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Speaker 1: Hey, guys, women to the podcast this afternoon.

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Speaker 2: Hey, if you stick around till the end of the podcast,

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Speaker 2: we have got a Running the Gauntlet caller which we're

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Speaker 2: looking forward, which we're going to hear because we think

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Speaker 2: there was something wrong with our phone lines at the

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Speaker 2: start of the show.

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Speaker 3: It's a pretty classic radio hosting to do when you

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Speaker 3: throw the phones out there and when you get a

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Speaker 3: huge amout of it a call and we go, sorry,

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Speaker 3: can we get the text out here? It couldn't be

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Speaker 3: us the text, Linds.

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Speaker 2: It go on again, just the pones, the texical here

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Speaker 2: and going, guys, there's nothing wrong, and we're going, well,

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Speaker 2: could be something wrong with the text.

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Speaker 3: The worst thing is, though, when when you actually got

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Speaker 3: your phone and you were like, hang on a second,

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Speaker 3: you called the show, and then, because we were so

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Speaker 3: desperate for calls, you got called back by a producer.

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Speaker 3: Have you got a call mate? You got a sorry,

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Speaker 3: yeah it's me.

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Speaker 2: It's well the moment that Captain Booppens and I locked

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Speaker 2: eyes and he realized that he'd just called me back, yeah,

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Speaker 2: because I was testing the phone line. Will That was

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Speaker 2: amazing anyway, So yeah, stick around for that. Running the

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Speaker 2: Gold on the podcast. As always, there will be a

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Speaker 2: podcast debrief on the other side, so.

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Speaker 1: Stay tuned show see you at the end.

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Speaker 2: keV Waltz is about another call Kevin. He's picked a

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Speaker 2: job up at Google recently, keV, he's moving up in

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Speaker 2: the world. I think he's looking pretty good, I said,

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Speaker 2: for his quit. Sure guys, got a new girlfriend. He's

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Speaker 2: on the right track. So he's got a new job

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Speaker 2: at Google and he's about to be called can.

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Speaker 1: Sometimes I get too absorbed in him. I love him?

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Speaker 3: Are your method? I love that about I.

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Speaker 1: Am him anyway.

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Speaker 2: So what's gonna happen here is I'm going to call

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Speaker 2: a baby boomer from Google and basically say, there's there's

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Speaker 2: a whole bunch of defunct emails that are attached to

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Speaker 2: his IP address. Just before we delete them forever, I

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Speaker 2: need to know whether or not they are actually his

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Speaker 2: and whether he's still using them.

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Speaker 3: So what I've done is written down the most embarrassing,

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Speaker 3: crass and awful email addresses I could think of. I'm

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Speaker 3: going to be flashing you those during the phone call.

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Speaker 3: You haven't seen these yet, So not only do you

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Speaker 3: have to hold in the laughter when you see the

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Speaker 3: email address, but you then need to straight face deliver

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Speaker 3: that to him and we're going to see how long

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Speaker 3: you can go for before he obviously thinks this is

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Speaker 3: a prank call.

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Speaker 2: Good luck, thanks.

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Speaker 4: Richard speaking.

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Speaker 1: Oh yeah, gooday, Richard, rich richid min is keV Waltters

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Speaker 1: calling from Google this stuff? No now?

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Speaker 2: Are you good?

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Speaker 5: Thank you?

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Speaker 2: That's very good.

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Speaker 1: I'm just calling your internet providers currently, Teltra.

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Speaker 2: Is that right?

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Speaker 4: Rich correct?

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Speaker 2: And you mind if I just double check your birthday

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Speaker 2: very quickly. I've got you down this year. Yeah, correct,

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Speaker 2: that's correct. Okay, Richard. I'm not sure if you've seen

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Speaker 2: the news recently, but basically we're clearing out the Gmail

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Speaker 2: server at the moment, and your service in Australia is

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Speaker 2: just making sure that every i P. I'm not sure

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Speaker 2: if your i P is it's an Internet provider. We're

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Speaker 2: just double checking that there's some accounts link to your

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Speaker 2: IP that actually are defunct because we're going to be

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Speaker 2: deleting them. So I'm not sure if you've got employees

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Speaker 2: or anything like that, but I've got about ten emails

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Speaker 2: here that will be deleted permanently, and I just want

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Speaker 2: to triple check beforehand that they're not yours? Sure, okay,

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Speaker 2: yep a right, great. So the first one is poop

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Speaker 2: doodle one, two, three, definitely definitely not it's not yours, okay, easy, Yeah, sorry,

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Speaker 2: some of these can be a little bit silly and

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Speaker 2: warning you, but it's amazing what people have as their emails. Right,

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Speaker 2: so pop tart farts at Gmail, okay, rifling wet muffins

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Speaker 2: at gmail dot com.

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Speaker 6: Head of these, have they's been established?

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Speaker 1: Do you think they're linked to your IP address? Richard?

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Speaker 2: Something you've been is using them consistently via your WiFi.

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Speaker 2: Not sure if your WiFi is accessible, if you maybe

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Speaker 2: want to check your password or something like that, maybe

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Speaker 2: just checked that people aren't using it.

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Speaker 1: Have you got wi Fi on the premises there, Richard? Yeah,

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Speaker 1: you maybe just double check the password there.

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Speaker 2: I've got your your internet provider down to telth chair,

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Speaker 2: so maybe just give them a bit of a tinkle afterwards.

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Speaker 1: But look, I'll just keep going.

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Speaker 2: I think I've only got about five to go, so

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Speaker 2: then we can just be done with this.

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Speaker 7: Yeah.

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Speaker 2: So the next one's a bit silly. It's most underscore

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Speaker 2: balls and not yours. Dump that one, yeah, perfect. Next

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Speaker 2: one's a hot mail address. It's a hot underscore mail

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Speaker 2: at hotmail dot com.

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Speaker 6: No, no, none of them makes sense so far.

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Speaker 1: That's all right, Just shout out so someone can.

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Speaker 6: Get in and use the IP address and establish those

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Speaker 6: through the IP.

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Speaker 2: Yeah yeah, no, well they can use your Wi Fi router.

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Speaker 2: That's what they do right down on little rats, these people.

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Speaker 2: So what they do they set up next door in

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Speaker 2: the park bend. You've got a park bench opposite you

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Speaker 2: or something like that.

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Speaker 6: No, we're on to make a block and we're in

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Speaker 6: the middle of that acre. So trouble getting the Wi

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Speaker 6: Fi on the edge on the boundaries. So if you

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Speaker 6: could be something on the inside. This could be done

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Speaker 6: over a number of years, could it.

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Speaker 2: Yeah I suppose, Yeah, absolutely could be done over a

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Speaker 2: number of years.

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Speaker 1: Could be an inside job. I mean it's not my

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Speaker 1: job to speculate, Richard.

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Speaker 6: Yeah, that's right. I mean people come and stay.

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Speaker 1: Oh look, I just don't.

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Speaker 2: Like the security or my WiFi. It's like Bloody Fort

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Speaker 2: Knox getting under my router. These days, you got to

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Speaker 2: treat your your router like you would your bed. You

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Speaker 2: want to know who's in your bed, you want to

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Speaker 2: know who's in your router. I'll just keep moving so

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Speaker 2: bog Monster fifty nine, that's a that's a Gmail as well.

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Speaker 2: That's just one sor about there's these kids these days,

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Speaker 2: with these keep going.

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Speaker 8: I'm glad you're clearing them outright.

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Speaker 1: And finally one as little underscore Chili and your.

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Speaker 2: Score, Willy, And that's also at gmail dot com. Yeh yeah, okay,

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Speaker 2: yeah yeah yeah, all right, Well thanks so much, Richard,

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Speaker 2: Thanks for your time, Thank you for doing No not.

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Speaker 1: A pleasure, you asolutely pleasure privilege.

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Speaker 6: Really I saw things.

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Speaker 1: Yeah, as I said, treat you about to let you

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Speaker 1: treat your bed, your message.

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Speaker 2: Yet you wouldn't sleep with a stranger, and you wouldn't

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Speaker 2: ever want I want what are you?

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Speaker 6: But you wouldn't ever exist. Yeah, you don't want to

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Speaker 6: excess by anybody.

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Speaker 9: You don't know.

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Speaker 6: But I could have been there if it's been over

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Speaker 6: a few years.

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Speaker 9: Yeah, I don't know people.

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Speaker 1: In there always I said, could be inside job, who knows.

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Speaker 2: Yeah, okay, all right, thank you very much for that, Richard.

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Speaker 1: Richard, Sorry, my name is Will.

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Speaker 6: I'm calling from my good job.

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Speaker 2: Guys, are you one.

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Speaker 3: Hundred percent sure you're not bog monster fifty nine?

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Speaker 2: There a.

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Speaker 1: Ways that men have tried to approach you.

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Speaker 3: Yeah, I mean and personally I would love to just

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Speaker 3: hear the epic fails here. And the reason we're asking

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Speaker 3: that question is because, well, there was big news this

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Speaker 3: week when Steph Claire Smith spoke about the fact that

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Speaker 3: Leonardo DiCaprio once got someone else to approach her in

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Speaker 3: a club in la.

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Speaker 2: He had like a little minion to go and do

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Speaker 2: his bidding for him.

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Speaker 3: I think minion's good word for it, and I just

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Speaker 3: got thinking about that situation and I was like, it's

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Speaker 3: just for the common folk, you know, Andy, Well, it

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Speaker 3: would be handy because I think the hardest thing to

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Speaker 3: do is to go and approach a woman, make that

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Speaker 3: first advance, like what do you say? How do you

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Speaker 3: go about it? And more often than not we totally

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Speaker 3: cock it up. So again, thirty one h six five

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Speaker 3: is our number. Ladies tell us about a time that

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Speaker 3: a guy went for it and just epically failed. But

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Speaker 3: we did have Steph, by the way, on the podcast yesterday.

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Speaker 3: We always have a little debrief after our shows, and

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Speaker 3: Steph jumped on the debrief and she told us about

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Speaker 3: the time that Leonardo DiCaprio minion approached her in a club.

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Speaker 10: Do you know when you can feel someone looking at you.

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Speaker 10: I was feeling that and my girlfriend came over and

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Speaker 10: she was like, oh my god. The people said that

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Speaker 10: Leo's here, but we're going to another club now, let's go.

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Speaker 10: So I thought there was over there. We left, and

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Speaker 10: then about an hour into being at that club, this

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Speaker 10: person approached us and said, Hey, Leo would like to

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Speaker 10: meet you.

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Speaker 11: We were like, yeah, of course you do.

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Speaker 10: So they kind of just weaved us through the crowd

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Speaker 10: and he was just sitting there and did the whole

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Speaker 10: French kiss.

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Speaker 5: He asked for our number.

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Speaker 10: Fifteen minutes after we left the club, we got a

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Speaker 10: message from him and we just squealed round home and

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Speaker 10: called all out friendsom family.

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Speaker 2: She mentioned STEP's doing some new stuff with Kuba Cleaner

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Speaker 2: is now called Kickapp kickapp.

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Speaker 1: Dot com, ko saapp dot com. If you go and

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Speaker 1: check it out.

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Speaker 3: Okay, we've got Carli here now they're on thirteen one

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Speaker 3: six y five. Now Carlie, how did a guy try

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Speaker 3: to woo you? Or how did they approach you? Cali?

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Speaker 9: Hey, guys, so I was out in the club and

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Speaker 9: this guy just come up to me on the dance

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Speaker 9: floor and he was just dancing with me. He's like,

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Speaker 9: took me over to the bar to get a drink,

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Speaker 9: all right, walked over and he's just like, so you

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Speaker 9: might have seen me in the paper, and oh no,

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Speaker 9: He's like, yeah, I play AFL. I'm pretty big in

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Speaker 9: my team. I'm usually in the paper. This guy is

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Speaker 9: a toss and he just like continued on and I thought, mate,

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Speaker 9: I've never seen you in the paper. I've never even

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Speaker 9: heard of you.

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Speaker 2: Who was it?

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Speaker 3: Can you give us the name?

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Speaker 9: It's my husband?

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Speaker 2: Now?

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Speaker 3: Who's your husband? Sean? No, I'm not going to say it.

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Speaker 3: The team he was.

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Speaker 9: He moved up from Melbourne. But yeah, just like in

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Speaker 9: the you know, the popular local AFL teams here. So

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Speaker 9: but yes, love story later. Yeah we're married.

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Speaker 2: Oh that's not what.

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Speaker 9: I's a big Pies boy.

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Speaker 3: Sure, but pies Collenwood. Sure damn. You're not going to

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Speaker 3: give it to his day. I got Nicole.

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Speaker 2: You guys know who it is now they don't.

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Speaker 3: All right, thank you. Let's got to Nicole here, Nicole,

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Speaker 3: how did a guy try and woo you? How they

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Speaker 3: approach you?

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Speaker 8: So?

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Speaker 5: I'm a licensed test as I you know, I test

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Speaker 5: people on the licenses and this guy was trying to

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Speaker 5: hit on me through a drive test, and he started

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Speaker 5: showing off by speeding. So I took him back and

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Speaker 5: I failed him on his test and took his overseas

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Speaker 5: you know, license away from him because you're speeding.

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Speaker 3: He actually thought by speeding and failing the test, that

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Speaker 3: was going to impress you. Yeah, did he like did

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Speaker 3: he say that that was his plan? Was he saying

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Speaker 3: to you like, haha, how about this reckless driving?

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Speaker 5: He just kept saying, oh, do you think I have

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Speaker 5: a nice car, and or like it's okay, and he's like, oh,

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Speaker 5: but I wish you went faster. I'm like, oh, you know,

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Speaker 5: that's what they all say. And he's like, no, let

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Speaker 5: me show you. So, you know, he went over to

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Speaker 5: see and I was like, mate, you lost your license?

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Speaker 5: No license for you?

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Speaker 2: Wowwa I do like I get the desperation though, as

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Speaker 2: you know, as someone who hasn't got a lot of game,

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Speaker 2: sometimes you do outrageous things to put yourself in the

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Speaker 2: same room.

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Speaker 3: I was once at a beach and I saw a

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Speaker 3: girl on a towel and beach. To be honest, you're

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Speaker 3: always like, give people their private personal space, but I

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Speaker 3: thought there were a bit of lookies going on. I

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Speaker 3: was like, there's some lookies going on here. So I thought,

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Speaker 3: I was like, bitch, No, it wasn't a neud beach.

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Speaker 3: I do occasionally frequent a nude one, but this was

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Speaker 3: just a norm That's what I called it, a normy. Anyway,

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Speaker 3: I thought there was some looks here, so I walked

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Speaker 3: over and I said to her. I was like, hey,

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Speaker 3: I'm not from around this area. A couple of starfish

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Speaker 3: in the water do they bite?

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Speaker 2: What?

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Speaker 3: And it just made no sense. Stuffish don't good chat,

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Speaker 3: but chat. And I just thought, but you know, when

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Speaker 3: we're just opening, and she just went, ah, you know what,

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Speaker 3: you seem like a nice guy if you walked over

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Speaker 3: here and said hi then. And I was just like, ah,

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Speaker 3: like the walk of shame.

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Speaker 1: Back to my tow.

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Speaker 3: Oh yeah, let's go to Shari here, Shari, this happened

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Speaker 3: when you were younger.

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Speaker 12: Yeah, So we used to go out clubbing and me

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Speaker 12: and my friend and I used to get all these

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Speaker 12: random guys like coming up and like just being a

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Speaker 12: bit touchy and getting a bit close. And I couldn't

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Speaker 12: work out why. Yeah, and I found out later that

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Speaker 12: my friend she told me like months later that she

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Speaker 12: used to go up to guys and say to them,

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Speaker 12: if you buy, like if they bought her a drink,

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Speaker 12: that I would kiss them. So she's standing over there

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Speaker 12: with her free drink, laughing at the guys, cracking on

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Speaker 12: to me.

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Speaker 3: She So this came out on the Unfiltered Bride podcast.

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Speaker 3: I'm a huge fan of it. I believe they just

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Speaker 3: let us talk about weddings, and the girls who run

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Speaker 3: this podcast found out about a particular wedding that's quite extraordinary.

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Speaker 3: So a groom ends up ending things with the bride

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Speaker 3: at the reception of the wedding. But how he did

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Speaker 3: it and why he did it is truly phenomenal.

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Speaker 13: Bride and groom got married, lovely ceremony, had their food,

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Speaker 13: speeches out food father bride does his thing. Groom stands

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Speaker 13: up and says, just before I properly get started, I'm

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Speaker 13: just there's some envelopes coming around now if you could

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Speaker 13: all open them up, Yeah, those are pictures of the bride.

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Speaker 13: The best man, so I'll be leaving now dropped the

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Speaker 13: microphone and him and all his family knew about it

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Speaker 13: and left because they wanted the bride to have had

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Speaker 13: to have paid for the food. Properly, properly, the bride

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Speaker 13: paid for everything, The bride's family paid the best man

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Speaker 13: as well.

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Speaker 3: Handed out photos of the best men hooking up with

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Speaker 3: the bride.

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Speaker 1: Wow.

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Speaker 3: Totally wild. And then obviously this goes. This is over, Mike,

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Speaker 3: dra you're covering the bill like that is I mean,

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Speaker 3: that's good stuff. That's the I was gonna say, it's

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Speaker 3: the kind of wedding you want to be at, but

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Speaker 3: probably not. You know you want to you want to

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Speaker 3: be celebrating love.

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Speaker 2: Better celebrate I really the birth, Death and Marriages Office,

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Speaker 2: you gotta spice it up sometimes you give it interesting

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Speaker 2: justice of the.

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Speaker 3: Nice that's that's totally fair. That's totally fair. And you

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Speaker 3: really caught me up there. But this Wilber is a really,

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Speaker 3: I mean a clinical example of someone going for a

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Speaker 3: very very public breakup. Yes, and in my eyes, I

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Speaker 3: always think breakups should remain private. I don't know why

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Speaker 3: you would ever do it in public. People watch on,

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Speaker 3: but it's also just awkward doing it in public. But again,

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Speaker 3: thirteen one oh six five is our number? What do

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Speaker 3: you guys? Reckon? Does anyone out there think that a

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Speaker 3: public breakup is actually better than a private breakup? Because

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Speaker 3: one breakup that I instigated this breakup, and I intended

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Speaker 3: it to be a private breakup because I've always been

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Speaker 3: of the view that private's much better way to go

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Speaker 3: about it. But the girl that I was breaking up

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Speaker 3: with this is back in high school, by the way,

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Speaker 3: so I was like fourteen fifteen. She was babysitting.

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Speaker 2: You were talking about a breakup when you were fourteen fifteen? Yeah, wow, interesting, Okay,

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Speaker 2: it was interesting.

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Speaker 1: Anecdote to bring into it.

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Speaker 2: I was going to bring up my primary school when

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Speaker 2: I got dumped in prep that was public as well,

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Speaker 2: but I thought i'd leave that one.

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Speaker 3: We were dating for two months. This was a very

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Speaker 3: big deal.

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Speaker 1: Talking about adults. So she walked up to you a

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Speaker 1: recess and.

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Speaker 3: Said a high school, not primary school. Anyway. I went

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Speaker 3: to go and break up with her privately, and no,

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Speaker 3: she was babysit. She was she was of the age

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Speaker 3: where she could babysit anyway, So I wanted to do

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Speaker 3: it privately, but she was babysitting, so she brought the

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Speaker 3: kids out.

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Speaker 9: Ah.

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Speaker 3: Yeah, And that was a horrific breakup because then two

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Speaker 3: children watched as the breakup wow went down.

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Speaker 2: So for me, christ how old were the kids that

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Speaker 2: five did they so they knew they watched their babysitter

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Speaker 2: get dumped.

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Speaker 9: It was.

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Speaker 3: It was horrific. It was so wow. So look, that's

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Speaker 3: just an example of like surely keeping in prime.

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Speaker 2: God, why did you do that?

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Speaker 3: Well, so I feel like because I started and then

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Speaker 3: the kids came out like I was in.

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Speaker 2: Then you stop. I was sorry, two five year olds

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Speaker 2: are watching this? Sleep well, kids, I was in. By

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Speaker 2: the way, you're dumped it was.

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Speaker 3: It was horrific.

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Speaker 2: So again another token in the box of no public breakups. Yes,

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Speaker 2: can I just say I think the only reason you

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Speaker 2: do a public breakup is because again it's cowardly. It's

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Speaker 2: you going I've got the protection of the fact that

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Speaker 2: there are a whole bunch of people watching me here,

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Speaker 2: so you're not going to lose your shit at me.

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Speaker 1: That's the which I think is clever.

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Speaker 2: It's the Bob Sugar defense from Eddie Maguire. If people

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Speaker 2: don't understand, thank you very much.

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Speaker 1: It's Bobugar from Jerry Maguire.

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Speaker 2: It is he goes to a Trump with him and

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Speaker 2: he breaks up with him in a restaurant because he

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Speaker 2: goes it's a public place that can't make a scene

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Speaker 2: like it's the only reason I can think of that

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Speaker 2: you would do it. You don't want to allow them

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Speaker 2: to get really emotional on you.

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Speaker 3: Our producer, one of our producers, LJ, is more for

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Speaker 3: the public breakup as well. So what's your reason is

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Speaker 3: to why public breakups better? LJ?

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Speaker 1: We might hear it after the song. Else, give us

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Speaker 1: a call.

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Speaker 2: Public breakups first, Private breakups Yeah.

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Speaker 3: And if you've got an example of it, that's obviously

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Speaker 3: good as well, maybe one that went badly or well,

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Speaker 3: I mean MO went awfully obviously. But my only other

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Speaker 3: argument for I would say, bloody oath mate, if they

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Speaker 3: lost their word, they would lose their careers with you.

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Speaker 3: But the only other argument against the private breakup, I

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Speaker 3: would say, sometimes you get stuck. So if say, if

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Speaker 3: you go over to say, if you're at your house

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Speaker 3: and you break up with them, then it's this weird like,

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Speaker 3: oh it's weird for me to kick you out now,

390
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Speaker 3: But then you just stay in it yep for a while.

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Speaker 13: Yep.

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Speaker 3: Yeah.

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Speaker 2: The other part of it as well, which I love

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Speaker 2: to get April's thoughts because she's called on thirty one

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Speaker 2: and six five, But is if I suppose if you're

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Speaker 2: a woman and you're or you're threatened by the person

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Speaker 2: you're breaking out with, public would be a good idea. Anyway.

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Speaker 2: April thirty one, sixty five, Public versus private breakups? What

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00:18:18,359 --> 00:18:19,080
Speaker 2: you got?

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00:18:19,359 --> 00:18:22,240
Speaker 11: Oh my goodness me, it was a private breakup. It

401
00:18:22,280 --> 00:18:25,320
Speaker 11: was just happened. Okay. So I'm a fifty two year

402
00:18:25,359 --> 00:18:28,640
Speaker 11: old single mum and you know, doing the tender thing

403
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Speaker 11: and everything, and went away for the Easter weekend with

404
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Speaker 11: the guy who I thought was okay, but there was

405
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Speaker 11: little things that he did along the way that I thought,

406
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Speaker 11: oh my goodness me. So anyway, we're coming home. It's

407
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Speaker 11: Easter Monday, so there's a lot of traffic. We just

408
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Speaker 11: left byron Bay, okay, and before Coffs Harbor, I accidentally

409
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Speaker 11: dumped him in the car.

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Speaker 2: Oh accidentally dumped him? What does that mean?

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Speaker 11: Well, I didn't. I didn't mean to. I didn't mean

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Speaker 11: to accidentally sort of dump him on the way, but

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Speaker 11: it's just he said something so stupid and I just

414
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Speaker 11: said I can't do this anymore.

415
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Speaker 1: Yees slipped out.

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Speaker 7: I know.

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Speaker 2: Wow.

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Speaker 11: So I live in Sydney and I had to get

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Speaker 11: all the way back to Gossard and he started to cry.

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Speaker 2: Oh April, Oh my goodness me. I know.

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Speaker 11: So I had to sit through Eastern traffic on Eastern

422
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Speaker 11: all the way back to Gospord to get the train.

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Speaker 1: Break up in a car bad idea.

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Speaker 2: Actually, now, in nine sight, I've never had a good

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Speaker 2: breakup in a car.

426
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Speaker 3: How many breakups in cars of you had?

427
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Speaker 2: You haven't had good breakups in cars either.

428
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Speaker 3: I've never broken up with someone in a car.

429
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Speaker 1: You get hit with a ring one time in a car.

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Speaker 3: We didn't break up.

431
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Speaker 2: You stayed stayed around after that, did absolutely right. It

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Speaker 2: says a lot about you, producer el Day.

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Speaker 1: Were you going to chime in here?

434
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Speaker 2: Mate? Because I've given you you don't want to go

435
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Speaker 2: public breakups. You don't want to mention it now now

436
00:19:59,320 --> 00:20:00,000
Speaker 2: that you realize the.

437
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Speaker 8: Public break up.

438
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Speaker 13: I'm a big, big advocate for them.

439
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Speaker 3: So why why o.

440
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Speaker 2: J Because I've broken up with a lot of people

441
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Speaker 2: boys in the early twenties. But I'm I'm a bit

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Speaker 2: of a.

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Speaker 13: Impath, right, So when I I've tried to break up

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Speaker 13: with numerous people and then they'll cry, and then I go,

445
00:20:17,359 --> 00:20:19,520
Speaker 13: don't cry, Oh go on, We'll give it another crack.

446
00:20:19,440 --> 00:20:21,159
Speaker 3: Right, yeah, And I had to.

447
00:20:21,080 --> 00:20:24,720
Speaker 13: Learn to rip a band aid off and walk away,

448
00:20:24,960 --> 00:20:28,080
Speaker 13: pick a location of neutrality, rip the band off, off

449
00:20:28,080 --> 00:20:28,920
Speaker 13: we go because.

450
00:20:28,680 --> 00:20:31,119
Speaker 3: I've done a private breakup before and then stayed for dinner.

451
00:20:31,240 --> 00:20:34,560
Speaker 3: And that it gets because again I agree that everything

452
00:20:34,640 --> 00:20:35,240
Speaker 3: it's like.

453
00:20:35,320 --> 00:20:37,200
Speaker 2: You could you could throw him in a dumpster, burn

454
00:20:37,280 --> 00:20:39,440
Speaker 2: him alive, and he'd be like, who's up around two?

455
00:20:40,000 --> 00:20:43,480
Speaker 3: Let's not Yeah, let's go to Jake here, Jakie. Mate, Okay,

456
00:20:43,560 --> 00:20:47,960
Speaker 3: you you had a public breakup, Jakie. Did it go

457
00:20:48,040 --> 00:20:49,159
Speaker 3: well or di to go badly?

458
00:20:50,440 --> 00:20:50,680
Speaker 4: Oh?

459
00:20:50,760 --> 00:20:53,040
Speaker 7: Yeah, look it turned pretty sour pretty fast. Boy, it's

460
00:20:53,040 --> 00:20:54,040
Speaker 7: not gonna lie. Yeah.

461
00:20:54,080 --> 00:20:57,679
Speaker 3: So what happens, Well, I'd spent the.

462
00:20:57,760 --> 00:20:59,800
Speaker 7: Night with this said person at a hotel in this

463
00:21:01,040 --> 00:21:03,080
Speaker 7: you know, and things look like they were going.

464
00:21:02,960 --> 00:21:04,360
Speaker 5: Well, but sort of took a drastic turn.

465
00:21:04,359 --> 00:21:06,200
Speaker 10: I won't get into the details about what happened.

466
00:21:06,240 --> 00:21:10,000
Speaker 7: Sure the next morning I sort of decided I needed

467
00:21:10,000 --> 00:21:11,680
Speaker 7: to get out of there. So in the middle of

468
00:21:11,720 --> 00:21:13,679
Speaker 7: the machas in the city at about ten o'clock in

469
00:21:13,720 --> 00:21:15,480
Speaker 7: the morning, I sort of set my teeth and went

470
00:21:15,560 --> 00:21:19,360
Speaker 7: on walk away and proceeded to get cussed out inside

471
00:21:19,359 --> 00:21:21,080
Speaker 7: of the McDonald's at ten in the morning in front

472
00:21:21,080 --> 00:21:23,480
Speaker 7: of a bunch of early morning workgoers, and then got

473
00:21:23,480 --> 00:21:26,480
Speaker 7: followed up the street for about one hundred meters, still

474
00:21:26,520 --> 00:21:29,919
Speaker 7: being pursued and yelled yelled at from behind.

475
00:21:30,240 --> 00:21:34,400
Speaker 3: So ah, what meal did you get?

476
00:21:35,200 --> 00:21:36,040
Speaker 1: Think that's relevant?

477
00:21:36,240 --> 00:21:37,960
Speaker 7: I was getting a sausage need ming muffin.

478
00:21:38,240 --> 00:21:41,119
Speaker 3: Yeah that's so bad. At least you get your sausage

479
00:21:41,160 --> 00:21:48,080
Speaker 3: need mc muffin while you're getting abused. Your one year

480
00:21:48,119 --> 00:21:51,120
Speaker 3: old daughter, she's one now, she turned one yesterday. She's

481
00:21:51,160 --> 00:21:54,240
Speaker 3: having a birthday party this Saturday. Yeah she is okay. Yeah,

482
00:21:54,359 --> 00:21:57,399
Speaker 3: Now I'm very excited about no gifts. Yeah, this is

483
00:21:57,440 --> 00:21:59,560
Speaker 3: what I want to talk about. This is really exactly

484
00:21:59,640 --> 00:22:00,720
Speaker 3: what I talk about.

485
00:22:00,760 --> 00:22:00,840
Speaker 2: It.

486
00:22:00,920 --> 00:22:04,359
Speaker 3: They go straight into it, done that thing, And I

487
00:22:04,960 --> 00:22:07,760
Speaker 3: don't know how to feel about this. When someone's having

488
00:22:07,840 --> 00:22:10,840
Speaker 3: a party or a birthday and they ride on the invitation,

489
00:22:10,960 --> 00:22:13,920
Speaker 3: I'll let you know, strictly, no gifts. Yeah, don't get

490
00:22:13,960 --> 00:22:16,240
Speaker 3: us a present. And then I find myself in the

491
00:22:16,280 --> 00:22:18,520
Speaker 3: situation and I was talking to my partner about this

492
00:22:18,560 --> 00:22:21,120
Speaker 3: morning where I was like, they've done that thing where

493
00:22:21,160 --> 00:22:23,679
Speaker 3: they say no gifts. But every time I go to

494
00:22:23,760 --> 00:22:27,320
Speaker 3: parties or celebrations where people have said no gifts. People

495
00:22:27,400 --> 00:22:31,120
Speaker 3: still bring gifts and I'm the only one who's abided

496
00:22:31,160 --> 00:22:33,200
Speaker 3: by the rules. But then I feel like a tight ass.

497
00:22:33,200 --> 00:22:36,560
Speaker 3: And I already appreciate that I've got that reputation. So

498
00:22:38,080 --> 00:22:41,080
Speaker 3: just can you run me through your thought past?

499
00:22:41,240 --> 00:22:44,760
Speaker 2: Why so much anxiety and managed to spin it so

500
00:22:44,840 --> 00:22:48,120
Speaker 2: that you're the chivalrous one in that situation and I'm

501
00:22:48,119 --> 00:22:50,880
Speaker 2: the only one with it self respect to abide by

502
00:22:50,920 --> 00:22:54,439
Speaker 2: the rules which stops me from spending fifty dollars at

503
00:22:54,440 --> 00:22:55,119
Speaker 2: baby bunting.

504
00:22:55,320 --> 00:22:56,879
Speaker 3: Well, because now I'm at a loss because I'm like,

505
00:22:56,920 --> 00:22:58,560
Speaker 3: am I going to get a gift? Should I not

506
00:22:58,640 --> 00:23:00,760
Speaker 3: get a give? Why did you say no presence?

507
00:23:00,760 --> 00:23:02,480
Speaker 2: Because we don't want any more shit and she doesn't

508
00:23:02,480 --> 00:23:03,600
Speaker 2: need anything?

509
00:23:03,880 --> 00:23:07,160
Speaker 3: Okay, So are you actually not? So don't you get

510
00:23:07,160 --> 00:23:09,560
Speaker 3: angry with people when they do rock up with presents?

511
00:23:09,600 --> 00:23:13,280
Speaker 2: Then? So Sam and I went over this like before

512
00:23:13,040 --> 00:23:15,440
Speaker 2: we know sent out the invitation or whatever.

513
00:23:15,720 --> 00:23:17,119
Speaker 3: By the way, thirty one or six five, I you

514
00:23:17,119 --> 00:23:18,560
Speaker 3: want to engage in this and have an opinion on

515
00:23:18,600 --> 00:23:20,240
Speaker 3: this as to whether you should bring a present when

516
00:23:20,240 --> 00:23:22,840
Speaker 3: they say don't bring presents. Get involved. But we'll go on.

517
00:23:23,160 --> 00:23:27,680
Speaker 2: So because originally on the invite, we did like a

518
00:23:28,600 --> 00:23:30,920
Speaker 2: we don't want you to bring a present sort of vibe,

519
00:23:30,960 --> 00:23:33,080
Speaker 2: and it was a bit softer. Yeah, but then we

520
00:23:33,119 --> 00:23:35,800
Speaker 2: were like no, no, no, no, we need to be

521
00:23:35,840 --> 00:23:37,520
Speaker 2: firm or we need to be really firm on this

522
00:23:37,520 --> 00:23:40,080
Speaker 2: because I think the people that want a gift but

523
00:23:40,240 --> 00:23:42,080
Speaker 2: say no gifts, the people that go.

524
00:23:43,119 --> 00:23:44,760
Speaker 1: Your presence is gift enough for us.

525
00:23:44,760 --> 00:23:46,120
Speaker 2: But if you would like to give us the gift

526
00:23:46,119 --> 00:23:48,240
Speaker 2: and just headed onto this website where you can donate

527
00:23:48,320 --> 00:23:49,840
Speaker 2: dozands of dollars to our art collection.

528
00:23:50,200 --> 00:23:53,000
Speaker 3: Sure that's that.

529
00:23:53,000 --> 00:23:55,480
Speaker 2: That is not strictly no gifts, because you're giving them

530
00:23:55,520 --> 00:23:58,680
Speaker 2: an alternative. If there's an alternative for me, that means

531
00:23:59,359 --> 00:24:00,000
Speaker 2: still get involve.

532
00:24:00,160 --> 00:24:02,080
Speaker 3: That's the tight ass test when they give their say, oh,

533
00:24:02,080 --> 00:24:03,560
Speaker 3: I don't bother, but but.

534
00:24:03,520 --> 00:24:05,720
Speaker 2: If you were going to you know, if you're a

535
00:24:05,720 --> 00:24:08,120
Speaker 2: decent person, you'd give them the link and we wouldn't

536
00:24:08,119 --> 00:24:11,000
Speaker 2: mind going to Hawaii next September. Yeah.

537
00:24:11,040 --> 00:24:13,320
Speaker 3: So because you haven't done the alternative, what.

538
00:24:13,320 --> 00:24:15,440
Speaker 2: A gift registry for a first birthday or buddy, well

539
00:24:15,440 --> 00:24:20,440
Speaker 2: hope not but but but we did do a yeah,

540
00:24:20,480 --> 00:24:22,640
Speaker 2: strictly no gifts and so we can get I'm happy

541
00:24:22,640 --> 00:24:25,040
Speaker 2: to go to a song here and take some calls

542
00:24:25,040 --> 00:24:26,480
Speaker 2: because it looks like there are loads of people that

543
00:24:26,520 --> 00:24:28,240
Speaker 2: are called up. Where are we at the show?

544
00:24:28,440 --> 00:24:29,400
Speaker 1: Yeah, I did't even go to a home.

545
00:24:29,440 --> 00:24:33,000
Speaker 2: Man, Let's go to my son on the other side.

546
00:24:33,359 --> 00:24:36,439
Speaker 3: So when when someone says no gifts, yes, should you

547
00:24:36,480 --> 00:24:37,160
Speaker 3: give a gift now?

548
00:24:37,480 --> 00:24:39,600
Speaker 2: And I mean that And we said strictly no gifts

549
00:24:39,760 --> 00:24:42,679
Speaker 2: because we just moved into a new house. And you

550
00:24:42,920 --> 00:24:46,240
Speaker 2: know what it's like, like I've already taken a bag

551
00:24:46,320 --> 00:24:47,120
Speaker 2: of stuffed.

552
00:24:46,760 --> 00:24:47,760
Speaker 1: Toys to the Salvos.

553
00:24:47,800 --> 00:24:48,800
Speaker 3: Yeah, yeah, yeah, I do get that.

554
00:24:48,800 --> 00:24:50,600
Speaker 2: I didn't get her a present on her birthday because

555
00:24:50,600 --> 00:24:51,760
Speaker 2: I don't want to have more shit.

556
00:24:51,880 --> 00:24:54,479
Speaker 1: She's got two dolls, two rubber balls.

557
00:24:55,119 --> 00:24:56,359
Speaker 3: Here's my stressful situation.

558
00:24:56,359 --> 00:24:58,639
Speaker 2: We're given a wooden kitchen from a Dutch family that

559
00:24:58,720 --> 00:24:59,240
Speaker 2: takes up.

560
00:24:59,119 --> 00:25:01,720
Speaker 3: More room in the kitchen. Totally get I totally understand it.

561
00:25:01,760 --> 00:25:06,320
Speaker 3: But here's my situation. People already think I'm a tight ass. No,

562
00:25:06,400 --> 00:25:08,520
Speaker 3: it is about me. So people are gott to rock out,

563
00:25:09,400 --> 00:25:11,520
Speaker 3: but everyone rocks up with big presents and I'm staying

564
00:25:11,520 --> 00:25:13,639
Speaker 3: there with no gift, and everyone's like, oh God, he's

565
00:25:13,680 --> 00:25:15,879
Speaker 3: such a tight ass, isn't he? And I hate that.

566
00:25:15,960 --> 00:25:17,280
Speaker 3: So I just feel like there's a lot of confusion

567
00:25:17,280 --> 00:25:18,760
Speaker 3: around whether you bring a gift or not. We've got

568
00:25:18,760 --> 00:25:20,959
Speaker 3: page here on thirteen one or sixty five page? Do

569
00:25:21,000 --> 00:25:23,040
Speaker 3: you bring a gift? When they say no gifts?

570
00:25:25,240 --> 00:25:27,040
Speaker 9: Hey, guys, how's it going good?

571
00:25:27,119 --> 00:25:27,359
Speaker 2: Thanks?

572
00:25:27,400 --> 00:25:28,520
Speaker 3: Page? Do you bring a gift?

573
00:25:30,440 --> 00:25:31,959
Speaker 5: Listen, I'm fifty fifty.

574
00:25:33,720 --> 00:25:35,680
Speaker 2: You bring a page.

575
00:25:35,720 --> 00:25:40,160
Speaker 1: You haven't helped at all. We need, Lily, the last

576
00:25:40,160 --> 00:25:42,320
Speaker 1: thing what he needs is another of fence, you know, Lily.

577
00:25:42,359 --> 00:25:44,639
Speaker 3: When they say no gifts, do you bring a gift?

578
00:25:45,520 --> 00:25:46,800
Speaker 9: I mean the.

579
00:25:46,760 --> 00:25:48,920
Speaker 10: Way I see it, when people say they don't want

580
00:25:48,920 --> 00:25:51,880
Speaker 10: a gift, they don't want to tacky, cheap like classic

581
00:25:51,960 --> 00:25:53,159
Speaker 10: bath toy gift.

582
00:25:52,960 --> 00:25:53,920
Speaker 3: So they want a big present.

583
00:25:54,040 --> 00:25:57,000
Speaker 2: They want to present. That's true, we take a good gift, So.

584
00:25:58,480 --> 00:26:01,640
Speaker 1: We take a good gift. You mentioned two hundred dollars

585
00:26:01,680 --> 00:26:02,120
Speaker 1: and up with.

586
00:26:02,680 --> 00:26:04,680
Speaker 3: No present just means get us a good kids.

587
00:26:04,520 --> 00:26:04,960
Speaker 9: Of your brother.

588
00:26:06,240 --> 00:26:11,520
Speaker 3: Let's go to Michelle, Michelle, Michelle. When they say no presence,

589
00:26:11,600 --> 00:26:12,199
Speaker 3: what do you do?

590
00:26:13,320 --> 00:26:13,480
Speaker 7: Hi?

591
00:26:13,560 --> 00:26:13,879
Speaker 9: Guys?

592
00:26:14,400 --> 00:26:16,520
Speaker 5: So when people say no presence, I think they don't

593
00:26:16,520 --> 00:26:18,880
Speaker 5: want a typical present. They want something that's more meaningful.

594
00:26:19,440 --> 00:26:23,320
Speaker 3: Want you want just raised the bar?

595
00:26:23,960 --> 00:26:26,119
Speaker 1: Something boris engraved.

596
00:26:25,640 --> 00:26:28,160
Speaker 3: Something I think I've heard enough of. Let's go to Ralpha, Ralph.

597
00:26:28,200 --> 00:26:28,840
Speaker 3: What do you reckon?

598
00:26:28,920 --> 00:26:29,200
Speaker 2: Mate?

599
00:26:29,240 --> 00:26:31,200
Speaker 3: No presence? What do you do? How do you respond?

600
00:26:32,200 --> 00:26:32,480
Speaker 9: Boys?

601
00:26:32,520 --> 00:26:32,760
Speaker 5: First?

602
00:26:32,800 --> 00:26:33,240
Speaker 1: You love you?

603
00:26:33,280 --> 00:26:33,480
Speaker 9: Guys?

604
00:26:33,480 --> 00:26:34,520
Speaker 5: I call every afternoon.

605
00:26:34,560 --> 00:26:35,440
Speaker 4: It's a person I've got on.

606
00:26:35,560 --> 00:26:36,800
Speaker 5: Spoken to you, guys, legends.

607
00:26:37,119 --> 00:26:38,399
Speaker 3: Thanks.

608
00:26:38,480 --> 00:26:41,200
Speaker 4: Yeah, you've got to get him a gift.

609
00:26:46,840 --> 00:26:53,200
Speaker 2: TENA. Turner died today eighty three, the queen of rock

610
00:26:53,280 --> 00:26:53,920
Speaker 2: and roll.

611
00:26:55,040 --> 00:26:56,760
Speaker 1: Just living some of the memories. And again, when someone

612
00:26:56,800 --> 00:26:58,720
Speaker 1: likes this dies, it's yeah.

613
00:26:58,720 --> 00:27:00,960
Speaker 2: Obviously they're a huge name of the stage, but also

614
00:27:01,560 --> 00:27:03,960
Speaker 2: because they have so many hits which have touched so

615
00:27:04,160 --> 00:27:04,840
Speaker 2: many people.

616
00:27:05,520 --> 00:27:07,240
Speaker 1: Often there will be a.

617
00:27:07,200 --> 00:27:11,600
Speaker 2: Song that has like punctuated a moment in your life.

618
00:27:11,920 --> 00:27:13,840
Speaker 2: I had a friend of mine who broke up with

619
00:27:13,880 --> 00:27:16,840
Speaker 2: somebody because of the song What's Love got to do

620
00:27:16,920 --> 00:27:20,680
Speaker 2: with It?

621
00:27:21,560 --> 00:27:22,240
Speaker 3: Why that song?

622
00:27:23,320 --> 00:27:25,600
Speaker 2: Well, effectively because of the message of the song. It

623
00:27:25,680 --> 00:27:28,960
Speaker 2: was the song is saying I'm not in love with you.

624
00:27:29,080 --> 00:27:30,560
Speaker 2: This is not having to do with love. This is

625
00:27:30,600 --> 00:27:33,920
Speaker 2: just a convenient thing for me. And you know, when

626
00:27:33,960 --> 00:27:35,480
Speaker 2: you hear that song, when you're seeing someone and you

627
00:27:35,520 --> 00:27:38,080
Speaker 2: know that they're into you and you're not into them.

628
00:27:38,160 --> 00:27:40,879
Speaker 2: I suppose That's what great songs do is when they

629
00:27:40,960 --> 00:27:43,680
Speaker 2: kind of like pick up whatever underlying emotion you've got

630
00:27:43,720 --> 00:27:46,159
Speaker 2: and they bring it to the surface and they make.

631
00:27:46,040 --> 00:27:47,280
Speaker 3: It very real for you.

632
00:27:51,600 --> 00:27:54,760
Speaker 2: Soemone six y five, if you've got a Tina Turner

633
00:27:54,840 --> 00:27:56,720
Speaker 2: song which is a soundtrack to a moment in your life,

634
00:27:56,760 --> 00:27:59,080
Speaker 2: please give us called fore six five good Dylan here

635
00:27:59,080 --> 00:28:01,720
Speaker 2: on Dylan, Hello Dylan.

636
00:28:01,880 --> 00:28:02,920
Speaker 1: What yeah?

637
00:28:03,119 --> 00:28:06,240
Speaker 2: What moments tend to turn to the soundtrack for you? Yeah?

638
00:28:06,400 --> 00:28:07,600
Speaker 8: So pretty much.

639
00:28:07,600 --> 00:28:10,400
Speaker 5: I played rugby league. You grew up in.

640
00:28:10,320 --> 00:28:12,760
Speaker 8: New South Well. Played for a team called the Sharks

641
00:28:13,840 --> 00:28:16,120
Speaker 8: and it was the first grand final that I wanted.

642
00:28:16,119 --> 00:28:18,840
Speaker 8: It was the under eighteen s Grand Final and out

643
00:28:18,920 --> 00:28:22,520
Speaker 8: of nowhere when the buzzer went off, the whole there

644
00:28:22,600 --> 00:28:25,760
Speaker 8: was the soundtrack in the coming out from the grandstands

645
00:28:25,760 --> 00:28:27,080
Speaker 8: to simply the.

646
00:28:26,880 --> 00:28:29,639
Speaker 1: Best, oh yeah.

647
00:28:29,080 --> 00:28:31,080
Speaker 8: Taking on it was. It was good all the boys

648
00:28:31,080 --> 00:28:33,280
Speaker 8: because I've been playing with the Police for like six years,

649
00:28:33,720 --> 00:28:35,960
Speaker 8: the same team, so that was our first thing and

650
00:28:36,040 --> 00:28:38,640
Speaker 8: you know, song made it a bit emotional, really good.

651
00:28:40,080 --> 00:28:40,960
Speaker 2: Special love that.

652
00:28:41,560 --> 00:28:47,480
Speaker 1: Yes, Kaylen's called six five Dylan was Kaylene. It was

653
00:28:47,480 --> 00:28:50,200
Speaker 1: simply the best for you as well, Yes.

654
00:28:50,040 --> 00:28:50,480
Speaker 11: It was.

655
00:28:50,720 --> 00:28:54,479
Speaker 4: What was the story it was my first dance at

656
00:28:54,480 --> 00:28:54,920
Speaker 4: my wedding.

657
00:28:55,640 --> 00:28:59,480
Speaker 3: Oh no, what about that song made you choose out

658
00:28:59,560 --> 00:29:00,920
Speaker 3: for your first dance? Kaylene?

659
00:29:02,800 --> 00:29:05,840
Speaker 4: It's just that. Of course it was like the the

660
00:29:05,920 --> 00:29:09,680
Speaker 4: two like Jimmy and her singing. Oh they picked it

661
00:29:09,760 --> 00:29:13,600
Speaker 4: so like we did the beach part. So I did

662
00:29:13,600 --> 00:29:15,680
Speaker 4: where Tina sung as he did.

663
00:29:15,720 --> 00:29:19,040
Speaker 1: Wear you sung. You sung it at your wedding. You

664
00:29:19,040 --> 00:29:21,240
Speaker 1: didn't just dance to it, you sung.

665
00:29:21,640 --> 00:29:24,040
Speaker 3: You did a jewel, Kaylaine, would you would you give

666
00:29:24,120 --> 00:29:25,840
Speaker 3: us a bit? Would you give us a bit right now?

667
00:29:25,840 --> 00:29:27,200
Speaker 3: I mean, what a time to do it? Give us

668
00:29:27,200 --> 00:29:32,000
Speaker 3: a bit of your Come on, Kayline, come on, come on,

669
00:29:32,040 --> 00:29:34,040
Speaker 3: that's come on, Kaylaine, here we go.

670
00:29:36,320 --> 00:29:37,240
Speaker 5: You simply that.

671
00:29:37,920 --> 00:29:41,360
Speaker 1: Yeah, the rest feel like I'm there?

672
00:29:42,960 --> 00:29:43,600
Speaker 9: Anyone?

673
00:29:43,680 --> 00:29:45,560
Speaker 4: Oh yeah, anyone there?

674
00:29:47,560 --> 00:29:49,680
Speaker 3: God, Kaylaine?

675
00:29:49,840 --> 00:29:50,160
Speaker 9: Like that?

676
00:29:50,760 --> 00:29:51,240
Speaker 1: Sure what?

677
00:29:52,160 --> 00:29:53,719
Speaker 2: I feel like I'm there and you know even if

678
00:29:53,760 --> 00:29:57,480
Speaker 2: I'm not there, Just devastated. I wasn't a song to

679
00:29:57,560 --> 00:30:00,200
Speaker 2: take only.

680
00:29:59,040 --> 00:29:59,640
Speaker 1: Live on the radio.

681
00:29:59,720 --> 00:30:06,880
Speaker 2: Thirty years later, Jennifer's call no No, no, no, one

682
00:30:06,920 --> 00:30:10,440
Speaker 2: of us on, one of us, One of us did not.

683
00:30:11,800 --> 00:30:13,120
Speaker 3: He was courageous and a beautiful moment.

684
00:30:19,080 --> 00:30:21,280
Speaker 2: Song was the sound trick to your life and no

685
00:30:21,440 --> 00:30:23,680
Speaker 2: we will not require it a cappella from you, but

686
00:30:23,760 --> 00:30:24,480
Speaker 2: what was the moment to you?

687
00:30:26,000 --> 00:30:29,520
Speaker 14: It would be the nutbush. I would could play it

688
00:30:29,760 --> 00:30:34,800
Speaker 14: at like every school disco, my sixth formal, my year

689
00:30:34,880 --> 00:30:37,600
Speaker 14: ten for more and my year telf formal, or would

690
00:30:37,640 --> 00:30:41,360
Speaker 14: break out even the teachers that was like, both have

691
00:30:41,480 --> 00:30:42,240
Speaker 14: the biggest memory.

692
00:30:42,360 --> 00:30:44,440
Speaker 2: It was a dance, wasn't it was a dance?

693
00:30:44,600 --> 00:30:46,200
Speaker 3: She just hung up, she's gone.

694
00:30:46,240 --> 00:30:49,240
Speaker 1: She was terrified you were going to make her sing it.

695
00:30:52,120 --> 00:30:54,040
Speaker 1: Get on, get the storry out.

696
00:30:53,920 --> 00:30:54,400
Speaker 2: And get out.

697
00:31:04,120 --> 00:31:08,840
Speaker 3: Oh yeah, we love keV pod show. But so the

698
00:31:08,920 --> 00:31:10,800
Speaker 3: prods have told us that there was a caller for

699
00:31:10,880 --> 00:31:13,640
Speaker 3: the topic of do you run a gauntlet, which we

700
00:31:13,680 --> 00:31:17,920
Speaker 3: didn't quite get to, and we've got to now hello, listen,

701
00:31:17,960 --> 00:31:18,600
Speaker 3: there's an open up.

702
00:31:18,880 --> 00:31:24,120
Speaker 2: Oh yes, you're got naked naked naked?

703
00:31:25,360 --> 00:31:29,400
Speaker 3: Alrighty, here we go, Sophie. You've run a gauntlet or

704
00:31:29,520 --> 00:31:31,400
Speaker 3: you consistently run a gauntlet.

705
00:31:32,680 --> 00:31:35,120
Speaker 4: Hey guys, so good to join you in the podcast.

706
00:31:35,600 --> 00:31:39,000
Speaker 2: Oh great, on, So thanks for coming on in the podcast.

707
00:31:39,040 --> 00:31:40,479
Speaker 2: And this is not to say that you didn't make

708
00:31:40,520 --> 00:31:42,160
Speaker 2: the cut on air at all.

709
00:31:42,320 --> 00:31:46,120
Speaker 4: Actually we just I'm sure you got some good stories,

710
00:31:46,200 --> 00:31:46,640
Speaker 4: that's right.

711
00:31:46,880 --> 00:31:51,440
Speaker 1: No, we didn't get any at all. Actually, no, no, no, no, no,

712
00:31:51,560 --> 00:31:54,440
Speaker 1: you just came through a bit late. Yeah, sorry missed out,

713
00:31:55,200 --> 00:31:56,040
Speaker 1: but fire away.

714
00:31:57,480 --> 00:31:57,680
Speaker 9: Yeah.

715
00:31:57,840 --> 00:32:01,080
Speaker 4: So I was living in all Sydney at the time,

716
00:32:01,200 --> 00:32:03,880
Speaker 4: and it was in a really tall apartment block and

717
00:32:04,040 --> 00:32:06,520
Speaker 4: I had I was naked, and I just had to

718
00:32:06,600 --> 00:32:09,000
Speaker 4: remind myself to not forget to take the rubbish out

719
00:32:09,040 --> 00:32:11,280
Speaker 4: the next morning. So I thought, I'll just sit the bag.

720
00:32:11,160 --> 00:32:15,000
Speaker 1: Outside the door quickly classic yeah, yeah yeah.

721
00:32:15,080 --> 00:32:17,840
Speaker 4: And it was like two sort of steps that I

722
00:32:17,920 --> 00:32:21,680
Speaker 4: had to reach away from holding the door open, which

723
00:32:21,760 --> 00:32:24,560
Speaker 4: I did, and then I heard the door were close

724
00:32:24,640 --> 00:32:26,720
Speaker 4: behind me and it and it hit that it was

725
00:32:27,160 --> 00:32:32,720
Speaker 4: like a dead box. And I of course didn't have

726
00:32:32,800 --> 00:32:35,760
Speaker 4: a spare key or anything out and full new didn't

727
00:32:35,840 --> 00:32:39,120
Speaker 4: have so much as like a doormat to cover myself.

728
00:32:39,200 --> 00:32:40,920
Speaker 3: Oh what did you do?

729
00:32:41,120 --> 00:32:41,520
Speaker 7: What did you do?

730
00:32:43,960 --> 00:32:44,440
Speaker 4: So well?

731
00:32:44,480 --> 00:32:45,400
Speaker 9: I froze for a.

732
00:32:45,480 --> 00:32:47,840
Speaker 4: Christ minute, I think, to just figure it out, and

733
00:32:47,920 --> 00:32:49,960
Speaker 4: then I had to go down off here. It was

734
00:32:50,040 --> 00:32:51,760
Speaker 4: kind of the only option I had.

735
00:32:51,960 --> 00:32:54,160
Speaker 3: So then who opened the door? Who was the person?

736
00:32:55,520 --> 00:32:57,880
Speaker 4: I think it was like four levels up because there

737
00:32:57,880 --> 00:33:00,480
Speaker 4: were only two apartments per levels, so I think it

738
00:33:00,600 --> 00:33:03,160
Speaker 4: was like four levels up before I actually found someone who.

739
00:33:03,160 --> 00:33:07,640
Speaker 3: Was homes Were you walking upstairs news as.

740
00:33:07,520 --> 00:33:08,080
Speaker 2: You were doing.

741
00:33:10,840 --> 00:33:17,680
Speaker 4: Windows in anyone in like neighboring apartments would have seen me. Yeah,

742
00:33:17,720 --> 00:33:21,200
Speaker 4: it was awful. So anyway, I got to the front door,

743
00:33:21,480 --> 00:33:24,960
Speaker 4: I knocked, I could hear someone coming. I covered the

744
00:33:25,040 --> 00:33:27,600
Speaker 4: little peep whole thing and I'm like, I'm sorry, I'm

745
00:33:28,000 --> 00:33:34,160
Speaker 4: I'm naked. I need some help. And so she's she

746
00:33:34,320 --> 00:33:36,920
Speaker 4: opened the door, was this lovely Indian woman and she

747
00:33:37,400 --> 00:33:39,400
Speaker 4: I think she heard me yelling through the door. I said,

748
00:33:39,440 --> 00:33:42,240
Speaker 4: can you bring me a towel or something? Anyway, she

749
00:33:42,400 --> 00:33:46,200
Speaker 4: brought out a dressing gown, so obviously I got in

750
00:33:46,280 --> 00:33:49,840
Speaker 4: that straight away. Yeah, and then she let me in

751
00:33:50,000 --> 00:33:53,160
Speaker 4: until a locksmith arrived. I think my partner was working

752
00:33:53,160 --> 00:33:56,040
Speaker 4: away or something at the time, so a lot smith arrived,

753
00:33:56,520 --> 00:33:59,240
Speaker 4: and I think what was actually ended up even being

754
00:33:59,320 --> 00:34:03,240
Speaker 4: more awkward then the naked situation was like, there's no

755
00:34:03,480 --> 00:34:06,920
Speaker 4: way you can just make casual light conversation when sitting.

756
00:34:06,680 --> 00:34:07,720
Speaker 9: On someone's.

757
00:34:11,280 --> 00:34:12,120
Speaker 7: What did you go with?

758
00:34:12,760 --> 00:34:13,160
Speaker 2: What was.

759
00:34:16,080 --> 00:34:18,200
Speaker 4: Genuinely took the piece out of my Oh sorry if

760
00:34:18,239 --> 00:34:21,160
Speaker 4: I can't say it, but whatever, Yeah, just.

761
00:34:21,280 --> 00:34:24,840
Speaker 1: To laugh while you're sitting on her couch in her.

762
00:34:27,520 --> 00:34:28,759
Speaker 2: So what do you do for work?

763
00:34:29,360 --> 00:34:31,719
Speaker 1: I mean, it's really it's hard to know what you

764
00:34:31,880 --> 00:34:32,680
Speaker 1: go for, isn't it.

765
00:34:33,239 --> 00:34:35,960
Speaker 4: I know, I know, and like I am someone who

766
00:34:36,120 --> 00:34:38,640
Speaker 4: it really takes a lot to embarrass me, which is

767
00:34:38,680 --> 00:34:40,600
Speaker 4: why when I heard you're on the radio earlier, I

768
00:34:40,760 --> 00:34:43,520
Speaker 4: was like, that's probably the only time I can actually

769
00:34:43,560 --> 00:34:46,040
Speaker 4: require being deeply embarrassed.

770
00:34:48,160 --> 00:34:50,080
Speaker 1: You are like, it's it's funny.

771
00:34:50,120 --> 00:34:52,600
Speaker 2: There are lots of situations that we, you know, on

772
00:34:52,719 --> 00:34:55,359
Speaker 2: the on the show, we talk about like what role

773
00:34:56,200 --> 00:35:00,719
Speaker 2: your gender plays in terms of how people perceive you

774
00:35:01,200 --> 00:35:03,600
Speaker 2: and what people think about you in terms of the

775
00:35:03,680 --> 00:35:08,040
Speaker 2: assumptions they make about you. In this instance, being a woman,

776
00:35:08,480 --> 00:35:15,360
Speaker 2: like having female anatomy is saves you, like saves you

777
00:35:15,600 --> 00:35:17,959
Speaker 2: because if you're a man, if you're a naked.

778
00:35:17,840 --> 00:35:23,000
Speaker 3: Guy, knock like it's just knocking on doors, knocking on doors.

779
00:35:23,600 --> 00:35:25,520
Speaker 9: You just yeah, I can see that's the right.

780
00:35:27,360 --> 00:35:31,359
Speaker 2: There's just no way, mate, No, not at all.

781
00:35:32,400 --> 00:35:34,640
Speaker 3: I almost wouldn't knock on doors there in this because

782
00:35:34,640 --> 00:35:36,000
Speaker 3: it's like I will just look like.

783
00:35:36,200 --> 00:35:36,760
Speaker 6: You look.

784
00:35:38,640 --> 00:35:42,000
Speaker 3: Yeah of course, yes, yeah. You more to cover those

785
00:35:42,040 --> 00:35:45,160
Speaker 3: females I always think get knocked out. They've got you've

786
00:35:45,160 --> 00:35:46,279
Speaker 3: got a choice to make the double.

787
00:35:47,080 --> 00:35:48,040
Speaker 1: I got to go the double handed.

788
00:35:49,360 --> 00:35:51,480
Speaker 4: When I was knocking on the doors, I was like,

789
00:35:52,560 --> 00:35:56,400
Speaker 4: you know what knocking cover? Yeah, I think I was

790
00:35:56,480 --> 00:35:59,560
Speaker 4: doing the cross legged stance and the boopole.

791
00:35:59,640 --> 00:36:05,799
Speaker 2: Class you used you use the bottom hand and then

792
00:36:05,880 --> 00:36:10,719
Speaker 2: went crossing squat and then you in the fore arms.

793
00:36:13,880 --> 00:36:15,040
Speaker 4: Knocking with one hand.

794
00:36:17,760 --> 00:36:19,680
Speaker 3: I reckon, you should have bashed the door with your head.

795
00:36:21,120 --> 00:36:22,120
Speaker 3: Everything cover then.

796
00:36:24,600 --> 00:36:28,720
Speaker 1: So thanks to the story. That's awesome man, you spinal pillow.

797
00:36:29,600 --> 00:36:32,040
Speaker 1: That's all for you. A great job, wonderful story. Loved it.

798
00:36:34,040 --> 00:36:36,080
Speaker 3: We'll give it to We'll give it to the project.

799
00:36:37,960 --> 00:36:39,440
Speaker 2: Ge what a cracking story it does. I mean I

800
00:36:39,719 --> 00:36:41,360
Speaker 2: didn't get to tell this story on air, but speaking

801
00:36:41,440 --> 00:36:43,600
Speaker 2: of guys, it does. I've asked him to come on

802
00:36:43,640 --> 00:36:45,040
Speaker 2: here a couple of times and tell this story, but

803
00:36:45,280 --> 00:36:45,719
Speaker 2: he can't.

804
00:36:45,760 --> 00:36:46,959
Speaker 1: He's got a new job at the moment.

805
00:36:47,000 --> 00:36:50,280
Speaker 2: But our friend, our mutual friend, the horn is happening

806
00:36:50,320 --> 00:36:52,640
Speaker 2: to him as well, exactly the same situation, funnily enough,

807
00:36:52,719 --> 00:36:57,800
Speaker 2: in Sydney, staying in a pub and he just met it,

808
00:36:58,000 --> 00:37:00,719
Speaker 2: just met his new boss and they went out to

809
00:37:00,760 --> 00:37:04,360
Speaker 2: the pub together. Female male boss went out to the

810
00:37:04,360 --> 00:37:05,759
Speaker 2: pub together. I think you'd only been working at the

811
00:37:05,760 --> 00:37:06,799
Speaker 2: company for a couple of days.

812
00:37:07,280 --> 00:37:08,120
Speaker 1: They go to this pub.

813
00:37:08,400 --> 00:37:10,360
Speaker 2: Sorry, they're staying at the pub, so they're staying upstairs

814
00:37:10,400 --> 00:37:13,120
Speaker 2: at this pub, have dinner and a few beers. Downstairs

815
00:37:13,160 --> 00:37:16,880
Speaker 2: at the pub, the Horn sleeps rud Just so you

816
00:37:16,960 --> 00:37:17,640
Speaker 2: know it is important.

817
00:37:18,080 --> 00:37:20,560
Speaker 1: They go upstairs. They go to their separate rooms upstairs

818
00:37:20,600 --> 00:37:21,000
Speaker 1: at the pub.

819
00:37:21,680 --> 00:37:23,560
Speaker 2: The Horn goes to bed, wakes up in the middle

820
00:37:23,600 --> 00:37:25,160
Speaker 2: of the night and I need to piss, keeps the

821
00:37:25,239 --> 00:37:26,960
Speaker 2: lights off because he doesn't want to wake himself up,

822
00:37:28,719 --> 00:37:32,640
Speaker 2: goes to go and take a piss, walks out the

823
00:37:32,719 --> 00:37:35,720
Speaker 2: door to the toilet, and then here's the door closed

824
00:37:35,760 --> 00:37:37,920
Speaker 2: behind him. As he hears the door closed behind him,

825
00:37:37,920 --> 00:37:42,760
Speaker 2: he's like, that's not the bathroom door. And he's stark

826
00:37:42,920 --> 00:37:46,680
Speaker 2: naked standing upstairs.

827
00:37:47,600 --> 00:37:50,440
Speaker 1: In a hotel. Effectively, so he's naked in a hotel corridor.

828
00:37:51,239 --> 00:37:52,120
Speaker 1: Get back into the room.

829
00:37:53,719 --> 00:37:55,000
Speaker 2: The big question is what do you do there? Do

830
00:37:55,040 --> 00:37:58,160
Speaker 2: you knock on your boss's door of two days and

831
00:37:58,360 --> 00:37:59,359
Speaker 2: go get a mate?

832
00:37:59,400 --> 00:38:02,160
Speaker 1: How you're going? Because they loved the job, but like

833
00:38:02,280 --> 00:38:02,960
Speaker 1: didn't want to ruin.

834
00:38:03,160 --> 00:38:04,440
Speaker 3: But that's better than a stranger.

835
00:38:04,480 --> 00:38:05,000
Speaker 7: I agree with.

836
00:38:06,480 --> 00:38:09,000
Speaker 2: The staff Okay, so this is the other thing that

837
00:38:09,320 --> 00:38:10,960
Speaker 2: I've got to I've got to applaud the horn here

838
00:38:11,000 --> 00:38:12,920
Speaker 2: because this is this is one of the most resourceful

839
00:38:12,920 --> 00:38:14,000
Speaker 2: things I reckon a man could do.

840
00:38:14,920 --> 00:38:19,560
Speaker 1: He he he looks up that he looks out the corridor,

841
00:38:21,160 --> 00:38:22,279
Speaker 1: sees a garbage bin.

842
00:38:24,000 --> 00:38:24,839
Speaker 3: She's actually not bad.

843
00:38:25,080 --> 00:38:27,400
Speaker 1: That's sees the garbage bin with a garbage bag in it.

844
00:38:27,680 --> 00:38:31,920
Speaker 2: Empties the garbage bag and then where's the garbage bag

845
00:38:32,040 --> 00:38:32,600
Speaker 2: like a poncho.

846
00:38:33,160 --> 00:38:34,640
Speaker 3: It's actually it's quite smart, isn't it.

847
00:38:35,239 --> 00:38:38,720
Speaker 2: Where's the garbage bag like a poncho? And then still

848
00:38:38,800 --> 00:38:42,920
Speaker 2: didn't decides to preserve the relationship with his boss, catches

849
00:38:42,960 --> 00:38:45,799
Speaker 2: the elevator downstairs. Keep in mind, though, it's a working pub,

850
00:38:46,600 --> 00:38:50,200
Speaker 2: so it's not just a reception. So he walks into

851
00:38:50,239 --> 00:38:52,759
Speaker 2: the pub, which is like it's eleven o'clock at night,

852
00:38:52,800 --> 00:38:55,160
Speaker 2: like there's still people, you know, having beers and whatnot,

853
00:38:55,560 --> 00:39:00,200
Speaker 2: walks into the garbage bag with his dick swinging out

854
00:39:00,200 --> 00:39:02,320
Speaker 2: at the bottom because the garbage didn't quite go.

855
00:39:02,920 --> 00:39:05,320
Speaker 3: You go bottom up, when you go bottom up, go

856
00:39:06,920 --> 00:39:08,480
Speaker 3: Why did he need to cover his chest?

857
00:39:10,000 --> 00:39:12,320
Speaker 2: What an idiot, moron?

858
00:39:12,760 --> 00:39:14,880
Speaker 3: This was so clever until that moment.

859
00:39:15,640 --> 00:39:16,920
Speaker 1: The guy behind the bars.

860
00:39:16,960 --> 00:39:20,080
Speaker 2: One look at him, just goes, you're homeless and you're

861
00:39:20,440 --> 00:39:22,399
Speaker 2: like annoying everyone, so get out.

862
00:39:22,560 --> 00:39:24,479
Speaker 1: So he kicks him out onto this Oh.

863
00:39:24,440 --> 00:39:26,240
Speaker 2: My god, he's now on the street.

864
00:39:27,960 --> 00:39:28,160
Speaker 3: Wow.

865
00:39:29,600 --> 00:39:33,920
Speaker 2: Anyway, eventually pleads with the security guard to say, like,

866
00:39:34,000 --> 00:39:35,000
Speaker 2: I'm actually staying here.

867
00:39:35,040 --> 00:39:35,719
Speaker 1: I got locked down.

868
00:39:35,840 --> 00:39:38,440
Speaker 2: You've got to go and check my room the room name.

869
00:39:38,760 --> 00:39:40,160
Speaker 2: Goes and checks the room name. He's like, I know

870
00:39:40,280 --> 00:39:41,760
Speaker 2: the room name, room number.

871
00:39:42,000 --> 00:39:45,080
Speaker 3: You've got no wallet, you've got no fun himself. You

872
00:39:45,160 --> 00:39:47,960
Speaker 3: were in a garbage bag, yea. And he probably had

873
00:39:47,960 --> 00:39:49,360
Speaker 3: a few beers as well, so maybe there's a bit

874
00:39:49,400 --> 00:39:54,880
Speaker 3: of booze on his breath. Probably before we've got on

875
00:39:54,920 --> 00:39:56,879
Speaker 3: the show tomorrow. Let's just do when you get lockdown naked.

876
00:39:57,040 --> 00:39:59,320
Speaker 3: They're all good. I was thinking there was.

877
00:39:59,480 --> 00:40:01,400
Speaker 2: There was a line he says which was help me

878
00:40:01,560 --> 00:40:02,640
Speaker 2: I'm naked, which.

879
00:40:04,640 --> 00:40:09,080
Speaker 3: You said that, Yeah, yeah, I love.

880
00:40:09,880 --> 00:40:12,120
Speaker 1: We've had a run of nude phones on the job.

881
00:40:12,239 --> 00:40:15,360
Speaker 3: Yeah, it's totally tomorrow. We're doing to help I'm naked.

882
00:40:15,400 --> 00:40:16,000
Speaker 1: It's a noud week.

883
00:40:16,080 --> 00:40:19,240
Speaker 2: Welcome back to the Welcome back to four thirty nerds,

884
00:40:19,280 --> 00:40:22,280
Speaker 2: but the dirty four thirty.

885
00:40:22,440 --> 00:40:26,239
Speaker 3: Yeah that's nice. Yeah, yeah, yeah, can be thinking for

886
00:40:26,360 --> 00:40:27,920
Speaker 3: it could be a thing going forward. I think the

887
00:40:28,000 --> 00:40:30,840
Speaker 3: school drop off on Dirty four thirty just in.

888
00:40:30,960 --> 00:40:33,400
Speaker 2: Time you get the kids up from after schoolcare. Welcome

889
00:40:33,400 --> 00:40:36,399
Speaker 2: to the Dirty four thirty. We're going to get out

890
00:40:36,400 --> 00:40:36,680
Speaker 2: of here.

891
00:40:36,560 --> 00:40:39,279
Speaker 1: Guys, thanks to joining us. Shout out to the horn.

892
00:40:39,480 --> 00:40:41,239
Speaker 2: Wherever he's kept the job. By the way up, I

893
00:40:41,320 --> 00:40:45,400
Speaker 2: can't kept the job. Great point though, on the covering.

894
00:40:45,080 --> 00:40:50,759
Speaker 1: The chest, overcovering the package more. I would have gone

895
00:40:50,800 --> 00:40:53,800
Speaker 1: over the shoulders as well. Actually correct it just seems

896
00:40:53,800 --> 00:40:54,480
Speaker 1: to make sense.

897
00:40:54,600 --> 00:40:56,840
Speaker 3: But correct when your doodle is hanging out the bottom

898
00:40:56,880 --> 00:40:57,919
Speaker 3: of the carbage bag.

899
00:40:58,200 --> 00:41:01,799
Speaker 2: Yeah, turn it into a Yeah, it's a great point.

900
00:41:01,880 --> 00:41:05,400
Speaker 3: Woods it had a few beers, Yeah, still clever anyway,