1
00:00:00,640 --> 00:00:03,240
Speaker 1: Jonesy and Amanda in the morning at one point seven.

2
00:00:04,680 --> 00:00:06,720
Speaker 2: You know, Jenmy Ray has been working harder than his

3
00:00:06,880 --> 00:00:10,719
Speaker 2: digestive tract now that he's eating fib buck Oh wow,

4
00:00:10,880 --> 00:00:14,240
Speaker 2: and he's come up with this Jen White rice jibber jabber.

5
00:00:17,040 --> 00:00:19,160
Speaker 3: I've left my two minute noodles in the kitchen. It's

6
00:00:19,200 --> 00:00:23,080
Speaker 3: going to get fruitflies in it. Everyone is getting in

7
00:00:23,120 --> 00:00:24,960
Speaker 3: on the te Swizzle bandwagon.

8
00:00:25,120 --> 00:00:28,520
Speaker 2: The ta B is catching in on the Taylor Swift phenomena.

9
00:00:28,560 --> 00:00:29,840
Speaker 2: If you will for the Super Bowl?

10
00:00:30,000 --> 00:00:30,520
Speaker 1: What do you bet on?

11
00:00:30,560 --> 00:00:33,919
Speaker 2: I don't understand dollar maximum bet well, they include an

12
00:00:33,960 --> 00:00:36,720
Speaker 2: over an undermarket on how many times Swift appears on

13
00:00:36,760 --> 00:00:40,680
Speaker 2: the TV broadcast over seven point five times. That's paying

14
00:00:40,680 --> 00:00:44,000
Speaker 2: a dollar eighty under seven point five times a dollar

15
00:00:44,120 --> 00:00:44,680
Speaker 2: ninety five.

16
00:00:44,760 --> 00:00:46,760
Speaker 1: What's a point five time of an appearance on the

17
00:00:46,760 --> 00:00:51,600
Speaker 1: Telly Maybe we're still hosting something. I didn't mean that.

18
00:00:51,720 --> 00:00:53,160
Speaker 1: It was just there and I had to say it

19
00:00:53,560 --> 00:00:55,480
Speaker 1: come from could have bet on that.

20
00:00:56,120 --> 00:00:58,480
Speaker 3: Gary Barlow who used to be in that Take That

21
00:00:58,720 --> 00:01:02,400
Speaker 3: band with Robbie William Anyway, Gary, not Robbie, was in

22
00:01:02,400 --> 00:01:02,960
Speaker 3: the studio.

23
00:01:03,160 --> 00:01:06,880
Speaker 4: I look around nowadays, that's so many young talented people.

24
00:01:07,000 --> 00:01:09,319
Speaker 4: I wouldn't want to be starting my career now I

25
00:01:09,520 --> 00:01:12,200
Speaker 4: just would. And it's different now. In our day, if

26
00:01:12,280 --> 00:01:13,920
Speaker 4: someone wanted to take a picture, they had to have

27
00:01:13,920 --> 00:01:17,280
Speaker 4: a camera with them. Nowadays we've got in our puppets.

28
00:01:17,560 --> 00:01:19,360
Speaker 4: There really is no escape.

29
00:01:19,760 --> 00:01:22,000
Speaker 2: Gary. It's just great to talk to you, to take that.

30
00:01:22,240 --> 00:01:24,920
Speaker 2: This Life to Ago on sale from Tuesday, the thirtieth

31
00:01:24,959 --> 00:01:25,600
Speaker 2: of February.

32
00:01:25,600 --> 00:01:27,800
Speaker 4: So we'll be looking to come in here in spring

33
00:01:28,200 --> 00:01:30,399
Speaker 4: when it's a summer bringing our speeders.

34
00:01:30,880 --> 00:01:33,720
Speaker 1: Excellent, great, I sure got my camera ready.

35
00:01:33,680 --> 00:01:35,720
Speaker 2: YEA man is going to be down there with a

36
00:01:35,760 --> 00:01:36,680
Speaker 2: box brown.

37
00:01:38,680 --> 00:01:41,520
Speaker 3: Ice. Sparks. They used to be the domain of footy

38
00:01:41,600 --> 00:01:44,760
Speaker 3: players and Joe Rogan, but now people like my dad

39
00:01:44,880 --> 00:01:46,679
Speaker 3: and a man's brother are into them.

40
00:01:46,680 --> 00:01:49,320
Speaker 1: Well, I have found the new marriage session. Move over

41
00:01:49,400 --> 00:01:50,320
Speaker 1: a Roman empire.

42
00:01:50,400 --> 00:01:51,200
Speaker 2: Okay, what is it?

43
00:01:51,280 --> 00:01:51,960
Speaker 4: I sparks?

44
00:01:52,240 --> 00:01:52,600
Speaker 2: I know.

45
00:01:52,960 --> 00:01:55,200
Speaker 1: I was up visiting my brother on the weekend. While

46
00:01:55,200 --> 00:01:58,760
Speaker 1: I was there, he had delivered an old chest freezer.

47
00:01:58,920 --> 00:02:01,800
Speaker 1: So you put freezer seeing water into it and then

48
00:02:01,880 --> 00:02:04,920
Speaker 1: you sit in it in your own garage. Another thing,

49
00:02:05,000 --> 00:02:08,200
Speaker 1: Cameron has a beautiful question beautiful and he needed to

50
00:02:08,240 --> 00:02:11,400
Speaker 1: trim it, so his neighbor lent him an enormously exciting gadget,

51
00:02:11,480 --> 00:02:15,960
Speaker 1: so of course he had to go on bus the gadget. Now,

52
00:02:16,160 --> 00:02:21,160
Speaker 1: female pursuits are quiet and solitary. Male things are buying

53
00:02:21,160 --> 00:02:25,400
Speaker 1: a deep freezer to sit in. His car has to

54
00:02:25,440 --> 00:02:26,400
Speaker 1: park out on the street.

55
00:02:27,360 --> 00:02:28,480
Speaker 2: Can you find out the model of the.

56
00:02:30,919 --> 00:02:32,120
Speaker 3: The Fonds was on the show?

57
00:02:32,360 --> 00:02:32,560
Speaker 1: Thing?

58
00:02:32,600 --> 00:02:34,640
Speaker 3: I learned he used to live with Rocky.

59
00:02:34,840 --> 00:02:38,440
Speaker 2: I was actually watching Sylvester Salon's documentary Sly recently. He

60
00:02:38,560 --> 00:02:41,040
Speaker 2: just shows up in Hollywood and he ends up staying

61
00:02:41,080 --> 00:02:42,919
Speaker 2: with you in Hollywood.

62
00:02:42,960 --> 00:02:46,320
Speaker 5: Yeah. Well, his car broke down his first wife, Sasha,

63
00:02:46,520 --> 00:02:48,680
Speaker 5: and they had a bull master who took up the

64
00:02:48,720 --> 00:02:51,760
Speaker 5: back seat. So I went to pick them up and

65
00:02:51,840 --> 00:02:55,120
Speaker 5: there was so much slobber in the back feet. I

66
00:02:55,160 --> 00:02:57,560
Speaker 5: had to wear a snorkel in order to.

67
00:02:57,480 --> 00:02:58,880
Speaker 4: Get their suitcases out.

68
00:03:00,000 --> 00:03:02,200
Speaker 5: And then he gives me a script. I take it

69
00:03:02,240 --> 00:03:05,280
Speaker 5: to ABC, I sell it, I bring it back to SLY.

70
00:03:05,400 --> 00:03:08,040
Speaker 5: I say, Sly, here's the good news, here's all the money.

71
00:03:08,200 --> 00:03:11,120
Speaker 5: The bad news. They want to replace you as a writer.

72
00:03:11,360 --> 00:03:13,600
Speaker 5: You said, Henry, don't let them do this to me.

73
00:03:13,919 --> 00:03:16,880
Speaker 5: I finally got it back. I wrestled it back from ABC,

74
00:03:17,200 --> 00:03:20,679
Speaker 5: gave it to SLY. A year and a half later, Rocky.

75
00:03:20,520 --> 00:03:24,079
Speaker 3: On a sad note, And in Rocky related news, Carl Weathers,

76
00:03:24,120 --> 00:03:26,320
Speaker 3: who played Apollo Creed, passed away this week.

77
00:03:26,400 --> 00:03:28,959
Speaker 2: Carl Weathers passed away on the weekend at the age

78
00:03:29,000 --> 00:03:31,720
Speaker 2: of seventy six. He died peacefully in his sleep. I

79
00:03:31,720 --> 00:03:33,560
Speaker 2: don't know any other further details than that.

80
00:03:33,720 --> 00:03:35,400
Speaker 1: So Apollo, he's Apollo kid.

81
00:03:35,440 --> 00:03:39,120
Speaker 2: He played Pollo Creed, but he wasn't. In nineteen seventy

82
00:03:39,160 --> 00:03:42,120
Speaker 2: six for Rocky, the role of Apollo Creed was supposed

83
00:03:42,120 --> 00:03:45,360
Speaker 2: to go to Ken Norton, who was a professional boxer,

84
00:03:45,440 --> 00:03:50,560
Speaker 2: and apparently Apollo got the role because he criticized sons acting.

85
00:03:50,560 --> 00:03:51,840
Speaker 1: In that case, I should have gotten well.

86
00:03:56,040 --> 00:03:58,920
Speaker 3: And there's some organ over there in Germany. It's twenty

87
00:03:58,920 --> 00:04:02,680
Speaker 3: odd years into a six hundred and thirty nine year composition.

88
00:04:02,920 --> 00:04:05,400
Speaker 2: Have you been following the story about the six hundred

89
00:04:05,440 --> 00:04:06,920
Speaker 2: and thirty nine year old organ?

90
00:04:07,360 --> 00:04:08,760
Speaker 1: Is it attached to Jagger?

91
00:04:12,560 --> 00:04:15,320
Speaker 2: This is an amusing app But this composition has been

92
00:04:15,360 --> 00:04:18,600
Speaker 2: running since two thousand and one, had sixteen chord changes.

93
00:04:18,920 --> 00:04:20,359
Speaker 1: So who arranges when they happen?

94
00:04:20,680 --> 00:04:21,320
Speaker 3: Volunteers?

95
00:04:21,400 --> 00:04:23,320
Speaker 1: Because volunteers are the laziest I've ever heard.

96
00:04:23,440 --> 00:04:28,359
Speaker 2: Yeah, that would not work that roady. So this is

97
00:04:28,400 --> 00:04:33,040
Speaker 2: what it sounds like now before the chord change, and

98
00:04:33,080 --> 00:04:37,840
Speaker 2: now I can give you the next installment. Are you're

99
00:04:37,920 --> 00:04:38,640
Speaker 2: that volunteer?

100
00:04:38,720 --> 00:04:41,480
Speaker 5: Are you lesson?

101
00:04:45,040 --> 00:04:47,280
Speaker 2: The next chord change will be in twenty twenty six

102
00:04:47,440 --> 00:04:48,680
Speaker 2: Bobby Walters five.

103
00:04:49,520 --> 00:04:52,520
Speaker 3: Wait, well, I'll have to add that to my Spotify.

104
00:04:52,960 --> 00:04:55,359
Speaker 3: This has been jen Y Rise, Jubba Jabba, good on

105
00:04:55,400 --> 00:04:58,120
Speaker 3: your jam, Jonesy and Amanda in the Morning one point

106
00:04:58,200 --> 00:04:58,600
Speaker 3: seven w