1 00:00:01,280 --> 00:00:03,960 Speaker 1: When I talk about things that don't add up in movies. 2 00:00:05,160 --> 00:00:07,240 Speaker 1: I was watching this new sort of roadhouse. They're not 3 00:00:07,280 --> 00:00:09,120 Speaker 1: saying it's a remake, but it's a kind of. It's 4 00:00:09,119 --> 00:00:13,239 Speaker 1: a roadhouse remake. It's called Dalton. He's a bouncer. You know, 5 00:00:13,440 --> 00:00:15,920 Speaker 1: you're just following off from the one, the great one 6 00:00:15,960 --> 00:00:18,680 Speaker 1: with Swayzey. Anyway, whilst I'm watching a movie and Jake 7 00:00:18,760 --> 00:00:20,639 Speaker 1: Gillenholl's very good, and he's always great in anything, right, 8 00:00:20,640 --> 00:00:23,320 Speaker 1: it's a grand but anyway, they track him down. He's 9 00:00:23,400 --> 00:00:26,040 Speaker 1: next year of Sea Fighter and then Lumberhold. There's this 10 00:00:26,079 --> 00:00:28,840 Speaker 1: place called the Roadhouse. Luckily enough that it's a really 11 00:00:28,920 --> 00:00:31,640 Speaker 1: rough place. I don't know how this place gets insured. 12 00:00:31,680 --> 00:00:34,040 Speaker 1: There's like a truck that gets driven through. A truck 13 00:00:34,040 --> 00:00:35,600 Speaker 1: gets driven into it. That's how rough it is. 14 00:00:35,600 --> 00:00:35,680 Speaker 2: You. 15 00:00:35,720 --> 00:00:39,120 Speaker 3: I've been having to drink somewhere that bloody guys. Come on, Even. 16 00:00:38,920 --> 00:00:40,920 Speaker 4: The best bouncer in the world ain't gonna help ye. 17 00:00:42,080 --> 00:00:43,559 Speaker 3: Truck driven into the building. 18 00:00:43,880 --> 00:00:46,320 Speaker 1: I'm not taking that job, by the way, right Anyway, 19 00:00:46,360 --> 00:00:49,880 Speaker 1: they approach Jake in at home Young Dalton. They say, listen, 20 00:00:49,920 --> 00:00:53,320 Speaker 1: we can pay you thirty thirty thousand dollars a month 21 00:00:53,440 --> 00:00:55,840 Speaker 1: to come and be the bouncer there. Right, that adds 22 00:00:55,920 --> 00:00:57,800 Speaker 1: up if you do this. ALM's three hundred and sixty 23 00:00:57,880 --> 00:01:00,880 Speaker 1: thousand dollars a year for what is a part time job. 24 00:01:00,960 --> 00:01:03,600 Speaker 1: And I don't think any bouncers working seven nights a week. 25 00:01:03,920 --> 00:01:05,840 Speaker 1: It can't be busy enough there. Plus he's got these 26 00:01:05,840 --> 00:01:08,200 Speaker 1: young kids he recruits and sort of trains up and 27 00:01:08,240 --> 00:01:10,960 Speaker 1: they do the bulk of the work. He's mainly at 28 00:01:11,000 --> 00:01:13,920 Speaker 1: the bar, and he has I've watched this movie twice. 29 00:01:14,160 --> 00:01:15,880 Speaker 1: He only has about one fight. 30 00:01:15,680 --> 00:01:18,400 Speaker 3: A night, So this is easy money. Guys. 31 00:01:18,440 --> 00:01:19,840 Speaker 1: You want to hear a sidehouse, so go and be 32 00:01:19,840 --> 00:01:22,959 Speaker 1: a bouncer at the roadhouse in America. I was talking 33 00:01:22,959 --> 00:01:25,200 Speaker 1: about this yesterday, how it just doesn't add up the economics. 34 00:01:25,200 --> 00:01:27,880 Speaker 1: Plus barely night goes by this place is and gets 35 00:01:27,880 --> 00:01:30,520 Speaker 1: smashed up in another fight. Then where they buy these 36 00:01:30,560 --> 00:01:34,120 Speaker 1: tables from Anko. Don't do tables that cheap. And then 37 00:01:34,120 --> 00:01:36,520 Speaker 1: there's live music every night as well, that bands posts 38 00:01:36,560 --> 00:01:39,559 Speaker 1: Malone's playing in there, So who's paying him? Who's looking 39 00:01:39,600 --> 00:01:40,279 Speaker 1: after the books? 40 00:01:40,280 --> 00:01:40,480 Speaker 3: Here? 41 00:01:41,160 --> 00:01:45,400 Speaker 1: Got this great email here from Adam Wright re roadhouse economics. 42 00:01:45,880 --> 00:01:49,800 Speaker 1: Christian your point yesterday about Dalton's renumeration the New Roadhouse 43 00:01:49,840 --> 00:01:53,040 Speaker 1: movie is spot on, but the ridiculous of Gillanoll's twenty 44 00:01:53,120 --> 00:01:57,600 Speaker 1: twenty four Dalton salary is consistent with Patrick Swayzey's nineteen 45 00:01:57,720 --> 00:02:01,400 Speaker 1: eighty nine salary in the original Roadhouse in nineteen eight 46 00:02:01,960 --> 00:02:03,760 Speaker 1: this guy's gone back and crunched this. 47 00:02:03,760 --> 00:02:05,680 Speaker 3: This is in ten minutes the show ending. Yes, say 48 00:02:05,720 --> 00:02:06,400 Speaker 3: I love this show. 49 00:02:07,000 --> 00:02:09,919 Speaker 1: In nineteen eighty nine, Patrick Swayse's Dalton was getting five 50 00:02:10,000 --> 00:02:12,520 Speaker 1: hundred dollars a night and he got a sign. 51 00:02:12,280 --> 00:02:14,400 Speaker 3: On bonus of five thousand dollars. 52 00:02:14,960 --> 00:02:18,000 Speaker 1: Assuming Suaysea's Dalton, what five nights to eve, it works 53 00:02:18,040 --> 00:02:20,200 Speaker 1: out to one hundred and thirty five thousand dollars in 54 00:02:20,240 --> 00:02:22,320 Speaker 1: a first year adjusted for inflation. 55 00:02:22,400 --> 00:02:23,480 Speaker 3: I've done my research. Question. 56 00:02:24,639 --> 00:02:26,839 Speaker 1: It stacks up with your man The New Dawt at 57 00:02:26,880 --> 00:02:30,560 Speaker 1: three hundred and thirty seven thousand a year, Wow, and 58 00:02:30,680 --> 00:02:35,240 Speaker 1: Swayse's renumeration package they said plus medical expenses was no 59 00:02:35,320 --> 00:02:35,880 Speaker 1: small thing. 60 00:02:36,320 --> 00:02:37,799 Speaker 3: Dawn gets stabbed twice in. 61 00:02:37,760 --> 00:02:43,800 Speaker 1: The movie in unrelated internews in the movie's first twenty minutes. 62 00:02:44,360 --> 00:02:46,680 Speaker 1: Adam right, that's very funny, em And I'll send you 63 00:02:46,720 --> 00:02:47,480 Speaker 1: something for that, my friend. 64 00:02:47,480 --> 00:02:50,079 Speaker 3: Thank you very much. For the Roadhouse economics. 65 00:02:50,080 --> 00:02:52,120 Speaker 1: They don't add up. They did it in eighty nine, 66 00:02:52,160 --> 00:02:55,120 Speaker 1: they still haven't the lessons in twenty twenty. 67 00:02:55,560 --> 00:02:59,000 Speaker 4: Well, good to see that the remake is that honored, honoring. 68 00:02:58,680 --> 00:03:02,760 Speaker 1: It source material. Yeah, so what in movies doesn't add up? 69 00:03:02,840 --> 00:03:03,920 Speaker 3: Jackie boy? What's it for you? 70 00:03:04,000 --> 00:03:08,280 Speaker 4: I always wondered in Harry Potter, they all their classes 71 00:03:08,320 --> 00:03:10,280 Speaker 4: at Hogwarts are spell and magical? 72 00:03:10,320 --> 00:03:12,320 Speaker 1: Allow, I mean, what have you got? You've got transfiguration, 73 00:03:12,520 --> 00:03:14,400 Speaker 1: there's herbology. 74 00:03:13,880 --> 00:03:16,720 Speaker 4: Defense against the dark art, Yes, that sort of thing. So, 75 00:03:16,960 --> 00:03:21,200 Speaker 4: assuming they're not doing any English math sciences, they're reading 76 00:03:21,200 --> 00:03:23,400 Speaker 4: and writing levels, stops must have been terrible at. 77 00:03:23,320 --> 00:03:25,639 Speaker 1: Great literacy rates are Hogwarts. It would have been the 78 00:03:25,639 --> 00:03:27,800 Speaker 1: bottom of a league table. You would not send your 79 00:03:27,840 --> 00:03:28,520 Speaker 1: kids there. 80 00:03:28,680 --> 00:03:30,839 Speaker 4: So you can't read it right after a greade six? 81 00:03:31,080 --> 00:03:32,959 Speaker 1: Well we know he could just be called Harry Pitter. 82 00:03:33,240 --> 00:03:35,440 Speaker 1: It was just a typog because the kid couldn't spell. 83 00:03:35,800 --> 00:03:36,120 Speaker 3: All right? 84 00:03:36,160 --> 00:03:39,040 Speaker 1: What in movies doesn't add up? Nine four one four, 85 00:03:39,120 --> 00:03:40,160 Speaker 1: one oh four three? 86 00:03:40,320 --> 00:03:40,640 Speaker 3: Christian? 87 00:03:40,640 --> 00:03:42,760 Speaker 1: What about an every John Wick movie? How they know 88 00:03:42,920 --> 00:03:45,680 Speaker 1: he's the world dad, this assassin, yet they just circle 89 00:03:46,160 --> 00:03:48,640 Speaker 1: around him, letting let them all be killed? 90 00:03:48,640 --> 00:03:54,240 Speaker 3: One? Why don't they always bum rushing? You're right, Why 91 00:03:54,240 --> 00:03:57,400 Speaker 3: haven't anyboddies they've done? For John Wick movies just a 92 00:03:57,400 --> 00:04:00,360 Speaker 3: big old bum rush. Who's to god at school? Bum rush? 93 00:04:00,480 --> 00:04:06,600 Speaker 1: Pilon John would be at the bottomoll backs on. All right, 94 00:04:06,640 --> 00:04:09,160 Speaker 1: this morning on the Christian O'Connell Show and Goal, we're 95 00:04:09,400 --> 00:04:12,000 Speaker 1: talking about things in movies that don't add up. 96 00:04:12,320 --> 00:04:15,920 Speaker 3: On nine four one four, one oh four three. Damien, 97 00:04:15,960 --> 00:04:19,480 Speaker 3: good morning, Good morning, Christian, Jack and Perks. All right, 98 00:04:19,520 --> 00:04:21,520 Speaker 3: welcome to the show. So what is it for you, Damien? 99 00:04:21,560 --> 00:04:23,160 Speaker 3: The movies that doesn't add up? 100 00:04:23,720 --> 00:04:26,599 Speaker 5: The Fast and Furious movie, the very first one, drag 101 00:04:26,720 --> 00:04:30,400 Speaker 5: Race's changing years more than Peter brough yous to around 102 00:04:30,440 --> 00:04:34,119 Speaker 5: one left panorama was supposed to be a four hundred 103 00:04:34,160 --> 00:04:34,640 Speaker 5: meters race. 104 00:04:36,480 --> 00:04:38,600 Speaker 3: You're right, they see they were like twelve gears or 105 00:04:38,640 --> 00:04:42,920 Speaker 3: fifteen years. They're like bicycles. That's what they should be doing. 106 00:04:42,920 --> 00:04:45,480 Speaker 3: The next part and Furious should be the. 107 00:04:45,400 --> 00:04:47,920 Speaker 1: Tour de France, big old vin Diesel with a big 108 00:04:47,960 --> 00:04:52,719 Speaker 1: old fat neck of his on a on those all bikes. 109 00:04:53,400 --> 00:05:00,200 Speaker 3: Do you how many years get a record? U leie. 110 00:05:00,240 --> 00:05:02,120 Speaker 1: You go on your driving tests like this, vic Rose 111 00:05:02,120 --> 00:05:05,560 Speaker 1: aren't passing you mister Diesel, there's se many good changes. 112 00:05:05,880 --> 00:05:07,880 Speaker 3: Damien. That's a great one. Thank you very much. Have 113 00:05:07,920 --> 00:05:13,159 Speaker 3: a good day, Vicky. Good morning, Good morning, Christian. Vicky. 114 00:05:13,480 --> 00:05:17,159 Speaker 3: What doesn't add up in movies? Well, in every single movie, 115 00:05:17,160 --> 00:05:20,479 Speaker 3: whenever someone's driving somewhere, there's always a car spot right 116 00:05:20,480 --> 00:05:21,960 Speaker 3: out the front of wherever they're going. 117 00:05:22,400 --> 00:05:25,800 Speaker 1: Every single time, no main character is saying to his 118 00:05:25,839 --> 00:05:27,839 Speaker 1: wife like, I do you get out here? 119 00:05:28,200 --> 00:05:30,320 Speaker 3: I drive, I drive around and catch you up. 120 00:05:30,360 --> 00:05:31,880 Speaker 1: You go and order a drink for me, can you 121 00:05:32,040 --> 00:05:33,440 Speaker 1: and if you get some nice nibbles, you know the 122 00:05:33,560 --> 00:05:35,200 Speaker 1: things they do southing some olives and bread. 123 00:05:35,600 --> 00:05:38,440 Speaker 4: So there's someone behind and say come on, hurry. 124 00:05:38,240 --> 00:05:40,920 Speaker 3: Up, and then you start moving. Is they've got one 125 00:05:40,960 --> 00:05:42,960 Speaker 3: foot down, You got one foot down. That's the rule. 126 00:05:43,000 --> 00:05:45,080 Speaker 3: Everyone knows you can start moving. Vicky. 127 00:05:45,120 --> 00:05:47,000 Speaker 1: That's a great one. Thank you very much for calling 128 00:05:47,000 --> 00:05:52,560 Speaker 1: the show today. Terry, good morning, Jim. What doesn't add 129 00:05:52,640 --> 00:05:54,240 Speaker 1: up in a movie? What's it for you? 130 00:05:54,360 --> 00:05:54,600 Speaker 3: Terry? 131 00:05:55,320 --> 00:05:55,480 Speaker 1: Oh? 132 00:05:55,760 --> 00:05:59,320 Speaker 6: In The Titanic, when Jack and Rose as trying to 133 00:05:59,320 --> 00:06:02,080 Speaker 6: get on the door in the water, I reckon Jack 134 00:06:02,240 --> 00:06:04,040 Speaker 6: definitely could have got on the door with Rose. 135 00:06:04,920 --> 00:06:08,520 Speaker 1: She was there, are said very selfish then they would 136 00:06:08,520 --> 00:06:12,000 Speaker 1: just freeze in there. It's very very sad. He could 137 00:06:12,000 --> 00:06:14,480 Speaker 1: have they could have lived very happily together. There's room 138 00:06:14,520 --> 00:06:15,200 Speaker 1: on the door for two. 139 00:06:16,120 --> 00:06:20,120 Speaker 6: Apparently they've done they've done some experiments where they tasted 140 00:06:20,200 --> 00:06:21,760 Speaker 6: to see whether they could both fit on. 141 00:06:22,000 --> 00:06:25,159 Speaker 2: Yeah, yeah, and they said they could have both fit on, 142 00:06:25,320 --> 00:06:27,680 Speaker 2: but it would have submerged a bit and they would 143 00:06:27,680 --> 00:06:29,680 Speaker 2: have both been a little bit in the water and 144 00:06:30,080 --> 00:06:32,159 Speaker 2: that would have been too freezing for them. 145 00:06:32,760 --> 00:06:33,920 Speaker 4: Oh so they both would have died. 146 00:06:34,760 --> 00:06:37,680 Speaker 6: Yeah, yeah, yeah, but she gave up too quickly. I 147 00:06:37,760 --> 00:06:39,200 Speaker 6: mean she was like, mat, if. 148 00:06:39,040 --> 00:06:41,320 Speaker 3: You go, my wife would have done the same. 149 00:06:41,440 --> 00:06:43,760 Speaker 1: She was gone, thank you, then pushed my head away, 150 00:06:44,120 --> 00:06:46,680 Speaker 1: or use me as a kind of floatations all for snacks, 151 00:06:46,720 --> 00:06:47,159 Speaker 1: Just eat me. 152 00:06:47,200 --> 00:06:48,800 Speaker 4: It's still gripping on the edge of the door there. 153 00:06:50,160 --> 00:06:52,600 Speaker 1: Let go so hard, they do say, let go so hard, 154 00:06:52,640 --> 00:06:56,719 Speaker 1: but please let go f fingers off, fingers off, doggy paddle. 155 00:06:56,839 --> 00:06:58,599 Speaker 3: You might make it for another hour two, who knows. 156 00:06:58,800 --> 00:06:59,800 Speaker 3: Hopefully we get rescued. 157 00:06:59,839 --> 00:07:01,599 Speaker 4: Keep warm, yeah, you've got to paddle to keep warm. 158 00:07:01,600 --> 00:07:04,280 Speaker 3: You're going to get warm. There a long game, lego. 159 00:07:04,400 --> 00:07:07,360 Speaker 3: There might be a sequel. In fact, Clive Palmer's working 160 00:07:07,480 --> 00:07:12,440 Speaker 3: or I think Titanic too. It's in Australia. Terry, thank 161 00:07:12,480 --> 00:07:13,080 Speaker 3: you very much