1 00:00:01,440 --> 00:00:03,360 Speaker 1: And Amanda jam Nation. 2 00:00:03,760 --> 00:00:04,960 Speaker 2: That song is good. 3 00:00:05,400 --> 00:00:10,000 Speaker 1: Have a listener to Guy Sebastian's new single, I Choose Good. 4 00:00:10,480 --> 00:00:13,640 Speaker 1: I've had some hits and it's just a love affection 5 00:00:14,000 --> 00:00:18,200 Speaker 1: is and this this is a big decision army. 6 00:00:18,560 --> 00:00:20,360 Speaker 2: That's why I travel. 7 00:00:26,079 --> 00:00:32,920 Speaker 1: Very most. I'm laughing because they told you it's I 8 00:00:33,040 --> 00:00:36,919 Speaker 1: Chose Good. So it's I've all morning been thinking how 9 00:00:36,920 --> 00:00:39,800 Speaker 1: come nobody is getting this title right? But it's because 10 00:00:39,880 --> 00:00:42,440 Speaker 1: I think everyone's been sent the wrong because it says 11 00:00:42,560 --> 00:00:45,479 Speaker 1: choose good. Is it cho chose Good? Yeah? Now we've 12 00:00:45,520 --> 00:00:48,000 Speaker 1: got sent choose from the I think the record company 13 00:00:49,000 --> 00:00:52,560 Speaker 1: record so it's chose There will be many people fired. 14 00:00:53,920 --> 00:00:57,280 Speaker 2: But that sounds like bad. That sounds like bad English. 15 00:00:57,320 --> 00:00:59,880 Speaker 2: I chose good, I chose good. I chose well. 16 00:01:00,120 --> 00:01:02,520 Speaker 1: So this isn't as well. It would be more proper, 17 00:01:02,560 --> 00:01:05,760 Speaker 1: but it's, you know, not as good. A rhyme. So 18 00:01:06,400 --> 00:01:08,640 Speaker 1: this song is about some advice you got from your mum. 19 00:01:08,800 --> 00:01:11,800 Speaker 1: Is that right? Yeah? I mean the verses kind of 20 00:01:12,000 --> 00:01:15,240 Speaker 1: paint this, you know, story about the importance of listening 21 00:01:15,319 --> 00:01:18,039 Speaker 1: to your mum when at the end and the jeopardy 22 00:01:18,080 --> 00:01:20,480 Speaker 1: of choosing your life partner. You know, you're sort of 23 00:01:20,560 --> 00:01:24,000 Speaker 1: choosing it. It's a big decision. And growing up, my 24 00:01:24,640 --> 00:01:26,840 Speaker 1: parents are still together. I'm really lucky they've they've got 25 00:01:26,840 --> 00:01:31,320 Speaker 1: a very loving relationship. Said you know, as all parents do, 26 00:01:31,360 --> 00:01:35,479 Speaker 1: they get older and more quirky. And but my parents 27 00:01:35,480 --> 00:01:38,360 Speaker 1: were always like, just avoid drama, avoid drama, make sure 28 00:01:38,400 --> 00:01:40,920 Speaker 1: they're your best mate. They were, you know, sort of 29 00:01:40,959 --> 00:01:43,960 Speaker 1: slim on advice. Beyond that, they just said, you have 30 00:01:44,040 --> 00:01:45,760 Speaker 1: to be best mates, you have to be friends, and 31 00:01:45,800 --> 00:01:49,400 Speaker 1: you have to you know. And I'll always describe my 32 00:01:49,520 --> 00:01:52,680 Speaker 1: relationship with Jeles is like she's if something goes on, 33 00:01:53,000 --> 00:01:54,760 Speaker 1: my first thought is, oh my god, I can't wait 34 00:01:54,800 --> 00:01:56,000 Speaker 1: to tell it, Like I want to know what she 35 00:01:56,080 --> 00:01:58,920 Speaker 1: thinks of this, and I think, I think that's a 36 00:01:58,960 --> 00:02:00,800 Speaker 1: good thing, like that she's my best mate. We chat 37 00:02:00,840 --> 00:02:03,840 Speaker 1: about stuff every night for hours. We're still just talkers. 38 00:02:03,920 --> 00:02:08,480 Speaker 1: And but yeah, and then and then my thinking when 39 00:02:08,520 --> 00:02:10,720 Speaker 1: I was I'm a very visual writer. So when I 40 00:02:10,760 --> 00:02:14,480 Speaker 1: was in this session the day before, I spent all 41 00:02:14,520 --> 00:02:16,840 Speaker 1: of my emotions and I try to write this really 42 00:02:16,880 --> 00:02:20,400 Speaker 1: deep world like song where I'm encompassing the whole world 43 00:02:20,440 --> 00:02:23,360 Speaker 1: of emotions, and I was just exhausted. So I've rocked 44 00:02:23,400 --> 00:02:25,600 Speaker 1: up into this session, I was like, guys, I've got 45 00:02:25,600 --> 00:02:28,440 Speaker 1: nothing left when it comes to actual emotion. I just 46 00:02:28,440 --> 00:02:30,000 Speaker 1: want to feel good. I just want to write something 47 00:02:30,040 --> 00:02:31,880 Speaker 1: feel good. And I had a bunch of titles and 48 00:02:31,919 --> 00:02:33,920 Speaker 1: then landed on this one. I was writing with a 49 00:02:33,919 --> 00:02:37,919 Speaker 1: guy called Oak, who is a genius. It sounds sturdy, 50 00:02:38,480 --> 00:02:41,000 Speaker 1: he does, it sounds like a milk. Yeah, he does. 51 00:02:41,080 --> 00:02:45,160 Speaker 1: His name's Warren Felder, but he's producer. Name is ok. 52 00:02:45,240 --> 00:02:48,360 Speaker 1: He's I mean billions of streams. He's got Grammy after 53 00:02:48,400 --> 00:02:53,760 Speaker 1: Grammy does. Ted talks very intelligent, extremely musical, and so 54 00:02:53,760 --> 00:02:55,400 Speaker 1: I knew I was in good hands. So I had 55 00:02:55,400 --> 00:02:57,919 Speaker 1: this title. I chose good and the concept I always 56 00:02:57,919 --> 00:03:03,000 Speaker 1: write my visual word. I'm visualizingualizing almost being you know, 57 00:03:03,080 --> 00:03:05,640 Speaker 1: that that feeling that you get at weddings, but almost 58 00:03:05,639 --> 00:03:07,080 Speaker 1: being at the you know, at the end of the 59 00:03:07,080 --> 00:03:09,480 Speaker 1: aisle your parents are in front of you or whatever, 60 00:03:09,840 --> 00:03:12,520 Speaker 1: saying to mom, I didn't always listen to you, but 61 00:03:12,600 --> 00:03:16,000 Speaker 1: I've chosen I've done it now. 62 00:03:16,840 --> 00:03:19,320 Speaker 2: So interesting with the noodling in a song, when someone 63 00:03:19,400 --> 00:03:21,760 Speaker 2: like say, for example, sweet Child of Mine, that you 64 00:03:21,800 --> 00:03:24,440 Speaker 2: know where do we go? In that that's actually rise. 65 00:03:24,480 --> 00:03:26,280 Speaker 2: He was on the piano and he's just going where 66 00:03:26,280 --> 00:03:27,799 Speaker 2: do we go from here? Where do we go from here? 67 00:03:28,440 --> 00:03:30,440 Speaker 2: In the song, And so when he's playing it on 68 00:03:30,440 --> 00:03:32,680 Speaker 2: the piano and slash case, just put that in as 69 00:03:32,720 --> 00:03:34,720 Speaker 2: a filler and then all of a sudden that became 70 00:03:35,160 --> 00:03:36,240 Speaker 2: a big part of the song. 71 00:03:36,280 --> 00:03:39,160 Speaker 1: Well, when I recorded the Memphis album, so Steve Cropper, 72 00:03:39,160 --> 00:03:42,520 Speaker 1: who is a legendary guitar from the Blues the Blues Brothers, 73 00:03:42,520 --> 00:03:47,400 Speaker 1: and he was in, Oh my gosh, I've just had 74 00:03:47,400 --> 00:03:50,760 Speaker 1: a mental blank. Anyway, I'll think of that in a second. 75 00:03:51,360 --> 00:03:54,280 Speaker 1: He basically was the house band of all these soul 76 00:03:54,600 --> 00:03:58,960 Speaker 1: acts like Otis Redding and Wilson Picket and Staple Singer. 77 00:03:59,040 --> 00:04:02,280 Speaker 1: So but he when Sam and Dave were in the studio, 78 00:04:02,520 --> 00:04:05,080 Speaker 1: I can't remember Sam or Dave. One of them was 79 00:04:06,160 --> 00:04:09,200 Speaker 1: on the on the toilet taking ages. Sam to me, 80 00:04:09,440 --> 00:04:14,560 Speaker 1: yea sad, it's so sad. They're in the super Dave's 81 00:04:14,560 --> 00:04:16,719 Speaker 1: in the studio and he's gone, Sam, come on, man, 82 00:04:16,800 --> 00:04:20,400 Speaker 1: come on, and and and Dave in the studio is like, 83 00:04:20,600 --> 00:04:24,359 Speaker 1: hold on, I'm coming, no, and and he kept repeating 84 00:04:24,480 --> 00:04:27,320 Speaker 1: hold on, man, I'm coming. And then Dave in the 85 00:04:27,320 --> 00:04:29,919 Speaker 1: stow I'm getting them mixed up. Now, Yeah, he's in 86 00:04:29,960 --> 00:04:33,760 Speaker 1: the studio. It's like, that's good because one of them 87 00:04:33,800 --> 00:04:36,320 Speaker 1: is on the toilet and literally it was because someone 88 00:04:36,400 --> 00:04:42,240 Speaker 1: was on the crapper and and them. Yeah, and then 89 00:04:42,279 --> 00:04:44,320 Speaker 1: that's how one of the most favorite songs in the world, 90 00:04:44,560 --> 00:04:45,360 Speaker 1: the great It's. 91 00:04:45,279 --> 00:04:47,080 Speaker 2: Just why we Love You coming in here and the 92 00:04:47,160 --> 00:04:49,200 Speaker 2: voice is back and you're killing it on the voice. 93 00:04:49,200 --> 00:04:52,479 Speaker 2: It's just great. Are you Are you connected with Jason Derul. 94 00:04:52,880 --> 00:04:56,000 Speaker 1: Jason, Yeah, Well, he's just so he's so invested, and 95 00:04:56,279 --> 00:05:00,719 Speaker 1: I think that's the most important thing, especially being an Aussie, 96 00:05:00,760 --> 00:05:03,560 Speaker 1: when there's if there's an international coach on the show 97 00:05:03,640 --> 00:05:06,640 Speaker 1: and they seem like they're just there, you know, punching in, 98 00:05:06,960 --> 00:05:09,040 Speaker 1: you know, like phoning it in. 99 00:05:09,160 --> 00:05:10,960 Speaker 2: Yeah, but I think like that what's the name from 100 00:05:10,960 --> 00:05:14,640 Speaker 2: those Spice girls? What was their name? He just comes 101 00:05:14,640 --> 00:05:16,760 Speaker 2: out here and you want to think that they care. 102 00:05:18,160 --> 00:05:22,320 Speaker 1: He really cares, and he he's just he's really invested. 103 00:05:22,360 --> 00:05:26,400 Speaker 1: He he is like what you would imagine just a star, 104 00:05:26,760 --> 00:05:29,920 Speaker 1: like an American star, comes with his massive entourage, he's 105 00:05:29,920 --> 00:05:33,240 Speaker 1: got his barber and and he's just got this really 106 00:05:33,360 --> 00:05:36,200 Speaker 1: cool presence about him. But he just he really cares 107 00:05:36,240 --> 00:05:39,880 Speaker 1: and he's articulate, he's got great stories. He's even written 108 00:05:39,920 --> 00:05:42,240 Speaker 1: a book. He's written like this self help book. So 109 00:05:42,279 --> 00:05:46,600 Speaker 1: he as a coach. I think he's been perfect so far, but. 110 00:05:46,560 --> 00:05:50,600 Speaker 2: He's not as you made. Forget him. It's all about you. 111 00:05:51,960 --> 00:05:52,960 Speaker 2: Let's listen to the new. 112 00:05:52,839 --> 00:05:57,279 Speaker 1: One chose shows. 113 00:05:59,400 --> 00:06:01,880 Speaker 2: I Chose Good, not recording on the toilet, That's why 114 00:06:02,000 --> 00:06:02,800 Speaker 2: I chose. 115 00:06:04,240 --> 00:06:07,960 Speaker 1: It's called Everything This Morning and it's still it's Yeah. 116 00:06:08,040 --> 00:06:10,200 Speaker 1: That doesn't offend me. It just makes I like love. 117 00:06:10,640 --> 00:06:11,080 Speaker 2: I like it. 118 00:06:11,279 --> 00:06:11,920 Speaker 1: I've done good. 119 00:06:14,000 --> 00:06:16,720 Speaker 2: Guys. New single I Chose Good is out now. You 120 00:06:16,760 --> 00:06:18,720 Speaker 2: can also catch Guys on the Voice Channel seven and 121 00:06:18,760 --> 00:06:19,840 Speaker 2: seven plus. 122 00:06:19,920 --> 00:06:23,040 Speaker 1: Guys Sebastian, thank you, good to see you. Guys,