --> 00:06:41,280 Speaker 5: It's post apocalyptic. 175 00:06:41,400 --> 00:06:43,960 Speaker 3: The world has sank, like all the land has has 176 00:06:44,160 --> 00:06:46,640 Speaker 3: it's flooded the world, all the ice caps have melted. 177 00:06:46,680 --> 00:06:48,800 Speaker 3: And then it's just a bunch of like posse's that 178 00:06:48,839 --> 00:06:51,159 Speaker 3: have their own little like They've got these little like ships. 179 00:06:51,160 --> 00:06:54,480 Speaker 3: Someone's like Mad Max. It's Mad Max, Underwater Mad maxim Water. 180 00:06:55,640 --> 00:07:00,360 Speaker 3: It's underwater Mad. And then it's just gangs on the sleeting. 181 00:07:00,080 --> 00:07:03,840 Speaker 4: On the set. It's awful. I got fifteen minutes in. 182 00:07:03,920 --> 00:07:09,440 Speaker 4: They lost me at the point where you like, one 183 00:07:09,440 --> 00:07:11,280 Speaker 4: of the big bits is that they all drink like 184 00:07:11,600 --> 00:07:13,760 Speaker 4: their own refined urine, brilliant. 185 00:07:14,640 --> 00:07:15,720 Speaker 2: What's kind of like in June? 186 00:07:16,560 --> 00:07:17,280 Speaker 5: Oh it is June. 187 00:07:17,360 --> 00:07:21,040 Speaker 3: Yeah, like it sweat as well though, and poop is 188 00:07:21,600 --> 00:07:23,680 Speaker 3: get all the water feual matter. 189 00:07:23,960 --> 00:07:25,960 Speaker 2: No, I'm pretty sure it's about them. 190 00:07:26,000 --> 00:07:28,640 Speaker 3: When he's explaining the suit and drinking my ship for 191 00:07:28,640 --> 00:07:31,640 Speaker 3: the buses and you'd like to excuse my breath. 192 00:07:31,680 --> 00:07:33,840 Speaker 2: I've been drinking ship for literally thirty minutes. 193 00:07:34,960 --> 00:07:36,960 Speaker 3: And that's why it's particularly offensive when he spits on 194 00:07:38,320 --> 00:07:43,120 Speaker 3: the house of a traadees has for traders, spits on 195 00:07:43,120 --> 00:07:43,440 Speaker 3: his face. 196 00:07:43,480 --> 00:07:45,480 Speaker 5: Have you about him? Doesn't spit on the tradees? 197 00:07:45,560 --> 00:07:46,040 Speaker 2: Yes, he does. 198 00:07:46,360 --> 00:07:50,840 Speaker 5: He spits Oh sorry, no, respectful, that's respectful. Hest I'm 199 00:07:50,880 --> 00:07:51,960 Speaker 5: giving you some of my water. 200 00:07:52,280 --> 00:07:54,480 Speaker 2: It was trickery he to states some ship, so it's like. 201 00:07:56,400 --> 00:07:59,960 Speaker 5: It's sign of respect. But deal with that. It's a nugget. 202 00:08:00,320 --> 00:08:08,880 Speaker 5: Who do you think spit wasn't method as well? He 203 00:08:08,960 --> 00:08:11,720 Speaker 5: probably ate his own ship for a few weeks method. 204 00:08:12,000 --> 00:08:13,760 Speaker 5: I think so, because he's I think so. 205 00:08:13,960 --> 00:08:15,520 Speaker 2: I think he's particularly talented. 206 00:08:15,920 --> 00:08:18,280 Speaker 4: Well, we both think it's amazing. We really need to 207 00:08:18,280 --> 00:08:21,120 Speaker 4: save this for the movie podcast, but I do I do. 208 00:08:21,960 --> 00:08:23,480 Speaker 4: I think By the way, a friend of our a 209 00:08:23,520 --> 00:08:25,480 Speaker 4: friend of ours who's listening to all that podcast recently, 210 00:08:25,560 --> 00:08:27,680 Speaker 4: he said to us, He's like, guys, the movie podcast thing, 211 00:08:27,840 --> 00:08:28,600 Speaker 4: is that actually happening? 212 00:08:28,640 --> 00:08:31,800 Speaker 5: Because I'm in, yeah, you get you guys love it. 213 00:08:31,920 --> 00:08:34,600 Speaker 2: Let's just leave him wanting to I think just leave. 214 00:08:34,600 --> 00:08:37,040 Speaker 5: It's just the longest ever dict is maybe you should do. 215 00:08:37,040 --> 00:08:38,480 Speaker 2: A Christmas movie podcast. 216 00:08:40,080 --> 00:08:42,199 Speaker 4: I think the problem with the problem with I think 217 00:08:42,200 --> 00:08:44,040 Speaker 4: the problem with the movie podcast, though, Tommy, is that 218 00:08:44,280 --> 00:08:47,040 Speaker 4: like once we start, like, I don't want to get 219 00:08:47,040 --> 00:08:48,320 Speaker 4: a movie and analyze the movie. 220 00:08:48,400 --> 00:08:50,280 Speaker 5: I want to be able to, you know, skip between. 221 00:08:50,520 --> 00:08:51,040 Speaker 2: That's fine. 222 00:08:51,120 --> 00:08:53,559 Speaker 5: Alan Rickman to Javier Bardem spitting his own ship. Do 223 00:08:53,559 --> 00:08:54,040 Speaker 5: you know what I mean? 224 00:08:54,120 --> 00:08:57,800 Speaker 2: That's a podcast. Yeah, I'm still learning more a podcast. 225 00:08:58,559 --> 00:08:59,800 Speaker 2: We're still figuring taking that on. 226 00:09:00,160 --> 00:09:02,600 Speaker 3: But just a question for you, Kevin Costna, in my eyes, 227 00:09:03,440 --> 00:09:05,600 Speaker 3: like that guy hasn't aged a day in thirty years. 228 00:09:05,679 --> 00:09:08,280 Speaker 5: No, he looks good now, and what's he doing? Did 229 00:09:08,320 --> 00:09:09,880 Speaker 5: you watch? Are you a Yellowstone fan? 230 00:09:10,360 --> 00:09:14,720 Speaker 3: I watched a couple of seasons of Yellowstone. I feel 231 00:09:14,720 --> 00:09:16,800 Speaker 3: like it started getting a bit repetitive. 232 00:09:17,120 --> 00:09:19,200 Speaker 2: Yeah, it's thing I think I've got. 233 00:09:19,559 --> 00:09:22,000 Speaker 3: Someone told me though that apparently there was a rumor 234 00:09:22,760 --> 00:09:24,920 Speaker 3: that Costner was going to be leaving the show. 235 00:09:25,679 --> 00:09:26,960 Speaker 2: So I think there's a season in. 236 00:09:27,040 --> 00:09:31,719 Speaker 3: There where like they're trying to limit his involvement, and 237 00:09:31,840 --> 00:09:34,640 Speaker 3: I think it's a stinky season. But then it's Costner 238 00:09:34,720 --> 00:09:36,120 Speaker 3: signed on for more seasons. 239 00:09:36,240 --> 00:09:37,760 Speaker 4: Yes, he's going to go into his own thing or something, 240 00:09:37,840 --> 00:09:39,439 Speaker 4: isn't he Well no, I think I No, he's still 241 00:09:39,480 --> 00:09:40,199 Speaker 4: in Yellowstone. 242 00:09:40,480 --> 00:09:42,360 Speaker 3: So I think that has had this really bad season 243 00:09:42,400 --> 00:09:44,679 Speaker 3: where they're trying to phase out the best character in 244 00:09:44,760 --> 00:09:46,040 Speaker 3: the show, which is Costner. 245 00:09:47,360 --> 00:09:48,679 Speaker 2: Is he just like I haven't seen. 246 00:09:49,360 --> 00:09:50,240 Speaker 5: Something, because that's a classic. 247 00:09:50,480 --> 00:09:53,320 Speaker 3: I think that is focused on like these subsidiary characters 248 00:09:53,360 --> 00:09:54,600 Speaker 3: and you're like, where is Costner? 249 00:09:55,080 --> 00:09:57,559 Speaker 2: So you've heard the latest news that came out this week. 250 00:09:57,679 --> 00:10:00,679 Speaker 6: No, well, they're part two of the of the This 251 00:10:00,960 --> 00:10:04,719 Speaker 6: current season has just dropped, and something major happens in 252 00:10:04,760 --> 00:10:07,040 Speaker 6: the first few minutes of part two seasons. 253 00:10:07,320 --> 00:10:09,240 Speaker 5: Is gone, Oh spoil that's a big spoiler. 254 00:10:09,320 --> 00:10:13,880 Speaker 3: But his name's Dutton in the show, right, So without 255 00:10:13,920 --> 00:10:15,280 Speaker 3: giving away that, I don't know what's happening in the 256 00:10:15,320 --> 00:10:17,200 Speaker 3: newer seasons, but I know there's a season where there's 257 00:10:17,200 --> 00:10:17,800 Speaker 3: not much Dutton. 258 00:10:18,200 --> 00:10:20,200 Speaker 2: And then I think it ramps up again when when. 259 00:10:20,240 --> 00:10:22,679 Speaker 3: They're like, oh you signed on, Okay, great, we'll focus 260 00:10:22,760 --> 00:10:25,120 Speaker 3: on you again because you're great. But you know what, 261 00:10:25,520 --> 00:10:28,000 Speaker 3: like you know, there's Kevin Costa has Yellowstone, there's like 262 00:10:28,040 --> 00:10:29,679 Speaker 3: another Cowboy movie. 263 00:10:30,760 --> 00:10:34,680 Speaker 7: The American Zaga one. What can't that's what he directed 264 00:10:34,760 --> 00:10:39,040 Speaker 7: that he's got to see, That's what I was talking about. 265 00:10:39,040 --> 00:10:43,080 Speaker 7: He's gone on and done his own thing water. They're 266 00:10:43,120 --> 00:10:45,520 Speaker 7: drinking their own pissing the Cowboy movie and they're like, Kevin, what. 267 00:10:45,559 --> 00:10:46,000 Speaker 1: Are you doing. 268 00:10:46,720 --> 00:10:49,160 Speaker 5: You're on a good thing again, don't do it again? 269 00:10:49,559 --> 00:10:50,240 Speaker 5: How can you do that? 270 00:10:50,679 --> 00:10:53,120 Speaker 2: Yellowstone is still on and you've got this competing. 271 00:10:52,800 --> 00:10:58,160 Speaker 7: Con custom man he's cost called Horizon American Saga. 272 00:10:59,160 --> 00:11:00,640 Speaker 5: The same guy. What he does? 273 00:11:00,679 --> 00:11:02,839 Speaker 4: I mean he does play the same guy, which is 274 00:11:03,360 --> 00:11:06,800 Speaker 4: literally but where we started though with the Robin Hood thing. 275 00:11:07,040 --> 00:11:09,040 Speaker 4: They were like, oh, okay, time for you to play 276 00:11:09,559 --> 00:11:11,120 Speaker 4: you know, still from the rich gift to the poor. 277 00:11:11,640 --> 00:11:14,319 Speaker 5: You're this like icon of British history. 278 00:11:14,360 --> 00:11:16,800 Speaker 3: And he goes, no, I'm just gonna I'm gonna do 279 00:11:16,840 --> 00:11:18,600 Speaker 3: what I didn't dances with wolves last year. 280 00:11:19,120 --> 00:11:21,880 Speaker 5: I want the Oscar for it. It's it's tried and destined. 281 00:11:22,440 --> 00:11:24,439 Speaker 4: Here we go again because the other, I mean, the 282 00:11:24,520 --> 00:11:26,480 Speaker 4: other thing about Costle that everyone should know is that. 283 00:11:26,600 --> 00:11:28,800 Speaker 5: He wasn't an actor. He was a lighting guy. 284 00:11:29,360 --> 00:11:29,400 Speaker 1: What. 285 00:11:29,840 --> 00:11:31,800 Speaker 5: Yeah, he was like he was never into acting. 286 00:11:31,960 --> 00:11:34,480 Speaker 2: He was just a lighting He was a guy like Harrison. 287 00:11:34,840 --> 00:11:36,280 Speaker 5: Yeah, he was just like it was just it was 288 00:11:36,360 --> 00:11:38,000 Speaker 5: just one of these guys on the set. 289 00:11:38,200 --> 00:11:38,360 Speaker 1: Yeah. 290 00:11:38,440 --> 00:11:39,680 Speaker 5: Yeah, Harrison Ford was never an actor. 291 00:11:39,880 --> 00:11:42,959 Speaker 4: So it's just that it's just that like era of 292 00:11:43,080 --> 00:11:47,720 Speaker 4: movies where they're just like there's no talent pipeline, there's 293 00:11:47,760 --> 00:11:51,319 Speaker 4: no it's just like, you're hot, you can do stoic mail. 294 00:11:52,400 --> 00:11:55,319 Speaker 4: The only movie that Hollywood makes is stoic male. So 295 00:11:55,600 --> 00:11:58,080 Speaker 4: just get on there and just be your sex yourself. 296 00:11:58,280 --> 00:11:59,920 Speaker 2: Jason Statham, he was a diver. 297 00:12:00,679 --> 00:12:03,520 Speaker 3: He was an Olympic diver. Stay Them, Stayed Them was 298 00:12:03,520 --> 00:12:05,280 Speaker 3: an Olympic dive. I can see that, though I don't 299 00:12:05,280 --> 00:12:05,640 Speaker 3: know how. 300 00:12:05,800 --> 00:12:07,959 Speaker 2: He watches him dive and then goes, you've got. 301 00:12:07,960 --> 00:12:09,800 Speaker 5: To be in movies. Is that why he did the 302 00:12:09,840 --> 00:12:12,240 Speaker 5: meg Is that like he's it's a bit of a 303 00:12:12,320 --> 00:12:12,560 Speaker 5: nod to. 304 00:12:12,640 --> 00:12:16,360 Speaker 3: The diving past. Watch me do this backflip into a pike. 305 00:12:17,840 --> 00:12:19,439 Speaker 3: And now I didn't learn that for the film. I 306 00:12:19,559 --> 00:12:20,360 Speaker 3: was an Olympic diver. 307 00:12:22,360 --> 00:12:24,440 Speaker 5: It's what he's wanted to do for twenty years. Why 308 00:12:24,520 --> 00:12:26,559 Speaker 5: do they all go to the water? Costner went to 309 00:12:26,640 --> 00:12:29,160 Speaker 5: the water, stayed and went to the water. 310 00:12:29,000 --> 00:12:31,440 Speaker 2: Because I imagine they have to film them in idyllic location. 311 00:12:31,559 --> 00:12:31,640 Speaker 1: Ye. 312 00:12:31,640 --> 00:12:33,440 Speaker 3: Have you ever noticed that Adam Sandler had a patch 313 00:12:33,480 --> 00:12:35,400 Speaker 3: where like for ten years all of his movies were 314 00:12:35,400 --> 00:12:36,079 Speaker 3: set in Hawaii. 315 00:12:36,440 --> 00:12:40,439 Speaker 4: Well, obviously fifty first dates because he moved there. Well, like, 316 00:12:40,880 --> 00:12:41,880 Speaker 4: he's obviously just at. 317 00:12:41,800 --> 00:12:44,200 Speaker 2: The level where he decides, I will right to movie, 318 00:12:44,320 --> 00:12:46,000 Speaker 2: I will where's this movie? 319 00:12:46,080 --> 00:12:51,360 Speaker 3: Said, I'm thinking Hawaii? Maybe holidays in Hawaii? And then 320 00:12:51,400 --> 00:12:53,320 Speaker 3: he cast his wife. His wife's in these. 321 00:12:53,240 --> 00:12:58,640 Speaker 5: Movies like Family. It's a texted action. Yeah, that's amazing. Yeah, 322 00:12:58,800 --> 00:12:59,880 Speaker 5: very funny. That's amazing. 323 00:13:00,880 --> 00:13:03,880 Speaker 4: All right, very good, Well, great movie chat as always, 324 00:13:05,040 --> 00:13:07,199 Speaker 4: very good chat. The other Costner movie we missed out on, 325 00:13:07,240 --> 00:13:10,760 Speaker 4: sorry early Costner was The Untouchables, which you haven't seen 326 00:13:10,800 --> 00:13:15,520 Speaker 4: that I haven't seen. It's about al Capone. Yeah, it's sick. 327 00:13:16,400 --> 00:13:21,440 Speaker 4: It's him and Sean Connery in an wow, awesome film. 328 00:13:21,600 --> 00:13:24,319 Speaker 4: Al Capone hepatitis. I believe in prison? Did he go 329 00:13:24,400 --> 00:13:28,559 Speaker 4: to Alcatraz? Al Capone al Capone scar about Scarface, No, 330 00:13:28,720 --> 00:13:30,839 Speaker 4: scarface and al Capine, I think of different people. I 331 00:13:30,880 --> 00:13:33,000 Speaker 4: don't think scar Scarface is about al Capone? 332 00:13:33,080 --> 00:13:37,560 Speaker 2: Is it based on No, based on loose? Based on maybe? 333 00:13:37,840 --> 00:13:38,120 Speaker 1: Maybe? 334 00:13:38,320 --> 00:13:43,959 Speaker 5: But in the movie podcast history broadcast now, al. 335 00:13:43,880 --> 00:13:47,000 Speaker 2: Capone went to Alcatraz and then he had he got hepatitis. 336 00:13:47,360 --> 00:13:50,079 Speaker 2: In fact, someone someone's got the other. 337 00:13:50,400 --> 00:13:52,719 Speaker 4: The only good fact I know about al Capone is 338 00:13:52,800 --> 00:13:55,160 Speaker 4: that they couldn't get him because yes, because he paid 339 00:13:55,160 --> 00:13:58,040 Speaker 4: everyone off. And what they eventually got him for was 340 00:13:58,120 --> 00:14:01,120 Speaker 4: tax fraud. Yeah, the only thing they could get into, 341 00:14:01,280 --> 00:14:02,480 Speaker 4: but they knew they could get in for it. 342 00:14:02,960 --> 00:14:06,000 Speaker 2: Yes, I love villain Woody Woody contented. 343 00:14:06,280 --> 00:14:07,199 Speaker 5: You know what's that? 344 00:14:07,720 --> 00:14:11,839 Speaker 3: I love villain Woody content. Oh sorry, you're saying, you're 345 00:14:11,840 --> 00:14:16,640 Speaker 3: saying you're not enjoying the al Capone been going for 346 00:14:16,720 --> 00:14:17,280 Speaker 3: quite some time. 347 00:14:17,320 --> 00:14:20,680 Speaker 5: Do you know who al Capone is? That's fair, brutal. 348 00:14:21,840 --> 00:14:23,720 Speaker 2: It's always hard to receive the feedback when you're in it. 349 00:14:24,080 --> 00:14:27,120 Speaker 3: Imagine imagine if you were on a stage and that 350 00:14:27,320 --> 00:14:29,160 Speaker 3: was the moment where you got this is ship. 351 00:14:29,160 --> 00:14:30,960 Speaker 5: I think we're the only people that actually copt that. 352 00:14:31,720 --> 00:14:33,160 Speaker 5: I don't think it is is bad. 353 00:14:33,480 --> 00:14:39,040 Speaker 2: Imagine if you go to act two, we're bad and. 354 00:14:39,040 --> 00:14:42,200 Speaker 8: We're just they stand up to receive it straight away 355 00:14:42,200 --> 00:14:43,000 Speaker 8: when nobody laughs. 356 00:14:43,200 --> 00:14:46,880 Speaker 5: That's true, that's true. Yeah, yeah, not everyone. Convenient entertainment guy. 357 00:14:46,880 --> 00:14:48,640 Speaker 5: It's a tough kick. Al Capone on the other end, 358 00:14:48,720 --> 00:14:49,360 Speaker 5: he was in crime. 359 00:14:49,480 --> 00:14:50,160 Speaker 2: He quick factor. 360 00:14:50,440 --> 00:14:51,640 Speaker 5: I just want to check this out. 361 00:14:51,720 --> 00:14:52,560 Speaker 1: What was it? What was it? 362 00:14:52,760 --> 00:14:55,600 Speaker 3: He was in Alcatraz. Eventually was held in Alcatraz, which 363 00:14:55,680 --> 00:14:59,520 Speaker 3: is obviously the prison. Yes, but what was his He 364 00:14:59,600 --> 00:15:02,200 Speaker 3: got hepat hepatitis, a type of hepatitis. 365 00:15:03,000 --> 00:15:05,280 Speaker 5: Okay, here we go. This is the big moment, guys, 366 00:15:05,320 --> 00:15:05,960 Speaker 5: and then we will. 367 00:15:05,840 --> 00:15:09,800 Speaker 2: Get into the best These moments never happened for me. 368 00:15:12,560 --> 00:15:12,640 Speaker 1: Bo. 369 00:15:13,800 --> 00:15:19,400 Speaker 5: Al Capone was sprung from Alcatraz as in like, he 370 00:15:19,560 --> 00:15:26,240 Speaker 5: was released from Alcatraz because he had hepatitis. Have I 371 00:15:26,320 --> 00:15:30,120 Speaker 5: won your back? KB, Sugar? 372 00:15:30,480 --> 00:15:32,120 Speaker 4: That was big and she didn't even buzz in for that. 373 00:15:32,400 --> 00:15:35,440 Speaker 4: That's the ultimate bobba, the ultimate insult. All right, let's 374 00:15:35,440 --> 00:15:36,760 Speaker 4: get into our best bits of the week. Although that 375 00:15:36,800 --> 00:15:40,200 Speaker 4: was pretty hot woods so hard to find. Although I 376 00:15:40,520 --> 00:15:42,640 Speaker 4: did very much enjoy the fact that you you didn't 377 00:15:42,680 --> 00:15:46,400 Speaker 4: remember the song that Mimi walked down the aisle to at. 378 00:15:46,280 --> 00:15:50,040 Speaker 5: Your wedding your daughter. 379 00:15:50,480 --> 00:15:53,880 Speaker 2: Remy walked down the aisle to it comes the Sun? 380 00:15:55,280 --> 00:15:57,800 Speaker 5: Why the Beatles heavy Road? You didn't know that yesterday 381 00:15:57,800 --> 00:15:58,280 Speaker 5: I had to tell you. 382 00:15:58,720 --> 00:16:01,880 Speaker 2: I explained to you, and then trying to embarrass me. 383 00:16:02,480 --> 00:16:04,040 Speaker 2: You're trying to embarrass me. You're trying to embarrass me. 384 00:16:04,120 --> 00:16:04,840 Speaker 2: I'm not accepted. 385 00:16:05,080 --> 00:16:06,680 Speaker 5: If you're going to do it, be a man about it. 386 00:16:06,920 --> 00:16:07,760 Speaker 5: That's what you're trying to do. 387 00:16:08,680 --> 00:16:14,000 Speaker 2: What I said to you. Something in my brain doesn't 388 00:16:14,080 --> 00:16:14,840 Speaker 2: take in music. 389 00:16:14,960 --> 00:16:18,920 Speaker 4: Okay, ever, okay, even in very special context, have you 390 00:16:19,000 --> 00:16:19,720 Speaker 4: done your context? 391 00:16:20,360 --> 00:16:21,920 Speaker 5: I'm not quite done. Now, you're not quite given in 392 00:16:22,120 --> 00:16:24,920 Speaker 5: very no way, there's no amount of context. Woods. What 393 00:16:25,080 --> 00:16:26,360 Speaker 5: song did min walk down the aisle? 394 00:16:26,400 --> 00:16:28,680 Speaker 2: TA very good one, A very good one, and we'll 395 00:16:28,720 --> 00:16:30,640 Speaker 2: leave it there. No, she walked down to. 396 00:16:35,040 --> 00:16:37,840 Speaker 5: Because we I think I remember either way, if. 397 00:16:37,760 --> 00:16:39,520 Speaker 2: You start playing it, If you start playing, I'll go 398 00:16:39,640 --> 00:16:40,000 Speaker 2: that's the one. 399 00:16:40,520 --> 00:16:40,720 Speaker 5: Okay. 400 00:16:40,720 --> 00:16:42,720 Speaker 3: If you gave me three songs, I would be able 401 00:16:42,720 --> 00:16:43,760 Speaker 3: to tell you which one it was out of the 402 00:16:43,800 --> 00:16:44,800 Speaker 3: three based on sound. 403 00:16:45,080 --> 00:16:47,320 Speaker 2: Really, I don't know like song names. 404 00:16:47,360 --> 00:16:51,320 Speaker 5: And okay, if you reckon, I can give me three songs. 405 00:16:51,400 --> 00:16:52,880 Speaker 5: I'll give you three songs. 406 00:16:52,760 --> 00:16:54,880 Speaker 2: And I'll tell you which one she walked down the altar. Okay, 407 00:16:55,080 --> 00:16:56,600 Speaker 2: I won't be able to tell you the artist or 408 00:16:56,680 --> 00:16:57,280 Speaker 2: the song now. 409 00:16:57,760 --> 00:16:58,120 Speaker 5: I don't. 410 00:16:58,600 --> 00:17:00,800 Speaker 4: Yeah, so you don't know this, I don't say that, 411 00:17:01,120 --> 00:17:02,960 Speaker 4: but you will be able to tell the melody when 412 00:17:03,000 --> 00:17:04,719 Speaker 4: you hear it. Okay, so we're giving you a bit 413 00:17:04,760 --> 00:17:06,959 Speaker 4: of I think we're compensating a bit for you here 414 00:17:07,000 --> 00:17:07,439 Speaker 4: to give you a leg. 415 00:17:07,760 --> 00:17:09,879 Speaker 5: It was in the middle here, which song didn't mean? 416 00:17:09,960 --> 00:17:11,920 Speaker 5: Walk down the al two? Song one. 417 00:17:12,600 --> 00:17:16,359 Speaker 2: When we were young, everyone was on a side, and 418 00:17:16,440 --> 00:17:17,240 Speaker 2: then we grew a. 419 00:17:17,280 --> 00:17:20,880 Speaker 5: Little great song two. 420 00:17:25,240 --> 00:17:29,119 Speaker 4: He's strong, strong conviction. He's got to be strong. I 421 00:17:29,160 --> 00:17:31,080 Speaker 4: mean he doesn't know the artist or the songs. 422 00:17:31,880 --> 00:17:45,520 Speaker 5: He really is hanging on. He needs the melody. Go 423 00:17:45,640 --> 00:17:48,040 Speaker 5: back to one. Oh no, it is a strong no 424 00:17:49,280 --> 00:17:52,080 Speaker 5: hang on, I didn't say. Okay, go back to song one. 425 00:17:52,160 --> 00:17:56,359 Speaker 3: Okay, when we were young, everyone was on a side, 426 00:17:56,400 --> 00:17:59,560 Speaker 3: and then we grew a little and eralman. 427 00:17:59,480 --> 00:18:04,960 Speaker 5: Size that time. My song Flowers in your Hair. Go 428 00:18:05,080 --> 00:18:08,399 Speaker 5: to song two. Okay, definitely not that. 429 00:18:08,520 --> 00:18:09,400 Speaker 9: It's definitely not two. 430 00:18:10,640 --> 00:18:12,600 Speaker 2: There only three songs. Yeah, go to three. 431 00:18:18,240 --> 00:18:20,520 Speaker 3: It's definitely not that she loves Matt Corby, but she 432 00:18:20,600 --> 00:18:22,480 Speaker 3: did not walk down the arm to Matt Corby. Okay, 433 00:18:22,520 --> 00:18:25,359 Speaker 3: we're going to see him, actually anyway, that's neither him 434 00:18:25,400 --> 00:18:28,879 Speaker 3: nor there. It's not I think song one you're trying 435 00:18:29,320 --> 00:18:32,159 Speaker 3: you No, you think you're trying to make me out. 436 00:18:32,200 --> 00:18:33,000 Speaker 2: It's none of those songs. 437 00:18:33,040 --> 00:18:34,600 Speaker 5: It's none of those songs, none of us. You don't 438 00:18:34,600 --> 00:18:39,199 Speaker 5: think it's any of them. No, Okay, well we've got 439 00:18:39,240 --> 00:18:39,639 Speaker 5: a problem. 440 00:18:39,920 --> 00:18:40,800 Speaker 2: Okay, it is one of those. 441 00:18:40,880 --> 00:18:43,440 Speaker 5: Yeah, okay, it's one. 442 00:18:43,560 --> 00:18:45,880 Speaker 2: Then it's song one, and he's obviously used. 443 00:18:46,119 --> 00:18:47,440 Speaker 9: Like a verse in the song. 444 00:18:49,920 --> 00:18:51,159 Speaker 2: Is that Kahan that? 445 00:18:51,600 --> 00:18:51,639 Speaker 1: No? 446 00:18:52,080 --> 00:18:52,280 Speaker 5: Yeah? 447 00:18:53,119 --> 00:18:55,520 Speaker 2: There, what's the chorus? 448 00:18:56,400 --> 00:18:57,919 Speaker 5: There's an that song? She didn't walk down the. 449 00:18:58,240 --> 00:19:00,680 Speaker 2: Thank you my God? Some gas lighting me. This is 450 00:19:00,800 --> 00:19:02,800 Speaker 2: this is manipulation, and it's absolute finest. 451 00:19:03,760 --> 00:19:04,760 Speaker 5: What about this one? 452 00:19:07,560 --> 00:19:07,679 Speaker 1: There? 453 00:19:07,720 --> 00:19:12,440 Speaker 2: It is that's my girl, My girl, A pole came 454 00:19:12,520 --> 00:19:15,000 Speaker 2: out of the ground. It was class, it was class. 455 00:19:15,119 --> 00:19:17,360 Speaker 2: It's that's the one. 456 00:19:20,720 --> 00:19:22,040 Speaker 5: That's the one, that's the. 457 00:19:22,160 --> 00:19:25,320 Speaker 2: One, my beautiful Wow. And I feel a bit emotional 458 00:19:25,800 --> 00:19:30,120 Speaker 2: that subconsciously. Subconsciously, I know, yeah, what's it called Alabama? 459 00:19:30,520 --> 00:19:47,320 Speaker 3: No, Jesus, I was gonna say, if you're just joining us, 460 00:19:47,359 --> 00:19:50,080 Speaker 3: I can't get rid of these radio sensibilities. But if 461 00:19:50,119 --> 00:19:51,959 Speaker 3: you are, if you were, just if you've joined us, 462 00:19:54,760 --> 00:19:56,639 Speaker 3: or actually no, because I think you know, judging by 463 00:19:56,680 --> 00:19:58,560 Speaker 3: the producers reaction, we might have lost a number of 464 00:19:58,600 --> 00:20:00,720 Speaker 3: people in the intro. So I don't know if they 465 00:20:00,840 --> 00:20:04,040 Speaker 3: skip forward though they in joking me the best bits 466 00:20:04,080 --> 00:20:06,720 Speaker 3: of the week skip skip skip. Maybe we should have 467 00:20:06,800 --> 00:20:09,800 Speaker 3: that note underneath the pod, like if you hate that 468 00:20:10,080 --> 00:20:13,240 Speaker 3: first from the in they get into the good stuff 469 00:20:13,280 --> 00:20:13,800 Speaker 3: at fifteen. 470 00:20:14,400 --> 00:20:16,320 Speaker 5: Yeah, fifteen is a good good marker for you. 471 00:20:16,480 --> 00:20:16,800 Speaker 1: There you go. 472 00:20:17,160 --> 00:20:19,960 Speaker 4: Maybe just write that underneath their kV past forward the 473 00:20:20,000 --> 00:20:21,600 Speaker 4: first chuck it down, minutes, chack it. 474 00:20:21,640 --> 00:20:25,280 Speaker 3: Down, and then we'll give you live feedback on how 475 00:20:25,320 --> 00:20:30,960 Speaker 3: you've written it. But comma, there coma there now I 476 00:20:31,119 --> 00:20:33,440 Speaker 3: just need to say yes. So I was talking to 477 00:20:33,560 --> 00:20:36,399 Speaker 3: my beautiful wife about the fact that I didn't know 478 00:20:37,040 --> 00:20:40,720 Speaker 3: the wedding song. Yeah, and she had heard the bit 479 00:20:41,320 --> 00:20:45,200 Speaker 3: and there's more to it. She heard she heard the 480 00:20:45,240 --> 00:20:45,920 Speaker 3: stuff on air. 481 00:20:46,240 --> 00:20:49,399 Speaker 2: Yep, heard that. Yep, there's more to it. That's all say. 482 00:20:49,440 --> 00:20:50,600 Speaker 2: But we'll call her back at the end of the pot. 483 00:20:50,720 --> 00:20:55,320 Speaker 3: Yeah, beautiful, what we need to get into before Uh yeah, 484 00:20:55,480 --> 00:20:56,560 Speaker 3: I want to give away too much. 485 00:20:56,600 --> 00:20:57,320 Speaker 2: But there's more to it. 486 00:20:59,640 --> 00:21:02,720 Speaker 3: My ov A bit of the week was obviously the 487 00:21:02,920 --> 00:21:05,480 Speaker 3: obsession that we all had with the corpse flower. Wow, 488 00:21:06,359 --> 00:21:10,240 Speaker 3: so again the flower that bloom smells like a dead body. 489 00:21:11,560 --> 00:21:12,760 Speaker 5: It really, I mean. 490 00:21:12,840 --> 00:21:14,800 Speaker 3: The peak of it, obviously for mine, was when we 491 00:21:14,920 --> 00:21:17,800 Speaker 3: somehow convinced a guy called PUCKI to go and smell. 492 00:21:17,600 --> 00:21:18,320 Speaker 5: The flower for us. 493 00:21:19,320 --> 00:21:21,680 Speaker 4: Not only are we not at the corpse flower, I 494 00:21:21,720 --> 00:21:24,800 Speaker 4: think we're sending a random chef down who listens to 495 00:21:24,880 --> 00:21:29,440 Speaker 4: the show to describe the smell for us exactly. 496 00:21:29,560 --> 00:21:31,080 Speaker 2: I don't know why I said in a negative tone, 497 00:21:31,119 --> 00:21:31,879 Speaker 2: because that's exciting. 498 00:21:31,960 --> 00:21:34,920 Speaker 5: It's already been described. It smells like a dead body. Yeah, 499 00:21:35,000 --> 00:21:36,399 Speaker 5: but I want to smell it myself. 500 00:21:36,440 --> 00:21:37,800 Speaker 3: So the plan is, by the way, if you haven't heard, 501 00:21:38,080 --> 00:21:40,440 Speaker 3: there is a flower that is blooming in Geelong. It 502 00:21:40,520 --> 00:21:44,119 Speaker 3: smells like a dead body. It happens once every ten years, guys. 503 00:21:44,640 --> 00:21:46,560 Speaker 3: So we have to seize the moment. That's what they 504 00:21:46,640 --> 00:21:48,960 Speaker 3: say in all the Roman films. Do you watch sees 505 00:21:49,080 --> 00:21:52,119 Speaker 3: the moment? Carpe dam Yeah, we're Carpe dieming. 506 00:21:52,200 --> 00:21:54,959 Speaker 5: Do you do you ever like go outside and see comets? 507 00:21:55,160 --> 00:21:56,719 Speaker 5: Did you go and see Haley's comment when it came 508 00:21:56,760 --> 00:21:57,480 Speaker 5: outd I don't. 509 00:21:57,320 --> 00:21:59,840 Speaker 2: Know why, but the sky stuff bores me. I'm more 510 00:22:00,040 --> 00:22:01,640 Speaker 2: of a smell guy anyway. 511 00:22:02,440 --> 00:22:04,480 Speaker 4: It's a smell about it because because there's other things 512 00:22:04,520 --> 00:22:06,680 Speaker 4: that happen, you know, once every ten years, once every 513 00:22:06,680 --> 00:22:07,160 Speaker 4: twenty years. 514 00:22:07,240 --> 00:22:11,000 Speaker 2: The eclipse, name one more exciting solar eclipse? Oh I 515 00:22:11,080 --> 00:22:11,520 Speaker 2: did watch that. 516 00:22:11,600 --> 00:22:15,320 Speaker 3: Actually that's pretty cool anyway. Equally cool is a flower 517 00:22:15,359 --> 00:22:17,040 Speaker 3: that smells like a dead body. We've got Pucky on 518 00:22:17,080 --> 00:22:17,880 Speaker 3: the phone right now. 519 00:22:18,040 --> 00:22:20,840 Speaker 2: Hello, Puck Man, Hey boys, how are we Ucky? 520 00:22:21,320 --> 00:22:23,480 Speaker 5: Welcome back to the show mate. How's the ipelic going? 521 00:22:24,080 --> 00:22:26,840 Speaker 1: Oh, it's not too bad. Actually, I just tooked up 522 00:22:26,840 --> 00:22:27,560 Speaker 1: the best one the other. 523 00:22:27,560 --> 00:22:28,760 Speaker 5: Night, the best. 524 00:22:29,359 --> 00:22:30,879 Speaker 2: We still need to come down. We need to come 525 00:22:30,960 --> 00:22:33,960 Speaker 2: down and have a meal on you packy Yeah? I 526 00:22:34,040 --> 00:22:36,960 Speaker 2: should you Are you across this flower that smells like 527 00:22:37,040 --> 00:22:37,639 Speaker 2: a dead body? 528 00:22:38,200 --> 00:22:39,440 Speaker 1: Yeah, yep, yep, yep, yep. 529 00:22:39,800 --> 00:22:40,720 Speaker 2: Do you know anyone? 530 00:22:42,000 --> 00:22:42,679 Speaker 5: Of course you are. 531 00:22:42,880 --> 00:22:43,760 Speaker 2: It's bloody exciting. 532 00:22:44,160 --> 00:22:46,400 Speaker 5: Do you know anything excited about this? That's a good question. 533 00:22:46,480 --> 00:22:47,959 Speaker 5: Are you excited about this? Packing? 534 00:22:48,359 --> 00:22:50,520 Speaker 1: I am? I am, I am. I'm pretty nervous though, 535 00:22:50,520 --> 00:22:53,920 Speaker 1: to be honest, nervous. Why are you nervous? I know? 536 00:22:54,520 --> 00:22:56,440 Speaker 1: Apparently it's like the stinkiest thing in the world. 537 00:22:56,960 --> 00:22:58,680 Speaker 5: Exactly, thank you? 538 00:22:59,200 --> 00:22:59,840 Speaker 9: Why is Pucky? 539 00:23:00,760 --> 00:23:03,640 Speaker 5: You didn't say that. You didn't say that. You didn't 540 00:23:03,680 --> 00:23:06,200 Speaker 5: say that. He says the smelliest thing in the whole. 541 00:23:06,040 --> 00:23:09,080 Speaker 3: Worlds that I thought the ultimate cell was smells like 542 00:23:09,119 --> 00:23:09,600 Speaker 3: a dead body. 543 00:23:09,600 --> 00:23:11,359 Speaker 2: Anyway, Pucky? Am I right? And saying that you're at 544 00:23:11,400 --> 00:23:12,199 Speaker 2: the flower right now? 545 00:23:12,440 --> 00:23:14,280 Speaker 1: I'm at the flower? Yeah, yeah, yeah. 546 00:23:14,720 --> 00:23:15,640 Speaker 2: Are you in the queue? 547 00:23:16,800 --> 00:23:20,200 Speaker 1: Probably I'm not the cue. I'm not in the queue other. 548 00:23:20,040 --> 00:23:20,760 Speaker 5: Than the steak chat. 549 00:23:20,800 --> 00:23:22,320 Speaker 2: You're not in the que You're actually at the front 550 00:23:22,359 --> 00:23:22,840 Speaker 2: of the queue. 551 00:23:23,520 --> 00:23:25,399 Speaker 1: I'm at the front by the flower. 552 00:23:25,560 --> 00:23:26,320 Speaker 5: How did you get there? 553 00:23:26,840 --> 00:23:27,200 Speaker 1: We have you? 554 00:23:27,440 --> 00:23:27,560 Speaker 3: Are? 555 00:23:27,640 --> 00:23:28,760 Speaker 5: You've organized? Is pooy? 556 00:23:29,160 --> 00:23:29,200 Speaker 1: No? 557 00:23:30,200 --> 00:23:30,639 Speaker 5: Just pay? 558 00:23:30,800 --> 00:23:31,199 Speaker 2: He's the king. 559 00:23:31,800 --> 00:23:34,760 Speaker 1: There's no way we weather in line for ten hours 560 00:23:34,800 --> 00:23:35,359 Speaker 1: for you boys. 561 00:23:37,520 --> 00:23:39,680 Speaker 3: You cooked yourself the perfect dy for last night and 562 00:23:39,840 --> 00:23:41,280 Speaker 3: waited for ten hours in a queue. 563 00:23:41,320 --> 00:23:42,200 Speaker 2: So packy have you? 564 00:23:42,320 --> 00:23:42,359 Speaker 1: So? 565 00:23:42,440 --> 00:23:44,080 Speaker 5: You haven't smelted yet? Or have you smelted? 566 00:23:44,280 --> 00:23:47,000 Speaker 1: No? Not yet, not yet? You get like slight slight 567 00:23:47,080 --> 00:23:47,720 Speaker 1: works on the room. 568 00:23:47,760 --> 00:23:49,160 Speaker 5: I think it is, but okay. 569 00:23:49,680 --> 00:23:52,520 Speaker 1: The ladies were saying that the actual flowers think so much. 570 00:23:54,359 --> 00:23:55,720 Speaker 5: They've got a bucket next to it. If able to 571 00:23:56,359 --> 00:23:56,840 Speaker 5: spew in. 572 00:23:58,160 --> 00:23:59,720 Speaker 1: A couple of people walking out pretty quick? 573 00:24:00,080 --> 00:24:01,840 Speaker 2: Can you can you have a live can you have 574 00:24:01,880 --> 00:24:02,800 Speaker 2: a live sniff for us? 575 00:24:02,840 --> 00:24:03,119 Speaker 5: Packy? 576 00:24:03,800 --> 00:24:05,800 Speaker 1: All right, all right, let me seck. I'm gonna go 577 00:24:05,800 --> 00:24:13,280 Speaker 1: out to it wild all right? Oh oh hell the 578 00:24:14,119 --> 00:24:14,880 Speaker 1: web sex voice. 579 00:24:15,640 --> 00:24:16,760 Speaker 2: Oh describe. 580 00:24:17,080 --> 00:24:21,960 Speaker 1: Oh that was nasty. That was nasty. That was nasty. Boys, 581 00:24:22,400 --> 00:24:28,000 Speaker 1: smell like oh like, I don't know, but that was nasty. Man, 582 00:24:28,040 --> 00:24:28,640 Speaker 1: that was bad. 583 00:24:30,240 --> 00:24:30,520 Speaker 5: Packy. 584 00:24:30,760 --> 00:24:32,320 Speaker 3: Is there any chance you could get some sort of 585 00:24:32,440 --> 00:24:35,879 Speaker 3: jar or bottle and bottle us some smell and then deliver. 586 00:24:36,000 --> 00:24:37,119 Speaker 1: The bottle of some of the smell. 587 00:24:37,280 --> 00:24:37,600 Speaker 2: Could you. 588 00:24:39,520 --> 00:24:40,120 Speaker 1: I could try? 589 00:24:40,920 --> 00:24:43,639 Speaker 5: Can you can you get one more with for the boys? Packy? 590 00:24:43,920 --> 00:24:44,439 Speaker 5: Just if you can? 591 00:24:45,080 --> 00:24:46,560 Speaker 1: You can you can walking back? 592 00:24:46,640 --> 00:24:48,560 Speaker 5: Okay? You can extinguish any flavors? 593 00:24:49,280 --> 00:24:57,120 Speaker 1: All right, all right? Oh god, oh boys, I don't 594 00:24:57,160 --> 00:25:00,240 Speaker 1: know what that is. It's lucky to sing. Only comes 595 00:25:00,240 --> 00:25:00,920 Speaker 1: every ten years. 596 00:25:03,280 --> 00:25:05,400 Speaker 5: Oh isn't that bad? 597 00:25:06,960 --> 00:25:08,720 Speaker 1: That is straight up nasty. 598 00:25:11,800 --> 00:25:14,120 Speaker 5: You're a soldier, always wanting to go again. 599 00:25:14,119 --> 00:25:15,760 Speaker 1: I want to walk to the other corner of the room. 600 00:25:17,240 --> 00:25:19,520 Speaker 5: You one more time? This is too good. Go one 601 00:25:19,560 --> 00:25:20,840 Speaker 5: more time for us, please. 602 00:25:20,640 --> 00:25:23,879 Speaker 1: You are one more? I was this? 603 00:25:26,119 --> 00:25:26,320 Speaker 5: Oh? 604 00:25:29,440 --> 00:25:33,680 Speaker 1: Oh, boys, there's no more. Let's torture to my nose. 605 00:25:35,400 --> 00:25:38,360 Speaker 5: Torture to my nose. It is nasty. 606 00:25:39,480 --> 00:25:40,320 Speaker 1: That's nasty. 607 00:25:44,320 --> 00:25:48,639 Speaker 5: I love you, got work backy, Well, mate, you're a soldier. 608 00:25:48,840 --> 00:25:50,600 Speaker 1: I'll ask the album lady if I can bottle up 609 00:25:50,640 --> 00:25:50,879 Speaker 1: some it. 610 00:25:51,240 --> 00:25:54,479 Speaker 3: Yeah, bottle some then send it into the studio. Then 611 00:25:54,520 --> 00:25:55,560 Speaker 3: we can have a wiff tomorrow. 612 00:25:56,320 --> 00:25:57,760 Speaker 1: Yeah. Yeah, I'll try and save you some of the 613 00:25:57,800 --> 00:25:59,720 Speaker 1: worth shreckends that might turn the bottle green. 614 00:26:00,240 --> 00:26:02,160 Speaker 5: Oh awesome. 615 00:26:03,119 --> 00:26:05,720 Speaker 3: Okay, So obviously the last thing we said there is 616 00:26:06,480 --> 00:26:09,080 Speaker 3: did you get a jar for us? And this was 617 00:26:09,119 --> 00:26:11,800 Speaker 3: all a bit of a ruse because I knew that 618 00:26:11,920 --> 00:26:14,800 Speaker 3: what I was going to do was put a fart 619 00:26:14,840 --> 00:26:17,680 Speaker 3: bomb in a jar and then make you smell it 620 00:26:17,920 --> 00:26:19,680 Speaker 3: and make you think that it was the court flower. 621 00:26:19,760 --> 00:26:19,879 Speaker 1: Right. 622 00:26:20,000 --> 00:26:22,320 Speaker 3: But I'm interested to hear from your perspective what you 623 00:26:22,480 --> 00:26:26,080 Speaker 3: thought was going on, because so the following day I 624 00:26:26,280 --> 00:26:28,320 Speaker 3: had to, you know, get the fart bomb in the jar. 625 00:26:28,840 --> 00:26:31,080 Speaker 3: Had no idea of the power of a fart bomb. 626 00:26:31,520 --> 00:26:34,879 Speaker 3: I haven't I haven't experienced a fart bomb since early childhood. 627 00:26:35,240 --> 00:26:37,680 Speaker 3: So I go into our boss's office to hide because 628 00:26:37,680 --> 00:26:39,320 Speaker 3: I didn't want you seeing the fart bomb. Put a 629 00:26:39,359 --> 00:26:41,720 Speaker 3: fart bomb in a jar, close the lid the fart bomb. 630 00:26:42,200 --> 00:26:44,000 Speaker 3: The pressure of a fart bomb is so strong. 631 00:26:43,840 --> 00:26:45,560 Speaker 5: It blew the lid off the jar. 632 00:26:45,760 --> 00:26:49,439 Speaker 3: Wow, flew off, smashed into a wall. And the smell 633 00:26:50,119 --> 00:26:53,399 Speaker 3: that from this part bomb it cleared, cleared the station. 634 00:26:54,119 --> 00:26:57,160 Speaker 3: So everyone down there is complaining, like what is that smell? 635 00:26:57,280 --> 00:26:57,320 Speaker 1: That? 636 00:26:57,440 --> 00:26:58,960 Speaker 5: People's interception getting out of. 637 00:26:59,000 --> 00:27:02,879 Speaker 3: Their desks leaving anyway. I then come into the studio 638 00:27:02,920 --> 00:27:05,280 Speaker 3: at this point, did you what were you thinking here? 639 00:27:05,320 --> 00:27:08,119 Speaker 5: Because I still knew the whole thing was bas right. 640 00:27:08,400 --> 00:27:10,320 Speaker 3: Yeah, and that's obviously why you were reluctant when we 641 00:27:10,400 --> 00:27:11,960 Speaker 3: were then on air and I said to you that 642 00:27:12,000 --> 00:27:13,680 Speaker 3: I bottled up the smell of the corpse flower. 643 00:27:13,800 --> 00:27:18,439 Speaker 5: Yes, and this was you reacted. I have no interest 644 00:27:18,520 --> 00:27:18,680 Speaker 5: in this. 645 00:27:20,280 --> 00:27:22,120 Speaker 4: I've said from the outset that I've got no interest 646 00:27:22,160 --> 00:27:25,080 Speaker 4: in it. This is your curiosity. The scent of you 647 00:27:25,240 --> 00:27:26,960 Speaker 4: said you you're dying to smell it. 648 00:27:27,320 --> 00:27:27,919 Speaker 2: The scent of this. 649 00:27:28,000 --> 00:27:31,800 Speaker 3: Corpse flower is so strong that it's like it's condensated 650 00:27:31,960 --> 00:27:35,680 Speaker 3: inside the glass. That's how strong the pheromones are that 651 00:27:35,840 --> 00:27:39,560 Speaker 3: come off this corpse flower. Will you and I have 652 00:27:39,640 --> 00:27:40,879 Speaker 3: done this career for a long. 653 00:27:40,760 --> 00:27:43,240 Speaker 5: Time, I've got involved in that. You there's nothing you 654 00:27:43,320 --> 00:27:45,240 Speaker 5: can say right now which will sell me to put 655 00:27:45,280 --> 00:27:46,080 Speaker 5: my nose in that jar. 656 00:27:46,320 --> 00:27:47,760 Speaker 2: You made me kiss you in the studio. 657 00:27:47,960 --> 00:27:49,600 Speaker 4: No, you wanted to kiss me in the studio, and 658 00:27:49,680 --> 00:27:51,440 Speaker 4: the proof was in the kiss as well. Your tongue, 659 00:27:51,640 --> 00:27:52,320 Speaker 4: a lot of tongue. 660 00:27:52,480 --> 00:27:55,479 Speaker 2: No I was I performed. I didn't enjoy it at all. 661 00:27:55,960 --> 00:27:57,680 Speaker 2: But I just think you and I we do everything together. 662 00:27:57,720 --> 00:27:58,840 Speaker 2: I'm going to come over. I'll come to you. 663 00:27:58,920 --> 00:28:00,360 Speaker 4: I don't need to be involved in it. I don't 664 00:28:00,359 --> 00:28:02,680 Speaker 4: want to be involved. You can come over here, but 665 00:28:02,720 --> 00:28:04,680 Speaker 4: I will not. You can sniff it if you want 666 00:28:04,720 --> 00:28:06,920 Speaker 4: to sniff it together. I'm not involved in this. 667 00:28:07,160 --> 00:28:08,600 Speaker 2: I'm not going to move on the show until you 668 00:28:08,640 --> 00:28:09,560 Speaker 2: agree to sniff it with me. 669 00:28:10,440 --> 00:28:12,840 Speaker 5: We stay in there, put it in the park. 670 00:28:13,000 --> 00:28:14,520 Speaker 2: You care about it's being late more than me. 671 00:28:14,840 --> 00:28:17,200 Speaker 5: You're the only one who wants to sniff this. This 672 00:28:17,359 --> 00:28:18,240 Speaker 5: is your idea. 673 00:28:18,400 --> 00:28:20,760 Speaker 2: Yeah, A lot of stuff is silly stuff that you 674 00:28:20,840 --> 00:28:22,280 Speaker 2: want to do, so I just think. 675 00:28:22,480 --> 00:28:23,359 Speaker 5: You never do silly. 676 00:28:23,720 --> 00:28:26,360 Speaker 3: This was your idea to get tattoos for Olympians. I've 677 00:28:26,400 --> 00:28:28,400 Speaker 3: got four Olympians tattooed on my leg. 678 00:28:28,520 --> 00:28:32,240 Speaker 5: That was your idea to get coming to you. 679 00:28:32,520 --> 00:28:33,119 Speaker 9: I'm coming to you. 680 00:28:33,960 --> 00:28:36,120 Speaker 4: I don't want to do this quick. I'm not involved. 681 00:28:36,720 --> 00:28:39,080 Speaker 4: I'm not I've got nothing to do with this. I 682 00:28:39,120 --> 00:28:40,240 Speaker 4: don't want anything to do with this. 683 00:28:40,840 --> 00:28:41,560 Speaker 2: You're a scientist. 684 00:28:41,800 --> 00:28:42,160 Speaker 9: Here we go. 685 00:28:42,440 --> 00:28:43,160 Speaker 1: You ready. 686 00:28:50,320 --> 00:29:01,440 Speaker 9: The wrench, but still described his mouth everywherewherewhere, Well, it 687 00:29:01,600 --> 00:29:05,080 Speaker 9: was it was a in a jar. It wasn't a flower. 688 00:29:05,680 --> 00:29:08,720 Speaker 9: Oh my god, it's everywhere. God, Oh my god, it's everywhere. 689 00:29:08,800 --> 00:29:12,040 Speaker 9: He's gone. He's gone. Oh my god, it stinks in here. 690 00:29:12,440 --> 00:29:15,120 Speaker 2: We're gonna go to a song everyone, No, we're going 691 00:29:15,160 --> 00:29:15,560 Speaker 2: to ads. 692 00:29:16,240 --> 00:29:16,920 Speaker 9: Oh my god. 693 00:29:17,840 --> 00:29:18,840 Speaker 2: Okay, it's willing moddy. 694 00:29:19,160 --> 00:29:19,720 Speaker 9: Oh my god. 695 00:29:21,040 --> 00:29:23,200 Speaker 5: Was Pucky actually at the corpse flower? 696 00:29:23,320 --> 00:29:25,080 Speaker 2: Yeah, he actually smelled as there was a photo of 697 00:29:25,120 --> 00:29:26,120 Speaker 2: Pucky on our Instagram. 698 00:29:26,240 --> 00:29:28,560 Speaker 4: Yeah, but like you know, you can put you can 699 00:29:28,600 --> 00:29:30,240 Speaker 4: put me in front of the Eiffel Tower yesterday and 700 00:29:30,280 --> 00:29:31,440 Speaker 4: it's going to look real these days. 701 00:29:31,720 --> 00:29:32,040 Speaker 5: We didn't. 702 00:29:33,040 --> 00:29:36,200 Speaker 3: It's true though, like it's it's very it's not photoshop. 703 00:29:36,520 --> 00:29:39,479 Speaker 3: He's legit because because yeah, well yeah you heard from 704 00:29:39,520 --> 00:29:42,560 Speaker 3: his reaction, you couldn't actually did That's well I wasn't sure, 705 00:29:42,680 --> 00:29:44,760 Speaker 3: but then afterwards I was like, because pooh, he was 706 00:29:44,800 --> 00:29:48,120 Speaker 3: on the phone to Pucky for now. Pooey A Joey 707 00:29:48,240 --> 00:29:51,080 Speaker 3: was on the phone to the organizers of the Corpse 708 00:29:51,120 --> 00:29:53,360 Speaker 3: Flower and so he was convincing them that can we 709 00:29:53,440 --> 00:29:56,600 Speaker 3: please get Pucky to the chef from the Sphinx to 710 00:29:56,680 --> 00:29:59,080 Speaker 3: come down and yeah, because otherwise it's the two hour wait. 711 00:29:59,160 --> 00:30:00,560 Speaker 5: Yeah, cool, Okay, that makes sense. 712 00:30:00,600 --> 00:30:01,960 Speaker 4: But then as soon as it was like, oh, you've 713 00:30:02,000 --> 00:30:04,520 Speaker 4: got in a jar, like I like, I didn't know 714 00:30:04,560 --> 00:30:06,960 Speaker 4: that it was BS then, but my my spidery senses 715 00:30:06,960 --> 00:30:09,600 Speaker 4: were tingling. But then because I was like, first of all, 716 00:30:10,000 --> 00:30:13,240 Speaker 4: Pucky's not driving a fart in the jar up from Geelong. 717 00:30:13,680 --> 00:30:16,800 Speaker 4: And then I was like, you're not couriering that. I know, 718 00:30:16,920 --> 00:30:18,920 Speaker 4: I know, I know how tight budgets are on radio 719 00:30:19,000 --> 00:30:21,840 Speaker 4: these days. And then there was a moment where where 720 00:30:22,000 --> 00:30:24,400 Speaker 4: shas who's was produced? Who was producing? 721 00:30:24,480 --> 00:30:24,520 Speaker 1: On? 722 00:30:24,760 --> 00:30:26,120 Speaker 5: When were it yesterday? The other day? Before? 723 00:30:26,760 --> 00:30:29,200 Speaker 4: She she came up and she's like, oh, what's gonna 724 00:30:29,240 --> 00:30:31,240 Speaker 4: go for a sec? And you just had, yeah, I 725 00:30:31,360 --> 00:30:33,280 Speaker 4: know the look on your face. You get this look 726 00:30:33,320 --> 00:30:35,800 Speaker 4: on your face which is like, yeah, you get you 727 00:30:35,880 --> 00:30:37,640 Speaker 4: get too excited. And then you went into the g 728 00:30:37,880 --> 00:30:40,520 Speaker 4: You wentto the GM's office, yeah, yeah, yeah, and then 729 00:30:40,560 --> 00:30:42,280 Speaker 4: you burst out of there and ran into the toilet. 730 00:30:42,800 --> 00:30:46,600 Speaker 2: Yeah, because it was all well, was going everywhere everywhere. 731 00:30:49,040 --> 00:30:49,680 Speaker 5: It was horridic. 732 00:30:50,560 --> 00:30:52,440 Speaker 3: Oh yeah, fart bomb. I don't know what's in those things, 733 00:30:52,480 --> 00:30:56,400 Speaker 3: but that is toxic. Now are we gonna are we? 734 00:30:56,600 --> 00:30:58,120 Speaker 3: Are we hitting them with some ads right now? Are 735 00:30:58,120 --> 00:30:59,080 Speaker 3: we getting produces best? 736 00:30:59,240 --> 00:30:59,440 Speaker 1: Yeah? 737 00:30:59,440 --> 00:31:02,480 Speaker 5: Produces best bits. We've got your favorite bit first. 738 00:31:02,960 --> 00:31:06,160 Speaker 2: That was my favorite. Oh my god, I love I 739 00:31:06,520 --> 00:31:09,400 Speaker 2: just love the ad so much. Put them up, turn 740 00:31:09,480 --> 00:31:10,080 Speaker 2: them up loud. 741 00:31:20,000 --> 00:31:22,840 Speaker 4: Time for the producer's best bit of the week. I 742 00:31:22,880 --> 00:31:26,240 Speaker 4: fearless leader Captain Poop Ben's in the studio. Hi wearing 743 00:31:26,240 --> 00:31:28,440 Speaker 4: an iconic mustard jumper. 744 00:31:28,880 --> 00:31:30,280 Speaker 5: Yeah, two of these on rotation. 745 00:31:30,360 --> 00:31:31,840 Speaker 6: I think, well, I get I do get a lot 746 00:31:31,880 --> 00:31:34,880 Speaker 6: of ship from my jumpers. Apparently I wear a lot 747 00:31:34,920 --> 00:31:35,240 Speaker 6: of the same. 748 00:31:35,320 --> 00:31:38,840 Speaker 2: But it out man, you mustard, You've got two mustards, Yes, 749 00:31:38,880 --> 00:31:39,040 Speaker 2: I do. 750 00:31:39,360 --> 00:31:40,959 Speaker 5: I think a wardrobe is not complete with that too. 751 00:31:41,800 --> 00:31:43,040 Speaker 2: Oh I don't have one mustard. 752 00:31:43,200 --> 00:31:44,560 Speaker 5: I never said your wardrobe was complete. 753 00:31:46,200 --> 00:31:48,080 Speaker 2: I was wrong with a T shirts and body. 754 00:31:50,520 --> 00:31:50,880 Speaker 5: Now poo. 755 00:31:51,080 --> 00:31:52,640 Speaker 3: It was brought up at the start of this podcast 756 00:31:52,720 --> 00:31:54,400 Speaker 3: that when we will see you in the wild, he 757 00:31:54,520 --> 00:31:57,240 Speaker 3: gets quite, I think, and wants to go the other direction. 758 00:31:57,800 --> 00:31:59,440 Speaker 3: And it actually said that, if he was in Gangs 759 00:31:59,480 --> 00:32:01,239 Speaker 3: of Times, would shoot you. How do you feel when 760 00:32:01,240 --> 00:32:01,680 Speaker 3: you've seen. 761 00:32:02,560 --> 00:32:03,600 Speaker 8: You did that to my face? 762 00:32:03,640 --> 00:32:06,120 Speaker 6: Which makes me feel better when you weirdly. 763 00:32:05,920 --> 00:32:06,440 Speaker 5: Hang on, hang on? 764 00:32:06,520 --> 00:32:07,960 Speaker 3: When you saw him in the world, you said, I 765 00:32:08,000 --> 00:32:10,240 Speaker 3: wish I could shoot you. I said, stay off my turf. 766 00:32:10,280 --> 00:32:11,720 Speaker 3: If I was a gangster, I would have showed you. 767 00:32:12,160 --> 00:32:14,280 Speaker 3: I think that's the first thing I said in order. 768 00:32:14,160 --> 00:32:14,920 Speaker 1: To coffee. 769 00:32:19,760 --> 00:32:22,120 Speaker 6: Love better start the morning a threat and a coffee. 770 00:32:23,560 --> 00:32:27,240 Speaker 5: Game straight game bounding over, I was like, bloody hell, 771 00:32:27,400 --> 00:32:29,320 Speaker 5: I can I get a break from this guy? Yeah? 772 00:32:30,040 --> 00:32:30,240 Speaker 1: Yeah. 773 00:32:30,360 --> 00:32:32,960 Speaker 6: You know when you see someone coming to you that 774 00:32:33,080 --> 00:32:35,120 Speaker 6: you don't want to see, but you've acknowledged them, so 775 00:32:35,200 --> 00:32:37,760 Speaker 6: you have to like force smile. 776 00:32:38,200 --> 00:32:43,120 Speaker 2: That's what I felt from a reluctant smile exactly. 777 00:32:43,200 --> 00:32:44,360 Speaker 5: Yeah, that's what you felt. 778 00:32:45,160 --> 00:32:47,400 Speaker 4: And the dog is I was gonna say, Stevie, actually like, 779 00:32:47,840 --> 00:32:50,200 Speaker 4: really turn on you. I released, Yeah, I nearly. 780 00:32:50,320 --> 00:32:52,280 Speaker 5: I should have taken her off the change mold. 781 00:32:57,120 --> 00:33:00,400 Speaker 2: I don't know why, but the imagery you get, really 782 00:33:01,240 --> 00:33:01,600 Speaker 2: it's good. 783 00:33:02,400 --> 00:33:04,560 Speaker 5: We've got to get particularly affection. 784 00:33:05,320 --> 00:33:07,360 Speaker 2: I've got to put one of taking to the police training. 785 00:33:09,400 --> 00:33:14,320 Speaker 5: Second, ute a line on my turb again, and I 786 00:33:14,440 --> 00:33:15,440 Speaker 5: will release downs. 787 00:33:16,000 --> 00:33:17,560 Speaker 6: I've started to take a liking to your turf. 788 00:33:17,800 --> 00:33:19,960 Speaker 5: I know you've been saying that you're picking it apart. 789 00:33:20,040 --> 00:33:20,920 Speaker 5: I don't know his wine bar. 790 00:33:21,120 --> 00:33:23,160 Speaker 3: Yeah, he's going to my wine bar. He's going to 791 00:33:23,200 --> 00:33:26,520 Speaker 3: my curry house. He's going to my cinema. Now, he's 792 00:33:26,560 --> 00:33:27,280 Speaker 3: going to my cafe. 793 00:33:27,560 --> 00:33:29,640 Speaker 2: We should all as a team to start hanging out him. 794 00:33:29,640 --> 00:33:30,960 Speaker 2: Will's little Square. 795 00:33:31,120 --> 00:33:32,560 Speaker 5: It's the best part of town. I think we all 796 00:33:32,640 --> 00:33:37,080 Speaker 5: know that. But I you know, you can come and visit. 797 00:33:37,360 --> 00:33:39,120 Speaker 5: I just think it needs to be like a You 798 00:33:39,240 --> 00:33:41,200 Speaker 5: might need to like stamp in and stamp out when 799 00:33:41,240 --> 00:33:43,720 Speaker 5: you come over, like like like a shift worker. 800 00:33:43,800 --> 00:33:46,600 Speaker 2: You get one visit a month, and second you're in there. 801 00:33:46,640 --> 00:33:48,920 Speaker 5: But it is yeah, and you can't be around me 802 00:33:49,040 --> 00:33:49,760 Speaker 5: when I'm there. 803 00:33:50,480 --> 00:33:53,400 Speaker 2: So you put like an announcement out there or something, Yes, 804 00:33:53,640 --> 00:33:55,000 Speaker 2: I'm in the area, clear out. 805 00:33:56,200 --> 00:33:57,920 Speaker 5: I shouldn't need to do that. I think I'll just 806 00:33:57,960 --> 00:33:58,360 Speaker 5: find us. 807 00:33:58,520 --> 00:34:00,160 Speaker 4: Should all just get find my friends, and then if 808 00:34:00,160 --> 00:34:02,400 Speaker 4: you want to come, you just check where I am. 809 00:34:02,520 --> 00:34:03,640 Speaker 5: Oh, yeah, go on you. 810 00:34:03,760 --> 00:34:06,080 Speaker 3: The onus is on you, Wills and the will's not 811 00:34:06,160 --> 00:34:09,400 Speaker 3: here perfect? Okay, Well anyway, pooh, what's your what's your 812 00:34:09,400 --> 00:34:09,839 Speaker 3: favorite bit. 813 00:34:09,760 --> 00:34:10,080 Speaker 5: Of the week? 814 00:34:10,560 --> 00:34:13,960 Speaker 6: All right, I have a highly commended which, with all 815 00:34:14,000 --> 00:34:15,840 Speaker 6: due respect, is not something that you guys did, but 816 00:34:16,080 --> 00:34:17,880 Speaker 6: it was a nice. Part of the week was the 817 00:34:19,400 --> 00:34:22,880 Speaker 6: z Pain song, and I thought we should just have 818 00:34:22,960 --> 00:34:25,640 Speaker 6: a nice little listen. Now we can play the swear version, 819 00:34:25,719 --> 00:34:26,920 Speaker 6: so I thought we could sit in that for a 820 00:34:26,960 --> 00:34:27,319 Speaker 6: little bit. 821 00:34:27,400 --> 00:34:29,399 Speaker 2: What is the you have to explain what z pain 822 00:34:29,480 --> 00:34:31,680 Speaker 2: is or do we do that on the spot doing No, No. 823 00:34:31,840 --> 00:34:34,120 Speaker 8: We don't know we should do that. It's a good draft, 824 00:34:37,160 --> 00:34:38,800 Speaker 8: is playing any of the audio. 825 00:34:44,640 --> 00:34:46,000 Speaker 3: I want to make it very clear that you guys 826 00:34:46,000 --> 00:34:48,560 Speaker 3: did the spot very poorly. So I'm just going to 827 00:34:48,640 --> 00:34:50,480 Speaker 3: throw to the audio that I organized. 828 00:34:51,960 --> 00:34:52,000 Speaker 1: No. 829 00:34:52,239 --> 00:34:54,879 Speaker 5: Nice, that's nice. It's good. That's nice. It's been really 830 00:34:54,920 --> 00:34:58,280 Speaker 5: good for our egos. This podcast taking a bit poorly. 831 00:34:58,560 --> 00:35:03,399 Speaker 3: People make our show have shat on us unceremoniously. 832 00:35:03,560 --> 00:35:04,040 Speaker 5: Mean to do that. 833 00:35:05,320 --> 00:35:05,680 Speaker 2: I'm feeling. 834 00:35:08,800 --> 00:35:09,000 Speaker 1: Yeah. 835 00:35:09,239 --> 00:35:11,520 Speaker 6: My thought was, I remember seeing your face when we 836 00:35:11,640 --> 00:35:13,279 Speaker 6: played it to you for the first time on air, 837 00:35:13,400 --> 00:35:17,320 Speaker 6: and you were in such shock slash enjoyment, slash. It 838 00:35:17,520 --> 00:35:21,279 Speaker 6: was disgusting that I would would have liked. I would 839 00:35:21,280 --> 00:35:22,080 Speaker 6: have liked to revisit. 840 00:35:22,120 --> 00:35:22,520 Speaker 5: Okay, cool. 841 00:35:22,560 --> 00:35:25,200 Speaker 4: Now it's my turn, as the producer in this instance, 842 00:35:25,400 --> 00:35:27,319 Speaker 4: to just tell you to tell everyone what the fuck 843 00:35:27,320 --> 00:35:30,520 Speaker 4: you're talking about, because which I thought. 844 00:35:30,400 --> 00:35:32,520 Speaker 2: I did quite well two days ago. But we're not 845 00:35:32,560 --> 00:35:33,400 Speaker 2: going to play that audio. 846 00:35:36,360 --> 00:35:36,520 Speaker 1: Later. 847 00:35:36,560 --> 00:35:37,440 Speaker 5: I'll get the principal. 848 00:35:38,400 --> 00:35:41,279 Speaker 3: Get to the point, get the context, play the grab, 849 00:35:41,360 --> 00:35:42,640 Speaker 3: and don't talk too long off the back. 850 00:35:42,920 --> 00:35:44,000 Speaker 5: Make sure you go out in the out. 851 00:35:44,360 --> 00:35:45,000 Speaker 2: It's hard in here. 852 00:35:45,080 --> 00:35:45,719 Speaker 9: It's it's tough. 853 00:35:46,000 --> 00:35:48,640 Speaker 5: Welcome to our dig here. 854 00:35:48,719 --> 00:35:52,359 Speaker 6: Mark Zuckerberg, the Facebook founders teamed up with what's his name? 855 00:35:56,239 --> 00:35:58,400 Speaker 6: And they made a song and it's really funny. Well, 856 00:35:58,400 --> 00:35:59,640 Speaker 6: they've covered a song. 857 00:36:08,600 --> 00:36:08,960 Speaker 8: Anyway. 858 00:36:09,120 --> 00:36:11,480 Speaker 6: Now let's hear the let's see the other. 859 00:36:11,360 --> 00:36:17,759 Speaker 5: One day got a second? There's why Why did they 860 00:36:17,840 --> 00:36:18,520 Speaker 5: choose that song? 861 00:36:18,640 --> 00:36:20,600 Speaker 6: Because it was the it was the song that they 862 00:36:20,760 --> 00:36:22,200 Speaker 6: heard whose day? 863 00:36:22,360 --> 00:36:22,919 Speaker 5: Whose day? 864 00:36:23,400 --> 00:36:23,600 Speaker 1: Him? 865 00:36:23,719 --> 00:36:24,400 Speaker 6: And Priscilla? 866 00:36:24,600 --> 00:36:26,000 Speaker 5: Who's him? 867 00:36:26,360 --> 00:36:27,680 Speaker 8: Mark years? 868 00:36:28,960 --> 00:36:31,400 Speaker 5: It's the song that he's very nice? Is it at all? 869 00:36:31,760 --> 00:36:33,960 Speaker 5: We should have played the whole bitter reckon. I tell 870 00:36:34,000 --> 00:36:36,560 Speaker 5: you what we'd be done by now we would see 871 00:36:36,600 --> 00:36:37,360 Speaker 5: that was good radio. 872 00:36:38,239 --> 00:36:40,560 Speaker 3: But you came in here you wanted to throw your 873 00:36:40,600 --> 00:36:42,799 Speaker 3: own bed and now you've got to eat your own 874 00:36:43,280 --> 00:36:45,719 Speaker 3: You've got to eat your own producer pie and geez, 875 00:36:45,760 --> 00:36:46,239 Speaker 3: I'm loving it. 876 00:36:46,880 --> 00:36:47,120 Speaker 5: Go on. 877 00:36:47,239 --> 00:36:49,719 Speaker 6: Mark Zuckerberg. When he first met his wife Priscilla at 878 00:36:49,800 --> 00:36:51,960 Speaker 6: back in college or whatever, this song was playing. 879 00:36:54,040 --> 00:36:58,640 Speaker 4: Okay to cover it, Tea Paint covers it for their anniversary. 880 00:36:58,719 --> 00:37:02,160 Speaker 5: I believe is that I was second, second, second, as. 881 00:37:05,160 --> 00:37:08,040 Speaker 3: I always play the song on their anniversary and these 882 00:37:08,239 --> 00:37:10,839 Speaker 3: anniversary he decided to actually do a song with I'm 883 00:37:10,840 --> 00:37:11,920 Speaker 3: look at me, I'm taken control. 884 00:37:12,000 --> 00:37:14,960 Speaker 5: Well, well, I think you said this on it did 885 00:37:15,040 --> 00:37:22,400 Speaker 5: really beautifully yesterday. I bet the windows to the walls 886 00:37:24,160 --> 00:37:26,360 Speaker 5: till sweat drops down my balls. 887 00:37:26,880 --> 00:37:32,440 Speaker 10: Still all these bitches coral, Oh skate skiing, motherfucker, Oh 888 00:37:32,760 --> 00:37:37,040 Speaker 10: skeep skate goddamn, Oh skiate skate motherfucker. 889 00:37:37,560 --> 00:37:42,719 Speaker 5: Oh skate ski goddamn shorty crowns so fresh, so clean? 890 00:37:42,800 --> 00:37:45,600 Speaker 5: Can't you fuck? That question has been harassed me in 891 00:37:45,719 --> 00:37:46,240 Speaker 5: the mind. 892 00:37:46,880 --> 00:37:48,080 Speaker 10: This girl is so fun. 893 00:37:48,200 --> 00:37:50,920 Speaker 11: Let me come to this club about fifty eleven times? 894 00:37:51,239 --> 00:37:55,320 Speaker 11: Can I play with your pantina? The older said, I 895 00:37:55,520 --> 00:37:58,600 Speaker 11: need to calm down. Security guarden is sweating me now. 896 00:37:58,719 --> 00:38:01,040 Speaker 11: I got drunk and am threatened me. 897 00:38:01,160 --> 00:38:08,440 Speaker 5: Now three six. Now damn, you're fuck hoping you can 898 00:38:08,520 --> 00:38:11,120 Speaker 5: suck it to me baby one more time. 899 00:38:11,640 --> 00:38:12,280 Speaker 9: That's awesome. 900 00:38:14,440 --> 00:38:17,919 Speaker 5: Shock, that is awesome. It's so good. 901 00:38:18,680 --> 00:38:21,239 Speaker 4: We still can't figure out whether whether it's a joke. 902 00:38:22,760 --> 00:38:23,800 Speaker 4: Immediate chat afterwards. 903 00:38:23,840 --> 00:38:24,719 Speaker 5: Was that a gag? 904 00:38:25,239 --> 00:38:27,680 Speaker 6: So, because well you raised this like, is he doing 905 00:38:27,719 --> 00:38:29,320 Speaker 6: it ironically? I don't think he is. 906 00:38:29,600 --> 00:38:30,319 Speaker 2: I think he's just a. 907 00:38:30,320 --> 00:38:32,799 Speaker 5: Big look a couple of good points in the gag 908 00:38:32,920 --> 00:38:34,120 Speaker 5: column in the game. 909 00:38:34,160 --> 00:38:36,319 Speaker 3: Well, okay, so I'm going to say in the taking 910 00:38:36,360 --> 00:38:38,680 Speaker 3: it seriously column, he's trying very hard there. You can 911 00:38:38,760 --> 00:38:40,000 Speaker 3: tell he's trying very hard with the. 912 00:38:40,239 --> 00:38:42,959 Speaker 4: He's got te panes auto tune, mate, none of that's legit, 913 00:38:43,239 --> 00:38:45,440 Speaker 4: t Paine, tea pains auto tunes. 914 00:38:45,200 --> 00:38:48,560 Speaker 5: Like in this glass box covered it auto tune in 915 00:38:48,600 --> 00:38:48,879 Speaker 5: the world. 916 00:38:48,960 --> 00:38:51,080 Speaker 3: Don't worry, mate, you just sing whatever you want to 917 00:38:51,160 --> 00:38:55,960 Speaker 3: do this thing only one mate. The only point in 918 00:38:56,040 --> 00:38:58,400 Speaker 3: that it's a joke column is in his post that 919 00:38:58,480 --> 00:39:02,000 Speaker 3: he did on his own Instagram, he said, I had 920 00:39:02,080 --> 00:39:06,160 Speaker 3: to do a replica of this lyrical masterpiece. 921 00:39:06,440 --> 00:39:09,440 Speaker 5: Yeah that for me, stake of Joe, Yeah yeah, yeah, 922 00:39:09,560 --> 00:39:10,040 Speaker 5: yeah yeah. 923 00:39:10,400 --> 00:39:12,520 Speaker 2: But is he so deep in his own. 924 00:39:12,440 --> 00:39:15,640 Speaker 5: Well, so that's that's that. 925 00:39:15,760 --> 00:39:17,520 Speaker 6: And he's such great friends with Tea Pain that you 926 00:39:17,560 --> 00:39:19,279 Speaker 6: wouldn't want to diss the song. 927 00:39:19,360 --> 00:39:21,319 Speaker 5: True pain laughing at that song. 928 00:39:21,880 --> 00:39:24,759 Speaker 8: It's not Tea Pain song song. It's Little John in 929 00:39:24,800 --> 00:39:25,359 Speaker 8: the east Side. 930 00:39:26,040 --> 00:39:27,600 Speaker 2: We did laugh about Little John. 931 00:39:28,480 --> 00:39:29,319 Speaker 5: But he's little John. 932 00:39:29,400 --> 00:39:32,400 Speaker 3: But it's a publicly shamed little John like that, Like 933 00:39:32,440 --> 00:39:33,840 Speaker 3: what does John think about. 934 00:39:33,640 --> 00:39:36,440 Speaker 5: I'm so sorry that little John is also in Robinhood, 935 00:39:36,440 --> 00:39:44,120 Speaker 5: Prince of the believe. It's just jumped back to me, 936 00:39:45,920 --> 00:39:52,200 Speaker 5: Aud That is amazing. Oh my god, I'm sorry. 937 00:39:52,320 --> 00:39:55,719 Speaker 3: That's that's just that's podcast there and dippity boys, you 938 00:39:55,800 --> 00:39:56,480 Speaker 3: can't touch that. 939 00:39:58,280 --> 00:39:58,680 Speaker 1: Who is he? 940 00:39:58,880 --> 00:40:00,600 Speaker 3: He's the he's the King of the Woods. He's the 941 00:40:00,640 --> 00:40:03,399 Speaker 3: band of he leads the band of merry men. Yes, 942 00:40:04,200 --> 00:40:08,480 Speaker 3: and Kevin Costner have a fight on the river with quarterstaffs. 943 00:40:08,640 --> 00:40:12,200 Speaker 5: Brilliant. Anyway, go watch bridgeon Names. I can't believe we 944 00:40:12,360 --> 00:40:15,799 Speaker 5: are back here. That is phenomenal. 945 00:40:17,440 --> 00:40:18,560 Speaker 1: Oh my gosh.