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Speaker 1: Petrificus to talis.

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Speaker 2: What does that mean?

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Speaker 1: That is the full body bind curse in Harry Potter?

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Speaker 2: Would you most want to bodybind me if you could

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Speaker 2: do a curse?

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Speaker 1: Oh wow, I was.

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Speaker 2: Just asking the question. I'm just asking the question, what

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Speaker 2: would you want to do.

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Speaker 1: To me if I was gonna curse you? Petrificates totalus

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Speaker 1: is a great curse, Like it's full body petrification. Petrification

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Speaker 1: is in like your your stuff into like stillness. You

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Speaker 1: just got this, Yeah, you fully and you can move

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Speaker 1: your eyes so.

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Speaker 2: Wow, like one of my favorite curses an esthetic. But

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Speaker 2: I can feel and see everything. Can I feel? Yeah?

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Speaker 2: You could. So you could kick me in the leg

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Speaker 2: after a partrificate iacus and I would feel that in

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Speaker 2: my shinyeahd be like that scene and you got this.

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Speaker 1: It's really good.

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Speaker 2: Also like Laura Biding Citizen. Have you seen that film

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Speaker 2: Jared Butler? Yeah, when he's got the guy. Yeah, gets

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Speaker 2: a bit heavy, but.

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Speaker 1: Yeah, yeah, Betty, we're doing about that.

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Speaker 2: Yeah, it a bit of fun kids kids book. Well,

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Speaker 2: the reason you're probably.

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Speaker 1: But yeah, that curse would be a good curse to do.

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Speaker 2: So the reason we're talking about Harry Potter though, is

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Speaker 2: because I'm pretty excited about this. This is gonna happen

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Speaker 2: very shortly. But we're hoping to get people who know

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Speaker 2: every single line of Harry Potter one the movie.

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Speaker 1: Yeah do you?

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Speaker 3: Is that?

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Speaker 4: No?

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Speaker 1: Wrong? Don't?

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Speaker 2: Would you? How many words would you know? Would you know?

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Speaker 5: I know?

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Speaker 1: I know Toy Story.

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Speaker 2: I reckon every single line in Toy I reckon.

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Speaker 1: I'd be close.

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Speaker 2: Okay, how can I know the sound of music? Kidding?

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Speaker 2: Every line? Every line in the movie.

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Speaker 1: Every line, But I have no scenes?

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Speaker 2: Why that is quite probably Matrix closest for me. You

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Speaker 2: guys didn't ask, but Matrix or Gladiator. I watched Gladiator

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Speaker 2: a lot.

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Speaker 1: Gladiator, you'd actually know every line? Nah, you just I

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Speaker 1: think you like know?

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Speaker 2: Yeah, No, I don't.

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Speaker 1: I don't know. I just know I know the pie

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Speaker 1: points in the scenes.

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Speaker 2: Yeah.

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Speaker 1: Well it helps with like I mentioned a musical, Like

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Speaker 1: musicals are easier because you know the songs. Yeah.

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Speaker 2: Yeah, Well, we're hoping to find some potheads.

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Speaker 1: But you know that you know the like the build

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Speaker 1: up to songs as well, Like I think I know

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Speaker 1: a lot of Mary Poppins as well, Chris Poppins. This

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Speaker 1: is a sound of music that is when they're on

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Speaker 1: the boat. Yep, this is when they're on the bat

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Speaker 1: and they all fall in.

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Speaker 3: Now they've all form.

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Speaker 1: What happens get immediately it comes storming over and tells, yeah, problem,

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Speaker 1: this is movie. And then she says, this is sound

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Speaker 1: of music, as you say, And so they all get

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Speaker 1: out of the water. And then she says, you are nowhere.

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Speaker 1: You're nowhere, but I know the scenes so well, so

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Speaker 1: tell you what happens here. Baroness Rated comes out and

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Speaker 1: then she goes, what are my kids dressed in? And

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Speaker 1: he says they're dressed in drapes and then he ut

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Speaker 1: believe he throws the drapes to the ground. That's his whistle.

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Speaker 2: He blows whistles in his kids.

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Speaker 1: Yeah, he's a captain like a dog whistle, red light,

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Speaker 1: tread light. This is not good listening. I don't think

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Speaker 1: so for other people.

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Speaker 2: I can see it.

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Speaker 1: And do you know the bit when they all rock

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Speaker 1: up on the boat.

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Speaker 2: I don't think I've seen sound of music.

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Speaker 1: You've never seen the sound of music.

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Speaker 6: No, Wow, this is Brad.

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Speaker 1: That's his mistress. That's his mistress. That's his mistress, Barons Strader.

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Speaker 1: And then Baroni Strader realized that he's got the hots

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Speaker 1: for uh Fraulein Maria Mary Andrews.

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Speaker 2: Oh Poppins, Sorry not Mary Andrews. Julian Andrews, Yeah, he's

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Speaker 2: the mains.

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Speaker 1: And what did you accidentally eat in the dark? Can

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Speaker 1: you you accidentally eat something in the dark? I think

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Speaker 1: it's probably a more pertinent question here woulds, because that's

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Speaker 1: getting to the core of the issue. And the issue

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Speaker 1: is did Alisha swallow a one hundred thousand dollar golden

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Speaker 1: tym tam? She says she was in the dark. She

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Speaker 1: said she was in the movies. But since then that

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Speaker 1: a whole lot of skeptics call.

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Speaker 2: Up, what was the most expensive thing you swallowed?

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Speaker 6: One hundred thousand dollar?

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Speaker 5: Tim Tim? I opened the pack and a movie. It

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Speaker 5: was dark, and I looked, Oh my.

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Speaker 7: God, the so called winners had an entire packet filled

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Speaker 7: with golden tintan.

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Speaker 8: So we're not looking at one PM them. You would

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Speaker 8: actually have a physical golden ticket.

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Speaker 6: How does she know she ate one hundred thousand dollars?

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Speaker 6: If she was in a movie and she couldn't see it.

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Speaker 9: If she did realize that it was the golden ones,

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Speaker 9: then why did she keep eating it?

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Speaker 6: I don't understand that.

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Speaker 2: The closest I've come to accidentally placing something in my

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Speaker 2: mouth in the dark and not realizing what that thing was.

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Speaker 2: I thought I was putting toothpaste on a toothbrush. I

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Speaker 2: put moisturizer on. Oh right, so well there it was dark, okay,

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Speaker 2: and I just felt tube squeeze form. Oh this isn't

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Speaker 2: minty fresh. Hang on a second, I put in I

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Speaker 2: think what was like a coconut inspired moisturizer. It was

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Speaker 2: actually wasn't so bad. But so to that point, it's like, okay,

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Speaker 2: well I have before gone. I didn't actually realize what

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Speaker 2: I was putting in my mouth in the dark, but

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Speaker 2: I but I haven't. She she had a flickering light

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Speaker 2: in darkness, right.

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Speaker 1: Flickering light. You don't know, get off.

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Speaker 2: The flickering cinema. It's a flickering light.

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Speaker 1: But you know, I think Tom brought this up on

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Speaker 1: the podcast yesterday. You've got a person in front of

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Speaker 1: you on the cinema. They're casting a shadow, Tommy. Yeah,

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Speaker 1: there's absolutely no way their chairs casting a shadow. You're

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Speaker 1: also focusing on the movie, right, You're not watching They're

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Speaker 1: not watching a flywork show.

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Speaker 2: I'll put it down there's no flickering light. I'll put

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Speaker 2: it down, but I need to hear some stories here

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Speaker 2: on thirteen one oh sixty five of people accidentally eating

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Speaker 2: things in the dark. Well, it's the only way to

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Speaker 2: prove that you could possibly have something in your hand,

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Speaker 2: place it in your mouth, and then go, oh, hang

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Speaker 2: on a second, this is what I thought was going

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Speaker 2: to be in my mouth.

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Speaker 1: Jade's called on. Let's let's get this going on. I

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Speaker 1: need to get past this doubting Thomas and the studio. Jade,

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Speaker 1: what did you what did you accidentally swallow in the dark?

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Speaker 7: I accidentally ate a whole planet of raspberries covered in eights?

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Speaker 1: Oh?

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Speaker 2: Perfect, Okay, that's actually a good start.

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Speaker 1: Where were you, Jade? Where were you?

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Speaker 10: I was just at home, just eating in the dark.

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Speaker 1: Are you watching TV in the dark?

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Speaker 2: You're focused on the TV.

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Speaker 7: It was the spicy texture.

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Speaker 1: That got me, oh the answer, spice the lights.

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Speaker 7: On and realized, yeah, covered in as.

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Speaker 1: Oh oh that is disgusting, Jade, can I the punnet?

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Speaker 1: The other factor here is you. We're all forgetting how

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Speaker 1: much of a role your eyes play in telling you

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Speaker 1: how something tastes Totally, I've done that thing where you

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Speaker 1: were like, it's called eating in the dark or dining

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Speaker 1: in the dark, and you don't know what you've eaten

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Speaker 1: until the people come and tell you at the end

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Speaker 1: of the meal. You have no idea.

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Speaker 2: It's actually true. It took me a while with the toothpaste.

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Speaker 2: I was like, Oh, this doesn't seem right.

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Speaker 1: Your eyes anticipate what the taste is going to be.

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Speaker 1: So it's totally plausible that she could have eaten it

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Speaker 1: and not known during the eating that there was any

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Speaker 1: other flavor to it.

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Speaker 2: Okay, I'm warming. I need to hear more.

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Speaker 1: Number great point.

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Speaker 7: Will.

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Speaker 1: Someone had to say it. Someone had to say it, Charene,

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Speaker 1: what'd your dad accidentally eat in the dark?

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Speaker 5: He accidentally ate? Will put in his mouth the contents

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Speaker 5: of the ash tray.

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Speaker 7: I was back in the seventies where people smoked in

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Speaker 7: the house.

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Speaker 5: He had a bowl of peanuts and then the ash

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Speaker 5: trays beside it. In a horror movie, dug your hands

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Speaker 5: in the bowl, not peanuts in the mouth.

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Speaker 6: Ah.

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Speaker 2: So what I'd say about that is peanuts are a

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Speaker 2: scoffing food, a scoffing food you could easily miss. I

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Speaker 2: don't think tim Tam is a scoffer.

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Speaker 1: You're clutching. It's through tim Tams are a scoffing food.

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Speaker 1: When was the last time you ate a tim Tam?

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Speaker 2: Two thousand and two exactly. Let's go to mercy here.

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Speaker 2: Well maybe if she's a scoffer, may be, let's go

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Speaker 2: to mercy mercy. What did you accidentally eat in the dark?

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Speaker 1: Hi?

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Speaker 5: Guys.

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Speaker 8: The first I need to premise this by the fact

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Speaker 8: that my cellar is a bit of a snorer and

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Speaker 8: I'm a nighttime eater. Okay, yeah, I have a stash

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Speaker 8: of lollies by the bed, and when he snores and

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Speaker 8: I'm awake from I just reach over and grab a

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Speaker 8: lolli and I chuck it in my mouth. This one

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Speaker 8: particular night, I put what I thought was a lolly

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Speaker 8: in my mouth and I was chewing away and thought,

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Speaker 8: this is really flavorless and it's also very rubbery. Oh no,

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Speaker 8: So I took it out and put it out by

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Speaker 8: the bed.

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Speaker 7: And when I got up in the morning, I realized

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Speaker 7: it was an ear plug.

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Speaker 2: Used ear PLUGA.

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Speaker 6: Fortunately it didn't have the taste of whack.

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Speaker 8: Fortunately it was before another incident with an ear plug.

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Speaker 1: Oh well, what do you mean by that?

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Speaker 2: Else did you put the ear plug question? Little cheeky

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Speaker 2: one from Mercy on the way.

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Speaker 1: So I think that the thing here for me is

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Speaker 1: there's there's as we're if you're just joining us, guys,

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Speaker 1: we're trying to figure out whether or not it's possible

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Speaker 1: that this woman caught a relisha could have swallowed one

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Speaker 1: hundred thousand dollars golden tim damn Woods. There's two bits

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Speaker 1: here for me. There's the do you see it before

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Speaker 1: it goes in your mouth? Which I think we're finding

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Speaker 1: out people don't. You don't see it? I still say

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Speaker 1: it depending on pace. So I just went it down, mate.

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Speaker 1: I think I think you didn't put it down. People

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Speaker 1: are proving here that you don't see it. We've got

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Speaker 1: a woman who put in the ear plug in her mouth.

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Speaker 2: Lolly pace, it's quick, I think, Timm, you.

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Speaker 1: Wayne, he's not. He's not rapidly sculling a glass of water.

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Speaker 2: Had a couple of drinks. Of course, he's rapidly sculling water.

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Speaker 2: I don't know what you do when you get home

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Speaker 2: up for a big night. Let's go to Tha here

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Speaker 2: thea what did you accidentally swallow in the dug ah?

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Speaker 8: A slug.

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Speaker 1: Oh.

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Speaker 10: Hell, I was eating a salad and it had pieces

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Speaker 10: of onion in it, and I thought I'd dropped a

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Speaker 10: piece of onion on the table, and I picked it

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Speaker 10: up and just threw it into my mouth.

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Speaker 3: And here you go.

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Speaker 1: Is she rapidly chowing down on a slug?

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Speaker 2: Is A it's a single Let's go, tod.

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Speaker 1: She's not. Why would you yield?

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Speaker 2: It's more fun when it's been a texture in the chat?

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Speaker 2: Will go to Dave, what did you accidentally swallow?

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Speaker 11: I swallowed the dog's Easter egg.

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Speaker 2: The dog's Easter egg.

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Speaker 11: And my daughter she brought the at Easter time, that

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Speaker 11: one just gone by, and the Easter egg pack. And

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Speaker 11: now I made out a carraby and then my my

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Speaker 11: wife put all the eggs into one the Easter egg basket.

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Speaker 2: A yeah, yeah, yeah yeah.

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Speaker 11: And the next day she goes, who wait, the dog's egg,

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Speaker 11: and I said, what are you talking about? She goes

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Speaker 11: the dog's egg. I said, dog's eggs in there? She goes, yeah,

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Speaker 11: I put them all in there. And I tell you

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Speaker 11: the truth, I didn't even tell the difference.

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Speaker 2: There's a lot of people who are accdently swallowing things.

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Speaker 2: I don't know where I sit now. I think there's

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Speaker 2: more to do here, though I'm not willing to put

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Speaker 2: this down yet.

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Speaker 1: And the other point with Dave is that I know

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Speaker 1: well just by the fact that he took three minutes

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Speaker 1: to tell us that he swallowed the wrong Easter egg,

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Speaker 1: he did stumble into the great point that I made earlier,

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Speaker 1: which is that you can swallow something and not know

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Speaker 1: that you've swallowed something differently.

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Speaker 2: Because if your mind is telling you it's an Easter egg,

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Speaker 2: they were just.

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Speaker 1: As his wife said to him, who swallow the dogs Easter?

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Speaker 1: And he goes, I don't know, just the chocolate all night. Idea.

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Speaker 2: We should do this tomorrow on the show, so we

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Speaker 2: eat things blindfolded to see if it's possible.

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Speaker 1: That you could eat it and not realize that you

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Speaker 1: were even eating it.

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Speaker 2: I think that's not a bad next step.

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Speaker 1: Okay, I like it.

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Speaker 2: Jee Whiz Love Science. Give us a call now on

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Speaker 2: thirteen one sixty five. If you think you know all

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Speaker 2: the lines to the first Harry Potter movie, Oh my,

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Speaker 2: I was like, what is That's a remix of Harry

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Speaker 2: Potter music. That's tight Anyway. The reason I'm asking for

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Speaker 2: you guys to call is because it appears that Emma Watson,

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Speaker 2: who famously played Hermione. I'm not sure if it's Hermione, Hermione,

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Speaker 2: but it appears that she knows all the lines from

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Speaker 2: the Harry Potter movies because she revealed this. Watch Emma's

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Speaker 2: lips very closely here throughout this.

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Speaker 12: Qu you're helping them what they're loans. I created issues, really, yes,

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Speaker 12: I would ruined takes Amma doing it again, your mouthing,

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Speaker 12: your mouthing dance.

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Speaker 3: I'd be like, I'm so sorry, I'm so sorry. I

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Speaker 3: couldn't help myself.

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Speaker 12: I was such a loser. I really love those books.

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Speaker 1: Still is a loser as far as I'm concerned. Watson,

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Speaker 1: she just thinks of like she's never for me, for me,

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Speaker 1: I love him, Watson. But but as soon as she talks,

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Speaker 1: I can only hear Hermione, And I think there's a

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Speaker 1: bit of Hermione inceptions and going on there, because only

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Speaker 1: Hermione would do that. Like there was so much Hermione

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Speaker 1: in Emma Watson that they're totally inseparable.

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Speaker 2: This is a deeper chat. But she would have been

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Speaker 2: what twelve when she took over Hermione. Yeah, it would

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Speaker 2: be very weird for her to separate herself from hermione.

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Speaker 2: She went through this like.

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Speaker 1: You know, she actually is a nerd in real life

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Speaker 1: as well. Like she you know, I think she went

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Speaker 1: to Yale after schools.

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Speaker 2: Well, she's a anyway, enough for the deep stuff, let's focus.

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Speaker 2: That was pretty too deep for me at four o'clock

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Speaker 2: on a.

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Speaker 1: What day is it stuff?

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Speaker 2: Anyway, why I'm asking you guys to call of you

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Speaker 2: know all the lines from a Harry Potter movie is

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Speaker 2: because I just love to have a crack at reenacting

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Speaker 2: a famous Harry Potter scene. Okay, now, by the way,

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Speaker 2: I'm not a Harry Potter fan, but this is it's

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Speaker 2: a pothead. I'm not a pothead, but this is just

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Speaker 2: a classic scene. So we can all have a giggle here.

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Speaker 2: And I think it will be funny to hear if

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Speaker 2: some real die hard fans think they can recreate a scene.

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Speaker 1: So no prompting, just like straight up.

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Speaker 2: Got to be straight up. Wow. Now I've been told

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Speaker 2: the people who are going to be having a crack

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Speaker 2: at this can't hear me right now, but this is

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Speaker 2: the scene they're going to be trying to reenact.

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Speaker 12: Wait a minute, you understand why Harry.

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Speaker 13: Once I'm my move, the Queen will take me. Then

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Speaker 13: you're free to check the king.

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Speaker 2: No, Ron, no, what is it?

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Speaker 13: He's going to sacrifice himself?

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Speaker 1: No you can't. That must be another way.

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Speaker 13: Do you want to stop sleep from getting that stone

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Speaker 13: or knocked?

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Speaker 12: Harry?

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Speaker 13: So you that has to go on? I know it,

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Speaker 13: not me, Notmony you nine to h three?

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Speaker 1: Alrighty if you.

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Speaker 2: If you reckon, you can do the chess scene, unscripted, unprompted.

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Speaker 1: It's a challenge. This is a monumental, no doubt, challenge,

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Speaker 1: because there is a difference between being familiar with a

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Speaker 1: movie and knowing you know, punchlines and funny be its,

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Speaker 1: and knowing it word for word script like, I can't

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Speaker 1: think of anything that I would know that.

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Speaker 2: Well, I agree with you, but apparently, Nicole here is

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Speaker 2: a huge Harry Potter fan, and you think you literally

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Speaker 2: know all the lines from the film.

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Speaker 6: I think, so, yeah, who would you like.

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Speaker 2: To play in that scene we just heard?

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Speaker 7: I'll go with Harry.

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Speaker 2: You want to mean to keep.

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Speaker 1: A big fish? The Boy who Lived? Okay?

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Speaker 5: Wow?

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Speaker 1: Been Harry, my god, Nicole.

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Speaker 2: Wow, We've got Kayla here. Now, Kayla, you're a Harry

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Speaker 2: Potter super fan. How many times have you seen the movie?

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Speaker 14: I've honestly lost count because I'm the same age as

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Speaker 14: the actors are, so I was that age when they

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Speaker 14: were going through school. So that was my birthday gift

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Speaker 14: every year seeing the films.

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Speaker 1: Wow, okay, so first one, we're obviously playing. We're going

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Speaker 1: to go for a scene from the first one. I

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Speaker 1: think we can say it's the chest scene. Yeah, Kayla,

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Speaker 1: you're across that scene.

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Speaker 14: I hope. So I'm acts, Okay.

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Speaker 1: Who do you want to play in the scene.

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Speaker 14: I'll go with Hermione. I guess all.

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Speaker 2: Right, We've got our Hermione. Very good. I's got to Shari, now, Ari,

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Speaker 2: how many times have you seen the movie?

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Speaker 14: At least twenty or thirty times.

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Speaker 2: With twenty or thirty times, that's a lot the producers.

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Speaker 6: I used to watch the first few to go to sleep.

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Speaker 6: So I'm worried about the chess ring because that's towards

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Speaker 6: the end.

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Speaker 1: Jess is towards the end.

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Speaker 6: I might stuff it up for you guys.

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Speaker 2: So and you want to be wrong? Is that right?

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Speaker 1: Chari? Yeah? Did you realize that one one's got the

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Speaker 1: biggest role here?

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Speaker 2: Yeah?

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Speaker 10: I know.

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Speaker 14: That's what I'm worried about.

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Speaker 1: He's the brave He's the brave one. He sacrifice sacrifices himself.

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Speaker 2: Absolutely, it's a pivotal roll.

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Speaker 6: Too late to change scenes, Yes.

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Speaker 2: It is, and we're in the air.

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Speaker 1: We're going hard on this one.

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Speaker 2: We need to be in control of the scene to

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Speaker 2: prove that you know every line from the movie. So

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Speaker 2: if I can just quickly before we start the scene,

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Speaker 2: I just want to hear each of you in character.

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Speaker 2: So Nicole, can you give me a Harry to say

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Speaker 2: hello as Harry? Hello nice? Okay, we've got a Kayla here,

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Speaker 2: Kley in hermione, give me a bit of hermione. Hello, Hello, Lari,

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Speaker 2: give us your ron.

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Speaker 6: No some death.

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Speaker 2: We need a little bit of depth here. We need

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Speaker 2: to hear the different character.

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Speaker 15: About all right, all right now, guys, just to remind you,

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Speaker 15: the first line of the scene that we want to

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Speaker 15: take it off from is Harry saying, wait a minute, okay, all.

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Speaker 2: Right in three two one action, wait.

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Speaker 10: A minute, ron.

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Speaker 2: Ron ron.

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Speaker 4: Ron, Yes, yes, you want don't move there.

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Speaker 2: You've absolutely choked. Absolutely, that's stop. Stops. You're obviously nervous.

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Speaker 2: Jesus Christ beginning to go to take two. I mean, Sari,

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Speaker 2: you went to bed with this film all through your

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Speaker 2: life and you Okay.

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Speaker 6: This was my moment.

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Speaker 10: I'm just absolutely I.

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Speaker 2: Give you a little heads up. Okay. Ron's first line

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Speaker 2: is you understand right, Harry? Okay? Is it coming back

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Speaker 2: to you?

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Speaker 16: No?

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Speaker 1: I think I almost a substitute, right. I don't think

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00:19:31,359 --> 00:19:31,800
Speaker 1: you fired.

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Speaker 2: You're fired. You will not be paid for your work today.

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Speaker 2: We could throw it back to her producers, to providers.

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Speaker 1: Another with Nicole Kaylor. I mean both of you know

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Speaker 1: the scene very well. To either of you want to

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Speaker 1: play wrong because he's the biggest part. Nicole Taylor, I'll

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Speaker 1: give it a go. Who's that? Who's that speaking there?

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Speaker 3: Kayla?

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Speaker 2: Okay, I'll be I think this is the key. Okay,

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Speaker 2: So Nicole, you're still Harry, Kayla, you're Ron, I'm hermione card. Guys,

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Speaker 2: just take to action.

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Speaker 6: Wait a minute, you understand right, Harry.

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Speaker 14: Once I make my move, the Queen will take me.

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Speaker 14: Then you're free to check the king.

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Speaker 1: Nicole.

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Speaker 7: Oh, I thought it was hermioning legs.

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Speaker 2: Do you come on? Oh wait, okay, this isn't edit.

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Speaker 2: Oh what is it?

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Speaker 6: He's going to sacrifice himself.

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Speaker 2: No you can't. There must be another way.

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Speaker 14: Do you want to stop Snake from getting the stone

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Speaker 14: or not? Harry it?

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Speaker 1: Oh God, I'll tell you what I want to stop.

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Speaker 1: I want to stop this and I'm going to stop

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Speaker 1: it right now that you lie will go down.

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Speaker 2: How could you possibly.

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Speaker 3: Lies?

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00:21:10,280 --> 00:21:16,880
Speaker 2: Sick lies? We've been punished. Australia has been punished, absolutely

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Speaker 2: a little bit of fun. Thirteen one oh six five

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Speaker 2: is our number? Has a pool entry or exit gone

434
00:21:25,800 --> 00:21:30,040
Speaker 2: badly for you? So into pool or out of pool?

435
00:21:30,320 --> 00:21:34,080
Speaker 2: Has that just ended in an injury or embarrassment for

436
00:21:34,119 --> 00:21:35,919
Speaker 2: you if you can relate to it? Thirteen one oh

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Speaker 2: sixty five. Now we're talking about that, Will because on

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Speaker 2: our podcast debrief last night.

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00:21:41,080 --> 00:21:43,959
Speaker 1: Yeah, there's lots of the debriefs and the intros yet

440
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Speaker 1: exclusive gear on the Will and Woody podcast.

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Speaker 2: Yeah, get around it.

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Speaker 1: We mind the scenes actual.

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Speaker 2: Yeah, And what we were chatting about behind the scenes

444
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Speaker 2: last night was when you saw Tim Robards in your

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Speaker 2: speedos at a pool before the logis.

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Speaker 1: I think we all know to be aware of the

447
00:22:00,640 --> 00:22:01,480
Speaker 1: threat of rebuts.

448
00:22:01,640 --> 00:22:06,000
Speaker 2: I think he was threatened by you in budgy smugglers

449
00:22:06,000 --> 00:22:08,600
Speaker 2: at the pool at the Logi's orange budgies. He was like,

450
00:22:08,760 --> 00:22:09,920
Speaker 2: hang on a second, I don't have the best body

451
00:22:09,920 --> 00:22:12,720
Speaker 2: in Australia anymore. Look at this thing struggling out of

452
00:22:12,720 --> 00:22:18,280
Speaker 2: the water. In the water, it's hard to get me up.

453
00:22:22,440 --> 00:22:24,920
Speaker 2: So your pool exit is the Warri's approach, which is

454
00:22:25,160 --> 00:22:27,760
Speaker 2: you you can't get you said, and you just sort

455
00:22:27,760 --> 00:22:29,520
Speaker 2: of shimmy up, you shimmy and sort.

456
00:22:29,359 --> 00:22:31,760
Speaker 1: Of I straighten the arm so the waist is there.

457
00:22:31,760 --> 00:22:34,560
Speaker 2: And he just tipped forward. Yeah, it's a really it's

458
00:22:34,560 --> 00:22:38,040
Speaker 2: a sight to see. Guys, Kathy, you had a pool

459
00:22:38,119 --> 00:22:40,000
Speaker 2: exit or entry that went badly.

460
00:22:41,160 --> 00:22:45,399
Speaker 9: Oh, I think badly is an understatement. Guy. So I

461
00:22:45,640 --> 00:22:49,200
Speaker 9: was stepping into a pool and there was a kid

462
00:22:49,600 --> 00:22:52,320
Speaker 9: sort of in the way, and I tried to dodge him,

463
00:22:52,400 --> 00:22:54,760
Speaker 9: but as he dodged, I weaved, and then he weaved

464
00:22:54,760 --> 00:22:58,800
Speaker 9: and I dodged. Oh no, and fell face burst into

465
00:22:58,840 --> 00:23:03,560
Speaker 9: the pool. Turn around and there are sixty year one

466
00:23:03,680 --> 00:23:09,680
Speaker 9: students absolutely waiting themselves with laughter. Managed to mark the role,

467
00:23:09,720 --> 00:23:12,080
Speaker 9: get them all off to their swimming lesson, and I

468
00:23:12,119 --> 00:23:15,879
Speaker 9: got carted off to hospital in an ambulance after shuttering

469
00:23:15,880 --> 00:23:18,720
Speaker 9: all the bones, tore the ligaments, and taught the tendons

470
00:23:18,760 --> 00:23:19,359
Speaker 9: in my foot.

471
00:23:19,840 --> 00:23:32,160
Speaker 2: Wow, the story done. It's gonna ash now ash Okay.

472
00:23:32,359 --> 00:23:37,000
Speaker 2: So you saw someone enter a pool and it was embarrassing.

473
00:23:36,520 --> 00:23:40,919
Speaker 7: Ash well kind of. I was the recipient of a

474
00:23:41,000 --> 00:23:46,160
Speaker 7: terrible entry to the pool. I was thrown around as

475
00:23:46,160 --> 00:23:50,320
Speaker 7: a young star with the goggles on, like picture it beautiful. Look,

476
00:23:51,160 --> 00:23:54,640
Speaker 7: We're all hanging out, playing around, and someone pushed one

477
00:23:54,640 --> 00:23:57,399
Speaker 7: of our other friends, who proceeded to do a bomb

478
00:23:57,960 --> 00:24:02,960
Speaker 7: on my eyes where the suction caps to my eyeball.

479
00:24:02,760 --> 00:24:05,360
Speaker 7: We had to go to the emergency room to get

480
00:24:05,359 --> 00:24:08,560
Speaker 7: them removed to where I then had a black eye

481
00:24:08,640 --> 00:24:13,480
Speaker 7: for like three not three months, three weeks after because

482
00:24:13,520 --> 00:24:15,960
Speaker 7: of how bad the suction cap of the goggles was

483
00:24:16,000 --> 00:24:19,560
Speaker 7: on my eyes from their kneecaps going into my eye cycle.

484
00:24:19,680 --> 00:24:27,159
Speaker 1: Oh god, that is so Ereggy, someone need your goggles

485
00:24:27,200 --> 00:24:30,840
Speaker 1: onto your face. So you had to get me surgically removed.

486
00:24:31,240 --> 00:24:33,200
Speaker 1: That sensationals.

487
00:24:33,960 --> 00:24:36,200
Speaker 2: We'll do. What did you have to get surgically removed tomorrow?

488
00:24:36,280 --> 00:24:38,399
Speaker 2: That could be a hot topic. Yeah, that's let's go

489
00:24:38,400 --> 00:24:41,720
Speaker 2: to Louisa here. Though, Louisa, you had a bit of

490
00:24:41,720 --> 00:24:43,040
Speaker 2: an issue entering a pool.

491
00:24:44,440 --> 00:24:47,720
Speaker 6: Ideas I was still swimming when I was a teenager

492
00:24:48,000 --> 00:24:50,760
Speaker 6: and I went to jump off the diving board into

493
00:24:50,840 --> 00:24:54,560
Speaker 6: the pool, and I was wearing these fashionable string bikinis

494
00:24:54,640 --> 00:24:57,040
Speaker 6: and as I jumped, my finger caught in the string

495
00:24:57,119 --> 00:25:01,320
Speaker 6: bow on the side which unto it and they slung

496
00:25:01,480 --> 00:25:03,240
Speaker 6: off the side of my body while I was in

497
00:25:03,359 --> 00:25:05,359
Speaker 6: bit air lands in the water.

498
00:25:07,040 --> 00:25:10,880
Speaker 2: So right, so tops off, you've hit water.

499
00:25:11,119 --> 00:25:22,199
Speaker 1: I think bottoms are off bottom, bottoms down under. Nothing

500
00:25:22,240 --> 00:25:25,560
Speaker 1: more concerning or frustrating anybody's house than a tupple air drawer.

501
00:25:26,960 --> 00:25:29,000
Speaker 2: How does it get so messy so fast? And then

502
00:25:29,040 --> 00:25:32,360
Speaker 2: you've got lids that don't have bottoms, bottoms without lids.

503
00:25:32,080 --> 00:25:34,320
Speaker 1: And I'm okay in there, like what.

504
00:25:34,200 --> 00:25:36,000
Speaker 2: Do you mean? How do you store them?

505
00:25:36,640 --> 00:25:38,840
Speaker 1: I just I just get around and I don't mind

506
00:25:38,880 --> 00:25:40,199
Speaker 1: having it, you know, I don't mind having a bit

507
00:25:40,160 --> 00:25:41,000
Speaker 1: ahiquity piguity.

508
00:25:41,160 --> 00:25:42,520
Speaker 2: But you so you'll dig around for a lid that

509
00:25:42,560 --> 00:25:44,960
Speaker 2: because I'll find a bottom and I'll be like, who,

510
00:25:45,320 --> 00:25:47,760
Speaker 2: who's where's the where's your top? Mate? And you know

511
00:25:47,800 --> 00:25:49,800
Speaker 2: you're digging them. And then sometimes I'll come to work

512
00:25:49,800 --> 00:25:51,320
Speaker 2: and I'll have the wrong lid on the wrong bottom.

513
00:25:51,640 --> 00:25:52,440
Speaker 1: How do you do that?

514
00:25:52,720 --> 00:25:52,880
Speaker 11: Well?

515
00:25:52,920 --> 00:25:56,240
Speaker 2: They they half fit sometimes and then you get liage

516
00:25:56,320 --> 00:25:57,080
Speaker 2: and you get leakage.

517
00:25:57,240 --> 00:25:58,840
Speaker 1: That's why your bags tank for a while.

518
00:25:59,000 --> 00:26:02,080
Speaker 2: And yeah, I was getting oil stains love my jumpers

519
00:26:02,080 --> 00:26:04,480
Speaker 2: because I was just getting oil all through a bag.

520
00:26:04,880 --> 00:26:07,120
Speaker 2: But so, but my thing is I'm trying to now

521
00:26:07,160 --> 00:26:08,720
Speaker 2: put my tap of wear back in with lid on.

522
00:26:09,280 --> 00:26:10,280
Speaker 1: No, he doesn't dry.

523
00:26:10,359 --> 00:26:11,760
Speaker 2: Probably this is my problem now.

524
00:26:12,880 --> 00:26:15,840
Speaker 1: And also you waste more space because the reason that

525
00:26:15,840 --> 00:26:17,760
Speaker 1: tapawear is good to stack because you can stack it

526
00:26:17,800 --> 00:26:19,560
Speaker 1: inside itself. But as soon as you put the lid

527
00:26:19,600 --> 00:26:20,560
Speaker 1: on and you're wasting space.

528
00:26:20,680 --> 00:26:21,359
Speaker 2: I've never done that.

529
00:26:21,359 --> 00:26:24,199
Speaker 1: Most of the drawers just air. I have a.

530
00:26:25,800 --> 00:26:34,920
Speaker 2: Oh god, Jesus, you were gay there tea hot tea. Yeah,

531
00:26:34,960 --> 00:26:36,600
Speaker 2: so right.

532
00:26:36,800 --> 00:26:37,520
Speaker 1: Down the wrong way.

533
00:26:37,680 --> 00:26:39,680
Speaker 2: Oh well, so it sounds like you've got a pretty

534
00:26:39,680 --> 00:26:42,800
Speaker 2: good system. By the way, If you're stacking tapaware inside tapaware,

535
00:26:42,920 --> 00:26:43,800
Speaker 2: what do you do with your lids?

536
00:26:43,800 --> 00:26:43,960
Speaker 14: Then?

537
00:26:44,040 --> 00:26:45,560
Speaker 1: Well I thought we had a pretty good system.

538
00:26:45,840 --> 00:26:48,120
Speaker 2: Yeah, I think you've shown me your system.

539
00:26:47,840 --> 00:26:49,920
Speaker 1: Before, by the way, Well, I thought it was pretty good.

540
00:26:50,080 --> 00:26:53,040
Speaker 1: It was the lids on the side set up, that's right,

541
00:26:53,280 --> 00:26:55,400
Speaker 1: So don't try so you just put all your lids

542
00:26:55,440 --> 00:26:58,080
Speaker 1: together and you stack them like you're stacking plates in

543
00:26:58,080 --> 00:27:01,280
Speaker 1: a dishwasher, which is like next to one another, and

544
00:27:01,320 --> 00:27:05,120
Speaker 1: then you stack them from smallest to biggest, and then as.

545
00:27:05,000 --> 00:27:07,280
Speaker 2: If you're maintaining that though, But it just becomes a

546
00:27:07,320 --> 00:27:09,359
Speaker 2: throw in there at some point, doesn't it.

547
00:27:09,480 --> 00:27:13,400
Speaker 1: Don't don't don't paint me with your slop projecting.

548
00:27:13,640 --> 00:27:14,840
Speaker 2: But it doesn't happen.

549
00:27:15,000 --> 00:27:18,400
Speaker 1: No, you're painting me with your sloppy dishwashing unpacking technique.

550
00:27:18,600 --> 00:27:22,000
Speaker 1: And if that's hurting you, then that's your cross to

551
00:27:22,040 --> 00:27:23,840
Speaker 1: bear with, my friends, but for those of us that

552
00:27:23,960 --> 00:27:29,040
Speaker 1: take care in dismantling the dishwasher, it goes in appropriately.

553
00:27:29,119 --> 00:27:30,720
Speaker 1: You take the time and then you pay dividends.

554
00:27:30,760 --> 00:27:32,840
Speaker 2: Now you effectively set the bush good dolls every time

555
00:27:32,840 --> 00:27:35,760
Speaker 2: you put your tupplewar away. That's how much time does that.

556
00:27:35,800 --> 00:27:37,320
Speaker 1: It takes a little while. But look, I was happy

557
00:27:37,320 --> 00:27:39,800
Speaker 1: with it. My partner Sam was not happy with it,

558
00:27:40,119 --> 00:27:42,560
Speaker 1: and a lot of the time she would basically just

559
00:27:42,560 --> 00:27:46,000
Speaker 1: complain about how annoying the tupwaar draw.

560
00:27:46,040 --> 00:27:47,400
Speaker 2: Was to yep.

561
00:27:48,119 --> 00:27:52,760
Speaker 1: And then today I went for a run.

562
00:27:52,680 --> 00:27:55,440
Speaker 2: With Max little flexer with Max and Stevie.

563
00:27:55,480 --> 00:27:58,679
Speaker 1: Well, I just went out of the house. What am

564
00:27:58,720 --> 00:28:00,919
Speaker 1: I going to say? I left the house for an

565
00:28:01,040 --> 00:28:01,920
Speaker 1: unknown reason.

566
00:28:03,119 --> 00:28:05,119
Speaker 11: You go on.

567
00:28:05,359 --> 00:28:08,320
Speaker 1: So I left the house definitely not exercising doing something

568
00:28:08,320 --> 00:28:09,479
Speaker 1: for it. I went, I left the house and went

569
00:28:09,520 --> 00:28:12,520
Speaker 1: an eight donnuts around the corner. There you go, And

570
00:28:12,920 --> 00:28:16,080
Speaker 1: I came home. And people can go and say to

571
00:28:16,119 --> 00:28:18,919
Speaker 1: themselves on our socials, Will and Woody, but we'll go

572
00:28:18,960 --> 00:28:20,520
Speaker 1: to a song and I'll show you on the other

573
00:28:20,560 --> 00:28:25,760
Speaker 1: side what drastic step Sam took for.

574
00:28:25,720 --> 00:28:30,240
Speaker 2: The top wear draw new system. Totally new system. New

575
00:28:30,320 --> 00:28:34,320
Speaker 2: system is an understatement. Yes, yes, in short, it is

576
00:28:34,359 --> 00:28:35,840
Speaker 2: a new system. I can't wait.

577
00:28:35,880 --> 00:28:41,120
Speaker 1: But the aggressiveness, and he was was obviously somebody who.

578
00:28:40,920 --> 00:28:43,720
Speaker 2: Had had enough of the toupwaar draw aggressiveness. Aggressive like

579
00:28:43,840 --> 00:28:46,280
Speaker 2: extreme measure, extreme measure.

580
00:28:46,640 --> 00:28:49,720
Speaker 1: Think think like you know, it was a real cut

581
00:28:49,760 --> 00:28:51,640
Speaker 1: off your nose, just bite your face, sort of a setup,

582
00:28:51,800 --> 00:28:56,320
Speaker 1: you know, like yeah, are you happy? Mambivalent?

583
00:28:56,720 --> 00:29:01,240
Speaker 2: Oh okay, get to the song. I think, yeah, let's

584
00:29:01,240 --> 00:29:01,760
Speaker 2: go to the song.

585
00:29:02,080 --> 00:29:03,280
Speaker 1: I think there are people out there who going to

586
00:29:03,320 --> 00:29:08,920
Speaker 1: listen to this and go, wow, revolutionize the game. Think

587
00:29:09,160 --> 00:29:11,640
Speaker 1: people are gonna be out there who go you let

588
00:29:11,720 --> 00:29:13,920
Speaker 1: her get tea and you could have been a bigger

589
00:29:13,920 --> 00:29:16,880
Speaker 1: person there as in lost the battle against I think

590
00:29:16,920 --> 00:29:19,240
Speaker 1: so it's a shock. It's your least favorite drawer in

591
00:29:19,240 --> 00:29:24,200
Speaker 1: the house. Oh that and the spices draw. If your spices.

592
00:29:23,720 --> 00:29:25,480
Speaker 2: Aren't organized, you've got to get a good spice.

593
00:29:25,800 --> 00:29:29,040
Speaker 1: A shock and draw and and what I'll call generally

594
00:29:29,080 --> 00:29:32,120
Speaker 1: your third draw is a shock and draws. Your sticky tape,

595
00:29:32,240 --> 00:29:38,400
Speaker 1: your batteries, ribbons, scissors, yeah, a couple of rank memberships

596
00:29:38,440 --> 00:29:42,520
Speaker 1: that you might have forgotten, and public transport card. They're

597
00:29:42,520 --> 00:29:43,080
Speaker 1: in the third draw.

598
00:29:43,280 --> 00:29:43,440
Speaker 6: Yeah.

599
00:29:43,520 --> 00:29:45,440
Speaker 2: Yeah, I think your scissors aren't there in two or one?

600
00:29:45,480 --> 00:29:47,640
Speaker 1: Yeah, they're in two. That's fair, that's well, it depends

601
00:29:47,640 --> 00:29:50,520
Speaker 1: on the three. Well, I think kitchen scissors in two,

602
00:29:50,560 --> 00:29:54,960
Speaker 1: and I think you know, like you're sewing scissors are

603
00:29:54,960 --> 00:29:55,320
Speaker 1: in three.

604
00:29:55,480 --> 00:29:59,720
Speaker 2: Anyway, let's get rid of them enough. But but doubleware,

605
00:30:00,280 --> 00:30:01,720
Speaker 2: you've said to me before the song, and you've got

606
00:30:01,760 --> 00:30:06,160
Speaker 2: me incredibly excited that sem your partner has thought of

607
00:30:06,200 --> 00:30:09,080
Speaker 2: this new system for one of a better word.

608
00:30:09,160 --> 00:30:11,920
Speaker 1: Yeah, but you're making it sound like an eloquent solution,

609
00:30:12,200 --> 00:30:16,840
Speaker 1: and it's not. Okay, it's it's it's brash. I rock

610
00:30:16,960 --> 00:30:19,480
Speaker 1: up and again on willing Woody, Instagram and TikTok if

611
00:30:19,520 --> 00:30:20,320
Speaker 1: you want to see it for yourself.

612
00:30:20,360 --> 00:30:21,640
Speaker 2: But it's got rid of the tuplewear.

613
00:30:22,080 --> 00:30:23,360
Speaker 1: That's what I got home to.

614
00:30:24,120 --> 00:30:27,720
Speaker 2: Oh my, oh sorry, this wasn't the tuple wear. You ownt.

615
00:30:27,880 --> 00:30:29,160
Speaker 2: She's gone out and bored.

616
00:30:29,280 --> 00:30:31,960
Speaker 1: She got sixteen tuplewar of the same size, and she's

617
00:30:31,960 --> 00:30:35,400
Speaker 1: thrown at all your other twe we arewn that.

618
00:30:35,440 --> 00:30:38,560
Speaker 2: Doesn't make any sense when I'm sorry, but what happens

619
00:30:38,560 --> 00:30:41,400
Speaker 2: when you've got half an avocado goes in there? You

620
00:30:41,520 --> 00:30:43,880
Speaker 2: need different signs goes in there? No, it doesn't.

621
00:30:43,920 --> 00:30:48,960
Speaker 1: She's decided. She's decided that the that the pain of

622
00:30:49,120 --> 00:30:52,680
Speaker 1: stacking and finding your lids and stuff is not worth

623
00:30:52,920 --> 00:30:56,040
Speaker 1: knowing that your avocado fits snugly in a in a

624
00:30:56,040 --> 00:30:56,840
Speaker 1: smaller bit.

625
00:30:57,120 --> 00:30:58,880
Speaker 2: And then you could just use two if it's too big.

626
00:30:59,240 --> 00:30:59,640
Speaker 1: That's right.

627
00:30:59,680 --> 00:31:03,280
Speaker 2: I think, well, you know what, I'm instantly turned We've

628
00:31:03,280 --> 00:31:03,840
Speaker 2: got to talk to.

629
00:31:03,760 --> 00:31:05,000
Speaker 1: Her about instantly turned on.

630
00:31:05,080 --> 00:31:06,880
Speaker 2: And I was like, I am a little bit that

631
00:31:06,920 --> 00:31:08,800
Speaker 2: as well, because if you know the type ofware thing,

632
00:31:09,040 --> 00:31:12,040
Speaker 2: I think it's worth calling out expensive solution.

633
00:31:12,760 --> 00:31:14,760
Speaker 1: She said that there was thirty percent off today, so

634
00:31:14,800 --> 00:31:16,000
Speaker 1: she's very excited about that.

635
00:31:16,480 --> 00:31:18,000
Speaker 2: You've gone for a bit of a cheaper tuplewear. If

636
00:31:18,000 --> 00:31:19,240
Speaker 2: I have to be honest, is that right?

637
00:31:19,600 --> 00:31:21,640
Speaker 1: What is that tutor or something? Isn't it? No day,

638
00:31:21,680 --> 00:31:26,520
Speaker 1: cool day cool speaking, Hey Sammy, just talking about you

639
00:31:28,040 --> 00:31:30,840
Speaker 1: burning the world and throwing out all of our TopWare today.

640
00:31:33,280 --> 00:31:35,200
Speaker 1: I was hope you would bring that up.

641
00:31:36,240 --> 00:31:38,560
Speaker 2: You actually you were hoping he would bring it up.

642
00:31:39,160 --> 00:31:41,040
Speaker 7: Yeah, because it was so crimy rooms.

643
00:31:42,040 --> 00:31:44,440
Speaker 2: So guys, ask you the first question, how many tuple

644
00:31:44,440 --> 00:31:47,720
Speaker 2: wears did you throw out today to create the new system?

645
00:31:48,000 --> 00:31:48,120
Speaker 13: Well?

646
00:31:48,120 --> 00:31:50,959
Speaker 6: I didn't throw them out. Let's I put them at

647
00:31:50,960 --> 00:31:51,600
Speaker 6: the Salvos.

648
00:31:52,440 --> 00:31:55,360
Speaker 2: Perfect, excellent, excellent, great, Okay, So put them at the

649
00:31:55,400 --> 00:31:58,880
Speaker 2: Salvos and then you've bought sixteen of exactly the same

650
00:31:59,200 --> 00:32:01,440
Speaker 2: tup of wear side twelve twelve.

651
00:32:01,800 --> 00:32:03,560
Speaker 1: But what if I make like you know, on the weekend,

652
00:32:03,560 --> 00:32:05,479
Speaker 1: I like to make an assobuco or something. What are

653
00:32:05,480 --> 00:32:06,240
Speaker 1: we going to do with the.

654
00:32:07,720 --> 00:32:08,560
Speaker 6: You put them into?

655
00:32:09,040 --> 00:32:11,240
Speaker 2: You put them into?

656
00:32:11,480 --> 00:32:14,360
Speaker 6: You will never ever be looking for leaves that don't

657
00:32:14,800 --> 00:32:15,880
Speaker 6: like I thought.

658
00:32:15,640 --> 00:32:17,840
Speaker 1: The system was fine before I thought that you were.

659
00:32:18,400 --> 00:32:20,560
Speaker 1: I think this is far too aggressive.

660
00:32:20,920 --> 00:32:22,520
Speaker 7: Maybe because I use them a bit more.

661
00:32:23,120 --> 00:32:27,000
Speaker 1: No, you don't, you barely do. No, you don't.

662
00:32:27,760 --> 00:32:32,000
Speaker 5: Okay, I'm not going to go on discussion with you

663
00:32:32,040 --> 00:32:32,480
Speaker 5: on that one.

664
00:32:36,760 --> 00:32:38,400
Speaker 14: But there's a trying to roll me up.

665
00:32:38,480 --> 00:32:40,000
Speaker 1: No I'm not. There are just a couple of.

666
00:32:40,480 --> 00:32:41,680
Speaker 12: I'm feeling potatoes.

667
00:32:41,920 --> 00:32:43,280
Speaker 10: It's not a good.

668
00:32:44,800 --> 00:32:45,320
Speaker 11: Discussion.

669
00:32:45,720 --> 00:32:46,760
Speaker 6: I'm feeling potatoes.

670
00:32:47,440 --> 00:32:49,440
Speaker 2: It is true that could be an occupational hazard. So

671
00:32:49,480 --> 00:32:51,640
Speaker 2: would you allow that, sim if if Will really is

672
00:32:51,680 --> 00:32:53,160
Speaker 2: to put his foot down, because can I just say

673
00:32:53,200 --> 00:32:55,600
Speaker 2: off air, he has been a lot more aggressive about this. Yeah, great,

674
00:32:55,600 --> 00:32:58,120
Speaker 2: now here we go. So Will said to me, mate,

675
00:32:58,160 --> 00:33:00,440
Speaker 2: I'm going to storm back into that house with big

676
00:33:00,440 --> 00:33:03,040
Speaker 2: tape away because I have the right to a big

677
00:33:03,080 --> 00:33:04,960
Speaker 2: tap work because I'm a big boy. That was his words,

678
00:33:04,960 --> 00:33:07,440
Speaker 2: not mine. Are you gonna that?

679
00:33:09,360 --> 00:33:09,440
Speaker 4: No?

680
00:33:10,160 --> 00:33:12,560
Speaker 2: Sorry, well, what are you gonna say to that.

681
00:33:12,520 --> 00:33:15,360
Speaker 1: World that's not there?

682
00:33:20,520 --> 00:33:22,000
Speaker 2: Can I have? Can I have your tap away? Sin?

683
00:33:22,040 --> 00:33:25,960
Speaker 2: That's actually what I want to ask you. Yeah, yeah, great.

684
00:33:27,600 --> 00:33:29,600
Speaker 7: What I did I did keep one of the big

685
00:33:29,640 --> 00:33:32,000
Speaker 7: ones so that you can't do your steaming of the

686
00:33:32,080 --> 00:33:33,680
Speaker 7: veggies in there?

687
00:33:33,520 --> 00:33:35,160
Speaker 1: There you steaming of the veggies?

688
00:33:35,280 --> 00:33:37,280
Speaker 2: Yeah yeah, yeah, that's what you'd like to do with

689
00:33:37,360 --> 00:33:46,360
Speaker 2: the microwave. You your big box of steam vegies. My

690
00:33:46,520 --> 00:33:49,960
Speaker 2: cooking techniques on the air, take away from your big

691
00:33:49,960 --> 00:33:52,280
Speaker 2: boxes statabals.

692
00:33:53,720 --> 00:33:57,840
Speaker 1: You like with the microwave me sound like a child.

693
00:34:01,280 --> 00:34:03,160
Speaker 1: Pick a card, pick a card, pick a card, pick

694
00:34:03,200 --> 00:34:05,080
Speaker 1: your card, pick a card, pick a card, pick.

695
00:34:04,880 --> 00:34:07,640
Speaker 2: A card pick. Don't leave your thoughts in our heat.

696
00:34:08,000 --> 00:34:09,839
Speaker 2: Pick a card and take a leap.

697
00:34:10,480 --> 00:34:12,880
Speaker 1: Okay. So normally, you know, we sit in here and

698
00:34:13,520 --> 00:34:15,440
Speaker 1: there are these wonderful card packs. Words that you know,

699
00:34:15,960 --> 00:34:19,800
Speaker 1: they ask, you know, provocative, engaging questions, and yeah, is

700
00:34:19,840 --> 00:34:22,120
Speaker 1: it lazy radio, sure, but it means that we talk

701
00:34:22,160 --> 00:34:23,839
Speaker 1: about stuff that we would never normally talk about.

702
00:34:23,840 --> 00:34:26,080
Speaker 2: Do you know it's even lazier than just picking a

703
00:34:26,120 --> 00:34:28,960
Speaker 2: card from a random card game, bringing the creators of

704
00:34:29,000 --> 00:34:31,319
Speaker 2: a card game in and getting them to do it.

705
00:34:31,400 --> 00:34:32,800
Speaker 2: So welcome the imperfect.

706
00:34:33,320 --> 00:34:39,320
Speaker 17: People listening will be thinking esther Perel sounds different. Usually

707
00:34:39,360 --> 00:34:43,759
Speaker 17: it's the esther Perel cards. Today it's the Imperfect cards. Yes, yes,

708
00:34:43,800 --> 00:34:44,960
Speaker 17: thank you for having us on, guy.

709
00:34:46,080 --> 00:34:47,759
Speaker 1: Always great to have you guys here. So these are

710
00:34:47,800 --> 00:34:51,080
Speaker 1: the Vulnerability Tea House cards. And get these on the

711
00:34:51,080 --> 00:34:52,879
Speaker 1: Imperfect Instagram as well if you guys want to get

712
00:34:53,200 --> 00:34:56,840
Speaker 1: a deck for it yourselves. But right, you've just picked

713
00:34:56,840 --> 00:35:00,520
Speaker 1: three cards and you're going to choose one of those

714
00:35:00,600 --> 00:35:02,400
Speaker 1: questions to answer on the radio.

715
00:35:02,480 --> 00:35:03,600
Speaker 3: Now, So yeah, I.

716
00:35:03,520 --> 00:35:05,280
Speaker 16: Mean I'm nervous for you at the moment.

717
00:35:05,760 --> 00:35:06,040
Speaker 1: I know.

718
00:35:06,200 --> 00:35:07,960
Speaker 17: Well, because the way that this works generally, and you

719
00:35:08,000 --> 00:35:09,400
Speaker 17: can when when you get your own card back, you

720
00:35:09,400 --> 00:35:11,640
Speaker 17: can play at home. You just you pick three cards

721
00:35:11,840 --> 00:35:15,080
Speaker 17: at random, and so you can then choose one of

722
00:35:15,120 --> 00:35:16,880
Speaker 17: them to tell a story if it invokes some sort

723
00:35:16,920 --> 00:35:18,840
Speaker 17: of like a story bit of vulnerability. And then the

724
00:35:18,880 --> 00:35:21,480
Speaker 17: idea of it is that the more vulnerable you are

725
00:35:21,840 --> 00:35:24,239
Speaker 17: with the people that you trust and you're close with,

726
00:35:24,480 --> 00:35:26,320
Speaker 17: the closer that you get and that kind of breeds

727
00:35:26,320 --> 00:35:28,239
Speaker 17: this connection. That's why, that's why we do it.

728
00:35:28,320 --> 00:35:29,520
Speaker 1: Okay, brilliant, Okay.

729
00:35:29,560 --> 00:35:33,200
Speaker 3: So I'm going to go with the card what were

730
00:35:33,239 --> 00:35:34,880
Speaker 3: you embarrassed about as a teenager?

731
00:35:36,800 --> 00:35:37,040
Speaker 6: Weird?

732
00:35:37,280 --> 00:35:37,760
Speaker 2: Okay?

733
00:35:40,920 --> 00:35:43,799
Speaker 17: And and the I mean they look, there's a list,

734
00:35:43,840 --> 00:35:45,520
Speaker 17: there's a long list of things. But the one I'm

735
00:35:45,520 --> 00:35:47,440
Speaker 17: going to focus on, the one I'm going to focus

736
00:35:47,440 --> 00:35:53,120
Speaker 17: on is and bearing in mind, this was the mid nineties,

737
00:35:53,719 --> 00:35:55,480
Speaker 17: and you know, I was like, you know, it's teenagers.

738
00:35:55,480 --> 00:35:56,720
Speaker 3: I was like fifteen.

739
00:35:57,120 --> 00:36:00,160
Speaker 17: So but what I was really embarrassed about for for

740
00:36:00,280 --> 00:36:05,120
Speaker 17: a couple of years really was my lack of understanding

741
00:36:05,440 --> 00:36:10,680
Speaker 17: of which base was which, as.

742
00:36:09,960 --> 00:36:14,000
Speaker 2: In, when you're with a woman or man. So what

743
00:36:14,160 --> 00:36:15,880
Speaker 2: can I can I ask straight off the bat what

744
00:36:16,040 --> 00:36:17,680
Speaker 2: you thought the basis of work?

745
00:36:17,760 --> 00:36:20,640
Speaker 3: And you remember what you just hover over the dump button?

746
00:36:23,080 --> 00:36:28,000
Speaker 1: Yeah, carefully so it iss are welcome.

747
00:36:28,640 --> 00:36:32,719
Speaker 17: Well, it's so I knew. I knew for sure, first base,

748
00:36:33,200 --> 00:36:40,520
Speaker 17: open mouth kiss, french kiss, a snoge between first and second.

749
00:36:40,560 --> 00:36:42,239
Speaker 17: That's where I start getting like, you know, and this

750
00:36:42,360 --> 00:36:44,440
Speaker 17: is this is not necessarily talking about I mean, this

751
00:36:44,480 --> 00:36:46,360
Speaker 17: is necessarily doing these things.

752
00:36:46,800 --> 00:36:47,360
Speaker 1: Just the knowledge.

753
00:36:47,400 --> 00:36:48,200
Speaker 2: It's the knowledge.

754
00:36:48,360 --> 00:36:50,920
Speaker 17: Yeah, it's the talking about it with friends because you're

755
00:36:50,960 --> 00:36:53,400
Speaker 17: at that age that is a big part of especially

756
00:36:53,840 --> 00:36:55,239
Speaker 17: after parties and things.

757
00:36:55,400 --> 00:36:58,759
Speaker 1: Of course, of course about like we got the first base?

758
00:36:58,840 --> 00:36:59,279
Speaker 3: What base?

759
00:36:59,480 --> 00:36:59,680
Speaker 4: Yeah?

760
00:36:59,719 --> 00:37:01,640
Speaker 2: Yeah, and Mats would just would say that to you,

761
00:37:01,760 --> 00:37:03,520
Speaker 2: and then you'd be in a state of confusion, going,

762
00:37:03,600 --> 00:37:04,879
Speaker 2: I actually don't know what you've done.

763
00:37:05,520 --> 00:37:07,480
Speaker 3: I don't know, I don't know what base and so

764
00:37:09,040 --> 00:37:09,719
Speaker 3: and I don't know what.

765
00:37:10,040 --> 00:37:14,320
Speaker 17: But because like different schools probably had different rules of

766
00:37:14,480 --> 00:37:18,160
Speaker 17: like base. Really I reckon it could have been a

767
00:37:18,200 --> 00:37:20,759
Speaker 17: state by state thing as well, all informed.

768
00:37:20,440 --> 00:37:23,399
Speaker 1: By the movie Cruel Intentions. What which base was, which

769
00:37:23,880 --> 00:37:26,200
Speaker 1: is a very famous scene in that scene in that movie,

770
00:37:26,960 --> 00:37:27,720
Speaker 1: lay out the bases.

771
00:37:28,680 --> 00:37:31,560
Speaker 3: I probably did, but probably can't say because my parents

772
00:37:31,600 --> 00:37:36,960
Speaker 3: are listening. Yeah, but so okay, So.

773
00:37:39,960 --> 00:37:44,360
Speaker 1: Is there a general like malaise or like scrambling in

774
00:37:44,520 --> 00:37:47,440
Speaker 1: terms of the bases, or is there is there a distinct?

775
00:37:48,320 --> 00:37:51,759
Speaker 1: Oh I thought first was second and I thought third

776
00:37:51,920 --> 00:37:54,239
Speaker 1: was first? Or surely you didn't think a home run

777
00:37:54,400 --> 00:37:54,800
Speaker 1: was second?

778
00:37:55,040 --> 00:37:55,080
Speaker 16: No?

779
00:37:55,239 --> 00:37:56,160
Speaker 3: Okay, so home run?

780
00:37:56,600 --> 00:37:57,360
Speaker 2: You know what home run is?

781
00:37:58,680 --> 00:38:00,759
Speaker 3: Number two, two and three?

782
00:38:01,200 --> 00:38:01,319
Speaker 5: Oh?

783
00:38:01,400 --> 00:38:02,359
Speaker 2: Yeah, of course it's yeah.

784
00:38:02,480 --> 00:38:02,960
Speaker 8: No, No, I.

785
00:38:05,600 --> 00:38:07,960
Speaker 2: Still, Josh, don't understand baseball.

786
00:38:08,800 --> 00:38:17,600
Speaker 3: Just play cricket base I hit a six on the weekend, Jesus.

787
00:38:17,800 --> 00:38:21,480
Speaker 1: Without going into the specific did you do this? Did

788
00:38:21,520 --> 00:38:23,840
Speaker 1: this ever run you into trouble? Like specific zero specific

789
00:38:24,000 --> 00:38:25,680
Speaker 1: moment where you were like, geez.

790
00:38:26,760 --> 00:38:28,840
Speaker 17: It's I mean, it's just the talk. I mean, I

791
00:38:28,880 --> 00:38:31,319
Speaker 17: can't remember an exact thing, but I do remember an

792
00:38:31,400 --> 00:38:34,600
Speaker 17: intense feeling of like whenever the subject came up. Yeah,

793
00:38:34,680 --> 00:38:36,680
Speaker 17: I couldn't really talk about it because it was and

794
00:38:36,760 --> 00:38:39,719
Speaker 17: also because at that age I felt way too embarrassed

795
00:38:39,760 --> 00:38:43,319
Speaker 17: to be able to ask someone to clarify in.

796
00:38:43,360 --> 00:38:46,120
Speaker 1: A shocking conversation. Yeah, is that a strangeous thing about

797
00:38:46,200 --> 00:38:48,960
Speaker 1: being a teenager? Is like, that's all you're thinking about

798
00:38:49,080 --> 00:38:51,839
Speaker 1: pretty much, or that's seventy percent of brain spaces thought

799
00:38:51,960 --> 00:38:55,000
Speaker 1: is thinking about that. But you don't, you don't, you

800
00:38:55,080 --> 00:38:58,000
Speaker 1: don't qualify it with anyone. No, it's the thing that

801
00:38:58,080 --> 00:39:00,520
Speaker 1: you you're so preoccupied with, but you've got no one

802
00:39:00,960 --> 00:39:03,080
Speaker 1: for some reason. It's just too embarrassing to talk about.

803
00:39:03,120 --> 00:39:04,880
Speaker 1: So you have to figure it out yourself. We always

804
00:39:04,920 --> 00:39:07,120
Speaker 1: come out of there with so many different misconceptions about

805
00:39:07,440 --> 00:39:09,600
Speaker 1: I still have moments as like a thirty three year

806
00:39:09,600 --> 00:39:12,239
Speaker 1: old brother, Ah, that's what that man.

807
00:39:12,560 --> 00:39:15,040
Speaker 3: Yeah, you're talking the other.

808
00:39:14,960 --> 00:39:18,359
Speaker 1: Day about the word sixty nine is the going right.

809
00:39:19,560 --> 00:39:21,360
Speaker 2: I mean he was worried about second base and was

810
00:39:21,440 --> 00:39:22,120
Speaker 2: talking about six.

811
00:39:23,960 --> 00:39:27,000
Speaker 1: But the number, the number, the number is the most there.

812
00:39:27,239 --> 00:39:28,520
Speaker 1: There's a thing we're talking about on the show the

813
00:39:28,560 --> 00:39:32,240
Speaker 1: other day. The number sixty nine is the most misunderstood. Yeah, number,

814
00:39:32,400 --> 00:39:33,560
Speaker 1: like kids don't know why.

815
00:39:33,520 --> 00:39:35,040
Speaker 3: It's I can explain it to you.

816
00:39:35,160 --> 00:39:37,320
Speaker 8: No, no, no, you know.

817
00:39:37,800 --> 00:39:40,200
Speaker 2: I feel like we need to keep talking about this. Yeah,

818
00:39:40,480 --> 00:39:42,680
Speaker 2: And I don't know if particularly asking, but thirty one

819
00:39:42,719 --> 00:39:45,920
Speaker 2: oh six five, if you have any sort of expertise

820
00:39:45,960 --> 00:39:48,239
Speaker 2: around the bases and what each base is, I just

821
00:39:48,280 --> 00:39:51,080
Speaker 2: feel I need to keep talking about this. Okay, where

822
00:39:51,120 --> 00:39:52,640
Speaker 2: you need to solve this? Okay, they help a lot

823
00:39:52,680 --> 00:39:53,319
Speaker 2: of people out there.

824
00:39:57,760 --> 00:39:59,640
Speaker 9: Pick a god, pick a card, Pick a card, Pick

825
00:39:59,680 --> 00:40:01,680
Speaker 9: a card, pick a card, pick a card, pick a card.

826
00:40:01,840 --> 00:40:05,080
Speaker 2: Couldn't leave your thoughts in our heat. Pick a card

827
00:40:05,480 --> 00:40:06,120
Speaker 2: and take.

828
00:40:05,960 --> 00:40:08,160
Speaker 1: A very excited to say that we are now picking

829
00:40:08,200 --> 00:40:11,719
Speaker 1: cards from the Vulnerability Tea House card set, which is

830
00:40:11,800 --> 00:40:14,279
Speaker 1: from The Imperfect. We've got Ryan Shelton and Josh Van

831
00:40:14,360 --> 00:40:17,120
Speaker 1: Cohleenberg in the studio. Thank you for the first edition

832
00:40:17,320 --> 00:40:19,720
Speaker 1: of The Imperfect playing Pick Card Tuesday, Very very exciting.

833
00:40:19,840 --> 00:40:21,239
Speaker 1: If you want a pack of these cards, you can

834
00:40:21,320 --> 00:40:23,800
Speaker 1: get them on the Imperfect Instagram as well, and you

835
00:40:23,840 --> 00:40:26,359
Speaker 1: can play for yourselves. You guys do this live as well.

836
00:40:26,440 --> 00:40:27,680
Speaker 1: I've seen this on stage as well.

837
00:40:27,840 --> 00:40:33,400
Speaker 3: Yeah, well there's a bunch of cards, so probably like,

838
00:40:33,840 --> 00:40:35,319
Speaker 3: what is it like a fifty two?

839
00:40:38,680 --> 00:40:42,640
Speaker 1: So today, Ryan, you've come in here and you've chosen.

840
00:40:42,680 --> 00:40:45,480
Speaker 1: What were you embarrassed about as a teenager? Is the cards? Yeah,

841
00:40:45,680 --> 00:40:48,759
Speaker 1: you've selected, and we're talking about.

842
00:40:49,280 --> 00:40:51,160
Speaker 17: Well because yeah, and so what I was embarrassed out

843
00:40:51,160 --> 00:40:53,080
Speaker 17: as a teenager, among other things, was my lack of

844
00:40:53,200 --> 00:40:56,400
Speaker 17: understanding of what the bases are in terms of.

845
00:40:58,280 --> 00:41:00,560
Speaker 3: Hooking up with hooking up with people.

846
00:41:01,320 --> 00:41:03,359
Speaker 2: Yeah, and by the way, we just threw it out

847
00:41:03,400 --> 00:41:05,399
Speaker 2: there to people to call up and try and tell

848
00:41:05,480 --> 00:41:09,120
Speaker 2: us what the bases are. No one really knows. I

849
00:41:09,160 --> 00:41:10,920
Speaker 2: think that's the scary thing about it. I think everyone

850
00:41:11,000 --> 00:41:13,279
Speaker 2: has lived what you lived, right, which is everyone was

851
00:41:13,280 --> 00:41:16,920
Speaker 2: thrown around these bases and we're all agreen and not Yeah, yeah, awesome.

852
00:41:17,120 --> 00:41:19,000
Speaker 17: And if anyone has a contact at the un we

853
00:41:19,080 --> 00:41:20,440
Speaker 17: are trying to get a hold of them just so

854
00:41:20,520 --> 00:41:23,200
Speaker 17: we can get like a final formal answer on what

855
00:41:23,480 --> 00:41:26,400
Speaker 17: is the basis a subcommittee or.

856
00:41:27,880 --> 00:41:29,520
Speaker 1: The great revelation from the chat that we had in

857
00:41:29,560 --> 00:41:31,400
Speaker 1: the song just there was that Josh only thought that

858
00:41:31,440 --> 00:41:31,839
Speaker 1: there were.

859
00:41:32,680 --> 00:41:34,400
Speaker 16: I'm genuinely more confused now after that.

860
00:41:34,480 --> 00:41:35,719
Speaker 1: You didn't even it was on home run.

861
00:41:35,960 --> 00:41:37,040
Speaker 2: No, and you've got kids.

862
00:41:37,280 --> 00:41:42,480
Speaker 3: Yeah, that's amazing. We're trying to bring that up.

863
00:41:45,080 --> 00:41:47,080
Speaker 2: But we focus were on the card, which is embarrassing

864
00:41:47,160 --> 00:41:50,600
Speaker 2: moments you've done it as experienced as a teenager, I

865
00:41:50,760 --> 00:41:54,040
Speaker 2: reckon from mine. I feel like we all had little

866
00:41:54,080 --> 00:41:55,759
Speaker 2: things about our bodies of the way we looked which

867
00:41:55,760 --> 00:41:58,920
Speaker 2: were very embarrassing. And for me, swimming day like swimming

868
00:41:58,920 --> 00:42:02,560
Speaker 2: Carnival Day was all. It's horrific for me because I'm

869
00:42:02,719 --> 00:42:04,440
Speaker 2: still to this day body hair challenge. I don't have

870
00:42:04,520 --> 00:42:06,480
Speaker 2: much body hair on me at all, but a good thing.

871
00:42:07,280 --> 00:42:10,480
Speaker 2: But the only place that I grew body hair was

872
00:42:10,640 --> 00:42:14,120
Speaker 2: just so if I'm wearing a speedo, at the sides

873
00:42:14,719 --> 00:42:19,239
Speaker 2: of my speedo's I would I'd have bush. Yeah, and

874
00:42:19,320 --> 00:42:21,600
Speaker 2: as so as like a thirteen fourteen year old, it

875
00:42:21,719 --> 00:42:23,480
Speaker 2: was just like eyes just went down.

876
00:42:23,520 --> 00:42:27,160
Speaker 3: There was like, yeah, you didn't do the Brazilian works.

877
00:42:27,239 --> 00:42:28,640
Speaker 3: I didn't clearly you did.

878
00:42:30,280 --> 00:42:31,400
Speaker 2: What you do about the ingrains.

879
00:42:31,719 --> 00:42:34,480
Speaker 3: Well, the problem my issue was the other way, which

880
00:42:34,520 --> 00:42:35,960
Speaker 3: is like too much hair early on.

881
00:42:36,160 --> 00:42:38,080
Speaker 1: Yeah, yeah, I was gonna tell I was the other way.

882
00:42:38,320 --> 00:42:40,239
Speaker 1: Anyone that walking into the change room with minimal hair,

883
00:42:40,239 --> 00:42:40,480
Speaker 1: I'd be.

884
00:42:40,520 --> 00:42:43,400
Speaker 2: Like, yeah, so lucky the way till you look downstairs

885
00:42:43,440 --> 00:42:43,719
Speaker 2: and I was.

886
00:42:43,719 --> 00:42:44,279
Speaker 8: Like, what is that.

887
00:42:47,840 --> 00:42:50,000
Speaker 3: The hair making it down there? Like the hair from

888
00:42:50,040 --> 00:42:52,880
Speaker 3: your entire body is just gathered crush.

889
00:42:53,239 --> 00:42:54,040
Speaker 2: It's so bizarre.

890
00:42:55,600 --> 00:42:59,680
Speaker 1: Inspad as teenager, My mine is definitely that as a teenager,

891
00:43:00,440 --> 00:43:03,080
Speaker 1: and I had a single bed for a very long time,

892
00:43:03,760 --> 00:43:06,440
Speaker 1: which was just like for too long, oh, just for

893
00:43:06,560 --> 00:43:08,920
Speaker 1: too long. And then I got upgraded to a King single,

894
00:43:09,680 --> 00:43:11,719
Speaker 1: which was just not okay, and you.

895
00:43:11,760 --> 00:43:14,279
Speaker 3: Reckon that was an upgrade. Well, yeah, it has a

896
00:43:14,400 --> 00:43:15,240
Speaker 3: diagonal grade.

897
00:43:17,600 --> 00:43:19,680
Speaker 1: But I remember, like, you know, like taking girls back

898
00:43:19,680 --> 00:43:22,200
Speaker 1: there and it'd be like, ah, yeah, so this is

899
00:43:22,280 --> 00:43:26,080
Speaker 1: the which side do you want so squashy?

900
00:43:26,160 --> 00:43:27,160
Speaker 2: And which base did you get to?

901
00:43:27,719 --> 00:43:28,200
Speaker 1: Well, I don't know.

902
00:43:28,400 --> 00:43:28,759
Speaker 5: I think that.

903
00:43:29,800 --> 00:43:31,560
Speaker 1: I think that's the great mystery and all of this.

904
00:43:32,200 --> 00:43:33,799
Speaker 16: You've just reminded me of the fact that I had

905
00:43:34,400 --> 00:43:37,279
Speaker 16: my Donner cover on my single bed. I just didn't

906
00:43:37,280 --> 00:43:38,640
Speaker 16: even think about that. I so never to have a

907
00:43:38,680 --> 00:43:41,160
Speaker 16: house party. I invited people around when my parents weren't there,

908
00:43:41,560 --> 00:43:43,399
Speaker 16: and then I still had a Star Wars Donner cover.

909
00:43:43,480 --> 00:43:46,400
Speaker 16: I'm like, oh, and I copped so much, and I like,

910
00:43:46,520 --> 00:43:48,120
Speaker 16: I didn't even occur to me that that was something

911
00:43:48,160 --> 00:43:50,040
Speaker 16: to be embarrassed about until I was embarrassed.

912
00:43:50,120 --> 00:43:52,279
Speaker 1: Yeah. It's a shocking feeling, isn't it When you walk

913
00:43:52,320 --> 00:43:55,239
Speaker 1: into your bedroom as a teenager and there's something that

914
00:43:55,760 --> 00:43:59,160
Speaker 1: stuck around there from when you were like too young. Yeah,

915
00:43:59,320 --> 00:44:01,480
Speaker 1: and like mannic curing your bedroom is just something you

916
00:44:01,560 --> 00:44:03,440
Speaker 1: don't think about, and then someone walks in there and

917
00:44:03,520 --> 00:44:05,400
Speaker 1: you go, oh my god. This is mortified.

918
00:44:05,440 --> 00:44:07,319
Speaker 2: You've brought up recently when I'm over your house when

919
00:44:07,360 --> 00:44:09,960
Speaker 2: we were much younger and your mom came in. It

920
00:44:10,040 --> 00:44:14,040
Speaker 2: was either your mum or your nanny came in, and

921
00:44:14,320 --> 00:44:17,640
Speaker 2: she said that your swords are fully charged. Yeah, because

922
00:44:17,680 --> 00:44:19,359
Speaker 2: I did not at this point, but Will was still

923
00:44:19,400 --> 00:44:22,560
Speaker 2: putting his swords outside of the sunlight to charge his swords.

924
00:44:22,640 --> 00:44:26,440
Speaker 17: Yeah, it sounds like a pretty pretty out there euphemism

925
00:44:26,480 --> 00:44:28,400
Speaker 17: from your mum your swords fully.

926
00:44:30,840 --> 00:44:32,760
Speaker 3: Jeez, what was going.

927
00:44:36,080 --> 00:44:36,640
Speaker 2: Gotts.

928
00:44:36,880 --> 00:44:42,960
Speaker 3: Sorry, it's a lot of information for your parents to have.

929
00:44:45,520 --> 00:44:46,520
Speaker 1: Boys, Thanks for coming in.

930
00:44:47,120 --> 00:44:47,920
Speaker 3: Thank you so much.

931
00:44:48,280 --> 00:44:48,719
Speaker 1: We're back.

932
00:44:49,160 --> 00:44:52,600
Speaker 3: Oh yeah, a couple of eggs ex playing.

933
00:44:52,400 --> 00:44:55,600
Speaker 1: Bigger guards Tuesday. A lot of conjecture over what the

934
00:44:55,680 --> 00:44:57,520
Speaker 1: bases are. I think we can sort that out. If

935
00:44:57,520 --> 00:44:58,640
Speaker 1: you've got any insight there.

936
00:44:58,640 --> 00:44:59,799
Speaker 2: DMS, please.

937
00:45:03,480 --> 00:45:05,919
Speaker 3: I'd love to know. Actually I still am very gray

938
00:45:06,000 --> 00:45:08,400
Speaker 3: on it. Actually, yeah, so please let me know.

939
00:45:08,560 --> 00:45:09,680
Speaker 2: Thank you, Thanks for coming in.

940
00:45:09,920 --> 00:45:12,160
Speaker 3: Thanks guys, Josh, you're.

941
00:45:12,000 --> 00:45:14,320
Speaker 1: Going to get the cards head along to the Imperfects

942
00:45:14,320 --> 00:45:20,160
Speaker 1: on Instagram. You can download their vulnerability cards there. Thanks boys. Hey, everyone,

943
00:45:20,760 --> 00:45:21,879
Speaker 1: welcome to the end of the show.

944
00:45:22,200 --> 00:45:24,200
Speaker 2: I don't want this to get heated. I don't want

945
00:45:24,239 --> 00:45:28,040
Speaker 2: this to get heated. But I appreciate that we've all

946
00:45:28,200 --> 00:45:31,040
Speaker 2: just heard some very good arguments for the fact that

947
00:45:31,200 --> 00:45:34,120
Speaker 2: maybe you could accidentally swallow a gold tim tam. We've

948
00:45:34,160 --> 00:45:37,480
Speaker 2: had people swallowing raspberries, lollies that we hear plugs, the

949
00:45:37,560 --> 00:45:42,440
Speaker 2: guy nearly drank his mum's teeth, all good stuff. My

950
00:45:42,920 --> 00:45:46,319
Speaker 2: only argument still is going. I just feel like all

951
00:45:46,480 --> 00:45:52,120
Speaker 2: those examples of scoffers done quickly, maybe alsia ate the

952
00:45:52,200 --> 00:45:55,520
Speaker 2: tim tam so fast that it is in the scoffing category.

953
00:45:56,480 --> 00:45:59,000
Speaker 2: But I just think a tim tam is something you

954
00:45:59,040 --> 00:46:01,080
Speaker 2: take a couple of bites you had. I watched you

955
00:46:01,120 --> 00:46:03,040
Speaker 2: at a tim tam intently, like I was watching a

956
00:46:03,120 --> 00:46:06,640
Speaker 2: David Adamburgh documentary the other day. You nibbled it, you

957
00:46:06,719 --> 00:46:08,120
Speaker 2: took small bites, you save it.

958
00:46:10,160 --> 00:46:10,800
Speaker 1: That's an insult.

959
00:46:13,239 --> 00:46:14,040
Speaker 2: I don't think I did.

960
00:46:14,800 --> 00:46:16,840
Speaker 1: Everyone knows I'm a two I'm too, I'm a to

961
00:46:17,120 --> 00:46:20,040
Speaker 1: to bite tim tam eter. Yeah really yeah, I think

962
00:46:20,160 --> 00:46:22,320
Speaker 1: so Okay, so I'm a two bye tamer.

963
00:46:22,440 --> 00:46:24,480
Speaker 2: If i'm I don't.

964
00:46:24,560 --> 00:46:27,040
Speaker 1: If you're eating in more than two bites, you're tim

965
00:46:27,120 --> 00:46:29,879
Speaker 1: and then your tam. I think unless you're slamming. They're

966
00:46:29,960 --> 00:46:33,760
Speaker 1: sure that that's that's that's one, two, three, four probably

967
00:46:33,880 --> 00:46:34,200
Speaker 1: or three.

968
00:46:34,920 --> 00:46:37,279
Speaker 2: You've got a packet of tim Tams at the movies though,

969
00:46:37,280 --> 00:46:39,239
Speaker 2: we Yeah, here's the thing. If you've got to.

970
00:46:39,239 --> 00:46:41,120
Speaker 1: Pack it at home and you're doing it and it's

971
00:46:41,160 --> 00:46:42,520
Speaker 1: a little treat every night.

972
00:46:42,880 --> 00:46:46,799
Speaker 2: Yeah, you're probably taking savoring bites a packet of tim

973
00:46:46,880 --> 00:46:47,760
Speaker 2: Tams to the movie.

974
00:46:48,440 --> 00:46:52,040
Speaker 1: That's a scoff situation because you're in the darkness as well,

975
00:46:52,680 --> 00:46:55,360
Speaker 1: someone no one can see your shamed because usually like

976
00:46:56,080 --> 00:46:59,280
Speaker 1: ration yourself to one or two tim tams, right, normal

977
00:46:59,400 --> 00:47:01,360
Speaker 1: tim tam like consumption.

978
00:47:02,520 --> 00:47:04,560
Speaker 2: When you're in the movie's special occasion. I'm going to

979
00:47:04,600 --> 00:47:06,680
Speaker 2: blow out here, I'm going to have more than a

980
00:47:06,760 --> 00:47:08,480
Speaker 2: couple of tim Tams, and I'm scoff.

981
00:47:08,600 --> 00:47:09,600
Speaker 1: Yeah, you might do it.

982
00:47:09,640 --> 00:47:14,600
Speaker 2: Can't help yourself. So when you say scoff, chat, when

983
00:47:14,640 --> 00:47:18,440
Speaker 2: you say scoff, you think she's consuming that in one bite, could.

984
00:47:18,640 --> 00:47:21,120
Speaker 1: Could do or enough that the second half you're not

985
00:47:21,200 --> 00:47:23,960
Speaker 1: even seeing because it's behind where you're holding it.

986
00:47:24,560 --> 00:47:28,200
Speaker 2: Oh so you so first bite is big and then

987
00:47:28,440 --> 00:47:33,319
Speaker 2: second half was big, second half hidden by fingers, conceivably

988
00:47:33,840 --> 00:47:35,080
Speaker 2: bang bang didn't see.

989
00:47:35,360 --> 00:47:39,240
Speaker 1: Maybe the bloody hell stamp here is just asking people

990
00:47:40,080 --> 00:47:43,440
Speaker 1: in you know, how quickly how many bites does it

991
00:47:43,520 --> 00:47:46,439
Speaker 1: take to finish of Tim Tam? I love that. Yeah,

992
00:47:47,400 --> 00:47:49,640
Speaker 1: I'm amazing you would put a whole tim tumb in

993
00:47:49,680 --> 00:47:50,359
Speaker 1: your mouth at once?

994
00:47:50,520 --> 00:47:52,040
Speaker 2: Where are you at? How many bites do you take

995
00:47:52,040 --> 00:47:56,279
Speaker 2: when you're in nibbler? You nibble and savor? Can you

996
00:47:56,320 --> 00:47:58,680
Speaker 2: ask you your producer analyst. I know she's doing work there,

997
00:47:58,760 --> 00:48:04,240
Speaker 2: which is totally fair and half, but she's a socker

998
00:48:04,320 --> 00:48:07,600
Speaker 2: than a bar Oh you know, the question was.

999
00:48:11,680 --> 00:48:12,280
Speaker 1: The question.

1000
00:48:17,440 --> 00:48:20,520
Speaker 2: She has got headphones on, so sorry, she's actually brought

1001
00:48:20,560 --> 00:48:23,680
Speaker 2: something which is pretty from I think actually, I think

1002
00:48:23,760 --> 00:48:26,279
Speaker 2: if Alicia was a sucker, then I would say that

1003
00:48:26,360 --> 00:48:29,279
Speaker 2: potentially she could have sucked the gold coating off. Is

1004
00:48:29,320 --> 00:48:33,359
Speaker 2: it gold inside as well? Because if she's sucked coating off,

1005
00:48:33,880 --> 00:48:36,800
Speaker 2: it's immediately a dark tim Tam. And then again it's believable.

1006
00:48:37,160 --> 00:48:39,920
Speaker 2: I don't think you're back in glint areas and I'm

1007
00:48:39,920 --> 00:48:41,520
Speaker 2: going to pull you away from him. No, No, I'm

1008
00:48:41,840 --> 00:48:43,640
Speaker 2: saying it's it's conceivable she could spoil it if she

1009
00:48:43,760 --> 00:48:55,080
Speaker 2: sucks it off. Steady, I'm saying, if she sucks, then

1010
00:48:55,600 --> 00:48:57,320
Speaker 2: if she removes that from her mouth.

1011
00:48:58,360 --> 00:49:02,239
Speaker 1: If she even if she's even if she does, even

1012
00:49:02,280 --> 00:49:06,200
Speaker 1: if she does suck it off, even if the coating

1013
00:49:07,280 --> 00:49:10,560
Speaker 1: and it's gold underneath, So like she sucks off the

1014
00:49:10,600 --> 00:49:15,799
Speaker 1: first layeringhere, no.

1015
00:49:18,760 --> 00:49:20,400
Speaker 2: Sucks the first Even.

1016
00:49:20,280 --> 00:49:23,560
Speaker 1: If if the dim dam is gold all the way through,

1017
00:49:24,280 --> 00:49:26,799
Speaker 1: God say it is entirely a gold tymn tam, gold

1018
00:49:26,880 --> 00:49:31,200
Speaker 1: biscuit gold in a feeling, she's still not going to

1019
00:49:31,239 --> 00:49:32,040
Speaker 1: be armor to tell.

1020
00:49:33,760 --> 00:49:37,360
Speaker 2: Yeah, well, she's going hard with the pace of the

1021
00:49:37,480 --> 00:49:38,719
Speaker 2: eating exactly.

1022
00:49:39,280 --> 00:49:41,880
Speaker 1: I just think that. I just think. See, I've been

1023
00:49:41,920 --> 00:49:45,560
Speaker 1: thinking about this, and I reckon there's two there are

1024
00:49:45,600 --> 00:49:47,319
Speaker 1: two parts. The one thing we don't know as well

1025
00:49:47,360 --> 00:49:48,920
Speaker 1: is do we think the golden tim tam tastes a

1026
00:49:48,920 --> 00:49:50,120
Speaker 1: different once you put it in your mouth?

1027
00:49:51,000 --> 00:49:52,879
Speaker 2: You wouldn't think so, because they have to just put

1028
00:49:52,920 --> 00:49:54,640
Speaker 2: like a really safe gold paint on it, right, it

1029
00:49:54,680 --> 00:49:56,040
Speaker 2: would taste exactly like a tim.

1030
00:49:56,120 --> 00:49:58,359
Speaker 1: What does a gold leaf taste like if you're eating

1031
00:49:58,360 --> 00:49:58,719
Speaker 1: a cake?

1032
00:49:59,080 --> 00:50:01,839
Speaker 2: Me, I don't know, I don't know. I'm sorry.

1033
00:50:03,680 --> 00:50:08,040
Speaker 1: Any sense of culinary skill in this team easily a

1034
00:50:08,280 --> 00:50:09,880
Speaker 1: gold leaf on Friday night? Did we?

1035
00:50:10,080 --> 00:50:10,320
Speaker 2: Did we?

1036
00:50:11,200 --> 00:50:11,399
Speaker 1: Yeah?

1037
00:50:11,440 --> 00:50:13,520
Speaker 2: I mean it was the desserts. It was very difficult,

1038
00:50:14,120 --> 00:50:17,000
Speaker 2: but yeah, it didn't really taste like anything on the Wsura.

1039
00:50:17,120 --> 00:50:18,880
Speaker 1: No, it didn't taste like anything. It was just decorative.

1040
00:50:18,920 --> 00:50:20,320
Speaker 1: That's a decorative on a chocolate.

1041
00:50:20,400 --> 00:50:22,480
Speaker 2: On a chocolate, I'm going to put down taste as

1042
00:50:22,480 --> 00:50:24,680
Speaker 2: a factory like I think it would taste exactly like

1043
00:50:24,719 --> 00:50:27,960
Speaker 2: a tim tamp. It's we're just basing this on SA

1044
00:50:28,200 --> 00:50:29,040
Speaker 2: and notice ting tam.

1045
00:50:29,200 --> 00:50:33,879
Speaker 1: Yeah, okay, so it's just sight noticing. I think we're

1046
00:50:33,920 --> 00:50:35,239
Speaker 1: clear and it.

1047
00:50:35,239 --> 00:50:36,560
Speaker 2: Can it's definitely believable.

1048
00:50:36,719 --> 00:50:38,920
Speaker 1: I think we're clear. I think after the calls today,

1049
00:50:39,280 --> 00:50:41,040
Speaker 1: I think we have to accept that we're in the clear.

1050
00:50:41,440 --> 00:50:42,000
Speaker 1: I really do.

1051
00:50:42,200 --> 00:50:43,719
Speaker 2: There's just no eye.

1052
00:50:44,480 --> 00:50:47,680
Speaker 1: What's the there's no all of those calls today, like

1053
00:50:47,719 --> 00:50:49,239
Speaker 1: if you take them all we've had. We had a

1054
00:50:49,280 --> 00:50:51,799
Speaker 1: person who had a slug, you put the wrong thing

1055
00:50:51,840 --> 00:50:55,200
Speaker 1: on your toothbrush, a guy who had a dog who

1056
00:50:55,239 --> 00:50:58,960
Speaker 1: had a dog's Easter egg. We had a plethora of

1057
00:50:59,120 --> 00:51:02,560
Speaker 1: people who put the wrong thing in their mouth.

1058
00:51:02,800 --> 00:51:04,239
Speaker 2: I'd say, if this is a if this is a

1059
00:51:04,320 --> 00:51:07,799
Speaker 2: murder trial, we're pretty much lynched him at this point

1060
00:51:07,800 --> 00:51:10,480
Speaker 2: as far as like this too, well, if we're just

1061
00:51:10,560 --> 00:51:10,960
Speaker 2: saying like.

1062
00:51:11,040 --> 00:51:17,439
Speaker 1: If if this is a murder trial.

1063
00:51:17,520 --> 00:51:20,640
Speaker 2: We've almost got them, like red handed here on murder

1064
00:51:20,680 --> 00:51:24,520
Speaker 2: that it was off. Okay, sorry, I'm gonna I'm gonna

1065
00:51:24,560 --> 00:51:26,359
Speaker 2: drop that metaphor. I'm gonna drop the metaphor because it's

1066
00:51:26,360 --> 00:51:26,920
Speaker 2: getting confusing.

1067
00:51:27,040 --> 00:51:27,200
Speaker 13: Yeah.

1068
00:51:27,239 --> 00:51:29,000
Speaker 2: Yeah, I think today was it was a movie like

1069
00:51:29,040 --> 00:51:32,279
Speaker 2: this is believable. We've acquitted Alesha. That's much better. It's

1070
00:51:32,280 --> 00:51:32,959
Speaker 2: a possible doubt.

1071
00:51:34,000 --> 00:51:34,879
Speaker 1: Yeah, yeah.

1072
00:51:35,080 --> 00:51:36,919
Speaker 2: But I think there's a few more steps that I'd

1073
00:51:37,000 --> 00:51:38,640
Speaker 2: like to take a thon to be fully of the

1074
00:51:38,719 --> 00:51:40,720
Speaker 2: belief and then no one can question this. And there's

1075
00:51:40,719 --> 00:51:44,080
Speaker 2: two things I think. I think you and me should

1076
00:51:44,120 --> 00:51:46,279
Speaker 2: do some sort of eating in the dark.

1077
00:51:47,200 --> 00:51:49,040
Speaker 1: Okay, I think I thought we ruled out the taste.

1078
00:51:50,080 --> 00:51:51,920
Speaker 2: That's a good point. Well, I'm gonna put that down.

1079
00:51:52,000 --> 00:51:52,200
Speaker 1: Okay.

1080
00:51:52,320 --> 00:51:54,359
Speaker 2: I think and I know this is a lot of work,

1081
00:51:54,760 --> 00:51:57,600
Speaker 2: and and I hate to say this when producers are listening,

1082
00:51:57,680 --> 00:51:59,440
Speaker 2: but I just think we need to go to a

1083
00:51:59,560 --> 00:52:04,319
Speaker 2: film tomorrow yep. And I said this yesterday and give

1084
00:52:04,800 --> 00:52:07,840
Speaker 2: out fifty packets of tim Tams which we have tweaked

1085
00:52:08,120 --> 00:52:09,960
Speaker 2: so there's a gold tim Tam in each packet, and

1086
00:52:10,040 --> 00:52:11,319
Speaker 2: then we just set up cameras and we.

1087
00:52:11,360 --> 00:52:13,480
Speaker 1: Watch ship That is a lot of works.

1088
00:52:13,480 --> 00:52:15,400
Speaker 2: I just think we've got to take this to science,

1089
00:52:15,400 --> 00:52:16,600
Speaker 2: and that's exactly what science would do.

1090
00:52:17,239 --> 00:52:18,600
Speaker 1: Is there a way that we can set up a

1091
00:52:18,719 --> 00:52:26,239
Speaker 1: sting that doesn't involve full cinema much profud? Is there

1092
00:52:26,239 --> 00:52:28,719
Speaker 1: a way that we can just get a control? Can

1093
00:52:28,800 --> 00:52:30,440
Speaker 1: we just get somebody who doesn't know about this to

1094
00:52:30,480 --> 00:52:32,680
Speaker 1: sit in a room and we put it back into

1095
00:52:32,719 --> 00:52:34,239
Speaker 1: tim tams in front of them. It's a dark room,

1096
00:52:34,280 --> 00:52:35,960
Speaker 1: and one of them is gold. Just one.

1097
00:52:37,120 --> 00:52:37,799
Speaker 3: Put him in a room.

1098
00:52:37,800 --> 00:52:38,080
Speaker 2: What do you mean?

1099
00:52:38,120 --> 00:52:39,480
Speaker 1: Put him in a room like a dark room?

1100
00:52:40,880 --> 00:52:41,759
Speaker 2: Who hate game?

1101
00:52:42,360 --> 00:52:48,600
Speaker 1: Watch TV? Just watch TV. You can lead a horse

1102
00:52:48,640 --> 00:52:50,719
Speaker 1: to water. I'll tell you what. All right, So just

1103
00:52:51,040 --> 00:52:53,800
Speaker 1: get somebody, said, a random person that doesn't know about this,

1104
00:52:53,960 --> 00:52:55,239
Speaker 1: to sit in a room with the packet of tim

1105
00:52:55,280 --> 00:52:57,919
Speaker 1: tams and one of them's gold. I think that because

1106
00:52:57,920 --> 00:52:59,399
Speaker 1: I think you're onto something. I think you're on something.

1107
00:52:59,440 --> 00:52:59,879
Speaker 2: Set camera.

1108
00:53:00,040 --> 00:53:01,879
Speaker 1: Reckon, I reckon, you're onto something. And I know you're

1109
00:53:01,880 --> 00:53:04,080
Speaker 1: a scientist and I know you like to go. I'm sorry,

1110
00:53:04,280 --> 00:53:06,400
Speaker 1: but I think if proof, I think a fifty person

1111
00:53:06,560 --> 00:53:10,040
Speaker 1: tim tam too much test is probably good to stretches.

1112
00:53:10,080 --> 00:53:12,280
Speaker 2: All right, let's sleep on that. I think about someone

1113
00:53:12,360 --> 00:53:15,080
Speaker 2: we can put in a room to watch a movie.

1114
00:53:15,320 --> 00:53:17,160
Speaker 2: Film them, put an old tim Tam in the packet

1115
00:53:17,200 --> 00:53:21,800
Speaker 2: and see what happens. That bloody love, that same printed

1116
00:53:21,960 --> 00:53:22,600
Speaker 2: love it printed.

1117
00:53:22,800 --> 00:53:26,839
Speaker 1: All right, We'll see you tomorrow with details on the sting.

1118
00:53:27,120 --> 00:53:28,960
Speaker 2: We're going to figure out how to paint the tim Tam.

1119
00:53:29,120 --> 00:53:33,840
Speaker 2: Lots to do, not for you and melies