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Speaker 1: Jon Amanda.

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Speaker 2: You're listening to the Jonesy and Amanda podcast.

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Speaker 3: To Jonesy and Amanda show.

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Speaker 2: Georgeous Amanda, Mistress Amanda is delivering discipline.

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Speaker 3: It hurts, but someone's got to do Adamanda, Madamanda jones and.

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Speaker 1: The virile Jonesy.

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Speaker 4: But I heard them describe him as a drunken idiot.

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Speaker 1: Stay in school and learned school.

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Speaker 5: Yeah, okay, Jonesy and Amanda, those are names that you

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Speaker 5: would never forget.

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Speaker 1: Shop up all our amigo.

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Speaker 3: Hello, how are you?

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Speaker 1: I'm very very well.

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Speaker 3: Are gonna look sharp because we've got a very special

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Speaker 3: guest coming to the studio.

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Speaker 1: I'm very excited.

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Speaker 3: Adam Durret it's from Crown Counting.

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Speaker 6: That was close.

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Speaker 3: Counting Crows is joining us, Crowning Ghost. I don't even

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Speaker 3: practice what that almost want.

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Speaker 4: I love the Counting Crows always have. You would know

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Speaker 4: we play big y Lo taxis quite regularly. That's a

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Speaker 4: that they didn't You got two. That's God, you know

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Speaker 4: this one. I remember where I was when I heard

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Speaker 4: that song nineteen ninety three. I was working on the

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Speaker 4: radio and I said, that is.

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Speaker 1: Going to be a song for the ages.

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Speaker 3: You're a soothsayer Brandon, what about round here?

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Speaker 2: I love.

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Speaker 1: Such pathos?

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Speaker 3: Is that how you back announced it?

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Speaker 1: Pathos? Pathos? And then you go from pathos too sweetness.

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Speaker 3: Beautiful, beautiful songs. We've interviewed him before. He's a gorgeous, hilarious,

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Speaker 3: wonderful man who's joining.

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Speaker 1: The last time he was here, he complained about our microphone.

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Speaker 3: Only in a joking fashion.

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Speaker 1: He wasn't happy. He's an enthusiast. He understands how microphones

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Speaker 1: were also.

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Speaker 3: My microphone at that stage was like, as a joke,

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Speaker 3: was kind of wood paneling. It looked a little bit

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Speaker 3: like a big number two.

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Speaker 4: Well I've still got We've still got our chrime microphone

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Speaker 4: and the wood paneled microphone.

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Speaker 1: I keep them for sentimental reasons.

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Speaker 3: Where are they.

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Speaker 1: They're right here in my drawer, look in the bag.

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Speaker 1: Oh yeah, yeah.

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Speaker 7: See.

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Speaker 3: So maybe it was the one that like a number

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Speaker 3: two that put him off.

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Speaker 4: What happened was I because everyone has a gold microphone,

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Speaker 4: and they said, I said I want a chrome microprophone,

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Speaker 4: and I said I want Harley David.

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Speaker 1: Said, And then you said, like a wood paneled one.

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Speaker 4: Like the Brady Bunch car and the technical people and

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Speaker 4: they meet them those And for microphone pervs, listen to

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Speaker 4: the show.

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Speaker 1: They're the are twenty. They are the great microphones of

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Speaker 1: the world.

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Speaker 3: And they're in a plastic bag in a drawer.

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Speaker 1: They're stashed down here. Don't tell anyone they n No,

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Speaker 1: I'm going to keep them. So when they give us

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Speaker 1: the spear.

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Speaker 3: Then I'm going to have you seen them? Have you

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Speaker 3: seen the email?

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Speaker 1: Now? I think we're safe at the moment.

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Speaker 3: Who would not?

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Speaker 1: Who would know? Brenda's tumble weed's blowing through this place.

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Speaker 1: But we'll keep shooting.

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Speaker 3: Why won't we?

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Speaker 8: Just?

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Speaker 3: Hey, what's coming up next is the Fast Far If

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Speaker 3: you'd like to play?

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Speaker 1: Would you like to play thirteen fifty five twenty two?

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Speaker 1: We'd love to hear from you on gold Gem, Nation.

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Speaker 2: Of La Jonesy and Demanders five.

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Speaker 1: It's like Anon Black Doctor, isn't it?

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Speaker 3: Well, when you say the Black Doctor, you mean the

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Speaker 3: Coca Cola or a fridge cigarette?

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Speaker 6: Is it?

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Speaker 1: Sometimes that's your cake zero we're talking about.

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Speaker 4: We're not sponsored by them in any way. We just

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Speaker 4: appreciate their product, although we are broadcasting from the.

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Speaker 1: Coca Cola building.

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Speaker 3: That's true.

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Speaker 1: Yeah, we've got a Coca Cola Bubbler do we that's

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Speaker 1: what that is because there is a strange smell that goes.

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Speaker 3: With it anyway, bubble and crude oil.

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Speaker 4: That we have five questions? Can you go all the

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Speaker 4: way and answer all five questions correctly? Amanda always says

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Speaker 4: it's not.

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Speaker 3: Important, it's not Question five is where the prize is

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Speaker 3: five hundred dollars oounce you a Hijink's hotel.

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Speaker 1: But if you're a go getter like Anita in Woolengong,

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Speaker 1: this is your time.

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Speaker 3: Innita, Hi, Anita, Hello, how are you very well? Let's

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Speaker 3: see if we can get you all the way through

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Speaker 3: to question five. But you've come in at question one. Tomorrow, Land,

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Speaker 3: Glastonbury and Cochella are all types of what.

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Speaker 5: Question.

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Speaker 1: Let's play singer back to me. You have to sing

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Speaker 1: the next line of this song. Have a listen, what

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Speaker 1: about me?

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Speaker 9: Go on?

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Speaker 1: It is fair?

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Speaker 6: Yeah, I've.

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Speaker 1: You've had enough? Will Well done, Anita, well done.

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Speaker 3: People around you are enjoying it too. This one is

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Speaker 3: multiple choice for you. Which of these musicians have revealed

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Speaker 3: they don't own a smartphone? Is it a ed Shearon

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Speaker 3: b Adele or see Harry Styles.

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Speaker 8: I'm kind of thinking Edgar.

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Speaker 3: Is that's your answer, Yeah, lucky.

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Speaker 1: It's true.

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Speaker 3: He hasn't had a phone since twenty fifteen because he

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Speaker 3: said that if people text him and he's text back,

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Speaker 3: then they text back again, and he says it just

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Speaker 3: never ends.

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Speaker 1: He's right.

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Speaker 3: So he uses an iPad. He holds it up to

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Speaker 3: take photos of his kids in place.

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Speaker 1: What is it a concert.

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Speaker 4: In which Australian city was the matrix primarily filmed Anita.

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Speaker 3: Let's say Sydney. It was Sydney I was living. I

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Speaker 3: was living in Is it a duplex? I was in

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Speaker 3: the top half, the bottom half was carry Anne Moss

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Speaker 3: was living. He was in the matrix. And my newborn

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Speaker 3: son Liam. So this is twenty five years ago. I

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Speaker 3: took him up to see my parents in Brisbane and

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Speaker 3: he was newborn baby, and I hadn't left the house

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Speaker 3: for months and months and months.

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Speaker 1: And you're always wondering that Keanu Reeves.

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Speaker 3: Might popy, you know, any of them. And so Harley

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Speaker 3: one night says says to me, have a listened to this,

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Speaker 3: and he holds the phone out the window. I want

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Speaker 3: to hear happy birthday, Dick, Keanu.

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Speaker 1: And there's you with your mom and your dad and

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Speaker 1: my baby and my annoying baby.

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Speaker 4: Hello, good afternoon, Liam. If you're listening, Mom doesn't mean that. Well,

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Speaker 4: look at you, Anita. You are now up to question

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Speaker 4: number four.

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Speaker 3: Prady, that was quick.

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Speaker 1: Anita. You can stay, you can stay. We're going to

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Speaker 1: play a song. We're gonna put some dragon on.

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Speaker 3: Your horses, and we're going back.

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Speaker 1: You can bug her off and someone else will take

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Speaker 1: your place. Okay, but if you get it wrong, it's

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Speaker 1: all over.

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Speaker 3: If you want to take on Anita, you give us

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Speaker 3: a call. Fifteen fifty five twenty two.

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Speaker 1: Stand by Anita Gold Jam jam Nation Gold.

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Speaker 4: It's Jonesy Demander, It's Thursday of the twelfth March, driving

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Speaker 4: you home for jam Nation.

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Speaker 2: Of La Jonesy and demanders five.

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Speaker 1: If you've just.

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Speaker 3: Joined us, well, we've asked Anita from Wong Gong to

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Speaker 3: sit on her treasures. We she got through to question five,

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Speaker 3: so we've made who wait to see if she can

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Speaker 3: answer question five and win.

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Speaker 1: The Anita you is still there? I am I Amiah

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Speaker 1: are doing our series all this.

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Speaker 3: Here comes question number five. Let's see if you know it.

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Speaker 3: Who are the Matilda's playing in their Asian Cup quarter

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Speaker 3: final tomorrow night?

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Speaker 10: Matilda's I watched the first is it Iran?

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Speaker 1: Anita?

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Speaker 3: Sorry?

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Speaker 1: Adams in mon Bolk Hi, Adam?

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Speaker 3: Are you so tomorrow night quarterfinal of the Asian Cup.

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Speaker 3: Who the Matilda's taking on? Oh?

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Speaker 7: Sorry?

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Speaker 10: I have to pass?

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Speaker 1: What's going on?

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Speaker 3: Would you have known? Brendan?

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Speaker 11: Yeah?

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Speaker 1: I reckon?

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Speaker 3: I will is in Heathmont? Hello, Andy?

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Speaker 1: Hello? Hell you going here?

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Speaker 3: Do you know who the Matildas are taking on in

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Speaker 3: the quarterfinal?

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Speaker 8: I'm going to say it's North Korea.

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Speaker 1: It is nor North Korea. Good career, that is they're

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Speaker 1: playing in per No, that's this is North Korea. Northore's

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Speaker 1: bad Korea.

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Speaker 3: Well, you know, let's not categorize the individual players.

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Speaker 1: So how did North Korea get out? I didn't think

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Speaker 1: they could get out?

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Speaker 3: Well, I think everyone likes to celebrate their sports heroes.

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Speaker 1: Are you sure that was here? Yeah? I know you

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Speaker 1: get more chances of getting out of Iran than North Korea?

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Speaker 1: Would you agree?

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Speaker 3: And I have to ask the North Korea.

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Speaker 4: What those North Korean chaperones would be the hardest working chaperones.

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Speaker 3: And it's interesting, isn't it that if individual citizens wanted

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Speaker 3: to travel, Yeah, way, show off our soccer skills. Please

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Speaker 3: feel free? Interesting isn't it.

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Speaker 1: That is extraordinary.

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Speaker 3: Congratulations to you, Andy, we might just cut up you say,

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Speaker 3: North Korea they're the good career.

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Speaker 1: Were it's been a dictatorship for What's.

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Speaker 3: What you said was surprise.

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Speaker 1: They don't even have like, they don't have internet, they

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Speaker 1: don't have anything.

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Speaker 3: Well, they have their own versions.

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Speaker 1: I think, yeah, but they don't have a Kardashian. It

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Speaker 1: would be your teammate.

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Speaker 3: They don't even have a Kardashian.

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Speaker 7: You know.

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Speaker 1: Actually, maybe North Korea is not so bad.

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Speaker 3: I don't see married at first sight.

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Speaker 4: Maybe let's all move Andy, let's go back to you.

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Speaker 4: You've won the jam pack of five hundred dollars that

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Speaker 4: at a Hijien's hotel. I know they don't have that

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Speaker 4: where fun checks in a bottom checks out search Hijink's Hotel.

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Speaker 1: Andy, thank you, Thank.

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Speaker 8: You guys, fantastic, Well coming up.

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Speaker 3: Paul McCartney has recently spilt some tea on a phone

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Speaker 3: call he had with Yoko Ono about you know who.

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Speaker 2: Okay, John Lennon, I'm intrigued if she should be here

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Speaker 2: every second of Jonesy and Demander on demand. Search for

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Speaker 2: us now on the iHeart app.

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Speaker 3: I like your thoughts. On this Brendan because I know

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Speaker 3: recently you read it took about a year to read.

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Speaker 3: It was the Ward's thickest book on the Beatles.

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Speaker 4: The Beatles was a forensic account of the Beatles, going

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Speaker 4: way back to even the parents of the Beatles, before

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Speaker 4: the quarrymen, before any of that.

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Speaker 1: How they all got and they're all game meats.

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Speaker 4: It was just it was it was so forensic, but

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Speaker 4: at the same time, you know, there was all these

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Speaker 4: little bits that could have changed the whole music history.

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Speaker 3: It's a great thing to read the stories of peace

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Speaker 3: who go on to be perhaps the most famous people

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Speaker 3: in the world. To read the beginnings, you think, little

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Speaker 3: did they know that everyone in the world would know

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Speaker 3: their name.

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Speaker 4: And Ringo Sta, for example, it was looking like he

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Speaker 4: wouldn't even get past twenty.

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Speaker 1: You know when he was he almost he was in

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Speaker 1: hot he was twelve. You know he died. Now look

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Speaker 1: at him, he's like a thousand years old. He's dead.

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Speaker 1: He doesn't even know it.

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Speaker 3: He looks better than most people age.

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Speaker 1: Still on the kid.

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Speaker 3: Well, what do you think of this story. Paul McCartney

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Speaker 3: has recently said that he took a phone call from

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Speaker 3: Yoko Ono not long after the tragic death of John Lennon,

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Speaker 3: and she thought quote that he might have been gay.

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Speaker 3: This is what Paul McCartney said. I swear she rang

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Speaker 3: me shortly after John died and said, you know, I

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Speaker 3: think John may have been gay. Paul McCartney himself said

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Speaker 3: he's known Lenin since the age of sixteen and became

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Speaker 3: a man with him and he didn't think. So what

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Speaker 3: happened to all this book?

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Speaker 4: It speaks about the relationship between John Lennon and Paul

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Speaker 4: McCartney and they said they're almost like a couple.

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Speaker 3: Yeh, that's different.

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Speaker 4: When Paul Muscartney was sixteen, John Lennon was nineteen, George

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Speaker 4: Harrison was fourteen, and John Lennon was this art student

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Speaker 4: and the other.

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Speaker 3: Guys were in answer the question counselor and.

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Speaker 1: Peter Sutcliffe the drammer, he was the Pete best? Which

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Speaker 1: one was it? Ye, Pete's best.

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Speaker 3: But that's not answering my question. Did you get a

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Speaker 3: sense of this in the book?

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Speaker 1: Stuart Sutcliffe? Sorry, yeah, I got gay. You can't handle

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Speaker 1: the gay? Are you possible? I can?

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Speaker 3: I'm just interested.

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Speaker 1: I don't know. I who was gay probably helped him out.

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Speaker 1: Probably helped them out when they were busy.

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Speaker 3: But in those days, they're all taking a lot of drugs.

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Speaker 3: They were all experimenting, they were all trying to break

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Speaker 3: out of their suburban lives. And if you're one of

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Speaker 3: the most famous people in the world, why wouldn't you

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Speaker 3: try a bit of everything? And I wonder if John

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Speaker 3: Lennon is looking down from wherever from heaven and going

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Speaker 3: shut up, Yoko. It was once.

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Speaker 1: You have that off with a bloke once and look

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Speaker 1: your wife.

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Speaker 3: Tells Paul McCartney and when they're in the eighties they

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Speaker 3: blab to the.

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Speaker 1: World, imagine coming up.

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Speaker 4: I like Thursday because not only is a Pie Day

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Speaker 4: radio station, but Double a Chattery drops today.

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Speaker 3: It's a charming one Today. I'll tell you why.

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Speaker 4: Next jam Gold it's Josie Manner's Jam Nation driving you home.

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Speaker 4: Thursday is a great day because it's Friday Junior. And

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Speaker 4: also Double a Chattery, the podcast you do with your friend,

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Speaker 4: forensic psychologist Anita McGregor drops on this day.

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Speaker 3: And this is a story we've got on today's episode,

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Speaker 3: this week's episode that Anita saw in Canadian Canadian press.

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Speaker 3: It's about a guy called Marcus Pollard. Who's a music

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Speaker 3: promoter and he goes around to old record stores and

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Speaker 3: things like that. He's just a thrift shock kind of

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Speaker 3: a guy. And he found an old acetate and an

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Speaker 3: acetate this is from the sixties, no record, but it's

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Speaker 3: not even a pressed record. It's what the bands would

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Speaker 3: record their stuff on before, and so they take that

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Speaker 3: I'm listened to it, or that would remain there so

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Speaker 3: that someone from the record industry could listen to it.

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Speaker 3: It was never released, it's not a proper record.

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Speaker 4: And then they put the plastic the vinyl onto it

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Speaker 4: if it becomes successful.

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Speaker 3: Yeah, So he found one from the nineteen sixties of

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Speaker 3: I guess it's their version of a garage band. He

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Speaker 3: didn't know who the band was, didn't know any information

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Speaker 3: about it, but he really liked the sounds like the Doors.

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Speaker 1: Yeah, it's a lot of it's like the Knack, not

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Speaker 1: the Knack, what the Kinks, it's all those.

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Speaker 3: This mother's stuff here. So it's a classic kind of

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Speaker 3: psychedelic kind of year after in the sixties. So he

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Speaker 3: put it out there to try and find who these

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Speaker 3: people were, and he found that they are a band

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Speaker 3: called the Glass Cage. They broke up pretty much the

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Speaker 3: night after that happened. There are a bunch of eighteen

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Speaker 3: year olds who recorded that on one microphone in an

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Speaker 3: ice rink where the owner said, yeah, he sold sewing

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Speaker 3: machines and recording equipment and he let them record it.

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Speaker 1: There an ice rink.

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Speaker 6: Yeah, weird.

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Speaker 3: So there's sewing machine and a record place with equipment.

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Speaker 3: Place was underneath ice rink on top. They said, you

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Speaker 3: can use the space.

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Speaker 1: Why have the ice rink on top?

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Speaker 3: Well, Brendan, they're not questions for me to ask.

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Speaker 1: I just you know, it's just physics.

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Speaker 3: Anyway, he went about trying to find who these guys

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Speaker 3: might be. They've been their eighties now, and he found them.

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Speaker 3: And that's what's so extraordinary about the story. He found them.

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Speaker 3: It's not about reuniting the band because he didn't want

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Speaker 3: to do that and he didn't want pressure them into

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Speaker 3: it and they didn't want it. A couple of members

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Speaker 3: it passed away, but he reunited them and he released

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Speaker 3: for the first time ever the music So the Glass

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Speaker 3: Cage just this week has released. He's released this music

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Speaker 3: of the Glass Cage, and it's lovely hearing him talk

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Speaker 3: about why this story has been so important for on

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Speaker 3: the night that they did the big launch, he said

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Speaker 3: that he looked over at all the band members and

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Speaker 3: they were there with their kids and their grandchildren, who

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Speaker 3: would have had no idea of this rich history of

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Speaker 3: these guys, none of whom went on to be musicians.

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Speaker 11: That guy was the forklift operator, that guy was the

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Speaker 11: bus driver, that guy on the furniture store, that guy

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Speaker 11: was a welder, that guy was an explosive expert. And

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Speaker 11: I thought, so, you know, when you're seeing those old

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Speaker 11: guys who were in this scenario or in you know,

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Speaker 11: having these jobs, let's just say that they are identified

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Speaker 11: by their jobs, understand that it is entirely possible that

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Speaker 11: that person was so much more of a badass than

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Speaker 11: you have never even dreamed of being.

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Speaker 3: He said, he loved how the grandchildren were looking up

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Speaker 3: at their grandfathers, going, well, what a story you've got there.

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Speaker 3: And this story has really taken off in the Canadian

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Speaker 3: press and all over the place. And when I said

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Speaker 3: why do you think this has charmed so many people,

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Speaker 3: he said, well, look out the window, look how hard

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Speaker 3: the world is at the moment. This is just a

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Speaker 3: delightful good news story. And this is another reason as

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Speaker 3: to why he thinks people are responding to it.

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Speaker 11: I think that people are responding because maybe people have

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Speaker 11: something that they did in their past that they thought

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Speaker 11: was really cool and that somebody dismissed or everybody dismissed,

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Speaker 11: and so this is kind of like the comeback story.

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Speaker 3: Yeah, comeback story.

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Speaker 1: We've all done stuff in our past that well, we're

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Speaker 1: ashamed of.

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Speaker 3: Not that, well, that's the opposite of that. This is

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Speaker 3: the stuff so that you think, hey, I gave it

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Speaker 3: a crack, and that's he could take someone's I'll give

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Speaker 3: it a go. And he's now released that record and

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Speaker 3: the press have been onto it. It's been a fabulous story.

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Speaker 1: I tell you, folks, it's harder than a lord.

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Speaker 3: Well that's the podcast you can listen to double a

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Speaker 3: Chattery dot com riever you get your podcasts.

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Speaker 1: Do yourself a favor.

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Speaker 4: You know what, That's something we could talk about because

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00:16:46,960 --> 00:16:48,760
Speaker 4: I was in a grudge bad we've thought of that.

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Speaker 3: Well, are going to talk about that next? You not

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Speaker 3: so long ago? Unearthed a cassette play a cassette, what

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00:16:55,120 --> 00:16:57,680
Speaker 3: do you call it? Just a cassette? A cassette, A

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00:16:57,760 --> 00:17:02,600
Speaker 3: cassette like a single, you're it, but the single of

383
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Speaker 3: some of these songs that you recorded. We delve into

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Speaker 3: that too.

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Speaker 1: If you want to. That's covering up on gold.

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Speaker 2: You're listening to the Jonesy and Demanda podcast.

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Speaker 5: Now a by the miracle of recording and Amanda don't

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Speaker 5: be an Amanda. Those are two great names.

389
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Speaker 1: I'm not a scatter. That's the chemistry between them.

390
00:17:22,960 --> 00:17:24,800
Speaker 3: But how much of let's relind your own business and

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Speaker 3: shut your pie.

392
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Speaker 8: I wish you were with your.

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Speaker 1: Joe Thursday or Friday Junior.

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Speaker 4: As we say, there's nothing wrong with crack it open

395
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Speaker 4: our King Brown on the site. Matter of fact, I

396
00:17:34,480 --> 00:17:37,359
Speaker 4: got a drinking because now we're doing these new hours

397
00:17:37,720 --> 00:17:43,000
Speaker 4: or my trading man. Yeah, crack open a crack open

398
00:17:43,040 --> 00:17:45,120
Speaker 4: to kick Brown. You go on the Beny Building site

399
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Speaker 4: right now. Good on your fellows and ladies and everyone

400
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Speaker 4: whoever you may. Now this time Ryan get into it.

401
00:17:54,520 --> 00:17:57,520
Speaker 3: This show is not in responsible hands anymore. We're talking

402
00:17:57,640 --> 00:18:00,520
Speaker 3: just before the news of the podcast do with Anita

403
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Speaker 3: McGregor called Double a Chattery, which is out today, and

404
00:18:02,920 --> 00:18:06,000
Speaker 3: we're talking about We spoke to a guy Canadian who

405
00:18:06,119 --> 00:18:09,960
Speaker 3: was unearthed an ascetate from the nineteen sixties and he's

406
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Speaker 3: just released it as a record. He's found the old

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Speaker 3: band members from the band The Glass Cage. They're now

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Speaker 3: in their eighties. They haven't played together, they haven't seen

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00:18:17,760 --> 00:18:20,399
Speaker 3: each other, presumably for all those years in between. Sounds

410
00:18:20,400 --> 00:18:31,359
Speaker 3: a bit like this, Yeah, it's at your art. So

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Speaker 3: they used to call them okay, thank him? Did they

412
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Speaker 3: used to call them garage bands?

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Speaker 7: Did?

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Speaker 3: Did they even have garages?

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Speaker 4: Then at that point when the Beatles came out, there's

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Speaker 4: a great story about Mick Jagger saying they thought they

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Speaker 4: were the only ones that were doing it, and then

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Speaker 4: all of a sudden they heard the Beatles and they went, oh,

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Speaker 4: we're done.

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Speaker 1: So those guys just came along too late. It's like

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Speaker 1: rap artists.

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Speaker 4: You know, when the first rap artists came out, everyone Oh,

423
00:18:54,320 --> 00:18:57,439
Speaker 4: this is amazing. Nows go yeah me, it's like anything.

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Speaker 4: They just became. Those poor guys came up with that first.

425
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Speaker 4: They would have been superstars.

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Speaker 3: But as we all know, it's not even about that.

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00:19:05,359 --> 00:19:08,639
Speaker 3: So much goes into becoming a famous band. It's not

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Speaker 3: just being good musically. I don't know whether that's good

429
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Speaker 3: music or not, but it's of its era. But you

430
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Speaker 3: have to be the right personality types of those guys

431
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Speaker 3: were eighteen broke up like two days after and it's

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Speaker 3: a lot that goes into it, which made me think

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Speaker 3: of your garage band. Well play a bit of it next.

434
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Speaker 3: You on earth to cassette that you recorded when you

435
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Speaker 3: were a teenager. How many years ago was that?

436
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Speaker 1: Nineteen eighty six?

437
00:19:32,760 --> 00:19:34,600
Speaker 3: So I can't do the maths on that, but you

438
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Speaker 3: know a number of years of a.

439
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Speaker 4: Lad another King Brown, Amanda, let's cack one open.

440
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Speaker 3: We're going to hear from your band Bad Element.

441
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Speaker 4: Yes, that's come out after this established musician.

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Speaker 1: Oh okay, you're a big garage I know you're good.

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Speaker 1: John Gold, jamsis Gold. That's Jonesy demand of driving you

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Speaker 1: for jam nation with the curves.

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Speaker 3: So let's talk about Bad Element. We were talking before

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Speaker 3: about the Glass Cage, a band from the nineteen sixties.

447
00:20:11,200 --> 00:20:15,280
Speaker 3: Their acetate acetone acetate, same thing as it. Their acetate

448
00:20:15,400 --> 00:20:18,800
Speaker 3: recording has just been released after all these years. Someone

449
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Speaker 3: found it in a secondhand kind of record place and

450
00:20:23,600 --> 00:20:27,320
Speaker 3: has decided it's worth releasing. Let's talk about your unearthing

451
00:20:28,200 --> 00:20:30,960
Speaker 3: when only just last year you found an old cassette

452
00:20:30,960 --> 00:20:33,320
Speaker 3: of your garage band Bad Element. Tell us a bit

453
00:20:33,320 --> 00:20:34,440
Speaker 3: about bad Element.

454
00:20:34,320 --> 00:20:37,200
Speaker 4: So bad Element was made up with my mate Omo's

455
00:20:37,200 --> 00:20:38,080
Speaker 4: still your mate.

456
00:20:37,920 --> 00:20:39,800
Speaker 1: Steal my mate Biz is still my mate.

457
00:20:40,600 --> 00:20:45,320
Speaker 4: Biz was fit a returner Omo outboard motor mechanic, marine mechanic.

458
00:20:45,440 --> 00:20:47,080
Speaker 3: And what's that Brendan Jones up to?

459
00:20:47,359 --> 00:20:49,480
Speaker 1: He was at the time in between a few jobs

460
00:20:49,520 --> 00:20:52,800
Speaker 1: between concreting in the sewers and not the sewer's canal

461
00:20:52,960 --> 00:20:57,040
Speaker 1: a DJ on weekends. And how old were you nineteen?

462
00:20:57,240 --> 00:20:59,000
Speaker 3: And who's garage?

463
00:20:59,040 --> 00:20:59,760
Speaker 1: What was the set up?

464
00:21:00,000 --> 00:21:00,359
Speaker 6: We go to.

465
00:21:00,359 --> 00:21:04,960
Speaker 4: IMO's mum's garage or my house or business house and

466
00:21:05,080 --> 00:21:07,160
Speaker 4: we just practiced and we just because we're.

467
00:21:07,000 --> 00:21:08,280
Speaker 1: Into the at the time.

468
00:21:08,400 --> 00:21:09,200
Speaker 3: And what were you into?

469
00:21:09,440 --> 00:21:12,200
Speaker 1: Well, noise Works had just started. That was a big deal.

470
00:21:12,280 --> 00:21:15,159
Speaker 4: We love the Angels like we worshiped at the table

471
00:21:15,600 --> 00:21:18,200
Speaker 4: of the Angels. The Angels was the band we wanted

472
00:21:18,240 --> 00:21:20,200
Speaker 4: to be. The choir Boys came out, We'd run to

473
00:21:20,240 --> 00:21:23,400
Speaker 4: Paradise and Imo was right into the choir Boys. I'm

474
00:21:23,400 --> 00:21:25,640
Speaker 4: a big fan of the choir Boys, but I wasn't.

475
00:21:25,920 --> 00:21:27,960
Speaker 4: I was more Angels. You were radiators, and.

476
00:21:28,080 --> 00:21:31,160
Speaker 3: Yeah, she was more of an influencer. We do what instruments?

477
00:21:31,160 --> 00:21:34,800
Speaker 3: Will you tell us about the instruments, the drums, and

478
00:21:35,119 --> 00:21:35,920
Speaker 3: what the others play.

479
00:21:36,359 --> 00:21:38,120
Speaker 1: They had a drum, one.

480
00:21:38,080 --> 00:21:40,320
Speaker 4: Drum, No, I had a drum, kids drum beers was

481
00:21:40,359 --> 00:21:42,640
Speaker 4: on the basso, was on guitars.

482
00:21:42,760 --> 00:21:44,399
Speaker 3: Who wrote the songs and did the vocals?

483
00:21:45,040 --> 00:21:47,280
Speaker 1: I wrote the songs that he did the vocals. I

484
00:21:47,440 --> 00:21:48,960
Speaker 1: did vocals as well.

485
00:21:49,560 --> 00:21:51,960
Speaker 4: And we got the name Bad Element because one night

486
00:21:52,000 --> 00:21:56,200
Speaker 4: we were rehearsing at a recording studio called Take five

487
00:21:56,280 --> 00:22:00,800
Speaker 4: Studios and John Swan you know swannye temporary hard Swatty,

488
00:22:01,400 --> 00:22:03,000
Speaker 4: he was down there one day and we're all standing

489
00:22:03,040 --> 00:22:05,439
Speaker 4: outside his e bo. Boys, what's the name of your outfit?

490
00:22:06,160 --> 00:22:08,960
Speaker 4: And as a Bad Element, A guess, well, it's like

491
00:22:09,040 --> 00:22:12,040
Speaker 4: something on your stove that doesn't work. And that's when

492
00:22:12,119 --> 00:22:12,639
Speaker 4: we became.

493
00:22:13,480 --> 00:22:15,440
Speaker 3: So you hadn't intended that that's what it meant.

494
00:22:15,560 --> 00:22:18,000
Speaker 1: No, we thought bad Element, like we're bad asses, but no,

495
00:22:18,680 --> 00:22:26,480
Speaker 1: not a broken white good. But it's a big deal.

496
00:22:26,600 --> 00:22:30,240
Speaker 4: You know, you have hopes and dreams out because we

497
00:22:30,359 --> 00:22:32,280
Speaker 4: just wanted to play in the pub. We wanted to

498
00:22:32,320 --> 00:22:34,720
Speaker 4: play in a pub, and that was it. That would

499
00:22:34,760 --> 00:22:35,920
Speaker 4: be good enough to play in the pub.

500
00:22:36,080 --> 00:22:39,280
Speaker 3: So you found this old cassette and there's three songs

501
00:22:39,320 --> 00:22:39,480
Speaker 3: on it.

502
00:22:40,000 --> 00:22:42,480
Speaker 1: No, there was, it was an EP. There were I

503
00:22:42,640 --> 00:22:43,960
Speaker 1: believe there was five.

504
00:22:43,920 --> 00:22:45,960
Speaker 3: Songs on the r Why don't you talk us through.

505
00:22:45,840 --> 00:22:46,239
Speaker 6: What we've got?

506
00:22:46,480 --> 00:22:51,639
Speaker 4: Okay, we've got well, okay, should we go with me

507
00:22:51,960 --> 00:22:53,880
Speaker 4: on vocals playing the drums at the same time.

508
00:22:54,200 --> 00:22:56,119
Speaker 3: That's hard, just asked Karen Carpon.

509
00:22:56,359 --> 00:22:59,040
Speaker 1: You talked to Dave Grohl, you know, or Karen Carpenter.

510
00:23:00,440 --> 00:23:02,240
Speaker 1: Karen Carpenter was a very good drama.

511
00:23:02,320 --> 00:23:02,600
Speaker 4: She was.

512
00:23:02,640 --> 00:23:03,480
Speaker 3: That's what I mean.

513
00:23:04,480 --> 00:23:06,399
Speaker 4: Dave Groh when he left Nirvana to go to the

514
00:23:06,440 --> 00:23:08,439
Speaker 4: Food Fighters. That's why he doesn't play the drums anymore.

515
00:23:08,440 --> 00:23:11,000
Speaker 4: He's got other things to do, like father children.

516
00:23:11,160 --> 00:23:17,600
Speaker 3: But Bill Colin, your long neck, keep off.

517
00:23:17,520 --> 00:23:21,400
Speaker 1: My king Brown. So this is no lie. You tell

518
00:23:22,000 --> 00:23:24,720
Speaker 1: what to do, No that you tell her be where

519
00:23:24,760 --> 00:23:27,680
Speaker 1: to be? No la, I've got it. It's hard to

520
00:23:27,720 --> 00:23:31,040
Speaker 1: do this. That's very day.

521
00:23:34,080 --> 00:23:35,359
Speaker 3: So you're saying, don't lie to me.

522
00:23:36,840 --> 00:23:39,200
Speaker 1: I don't know. I don't know.

523
00:23:39,560 --> 00:23:41,840
Speaker 4: My mum say at the time, there's so much distortion,

524
00:23:42,320 --> 00:23:44,280
Speaker 4: And I said, well, that's that's that's his voice.

525
00:23:44,359 --> 00:23:47,879
Speaker 1: That's the point. The guitar. There were another songs in there.

526
00:23:47,960 --> 00:23:52,800
Speaker 4: There was too Young, Too Pretty Young.

527
00:23:51,600 --> 00:23:52,240
Speaker 7: Pretty.

528
00:23:55,680 --> 00:23:56,400
Speaker 3: Who was too young?

529
00:23:56,480 --> 00:24:07,520
Speaker 1: Andrea or I can't remember? There was forgetfuls that's I know.

530
00:24:07,640 --> 00:24:10,040
Speaker 1: I'm back up.

531
00:24:13,960 --> 00:24:18,439
Speaker 3: Why you.

532
00:24:20,600 --> 00:24:20,639
Speaker 7: No?

533
00:24:28,720 --> 00:24:30,880
Speaker 3: Her name is just the same as in your dreams.

534
00:24:31,640 --> 00:24:35,440
Speaker 3: This is all caught your fourth form teacher. Well, there

535
00:24:35,480 --> 00:24:37,440
Speaker 3: we have it. That's a bad element. Let's do this.

536
00:24:37,600 --> 00:24:41,320
Speaker 3: The tribal drum is going to beat four garage band?

537
00:24:41,680 --> 00:24:44,080
Speaker 3: Were you in a garage band? Did you end up

538
00:24:44,080 --> 00:24:45,959
Speaker 3: being famous? Did you were you in a garage band

539
00:24:46,000 --> 00:24:47,480
Speaker 3: with someone who wanted to be famous? Did you break

540
00:24:47,560 --> 00:24:49,960
Speaker 3: up that night? What we want the goss spill the

541
00:24:50,000 --> 00:24:51,240
Speaker 3: tea on your garage band?

542
00:24:52,160 --> 00:24:56,040
Speaker 1: Wow?

543
00:24:56,920 --> 00:24:58,720
Speaker 3: A place where you don't make friends?

544
00:24:58,840 --> 00:24:59,439
Speaker 1: No friends?

545
00:24:59,480 --> 00:24:59,720
Speaker 7: That's me.

546
00:24:59,840 --> 00:25:03,520
Speaker 1: I'm backup. Thirteen fifty five twenty two is our number.

547
00:25:03,600 --> 00:25:04,080
Speaker 1: Why don't you.

548
00:25:04,080 --> 00:25:07,240
Speaker 2: Give us a call on gold Jonesy and Amanda listen

549
00:25:07,320 --> 00:25:10,440
Speaker 2: to the podcast whenever you want with the free Iheartapping.

550
00:25:10,600 --> 00:25:13,520
Speaker 4: You know, when you think about a garage band, it's

551
00:25:13,560 --> 00:25:16,440
Speaker 4: not necessarily you want to be famous. Of course, everyone

552
00:25:16,920 --> 00:25:20,119
Speaker 4: dreams of being famous. But when you get together and

553
00:25:20,200 --> 00:25:23,040
Speaker 4: you're all playing as a unit. I read a book

554
00:25:23,280 --> 00:25:26,879
Speaker 4: about Keith Richard is his book Keith Life, and he

555
00:25:26,960 --> 00:25:30,080
Speaker 4: said there's a bit when it's just all working everything,

556
00:25:30,160 --> 00:25:32,920
Speaker 4: the drums, the guitar, the bass, the singer, and that's

557
00:25:33,000 --> 00:25:33,640
Speaker 4: what you want.

558
00:25:33,960 --> 00:25:35,880
Speaker 1: And there are moments when you're playing in a band

559
00:25:36,200 --> 00:25:37,159
Speaker 1: and it just works.

560
00:25:37,480 --> 00:25:39,880
Speaker 3: Why is this domain of men the women? Because you said,

561
00:25:39,920 --> 00:25:42,359
Speaker 3: you guys do that and you have these dreams. Is

562
00:25:42,400 --> 00:25:45,040
Speaker 3: it that when women sort of girls get together and

563
00:25:45,200 --> 00:25:48,720
Speaker 3: mime to TLC or something or the spice skirls and

564
00:25:48,880 --> 00:25:52,080
Speaker 3: picture themselves being on stage being that they're not creating

565
00:25:52,119 --> 00:25:56,520
Speaker 3: the music necessarily, they're miming and dancing to the music,

566
00:25:56,560 --> 00:25:59,159
Speaker 3: which is why TikTok is everyone a moment of that,

567
00:25:59,280 --> 00:26:01,000
Speaker 3: But it was TikTok is your moment of fame?

568
00:26:01,080 --> 00:26:01,199
Speaker 12: Now.

569
00:26:01,320 --> 00:26:03,160
Speaker 4: I was at a Radiators gig and I know those

570
00:26:03,200 --> 00:26:05,440
Speaker 4: guys very well and I've known him for a long time.

571
00:26:05,520 --> 00:26:08,280
Speaker 3: Yeah, that's named after a white good pretty much that's.

572
00:26:08,160 --> 00:26:10,840
Speaker 4: Opposed to bad Element, but they are as opposed to

573
00:26:10,880 --> 00:26:14,560
Speaker 4: bad element are successful. And I was just talking to Brian,

574
00:26:14,640 --> 00:26:16,359
Speaker 4: the lead singer, and he just said, ah, you know

575
00:26:16,760 --> 00:26:19,840
Speaker 4: it's and I said, don't talk this gig down like

576
00:26:19,920 --> 00:26:21,520
Speaker 4: he wasn't talking it down, but he was being really

577
00:26:21,600 --> 00:26:22,679
Speaker 4: self deprecating.

578
00:26:22,720 --> 00:26:25,480
Speaker 1: I said, you guys are part of the Australian culture.

579
00:26:26,000 --> 00:26:28,600
Speaker 1: You guys have done. You guys a hero.

580
00:26:29,000 --> 00:26:32,160
Speaker 4: They've lived the dream and you will see the radiators

581
00:26:32,160 --> 00:26:35,600
Speaker 4: playing wherever you'll see it, and those guys they're singing

582
00:26:35,720 --> 00:26:37,200
Speaker 4: like they're playing at the entertainment center.

583
00:26:37,440 --> 00:26:38,480
Speaker 1: And that's what it's about that.

584
00:26:38,760 --> 00:26:40,840
Speaker 3: It's not all about that, because you can have a

585
00:26:40,960 --> 00:26:43,959
Speaker 3: moment of just pure joy with your mates in your

586
00:26:44,000 --> 00:26:47,240
Speaker 3: garage and that's enough. That's what that guy the glass

587
00:26:47,320 --> 00:26:49,640
Speaker 3: cage was saying. You didn't want to reunite these guys

588
00:26:49,680 --> 00:26:52,000
Speaker 3: as eighty year olds and make them do anything. He

589
00:26:52,160 --> 00:26:55,080
Speaker 3: wanted them to know. Hey, I found your I found this.

590
00:26:55,280 --> 00:26:57,480
Speaker 3: I've made a record for you of your early work.

591
00:26:58,119 --> 00:27:00,639
Speaker 3: You were great to live in your moment and maybe

592
00:27:00,680 --> 00:27:01,400
Speaker 3: that's enough.

593
00:27:01,280 --> 00:27:04,160
Speaker 4: And that's what we're talking about. You know, your aspirations

594
00:27:04,520 --> 00:27:05,960
Speaker 4: and just to play at the local pub.

595
00:27:06,280 --> 00:27:08,879
Speaker 3: What was your band's name or your aspirations? Who did

596
00:27:08,920 --> 00:27:10,960
Speaker 3: you impress? It might have been you might have had one.

597
00:27:10,920 --> 00:27:13,520
Speaker 1: Day only did you get any action out of it?

598
00:27:13,600 --> 00:27:13,840
Speaker 7: Did you?

599
00:27:13,960 --> 00:27:24,040
Speaker 3: Brendan no Olmo's mum show now, well you hesitated. She's

600
00:27:24,040 --> 00:27:26,399
Speaker 3: the only female who's been mentioned in any of the

601
00:27:26,520 --> 00:27:28,840
Speaker 3: stories you've told about the band. Who was when you

602
00:27:29,040 --> 00:27:30,520
Speaker 3: when I said, did you get any action from it?

603
00:27:30,920 --> 00:27:32,920
Speaker 3: And you stopped to think who was it?

604
00:27:33,480 --> 00:27:39,440
Speaker 1: There was not, you know, there was not none. The

605
00:27:39,600 --> 00:27:43,840
Speaker 1: tribal dramas be tales of the garage band.

606
00:27:47,280 --> 00:27:50,359
Speaker 3: Marcus Choint, Hello, Mark, tell us about your garage band.

607
00:27:53,400 --> 00:27:55,280
Speaker 7: I was in the band back in the eighties, around

608
00:27:55,320 --> 00:27:59,159
Speaker 7: the same time as Jonesy. I actually worked in a

609
00:27:59,280 --> 00:28:03,440
Speaker 7: little recording studio at Rocky Point, wrote Cobra. I wonder

610
00:28:03,480 --> 00:28:06,040
Speaker 7: if Joji knows it down undersound studios.

611
00:28:06,160 --> 00:28:06,560
Speaker 1: Yes, I do.

612
00:28:06,880 --> 00:28:07,080
Speaker 6: Yes.

613
00:28:08,040 --> 00:28:11,959
Speaker 7: And you remember somebody putting up an ad amateur vocals

614
00:28:12,000 --> 00:28:13,120
Speaker 7: looking for amateur band.

615
00:28:14,640 --> 00:28:15,800
Speaker 3: Why did you answer that ad?

616
00:28:16,840 --> 00:28:17,080
Speaker 11: Yeah?

617
00:28:17,280 --> 00:28:19,440
Speaker 7: I was the guy working there, remember me, Jones?

618
00:28:19,840 --> 00:28:22,359
Speaker 4: Oh, this is Matt right, Okay, this is okay. This

619
00:28:22,520 --> 00:28:27,320
Speaker 4: is after bad Elements sort of split up. Yes, I

620
00:28:27,480 --> 00:28:29,800
Speaker 4: came along as the lead singer. You actually could sing.

621
00:28:31,560 --> 00:28:34,439
Speaker 7: Yeah, I remember that song my Mama, Oh my moments

622
00:28:34,720 --> 00:28:39,360
Speaker 7: agreed my momacy, to whom every provin the little boys

623
00:28:39,440 --> 00:28:40,480
Speaker 7: would come on home.

624
00:28:41,360 --> 00:28:41,600
Speaker 8: I do.

625
00:28:44,120 --> 00:28:47,720
Speaker 1: About mom Mark, I do. And did you go on

626
00:28:47,880 --> 00:28:50,080
Speaker 1: to do anything? Because I know what happened.

627
00:28:50,080 --> 00:28:52,200
Speaker 4: I went back down the snow to work as a DJ,

628
00:28:53,080 --> 00:28:55,200
Speaker 4: and Mark did you and you guys, you guys actually

629
00:28:55,240 --> 00:28:56,960
Speaker 4: got a gig one.

630
00:28:57,400 --> 00:29:00,600
Speaker 7: I was in one of them, yeah, and we sort

631
00:29:00,600 --> 00:29:04,480
Speaker 7: of all split up and I'm actually working TV broadcast. Coincidentally,

632
00:29:04,520 --> 00:29:05,920
Speaker 7: you're in radio on me TV.

633
00:29:06,320 --> 00:29:07,560
Speaker 3: You This isn't Mark Knofler?

634
00:29:07,680 --> 00:29:11,360
Speaker 1: Is it cheap? Mark? Thank you? What have you caused?

635
00:29:11,400 --> 00:29:12,800
Speaker 3: Tales of the garage band?

636
00:29:12,840 --> 00:29:17,040
Speaker 1: What have you got? We're very narrow casting today's Generation gold.

637
00:29:17,080 --> 00:29:20,360
Speaker 4: It's Jonesy demanded driving you home? You know, I tell you, folks,

638
00:29:20,520 --> 00:29:23,040
Speaker 4: it's harder than it looks. Bond Scott said the right

639
00:29:23,160 --> 00:29:25,160
Speaker 4: thing when he sung in It's a long way to

640
00:29:25,200 --> 00:29:26,760
Speaker 4: the top if you want to rock and roll. And

641
00:29:26,880 --> 00:29:29,280
Speaker 4: even if you're in a band, you could be Berna

642
00:29:29,320 --> 00:29:34,200
Speaker 4: Fanning in powder Finger. I remember talking to him back

643
00:29:34,240 --> 00:29:36,160
Speaker 4: in the nineties when powder Finger were on their way.

644
00:29:36,200 --> 00:29:38,840
Speaker 4: I said, mate, you're on your way. You're really doing

645
00:29:38,960 --> 00:29:39,120
Speaker 4: is it?

646
00:29:39,280 --> 00:29:39,400
Speaker 1: Am?

647
00:29:39,440 --> 00:29:40,080
Speaker 8: I like?

648
00:29:40,760 --> 00:29:41,080
Speaker 7: Is it like?

649
00:29:41,160 --> 00:29:43,239
Speaker 1: We're not making money? We're not doing this is back

650
00:29:43,320 --> 00:29:45,320
Speaker 1: in when obviously Number five came out.

651
00:29:45,360 --> 00:29:47,200
Speaker 3: But the nature of a garage band is it's not

652
00:29:47,280 --> 00:29:50,680
Speaker 3: always about success. Sometimes it's about you're doing it because

653
00:29:50,720 --> 00:29:53,520
Speaker 3: you just want to have great times with your mates,

654
00:29:53,560 --> 00:29:55,040
Speaker 3: and that might be the best time of your life.

655
00:29:55,320 --> 00:29:57,000
Speaker 3: It doesn't mean that you have to go on to

656
00:29:57,080 --> 00:29:59,840
Speaker 3: a career in music. A garage band is all those

657
00:30:00,440 --> 00:30:00,760
Speaker 3: of its.

658
00:30:00,920 --> 00:30:03,160
Speaker 1: It's your hopes and dreams. It's all about youth.

659
00:30:03,520 --> 00:30:05,760
Speaker 4: And you know when you see those guys like my

660
00:30:05,960 --> 00:30:08,320
Speaker 4: age and they get together and they have a band,

661
00:30:08,400 --> 00:30:10,840
Speaker 4: you might see them playing around. You know, Damian Keyo,

662
00:30:11,200 --> 00:30:13,760
Speaker 4: he's you got a band. His former basketball, he's a

663
00:30:13,800 --> 00:30:16,040
Speaker 4: corporate guy. He has run and he just loves playing

664
00:30:16,120 --> 00:30:16,480
Speaker 4: his band.

665
00:30:16,560 --> 00:30:18,760
Speaker 3: Course, and that's what you do. That's like guys that

666
00:30:18,800 --> 00:30:20,040
Speaker 3: get around and kick a footy.

667
00:30:20,800 --> 00:30:23,440
Speaker 1: Yeah thing, and that's what we're talking about.

668
00:30:23,440 --> 00:30:25,120
Speaker 3: It's a little quieter and I appreciate it.

669
00:30:25,280 --> 00:30:32,280
Speaker 1: The travel drum is beating four garage band Mitch has

670
00:30:32,400 --> 00:30:36,520
Speaker 1: joined us. Hello Mitch, Oh, James and Amanda, how am

671
00:30:37,760 --> 00:30:40,680
Speaker 1: I'm good? Tell us about you playing a band together before?

672
00:30:40,800 --> 00:30:42,400
Speaker 9: Did we look?

673
00:30:42,440 --> 00:30:44,120
Speaker 8: I was a drummer as well, not a good one,

674
00:30:44,200 --> 00:30:46,840
Speaker 8: but I was the drummer, so joined the musical ability.

675
00:30:48,720 --> 00:30:50,600
Speaker 8: I was about fifteen and I was really keen on

676
00:30:50,680 --> 00:30:53,440
Speaker 8: a girl and she was into the arts and she

677
00:30:53,520 --> 00:30:55,720
Speaker 8: went and watched all the bands and everything. So I

678
00:30:55,800 --> 00:30:57,360
Speaker 8: told her I was in a band. When I wasn't

679
00:30:58,160 --> 00:31:02,760
Speaker 8: and she said maybe and watch his practice and I went, yeah, yeah,

680
00:31:02,840 --> 00:31:04,600
Speaker 8: no worries. So I sort of said, oh, one of

681
00:31:04,640 --> 00:31:06,280
Speaker 8: the guys is the way. When he comes back, I'll

682
00:31:06,320 --> 00:31:09,440
Speaker 8: invite you. So I scrambled around. I had two mates

683
00:31:09,440 --> 00:31:12,280
Speaker 8: that played guitar, but we had no drummer, not singer.

684
00:31:12,400 --> 00:31:14,560
Speaker 8: So I called my mum into buying as a set

685
00:31:14,600 --> 00:31:17,440
Speaker 8: of drums from the second hand shop.

686
00:31:18,840 --> 00:31:22,480
Speaker 9: And started the practice as much as we could, and

687
00:31:23,000 --> 00:31:25,160
Speaker 9: she came and watched. We actually got okay. We played

688
00:31:25,200 --> 00:31:26,760
Speaker 9: at the year twelve formal in the end. It took

689
00:31:26,840 --> 00:31:28,600
Speaker 9: us a couple of years, but she came to watch

690
00:31:29,680 --> 00:31:31,800
Speaker 9: and it was it was a bit nasty. And they

691
00:31:31,880 --> 00:31:33,800
Speaker 9: said to me, well, you've got my musical ability, you

692
00:31:33,840 --> 00:31:34,520
Speaker 9: could be the drummer.

693
00:31:36,800 --> 00:31:39,320
Speaker 3: Harsh mitch. And did the girl who you impressed it

694
00:31:39,360 --> 00:31:41,880
Speaker 3: had end up you impressing her was one thing. Did

695
00:31:41,960 --> 00:31:44,320
Speaker 3: you end up going out or kissing her or anything?

696
00:31:45,120 --> 00:31:46,680
Speaker 8: No, you know what. She ended up going with one

697
00:31:46,720 --> 00:31:47,240
Speaker 8: of the jocks.

698
00:31:47,640 --> 00:31:49,760
Speaker 1: And it was all in vain.

699
00:31:49,920 --> 00:31:51,400
Speaker 8: It was all in vain. But your.

700
00:31:53,280 --> 00:31:55,720
Speaker 1: H you were a drum kit that is mother of

701
00:31:55,800 --> 00:31:56,320
Speaker 1: the center.

702
00:31:56,440 --> 00:31:56,880
Speaker 5: That's right.

703
00:31:57,800 --> 00:32:00,160
Speaker 8: Yeah, she regretted it in the end because it was

704
00:32:00,160 --> 00:32:00,760
Speaker 8: pretty noisy.

705
00:32:01,080 --> 00:32:07,000
Speaker 1: Yeah, it just just established that. Now, thank you, Mitch.

706
00:32:07,360 --> 00:32:09,480
Speaker 1: Good on you mate. Barry has joined us as well.

707
00:32:09,680 --> 00:32:10,680
Speaker 3: Barry tell us about your.

708
00:32:10,640 --> 00:32:15,000
Speaker 5: Garage band, get Hey guys. Back in two thousand and four,

709
00:32:15,120 --> 00:32:17,840
Speaker 5: Made of Mine and I decided to record an album

710
00:32:18,280 --> 00:32:20,800
Speaker 5: on the cheap, and we had nowhere to play exit

711
00:32:20,840 --> 00:32:23,920
Speaker 5: people's backyards and in Marrackle, we decided to do it

712
00:32:24,000 --> 00:32:25,880
Speaker 5: a six by four stage about a meter and a

713
00:32:25,880 --> 00:32:28,480
Speaker 5: half off the ground. We took the hills hoist off

714
00:32:28,520 --> 00:32:32,080
Speaker 5: the actual backyard. About one hundred people. One hundred people

715
00:32:32,160 --> 00:32:34,760
Speaker 5: turned up and we blew up a two hour set

716
00:32:35,160 --> 00:32:38,640
Speaker 5: supporting our little album that we did, our concert album

717
00:32:38,680 --> 00:32:42,160
Speaker 5: on mental health and about this asylum and mental patient

718
00:32:42,240 --> 00:32:44,840
Speaker 5: stuff like that. And we had people all turn up

719
00:32:44,960 --> 00:32:47,880
Speaker 5: and you could hear the music from about five hundred

720
00:32:47,920 --> 00:32:51,320
Speaker 5: meters away, and it was quite loud and a lot

721
00:32:51,400 --> 00:32:54,200
Speaker 5: of fun. And then the next minute I just sent

722
00:32:54,280 --> 00:32:56,920
Speaker 5: my CD out to whoever would listen to it or

723
00:32:57,200 --> 00:32:59,680
Speaker 5: want it, and the next minute it's playing on Texas Radio.

724
00:33:00,160 --> 00:33:02,640
Speaker 5: Track by track they did a whole rundown of the

725
00:33:02,680 --> 00:33:05,240
Speaker 5: album and well, nobody's We actually didn't even play in

726
00:33:05,320 --> 00:33:09,920
Speaker 5: pubs just in the backyard, Texas radio in two thousand

727
00:33:09,960 --> 00:33:13,000
Speaker 5: and Yeah. Her name was Ruby Tuesday, and she interviewed

728
00:33:13,120 --> 00:33:16,640
Speaker 5: us and did a track by track the whole album,

729
00:33:16,880 --> 00:33:19,320
Speaker 5: and she gave it like five stars and she loved

730
00:33:19,360 --> 00:33:21,880
Speaker 5: our album. And I didn't realize and we didn't know

731
00:33:21,880 --> 00:33:24,200
Speaker 5: what to do with it. We didn't know any managers,

732
00:33:24,280 --> 00:33:26,080
Speaker 5: we didn't know anyone in the music industry. We just

733
00:33:26,400 --> 00:33:29,280
Speaker 5: recorded this is just a fun album about mental health,

734
00:33:29,920 --> 00:33:33,160
Speaker 5: and so it's like an AC DC Metallica vibe kind

735
00:33:33,200 --> 00:33:35,800
Speaker 5: of thing. And the album Never then we put in

736
00:33:35,880 --> 00:33:38,360
Speaker 5: a couple of local records stores where people were buying

737
00:33:38,400 --> 00:33:41,080
Speaker 5: it obviously, and we got some cash money out of it.

738
00:33:41,160 --> 00:33:44,040
Speaker 5: And then we went out of our thousand copies and

739
00:33:44,520 --> 00:33:47,520
Speaker 5: never to be that's it. And then about a couple

740
00:33:47,520 --> 00:33:49,760
Speaker 5: of months back, we noticed someone put it on YouTube.

741
00:33:50,360 --> 00:33:55,240
Speaker 5: So what was the band called Emotional Asylum Project.

742
00:33:56,040 --> 00:33:58,880
Speaker 4: Yes, I'm just getting Ryan on the Casey just type

743
00:33:58,920 --> 00:34:00,720
Speaker 4: in Emotional assign on YouTube.

744
00:34:00,760 --> 00:34:02,800
Speaker 1: This is the beauty YouTube. I love it so and

745
00:34:03,240 --> 00:34:04,560
Speaker 1: so you released this album.

746
00:34:04,720 --> 00:34:07,640
Speaker 3: Yeah, two hours of material. That's incredible and you've got it.

747
00:34:08,760 --> 00:34:11,520
Speaker 5: Yeah, Well, the album goes about thirty odd minutes. Your

748
00:34:11,600 --> 00:34:15,000
Speaker 5: quick album ten songs, but we played covered as well,

749
00:34:15,280 --> 00:34:17,440
Speaker 5: and but the album was what. A lot of the

750
00:34:17,800 --> 00:34:20,839
Speaker 5: people turned up to watch us playing backyards. And then

751
00:34:21,200 --> 00:34:23,839
Speaker 5: I think Greek in Greece, one of the guys from

752
00:34:23,920 --> 00:34:27,000
Speaker 5: Greek Rock Pages, he loved our album, our stuff on

753
00:34:27,080 --> 00:34:29,160
Speaker 5: their website, and we thought, what do we do now

754
00:34:29,880 --> 00:34:32,040
Speaker 5: when nobody's weren't even have a deal or nothing, And

755
00:34:32,560 --> 00:34:34,960
Speaker 5: we just kept playing backyards. And then we got married,

756
00:34:34,960 --> 00:34:35,640
Speaker 5: had children and.

757
00:34:37,200 --> 00:34:41,160
Speaker 6: And yeah, I've got it.

758
00:34:41,239 --> 00:34:41,600
Speaker 7: Here we go.

759
00:34:41,680 --> 00:34:44,880
Speaker 1: We've got emotional asylum. Here we go forget Texas.

760
00:34:45,400 --> 00:34:51,800
Speaker 4: This is going around Australia now, emotional silence, please question forever?

761
00:34:52,520 --> 00:35:07,120
Speaker 1: Are inevitable? What I like to It's metallic and meets Megadai.

762
00:35:08,640 --> 00:35:10,080
Speaker 1: Barry congrat.

763
00:35:10,280 --> 00:35:13,440
Speaker 5: Listen to listen to I'd suffer from insanity.

764
00:35:13,520 --> 00:35:14,040
Speaker 8: I enjoy it.

765
00:35:14,160 --> 00:35:14,960
Speaker 5: That's a killer track.

766
00:35:15,120 --> 00:35:18,920
Speaker 1: Okay, Oh wow, thank you, Barry, thank you. That's a

767
00:35:18,960 --> 00:35:22,080
Speaker 1: big deal. I still do You're not doing anything anything

768
00:35:22,160 --> 00:35:24,160
Speaker 1: now though, No, we.

769
00:35:24,320 --> 00:35:25,239
Speaker 8: Just we still.

770
00:35:25,320 --> 00:35:27,319
Speaker 5: We've only got about forty copies of the album left and.

771
00:35:27,360 --> 00:35:31,520
Speaker 3: We just do yourself a great memory of the time.

772
00:35:31,680 --> 00:35:34,840
Speaker 3: Thank you, Barry gem Gold.

773
00:35:34,840 --> 00:35:38,840
Speaker 1: It's Jonesy Demanda driving you home. Barnesy. He spends his

774
00:35:38,960 --> 00:35:40,360
Speaker 1: time in the garage.

775
00:35:39,960 --> 00:35:44,440
Speaker 4: There and someone's mom would have said Elizabeth down South Australia.

776
00:35:45,600 --> 00:35:47,279
Speaker 4: And then you know he was in a band called

777
00:35:47,320 --> 00:35:51,719
Speaker 4: Orange and that band went on to become Well Cold

778
00:35:51,800 --> 00:35:54,600
Speaker 4: Chisel do were you looking at me with this dumbfounded face?

779
00:35:54,800 --> 00:35:55,560
Speaker 3: Everyone knows?

780
00:35:56,120 --> 00:36:01,800
Speaker 1: Okay, Sorry, Johnny Dumbo. Really I didn't know that. Anyway,

781
00:36:01,800 --> 00:36:03,920
Speaker 1: we're talking about garage bands. You've never been in a

782
00:36:03,960 --> 00:36:04,520
Speaker 1: garage band.

783
00:36:04,800 --> 00:36:07,120
Speaker 3: It's by and large as the domain of men. I

784
00:36:07,200 --> 00:36:09,839
Speaker 3: think men do that and they like to have that's

785
00:36:09,920 --> 00:36:13,080
Speaker 3: the men's power group. Women do with that power group separately.

786
00:36:13,239 --> 00:36:15,360
Speaker 1: And this stems from a chat that you have with

787
00:36:15,440 --> 00:36:17,960
Speaker 1: Anita on your podcast Double a Chattery.

788
00:36:18,040 --> 00:36:20,720
Speaker 3: Yeah, about a group from the nineteen sixties who recorded

789
00:36:21,040 --> 00:36:24,000
Speaker 3: an Acetate that someone found not so long ago and

790
00:36:24,160 --> 00:36:26,440
Speaker 3: released it as an owl as a as an album

791
00:36:26,880 --> 00:36:29,840
Speaker 3: and he's found all the band members the one well,

792
00:36:29,840 --> 00:36:31,560
Speaker 3: there's two that aren't alive anymore than men in their

793
00:36:31,640 --> 00:36:34,840
Speaker 3: eighties and just the joy of who they used to

794
00:36:34,920 --> 00:36:36,320
Speaker 3: be in that moment in amber.

795
00:36:36,640 --> 00:36:42,719
Speaker 1: They're pretty good the glass Cage, I tell you though,

796
00:36:42,719 --> 00:36:48,200
Speaker 1: they're no bad there's no bad element that chases that.

797
00:36:48,280 --> 00:36:50,680
Speaker 1: I didn't want to be Hey, I know that I've

798
00:36:50,760 --> 00:36:57,600
Speaker 1: gotta three No harder singing drum, No that Dave Groll, No.

799
00:37:04,120 --> 00:37:09,920
Speaker 3: Tales of the garage band mass Yikes. Hello Matthew, how

800
00:37:10,040 --> 00:37:10,239
Speaker 3: are you?

801
00:37:11,120 --> 00:37:11,680
Speaker 5: I'm good, thank you?

802
00:37:11,680 --> 00:37:12,600
Speaker 10: How are you very well?

803
00:37:12,600 --> 00:37:14,000
Speaker 3: Tell us about your garage band?

804
00:37:14,480 --> 00:37:16,400
Speaker 10: Well, it was actually my father and law was I

805
00:37:16,520 --> 00:37:18,840
Speaker 10: want to hear the lead singer of a band that

806
00:37:19,040 --> 00:37:22,160
Speaker 10: ended up being called the forty What Banana the band

807
00:37:22,280 --> 00:37:27,480
Speaker 10: back in New Zealand. And the interesting thing was they

808
00:37:27,600 --> 00:37:32,360
Speaker 10: had a HMV hit in Ireland with a song called Nirvana,

809
00:37:32,880 --> 00:37:35,879
Speaker 10: which is a very psychedelic song, and on the flip

810
00:37:35,960 --> 00:37:38,279
Speaker 10: side of that was a James Taylor and Fire and

811
00:37:38,440 --> 00:37:45,319
Speaker 10: Rain done but with an upbeat. You listen to the two,

812
00:37:45,520 --> 00:37:47,960
Speaker 10: they do not make any correlation between the two of

813
00:37:48,040 --> 00:37:52,560
Speaker 10: each other. But initially enough for my children, the grandchildren,

814
00:37:52,560 --> 00:37:57,440
Speaker 10: and my father was eighty. Now the company in Spain

815
00:37:57,600 --> 00:37:59,799
Speaker 10: picked up the album and re released it into their

816
00:38:00,160 --> 00:38:03,520
Speaker 10: ninety and it's quite big in Spain, so they were

817
00:38:03,560 --> 00:38:06,560
Speaker 10: all as old men. They're all very proud of their records,

818
00:38:06,560 --> 00:38:07,279
Speaker 10: so it's pretty cool.

819
00:38:08,160 --> 00:38:11,200
Speaker 1: So why do you think the we're talking about it?

820
00:38:11,239 --> 00:38:13,640
Speaker 4: Do you find forty What banana forty what Banana? So

821
00:38:13,719 --> 00:38:16,080
Speaker 4: why do you think the Spaniards picked up on forty

822
00:38:16,160 --> 00:38:16,760
Speaker 4: What Banana?

823
00:38:17,280 --> 00:38:19,600
Speaker 10: I've asked the same question, but it was to do

824
00:38:19,800 --> 00:38:21,919
Speaker 10: with think it was a Faraay record or something picked

825
00:38:21,960 --> 00:38:24,000
Speaker 10: it up, and but then when they released it, it

826
00:38:24,120 --> 00:38:26,319
Speaker 10: was Spain that's picked it up. It's a very psychedelic.

827
00:38:26,480 --> 00:38:28,680
Speaker 10: The guy who's on there, one of the gods, is

828
00:38:28,719 --> 00:38:33,200
Speaker 10: a sitar player, I believe, touring with Stevie Nix and

829
00:38:33,280 --> 00:38:36,480
Speaker 10: so forth back in the day. But yeah, it's it's

830
00:38:36,520 --> 00:38:37,560
Speaker 10: a very trippy song and.

831
00:38:37,640 --> 00:38:38,640
Speaker 1: We're looking at the picture.

832
00:38:38,640 --> 00:38:40,880
Speaker 3: They love that album covers quite extremely look like a.

833
00:38:40,880 --> 00:38:45,520
Speaker 1: Bunch of geography teachers in skivvies and that is huge.

834
00:38:45,560 --> 00:38:47,799
Speaker 3: But also the big thick glasses they've really got.

835
00:38:47,719 --> 00:38:50,640
Speaker 10: The Which one is your father in law Matthew singing

836
00:38:50,680 --> 00:38:52,040
Speaker 10: with the glasses on to the side.

837
00:38:52,120 --> 00:38:56,000
Speaker 4: So he's a sick on the right hand him and

838
00:38:56,080 --> 00:39:00,279
Speaker 4: he's got a bongo in his hands. Okay, okay, let's

839
00:39:00,280 --> 00:39:03,080
Speaker 4: have listen screens. They're big in Spain and they bigger

840
00:39:03,120 --> 00:39:03,719
Speaker 4: in Australia.

841
00:39:03,800 --> 00:39:04,439
Speaker 1: Let's have a listen.

842
00:39:12,920 --> 00:39:13,719
Speaker 6: Oh I like it.

843
00:39:25,400 --> 00:39:26,600
Speaker 3: It was quite indian Ish.

844
00:39:29,040 --> 00:39:29,880
Speaker 1: I think it's a sit o.

845
00:39:32,800 --> 00:39:39,440
Speaker 3: It's a baby sitar and the had gone mass Matthew,

846
00:39:39,600 --> 00:39:41,680
Speaker 3: how what ear are we talking about? Is that sixties?

847
00:39:41,880 --> 00:39:44,759
Speaker 10: That was that was released in seventy one? The band

848
00:39:44,840 --> 00:39:47,960
Speaker 10: formed in sixty eight and they got the band named

849
00:39:48,000 --> 00:39:50,360
Speaker 10: forty What Banana because they're going they're from New Zealand

850
00:39:50,360 --> 00:39:52,600
Speaker 10: and they're going on to it like a bandstand show

851
00:39:52,680 --> 00:39:55,680
Speaker 10: in the late sixties. And the producer came in and said,

852
00:39:55,719 --> 00:39:58,000
Speaker 10: wats your band name? And they didn't have one, and

853
00:39:58,200 --> 00:40:00,560
Speaker 10: someone said, forty what Banana? My favel?

854
00:40:01,040 --> 00:40:01,839
Speaker 7: How did that happen?

855
00:40:02,320 --> 00:40:04,920
Speaker 10: I say, he goes there what I've been We're not

856
00:40:05,000 --> 00:40:05,399
Speaker 10: too sure.

857
00:40:07,880 --> 00:40:11,439
Speaker 4: Matthew thinks that's great, thank you. I reckon, that's just great.

858
00:40:11,680 --> 00:40:13,440
Speaker 4: I'll say this, they're no bad element.

859
00:40:13,840 --> 00:40:17,080
Speaker 1: I'll just say this, what to do?

860
00:40:17,840 --> 00:40:23,040
Speaker 3: That hes a zero, It's got no appeal that.

861
00:40:24,680 --> 00:40:27,200
Speaker 1: It's very hard to dram and sing. So you keep

862
00:40:27,280 --> 00:40:31,360
Speaker 1: saying named after a falsey White could so thank you

863
00:40:31,440 --> 00:40:32,680
Speaker 1: for thank you so much.

864
00:40:32,680 --> 00:40:33,239
Speaker 3: I've loved that.

865
00:40:33,440 --> 00:40:36,120
Speaker 1: You know, Speaking of musicians, what about Adam Juris?

866
00:40:36,239 --> 00:40:38,040
Speaker 3: Will we speaking?

867
00:40:38,840 --> 00:40:41,560
Speaker 4: We're all cut from the same cloth. The Counting Crows

868
00:40:41,600 --> 00:40:44,200
Speaker 4: front man is joining us next hour. And also Instagram

869
00:40:44,320 --> 00:40:45,479
Speaker 4: makes us return on Gold.

870
00:40:46,520 --> 00:40:49,040
Speaker 2: You're listening to the Jonesy and Demanda podcast.

871
00:40:51,880 --> 00:40:53,560
Speaker 6: Still many request for them to do it again.

872
00:40:56,200 --> 00:40:58,279
Speaker 3: Mentioned lay off the moonshine.

873
00:40:59,280 --> 00:41:06,120
Speaker 1: Man's Everything's going peachy pie.

874
00:41:06,239 --> 00:41:09,120
Speaker 3: We're into our third hour. I have to congratulate you.

875
00:41:09,680 --> 00:41:11,959
Speaker 3: You have not mentioned Married at First Sight?

876
00:41:12,200 --> 00:41:12,399
Speaker 7: Yeah?

877
00:41:12,800 --> 00:41:14,640
Speaker 3: Have you finally weaned yourself off it?

878
00:41:14,760 --> 00:41:17,279
Speaker 4: You know, it has entered Married at First Sight has

879
00:41:17,520 --> 00:41:19,760
Speaker 4: entered the self awareness stage.

880
00:41:20,719 --> 00:41:23,200
Speaker 1: And I mean they because they're aware that they're on

881
00:41:23,320 --> 00:41:24,560
Speaker 1: TV and even more.

882
00:41:25,960 --> 00:41:28,799
Speaker 4: And it's at this part of it and it's so performative,

883
00:41:29,000 --> 00:41:30,160
Speaker 4: it's just become fake.

884
00:41:30,680 --> 00:41:34,000
Speaker 1: It's as fake as according to it bride geers.

885
00:41:34,320 --> 00:41:40,000
Speaker 3: It's fake as my to be honest, they are too bad.

886
00:41:40,320 --> 00:41:42,680
Speaker 1: Is that saying that that's her husband? Scott?

887
00:41:43,320 --> 00:41:45,160
Speaker 3: Come on, it sounds like Yoda.

888
00:41:47,719 --> 00:41:49,160
Speaker 1: Anyway. Yeah, I'm just right now.

889
00:41:49,239 --> 00:41:52,000
Speaker 3: I'm just you're still watching. By the sound, I do

890
00:41:52,160 --> 00:41:55,000
Speaker 3: watch it, but you know, so fake and performative.

891
00:41:55,320 --> 00:42:00,759
Speaker 1: Quick froth at the mouth coming up, Instant grand is

892
00:42:00,960 --> 00:42:03,000
Speaker 1: on its way. Two thousand dollars could be yours and

893
00:42:03,360 --> 00:42:03,680
Speaker 1: all that.

894
00:42:04,040 --> 00:42:06,320
Speaker 3: How exciting that from the County Crows.

895
00:42:06,440 --> 00:42:12,080
Speaker 4: Adam Duritz joining us on goal. Jonesy Gold it's Jonesy

896
00:42:12,120 --> 00:42:13,239
Speaker 4: demanded driving you home.

897
00:42:13,440 --> 00:42:16,440
Speaker 3: This is very exciting. Counting Crows are back on Australian

898
00:42:16,520 --> 00:42:20,360
Speaker 3: soil with their complete sweets tour. The last time front

899
00:42:20,440 --> 00:42:22,279
Speaker 3: man Adam Durittz popped into our.

900
00:42:22,280 --> 00:42:24,120
Speaker 1: Studio, what did I say to Alum?

901
00:42:24,320 --> 00:42:25,520
Speaker 3: Alum? Did I say? Alam?

902
00:42:25,680 --> 00:42:27,360
Speaker 6: I've been thinking of my changing my name to Alam

903
00:42:27,360 --> 00:42:29,239
Speaker 6: at some point. Anyways, I'd like to see a pat

904
00:42:29,239 --> 00:42:30,680
Speaker 6: of the time, so I don't look foolish.

905
00:42:30,719 --> 00:42:31,840
Speaker 3: Can you change it to Alam?

906
00:42:31,960 --> 00:42:34,439
Speaker 6: Yeah? I could do this afternoon, Adam Dura.

907
00:42:34,560 --> 00:42:37,879
Speaker 3: So, last time Adam was in our studio, you weren't

908
00:42:37,960 --> 00:42:40,440
Speaker 3: very impressed with the state of our microphones or our studio.

909
00:42:40,640 --> 00:42:41,800
Speaker 3: But hey, new studio.

910
00:42:42,040 --> 00:42:42,360
Speaker 7: Who this?

911
00:42:42,520 --> 00:42:44,919
Speaker 3: Look at this? Look look where we are. It's pretty cool.

912
00:42:44,960 --> 00:42:46,120
Speaker 6: Now this is the view of the center. I can

913
00:42:46,160 --> 00:42:48,440
Speaker 6: see our hotel. What was my problem with the studio?

914
00:42:48,640 --> 00:42:51,359
Speaker 4: You didn't like the microphone, and I appreciate that because

915
00:42:51,360 --> 00:42:54,480
Speaker 4: we're using these terrible, cheap microphones. But now we have

916
00:42:54,600 --> 00:42:57,680
Speaker 4: the Re twenty, the greatest microphone in the world.

917
00:42:57,880 --> 00:42:59,560
Speaker 6: Oh you were the Ari twenty.

918
00:43:00,440 --> 00:43:04,040
Speaker 1: I was gonna say microphone perf is me now, But I.

919
00:43:04,080 --> 00:43:05,400
Speaker 6: Mean, of course I know the are twenty.

920
00:43:05,960 --> 00:43:08,480
Speaker 4: You know, I look at how long when mister Jones

921
00:43:08,560 --> 00:43:10,640
Speaker 4: came out all those years ago, I was in this

922
00:43:10,760 --> 00:43:12,920
Speaker 4: business and I heard it, and I just knew it

923
00:43:13,080 --> 00:43:14,200
Speaker 4: was going to be a great song.

924
00:43:14,280 --> 00:43:15,439
Speaker 3: Because your surname is Joan.

925
00:43:15,880 --> 00:43:18,239
Speaker 4: There is that, but no, I just thought, and I

926
00:43:18,360 --> 00:43:20,399
Speaker 4: just listened to it over and over again. And there's

927
00:43:20,440 --> 00:43:22,320
Speaker 4: other songs in life when you hear them for the

928
00:43:22,400 --> 00:43:24,880
Speaker 4: first time and you say that thing's going to be around.

929
00:43:24,880 --> 00:43:28,320
Speaker 1: Forever, it never dates. Do you do you appreciate that

930
00:43:28,440 --> 00:43:29,680
Speaker 1: more and more as time goes on?

931
00:43:29,840 --> 00:43:32,600
Speaker 6: Do you go, Wow, that was a yeah, you nail it?

932
00:43:32,719 --> 00:43:34,600
Speaker 6: Sometimes that song was real. I thought that song was

933
00:43:34,680 --> 00:43:36,759
Speaker 6: great though. I thought round Here was going to be

934
00:43:36,800 --> 00:43:38,600
Speaker 6: a really big deal because I thought it was unlike

935
00:43:38,680 --> 00:43:39,279
Speaker 6: anything else.

936
00:43:39,400 --> 00:43:41,920
Speaker 4: Yeah, and when you mentioned around Here, I always find

937
00:43:42,040 --> 00:43:43,959
Speaker 4: I love listening to that because it's got a nice

938
00:43:44,280 --> 00:43:45,279
Speaker 4: melancholy to it.

939
00:43:45,719 --> 00:43:48,239
Speaker 1: You know, she only lasts when she's nervous, you know.

940
00:43:48,320 --> 00:43:50,879
Speaker 1: It just it just such a nice song.

941
00:43:51,120 --> 00:43:54,200
Speaker 6: I'm a first class moper, Like I'm the top of

942
00:43:54,239 --> 00:43:56,120
Speaker 6: the line Mober when it comes to that, I've got

943
00:43:56,200 --> 00:43:58,000
Speaker 6: I've got a lot of experience. I can mope with

944
00:43:58,040 --> 00:43:58,319
Speaker 6: the best.

945
00:43:58,360 --> 00:43:59,719
Speaker 3: One does that make you fun at home.

946
00:44:00,120 --> 00:44:01,600
Speaker 6: Oh, I'm a joy to be around.

947
00:44:02,000 --> 00:44:02,160
Speaker 9: You know.

948
00:44:02,239 --> 00:44:06,920
Speaker 6: It's actually my band. They love my wife, and I

949
00:44:07,000 --> 00:44:12,160
Speaker 6: think it's because somehow, as a result of her, I'm

950
00:44:12,200 --> 00:44:15,000
Speaker 6: now more of whatever the word for not an asshole

951
00:44:15,120 --> 00:44:18,680
Speaker 6: is whatever, whatever that is. She's had a brilliant effect

952
00:44:18,760 --> 00:44:22,239
Speaker 6: on me. I have trouble finding the mope. If anything right,

953
00:44:22,880 --> 00:44:23,839
Speaker 6: I'm a good state.

954
00:44:24,000 --> 00:44:24,200
Speaker 1: Yeah.

955
00:44:24,360 --> 00:44:27,399
Speaker 3: When you travel, now, do you bring things from home?

956
00:44:28,280 --> 00:44:29,960
Speaker 3: Is there a staple that you think, Well, I'm on

957
00:44:30,040 --> 00:44:33,600
Speaker 3: the road, I need to teddy bear or special knife

958
00:44:33,640 --> 00:44:34,080
Speaker 3: and fork?

959
00:44:34,719 --> 00:44:37,120
Speaker 6: Are you that kind of a person when we're on

960
00:44:37,239 --> 00:44:40,239
Speaker 6: tour in America? Like I bring I have a bad back,

961
00:44:40,320 --> 00:44:42,080
Speaker 6: So there's certain pillows that are good, so I bring

962
00:44:42,160 --> 00:44:42,680
Speaker 6: them on the bus.

963
00:44:43,160 --> 00:44:44,760
Speaker 3: You don't want to be seen walking through an airport

964
00:44:44,840 --> 00:44:45,520
Speaker 3: carrying a pillow.

965
00:44:45,719 --> 00:44:47,279
Speaker 6: No, No, I don't think you ever want to be

966
00:44:47,360 --> 00:44:49,719
Speaker 6: seen leaving your house with a pillow. There's a lot

967
00:44:49,760 --> 00:44:51,800
Speaker 6: of judgment, like if you're just leaving your house for

968
00:44:51,880 --> 00:44:52,960
Speaker 6: any reason with a pillow.

969
00:44:53,640 --> 00:44:56,200
Speaker 1: Stevie Nicks, she used to take a mattress with her.

970
00:44:56,360 --> 00:44:59,640
Speaker 6: Did she Where did the mattress go on the bus?

971
00:45:00,120 --> 00:45:02,960
Speaker 4: Yeah, that's that's the question. I would have asked Stevie,

972
00:45:03,040 --> 00:45:05,319
Speaker 4: and know I would love to ask her because mattresses,

973
00:45:05,800 --> 00:45:08,080
Speaker 4: I don't know, cumbersome, they are very cumbersome.

974
00:45:08,200 --> 00:45:10,280
Speaker 6: But I mean, I guess if you just I imagine,

975
00:45:10,320 --> 00:45:11,759
Speaker 6: maybe she just put it in the back of the

976
00:45:11,840 --> 00:45:14,560
Speaker 6: bus and it was where she slept. Yeah, you wouldn't

977
00:45:14,560 --> 00:45:15,600
Speaker 6: take it to the hotel.

978
00:45:15,560 --> 00:45:17,400
Speaker 1: Although I heard that she took it to the hotel,

979
00:45:17,920 --> 00:45:18,680
Speaker 1: so it was a whole thing.

980
00:45:18,719 --> 00:45:19,640
Speaker 3: It's not a power trip.

981
00:45:19,760 --> 00:45:21,640
Speaker 1: Maybe once again you'll have to haves Stevie.

982
00:45:22,280 --> 00:45:24,200
Speaker 4: On another note, the last time we spoke to you,

983
00:45:24,920 --> 00:45:28,319
Speaker 4: we were talking about your impressive dreadlocks that you had

984
00:45:28,440 --> 00:45:30,640
Speaker 4: back in the nineties. And the last time we spoke

985
00:45:30,840 --> 00:45:33,120
Speaker 4: was when you cut it all off and you and

986
00:45:33,239 --> 00:45:35,719
Speaker 4: you went to someone's house and you dunked your hat

987
00:45:35,880 --> 00:45:36,600
Speaker 4: under the seat.

988
00:45:36,680 --> 00:45:38,239
Speaker 6: I did that at a lot of houses. You just

989
00:45:38,640 --> 00:45:40,120
Speaker 6: I did that a lot of time. Well, you know,

990
00:45:40,160 --> 00:45:42,440
Speaker 6: it was such a refreshing feeling when you haven't, like

991
00:45:42,680 --> 00:45:47,160
Speaker 6: run your head underwater very much for thirty years. It's

992
00:45:47,320 --> 00:45:50,840
Speaker 6: just so nice, Like it was like the sensation that

993
00:45:51,040 --> 00:45:53,440
Speaker 6: was so pleasurable that I would like I'd be over

994
00:45:53,480 --> 00:45:55,319
Speaker 6: a friend's house having dinner and I would like pass

995
00:45:55,400 --> 00:45:58,160
Speaker 6: by the guest bathroom, and I would just like, it's.

996
00:45:58,000 --> 00:46:00,560
Speaker 3: Almost worth the drid's back, so get rid of them

997
00:46:00,640 --> 00:46:02,640
Speaker 3: again to read discover the pleasure.

998
00:46:02,760 --> 00:46:06,399
Speaker 6: I'm okay, okay, thank you for you know, I think

999
00:46:06,440 --> 00:46:09,279
Speaker 6: they're just uh. I really loved them and they helped

1000
00:46:09,360 --> 00:46:11,600
Speaker 6: me like feel like myself for the first time in

1001
00:46:11,640 --> 00:46:13,600
Speaker 6: my life. But I'm also fine without them.

1002
00:46:13,840 --> 00:46:14,000
Speaker 9: You know.

1003
00:46:14,080 --> 00:46:15,879
Speaker 6: It's like nice to kind of just good.

1004
00:46:15,920 --> 00:46:18,239
Speaker 1: Hey, you got solid hair, so it's doing okay.

1005
00:46:18,360 --> 00:46:19,879
Speaker 6: You know it could be it could be a lot

1006
00:46:19,960 --> 00:46:22,680
Speaker 6: worse at my age. You know, I got a fair

1007
00:46:22,719 --> 00:46:24,480
Speaker 6: amount of it left. Yeah, and uh, you know I

1008
00:46:24,520 --> 00:46:26,760
Speaker 6: could use some more, but that's not gonna happen. Doesn't

1009
00:46:26,760 --> 00:46:27,320
Speaker 6: go in that direction.

1010
00:46:27,480 --> 00:46:29,319
Speaker 1: That's true, and of a wander.

1011
00:46:29,600 --> 00:46:32,400
Speaker 4: I'm fifty eight this year, and I've wondering about my

1012
00:46:32,480 --> 00:46:33,759
Speaker 4: own hair, and I've got a bit of a devon

1013
00:46:33,800 --> 00:46:34,919
Speaker 4: patch happening on the back.

1014
00:46:35,320 --> 00:46:36,840
Speaker 1: So I'm very grateful for what I have.

1015
00:46:37,440 --> 00:46:39,640
Speaker 6: You guys call them like that. It's called the devon patch.

1016
00:46:40,440 --> 00:46:41,560
Speaker 6: I mean it happens to guys.

1017
00:46:41,680 --> 00:46:41,719
Speaker 7: Like.

1018
00:46:42,080 --> 00:46:43,920
Speaker 6: The nice thing about is you don't think about it

1019
00:46:44,040 --> 00:46:45,960
Speaker 6: much because you don't see it much. Yeah, but I've

1020
00:46:46,040 --> 00:46:48,520
Speaker 6: realized in the last couple of years that with they

1021
00:46:48,600 --> 00:46:50,560
Speaker 6: used to just be uh, you know, the big ampathy

1022
00:46:50,600 --> 00:46:52,719
Speaker 6: as where we're playing in America, they have usually camera

1023
00:46:52,760 --> 00:46:55,120
Speaker 6: crews because they're so big, they have the screens, you know. Yeah,

1024
00:46:55,320 --> 00:46:57,200
Speaker 6: And usually the camera crews were just right out in

1025
00:46:57,200 --> 00:46:59,080
Speaker 6: front of you. So even that was fine. But there's

1026
00:46:59,120 --> 00:47:02,480
Speaker 6: a lot more sort of like AI Runner mechanically run

1027
00:47:02,760 --> 00:47:05,400
Speaker 6: cameras pods around the stage now and they catch you

1028
00:47:05,440 --> 00:47:07,279
Speaker 6: from more angles than they used to. So I'll be

1029
00:47:07,320 --> 00:47:09,279
Speaker 6: singing a song and I'll look up on the and

1030
00:47:09,360 --> 00:47:11,479
Speaker 6: I'll see the screen and I'll be like, oh, damn,

1031
00:47:14,520 --> 00:47:15,160
Speaker 6: they got me there.

1032
00:47:15,480 --> 00:47:24,239
Speaker 1: Yeah, damn it. I Love possibly one of the greatest songs.

1033
00:47:24,400 --> 00:47:26,320
Speaker 4: And You've told me this story before, and I just

1034
00:47:26,400 --> 00:47:29,360
Speaker 4: love it is just how accidentally I Love came about.

1035
00:47:29,520 --> 00:47:32,520
Speaker 1: You approached to write a song for the movie Shrake. Yeah,

1036
00:47:32,760 --> 00:47:34,759
Speaker 1: and you just came up with it. Well, it took

1037
00:47:34,800 --> 00:47:35,120
Speaker 1: a while.

1038
00:47:35,160 --> 00:47:37,560
Speaker 6: I mean I almost I was really stumped for a

1039
00:47:37,640 --> 00:47:39,320
Speaker 6: long time. I knew what I wanted to do, but

1040
00:47:39,520 --> 00:47:42,200
Speaker 6: I was really having trouble coming up with something that

1041
00:47:42,480 --> 00:47:45,960
Speaker 6: worked that wasn't either too heavy or too meaningless and

1042
00:47:46,200 --> 00:47:48,680
Speaker 6: kind of light. And I was getting ready to leave

1043
00:47:48,719 --> 00:47:50,759
Speaker 6: for a European tour. I'd been working on it for

1044
00:47:50,800 --> 00:47:53,200
Speaker 6: about a month, and I was on the verge of

1045
00:47:53,320 --> 00:47:55,800
Speaker 6: calling DreamWorks up and saying, hey, I don't want to

1046
00:47:55,840 --> 00:47:57,719
Speaker 6: leave you in the lurch. You should call somebody else

1047
00:47:57,719 --> 00:47:59,719
Speaker 6: because I'm getting nowhere and I have to go on tour.

1048
00:48:00,280 --> 00:48:03,319
Speaker 6: And then like two or three days before we left,

1049
00:48:03,400 --> 00:48:06,560
Speaker 6: I got the verse music and the chorus music and

1050
00:48:07,200 --> 00:48:09,440
Speaker 6: maybe a verse and a chorus lyrically, and so I

1051
00:48:09,480 --> 00:48:12,000
Speaker 6: could just finish it in hotel rooms. I finished it

1052
00:48:12,040 --> 00:48:14,680
Speaker 6: in some hotel rooms in England. I was this close

1053
00:48:14,760 --> 00:48:16,400
Speaker 6: to like calling them up because I didn't want them

1054
00:48:16,440 --> 00:48:18,440
Speaker 6: to get screwed. I just couldn't get anywhere for a.

1055
00:48:18,440 --> 00:48:19,320
Speaker 3: Long certain.

1056
00:48:21,360 --> 00:48:22,840
Speaker 1: It, and I would love to.

1057
00:48:23,120 --> 00:48:24,640
Speaker 4: I think we should just play it now as we

1058
00:48:24,719 --> 00:48:27,440
Speaker 4: wrap this up with you, and maybe you could do

1059
00:48:27,480 --> 00:48:28,399
Speaker 4: a little DJ intro.

1060
00:48:28,520 --> 00:48:30,439
Speaker 1: Do you ever do a DJ intro to your own song?

1061
00:48:31,040 --> 00:48:31,799
Speaker 6: I guess I could.

1062
00:48:31,960 --> 00:48:33,680
Speaker 1: You could. So We've got Accidentally in.

1063
00:48:33,719 --> 00:48:38,160
Speaker 4: Love, You're on gold, and then we can play it

1064
00:48:38,200 --> 00:48:41,239
Speaker 4: all right, Okay, do you miss DJ if you want to.

1065
00:48:41,680 --> 00:48:44,000
Speaker 6: Hey, this is Adam from Counting Crows. You're on gold

1066
00:48:44,040 --> 00:48:47,319
Speaker 6: and you've got Accidentally in Love. Coming up right now.

1067
00:48:47,600 --> 00:48:51,520
Speaker 1: Oh so smooth, No, not smooth, I'm not smooth.

1068
00:48:52,160 --> 00:48:56,840
Speaker 4: Just Gold Jem jam Gold is Jonsey the man to

1069
00:48:56,960 --> 00:49:00,640
Speaker 4: drive your home across Australia. Whenever they're speaking, it's used

1070
00:49:00,760 --> 00:49:03,000
Speaker 4: to talk about we go straight out to the Jonesy

1071
00:49:03,040 --> 00:49:03,719
Speaker 4: de Man of arms.

1072
00:49:03,800 --> 00:49:04,000
Speaker 6: Four.

1073
00:49:04,760 --> 00:49:07,279
Speaker 12: The pub test top test does not past the pub test,

1074
00:49:07,360 --> 00:49:11,320
Speaker 12: hub teest test Test sub testub.

1075
00:49:10,760 --> 00:49:12,279
Speaker 1: Test doesn't pass the sniff test.

1076
00:49:12,440 --> 00:49:15,520
Speaker 4: To stop it, it's not today. We were talking about

1077
00:49:15,640 --> 00:49:17,520
Speaker 4: your weekend activities.

1078
00:49:17,200 --> 00:49:19,040
Speaker 3: Last weekend, and I want to know your thoughts on this.

1079
00:49:19,360 --> 00:49:21,680
Speaker 3: So it's this brilliant party that I went to and

1080
00:49:21,800 --> 00:49:24,520
Speaker 3: the next day they were having. It's at a beachside

1081
00:49:24,560 --> 00:49:25,680
Speaker 3: area and we can't.

1082
00:49:25,520 --> 00:49:27,879
Speaker 1: Talk about this because it's a big mover and shaker party.

1083
00:49:28,040 --> 00:49:30,880
Speaker 3: It was just friends. Okay, some people I knew you were,

1084
00:49:30,960 --> 00:49:31,520
Speaker 3: some I didn't.

1085
00:49:31,640 --> 00:49:34,080
Speaker 4: But your friends are the sort of people the most

1086
00:49:34,120 --> 00:49:35,840
Speaker 4: people go, oh whoa, hang on, look at this.

1087
00:49:36,000 --> 00:49:37,919
Speaker 3: No, I've got about one or two of those. Yeah,

1088
00:49:38,120 --> 00:49:39,040
Speaker 3: and you're not one of them.

1089
00:49:41,520 --> 00:49:41,680
Speaker 7: Was that?

1090
00:49:41,920 --> 00:49:43,560
Speaker 3: And they spray your face with mate.

1091
00:49:43,400 --> 00:49:45,239
Speaker 4: Biaks volumes that I wasn't there, but you know what

1092
00:49:45,320 --> 00:49:47,799
Speaker 4: I mean, you're a big deal, don't so you move

1093
00:49:47,920 --> 00:49:49,600
Speaker 4: in circles of big deals.

1094
00:49:49,760 --> 00:49:53,560
Speaker 3: Brenda, let me tell this story, please. So the next

1095
00:49:53,680 --> 00:49:55,560
Speaker 3: day after this big party, because a lot of people

1096
00:49:55,560 --> 00:49:58,719
Speaker 3: stayed for the night in the beach location, next day

1097
00:49:58,840 --> 00:50:04,960
Speaker 3: a barbecue, recovery, barbecue, breakfast, brilliant and swim. I have

1098
00:50:05,040 --> 00:50:07,520
Speaker 3: another friend who she and I often discussed this, if

1099
00:50:07,560 --> 00:50:10,680
Speaker 3: you ever invited anywhere that involves a pool and adult

1100
00:50:10,760 --> 00:50:13,960
Speaker 3: pool party, we said, we'd rather lose a finger. I'd

1101
00:50:14,040 --> 00:50:17,399
Speaker 3: rather look like I've joined the Yakuza than be seen

1102
00:50:17,440 --> 00:50:20,440
Speaker 3: in a suit yakuza. Please pronunciation.

1103
00:50:20,520 --> 00:50:23,120
Speaker 1: Actually, in the US, I am, and they've.

1104
00:50:22,960 --> 00:50:24,840
Speaker 3: Told me, if you're going to talk about.

1105
00:50:24,640 --> 00:50:28,800
Speaker 1: Us, get it rolled up your hand. You've got a

1106
00:50:28,800 --> 00:50:29,359
Speaker 1: pinky there.

1107
00:50:29,480 --> 00:50:32,520
Speaker 3: No, that's because I won't get into a cozy. Will

1108
00:50:32,600 --> 00:50:33,640
Speaker 3: you do this, Brendan?

1109
00:50:33,680 --> 00:50:35,000
Speaker 1: If you are you?

1110
00:50:35,680 --> 00:50:39,120
Speaker 3: Are you that comfortable that anywhere you go you have

1111
00:50:39,239 --> 00:50:40,480
Speaker 3: you to strip off and be in a cosey in

1112
00:50:40,520 --> 00:50:43,920
Speaker 3: front of that As an adult pool party, lots of

1113
00:50:44,040 --> 00:50:47,160
Speaker 3: people adults go. We've been starting this with the girls

1114
00:50:47,200 --> 00:50:49,719
Speaker 3: in the office. Lots of people who own pools say,

1115
00:50:49,800 --> 00:50:50,759
Speaker 3: come over for a pup.

1116
00:50:51,640 --> 00:50:53,239
Speaker 1: So was this it a pool or at a beach?

1117
00:50:53,320 --> 00:50:55,840
Speaker 3: This is at a beach which wasn't circle.

1118
00:50:55,920 --> 00:50:56,919
Speaker 1: So it's a private beach.

1119
00:50:57,120 --> 00:50:58,640
Speaker 3: No, it's not a private beach, not like the one

1120
00:50:58,680 --> 00:51:01,080
Speaker 3: you have. No, this is not a private beach. But

1121
00:51:02,200 --> 00:51:06,120
Speaker 3: if there's a swimming costume involved, I'm not going to

1122
00:51:06,200 --> 00:51:06,600
Speaker 3: be there.

1123
00:51:07,640 --> 00:51:10,120
Speaker 1: Would you. I've never seen you in a swimming costs No, No,

1124
00:51:11,719 --> 00:51:12,359
Speaker 1: a long time.

1125
00:51:12,400 --> 00:51:13,960
Speaker 3: Imagine the ammunition.

1126
00:51:13,640 --> 00:51:15,640
Speaker 1: That you've seen me in a pair of budgies span

1127
00:51:15,800 --> 00:51:16,000
Speaker 1: I have.

1128
00:51:16,840 --> 00:51:22,120
Speaker 3: It's amazing that I haven't mocked you more. The little

1129
00:51:22,160 --> 00:51:27,480
Speaker 3: gaby at the back, I had them on backwards. But

1130
00:51:27,600 --> 00:51:30,000
Speaker 3: this I just to know what you think. Some people

1131
00:51:30,080 --> 00:51:32,520
Speaker 3: and I'd love to be this comfortable, but no one has.

1132
00:51:33,280 --> 00:51:35,920
Speaker 1: Okay, I know that you live in or move in

1133
00:51:35,960 --> 00:51:38,319
Speaker 1: different circles to me, but no one.

1134
00:51:39,680 --> 00:51:42,359
Speaker 4: No one has adult pool parties unless it's some sort

1135
00:51:42,360 --> 00:51:44,919
Speaker 4: of widow swinger or a very rich person.

1136
00:51:45,000 --> 00:51:46,800
Speaker 3: If you go to someone's house, or you go to

1137
00:51:46,880 --> 00:51:50,600
Speaker 3: someone's house for an afternoon barbecue and everyone is in

1138
00:51:50,640 --> 00:51:53,160
Speaker 3: swing costumes. I've been talking about this with girls who

1139
00:51:53,239 --> 00:51:56,320
Speaker 3: work here and always say you get invited to places

1140
00:51:56,360 --> 00:51:58,840
Speaker 3: where people have an expectation being in.

1141
00:51:59,200 --> 00:52:01,680
Speaker 4: And that I only he's not trouble. I remember years

1142
00:52:01,719 --> 00:52:05,839
Speaker 4: ago there was a pool party, not a pool party,

1143
00:52:05,880 --> 00:52:08,719
Speaker 4: but just gathering. Was hot day and one of my

1144
00:52:08,840 --> 00:52:12,920
Speaker 4: mates is another mate's wife was in a bikini and

1145
00:52:13,040 --> 00:52:16,080
Speaker 4: she sat on his knee and that caused trouble for years.

1146
00:52:16,120 --> 00:52:18,359
Speaker 1: And I'm doing this happened about fifteen sixteen years.

1147
00:52:18,400 --> 00:52:19,799
Speaker 3: If she'd been clothed, would there being a.

1148
00:52:20,040 --> 00:52:22,080
Speaker 4: I've been probably okay, But she was in a bikini

1149
00:52:22,200 --> 00:52:24,320
Speaker 4: and the big chat was if you're in a bikini,

1150
00:52:24,360 --> 00:52:29,239
Speaker 4: you can't sit on another man's No, But.

1151
00:52:29,280 --> 00:52:31,400
Speaker 3: I don't even want to be in a swimming costume

1152
00:52:31,800 --> 00:52:32,720
Speaker 3: amongst adults.

1153
00:52:32,800 --> 00:52:33,080
Speaker 9: I know.

1154
00:52:34,840 --> 00:52:36,960
Speaker 3: I can only put so many people's eyes out.

1155
00:52:37,480 --> 00:52:42,480
Speaker 1: Let's just I to know, just me. I think it's everyone.

1156
00:52:42,320 --> 00:52:45,160
Speaker 3: Adult pool parties. Some people are okay with this adult

1157
00:52:45,200 --> 00:52:47,040
Speaker 3: pool parties. Do they pass the public?

1158
00:52:47,120 --> 00:52:49,239
Speaker 1: Thirteen fifty five twenty two is our number. We'd love

1159
00:52:49,280 --> 00:52:50,920
Speaker 1: to hear from you. We'll have that for you on.

1160
00:52:51,080 --> 00:52:57,759
Speaker 2: Gold jamacious, that's money, extra cash, jonesy and amandas.

1161
00:52:59,000 --> 00:53:02,040
Speaker 1: Thursday's a good day to win some money.

1162
00:53:02,160 --> 00:53:05,400
Speaker 3: It's a no such thing as a badge night to

1163
00:53:05,440 --> 00:53:06,000
Speaker 3: win money.

1164
00:53:06,440 --> 00:53:08,680
Speaker 1: Ten questions, sixty seconds of the clock. You could pass.

1165
00:53:08,719 --> 00:53:10,000
Speaker 4: If you don't know an answer, will come back to

1166
00:53:10,080 --> 00:53:12,440
Speaker 4: that question. If time permits, get all the questions right

1167
00:53:12,960 --> 00:53:13,840
Speaker 4: one thousand dollars.

1168
00:53:13,880 --> 00:53:15,960
Speaker 3: You can make it two thousand dollars by answering a

1169
00:53:16,000 --> 00:53:17,719
Speaker 3: bonus question, but it's a double or nothing.

1170
00:53:17,840 --> 00:53:20,959
Speaker 1: Elizabeth has joined as Hello Elizabeth, Hi.

1171
00:53:21,000 --> 00:53:23,200
Speaker 3: There, Hello Elizabeth. Let's see if we can give you

1172
00:53:23,280 --> 00:53:24,880
Speaker 3: some money. We haven't given it away from.

1173
00:53:26,480 --> 00:53:28,960
Speaker 4: Can I just ask you, Elizabeth, you were going to

1174
00:53:29,040 --> 00:53:31,400
Speaker 4: a pool party, an adult pool party?

1175
00:53:32,280 --> 00:53:34,359
Speaker 1: Would you go? Would the test?

1176
00:53:34,400 --> 00:53:36,640
Speaker 3: Would you be happy to receive an invitation to an

1177
00:53:36,640 --> 00:53:40,239
Speaker 3: adult pool party? Oh? Wait, why not?

1178
00:53:40,560 --> 00:53:41,600
Speaker 11: I'll do anything once?

1179
00:53:41,800 --> 00:53:44,400
Speaker 3: And would you stand around in your cozy with adults

1180
00:53:44,440 --> 00:53:44,800
Speaker 3: that you know?

1181
00:53:46,640 --> 00:53:46,920
Speaker 5: Umm?

1182
00:53:47,880 --> 00:53:48,960
Speaker 7: Maybe with a cover up?

1183
00:53:49,160 --> 00:53:51,160
Speaker 3: Yes, like a space blanket.

1184
00:53:52,239 --> 00:53:54,719
Speaker 1: Yes, that's what I'd have on pop on us are wrong?

1185
00:53:55,880 --> 00:53:56,680
Speaker 1: You go, Elizabeth.

1186
00:53:56,880 --> 00:54:01,360
Speaker 3: Ten questions sixty seconds. If you're not sure, say pass, okay, okay, Elizabeth,

1187
00:54:01,400 --> 00:54:03,880
Speaker 3: Here we go. He comes. Question number one? What flavor

1188
00:54:03,960 --> 00:54:05,000
Speaker 3: is barbecue sauce?

1189
00:54:08,520 --> 00:54:08,840
Speaker 7: Pass?

1190
00:54:09,360 --> 00:54:13,600
Speaker 3: Question two? What's the name of my co host Jonty?

1191
00:54:13,840 --> 00:54:15,840
Speaker 3: Question three? Bacon comes from? Which animal?

1192
00:54:17,200 --> 00:54:17,520
Speaker 10: The pig?

1193
00:54:17,719 --> 00:54:20,280
Speaker 3: Question four? What's the latest iPhone?

1194
00:54:22,719 --> 00:54:23,040
Speaker 7: Pass?

1195
00:54:23,320 --> 00:54:27,759
Speaker 3: Question five? Finish this ossy ossy ossy Oi oi oi.

1196
00:54:28,040 --> 00:54:31,000
Speaker 3: Question six and Frank and Bridget Jones both write in

1197
00:54:31,239 --> 00:54:35,479
Speaker 3: Both wrote in what type of book Diaries? Question seven?

1198
00:54:35,640 --> 00:54:40,719
Speaker 3: Sodium chloride is commonly known as what pass question eight?

1199
00:54:41,000 --> 00:54:42,640
Speaker 3: What's the only bird that walks upright?

1200
00:54:45,120 --> 00:54:45,440
Speaker 5: Pass?

1201
00:54:45,880 --> 00:54:48,920
Speaker 3: Question nine? What activity do you do an eskimo roll?

1202
00:54:52,120 --> 00:54:52,440
Speaker 11: Pass?

1203
00:54:53,320 --> 00:54:55,080
Speaker 3: Question ten? What's the fourth planet.

1204
00:54:54,840 --> 00:54:55,319
Speaker 1: From the sun?

1205
00:54:57,600 --> 00:54:59,200
Speaker 3: The fourth planet? Did I say fourth?

1206
00:54:59,600 --> 00:54:59,799
Speaker 1: Yep?

1207
00:55:01,920 --> 00:55:03,759
Speaker 3: Um guess one?

1208
00:55:04,120 --> 00:55:04,400
Speaker 1: Mars?

1209
00:55:04,640 --> 00:55:08,040
Speaker 3: Yes, Mars. They were hard today. I think they were hardless.

1210
00:55:08,080 --> 00:55:09,880
Speaker 3: But the first one is as obvious as you think

1211
00:55:09,920 --> 00:55:11,320
Speaker 3: it is. What flavor is barbecue?

1212
00:55:11,400 --> 00:55:11,680
Speaker 1: Sauce?

1213
00:55:12,000 --> 00:55:12,640
Speaker 10: Barbecue?

1214
00:55:13,080 --> 00:55:13,400
Speaker 8: Okay?

1215
00:55:13,880 --> 00:55:16,480
Speaker 3: And the latest iPhone is seventeen?

1216
00:55:17,440 --> 00:55:18,120
Speaker 5: Oh okay?

1217
00:55:18,400 --> 00:55:19,760
Speaker 3: Sodium chloride is salt?

1218
00:55:21,000 --> 00:55:21,640
Speaker 5: Oh my gosh.

1219
00:55:21,719 --> 00:55:23,959
Speaker 3: She only book walks upright as a penguin? What about

1220
00:55:23,960 --> 00:55:27,560
Speaker 3: an emu? And think I was gonna say ostreach They

1221
00:55:27,640 --> 00:55:28,600
Speaker 3: walk up right, don't they?

1222
00:55:29,440 --> 00:55:29,680
Speaker 2: Yeah?

1223
00:55:29,920 --> 00:55:31,720
Speaker 1: Do they not as well dressed as penguins?

1224
00:55:31,800 --> 00:55:35,160
Speaker 3: That's true? And if you're doing an eskimo role, you're kayaking?

1225
00:55:36,280 --> 00:55:37,839
Speaker 5: Oh okay, Yeah, they.

1226
00:55:37,760 --> 00:55:38,399
Speaker 3: Were tricky today.

1227
00:55:38,520 --> 00:55:41,000
Speaker 4: You have to say jonesy the peak, Yeah, said Jones

1228
00:55:42,160 --> 00:55:44,000
Speaker 4: was the peak. I'm glad that that won't be used

1229
00:55:44,320 --> 00:55:47,120
Speaker 4: out of context. Well, Elizabeth, thank you, Elizabeth.

1230
00:55:47,160 --> 00:55:49,200
Speaker 3: We will play again tomorrow and coming up next to

1231
00:55:49,239 --> 00:55:52,360
Speaker 3: the pub Test adult pool parties do they pass the

1232
00:55:52,400 --> 00:55:52,879
Speaker 3: pub Test?

1233
00:55:53,080 --> 00:55:55,279
Speaker 2: On Gold you can see a whole lot more of

1234
00:55:55,440 --> 00:55:58,440
Speaker 2: Jonesy and Amanda on our socials. Follow us on Instagram

1235
00:55:58,520 --> 00:55:59,120
Speaker 2: and Facebook.

1236
00:55:59,239 --> 00:56:01,120
Speaker 1: Let's get on down the Jonesy the man of arms

1237
00:56:01,160 --> 00:56:01,839
Speaker 1: for the pub Test.

1238
00:56:02,400 --> 00:56:04,960
Speaker 12: The pub Test Top Test does not past the pub Test,

1239
00:56:05,040 --> 00:56:07,879
Speaker 12: hub Test Test test Test.

1240
00:56:08,080 --> 00:56:10,080
Speaker 1: The pub Test doesn't pass the swift test and.

1241
00:56:10,239 --> 00:56:13,000
Speaker 4: Stop it A man at a party on the weekend,

1242
00:56:13,080 --> 00:56:14,560
Speaker 4: the big movers and shakers.

1243
00:56:14,760 --> 00:56:17,960
Speaker 3: That was just me and my cozy and well the

1244
00:56:18,040 --> 00:56:20,920
Speaker 3: day after there was if you wanted to a fabulous

1245
00:56:21,560 --> 00:56:26,120
Speaker 3: catch up, recovery breakfast and a swim. Yep, I'm happy

1246
00:56:26,200 --> 00:56:26,839
Speaker 3: to go to the beach.

1247
00:56:26,920 --> 00:56:28,799
Speaker 1: I'm happy to be gana wear a cozy.

1248
00:56:29,040 --> 00:56:35,480
Speaker 3: Ryan Hard, I'm happy to be in a cozy at

1249
00:56:35,480 --> 00:56:37,920
Speaker 3: the beach all those sorts of things. But with people

1250
00:56:38,040 --> 00:56:38,480
Speaker 3: that I know.

1251
00:56:39,440 --> 00:56:42,160
Speaker 4: No, i've known you, I don't want that twenty six,

1252
00:56:42,440 --> 00:56:44,640
Speaker 4: twenty seven years now, I've never seen you in a cozy.

1253
00:56:44,800 --> 00:56:50,080
Speaker 3: No, it's it's just something. I don't feel comfortable in

1254
00:56:50,200 --> 00:56:51,440
Speaker 3: a cozy around people that I know.

1255
00:56:51,960 --> 00:56:53,920
Speaker 1: It's harder for a woman than a man, I think so.

1256
00:56:54,440 --> 00:56:56,839
Speaker 3: I think so. And I've got a friend and we've

1257
00:56:56,840 --> 00:57:00,239
Speaker 3: both said we'd rather lose a finger than go to

1258
00:57:00,560 --> 00:57:01,320
Speaker 3: a pool party.

1259
00:57:02,600 --> 00:57:05,960
Speaker 1: And that's why we're talking in pub test Wise, adult pool.

1260
00:57:05,719 --> 00:57:08,120
Speaker 3: Parties do they pass the pub test? Really is?

1261
00:57:08,200 --> 00:57:09,319
Speaker 7: Of course they touch it.

1262
00:57:09,400 --> 00:57:12,680
Speaker 2: And they don't need to get a flattery costumes. They

1263
00:57:12,760 --> 00:57:15,560
Speaker 2: can feel comfortable yet they of.

1264
00:57:15,760 --> 00:57:19,960
Speaker 5: Course, I'm a Seize twenty. I'll swim in anybody of water.

1265
00:57:20,520 --> 00:57:22,800
Speaker 7: I just wouldn't walk around in my cozy, but I'll

1266
00:57:22,880 --> 00:57:24,560
Speaker 7: swim in anybody.

1267
00:57:24,040 --> 00:57:26,840
Speaker 8: Of water, enjoy the water, enjoy the water.

1268
00:57:26,960 --> 00:57:29,640
Speaker 7: I'm about to go for a swim now, I'm a those.

1269
00:57:29,440 --> 00:57:30,520
Speaker 5: Twenty who cares?

1270
00:57:30,840 --> 00:57:31,880
Speaker 8: Oh, most certainly do.

1271
00:57:32,320 --> 00:57:34,439
Speaker 7: But the thing is you're gonna wear a g string

1272
00:57:34,560 --> 00:57:35,040
Speaker 7: or something like that.

1273
00:57:35,280 --> 00:57:37,080
Speaker 10: You know, if you're going to make it an adult party,

1274
00:57:37,120 --> 00:57:38,760
Speaker 10: you really make it an adult party.

1275
00:57:38,880 --> 00:57:39,640
Speaker 6: I'm with Amna.

1276
00:57:39,800 --> 00:57:41,640
Speaker 10: I don't want someone else looking at me in my

1277
00:57:41,720 --> 00:57:44,840
Speaker 10: swimming costume. I don't even get in my swimming costume

1278
00:57:45,000 --> 00:57:47,080
Speaker 10: in my own fool. Why would I do that in

1279
00:57:47,160 --> 00:57:49,480
Speaker 10: front of people that I don't necessarily know.

1280
00:57:49,880 --> 00:57:53,560
Speaker 3: No, interesting, isn't it? And it's not about going in

1281
00:57:53,600 --> 00:57:55,439
Speaker 3: the water. I'm not a massive swimmer. But I'm happy

1282
00:57:55,480 --> 00:57:57,120
Speaker 3: to go for a shop. But I'm not one of

1283
00:57:57,120 --> 00:57:58,600
Speaker 3: those people who has to be in the water every day.

1284
00:57:58,640 --> 00:58:01,400
Speaker 1: About water theme part that's always tall and you have

1285
00:58:01,520 --> 00:58:01,920
Speaker 1: to walk.

1286
00:58:01,840 --> 00:58:04,320
Speaker 3: Up ladders and people's faces are in your bomb.

1287
00:58:04,840 --> 00:58:08,600
Speaker 4: That's you know, because on one hand you've got the ride,

1288
00:58:08,880 --> 00:58:11,600
Speaker 4: what you're looking forward to, but on the other hand,

1289
00:58:11,880 --> 00:58:15,040
Speaker 4: a long queueup, I'm in the face, big disgrace.

1290
00:58:15,400 --> 00:58:18,840
Speaker 3: Right are you two? That's enough, we will see you tomorrow.

1291
00:58:19,160 --> 00:58:19,840
Speaker 3: We're out of here.

1292
00:58:20,160 --> 00:58:22,120
Speaker 4: If you want to catch up at today's show, head

1293
00:58:22,160 --> 00:58:26,240
Speaker 4: to Jonesidemanda dot com dot are you We'll see you then, Good.

1294
00:58:26,160 --> 00:58:26,480
Speaker 10: Day to you.

1295
00:58:27,080 --> 00:58:28,919
Speaker 1: Well, thank god that's over.

1296
00:58:29,640 --> 00:58:32,680
Speaker 2: Catch up on the Jonesy and Amanda podcast. Download the

1297
00:58:32,760 --> 00:58:34,360
Speaker 2: free iHeart app now.

1298
00:58:34,360 --> 00:58:37,520
Speaker 1: Skip here.

1299
00:58:39,680 --> 00:58:43,480
Speaker 2: Every second of Jonesy and Demanda on demand. Search for

1300
00:58:43,600 --> 00:58:44,960
Speaker 2: us now on the iHeart app