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Speaker 1: The Will and Woody Podcast.

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Speaker 2: Someone with one hundred thousand dollars tomorrow, all thanks to

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Speaker 2: the brand new version the Wall, and Harry Garside's going

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Speaker 2: to join us really, so don't interrupt my anchoring every again.

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Speaker 1: That you're going to really give it to me during

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Speaker 1: the next song.

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Speaker 2: I reckon.

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Speaker 3: Anyway, let's talk about Denzel Washington. He's absolutely lost on

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Speaker 3: the Red carpet. Denzel seems like a pretty cool customer.

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Speaker 3: Usually Denesel Washington, I would say so, seems like a.

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Speaker 2: Bit of a megalomaniac from.

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Speaker 3: Well, when he's on the screen. Maybe that's his character,

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Speaker 3: that's he's acting. He's acting Will.

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Speaker 2: No, I mean like outside of that, I understand what

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Speaker 2: he's an actor.

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Speaker 3: Oh well, no, I think he's I haven't seen him

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Speaker 3: too much Hubris, Eh well, I haven't seen him lose

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Speaker 3: it in public like this. He's just walking the Cahn

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Speaker 3: Red carpet and he goes past some photographers, so.

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Speaker 2: They call it the Red carnt out of interest.

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Speaker 1: Not sure.

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Speaker 2: Oh, there is an opportunity.

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Speaker 3: There, No doubt that'd be great for marketing, No doubt

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Speaker 3: the Red carn But anyway, he's on the red can

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Speaker 3: and he can't keep his anger down when he passes

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Speaker 3: some photographers, and like, I'm not one hundred percent sure

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Speaker 3: what's happened here, because obviously I'm getting a visual of

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Speaker 3: this from the story from a while.

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Speaker 1: You hear exactly what he's saying. But I think what's

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Speaker 1: happened is that they took a.

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Speaker 3: Photo of him from his bad side, and Denzel is

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Speaker 3: obviously very insecure about what appears to be the left

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Speaker 3: side of his face, and he has just launched at

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Speaker 3: these photographers. Now, I want to say again that I'm

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Speaker 3: not one hundred percent sure if that's the reason that

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Speaker 3: he got really angry, but it would appear to me

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Speaker 3: that when you take a photo from Denzel's left he

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Speaker 3: gets very very angry. And it's a perfect example, I think,

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Speaker 3: well of just like I think we all have small

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Speaker 3: things in our lives.

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Speaker 2: Sorry, I hope it's an example of something, because well,

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Speaker 2: that really was a meaningless story, wasn't it.

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Speaker 1: Well, mate, well yeah, that's the point. The point is

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Speaker 1: it seems like nothing, but.

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Speaker 2: He absolutely cracked it, right.

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Speaker 1: He is like staring at this photographer, pointing at it.

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Speaker 1: Abusive language.

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Speaker 3: I imagine I didn't hear it digitally, but I imagine

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Speaker 3: he's swearing there.

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Speaker 2: So that's the hole in the audio.

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Speaker 1: No, no audio.

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Speaker 2: Did you want to do a real life role play?

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Speaker 1: No, no I don't.

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Speaker 3: But a few people got worried about that outside you

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Speaker 3: did you absolutely?

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Speaker 1: But again this is like he hates that, right.

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Speaker 3: So I think we all have small things in our

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Speaker 3: lives that we get way too angry out though to

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Speaker 3: try and relate to Denzel. So for me, for example,

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Speaker 3: if I lose the sock in.

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Speaker 2: The wash, yeah, like that sucks.

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Speaker 1: That ruins my entire day. That's like a house clear.

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Speaker 1: I need to go for a walk around the block.

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Speaker 1: I get so angry.

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Speaker 3: Another one for me, if I'm driving in my car

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Speaker 3: and I make the effort to let went into the traffic, Yeah,

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Speaker 3: I have pulled to the side. I like, they know

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Speaker 3: I have pulled to the side to let them in. Yeah,

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Speaker 3: and they don't give me some indication of appreciation. Yeah,

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Speaker 3: I need to pull that car over and I just

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Speaker 3: have five minutes out. Wow, I get so angry. That

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Speaker 3: says a lot more about you anything? They are you anything?

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Speaker 2: There? Well?

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Speaker 1: These things do they say a lot about it?

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Speaker 2: A favor for the sake of somebody's you know, for

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Speaker 2: the sake of it.

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Speaker 1: Give me a small weight, Just give just give me

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Speaker 1: an Just give me one finger.

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Speaker 2: You don't need it.

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Speaker 1: Just give me a wink.

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Speaker 2: You don't need it. Just give me a No. Don't

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Speaker 2: let them in.

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Speaker 3: If that's what you're doing it, don't Now, I don't.

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Speaker 3: Here's another one for me. When I'm at cafes. You know,

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Speaker 3: when someone's done with the newspaper. Yeah, they've clearly they've

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Speaker 3: they've read the newspaper, and the breakfast comes, and rather

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Speaker 3: than returning the newspaper to the communal area in the cafe,

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Speaker 3: they just folded in half and put it on the

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Speaker 3: edge of their table.

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Speaker 2: You're like, I don't have a newspaper, but you go

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Speaker 2: and ask for it.

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Speaker 1: No, but then they say that I'm still ready to it.

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Speaker 2: Well that might be no, but they're not.

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Speaker 1: They're eating their breakfast.

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Speaker 2: Might be picking it. They might be picking through.

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Speaker 1: I'm sure. Yeah, you would be with someone.

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Speaker 3: You you'd fold the paper and you'd say that paper's mine,

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Speaker 3: as fell like our number thirteen one oh sixty five.

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Speaker 2: Get your phone out of that.

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Speaker 1: I like to be off the screens.

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Speaker 2: Speaking of small things that you get angry about. You

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Speaker 2: on the photography side of things. If you ask someone

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Speaker 2: to take your photo, what ding dong. I hate it

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Speaker 2: when people still do landscape.

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Speaker 1: I think that's in the moment landscape, but like, is

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Speaker 1: it not?

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Speaker 2: Who's using landscape? I'm not going to post it up

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Speaker 2: as my Facebook background profile. You know when they used

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Speaker 2: to put the you know that that wide shot, Like,

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Speaker 2: no one's doing that anymore. Why do we need landscape?

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Speaker 2: I'm not flipping the phone, dude, We're just gonna look

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Speaker 2: like sardines on a sixteen to nine when I'm holding

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Speaker 2: the like, just take the photo. You just all in

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Speaker 2: use the zoom button.

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Speaker 1: I find if it's four or more, I've got to

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Speaker 1: go landscape.

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Speaker 2: That's a landscape photographer. Go go and buy a nikon

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Speaker 2: and piss off and photograph a sunset. Emily is killed, Emily,

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Speaker 2: little thing that annoys you. Sorry, Emily, you sound like

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Speaker 2: a landscape person as well. Sorry about that.

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Speaker 4: I came my husbands.

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Speaker 2: Yeah, it's a real middle aged around down you know

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Speaker 2: a little bit, just to get your options.

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Speaker 1: Give the options. Little thing that you talk to me,

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Speaker 1: my pet peeve.

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Speaker 5: I used to work at a McDonald's in a fruit

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Speaker 5: court center, and my pet papers when people leave rubbish

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Speaker 5: on the table.

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Speaker 6: It's not it's.

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Speaker 2: I mean, it is outrageous when Emily spinal pillow for

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Speaker 2: you good stuff.

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Speaker 1: That's sort of an environment thing though, It's just like

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Speaker 1: the bin is right there in the mall.

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Speaker 2: I just put at the guys. What about people who

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Speaker 2: sign off emails with just the first letter of their

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Speaker 2: first do that? You do that?

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Speaker 1: You do? I told you that DICKO does it. Digson

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Speaker 1: in a week later. No one's got time to write

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Speaker 1: I double L. You're just doing double you dare you

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Speaker 1: got those people?

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Speaker 2: It's a good feel.

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Speaker 1: It's a real flex.

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Speaker 2: I'm so busy you You're like, God, I just write

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Speaker 2: your name.

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Speaker 3: I'm so busy, I can't write the rest of my

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Speaker 3: Name't rageous.

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Speaker 2: It's kind of familiar though, look at you.

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Speaker 3: You're gonna start doing it, Josh.

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Speaker 2: What's a little thing.

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Speaker 1: That annoys you? My friend?

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Speaker 7: It's something that probably shouldn't but people that don't return

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Speaker 7: the trolleys to the trolley ba. It is the smallest

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Speaker 7: thing and if it defines a goosh human being, and

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Speaker 7: it just boils my blood watching people even in car spaces.

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Speaker 1: Josh, have you got history being there?

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Speaker 3: I've always thought the person who stacks together those trolleys

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Speaker 3: and taken back to the store, that's one of the

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Speaker 3: hardest jobs to ever do.

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Speaker 1: Was that you, Josh?

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Speaker 7: Well, I was a bit younger. I was pushing some

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Speaker 7: trollies around my steel. But I don't think it's st.

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Speaker 1: You've got two trolley returners in here, Josh. Don't you

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Speaker 1: worry about that, my friend.

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Speaker 2: People that I'm banned from the zero market? Actually, what

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Speaker 2: about people that put not because I did anything wrong?

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Speaker 2: People put there when you know when people get little

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Speaker 2: dogs chauhahas fish on freeze dash ones and they put

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Speaker 2: them in their handbag. You know, when they put them

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Speaker 2: in their bag, we'll just find keep it in your bake,

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Speaker 2: keeping your bait. It's absolutely fine. It doesn't give you

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Speaker 2: a license to bring the dog into the cafe and

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Speaker 2: sit on the seat with the dog. Ah. So you

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Speaker 2: think I don't know why that pissed me off? It

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Speaker 2: really gift get shocked. You can't bring it's about you

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Speaker 2: don't even know there's a dog in there. It's so small.

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Speaker 2: Scares the ship out of here. Yeah, you knock your

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Speaker 2: coffee over. This is sounding very specific.

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Speaker 1: Happened to you?

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Speaker 2: This morning, obviously, Michelle. They should have to declare, like

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Speaker 2: when you go through customs, that you've got a dog

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Speaker 2: in your bag. Just why we had customs all of

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Speaker 2: a sudden, because it customs. You declare things customers, right,

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Speaker 2: you declare. I think you should have to declare when

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Speaker 2: you go somewhere, just so you know, live creature in

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Speaker 2: my handbag, so when you walk into the caf. It's

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Speaker 2: a pretty fair thing to do.

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Speaker 1: So make a public announcement at a cafe.

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Speaker 2: Excuse me before I walk in here, I've got a

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Speaker 2: live animal on me on my person. That's it's like

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Speaker 2: you to have to put your fire firearms down at

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Speaker 2: the front, and.

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Speaker 1: You're very angry, Michelle, what are you going to do?

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Speaker 2: Coffee? Okay?

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Speaker 8: I think my peppy is. You know, when you're traveling

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Speaker 8: in the traffic and you've got roadwork and you've got

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Speaker 8: to stick it out forty forty kilometers and there are

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Speaker 8: pots that you're thirty nine, you're thirty eight, You're like,

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Speaker 8: I'm waiting for it to say thank you, and if

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Speaker 8: it doesn't say thank you, I might just have to

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Speaker 8: do a hui.

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Speaker 6: And go back again.

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Speaker 1: You know, it gains me Michelle when it says roadwork.

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Speaker 3: You know, I don't know if you find this, but

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Speaker 3: you know when it says roadworks, it says slight to

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Speaker 3: forty and you're like, yeah, great, no worries, I'll do it.

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Speaker 3: You go to forty and you go, you go for

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Speaker 3: you know, five minutes or so, there's not one sign

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Speaker 3: of roadworks.

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Speaker 1: Oh yeah, that is this a big prank the camera?

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Speaker 1: Where was the roadworks?

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Speaker 2: Yeah, it's I just forgot to take the sign down.

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Speaker 2: You don't realize that has impected me that or just

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Speaker 2: vic Rydes is filming. You're you're driving. It's a good

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Speaker 2: bit a shot at the Christmas party at the ind

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Speaker 2: of the year.

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Speaker 1: Enough, you got me, Chris, what small thing gets you annoyed? Mate?

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Speaker 2: Yeah?

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Speaker 9: Guys, look, this is something else men can probably all

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Speaker 9: relate to. But my missus threw out my couple of

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Speaker 9: pairs of old Calvin Klein unders. Yes they were a

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Speaker 9: little bit loose in certain areas, and yes they had

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Speaker 9: a few holes, but on the only one that season.

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Speaker 2: You know.

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Speaker 9: And now she has replaced them with these brand new

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Speaker 9: pair of tidy whiteies. So now here I am picking

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Speaker 9: and pulling at myself all day because I'm uncomfortable, like

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Speaker 9: you know that were mine?

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Speaker 2: You know, yeah, imagine if you changed your jocks over Chris,

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Speaker 2: can you imagine? I?

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Speaker 9: Yeah, I'm just absolutely annoyed.

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Speaker 2: We can hear that. We can hear that. Chris Harry

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Speaker 2: Garside's in the studio, fresh from his return to boxing mate. Welcome.

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Speaker 2: We've been talking quite chat about this, but how's a feel.

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Speaker 10: Yeah, I am so bloody grateful to be back. I

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Speaker 10: felt like for the back end of twenty twenty four,

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Speaker 10: I was definitely considering other options outside of boxing. I

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Speaker 10: really wasn't sure if I was ever going to get

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Speaker 10: back in the ring again. So I'm happy that I

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Speaker 10: stepped away and really sort of wanted to make sure

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Speaker 10: that when if I was to step back in that

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Speaker 10: I'm doing it for the right reasons. And I just

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Speaker 10: feel very focused and you know, very switched on for

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Speaker 10: what's next.

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Speaker 3: What was the turning point for you, because I know

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Speaker 3: it was very unsure about professional boxing and staff, Like,

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Speaker 3: was there a moment where it was like, yep, I

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Speaker 3: want to go back.

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Speaker 5: Yeah.

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Speaker 10: I think it's it was more around like you know

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Speaker 10: that book Regrets of the Dying. There's a book and

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Speaker 10: it's like they and I just was like constantly thinking about, like,

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Speaker 10: what am I going to be like when I'm seventy

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Speaker 10: eighty on my deathbed, you know, And I think twenty seven,

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Speaker 10: I turned twenty out this year, arguably your athletic prime

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Speaker 10: for the next four or five years, Like this is

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Speaker 10: the time to do it. So I've dedicated so much

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Speaker 10: of my life to it. It makes me feel so alive.

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Speaker 10: It makes me feel so myself because I've done it

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Speaker 10: for so long, and I just I think I would

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Speaker 10: regret it if I wasn't to give it one last nudge.

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Speaker 10: And I do think as well, I lost my respect

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Speaker 10: between the two Olympics. For myself. It doesn't matter about

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Speaker 10: anyone else, but I lost my respect as an athlete

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Speaker 10: because I got distracted with fame and the world coming

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Speaker 10: at me so quickly. And I just I just feel

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Speaker 10: like the big thing for me is just getting that

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Speaker 10: back over the next three four years, and then when

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Speaker 10: I've got that, hopefully I've got far enough on the

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Speaker 10: journey that I can retire with my respect.

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Speaker 2: We spoke to you straight after the loss in Paris,

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Speaker 2: which was a shock for you, I imagine. I know you're

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Speaker 2: probably trying to compartmentalize it and put in perspective at

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Speaker 2: the time. But you know, you could hear that there

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Speaker 2: was a lot of loss or guilt or grief whatever

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Speaker 2: you want to call that. Where's the moment where you

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Speaker 2: kind of roll over and you go, oh, would am

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Speaker 2: I getting hit in the head again? It's good point,

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Speaker 2: is that right with what I'm saying, there was there

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Speaker 2: was like a loss or definitely definitely.

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Speaker 10: I also think it's almost like people ask me, like,

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Speaker 10: if I could go back to Paris, you know and

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Speaker 10: change the outcome, would you? And I don't know if

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Speaker 10: I would. I really do think like the universe pools.

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Speaker 10: I'm quite spiritual, but the universe pulls you in the

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Speaker 10: way that you desire. You need to learn the lesson

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Speaker 10: and I learned so many things from that loss in Paris.

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Speaker 10: But then also the twenty year journey leading into the loss,

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Speaker 10: you know, I needed to sort of get distracted by

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Speaker 10: fame and I needed to maybe not sharp as the

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Speaker 10: best athlete that I possibly could be, so then I

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Speaker 10: can reflect on that and go like what actually is

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Speaker 10: important to me, you know, and showing up as an

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Speaker 10: athlete and before a tournament starts and looking yourself in

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Speaker 10: the mirror, going like, I am truly the best athlete

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Speaker 10: I possibly can be the best man that I can

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Speaker 10: be in this moment right now, and regardless of an outcome,

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Speaker 10: like that's.

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Speaker 2: All that matters.

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Speaker 10: You know, you've won already. And I don't know if

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Speaker 10: I felt like that prior to Paris, because I was distracted, you.

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Speaker 3: Know, in the time though, in the moment before Paris,

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Speaker 3: though you felt ready, you filled one hundred percent in

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Speaker 3: that moment.

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Speaker 10: Yeah, So I kept saying to myself it was almost

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Speaker 10: like a justification, right, So I kept saying, like I

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Speaker 10: felt so relaxed, I felt so ready, and I kept saying,

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Speaker 10: this must be the difference between a bronze medal and

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Speaker 10: a gold medal. This must be how gold medals feel.

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Speaker 10: So everything I was feeling before Paris, I was justifying it.

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Speaker 10: Where it's like, that's not the difference between a bronze

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Speaker 10: medal and a gold medal. The feelings of relaxedness and

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Speaker 10: you know, feeling ready for the moment and just super

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Speaker 10: blase a like that's the difference between not even getting

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Speaker 10: an outcome, you know. Yeah, you know, for an athlete,

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Speaker 10: it's really important to feel nervous Yeah, to feel, you know,

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Speaker 10: to feel like the world is potentially going to crumble

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Speaker 10: if you don't make ends meet you know, which.

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Speaker 3: Is that how you felt before the professional fight last week?

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Speaker 3: Like look back to that, like I'm nervous.

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Speaker 7: Yeah.

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Speaker 10: For me, I've just got something to prove to myself again,

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Speaker 10: you know, like I know what I'm capable of, and

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Speaker 10: I just twenty twenty three, twenty twenty four, I didn't

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Speaker 10: meet it, you know, and I've got to reflect on that.

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Speaker 10: And you know, if you continuously run the same pattern,

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Speaker 10: it's like, you know, that's up to you if you

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Speaker 10: want to realize that and grow. And I just want

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Speaker 10: this year and the years to come and be a

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Speaker 10: lot better than the last two.

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Speaker 3: And post fight, of course, you get a little bit delirious.

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Speaker 3: I imagine I've never had a boxing fight, but I

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Speaker 3: think it was twelve hours after the fight, I received

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Speaker 3: a nude photo for.

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Speaker 1: A new Harry Yeah.

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Speaker 10: Yeah, yeah, yeah, give the people what they.

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Speaker 2: Want, Yeah, exactly. I think he's trying to act a

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Speaker 2: little bit weird about vibe back in the boxing ring.

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Speaker 2: Ended up first professional boxing fight last week against Charlie

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Speaker 2: Bell in Sydney. Tkoo Freeman playing at home is a

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Speaker 2: technical knockout, so the referee basically goes, I think you've

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Speaker 2: lost it. You're still standing, but no longer with us.

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Speaker 10: Yeah, I kind of felt felt if it happened a

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Speaker 10: little bit earlier, I would understand it. But I kind

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Speaker 10: of felt sorry for my opponent, Charlie Bell, like I do,

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Speaker 10: think he'd probably deserved to make it to the end.

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Speaker 10: He only had three minutes.

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Speaker 2: This is a weird thing. We were talking about this

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Speaker 2: in the song before, and we're talking about how many

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Speaker 2: rounds boxing were, and you told me that the longest

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Speaker 2: fight ever recorded was in two hundred and something. It

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Speaker 2: was like two hundred and something rounds. You wanting something round?

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Speaker 1: Crazy?

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Speaker 2: And then I said, well, how many is it now thirteen?

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Speaker 2: He said, no, no, it's twelve, but I wish it

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Speaker 2: was fifteen. Why do you want? Why do you want longer?

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Speaker 11: Like? Why?

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Speaker 2: I look at that and I'm just like, okay, cool.

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Speaker 2: If I cannot that guy out really quickly, get the

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Speaker 2: hell out of here, that'd be great. But there's something

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Speaker 2: about boxes. We You do love the punish, don't you.

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Speaker 10: Oh, it's arguably the best place you can go in

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Speaker 10: the world.

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Speaker 2: You feel, you feel so alive.

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Speaker 10: And don't get me wrong, I always feel like, let's

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Speaker 10: say you're not fighting, but like this sounds so silly

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Speaker 10: to say I reckon road rage is a good thing.

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Speaker 10: And the says like obviously obviously not getting out of

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Speaker 10: the context, obviously not getting out of your car, and

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Speaker 10: like fighting someone, but like letting you had a bit

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Speaker 10: of emotion, Like it's nice to sort of, you know,

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Speaker 10: get that frustration out, you know, before you turns it up.

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Speaker 10: That's why I think boxing for me anyway, it's just

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Speaker 10: a place where I can go and it's an energy exchange.

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Speaker 10: I release and then I'm just neutral and I build

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Speaker 10: up some pentape energy.

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Speaker 2: Let it go.

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Speaker 1: Every time I fight.

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Speaker 2: It's the best and I can feel it on you.

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Speaker 2: Now you feel relieved, you feel alive.

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Speaker 10: I'm here. Yeah, that's also like monkeys on a spinning

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Speaker 10: rock in the middle of nowhere.

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Speaker 5: Up.

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Speaker 10: It's good to do some fun things.

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Speaker 2: I love that. I love that, and I love that

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Speaker 2: you're no longer addicted to the fame or anything like that.

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Speaker 2: But you are in the next season of Dancing with

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Speaker 2: the Stars.

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Speaker 1: Which is very exciting. Caught out body can't wait for it.

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Speaker 2: I can't dance to Save Me life. And we're talking

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Speaker 2: before about the LA Olympics, So twenty twenty eight is

391
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Speaker 2: that on the Kazi? Is that something you want to

392
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Speaker 2: you want to aim for now?

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Speaker 10: I'm so I'm so unsure, Like I'm one of the

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Speaker 10: most patriotic people you will meet, but I am very

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Speaker 10: conscious that I think, I think to travel as an

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Speaker 10: Olympic athlete, you travel overseas so much, and I just

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Speaker 10: I'm really conscious that I want to be dad by

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Speaker 10: thirty five, you know, and I'm twenty seven and twenty

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Speaker 10: eight this year, and I just think when you travel

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Speaker 10: so much as an Olympic athlete, you can't foster relationships

401
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Speaker 10: and communion. Yeah, for sure, And that's something that I

402
00:16:32,080 --> 00:16:34,600
Speaker 10: am conscious of, and but it would be hard to

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Speaker 10: sort of rule it out completely. I'm sure when it

404
00:16:36,240 --> 00:16:38,720
Speaker 10: gets closer and closer, Yeah, we're in that grand and gold.

405
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Speaker 10: There's no greater.

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Speaker 3: Onor how old will you be at thirty one thirty one?

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Speaker 3: And in the boxing world, is thirty one still a

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Speaker 3: pretty good age.

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Speaker 10: To be Yeah, I'd say probably up until about thirty

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Speaker 10: three and then you can Yeah, so like definitely still

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Speaker 10: competitive Olympic boxing is young people it's a lot more

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Speaker 10: like average age, probably twenty five six.

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Speaker 2: Does the head knock things that to play to be

414
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Speaker 2: down because I was the longer that you get hit

415
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Speaker 2: in the head. For now we know that, you know,

416
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Speaker 2: there's obviously some pretty horrific repercussions with that, with everything

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Speaker 2: that's going on at the moment, with examining people's brains

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Speaker 2: after they've been playing contact sports, et cetera.

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Speaker 10: Yeah, I've definitely, I've definitely made a deal with myself

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Speaker 10: that I want to be in the sport for three

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Speaker 10: four years and I want to try and push it

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Speaker 10: as far as I can gain my respect back to

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Speaker 10: an athlete. But if I get knocked out at all

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Speaker 10: that process, I'll walk away.

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Speaker 2: Oh wow, Okay, being a dad, that's a wise decision. Yeah,

426
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Speaker 2: being a dad is.

427
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Speaker 10: Way more important. And you don't want your kid, you know,

428
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Speaker 10: I really want to be a dad.

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Speaker 2: I can't wait for that day.

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Speaker 10: But I don't want my kid getting a secondary version

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Speaker 10: of me because I've dedicated.

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Speaker 2: My whole life to something.

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Speaker 10: You know, and I think I think being of service

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Speaker 10: to someone as a dad would be way more more

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Speaker 10: special and way more important.

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Speaker 2: Oh mate, You'll be a great dad. Because of that,

437
00:17:47,040 --> 00:17:49,080
Speaker 2: because you're already thinking about it. That's awesome. You seem

438
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Speaker 2: to be taking all of your decisions as always with

439
00:17:51,680 --> 00:17:53,480
Speaker 2: a lot of poise and a lot of thoughts. So

440
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Speaker 2: it's very cool to have you in the studio as

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Speaker 2: always and get all your thoughts. You inspiring mate. Thanks

442
00:17:58,080 --> 00:17:58,399
Speaker 2: coming in.

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Speaker 10: Thanks boys, always good to be in.

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Speaker 2: What is life's greatest stooging?

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Speaker 7: Oh stooge?

446
00:18:04,560 --> 00:18:04,800
Speaker 11: Now?

447
00:18:05,240 --> 00:18:08,960
Speaker 2: Now, the pioneer of the great stooge is the guy

448
00:18:09,000 --> 00:18:11,000
Speaker 2: that you just heard there. That's Josh who called the

449
00:18:11,040 --> 00:18:14,119
Speaker 2: show the other day. And I haven't heard the words

450
00:18:14,240 --> 00:18:17,840
Speaker 2: stooged in a long time. It really does procure a

451
00:18:17,840 --> 00:18:25,920
Speaker 2: certain type of mess around where you've been squeezed out

452
00:18:26,000 --> 00:18:30,840
Speaker 2: all aligned in a very unfair fashion. Absolutely, but it's

453
00:18:30,880 --> 00:18:34,720
Speaker 2: almost like it's it's too petty to admit that. I

454
00:18:34,840 --> 00:18:36,880
Speaker 2: almost I think comes with a bit of a stooging.

455
00:18:37,640 --> 00:18:40,240
Speaker 2: But they're ugly. I think they're ugly. They're not they're

456
00:18:40,240 --> 00:18:44,280
Speaker 2: not pretty moments in life great stoogings with So this

457
00:18:44,359 --> 00:18:46,680
Speaker 2: is this was Josh's. This is Josh when he called

458
00:18:46,720 --> 00:18:50,200
Speaker 2: us with his great stooging every weekend.

459
00:18:50,240 --> 00:18:52,200
Speaker 5: I was out there in the lawns Now.

460
00:18:52,640 --> 00:18:54,960
Speaker 9: I'm the oldest in a family of five. I thought

461
00:18:54,960 --> 00:18:57,000
Speaker 9: when I moved out that my little brother would take

462
00:18:57,040 --> 00:18:59,440
Speaker 9: the raim. Lucky for him, Mum and Dad decided to

463
00:18:59,520 --> 00:19:00,800
Speaker 9: hire Jim's knowing.

464
00:19:01,040 --> 00:19:05,879
Speaker 2: So you no way, o stooge.

465
00:19:07,080 --> 00:19:11,640
Speaker 1: You are too good.

466
00:19:11,640 --> 00:19:14,639
Speaker 2: Perfect, it's a perfect stooche. It's a perfect stooge. So

467
00:19:14,840 --> 00:19:16,520
Speaker 2: I think I love to hear from you guys on

468
00:19:16,560 --> 00:19:18,240
Speaker 2: thirty one or six flight about what you think is

469
00:19:18,280 --> 00:19:21,119
Speaker 2: life's greatest stooging. Oh, there's a few that come to

470
00:19:21,160 --> 00:19:25,000
Speaker 2: mind for me. Off just off the bat. One in

471
00:19:25,040 --> 00:19:27,639
Speaker 2: particular has got me a couple of times recently, and

472
00:19:27,680 --> 00:19:30,800
Speaker 2: it really is. I'm an impatient driver. So you know

473
00:19:30,800 --> 00:19:33,560
Speaker 2: when you're turning right at the lights, but there's no

474
00:19:33,760 --> 00:19:37,360
Speaker 2: dedicated green arrow. Yes, so you've got to wade out

475
00:19:37,400 --> 00:19:40,720
Speaker 2: into the intersection. Yes, very frustrated when the person in

476
00:19:40,760 --> 00:19:43,919
Speaker 2: front of you doesn't do the weight. Well, no, the

477
00:19:43,920 --> 00:19:46,440
Speaker 2: person in front of you does the weight right. They're

478
00:19:46,480 --> 00:19:49,320
Speaker 2: out there, they're halfway. You're the car behind them, and

479
00:19:49,320 --> 00:19:51,240
Speaker 2: you're like, I'm going to follow you in here, brother.

480
00:19:51,440 --> 00:19:51,640
Speaker 5: Yeah.

481
00:19:51,720 --> 00:19:55,320
Speaker 2: Now the de together the deer is you've got to

482
00:19:55,400 --> 00:19:58,760
Speaker 2: wait until the light turns yellow, or even if it

483
00:19:58,800 --> 00:20:00,600
Speaker 2: is a little bit I mean, I don't can don't

484
00:20:00,760 --> 00:20:02,720
Speaker 2: you wait to the light turns yellow.

485
00:20:02,760 --> 00:20:05,280
Speaker 1: You make sure that no one's going to drive.

486
00:20:06,520 --> 00:20:10,879
Speaker 2: But if they're, if they if they're court napping and

487
00:20:11,800 --> 00:20:15,560
Speaker 2: they missed that, then they still go they go, oh jeez,

488
00:20:15,600 --> 00:20:17,880
Speaker 2: I mean court napping. But there's just there's room enough

489
00:20:17,920 --> 00:20:20,960
Speaker 2: here for one. And then you're in the middle of

490
00:20:21,000 --> 00:20:25,240
Speaker 2: the intersection. You can't reverse because the guy behind he

491
00:20:25,280 --> 00:20:27,479
Speaker 2: has moved up to the line. And then you're getting

492
00:20:27,680 --> 00:20:31,080
Speaker 2: warned on either side because the other people are trying

493
00:20:31,080 --> 00:20:34,840
Speaker 2: to make it through. Great, that is a great stoogie.

494
00:20:34,920 --> 00:20:41,360
Speaker 3: Nother stage, just on the road theme I always I'm sorry.

495
00:20:41,760 --> 00:20:43,119
Speaker 1: I've got a stage when.

496
00:20:42,960 --> 00:20:44,840
Speaker 3: You're following someone in a car and it's like, oh,

497
00:20:44,920 --> 00:20:47,159
Speaker 3: just follow me, I don't know the directions yet, no worries.

498
00:20:47,200 --> 00:20:48,919
Speaker 1: And then you're very guilty of this.

499
00:20:49,080 --> 00:20:52,000
Speaker 3: I'll be following you, following your direction, and you'll go

500
00:20:52,080 --> 00:20:54,879
Speaker 3: through an orange light and I'm like, well, I'm not

501
00:20:54,960 --> 00:20:57,240
Speaker 3: going to make the orange Yeah.

502
00:20:57,119 --> 00:20:57,199
Speaker 12: That.

503
00:20:59,400 --> 00:21:01,840
Speaker 2: Is a sturgy. Even when you when you're convoying, the

504
00:21:01,880 --> 00:21:04,320
Speaker 2: person in front needs to make sure you've got time.

505
00:21:04,920 --> 00:21:05,120
Speaker 13: Yeah.

506
00:21:05,119 --> 00:21:07,840
Speaker 2: No, I think it's just For me, there is just

507
00:21:08,440 --> 00:21:09,560
Speaker 2: every man for himself.

508
00:21:10,600 --> 00:21:11,400
Speaker 1: You're in a convoy.

509
00:21:11,680 --> 00:21:16,280
Speaker 2: I love looking behind and just knowing that they're in

510
00:21:18,440 --> 00:21:21,280
Speaker 2: I'm not waiting by the side of the road further up.

511
00:21:21,400 --> 00:21:23,879
Speaker 2: It's a for yourself situation. Let's get this away from

512
00:21:23,920 --> 00:21:25,840
Speaker 2: the road, because otherwise everyone's going to call it with

513
00:21:25,840 --> 00:21:26,840
Speaker 2: great road sturgings.

514
00:21:26,840 --> 00:21:29,200
Speaker 1: Cakage. Cacage is a sturgeon every time.

515
00:21:29,760 --> 00:21:31,560
Speaker 2: Cakage when you go is in when you go to

516
00:21:31,800 --> 00:21:33,840
Speaker 2: when you bring your own birthday cake to a restaurant.

517
00:21:34,040 --> 00:21:35,880
Speaker 2: I don't know when that was invented. Let's not make

518
00:21:35,960 --> 00:21:38,160
Speaker 2: all these financial as well, because I know that you're

519
00:21:38,200 --> 00:21:41,080
Speaker 2: going to get a real beer in your bonnet about this, okay, dude.

520
00:21:41,200 --> 00:21:44,439
Speaker 2: So another great one of life's great sturgings for me,

521
00:21:45,040 --> 00:21:46,760
Speaker 2: and I think this is this speaks to the common

522
00:21:46,800 --> 00:21:49,199
Speaker 2: man because often you know, if you're like I'm not,

523
00:21:49,359 --> 00:21:51,639
Speaker 2: I'm not a great early check in guy, neither of you,

524
00:21:51,800 --> 00:21:54,080
Speaker 2: Captain poop panthery. But he gets the note. If he

525
00:21:54,119 --> 00:21:56,000
Speaker 2: gets the message, would you like to online check he's

526
00:21:56,040 --> 00:21:59,440
Speaker 2: checked in five seconds? Yeah, he's sitting in seven seven.

527
00:22:00,040 --> 00:22:01,679
Speaker 1: And been an uber on the way to the airport.

528
00:22:03,920 --> 00:22:06,240
Speaker 2: We haven't son't we get to the back of the

529
00:22:06,240 --> 00:22:09,320
Speaker 2: plane right now. That's fine, I don't really care. But

530
00:22:09,440 --> 00:22:12,199
Speaker 2: it is fraught with danger when you've got a catered flight,

531
00:22:12,359 --> 00:22:14,640
Speaker 2: because what happens when you go on a plane they go, hey,

532
00:22:14,640 --> 00:22:17,120
Speaker 2: look we've got the beef stew right, and then we've

533
00:22:17,160 --> 00:22:20,920
Speaker 2: also got the cold cuscuss salad with seasonal bage, which

534
00:22:21,040 --> 00:22:25,640
Speaker 2: nobody wants. Nobody woulds. You're on the plane, and then

535
00:22:25,880 --> 00:22:27,800
Speaker 2: you get in the back of the plane. Look at

536
00:22:27,880 --> 00:22:29,440
Speaker 2: least they get a free meal on this flight. I'll

537
00:22:29,440 --> 00:22:30,639
Speaker 2: copy it. You get down at the back of your

538
00:22:30,760 --> 00:22:32,960
Speaker 2: of the beef stew with the potato, thank you very much,

539
00:22:33,640 --> 00:22:35,960
Speaker 2: and a glass of red and they go, I'm so sorry, sir,

540
00:22:36,280 --> 00:22:40,960
Speaker 2: we have run out of that option. That cuts you

541
00:22:41,240 --> 00:22:45,040
Speaker 2: so deep as you weighe through a soggy mass of

542
00:22:45,080 --> 00:22:47,720
Speaker 2: what could have been marbles, but our jumbo curs course.

543
00:22:47,720 --> 00:22:50,760
Speaker 2: Apparently what is who knows, mate that I don't think

544
00:22:50,760 --> 00:22:54,120
Speaker 2: we're currently beating the example I gave before of when

545
00:22:54,160 --> 00:22:58,000
Speaker 2: you wade into the intersection following a brother in arms

546
00:22:58,040 --> 00:23:01,440
Speaker 2: who's turning right at the traffic lights, and you're relying

547
00:23:01,440 --> 00:23:03,440
Speaker 2: on them to turn right at the yellow.

548
00:23:03,359 --> 00:23:05,119
Speaker 1: Yep and to go quickly, so we go. When you

549
00:23:05,119 --> 00:23:05,760
Speaker 1: get your gas.

550
00:23:05,760 --> 00:23:08,240
Speaker 2: We all know there's two cars. Get two cars through

551
00:23:08,240 --> 00:23:10,240
Speaker 2: that yellow light, that gets turn right, that's the deal.

552
00:23:10,560 --> 00:23:12,920
Speaker 2: The person in front gets caught napping, you get stuck

553
00:23:12,960 --> 00:23:15,440
Speaker 2: in the intersection. Everybody is angry.

554
00:23:15,200 --> 00:23:17,600
Speaker 1: And then you're blamed Scott Free.

555
00:23:17,640 --> 00:23:20,080
Speaker 2: The horns, the horns explode around you.

556
00:23:20,200 --> 00:23:21,600
Speaker 1: Yes, now we're interestingly.

557
00:23:22,240 --> 00:23:23,960
Speaker 2: The guy, but you're looking at the guy behind you.

558
00:23:24,280 --> 00:23:27,600
Speaker 3: Give you we've got we want to take great stooge

559
00:23:27,640 --> 00:23:31,199
Speaker 3: in so thirty one sixty five corps for that. But Denise, Denise,

560
00:23:31,200 --> 00:23:34,159
Speaker 3: you're a driving instructor and you've got some comments that

561
00:23:34,200 --> 00:23:36,120
Speaker 3: you want to make about what we're still come to.

562
00:23:36,080 --> 00:23:38,159
Speaker 6: Flight to Melbourne and give you a little bit of

563
00:23:38,160 --> 00:23:41,800
Speaker 6: a driving lesson, because really only one car is allowed

564
00:23:41,920 --> 00:23:44,280
Speaker 6: Q in the intersection, and the other guy's first to

565
00:23:44,320 --> 00:23:45,240
Speaker 6: wait behind the line.

566
00:23:45,840 --> 00:23:46,920
Speaker 2: I don't know.

567
00:23:49,600 --> 00:23:52,199
Speaker 3: Hang on, hang on, you're saying that you are not

568
00:23:52,320 --> 00:23:54,639
Speaker 3: legally you are not allowed to do that thing that

569
00:23:54,800 --> 00:23:57,320
Speaker 3: we all do, which is dripped into the intersection.

570
00:23:57,760 --> 00:24:00,560
Speaker 6: Well, no, the first car can when there's only a

571
00:24:00,560 --> 00:24:03,960
Speaker 6: green light. The first car can, and the second guy

572
00:24:04,000 --> 00:24:05,880
Speaker 6: has to wait behind the solid.

573
00:24:07,600 --> 00:24:09,080
Speaker 2: And then we're gonna have to get the book out there.

574
00:24:09,520 --> 00:24:13,240
Speaker 6: Okay, Well, well guess what. The guy can then turn.

575
00:24:13,600 --> 00:24:15,960
Speaker 6: Maybe there's a gap in the traffic. So if the

576
00:24:16,000 --> 00:24:19,280
Speaker 6: first guy does clear the intersection and the light is

577
00:24:19,280 --> 00:24:22,119
Speaker 6: still green, will can happily go and wait at the

578
00:24:22,119 --> 00:24:23,719
Speaker 6: halfway mark? Or weah?

579
00:24:23,760 --> 00:24:29,600
Speaker 2: I disagree? I think I disagree there, and thinking, well

580
00:24:29,640 --> 00:24:33,000
Speaker 2: everyone disagrees though there's no single person in their car

581
00:24:33,119 --> 00:24:36,040
Speaker 2: right now. You're turning right right now, and you're the

582
00:24:36,080 --> 00:24:38,399
Speaker 2: second car in line. You are not reversing back behind

583
00:24:38,440 --> 00:24:40,720
Speaker 2: that line. It is your god given right to wade

584
00:24:40,720 --> 00:24:43,000
Speaker 2: out behind that car in front. I prefer to with

585
00:24:43,000 --> 00:24:43,520
Speaker 2: the second car.

586
00:24:43,680 --> 00:24:46,480
Speaker 1: Sometimes it's three out there's comfortably.

587
00:24:46,119 --> 00:24:48,840
Speaker 2: Of course, you just get as close as you possibly

588
00:24:48,880 --> 00:24:53,119
Speaker 2: can you but out there press, of course, put the

589
00:24:53,200 --> 00:24:59,560
Speaker 2: pressure on, bitter perceived pressure. Just let's go back on

590
00:24:59,640 --> 00:25:03,359
Speaker 2: st do you ever? Do you ever to them if

591
00:25:03,400 --> 00:25:05,480
Speaker 2: they don't like if there's a gap. Sometimes when I

592
00:25:05,560 --> 00:25:07,200
Speaker 2: look up there's a gap in the traffic, I'm like,

593
00:25:07,280 --> 00:25:09,359
Speaker 2: this guy's got to turn right here. If he doesn't

594
00:25:09,359 --> 00:25:11,800
Speaker 2: turn right, I will let him know. I have an

595
00:25:11,840 --> 00:25:18,359
Speaker 2: embarrassingly high pitched horn. Aaron, we are we are talking

596
00:25:18,400 --> 00:25:20,280
Speaker 2: great Sturgings. I'm thirty.

597
00:25:20,960 --> 00:25:21,320
Speaker 14: What do you think?

598
00:25:21,359 --> 00:25:25,080
Speaker 2: What do you think his life's greatest sturging? Was that?

599
00:25:25,160 --> 00:25:25,680
Speaker 4: Sorry?

600
00:25:25,840 --> 00:25:29,080
Speaker 2: What's the life's greatest sturgeing? Aeron the question? Just a bit?

601
00:25:30,680 --> 00:25:34,920
Speaker 7: Yeah, Well I was the family dishwasher for many years.

602
00:25:35,000 --> 00:25:39,240
Speaker 14: Yes, and then Tom and Dad numerous times we should

603
00:25:39,240 --> 00:25:40,560
Speaker 14: get a dishwasher.

604
00:25:40,000 --> 00:25:42,600
Speaker 5: And he always said, why would I win? You're my dishwasher.

605
00:25:42,840 --> 00:25:46,200
Speaker 2: Oh well, and then as soon as I move out?

606
00:25:46,280 --> 00:25:48,320
Speaker 7: What did he do here?

607
00:25:49,280 --> 00:25:52,120
Speaker 2: That's a great It does sound a lot like Josh

608
00:25:52,160 --> 00:25:54,040
Speaker 2: who called up the first very similar.

609
00:25:54,200 --> 00:25:57,119
Speaker 1: Just Josh's brother Aaron, the parents, Boddy.

610
00:25:57,119 --> 00:26:02,040
Speaker 3: Hell, let's got Nathan here, Nathan talking about stoogings.

611
00:26:02,560 --> 00:26:04,520
Speaker 1: What's a great stoogee in the life, my friend?

612
00:26:05,240 --> 00:26:08,480
Speaker 9: Yeah, the good old Macrosoft serves being broken every time

613
00:26:08,520 --> 00:26:09,320
Speaker 9: you want a soft serve.

614
00:26:13,040 --> 00:26:15,320
Speaker 2: This is a great stogi. Yeah, yeah, well said you

615
00:26:15,320 --> 00:26:18,199
Speaker 2: know that. That's the audio game we've been playing. You

616
00:26:18,240 --> 00:26:21,560
Speaker 2: know what else is a great stooging? When you go

617
00:26:21,680 --> 00:26:24,119
Speaker 2: to McDonald's and you love Mack you ey the way

618
00:26:24,160 --> 00:26:27,159
Speaker 2: we love me, absolutely love it, love it. But you

619
00:26:27,200 --> 00:26:29,320
Speaker 2: know when you go there and they go, thanks very

620
00:26:29,400 --> 00:26:31,800
Speaker 2: much in your order. Can you go and wait in that.

621
00:26:33,880 --> 00:26:36,280
Speaker 1: And then it goes past on a big order.

622
00:26:38,280 --> 00:26:40,879
Speaker 2: Fat shame you. They put you in the fat chameau.

623
00:26:41,119 --> 00:26:43,159
Speaker 2: Order was so big we couldn't hand it through the

624
00:26:43,200 --> 00:26:53,680
Speaker 2: window at the time. Open your boot mate, I would

625
00:26:53,680 --> 00:26:56,240
Speaker 2: love to hear from you. Thirteen one and sixty five guys,

626
00:26:56,280 --> 00:26:59,520
Speaker 2: please give us. If your partner's been banned from something,

627
00:27:00,200 --> 00:27:02,240
Speaker 2: it can be a place, it can be a thing

628
00:27:02,520 --> 00:27:06,440
Speaker 2: I have. I have banned my partner Sem from any

629
00:27:06,560 --> 00:27:09,800
Speaker 2: charger in the house which has not been color coded

630
00:27:09,840 --> 00:27:10,120
Speaker 2: for her.

631
00:27:10,520 --> 00:27:11,920
Speaker 1: Oh, what's her? What's her glory?

632
00:27:12,280 --> 00:27:14,000
Speaker 2: And I just used like, let's put a little bit

633
00:27:14,000 --> 00:27:16,560
Speaker 2: of a marker on their little red marker, right, that's yours,

634
00:27:16,960 --> 00:27:19,480
Speaker 2: that's yours, and we live. We've got a consensual, loving

635
00:27:19,520 --> 00:27:23,960
Speaker 2: relationship with sm with no issues of goosive control. Hey,

636
00:27:24,440 --> 00:27:28,240
Speaker 2: I have a call yesterday for the radio show where

637
00:27:28,640 --> 00:27:31,719
Speaker 2: a woman convinced her partner that he'd been banned from

638
00:27:31,720 --> 00:27:32,399
Speaker 2: a golf club.

639
00:27:33,160 --> 00:27:36,840
Speaker 13: My husband's really competitive at golf and went through a

640
00:27:36,880 --> 00:27:40,520
Speaker 13: stage where he just couldn't handle losing against his best mates,

641
00:27:40,680 --> 00:27:43,760
Speaker 13: So every time he lost or wasn't happy with his score,

642
00:27:43,880 --> 00:27:45,600
Speaker 13: he would snap a club.

643
00:27:46,800 --> 00:27:50,080
Speaker 11: My son also works at the local club where my

644
00:27:50,160 --> 00:27:53,360
Speaker 11: husband plays, so I got him to organize that next time,

645
00:27:53,440 --> 00:27:55,920
Speaker 11: they went in a group to ban my husband from

646
00:27:55,920 --> 00:27:57,960
Speaker 11: playing because we're all sick of having a pay for

647
00:27:58,080 --> 00:27:58,480
Speaker 11: your club.

648
00:28:00,960 --> 00:28:02,800
Speaker 1: Totally fair enough, it's a financial issue.

649
00:28:02,800 --> 00:28:07,040
Speaker 3: At the end of the day, it is let's go

650
00:28:07,160 --> 00:28:07,560
Speaker 3: to Monica.

651
00:28:07,640 --> 00:28:10,400
Speaker 1: Here, Monica, where did your partner get banned?

652
00:28:11,480 --> 00:28:15,600
Speaker 4: He was actually banned off the PlayStation network, the whole network.

653
00:28:18,880 --> 00:28:21,520
Speaker 4: We had a bit of an argument and I reported

654
00:28:21,520 --> 00:28:25,160
Speaker 4: his account, so he got banned for thirty days. And

655
00:28:25,200 --> 00:28:27,960
Speaker 4: he was in the middle of this FEEDBA Championship, so

656
00:28:28,000 --> 00:28:31,320
Speaker 4: we a thousand dollars into it, and yeah, he lost

657
00:28:31,359 --> 00:28:31,600
Speaker 4: it all.

658
00:28:32,000 --> 00:28:33,800
Speaker 1: He does he know it was you that put the

659
00:28:33,800 --> 00:28:35,000
Speaker 1: complaint in now, Monica.

660
00:28:35,600 --> 00:28:37,040
Speaker 4: I told him a few months later.

661
00:28:37,240 --> 00:28:37,959
Speaker 1: How did he react?

662
00:28:39,120 --> 00:28:39,600
Speaker 5: He lost it.

663
00:28:39,600 --> 00:28:41,800
Speaker 4: He didn't talk to me for a good two weeks.

664
00:28:42,640 --> 00:28:43,960
Speaker 2: How do you go about report?

665
00:28:45,680 --> 00:28:48,680
Speaker 4: I just reported our chat as abusive, and yet PlayStation

666
00:28:49,000 --> 00:28:50,600
Speaker 4: acknowledged that and banned him.

667
00:28:52,000 --> 00:28:54,200
Speaker 1: It does get abusive to the chat. I've only played

668
00:28:54,200 --> 00:28:55,200
Speaker 1: online game in once.

669
00:28:55,360 --> 00:28:57,560
Speaker 2: I was you bull you got bullied.

670
00:28:57,560 --> 00:29:00,000
Speaker 3: I felt so bad about myself and fourteen year old

671
00:29:00,120 --> 00:29:02,480
Speaker 3: kids that were bullying me during Call of Judy.

672
00:29:03,000 --> 00:29:05,440
Speaker 2: Really because you weren't killing people fast enough.

673
00:29:05,560 --> 00:29:07,640
Speaker 3: Well, I was just letting down the entire team apparently,

674
00:29:07,680 --> 00:29:09,200
Speaker 3: and I acidentally dropped a grid and at one point

675
00:29:09,200 --> 00:29:12,160
Speaker 3: and killed my entire teament really, and they were called.

676
00:29:12,120 --> 00:29:14,080
Speaker 1: Like, you're obviously an old man who's never played before.

677
00:29:14,160 --> 00:29:16,160
Speaker 3: They were like, go back to campaign mode, and I

678
00:29:16,200 --> 00:29:22,680
Speaker 3: was like, what is that? I was going to Nicole here, Nicole,

679
00:29:22,840 --> 00:29:24,960
Speaker 3: your partner's been banned from something.

680
00:29:25,520 --> 00:29:29,080
Speaker 14: Yeah, he's been banned from the slides raging waters.

681
00:29:29,720 --> 00:29:33,560
Speaker 5: Whoa, whoa, Because you know how when.

682
00:29:33,400 --> 00:29:35,280
Speaker 14: You go down you meant to leave a certain amount

683
00:29:35,280 --> 00:29:38,040
Speaker 14: of time in between the next person going down, or

684
00:29:38,080 --> 00:29:40,160
Speaker 14: he kept going. He sent my fun down and just

685
00:29:40,240 --> 00:29:42,920
Speaker 14: kept going down straight after it. So on the third

686
00:29:42,960 --> 00:29:46,280
Speaker 14: time he tried it, they said, walk back down. You're

687
00:29:46,280 --> 00:29:47,040
Speaker 14: not coming back up.

688
00:29:47,520 --> 00:29:50,400
Speaker 2: Wow, Why was he going? He's going to try for

689
00:29:50,480 --> 00:29:52,720
Speaker 2: his son so he can catch him, right, He was just.

690
00:29:52,640 --> 00:29:54,080
Speaker 14: Trying to go down so he could catch him.

691
00:29:54,160 --> 00:29:58,760
Speaker 2: Yeah, surely it's your son, Nicholes's a bit of fun there.

692
00:29:58,840 --> 00:30:02,520
Speaker 2: Surely it was fun. Yeah, But.

693
00:30:03,600 --> 00:30:05,320
Speaker 1: In Front gives consent. That's fair game.

694
00:30:05,480 --> 00:30:08,240
Speaker 2: Are we still talking about water slides? Vara is killed

695
00:30:08,280 --> 00:30:13,240
Speaker 2: on thirty one six five Vera yeah, where do you

696
00:30:13,600 --> 00:30:15,920
Speaker 2: where did you where did your partner get banned from.

697
00:30:16,120 --> 00:30:19,680
Speaker 5: From entering Paris for I can't remember the exact amount

698
00:30:19,720 --> 00:30:24,160
Speaker 5: of time, but the band's listed, but it was entering

699
00:30:24,240 --> 00:30:28,560
Speaker 5: Paris after coming from Thailand and buying some items that

700
00:30:28,600 --> 00:30:30,880
Speaker 5: they thought was counterfeit. So they thought they were there

701
00:30:30,920 --> 00:30:33,160
Speaker 5: to sell them in Paris, and so they took all

702
00:30:33,200 --> 00:30:35,920
Speaker 5: the items from them and said your name would be

703
00:30:35,920 --> 00:30:37,080
Speaker 5: listed every time you come into this.

704
00:30:37,160 --> 00:30:40,320
Speaker 2: Country, into France or into Paris, because.

705
00:30:41,800 --> 00:30:44,560
Speaker 13: Into France, France, what the.

706
00:30:47,040 --> 00:30:48,920
Speaker 1: Item? What were the counterfeit items that he was bringing

707
00:30:48,960 --> 00:30:49,600
Speaker 1: in from Thailand.

708
00:30:49,640 --> 00:30:51,600
Speaker 5: It wasn't counterfeit. It was just you know, items that

709
00:30:51,640 --> 00:30:54,160
Speaker 5: they brought to purchase for themselves that they would wear,

710
00:30:54,640 --> 00:30:59,080
Speaker 5: so Watchers jeans. But yeah, it wasn't counterfeit. It wasn't

711
00:30:59,160 --> 00:31:03,080
Speaker 5: like anything that was illegals, just you know, just its

712
00:31:03,120 --> 00:31:04,680
Speaker 5: that were for themselves.

713
00:31:04,720 --> 00:31:08,320
Speaker 2: That's what I would say if I had of drugs

714
00:31:08,320 --> 00:31:09,280
Speaker 2: found on me as well.

715
00:31:09,560 --> 00:31:12,400
Speaker 5: No, I wasn't like you know, two or three Watchers

716
00:31:12,520 --> 00:31:15,600
Speaker 5: or you know, street pairs of jeans, but that we're

717
00:31:15,600 --> 00:31:16,480
Speaker 5: going on a big trip.

718
00:31:17,160 --> 00:31:18,959
Speaker 2: Yes, yes, And at the end of the day, if

719
00:31:18,960 --> 00:31:23,080
Speaker 2: it's all consensual, there are all right? Would trow In

720
00:31:23,120 --> 00:31:32,960
Speaker 2: a couple of days, we're giving away one hundred grand impossible.

721
00:31:33,800 --> 00:31:38,760
Speaker 2: Every mission has led to this Mission Impossible, the final

722
00:31:38,840 --> 00:31:40,480
Speaker 2: reckoning in cinemas.

723
00:31:40,840 --> 00:31:47,000
Speaker 1: Now, willum wooded some here, your time starts could still

724
00:31:47,000 --> 00:31:47,360
Speaker 1: be you.

725
00:31:47,880 --> 00:31:51,320
Speaker 3: If you're listening right now, you've got two days to

726
00:31:51,360 --> 00:31:54,360
Speaker 3: go and watch the new mission Impossible, which, by the way,

727
00:31:54,960 --> 00:31:56,040
Speaker 3: is an absolute trait.

728
00:31:56,200 --> 00:31:57,960
Speaker 1: Yep, Like, if i'm you right now.

729
00:31:57,960 --> 00:32:01,960
Speaker 3: I'm driving home, I'm pulling a sicky tomorrow calling the boss.

730
00:32:02,680 --> 00:32:05,440
Speaker 1: Unwell, go to the movies tomorrow during the day.

731
00:32:05,720 --> 00:32:09,520
Speaker 3: Treat that's delish, and then go to willamity dot com.

732
00:32:09,840 --> 00:32:12,200
Speaker 3: Answer this question about the movie, which is super easy.

733
00:32:12,200 --> 00:32:14,560
Speaker 3: If you've seen the film, how many times is a

734
00:32:14,560 --> 00:32:16,960
Speaker 3: message to Ethan hunt self destruct?

735
00:32:17,520 --> 00:32:17,720
Speaker 2: Yeah?

736
00:32:18,400 --> 00:32:21,080
Speaker 3: All right, answer that question and then we could be

737
00:32:21,120 --> 00:32:23,080
Speaker 3: calling you on tomorrow's show to let you know you've

738
00:32:23,080 --> 00:32:25,400
Speaker 3: got a one in three chance of winning one hundred

739
00:32:25,400 --> 00:32:26,640
Speaker 3: thousand dollars.

740
00:32:26,680 --> 00:32:27,800
Speaker 2: Totally wild Woods.

741
00:32:28,560 --> 00:32:29,480
Speaker 1: It is unbelievable.

742
00:32:29,760 --> 00:32:34,360
Speaker 2: Got two finalists in Haley and Kelsey.

743
00:32:35,440 --> 00:32:38,560
Speaker 1: Maddie and Kelsey. It's definitely a Kelsey.

744
00:32:38,600 --> 00:32:41,280
Speaker 2: Kelsey in there. Definitely a tom cruise killed them both

745
00:32:41,320 --> 00:32:44,240
Speaker 2: personally on the show, unbelievable, pretty extraordinary stuff. A new

746
00:32:44,320 --> 00:32:47,000
Speaker 2: phone call tomorrow, A final finalists going in the drawder.

747
00:32:47,040 --> 00:32:48,720
Speaker 2: But do you hear you? Guys excited for one hundred

748
00:32:49,320 --> 00:32:52,520
Speaker 2: It's quite a hard number to quantify, one hundred thousand dollars,

749
00:32:52,600 --> 00:32:52,920
Speaker 2: isn't it?

750
00:32:53,000 --> 00:32:53,240
Speaker 1: I think?

751
00:32:53,280 --> 00:32:55,840
Speaker 3: So what can one hundred thousand dollars actually buy you?

752
00:32:55,920 --> 00:32:59,760
Speaker 3: So the producers have done a little bit of research here, Yeah,

753
00:32:59,800 --> 00:33:04,600
Speaker 3: and they have come to this information. So peanut butter.

754
00:33:04,680 --> 00:33:06,760
Speaker 3: I love peanut butter, made his peanut butter. So I

755
00:33:06,760 --> 00:33:09,080
Speaker 3: was thinking to myself, with one hundred thousand dollars, how

756
00:33:09,160 --> 00:33:13,360
Speaker 3: much peanut butter could I get? Seventeen thousand, two hundred

757
00:33:13,360 --> 00:33:15,080
Speaker 3: and forty one jars of peanut butter?

758
00:33:15,520 --> 00:33:17,200
Speaker 1: He's got one hundred thousand dollars gets you?

759
00:33:17,240 --> 00:33:19,560
Speaker 3: I mean you would be an absolute madman if you

760
00:33:19,640 --> 00:33:20,920
Speaker 3: spent your hundred k on that.

761
00:33:21,240 --> 00:33:21,520
Speaker 2: Wow.

762
00:33:21,560 --> 00:33:23,600
Speaker 3: But it really does give you an idea as to

763
00:33:24,000 --> 00:33:25,520
Speaker 3: what one hundred k is getting you.

764
00:33:25,600 --> 00:33:27,960
Speaker 2: Well, I don't know who did your items what you

765
00:33:27,960 --> 00:33:29,960
Speaker 2: could do with one hundred thousand dollars. Captain poop Pans

766
00:33:30,000 --> 00:33:33,120
Speaker 2: did mine? I rep one hundred thousand dollars he said

767
00:33:34,080 --> 00:33:39,160
Speaker 2: could do half his salary for the year. Oh that's nice,

768
00:33:37,960 --> 00:33:43,680
Speaker 2: good give for some doing well. You also put here weirdly,

769
00:33:44,000 --> 00:33:47,720
Speaker 2: it would get you at six dollars a punt sixteen

770
00:33:47,800 --> 00:33:53,600
Speaker 2: thousand mushrooms and at eleven dollars for one nine thousand

771
00:33:53,640 --> 00:33:56,840
Speaker 2: and ninety beef wellingtons. I'm not sure what he's doing

772
00:33:56,880 --> 00:34:00,440
Speaker 2: with beef wellingtons and mushrooms, mate, but yeah, really dodgy

773
00:34:00,800 --> 00:34:01,600
Speaker 2: the dodgy man.

774
00:34:02,280 --> 00:34:12,000
Speaker 1: A little bit size. There's more to this, isn't there?

775
00:34:13,400 --> 00:34:15,000
Speaker 1: I mean this was supposed to be a whole bit

776
00:34:15,040 --> 00:34:17,279
Speaker 1: of that. How much is one hundred thousand worths? But

777
00:34:17,320 --> 00:34:18,520
Speaker 1: you have shown your card.

778
00:34:19,080 --> 00:34:23,040
Speaker 2: It's extraordinary. What it's extraordinary what you can get for

779
00:34:23,040 --> 00:34:25,400
Speaker 2: one hundred grand and all seriousness, I have actually got

780
00:34:25,440 --> 00:34:27,000
Speaker 2: some Georgia actually did some work on this. There's no

781
00:34:27,000 --> 00:34:29,719
Speaker 2: way Peop would have done work on this. So you

782
00:34:29,760 --> 00:34:32,160
Speaker 2: can get too busy getting beef. So if you're into

783
00:34:32,160 --> 00:34:35,400
Speaker 2: your football gunsies, you can get yourself five thousand, five

784
00:34:35,480 --> 00:34:38,680
Speaker 2: thousand football guns with one hundred that's a lot of money.

785
00:34:38,880 --> 00:34:42,960
Speaker 3: Yep, got hair ties here you like? Then you go

786
00:34:43,040 --> 00:34:45,359
Speaker 3: through a lot of hair ties in your lifetime. Those

787
00:34:45,400 --> 00:34:46,759
Speaker 3: how many those haircuts could you get?

788
00:34:46,920 --> 00:34:47,439
Speaker 2: That you get.

789
00:34:47,760 --> 00:34:50,400
Speaker 1: I'd bring up the haircut. You know my haircut.

790
00:34:50,400 --> 00:34:52,279
Speaker 2: Look when you get the pink, when you go in

791
00:34:52,320 --> 00:34:54,200
Speaker 2: there and say do me, do me like one of

792
00:34:54,239 --> 00:34:56,640
Speaker 2: your trapeze girls, when you go in there and say

793
00:34:56,680 --> 00:35:01,120
Speaker 2: that what are they? How much is one of them

794
00:35:01,600 --> 00:35:06,160
Speaker 2: cost me forty? All right, well, here we go out.

795
00:35:09,200 --> 00:35:12,160
Speaker 3: It's just just why don't us like go up to

796
00:35:12,200 --> 00:35:17,480
Speaker 3: fifty fifty two hundred thousand, five hundred haircuts, pink haircuts perstyle.

797
00:35:17,000 --> 00:35:20,160
Speaker 1: Haircut Bagain, he adds a wagon. You're gonna want that money.

798
00:35:20,800 --> 00:35:24,520
Speaker 2: You want to look like this one hundred grand final

799
00:35:24,560 --> 00:35:28,759
Speaker 2: person in tomorrow to whim with a one in three

800
00:35:28,920 --> 00:35:31,000
Speaker 2: chance at one hundred thousand dollars. It's a huge price.

801
00:35:31,000 --> 00:35:32,719
Speaker 2: It's the biggest prize we've ever given away. Guys, we're

802
00:35:32,800 --> 00:35:35,120
Speaker 2: very very excited. Willamwidot commor on the socials for all

803
00:35:35,120 --> 00:35:38,160
Speaker 2: the details and make sure you're tuning in tomorrow as

804
00:35:38,200 --> 00:35:40,920
Speaker 2: we make someone's dreams come true. It's all thanks to

805
00:35:40,920 --> 00:35:55,160
Speaker 2: Mission Impossible. Junior producer Analysa is in the studio as

806
00:35:55,160 --> 00:35:58,279
Speaker 2: we try and figure out which generation is most out

807
00:35:58,320 --> 00:36:08,799
Speaker 2: of touch. It's will and Woodies of the Hello ab

808
00:36:09,320 --> 00:36:11,800
Speaker 2: Hi great to have you in here? Do you feel

809
00:36:13,280 --> 00:36:17,160
Speaker 2: justified as the representative of Generation Z outside because I mean,

810
00:36:17,360 --> 00:36:20,120
Speaker 2: technically George is also a GENSTA. I feel like, yeah,

811
00:36:20,480 --> 00:36:24,439
Speaker 2: it's also Katie a millennium. Yeah, he's with us, she's

812
00:36:24,440 --> 00:36:25,600
Speaker 2: with us the wall.

813
00:36:27,719 --> 00:36:30,080
Speaker 15: I feel like I can represent.

814
00:36:29,880 --> 00:36:33,480
Speaker 1: Yeah, okay, are you happy with that? Jay analytes representing

815
00:36:33,520 --> 00:36:34,959
Speaker 1: all of I'd like to in.

816
00:36:38,520 --> 00:36:41,400
Speaker 16: Okay, to be fair, I think j would have the

817
00:36:41,440 --> 00:36:42,720
Speaker 16: same answers as I would.

818
00:36:42,880 --> 00:36:43,399
Speaker 2: Is that right?

819
00:36:43,480 --> 00:36:43,920
Speaker 1: Yeah?

820
00:36:44,360 --> 00:36:45,680
Speaker 2: Thank you guys on the same page.

821
00:36:45,719 --> 00:36:54,919
Speaker 16: We are like entwined, intertwined, same thing, telepathic telepathic.

822
00:36:55,000 --> 00:36:55,400
Speaker 1: Yeah.

823
00:36:55,640 --> 00:36:57,880
Speaker 3: Well, let's see if you'd answer the same to this question,

824
00:36:58,080 --> 00:37:03,759
Speaker 3: analys this is incredibly well known. If I said to

825
00:37:03,840 --> 00:37:09,160
Speaker 3: you the term water rats, oh, what would you say?

826
00:37:09,320 --> 00:37:10,440
Speaker 16: I'd say, like an animal?

827
00:37:14,200 --> 00:37:15,040
Speaker 1: Why is that incredible?

828
00:37:15,080 --> 00:37:19,399
Speaker 3: Like this is a huge Australian movement. I would say

829
00:37:19,440 --> 00:37:21,040
Speaker 3: water rats, Like, what's coming to mind?

830
00:37:21,080 --> 00:37:22,719
Speaker 16: Well, I've been called a water rat before and.

831
00:37:25,640 --> 00:37:26,640
Speaker 15: After going swimming.

832
00:37:28,160 --> 00:37:32,080
Speaker 3: Maybe I'm sure if that was a kind coming a

833
00:37:32,120 --> 00:37:32,640
Speaker 3: drowned rat.

834
00:37:32,680 --> 00:37:34,080
Speaker 15: Maybe drowned rat.

835
00:37:34,320 --> 00:37:36,600
Speaker 1: Sorry, yeah, no, d not great?

836
00:37:36,640 --> 00:37:37,279
Speaker 2: Who called you that?

837
00:37:38,200 --> 00:37:38,359
Speaker 15: Oh?

838
00:37:38,880 --> 00:37:41,440
Speaker 2: Yeah, okay, if you've been out in the rain, sometimes people.

839
00:37:41,160 --> 00:37:43,960
Speaker 15: Can yeah, like a drowned rat. Okay, not a drowned rat.

840
00:37:44,040 --> 00:37:47,719
Speaker 2: Actually, this isn't meant to be therapy. If you.

841
00:37:53,040 --> 00:37:56,000
Speaker 1: Would be a huge fan of water Rats, water Rats,

842
00:37:56,040 --> 00:37:56,920
Speaker 1: maybe a beer.

843
00:37:57,640 --> 00:38:01,919
Speaker 2: A water rat does sound nice, delicious with the Parma water.

844
00:38:02,160 --> 00:38:04,600
Speaker 2: If that beer hasn't been made, it should be.

845
00:38:05,400 --> 00:38:06,000
Speaker 15: I'm gonna.

846
00:38:07,480 --> 00:38:09,680
Speaker 16: I'm going to say something if Mum loves it, I'm

847
00:38:09,719 --> 00:38:11,520
Speaker 16: saying something like a drink of some sort.

848
00:38:21,000 --> 00:38:22,160
Speaker 2: Love you, but you're an alcoholic?

849
00:38:22,840 --> 00:38:23,200
Speaker 1: Please?

850
00:38:23,520 --> 00:38:29,480
Speaker 3: Does this mean anything to you?

851
00:38:29,520 --> 00:38:29,719
Speaker 15: No?

852
00:38:30,960 --> 00:38:33,280
Speaker 1: Iconic nineties TV show water Rats?

853
00:38:34,000 --> 00:38:37,439
Speaker 17: Oh do you know when I first heard the start

854
00:38:37,480 --> 00:38:42,239
Speaker 17: of that song, I thought of everywhere you go the

855
00:38:42,960 --> 00:38:47,760
Speaker 17: another TV show, another old TV show with the family, Fullhouse.

856
00:38:47,880 --> 00:38:50,480
Speaker 1: Yes, it's not full house as big as full House

857
00:38:50,520 --> 00:38:51,200
Speaker 1: that water Rats.

858
00:38:52,080 --> 00:38:53,320
Speaker 2: Definitely it's huge.

859
00:38:53,520 --> 00:38:55,680
Speaker 1: Should watch watch some water Rats.

860
00:38:56,880 --> 00:38:59,279
Speaker 2: I will watch it really good.

861
00:38:59,880 --> 00:39:03,919
Speaker 16: I wanted to know if you know who sings this song?

862
00:39:11,320 --> 00:39:17,319
Speaker 2: Yes, making a comeback? Do you think you've actually got

863
00:39:17,320 --> 00:39:18,640
Speaker 2: four kids? But now's the time?

864
00:39:19,600 --> 00:39:22,200
Speaker 1: But he only knows that because the producer sent in

865
00:39:22,280 --> 00:39:23,000
Speaker 1: that story.

866
00:39:24,800 --> 00:39:27,400
Speaker 2: Idiot, giving me, give me too much fodder.

867
00:39:28,320 --> 00:39:29,200
Speaker 15: I didn't know you read that.

868
00:39:29,320 --> 00:39:30,920
Speaker 2: Have you got the TV theme for the next one?

869
00:39:30,960 --> 00:39:31,240
Speaker 11: Wards?

870
00:39:32,239 --> 00:39:34,239
Speaker 2: She might get the next one. We haven't got the theme.

871
00:39:34,320 --> 00:39:37,120
Speaker 3: I don't think we've got the theme, but at a lease,

872
00:39:37,440 --> 00:39:39,839
Speaker 3: if I said to you, mister squiggle, oh.

873
00:39:39,800 --> 00:39:42,160
Speaker 16: Yeah, mister squiggle, the guy who sorr it's a TV

874
00:39:42,320 --> 00:39:44,640
Speaker 16: show and they draw a squiggle on the on the

875
00:39:44,680 --> 00:39:47,680
Speaker 16: board and then this guy, mister Squiggle would come in

876
00:39:48,120 --> 00:39:50,840
Speaker 16: and make artwork out of the doodle.

877
00:39:50,880 --> 00:39:53,520
Speaker 1: Okay, follow up question, where was mister squiggle from?

878
00:39:53,719 --> 00:39:54,920
Speaker 2: Where's he from? Mister squiggle?

879
00:39:54,960 --> 00:40:02,080
Speaker 16: Great us if you Australia, no squiggle your.

880
00:40:06,320 --> 00:40:09,520
Speaker 2: Squiggle squiggle, mister squiggles siggle. It's in the open actually

881
00:40:09,520 --> 00:40:11,520
Speaker 2: when they play the theme. So I don't know if

882
00:40:12,120 --> 00:40:14,000
Speaker 2: I don't know if Dicky and our audio producer Mark

883
00:40:14,040 --> 00:40:15,680
Speaker 2: the Man Daniel can get the theme. But it is

884
00:40:15,719 --> 00:40:18,239
Speaker 2: in the It is in the opener for mister squiggle squiggle.

885
00:40:18,400 --> 00:40:26,000
Speaker 3: Mister squiggle rhymes yes, yes, yes.

886
00:40:26,040 --> 00:40:31,239
Speaker 2: Mister squiggle from squiggle. I don't know. I haven't think

887
00:40:31,280 --> 00:40:33,160
Speaker 2: about it. I will get the audio for it because

888
00:40:33,160 --> 00:40:35,239
Speaker 2: it's another one for it, which I think another one

889
00:40:35,280 --> 00:40:35,759
Speaker 2: another one.

890
00:40:35,760 --> 00:40:36,799
Speaker 1: You should definitely know this.

891
00:40:37,920 --> 00:40:42,399
Speaker 3: Give me the name of the four original wiggles.

892
00:40:42,800 --> 00:40:52,399
Speaker 16: Oh, Jeff, wake up, Jeff, Greg Yeah, I know this. No, no, no, no,

893
00:40:53,480 --> 00:40:55,520
Speaker 16: Greg Anthony.

894
00:40:55,600 --> 00:40:55,960
Speaker 7: Here we go.

895
00:40:56,440 --> 00:41:01,200
Speaker 2: He's Anthony an Okay, give me colors, give me colors.

896
00:41:01,480 --> 00:41:06,320
Speaker 16: Excuse me, Jeff, wake up, Jeff purple, Greg yellow, Anthony

897
00:41:06,400 --> 00:41:09,280
Speaker 16: blue red, Simon.

898
00:41:12,120 --> 00:41:29,000
Speaker 12: Murray, Simon, all right, well done.

899
00:41:25,080 --> 00:41:25,880
Speaker 2: Sing.

900
00:41:28,800 --> 00:41:42,000
Speaker 15: Sing wait from where? Sorry I missed that.

901
00:41:42,360 --> 00:41:45,719
Speaker 2: Yeah, you have been on the drink, haven't you,