1 00:00:00,600 --> 00:00:02,279 Speaker 1: The Christian O'Connell show. 2 00:00:02,200 --> 00:00:03,720 Speaker 2: Podcast Town and Laura. 3 00:00:03,720 --> 00:00:06,480 Speaker 3: They're getting married here at the station, the Chapel of Love, 4 00:00:06,760 --> 00:00:09,760 Speaker 3: eight o'clock tomorrow morning. I really wanted to have And 5 00:00:09,800 --> 00:00:13,320 Speaker 3: they've got loads of stuff. We've got like ring bearing animals, we. 6 00:00:13,360 --> 00:00:15,640 Speaker 1: Got the bouquets, we've got the suits. We got this 7 00:00:15,840 --> 00:00:18,320 Speaker 1: celebrant here and makeup dressers. 8 00:00:19,120 --> 00:00:21,400 Speaker 3: So what we need is someone to do the live music. 9 00:00:21,440 --> 00:00:22,520 Speaker 3: They love these three. 10 00:00:22,320 --> 00:00:37,280 Speaker 4: Songs and also Carlie Ray. 11 00:00:40,400 --> 00:00:42,440 Speaker 3: So we were asking, do you know any singers? Are 12 00:00:42,479 --> 00:00:45,279 Speaker 3: you a wedding singer? Alex has stepped forward. 13 00:00:47,000 --> 00:00:51,080 Speaker 4: No, you just have to way good boyd con. 14 00:00:52,360 --> 00:00:56,000 Speaker 5: Well, let's sell game, okulities you can vein tho. 15 00:00:56,840 --> 00:00:58,360 Speaker 2: This is Alex doing Carlie Ray. 16 00:01:02,000 --> 00:01:05,760 Speaker 5: We don't need a time the two times. 17 00:01:07,080 --> 00:01:08,440 Speaker 2: Thank you very much, Alex. 18 00:01:08,480 --> 00:01:11,679 Speaker 3: And then Marina, she's stepping out of the world as 19 00:01:11,959 --> 00:01:13,040 Speaker 3: a prefational singer. 20 00:01:13,040 --> 00:01:15,199 Speaker 2: She's new but brilliant voice. 21 00:01:15,319 --> 00:01:20,000 Speaker 5: You don't need my name, don't take things, don't need 22 00:01:20,000 --> 00:01:24,800 Speaker 5: a critic to add this strain. It's strong and sudden, 23 00:01:24,959 --> 00:01:30,959 Speaker 5: it's cool sometimes, but am chosy your life. 24 00:01:31,520 --> 00:01:33,280 Speaker 2: That's the power of love. 25 00:01:36,680 --> 00:01:37,560 Speaker 4: That's the power. 26 00:01:37,800 --> 00:01:43,480 Speaker 2: And then it got excuse me. 27 00:01:43,640 --> 00:01:45,600 Speaker 4: No, it's just just having a day. 28 00:01:45,680 --> 00:01:48,520 Speaker 2: It's so lovely to interrupt with that. 29 00:01:49,160 --> 00:01:50,880 Speaker 3: Then I got this email, Christian. I heard you were 30 00:01:50,880 --> 00:01:54,840 Speaker 3: looking for a singer slash entertainer. My name is Alfredo. 31 00:01:55,200 --> 00:01:58,559 Speaker 3: This guy's got a hell of her name. Alfredo Malabello. 32 00:02:00,880 --> 00:02:04,640 Speaker 3: My name is Alfredo, and they call me the godfather 33 00:02:07,240 --> 00:02:11,760 Speaker 3: piano man, slash singer, slash entertainer. Basically, we're dealing with 34 00:02:11,760 --> 00:02:17,560 Speaker 3: a triple threat. Hugh Jackman, Alfredo Malabello. How can I 35 00:02:17,600 --> 00:02:20,240 Speaker 3: help you? What are you looking for? We're looking for 36 00:02:20,360 --> 00:02:21,239 Speaker 3: piano man. 37 00:02:21,080 --> 00:02:23,720 Speaker 2: Slash singer, slash entertainer. 38 00:02:24,800 --> 00:02:27,440 Speaker 3: We can barely do any of those three, sir, So Alfredo, 39 00:02:27,480 --> 00:02:30,639 Speaker 3: you look a Swiss army knife that can offer piano man, 40 00:02:30,840 --> 00:02:31,880 Speaker 3: singer and entertainer. 41 00:02:32,000 --> 00:02:37,000 Speaker 2: We're interested. So obviously he wasn't with his instruments going 42 00:02:37,280 --> 00:02:40,160 Speaker 2: to say more. I plays audition. Ow, he's actually used 43 00:02:40,800 --> 00:02:41,680 Speaker 2: just what he's got on him. 44 00:02:42,520 --> 00:02:43,480 Speaker 1: He doesn't have his piano. 45 00:02:43,639 --> 00:02:47,800 Speaker 2: No, he doesn't have his piano. But just listen to this. 46 00:02:47,800 --> 00:02:51,600 Speaker 3: This is a voice that's had a full and amazing life, 47 00:02:51,639 --> 00:02:53,959 Speaker 3: and I want to hear more of that voice. It's smoky, 48 00:02:54,040 --> 00:02:56,120 Speaker 3: it's raw, it's powerful, Hi. 49 00:02:56,120 --> 00:02:59,360 Speaker 6: Guys, is Alfredo. I'm singing, you can't harry love. Here 50 00:02:59,400 --> 00:03:01,280 Speaker 6: we go right two three? 51 00:03:01,520 --> 00:03:02,920 Speaker 2: I need love. 52 00:03:04,400 --> 00:03:08,800 Speaker 6: He's my mind and I need to find time someone 53 00:03:08,919 --> 00:03:09,520 Speaker 6: to call out. 54 00:03:10,200 --> 00:03:13,760 Speaker 2: My mama said, you can harry love. Know we you 55 00:03:14,120 --> 00:03:18,560 Speaker 2: just have to wait. He said, love don't count easy. 56 00:03:18,720 --> 00:03:22,480 Speaker 6: But it's a game I've given say you can't harvey love. 57 00:03:23,160 --> 00:03:28,680 Speaker 2: Know you just have to wait. Just trust at no 58 00:03:28,720 --> 00:03:31,120 Speaker 2: matter how long it takes. 59 00:03:31,200 --> 00:03:34,040 Speaker 4: How many hearts myselfs down. 60 00:03:36,120 --> 00:03:38,720 Speaker 1: He's got feeling, he's got soul, he's got rhythm. 61 00:03:38,840 --> 00:03:40,680 Speaker 2: I mean that guy has got it all. 62 00:03:40,920 --> 00:03:43,240 Speaker 1: It does feel like like I wanted to cough for 63 00:03:43,360 --> 00:03:45,240 Speaker 1: him and just clean the throat a little bit. 64 00:03:45,320 --> 00:03:54,480 Speaker 2: To show powerful. I'm not hearing any buyings. 65 00:03:54,000 --> 00:03:56,000 Speaker 1: You know, I didn't. I thought we were still auditioning. 66 00:03:56,400 --> 00:03:59,560 Speaker 2: No idea. When you find greatness, sorry, when you find 67 00:03:59,560 --> 00:04:01,840 Speaker 2: a bee. If you start tapping for honey. 68 00:04:01,520 --> 00:04:03,720 Speaker 1: So will he find his piano. And by the time 69 00:04:03,760 --> 00:04:07,320 Speaker 1: we get to the wedding. 70 00:04:07,400 --> 00:04:09,120 Speaker 2: I like it now. It's like he's on a. 71 00:04:09,120 --> 00:04:12,880 Speaker 3: Picture line, you know movies showing a picture line around 72 00:04:12,880 --> 00:04:14,960 Speaker 3: that still drum with the fire at night, and they're 73 00:04:14,960 --> 00:04:18,320 Speaker 3: doing that. You get all the audience there all the 74 00:04:18,400 --> 00:04:21,320 Speaker 3: family members everyone. Hey Melbourne, you'll do it in your 75 00:04:21,320 --> 00:04:22,039 Speaker 3: cars safely. 76 00:04:22,880 --> 00:04:26,200 Speaker 2: Yeah, just have to wait. 77 00:04:26,240 --> 00:04:29,560 Speaker 1: Tapdogs and he starts, you know, drumming on bins and something. 78 00:04:30,160 --> 00:04:32,640 Speaker 2: Whatever we've got, you know, the plates out there. What 79 00:04:32,680 --> 00:04:33,520 Speaker 2: do we think team? 80 00:04:33,800 --> 00:04:36,440 Speaker 1: I like him, I really like him early on. 81 00:04:36,400 --> 00:04:37,600 Speaker 2: As a vibe setter. 82 00:04:37,880 --> 00:04:39,839 Speaker 1: Yes, definitely the godfather. 83 00:04:40,240 --> 00:04:41,960 Speaker 2: We are we calling in the Godfather. 84 00:04:42,560 --> 00:04:46,800 Speaker 1: You have to, That's that's what everyone calls him. Does 85 00:04:46,839 --> 00:04:48,320 Speaker 1: he have another example of another thong? 86 00:04:48,400 --> 00:04:50,760 Speaker 2: We don't need it. He's that good. 87 00:04:51,560 --> 00:04:54,680 Speaker 1: Afraid you expected me to be like jaw dropping on 88 00:04:54,720 --> 00:04:55,080 Speaker 1: the floor. 89 00:04:55,240 --> 00:04:57,560 Speaker 2: Yeah, I was. My heart's on the floor. 90 00:04:58,720 --> 00:05:04,080 Speaker 3: Alfraid O Melollo you are hired. Also then main event, 91 00:05:04,160 --> 00:05:06,679 Speaker 3: we've got it. You remember we're talking about an opera singer. Yes, 92 00:05:06,880 --> 00:05:07,840 Speaker 3: have a listened to this. 93 00:05:14,520 --> 00:05:17,360 Speaker 2: Delta? Good dB? It's not clear Hill. 94 00:05:20,680 --> 00:05:21,400 Speaker 1: There's the piano. 95 00:05:21,480 --> 00:05:30,880 Speaker 2: Yeah, she's nicked it from Alfredo Malabello. This is Carlie Ray. 96 00:05:31,760 --> 00:05:38,560 Speaker 1: Imagine that that is funny. Just needed some clapping, Alfredo 97 00:05:39,120 --> 00:05:40,240 Speaker 1: you clapture sing? 98 00:05:41,240 --> 00:05:42,440 Speaker 2: That is? 99 00:05:43,080 --> 00:05:46,080 Speaker 1: So she's going to sing Phil Collins in that style? 100 00:05:46,240 --> 00:05:48,800 Speaker 2: Rio? Is that the plan that she's doing that? Carlie Ray? 101 00:05:48,880 --> 00:05:49,680 Speaker 2: Which one's she doing? 102 00:05:49,800 --> 00:05:52,240 Speaker 1: She was going to do Phil Collins, but obviously you know. 103 00:05:52,240 --> 00:05:55,680 Speaker 3: No, I'm happy Phil Collins. She can't hurry love absolutely, Yeah, 104 00:05:55,680 --> 00:05:58,760 Speaker 3: that's great. Uh, that is she's hired. She's doing it tomorrow, 105 00:05:58,960 --> 00:06:02,680 Speaker 3: Amanda Win and she's performing the role of Now when 106 00:06:02,720 --> 00:06:03,280 Speaker 3: you and I went. 107 00:06:03,279 --> 00:06:06,800 Speaker 2: To see a couple of years ago Cheramushki, it was yesterday. Yeah, 108 00:06:06,800 --> 00:06:12,160 Speaker 2: the playhouse anyway, you know we walked out of the role. No, no, no, 109 00:06:12,200 --> 00:06:15,680 Speaker 2: it's you know, we were walked out. All we're like 110 00:06:16,240 --> 00:06:19,000 Speaker 2: the dream role in of course Cherimushki is Vava. 111 00:06:19,160 --> 00:06:19,960 Speaker 1: I remember you saying that. 112 00:06:20,040 --> 00:06:23,680 Speaker 3: Well, Amanda is Vava in Cheramuski for Vic Opera. Five 113 00:06:23,720 --> 00:06:27,039 Speaker 3: performances only, So hurry, guys, get down the playhouse theater 114 00:06:27,200 --> 00:06:29,360 Speaker 3: twenty seconds, twenty fifth of March. I know we're all 115 00:06:29,360 --> 00:06:31,400 Speaker 3: going team, were all going on the twenty fifth. We've 116 00:06:31,440 --> 00:06:32,000 Speaker 3: got our tickets. 117 00:06:32,040 --> 00:06:32,240 Speaker 2: I'll go. 118 00:06:32,320 --> 00:06:33,960 Speaker 1: I'll go every night, but yes, I'll go with you guys. 119 00:06:33,960 --> 00:06:36,279 Speaker 3: Probably go on the twenty second, then go back again 120 00:06:36,760 --> 00:06:40,160 Speaker 3: to check out Vava once more in Cheramushki. But yeah, 121 00:06:40,279 --> 00:06:43,560 Speaker 3: Amanda is hired for tomorrow. What a double app Then, 122 00:06:43,640 --> 00:06:46,200 Speaker 3: first of all, we have when everyone's sitting down. 123 00:06:46,040 --> 00:06:47,000 Speaker 2: Who's that in the corner? 124 00:06:47,520 --> 00:06:51,200 Speaker 6: Bang his knees hang, guys is Alfredo. I'm singing you 125 00:06:51,240 --> 00:06:53,400 Speaker 6: can't hurry love. Here we go one two. 126 00:06:55,800 --> 00:06:58,320 Speaker 3: As people are coming in, Yes, they're getting out the 127 00:06:58,360 --> 00:06:59,080 Speaker 3: left on the third floor. 128 00:07:00,040 --> 00:07:00,760 Speaker 2: It's happening them. 129 00:07:05,880 --> 00:07:10,320 Speaker 3: Then first song kicks in, Oh my god, the lady 130 00:07:10,320 --> 00:07:13,320 Speaker 3: for Who's ba and Jaramushki. 131 00:07:13,080 --> 00:07:15,680 Speaker 1: Tears in the audience. What a dry eye in the house. 132 00:07:15,800 --> 00:07:18,560 Speaker 3: People are like using fans to oh my god, it's 133 00:07:18,560 --> 00:07:20,040 Speaker 3: Madam Butterfly all over again. 134 00:07:22,320 --> 00:07:23,680 Speaker 2: What a weddington. 135 00:07:23,800 --> 00:07:24,560 Speaker 1: The music is. 136 00:07:26,160 --> 00:07:27,720 Speaker 2: The only thing we haven't got. Yeah, I just there's 137 00:07:27,720 --> 00:07:32,280 Speaker 2: no food. So much time finding Girlfredo. We found him. 138 00:07:33,280 --> 00:07:35,520 Speaker 2: The Christian O'Connell Show podcast