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Speaker 1: Hello, it's at Monyay. The jam Nation podcast is here

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Speaker 1: with Jonesy and Amanda. It's nice to be back from holidays.

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Speaker 1: Everything seems to be okay. Well, we have a job.

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Speaker 2: Have you checked your email?

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Speaker 1: Well, we've done the show, we did the podcast. What

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Speaker 1: do you mean now I'm going to get the sack.

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Speaker 2: We work in the media. Have you checked for tomorrow?

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Speaker 3: Well, actually tell you what show is wrapping up, and

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Speaker 3: that is Married at First Sight, the last night, finally

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Speaker 3: the finale.

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Speaker 1: I watch it because you don't like watching it, so

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Speaker 1: I watch it for you.

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Speaker 2: Well, thank you, I appreciate it.

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Speaker 1: I think what about Rebecca? She finally got her come

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Speaker 1: up and.

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Speaker 3: All right, well whatever that means in memoriam, we lost

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Speaker 3: a number of people while we're on holidays, just exw weeks,

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Speaker 3: including cousin.

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Speaker 1: It Yeah, and including Ralph the coyfish.

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Speaker 3: Oh, we've got food monogamy. After a man has eaten

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Speaker 3: the same dinner every night for ten.

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Speaker 1: Years, the man that you have friendship dreams about.

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Speaker 2: Oh, the man in the kilt jogs on Frillo is

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Speaker 2: going to be joining us.

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Speaker 1: Alanas morrissat need I say more.

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Speaker 2: It's all coming up, everybody.

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Speaker 4: Right now, that a miracle of recording.

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Speaker 1: We have so many requests.

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Speaker 4: For them to do it again. Mistress Amanda and miss

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Speaker 4: Killer Amanda doesn't work alone. Friend is in a room

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Speaker 4: making the tools of the train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 5: The legendary part Jonesy and Amanda the actress.

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Speaker 2: Congratulations, we are there ready right now, Josey and Amanda.

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Speaker 1: You're doing a great job.

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Speaker 2: Anyone, but.

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Speaker 1: Now the time to hear good radio.

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Speaker 6: Sorry, but of a tongue twist set Amanda time.

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Speaker 7: We're on the air.

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Speaker 2: Hello, Amanda, Hello, Hello, we're back.

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Speaker 1: We're back.

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Speaker 2: I hope you missed us.

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Speaker 1: I missed us, did you?

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Speaker 8: Yeah?

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Speaker 1: I missed us. We've got a nice, a nice card

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Speaker 1: from someone here. It's from an anonymous.

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Speaker 9: But it's a thank you card and said there aren't

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Speaker 9: any words the length and depth of your suggestions, recommendation, advice, laughter, creativity, wittiness, direction.

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Speaker 1: From the bottom of my heart. Thank you, loyal listener.

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Speaker 2: Oh what a nice card I sent that?

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Speaker 1: Do you send that cup? That's a that's a Ray

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Speaker 1: Hadley thing, that's a radar sends himself. Praise. We love

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Speaker 1: you right, Ray, Ray, You're okay, I rub me back

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Speaker 1: every other day. That's what they did over there, love right, Ray.

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Speaker 1: They always read out the praise. Well, you're great, Ray,

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Speaker 1: read the praise.

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Speaker 3: You've just read out praise, and I'm going to add

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Speaker 3: to it. Because we had very good radio ratings while

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Speaker 3: we're away. We only get them eight times a year,

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Speaker 3: and TV you get them every day, so you see it,

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Speaker 3: you know, you see how you're going.

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Speaker 2: So it's a big times.

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Speaker 1: We were like in Rocky Rocky four. I don't have

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Speaker 1: to compare us to No, we're like Rocky three. You know,

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Speaker 1: he gets too showy and he's all doing well, wasn't that?

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Speaker 1: And then club A Lane comes along mister t and

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Speaker 1: beats Rocky up. And then Rocky comes back, and then

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Speaker 1: Rocky four in loses all his money and he has

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Speaker 1: to take on the big Russian. So who are we

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Speaker 1: we're in right now? We're in Rocky.

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Speaker 3: We did okay, So we're back some holidays and guess

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Speaker 3: what we have credit card crush today. This is what

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Speaker 3: we're going to be doing. We have one hundred thousand

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Speaker 3: dollars on a credit card. You can win whole stack

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Speaker 3: of money.

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Speaker 1: Whole stack of money.

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Speaker 2: Yeah, you have to call out stop before you get

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Speaker 2: to climb, Before you get to climb. We've all had

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Speaker 2: that feeling. An we credit card to climb.

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Speaker 1: Head jams, Still there, isn't it?

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Speaker 2: Head jam? Still is it?

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Speaker 1: Tell me it's still there?

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Speaker 2: Still there?

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Speaker 1: Making that jonesy? Is he still there? I like him?

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Speaker 2: Let me check.

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Speaker 3: No, he got all Rocky eighteen and took off and

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Speaker 3: we've got Magnificent seven.

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Speaker 2: That's still there.

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Speaker 1: Why are you sounding like Patsy Misco for what do

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Speaker 1: you mean? Wait to start by? Okay kids? Is what

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Speaker 1: we've got.

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Speaker 2: Well, that's what we've got.

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Speaker 1: If you would like to play the Magni seven one,

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Speaker 1: did you call us right now? Thirteen WSFM is our number.

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Speaker 2: He's question one? Have you forgotten how this goes?

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Speaker 1: Yeah? Sure?

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Speaker 3: What's the zodiac sign of someone born today? April nineteen?

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Speaker 1: I'm one? You are?

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Speaker 2: You're one.

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Speaker 1: Podcast. This is where the Magnificent seven billions. There are

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Speaker 1: seven questions? Can you go all the way and answer

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Speaker 1: all seven questions correctly? If you do that, we say

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Speaker 1: yay you, But really it's about getting questions seven?

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Speaker 10: Right.

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Speaker 3: Well, let's kick off with Darren and horns be Hello Darren,

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Speaker 3: Oh very well thank you. Question number one, what's the

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Speaker 3: zodiac sign of someone born today?

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Speaker 2: April nineteen?

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Speaker 1: I'm one?

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Speaker 11: It is.

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Speaker 7: Es.

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Speaker 2: What are the characteristics of a ram? Is it sort

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Speaker 2: of button headed?

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Speaker 1: There? Tend to be leaders and great people.

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Speaker 2: And eat the washing off the line and eat tin cans?

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Speaker 1: What I understand? Not like those wishy washy ones like Pisces. Oh,

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Speaker 1: I don't know what I'm going to do. I don't

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Speaker 1: know what colors? What are you, Darren? I'm an Aquarius

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Speaker 1: queris to that.

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Speaker 3: Yeah, but what are the characteristics of being a water bearer?

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Speaker 2: Darren? Do you have to fill up everyone's drinks at dinner?

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Speaker 12: Honestly, I really don't look deep into this type stuff.

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Speaker 2: No, nother do.

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Speaker 1: I actually really well, why are you always looking at

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Speaker 1: the paper at the You're the one who.

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Speaker 2: Reads the is it? Jonathan Kina and now his son.

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Speaker 1: Yeah, oscar Caina because Jonathan Carcton didn't see that coming,

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Speaker 1: did he.

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Speaker 2: Well, if he did, he's not going to say I'm

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Speaker 2: by everyone.

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Speaker 1: What color is also the title of a cold Play song, Darren.

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Speaker 12: Yellow?

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Speaker 1: Yeah, it was all yellow yellow.

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Speaker 3: Question number three is first impressions impression.

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Speaker 1: This is where we do an impression of a famous celebrity,

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Speaker 1: and you need to guess who it is. You ready

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Speaker 1: to do?

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Speaker 11: You do it?

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Speaker 13: Brendan, Okay, My dear Papa was a very special person

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Speaker 13: who I think, above all else would have been amazed

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Speaker 13: by the reaction and the touching things that have been

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Speaker 13: said about him.

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Speaker 1: And from that point we are my family deeply grateful.

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Speaker 2: It's not bad. Actually, who's that?

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Speaker 12: Oh? Not Malon Brando?

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Speaker 1: Is Marl You know, Aquarian's got no idea. I might

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Speaker 1: hear a good impression. Marlon Branda. That's Stella. I'm making

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Speaker 1: off Verga refuse. That's Marlon brad No, that wasn't Marlon Brando. Yeah,

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Speaker 1: Marlon Brando, he said Stella.

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Speaker 2: Yeah he said it, but not like that.

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Speaker 1: I'll make it up for review.

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Speaker 2: But that's not who we're talking about.

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Speaker 1: I'm just showing the length and breadth of my impressions.

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Speaker 1: They also like Whitney to me, we are into the

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Speaker 1: Magnificent seven and we're up to question number three. First impressions.

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Speaker 2: First impression, First Jones. He's going to do an impression

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Speaker 2: of someone, some one who you know. And this speech

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Speaker 2: was only made just a few days ago. It's not

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Speaker 2: Marlon brand it's not Marlon b not Mike Whitney, are you.

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Speaker 13: My dear papa was a very special person who I

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Speaker 13: think above all else would have been made by the

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Speaker 13: reaction and the touching things that have been said about him.

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Speaker 1: And from that point we are my family deeply grateful.

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Speaker 2: We're going a bit, David Attenborough. Let's see if Lindsay

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Speaker 2: is on the Central Coast, if she knows Hi, Lindsay, Hello, Hello,

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Speaker 2: who's had an impression of.

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Speaker 4: It is?

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Speaker 2: Let's see Prince Charles doing himself.

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Speaker 6: My dear papa was a very special person who I

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Speaker 6: think I am about the reaction and the touching things

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Speaker 6: that have been said about.

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Speaker 1: Yeah, right, thanks Jack, good work.

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Speaker 2: Condolences, condolences question number four.

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Speaker 1: When you think about it, though his dad was ninety nine,

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Speaker 1: Prince Charles seventy two, I don't know, so you.

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Speaker 2: Know, he's not many people in this have both pere dad's.

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Speaker 1: God, my dad died when I was in my forties,

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Speaker 1: so you know, to say.

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Speaker 2: Just saying what what to say?

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Speaker 1: He was lucky, had a very good innings. There's a

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Speaker 1: lot of longevity in the royal family, isn't.

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Speaker 2: That that's true? Probably the best doctors in the world

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Speaker 2: as well.

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Speaker 1: Do you think the longevity is because they have this

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Speaker 1: sense of duty and care? Do you know, and they

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Speaker 1: have to keep on going.

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Speaker 2: I don't think so.

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Speaker 12: Money Ah, money, well, money.

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Speaker 3: I think money brys you happiness or health, or maybe

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Speaker 3: it probably does buy your health risk especialists.

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Speaker 2: In the world.

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Speaker 3: Let's get onto question numberfore. Approximately, this is multiple choice feelings.

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Speaker 3: They approximately, how many people visited the Royalis to show

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Speaker 3: this year A over a million B eight hundred thousand,

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Speaker 3: C five hundred thousand.

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Speaker 2: B no thousand.

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Speaker 1: Cassandra is in thermia.

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Speaker 2: Hi, Cassandra, Hi, Cassandra, Am I hello?

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Speaker 3: So how many people approximately, we want to ask you

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Speaker 3: their names.

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Speaker 2: Visited the Citney Royalist to show was it a over

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Speaker 2: a million B eight hundred thousand.

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Speaker 1: Eight hundred thousand? Did you go to the east to

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Speaker 1: shake Xandra?

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Speaker 11: I didn't.

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Speaker 14: I didn't win tickets.

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Speaker 1: You guys, well, you could come put your hand in.

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Speaker 2: Now we're feeling a bit guilty that we didn't get

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Speaker 2: you there.

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Speaker 15: No, we'll give.

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Speaker 1: You some tickets now. Oh no, you go.

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Speaker 2: You'll have to go and sweep up the dunge.

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Speaker 1: You can pick through the bins.

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Speaker 3: Question number five is also multiple choice. What animal fingerprints

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Speaker 3: are almost identical to humans? A koalas B gorillas? C. Crocodiles, Oh,

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Speaker 3: crocodile no.

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Speaker 2: Sort of the joke.

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Speaker 1: Answer Daves in Albion Park.

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Speaker 3: He A very well, there is a particular animal whose

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Speaker 3: fingerprints are almost identical to humans.

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Speaker 2: Even kevil analysis under a microscope can hardly distinguish between them.

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Speaker 3: Is it a koalas B gorillas?

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Speaker 2: I'll go it is kalas unusual.

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Speaker 1: Well, you're not giving me any other explanations.

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Speaker 3: I've just done it. They have the same sort of

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Speaker 3: ridges on their fingers yep. So you know they can

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Speaker 3: rob a bank and blame it on us.

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Speaker 1: Yeah, I don't trust them.

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Speaker 2: I don't trust them. Live fingerprints everywhere.

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Speaker 1: Crocodiles, Jock, Melissa and Andy your judges on What Cooking Show? Dave. Yes,

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Speaker 1: we've got.

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Speaker 2: Chock on our show because Master Chef kicks off again tonight.

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Speaker 2: Back on question number seven, Dave, here's where it all

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Speaker 2: happens for you from today. The travel bubble between Australia

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Speaker 2: and which other country opens?

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Speaker 1: Yes, it is congratulations to you, Dave. The prizes are

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Speaker 1: coming your way. The jam pack You've got to do.

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Speaker 1: We passed to see the award winning musical Come from Away.

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Speaker 2: Oh, that's supposed to be brilliant.

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Speaker 1: It's got a rip roaring review from Amanda Quel.

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Speaker 2: Oh wow, I want to see that.

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Speaker 1: Another one as well, opening at Sydney's Capital Theater this June.

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Speaker 1: A one hundred dollars visa gift card.

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Speaker 2: Wow, I want that.

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Speaker 1: And Jonesy Nomadica. She has few to coloring and some

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Speaker 1: Satad pencils, some tickets to show as well, Dave, So

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Speaker 1: you can pick through the bins with Cassandra.

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Speaker 16: So much.

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Speaker 1: Well, you're welcome, diplomatic.

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Speaker 2: To the You lots of stuff on our show today.

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Speaker 2: ALUs Morris, it's going to be joining us.

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Speaker 1: Do you say Alanas or Alanis?

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Speaker 2: I think I use which everyone comes out? What do

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Speaker 2: you say?

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Speaker 1: I say Alanas? And I've been back announcing her as Alana.

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Speaker 2: Since she you once told me off for saying Alanis.

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Speaker 1: Yeah, we're at that thing and we were presenting a

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Speaker 1: concert and you were and she was performing and concert.

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Speaker 1: It was in a boardroom, boardroom, ten people. Yeah, we

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Speaker 1: were in another radio station and you called her a

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Speaker 1: Lanis and then she ran off and got on a plane.

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Speaker 1: Just I think you're.

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Speaker 2: Putting a whole lot of different events together into one.

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Speaker 2: It was the one day. It was the one day,

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Speaker 2: not because of anything I said. Anyway, She's on the

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Speaker 2: show and after eight o'clock wsfm's one hundred thousand dollars

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Speaker 2: credit card Crush begins.

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Speaker 1: It's six twenty seven.

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Speaker 17: Jonesy and Amanda jam podcast.

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Speaker 2: Listen people, I'm going to flick through the germanac.

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Speaker 3: No one played with it when we're on holidays. I'm

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Speaker 3: glad to see there's a big book of musical facts.

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Speaker 2: Let's have a look on this day.

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Speaker 3: In nineteen eighty, Blondie went number one on the charts

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Speaker 3: with Call Me. The song stayed number one for six weeks.

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Speaker 2: Wow.

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Speaker 3: Debbie Harry of Blondie was asked to write the song

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Speaker 3: for the Richard Gear movie American Jigglow Did You Know?

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Speaker 3: Though it was first offered to Stevie Nicks, who turned

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Speaker 3: the offer down, Debbie wrote the lyrics from the perspective

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Speaker 3: of Richard Gear's male prostitute character.

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Speaker 2: I've never seen the film, have you.

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Speaker 11: Have?

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Speaker 1: I can't remember. It's it's a bit dark.

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Speaker 2: It's not good.

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Speaker 1: It's not a great movie. Well.

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Speaker 3: Many of her songs apparently were written from the male perspective.

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Speaker 3: She said, this one was from a male perspective, and

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Speaker 3: this one. If you don't mind, I'll leave my phone

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Speaker 3: on in case Richard Gear wants to call me.

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Speaker 1: Sy you did that?

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Speaker 2: Let me check so far nothing? Come on, Richard, come on.

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Speaker 1: I thought being on holidays, I might have a married

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Speaker 1: at first sight break, But no, my family it's the

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Speaker 1: only thing that bonds us all together with married first

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Speaker 1: come a long.

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Speaker 2: Way from the years where family's down around the pianola.

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Speaker 1: Or watch pick a box. Yeah, which is married at

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Speaker 1: first sight?

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Speaker 2: Not wrapped up? Didn't he had wrapped up?

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Speaker 1: Last night? It was the Reunion special and this is

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Speaker 1: where they get to see what they said about each

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Speaker 1: other behind the scenes.

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Speaker 2: What do you mean?

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Speaker 1: Well, for example, Cameron, who was with Samantha, just looked

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Speaker 1: sick with worry and all he did was just rub

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Speaker 1: his face. Why because he has a lot of He

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Speaker 1: has a lot to a lot of there's a lot

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Speaker 1: of fish to fry with poor old Cameron's he ended

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Speaker 1: up with Coco pops.

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Speaker 2: The Coco pops, so hang on.

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Speaker 1: He said, he's with rice bubbles. He wants Coco.

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Speaker 2: Pops, right, they're all fruit loops and can I ask

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Speaker 2: you this?

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Speaker 3: So on this episode, so they've all committed to their

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Speaker 3: relationships or not, yes, and this is after that, and

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Speaker 3: so they're showing footage of things that they haven't already shown.

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Speaker 1: Yeah, naughty footage and it would be as awkward af

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Speaker 1: it would be the worst thing.

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Speaker 2: So it's all just stab stab stab stab.

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Speaker 1: Bryce backpedaled like a bastard to try and get away

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Speaker 1: from Remember the whole.

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Speaker 2: Thing about that he bought his girlfriend on the outside.

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Speaker 1: There was a girlfriend on the outside, and he bought

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Speaker 1: her a present. And then they showed some footage of

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Speaker 1: his friends in camera saying that he indeed had bought

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Speaker 1: them a present. Then tried to say no, they were

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Speaker 1: aware that the cameras were rolling, so they just made

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Speaker 1: that up. And I thought, well, bravo, you covered that. Well, mate,

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Speaker 1: nothing to see.

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Speaker 2: Here, And Melissa just sat there and said fair enough.

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Speaker 1: She yeah, but yeah, look, you know a lot of

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Speaker 1: people now how we know Bryce, And I can say

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Speaker 1: this about him, he's not like that, Like he worked

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Speaker 1: with us in this studio.

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Speaker 2: But he's he is like that. Well that's right, you know,

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00:15:27,440 --> 00:15:30,880
Speaker 2: Yes there are editing tricks, but no one liked him

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Speaker 2: on the show.

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Speaker 1: Pointed that out. He said, I don't usually have trouble

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Speaker 1: with people, and John said, but you've had trouble with

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Speaker 1: every person on the show.

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Speaker 3: And there's also been a lot of discussion about the

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Speaker 3: toxicity of that relationship. And we've had Bryce and Melissa

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Speaker 3: in here who say and lovely and they say, that's

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Speaker 3: not the reality of who we are. But it's been

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Speaker 3: very triggering for a lot of people to see her,

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Speaker 3: to see Melissa constantly be put down by him and

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Speaker 3: yet still say, oh, okay, I'll forgive you, forgive you, forgive.

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Speaker 1: You editing of that show, and I'll give you a

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Speaker 1: great exam of the editing of that show. Have you

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00:16:01,960 --> 00:16:04,360
Speaker 1: seen on YouTube when Harry Met Sally? You know the

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00:16:04,400 --> 00:16:07,120
Speaker 1: movie When Harry's Met Sally. It's a romantic comedy, isn't it.

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Speaker 16: You love it?

354
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Speaker 1: But what about when you change the music of it?

355
00:16:10,080 --> 00:16:12,160
Speaker 1: Go on YouTube and look at When Harry Met Sally

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Speaker 1: as a horror movie and it is absolutely amazing. And

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Speaker 1: if you've never seen the movie, you think, oh, that's

358
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Speaker 1: a full that's like a full on horror movie where

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Speaker 1: a guy is an abusing this woman.

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Speaker 3: Well, Bryce even said to us that that very first

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Speaker 3: indiscretion of his where they said rate these women and

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00:16:29,000 --> 00:16:32,880
Speaker 3: he rated his own partner fourth. He was told rate

363
00:16:32,960 --> 00:16:35,720
Speaker 3: them only on appearance, if you didn't know them, just

364
00:16:35,920 --> 00:16:36,800
Speaker 3: basically on appearance.

365
00:16:36,800 --> 00:16:38,720
Speaker 2: He's still an idiot because you should have put it first.

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Speaker 2: But he said he was told the task was something else.

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Speaker 1: So look, I don't know, but he's just obeying orders.

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00:16:45,800 --> 00:16:48,520
Speaker 1: He's obeying producer orders. When I was on Dancing with

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Speaker 1: the Stars, when they used to say to him, and

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Speaker 1: they say, we're going to do this for week seven

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00:16:52,680 --> 00:16:55,000
Speaker 1: or week nine, I said, have you guys actually seen

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Speaker 1: me dance? I'm not going to be on the show

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Speaker 1: past week three. And I said, if you guys know something,

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Speaker 1: just tell me and I'll play.

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Speaker 2: I mean, no, they don't. They don't cheat it. They can't.

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Speaker 1: I'm just telling it. I'm telling you this is what

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00:17:07,040 --> 00:17:10,159
Speaker 1: they said to me. But I said, I said that

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00:17:10,240 --> 00:17:13,399
Speaker 1: you get a producer for every person, and they control

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Speaker 1: the narrative. But you know, if you're smart, you can

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00:17:16,000 --> 00:17:18,000
Speaker 1: work out how you're going to go with it. I'm

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00:17:18,080 --> 00:17:20,520
Speaker 1: just saying, what are you saying. I'm saying you can

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00:17:20,600 --> 00:17:23,280
Speaker 1: manipulate it to however you want to. Be and the

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00:17:23,359 --> 00:17:26,240
Speaker 1: producers manipulate you. And if you're instanding and say I'm

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Speaker 1: not doing that or I'll do that, you can you can.

385
00:17:29,119 --> 00:17:31,880
Speaker 2: But in shows where there's voting, you can't.

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00:17:32,720 --> 00:17:35,879
Speaker 1: You you've got history with the show. And I'm not

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00:17:35,960 --> 00:17:38,720
Speaker 1: saying it was never manipulated that way, but I used

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00:17:38,720 --> 00:17:40,639
Speaker 1: to say to them, have you seen me dance? They

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Speaker 1: know you'll be right, You're going to make it through.

390
00:17:42,240 --> 00:17:46,200
Speaker 3: Because you're entertaining. I don't understand that you're entertaining. This

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00:17:46,320 --> 00:17:47,560
Speaker 3: is a different kettle of fish.

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Speaker 2: And every year people sign up for this and every

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Speaker 2: year they say, I was I was shafted in the editing.

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00:17:54,400 --> 00:17:56,879
Speaker 1: You know, well every these people are straight off the streets,

395
00:17:56,920 --> 00:17:59,920
Speaker 1: so they don't have the yeah, but the knowledge of

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Speaker 1: the media.

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00:18:00,640 --> 00:18:01,119
Speaker 10: That we know.

398
00:18:01,359 --> 00:18:03,560
Speaker 2: But they know that. People say, oh, you know, it's

399
00:18:03,640 --> 00:18:05,080
Speaker 2: going to be hard work and you're not.

400
00:18:05,119 --> 00:18:07,720
Speaker 1: Going to prices trying to manipulate it like a game

401
00:18:07,800 --> 00:18:08,880
Speaker 1: show like Survive.

402
00:18:09,040 --> 00:18:10,919
Speaker 2: He's tried to run it, which is why it's.

403
00:18:12,680 --> 00:18:14,920
Speaker 1: It's another show. She's on the bum.

404
00:18:15,960 --> 00:18:17,320
Speaker 2: I don't host that trouble.

405
00:18:17,640 --> 00:18:20,159
Speaker 1: It's between you and DA thought, well, it's cracked up

406
00:18:20,240 --> 00:18:24,320
Speaker 1: to be the big thing though, was Rebecca being busted

407
00:18:24,400 --> 00:18:27,920
Speaker 1: on camera going to town on an old flame while

408
00:18:28,000 --> 00:18:31,399
Speaker 1: she was with her convalescing dog. Do do you remember this?

409
00:18:31,480 --> 00:18:33,800
Speaker 1: Her dog was unwell, so she had to go back

410
00:18:33,840 --> 00:18:36,600
Speaker 1: to Perth. This mercy dash back to the show was

411
00:18:36,640 --> 00:18:38,680
Speaker 1: going on to leave Jake had to go back to

412
00:18:38,800 --> 00:18:41,920
Speaker 1: Perth to look after her dog, and apparently she left

413
00:18:42,000 --> 00:18:46,000
Speaker 1: the camera rolling and there she is passion on with

414
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Speaker 1: this guy. I thought she was passionate of the dog

415
00:19:01,560 --> 00:19:02,119
Speaker 1: a bit there.

416
00:19:02,000 --> 00:19:06,320
Speaker 2: Well, that'll help convalesse. It didn't say much, was busy

417
00:19:06,400 --> 00:19:07,120
Speaker 2: licking itself.

418
00:19:08,240 --> 00:19:11,359
Speaker 1: The group were freaked, but Beggar assured them that it

419
00:19:11,520 --> 00:19:14,560
Speaker 1: was not some mystery guy. It was her brother.

420
00:19:15,480 --> 00:19:21,160
Speaker 2: Who was that? Oh my god, that was my brother.

421
00:19:21,640 --> 00:19:22,879
Speaker 17: I don't kiss my brother like that?

422
00:19:23,600 --> 00:19:24,520
Speaker 2: Was it like sexual?

423
00:19:26,200 --> 00:19:29,159
Speaker 1: I was at home. That is not a brother. If

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00:19:29,200 --> 00:19:31,440
Speaker 1: she was flying to TASMANI plubly fair.

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00:19:31,400 --> 00:19:37,520
Speaker 2: Enough, ANGELI so tell me this was it her brother.

426
00:19:37,800 --> 00:19:39,399
Speaker 1: Well, then she came clean.

427
00:19:40,000 --> 00:19:45,359
Speaker 18: Okay, I'll come clean. My dog needed transporting and I

428
00:19:45,480 --> 00:19:50,399
Speaker 18: reached out to an old burn who actually took Oscar

429
00:19:50,480 --> 00:19:54,280
Speaker 18: to the clinic. When I seen him, emotion kind of

430
00:19:54,400 --> 00:19:55,639
Speaker 18: sparked with us.

431
00:19:56,800 --> 00:19:59,840
Speaker 3: When I seen him in emotion, sparked, I can't handle

432
00:20:00,119 --> 00:20:01,240
Speaker 3: the diction in that show.

433
00:20:01,760 --> 00:20:02,760
Speaker 2: Put your diction away?

434
00:20:05,040 --> 00:20:07,880
Speaker 1: What about bite me on the bum? Is that coming

435
00:20:07,920 --> 00:20:08,280
Speaker 1: to ten?

436
00:20:11,040 --> 00:20:13,520
Speaker 3: Well, let's turn to some sadness and the two weeks

437
00:20:13,520 --> 00:20:16,520
Speaker 3: that we've been on holidays. Prince Philip passed away.

438
00:20:16,720 --> 00:20:16,880
Speaker 19: Yep.

439
00:20:18,600 --> 00:20:22,960
Speaker 3: Don't the English do ceremony and pomp so well? And

440
00:20:23,240 --> 00:20:25,000
Speaker 3: he planned a lot of his own funeral. He was

441
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Speaker 3: ninety nine, so he saw it coming.

442
00:20:27,160 --> 00:20:28,760
Speaker 1: Yep. But when you look at it, he just they

443
00:20:28,800 --> 00:20:30,480
Speaker 1: pretty much just loaded him up into the back of

444
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Speaker 1: an old ute.

445
00:20:31,160 --> 00:20:34,240
Speaker 3: He chose that, And a lot of people in his

446
00:20:34,359 --> 00:20:37,200
Speaker 3: family are saying that with COVID and those restrictions and

447
00:20:37,280 --> 00:20:39,160
Speaker 3: that very sad image we saw of the Queen sitting

448
00:20:39,200 --> 00:20:43,240
Speaker 3: on her own and the pews there, that the stripped

449
00:20:43,320 --> 00:20:47,760
Speaker 3: back versions probably suited him better than having two thousand

450
00:20:47,840 --> 00:20:51,119
Speaker 3: people in that church at Windsor Castle. Having maybe just

451
00:20:51,200 --> 00:20:54,280
Speaker 3: twenty of the closest members of the royal family probably

452
00:20:54,359 --> 00:20:57,680
Speaker 3: suited him better. The Daily Mail ran a story saying

453
00:20:57,720 --> 00:21:01,520
Speaker 3: his Handmaate made English oak car busket was made by

454
00:21:01,600 --> 00:21:05,200
Speaker 3: the same family who made Freddie Mercury's. So that's a

455
00:21:05,280 --> 00:21:05,879
Speaker 3: nice connection.

456
00:21:05,960 --> 00:21:07,159
Speaker 1: That's a nice connection. Isn't it.

457
00:21:07,560 --> 00:21:10,120
Speaker 2: Carla Zampatti passed away on my birthday.

458
00:21:11,119 --> 00:21:13,439
Speaker 1: Okay, she fell down the stairs at the opera.

459
00:21:13,760 --> 00:21:17,360
Speaker 3: Yes, as her family have said, you know this beautiful,

460
00:21:17,480 --> 00:21:22,639
Speaker 3: vibrant woman at the premiere of La Traviata. That's it

461
00:21:22,760 --> 00:21:27,000
Speaker 3: seemed like a fitting way for her to leave. She

462
00:21:27,680 --> 00:21:29,320
Speaker 3: and I know a lot has been said about her

463
00:21:29,400 --> 00:21:32,840
Speaker 3: amazing design and it is incredible. I've got a number

464
00:21:32,840 --> 00:21:35,880
Speaker 3: of Carlo zamp from Carla zam Oh every time there's

465
00:21:35,920 --> 00:21:38,800
Speaker 3: a big function on. She's such a go to for things.

466
00:21:38,840 --> 00:21:42,400
Speaker 3: She makes clothes for women who aren't straight up and down,

467
00:21:42,840 --> 00:21:44,760
Speaker 3: and the materials are thick enough so I don't have

468
00:21:44,800 --> 00:21:46,720
Speaker 3: to worry that your underlines are showing.

469
00:21:46,520 --> 00:21:48,400
Speaker 1: Because your problem is you're long in the fork.

470
00:21:49,000 --> 00:21:51,200
Speaker 3: My mother used to say, Amanda, you're long in the fork,

471
00:21:51,240 --> 00:21:54,480
Speaker 3: which is why when I wear jeans, I either get

472
00:21:55,200 --> 00:21:57,760
Speaker 3: stomach overhang or grippy in the area.

473
00:21:58,119 --> 00:22:00,760
Speaker 1: Yeah, so Carla could have address all of that for you.

474
00:22:00,960 --> 00:22:02,080
Speaker 2: Yes, well, that's the thing.

475
00:22:02,960 --> 00:22:06,679
Speaker 3: She made such stylish, beautiful clothes. We lost Tommy Redonicus.

476
00:22:08,359 --> 00:22:09,520
Speaker 3: I think his public.

477
00:22:10,920 --> 00:22:12,879
Speaker 1: Is today because there wasn't going to be a public

478
00:22:13,600 --> 00:22:16,600
Speaker 1: funeral for him, but at the end, Tommy's had some

479
00:22:17,040 --> 00:22:19,280
Speaker 1: there's been every game of football's pretty much had a

480
00:22:19,640 --> 00:22:22,359
Speaker 1: big moments of silence for Tommy, which is great. Henson

481
00:22:22,400 --> 00:22:24,320
Speaker 1: Park the other day of the new Town Jets, they

482
00:22:24,359 --> 00:22:27,080
Speaker 1: got done by Newcastle, but there was a big tribute

483
00:22:27,119 --> 00:22:28,040
Speaker 1: to Tommy.

484
00:22:28,160 --> 00:22:30,200
Speaker 2: Do you remember when we went together radio station and

485
00:22:30,280 --> 00:22:34,080
Speaker 2: Dave Gibson always said a fabulous impression of Tommy Rodonicus.

486
00:22:36,160 --> 00:22:37,760
Speaker 3: Your teeth then, but he'd sort of talk about him

487
00:22:37,760 --> 00:22:39,879
Speaker 3: smoking whatever, and Tommy said, look, I love all the

488
00:22:39,920 --> 00:22:42,520
Speaker 3: stuff you do, but I'm actually anti smoking.

489
00:22:42,640 --> 00:22:43,560
Speaker 1: Yeah, because he gave up.

490
00:22:43,680 --> 00:22:46,720
Speaker 2: Yeah, that's right. So you know who else we lost?

491
00:22:48,119 --> 00:22:48,679
Speaker 2: This person?

492
00:22:51,400 --> 00:22:56,119
Speaker 3: Flipp No, that's cousin It from the Adams family. So

493
00:22:56,200 --> 00:23:00,160
Speaker 3: I remember cousin It. The Felix Silla, the actor who

494
00:23:00,200 --> 00:23:04,160
Speaker 3: played Cousin It passed away. He worked as a body double,

495
00:23:04,359 --> 00:23:08,879
Speaker 3: often for children in movies like The Towering Inferno Battlestar Galactica.

496
00:23:09,160 --> 00:23:10,480
Speaker 3: He played an e wok.

497
00:23:10,400 --> 00:23:12,280
Speaker 1: Oh because they chuck a you know, if they check

498
00:23:12,320 --> 00:23:14,680
Speaker 1: someone off the burning building and they check a kid off.

499
00:23:14,720 --> 00:23:16,520
Speaker 2: There, they say, where's Felix.

500
00:23:17,240 --> 00:23:21,199
Speaker 3: Felix, But he was best known for his role as

501
00:23:21,280 --> 00:23:24,480
Speaker 3: a creepy Adams family. He was cousin it in the

502
00:23:24,560 --> 00:23:27,720
Speaker 3: body length hair piece. He wrote it from Richard Wilkins.

503
00:23:30,840 --> 00:23:37,640
Speaker 1: Veil in peace, sad news as well. Don't make me laugh.

504
00:23:37,840 --> 00:23:41,520
Speaker 1: Why I didn't want to mention it right now, But

505
00:23:42,160 --> 00:23:45,879
Speaker 1: remember Ralph and Charlie the carp I got the fish

506
00:23:46,600 --> 00:23:49,639
Speaker 1: bequeathed to me from Brad who moved up to Townsville

507
00:23:50,160 --> 00:23:52,719
Speaker 1: and his mate Noel had passed away and left him

508
00:23:52,800 --> 00:23:53,240
Speaker 1: the fish.

509
00:23:54,680 --> 00:23:56,879
Speaker 2: They weren't thriving in your pool. They went to a

510
00:23:56,920 --> 00:23:59,639
Speaker 2: new like twenty or something.

511
00:24:00,800 --> 00:24:04,520
Speaker 1: What's happened while Ralph passed away during this time? No

512
00:24:04,960 --> 00:24:08,359
Speaker 1: we're from I don't know. That's got nothing to do

513
00:24:08,440 --> 00:24:11,439
Speaker 1: with me, okay, but he he was old, he had

514
00:24:11,480 --> 00:24:14,359
Speaker 1: a good innings. And now Charlie is by himself.

515
00:24:14,440 --> 00:24:17,080
Speaker 2: But with all the other things those two were, they

516
00:24:17,119 --> 00:24:20,480
Speaker 2: were soul mates. Now Charlie is like the queen with

517
00:24:20,600 --> 00:24:22,240
Speaker 2: Philip not at her side.

518
00:24:22,760 --> 00:24:26,600
Speaker 1: So Charlie's a queen. Now that's what happens. It's three

519
00:24:26,640 --> 00:24:28,120
Speaker 1: to seven the what do you mean?

520
00:24:28,240 --> 00:24:29,080
Speaker 2: That's what happened.

521
00:24:29,160 --> 00:24:31,200
Speaker 1: That's what I'm gonna tell you. Wrap this up. What

522
00:24:31,280 --> 00:24:32,200
Speaker 1: do you bring that up for?

523
00:24:33,040 --> 00:24:33,200
Speaker 20: Cold?

524
00:24:33,320 --> 00:24:38,720
Speaker 2: He cousin it again cousin Jack him off a building.

525
00:24:41,800 --> 00:24:48,159
Speaker 17: Podcast. Good morning Joins and demand is ten thousand dollars.

526
00:24:49,240 --> 00:24:51,280
Speaker 1: Do you have the right answers to our wrong questions?

527
00:24:51,320 --> 00:24:54,040
Speaker 1: Thirteen WSFM is our number. There is ten thousand dollars

528
00:24:54,160 --> 00:24:55,399
Speaker 1: here in case.

529
00:24:55,280 --> 00:24:57,840
Speaker 3: You don't remember how it goes. We have some trivia questions,

530
00:24:57,920 --> 00:25:00,040
Speaker 3: but you have to answer them in a lag. I

531
00:25:00,040 --> 00:25:02,639
Speaker 3: ask your question number one, don't say anything. Give me

532
00:25:02,720 --> 00:25:04,880
Speaker 3: the answer to that when I ask your question number two,

533
00:25:04,960 --> 00:25:06,840
Speaker 3: and so on. If you make it all the way

534
00:25:06,880 --> 00:25:09,280
Speaker 3: through before the buzzer goes off, you get ten thousand dollars.

535
00:25:09,320 --> 00:25:11,520
Speaker 3: But you can take the chickeney pants option one hundred

536
00:25:11,520 --> 00:25:13,640
Speaker 3: dollars for each quick answer along the way. But get

537
00:25:13,680 --> 00:25:15,320
Speaker 3: them all right, you don't get ten grand.

538
00:25:15,200 --> 00:25:18,679
Speaker 1: John's in Pigton, Hello John, good morning a MANA good

539
00:25:18,720 --> 00:25:20,000
Speaker 1: morning Jones, Johnny.

540
00:25:19,960 --> 00:25:21,359
Speaker 2: How do you want to play today? John?

541
00:25:22,520 --> 00:25:24,760
Speaker 12: It's definitely chickeny pants, all right, Welcome.

542
00:25:24,480 --> 00:25:25,720
Speaker 1: I definitely chickeney pants.

543
00:25:25,800 --> 00:25:25,960
Speaker 7: John.

544
00:25:25,960 --> 00:25:27,960
Speaker 1: I wouldn't have thought you were a chickney pants kind.

545
00:25:27,840 --> 00:25:29,800
Speaker 2: Of guy because you've known each other for so long.

546
00:25:29,960 --> 00:25:31,560
Speaker 1: I know the mark of the man.

547
00:25:32,880 --> 00:25:35,080
Speaker 3: All right, John, you've got your chickeney pants on. You

548
00:25:35,119 --> 00:25:37,040
Speaker 3: will be getting one hundred dollars for each Creek dancer.

549
00:25:37,040 --> 00:25:37,879
Speaker 3: Are you ready to start?

550
00:25:38,760 --> 00:25:39,560
Speaker 11: Yeah, let's go for it.

551
00:25:39,760 --> 00:25:40,119
Speaker 2: Here we go.

552
00:25:40,880 --> 00:25:43,800
Speaker 3: Oh is a chemical symbol for which element who played

553
00:25:43,840 --> 00:25:47,800
Speaker 3: Edward Scissorhands and the film was the same name. Which

554
00:25:47,800 --> 00:25:49,600
Speaker 3: sport is Darren Lahman associated with.

555
00:25:53,560 --> 00:25:53,879
Speaker 12: Edward's.

556
00:25:54,000 --> 00:25:59,159
Speaker 2: The answer was, what's the heaviest internal organ of the

557
00:25:59,240 --> 00:25:59,760
Speaker 2: human body?

558
00:26:01,440 --> 00:26:01,560
Speaker 16: By?

559
00:26:01,640 --> 00:26:03,720
Speaker 2: What name? Is tympanic membrane better known?

560
00:26:06,200 --> 00:26:06,240
Speaker 7: No?

561
00:26:06,560 --> 00:26:08,040
Speaker 1: No, that's the biggest organ.

562
00:26:08,240 --> 00:26:12,000
Speaker 2: Yeah, liver is the internal organ. Heaviest internal organ which.

563
00:26:11,840 --> 00:26:16,159
Speaker 3: You've known tympanic membrane? It's your ear drum. But you

564
00:26:16,240 --> 00:26:17,240
Speaker 3: got three hundred bucks.

565
00:26:18,040 --> 00:26:18,680
Speaker 12: It's pretty good.

566
00:26:18,920 --> 00:26:23,480
Speaker 1: That's pretty good. John with question, Thank you, I have.

567
00:26:23,520 --> 00:26:27,600
Speaker 2: A great you too, come out.

568
00:26:27,920 --> 00:26:31,520
Speaker 3: I was reading about a man who does the same

569
00:26:32,040 --> 00:26:34,560
Speaker 3: thing every single day.

570
00:26:36,359 --> 00:26:40,240
Speaker 2: We'll tell you what it is next. I was reading a.

571
00:26:40,240 --> 00:26:44,200
Speaker 3: Story about a Welsh farmer who has the same food

572
00:26:45,160 --> 00:26:47,680
Speaker 3: every day for the last ten.

573
00:26:47,880 --> 00:26:48,919
Speaker 1: Years, Welsh rabbit.

574
00:26:49,440 --> 00:26:49,480
Speaker 20: No.

575
00:26:50,720 --> 00:26:53,080
Speaker 2: He is revealed in a column for The Guardian that

576
00:26:53,359 --> 00:26:57,360
Speaker 2: for his supper he has two pieces of fish, one

577
00:26:57,600 --> 00:27:02,680
Speaker 2: big onion, an egg, baked beans and a few biscuits.

578
00:27:03,320 --> 00:27:03,760
Speaker 2: For lunch.

579
00:27:04,160 --> 00:27:08,120
Speaker 3: Every day he has a pear, an orange and four

580
00:27:08,240 --> 00:27:12,200
Speaker 3: sandwiches with paste. He says, I have a routine justlike

581
00:27:12,320 --> 00:27:14,680
Speaker 3: nature that extends to what I eat. I've had the

582
00:27:14,720 --> 00:27:18,440
Speaker 3: same supper for ten years, even on Christmas Day. He

583
00:27:18,520 --> 00:27:20,960
Speaker 3: said that his uncle, who was also a bachelor and

584
00:27:21,040 --> 00:27:24,400
Speaker 3: a farmer, had the same food every day. His uncle

585
00:27:24,480 --> 00:27:28,280
Speaker 3: used to have bread, butter, cheese and tea for breakfast,

586
00:27:28,480 --> 00:27:31,399
Speaker 3: lunch and dinner, but he'd bring out jam when there

587
00:27:31,440 --> 00:27:35,000
Speaker 3: were visitors. So he says, whether it's Easter, Christmas Day, whatever,

588
00:27:35,720 --> 00:27:38,320
Speaker 3: they eat the same thing every single day.

589
00:27:38,320 --> 00:27:40,399
Speaker 2: Foodmost food monogamist.

590
00:27:40,920 --> 00:27:45,280
Speaker 3: He said he's never ever tried Indian food, Chinese, French cuisine.

591
00:27:45,280 --> 00:27:47,720
Speaker 2: I'm not interested in Chinese food.

592
00:27:47,840 --> 00:27:48,560
Speaker 1: No, never had it.

593
00:27:49,480 --> 00:27:53,880
Speaker 3: And he said that he lives the good life. He said,

594
00:27:54,040 --> 00:27:56,639
Speaker 3: I don't stay indoors and watch TV. I hear London

595
00:27:56,760 --> 00:28:03,040
Speaker 3: is a place best avoided. I mean, variety is a

596
00:28:03,040 --> 00:28:05,440
Speaker 3: spice of life, many of us think, and in food

597
00:28:05,560 --> 00:28:08,120
Speaker 3: as well. Yeah, but there are people who I guess

598
00:28:08,240 --> 00:28:09,879
Speaker 3: just eat the same thing every day. I mean with

599
00:28:10,320 --> 00:28:12,359
Speaker 3: breakfast and things here at work, we do, but just

600
00:28:12,440 --> 00:28:15,200
Speaker 3: for convenience, because we can't say, oh today, I feel

601
00:28:15,280 --> 00:28:17,720
Speaker 3: like putting eggs on toast because we just don't have

602
00:28:17,840 --> 00:28:21,680
Speaker 3: time to make that kind of food. I cracked a

603
00:28:21,720 --> 00:28:25,560
Speaker 3: boiled egg earlier and that you said, Oh, that's right,

604
00:28:25,640 --> 00:28:26,719
Speaker 3: that's what you have for breakfast.

605
00:28:26,800 --> 00:28:28,480
Speaker 2: You have your egg, been on holidays for two weeks

606
00:28:28,480 --> 00:28:30,920
Speaker 2: and you've forgotten what I eat. You'll know in a minute.

607
00:28:32,359 --> 00:28:35,360
Speaker 1: Thanks for the memories. The and your guy the once

608
00:28:35,440 --> 00:28:38,600
Speaker 1: he just used to eat chicken nuggets and chips every

609
00:28:38,680 --> 00:28:40,880
Speaker 1: day night. Every night he did chicken nuggets and shit.

610
00:28:40,920 --> 00:28:41,920
Speaker 2: He died from a heart attack.

611
00:28:42,240 --> 00:28:44,600
Speaker 1: I don't know what he's doing now, but I used

612
00:28:44,640 --> 00:28:47,800
Speaker 1: to say, well, Dan, you daani, you want something different,

613
00:28:48,360 --> 00:28:51,360
Speaker 1: maybe a potato gem from time to time. They're always nice, yeah,

614
00:28:52,360 --> 00:28:54,720
Speaker 1: but he wouldn't have a bar of it chicken nuggets

615
00:28:54,760 --> 00:28:58,600
Speaker 1: and chips, you know, just the other ones. Well, what

616
00:28:58,640 --> 00:29:01,600
Speaker 1: are you a kid pirate hat with that meal? Every night?

617
00:29:02,280 --> 00:29:06,680
Speaker 2: Tribal drum is going to beat for food monogamoust food

618
00:29:06,800 --> 00:29:14,680
Speaker 2: monogamous people who are people who only eat the same thing.

619
00:29:15,160 --> 00:29:17,400
Speaker 2: You can dab yourself in someone else.

620
00:29:17,600 --> 00:29:17,760
Speaker 1: Yep.

621
00:29:18,040 --> 00:29:20,280
Speaker 2: Do you work with someone who has the same thing

622
00:29:20,640 --> 00:29:21,720
Speaker 2: every single day?

623
00:29:21,920 --> 00:29:24,560
Speaker 1: If I'm out of the match, a family thunder thrill

624
00:29:24,760 --> 00:29:28,080
Speaker 1: thirty minute and ultimate jet boat adventure around Sydney harb.

625
00:29:28,120 --> 00:29:30,160
Speaker 1: Well that sounds I saw that a couple of weeks ago.

626
00:29:30,240 --> 00:29:32,719
Speaker 1: Those guys haven't the time of their lives on that thing.

627
00:29:32,800 --> 00:29:34,680
Speaker 2: All right, food monogamous? What have you got.

628
00:29:37,040 --> 00:29:41,320
Speaker 1: Podcast? The tribal drum is beating this morning. Food monogamoust.

629
00:29:42,640 --> 00:29:44,200
Speaker 1: You just eat the same thing every day.

630
00:29:44,320 --> 00:29:46,440
Speaker 3: Yeah, this is on the back of a Welsh farmer

631
00:29:46,760 --> 00:29:49,440
Speaker 3: who has eaten the same meal every day for ten

632
00:29:49,520 --> 00:29:50,720
Speaker 3: years Christmas Day or whatever.

633
00:29:50,760 --> 00:29:53,160
Speaker 2: He said his uncle, who was also a farming bachelor.

634
00:29:53,720 --> 00:29:54,200
Speaker 2: Same thing.

635
00:29:54,560 --> 00:29:57,600
Speaker 3: His uncle had bread, butter, cheese and tea from breakfast,

636
00:29:57,720 --> 00:29:59,960
Speaker 3: lunch and dinner, but he bring out jam for visitors.

637
00:30:00,520 --> 00:30:02,320
Speaker 3: I reckon it took him ages to get through that jar.

638
00:30:02,680 --> 00:30:02,880
Speaker 21: Yeah.

639
00:30:03,680 --> 00:30:07,440
Speaker 1: I could eat every day just steak, chips and salad.

640
00:30:07,760 --> 00:30:09,640
Speaker 1: I got the pub. I could eat that every day.

641
00:30:10,240 --> 00:30:12,400
Speaker 2: You say that, but I don't think you could.

642
00:30:13,120 --> 00:30:15,520
Speaker 1: It depends about the gravy. If I got to old

643
00:30:15,520 --> 00:30:18,440
Speaker 1: tonate my gravy's Can I have that so pepper sauce

644
00:30:18,520 --> 00:30:21,480
Speaker 1: one time? There may be a mushroom one Can I

645
00:30:21,560 --> 00:30:21,760
Speaker 1: do that?

646
00:30:22,720 --> 00:30:22,920
Speaker 4: Yeah?

647
00:30:22,960 --> 00:30:23,520
Speaker 2: But I reckon.

648
00:30:23,600 --> 00:30:25,480
Speaker 3: After a couple of weeks you think, Oh, I feel

649
00:30:25,520 --> 00:30:27,760
Speaker 3: like some thie, Oh your hamburg would be good, or

650
00:30:27,840 --> 00:30:28,720
Speaker 3: some spag bowl.

651
00:30:28,800 --> 00:30:30,400
Speaker 1: Oh yeah, I could do with that name. I know

652
00:30:30,600 --> 00:30:32,280
Speaker 1: that's right. I'm such a food slot.

653
00:30:35,560 --> 00:30:37,840
Speaker 2: I can see to seeing someone else. You've got spaghetti on.

654
00:30:38,320 --> 00:30:40,520
Speaker 1: My face like Augusta's glump.

655
00:30:41,440 --> 00:30:45,880
Speaker 2: The dolmio grin. Leanne is joining us. Hello, Leanne, good morning.

656
00:30:45,960 --> 00:30:47,240
Speaker 11: How are you very well?

657
00:30:47,280 --> 00:30:49,280
Speaker 2: Are you a food monogamous or someone you know?

658
00:30:50,440 --> 00:30:51,040
Speaker 15: No, I am.

659
00:30:51,360 --> 00:30:53,840
Speaker 22: I'm a nauty kid, and since the age of sixteen

660
00:30:53,880 --> 00:30:56,000
Speaker 22: on male sixty two, I have one and a half

661
00:30:56,440 --> 00:30:59,880
Speaker 22: beaks every morning for breakfast with hot water. I can

662
00:31:00,080 --> 00:31:02,600
Speaker 22: travel with my weeks knowing that I will always have

663
00:31:02,720 --> 00:31:05,080
Speaker 22: hot water somewhere. But that's what I've had and I

664
00:31:05,240 --> 00:31:05,840
Speaker 22: just finished it.

665
00:31:06,920 --> 00:31:09,640
Speaker 2: So you so you don't even have milk with it,

666
00:31:09,760 --> 00:31:11,600
Speaker 2: and one and a half one and a half with

667
00:31:11,800 --> 00:31:15,160
Speaker 2: hot water and you're just making a stodge yep.

668
00:31:15,280 --> 00:31:18,240
Speaker 22: I used to have milk, skim milk with it, and

669
00:31:18,320 --> 00:31:20,920
Speaker 22: that was just a tiny tad for coloring. But now

670
00:31:20,960 --> 00:31:21,880
Speaker 22: I don't need the milk.

671
00:31:21,920 --> 00:31:24,400
Speaker 2: Eat you have the hot water a lot of Like

672
00:31:24,480 --> 00:31:25,840
Speaker 2: what consistency are you eating?

673
00:31:25,960 --> 00:31:26,240
Speaker 20: Is it like.

674
00:31:26,320 --> 00:31:28,960
Speaker 2: Porridge baby food?

675
00:31:30,120 --> 00:31:32,280
Speaker 1: I guess it when it gets too mushy. Then you think, well,

676
00:31:32,560 --> 00:31:33,200
Speaker 1: but I guess.

677
00:31:33,040 --> 00:31:35,640
Speaker 2: With breakfast you can see you know what, it's just fuel.

678
00:31:36,520 --> 00:31:39,760
Speaker 1: Yeah, yep, ye, so have sixty two?

679
00:31:39,840 --> 00:31:41,360
Speaker 2: You did this from when you were fifteen.

680
00:31:41,680 --> 00:31:42,760
Speaker 1: Wow, it's pretty good.

681
00:31:43,720 --> 00:31:44,120
Speaker 23: I love it.

682
00:31:44,480 --> 00:31:44,680
Speaker 15: Yep.

683
00:31:44,840 --> 00:31:47,560
Speaker 1: Do you ever go into the yeah? Sorry, do you

684
00:31:47,600 --> 00:31:50,239
Speaker 1: ever go into Vita Brits territory? Do they still make

685
00:31:50,400 --> 00:31:51,200
Speaker 1: Vita Bridge.

686
00:31:53,040 --> 00:31:54,160
Speaker 15: Two? But I don't like it?

687
00:31:54,640 --> 00:31:57,080
Speaker 2: It has to be, Leanne.

688
00:31:57,080 --> 00:31:58,560
Speaker 3: If you ever stay in a hotel and there's that

689
00:31:58,720 --> 00:32:02,120
Speaker 3: fabulous buffer that I have over those years, you've never

690
00:32:02,200 --> 00:32:03,040
Speaker 3: been tempted.

691
00:32:04,440 --> 00:32:05,520
Speaker 22: They always have weat picks.

692
00:32:05,800 --> 00:32:07,600
Speaker 1: They do, so you get the wheat picks.

693
00:32:08,160 --> 00:32:09,880
Speaker 2: You go to an entire buffet and you have wheat

694
00:32:09,880 --> 00:32:10,480
Speaker 2: bitch she'd.

695
00:32:10,360 --> 00:32:12,200
Speaker 1: Have the wheat picks, and then you go back for

696
00:32:12,520 --> 00:32:15,200
Speaker 1: the sausages and little mushrooms.

697
00:32:16,040 --> 00:32:16,480
Speaker 24: Do you do that?

698
00:32:16,600 --> 00:32:16,960
Speaker 6: You do that?

699
00:32:17,840 --> 00:32:20,880
Speaker 22: No buffet people touchshots.

700
00:32:22,560 --> 00:32:23,920
Speaker 2: Intriguing. Thank you, Leanne.

701
00:32:24,520 --> 00:32:28,920
Speaker 3: We've got Tony. Hello, Tony, very well. You also have

702
00:32:29,040 --> 00:32:30,040
Speaker 3: a morning routine.

703
00:32:30,080 --> 00:32:30,400
Speaker 1: What's that?

704
00:32:31,400 --> 00:32:34,680
Speaker 25: It's my uncle in Croatia. We always talk about this.

705
00:32:36,040 --> 00:32:40,720
Speaker 25: It's nearly eighty four, thirty sixty for the last sixty

706
00:32:40,800 --> 00:32:44,760
Speaker 25: years plus bread and milk in a mug every morning.

707
00:32:45,440 --> 00:32:47,080
Speaker 2: The breads is in the mug.

708
00:32:48,560 --> 00:32:53,600
Speaker 25: And milk. Yes, you mush of it all up the

709
00:32:53,640 --> 00:32:55,280
Speaker 25: spoon that said, oh.

710
00:32:56,600 --> 00:32:59,520
Speaker 2: So, let me just get this right. It's one piece

711
00:32:59,560 --> 00:33:01,840
Speaker 2: of bread and milk and he MUSHes it up and

712
00:33:01,920 --> 00:33:03,120
Speaker 2: then eats it with a spoon.

713
00:33:04,200 --> 00:33:04,400
Speaker 25: Yes.

714
00:33:05,880 --> 00:33:07,320
Speaker 1: Wow, do you have to watch him do that?

715
00:33:08,880 --> 00:33:09,640
Speaker 25: I don't have to know.

716
00:33:12,440 --> 00:33:14,400
Speaker 1: When we were kids, when we were in our cereal,

717
00:33:14,520 --> 00:33:18,240
Speaker 1: we'd set up the cereal packets. It's like slop shields,

718
00:33:18,280 --> 00:33:20,480
Speaker 1: so you couldn't watch someone else eat cereal.

719
00:33:20,560 --> 00:33:22,320
Speaker 2: You don't like watching other people eat, I can't have

720
00:33:22,480 --> 00:33:23,320
Speaker 2: even now you can't.

721
00:33:23,520 --> 00:33:25,800
Speaker 1: I like watching I don't like watching people eat, but

722
00:33:25,840 --> 00:33:28,640
Speaker 1: I can't watch someone eat cereal. No, I want to

723
00:33:28,680 --> 00:33:29,880
Speaker 1: set up a little slop shield.

724
00:33:29,920 --> 00:33:31,239
Speaker 2: And what about when I eat a boiled egg?

725
00:33:31,680 --> 00:33:34,800
Speaker 3: That's that's why we're getting the slop shield, like the

726
00:33:34,880 --> 00:33:37,240
Speaker 3: sneeze guard. We're going to take more of your calls

727
00:33:37,360 --> 00:33:38,280
Speaker 3: food monogamous.

728
00:33:38,680 --> 00:33:39,960
Speaker 17: Jonesy and Amanda.

729
00:33:39,760 --> 00:33:41,600
Speaker 1: Germ podcast.

730
00:33:44,680 --> 00:33:45,320
Speaker 19: Off for kicks.

731
00:33:45,960 --> 00:33:48,440
Speaker 1: Let's see what happens. Hello there, if you've just joined us.

732
00:33:48,440 --> 00:33:52,920
Speaker 1: A Welsh farmer has eaten the same thing every day

733
00:33:53,000 --> 00:33:55,440
Speaker 1: for ten years. He has two pieces of fish, a

734
00:33:55,600 --> 00:33:56,640
Speaker 1: large onion, A.

735
00:33:56,680 --> 00:33:59,280
Speaker 2: Big onion, please, he said, big onion, an.

736
00:33:59,240 --> 00:34:01,760
Speaker 1: Egg, bake, beans and a few biscuits at the end.

737
00:34:02,040 --> 00:34:03,360
Speaker 1: He's a bachelor, by the way.

738
00:34:03,400 --> 00:34:06,160
Speaker 3: Yes, And he even has this on Christmas Day. He

739
00:34:06,360 --> 00:34:08,600
Speaker 3: has the same thing every single day. So it's got

740
00:34:08,680 --> 00:34:11,120
Speaker 3: us thinking about food, monogamy.

741
00:34:10,760 --> 00:34:15,200
Speaker 1: Tribal drums beating for this, Susan has joined us.

742
00:34:16,680 --> 00:34:19,920
Speaker 2: Ali, Susan, Hi, Susan.

743
00:34:21,960 --> 00:34:25,920
Speaker 11: I've been married for thirty five thirty five years and

744
00:34:26,520 --> 00:34:28,960
Speaker 11: my husband eats the same thing for tea every night.

745
00:34:29,200 --> 00:34:29,759
Speaker 1: And what is it?

746
00:34:30,920 --> 00:34:37,240
Speaker 11: Chips either salad and an egg steak chips, chips, salad

747
00:34:37,520 --> 00:34:37,919
Speaker 11: or an egg.

748
00:34:38,920 --> 00:34:40,920
Speaker 3: And if you get invited out to dinner or you

749
00:34:41,040 --> 00:34:43,160
Speaker 3: feel like having something different, what happens?

750
00:34:44,480 --> 00:34:46,799
Speaker 11: Oh, I ate different things. I haven't got to cook

751
00:34:46,880 --> 00:34:47,359
Speaker 11: that for him.

752
00:34:48,200 --> 00:34:49,160
Speaker 2: Oh, cooking too.

753
00:34:49,920 --> 00:34:52,360
Speaker 11: And it has to be a certain brand of chips,

754
00:34:52,440 --> 00:34:54,880
Speaker 11: like you can't get the cheek coals or whatever. It

755
00:34:54,960 --> 00:34:56,520
Speaker 11: has to be the Bird's eye crinkle.

756
00:34:56,760 --> 00:34:56,880
Speaker 18: Oh.

757
00:34:56,920 --> 00:34:59,239
Speaker 1: I love those things, the crinkle one, the creakle ones, Yeah,

758
00:34:59,239 --> 00:35:01,640
Speaker 1: they're really good. And those beer about ones. But if

759
00:35:01,640 --> 00:35:03,239
Speaker 1: you notice Ladies of the Bee about the chips you

760
00:35:03,360 --> 00:35:05,719
Speaker 1: buy in the freezer aisle section.

761
00:35:05,680 --> 00:35:07,400
Speaker 2: Brendan, you're missing the point of this story.

762
00:35:07,560 --> 00:35:09,360
Speaker 1: No, not at all. I think this is this is

763
00:35:09,400 --> 00:35:13,440
Speaker 1: what our listeners want to know. They've reduced the size

764
00:35:13,480 --> 00:35:15,600
Speaker 1: of the package so you don't get You only get

765
00:35:15,640 --> 00:35:17,680
Speaker 1: seven hundred and fifty grams of chips, not the big

766
00:35:17,760 --> 00:35:18,800
Speaker 1: kilo bag anymore.

767
00:35:18,920 --> 00:35:21,480
Speaker 2: Let's drill down, notice, Susan, of how this impacts you.

768
00:35:22,280 --> 00:35:25,000
Speaker 11: I have to crack two meals and the smell of steak.

769
00:35:25,360 --> 00:35:29,600
Speaker 11: Oh yeah, I have. I can eat anything, I can cook,

770
00:35:29,680 --> 00:35:32,680
Speaker 11: stir fry anything from me yep, But yeah, it has

771
00:35:32,760 --> 00:35:33,600
Speaker 11: to be the steak.

772
00:35:34,320 --> 00:35:37,560
Speaker 1: So if you crack open the legos, he doesn't want anything.

773
00:35:37,280 --> 00:35:42,840
Speaker 11: Of it, maybe, but still says, prefer my steak.

774
00:35:43,120 --> 00:35:45,320
Speaker 2: And so if you get invited to other people's houses,

775
00:35:45,360 --> 00:35:47,240
Speaker 2: does he not enjoy the meal.

776
00:35:49,680 --> 00:35:51,360
Speaker 11: And gets time to go food steak?

777
00:35:51,719 --> 00:35:55,759
Speaker 1: Oh wow, that's a good impersonation of him as well,

778
00:35:56,920 --> 00:36:03,360
Speaker 1: is how he sounds. But thirty five years, been married

779
00:36:03,360 --> 00:36:05,160
Speaker 1: for that long, obviously doing something right.

780
00:36:06,480 --> 00:36:09,160
Speaker 2: I don't know. Linda's with us, Hello Linda.

781
00:36:09,320 --> 00:36:13,920
Speaker 1: Maybe Susan's easily pleased. Hello Linda, good morning, How are

782
00:36:14,000 --> 00:36:14,759
Speaker 1: you very well?

783
00:36:15,239 --> 00:36:17,080
Speaker 2: Is this you who's the food monogamist?

784
00:36:18,160 --> 00:36:20,080
Speaker 21: No, it's my partner of eleven years.

785
00:36:20,239 --> 00:36:20,439
Speaker 22: Yeah.

786
00:36:21,640 --> 00:36:24,719
Speaker 21: Every morning for breakfast, seven days a week, he has

787
00:36:25,360 --> 00:36:30,320
Speaker 21: usually with milk. He has six wider weeks with veggiemite

788
00:36:30,400 --> 00:36:31,560
Speaker 21: and butter for morning tea.

789
00:36:31,800 --> 00:36:32,000
Speaker 1: Yep.

790
00:36:32,320 --> 00:36:35,600
Speaker 21: And he's a shift worker, so on the days that

791
00:36:35,760 --> 00:36:39,080
Speaker 21: he works and sometimes on the days off for lunch,

792
00:36:39,160 --> 00:36:45,120
Speaker 21: he has whole grain bread with a tin tuner, green sprout, carrot,

793
00:36:45,680 --> 00:36:48,200
Speaker 21: celery and apple orange and a banana.

794
00:36:49,680 --> 00:36:51,000
Speaker 1: Healthy does a healthy guy?

795
00:36:53,239 --> 00:36:55,960
Speaker 21: Yeah, he used to do triathlons, but he doesn't anymore.

796
00:36:56,160 --> 00:36:58,000
Speaker 1: Right, But he's not a big fat guy, is he.

797
00:36:59,160 --> 00:36:59,640
Speaker 11: No, he's not.

798
00:37:00,239 --> 00:37:04,320
Speaker 2: Six vita weeks with vegemite yum, good.

799
00:37:04,239 --> 00:37:07,480
Speaker 1: Trim vita weet Chris bread. All the family eats so tasty,

800
00:37:07,600 --> 00:37:09,479
Speaker 1: something crispin crunchy. Here's a treat.

801
00:37:09,719 --> 00:37:13,760
Speaker 2: Everyone loves them. You can say that again, everyone loves Okay,

802
00:37:14,080 --> 00:37:17,839
Speaker 2: it's an excuse for you to trot out your purerole memory.

803
00:37:19,520 --> 00:37:26,480
Speaker 1: Jingle. Don't get me started on solada. Thank you, thank

804
00:37:26,560 --> 00:37:28,480
Speaker 1: you for all your cause I was just the solada.

805
00:37:28,840 --> 00:37:30,799
Speaker 2: In the morning slader supper time.

806
00:37:30,920 --> 00:37:33,800
Speaker 1: It's a lader in the morning celadder in the evening selader.

807
00:37:33,840 --> 00:37:35,840
Speaker 1: At supper time. You can have a solada.

808
00:37:35,920 --> 00:37:37,440
Speaker 2: You can enjoy solada just.

809
00:37:37,520 --> 00:37:40,439
Speaker 1: About any time, just about. So when is the time

810
00:37:40,560 --> 00:37:43,960
Speaker 1: period where you can't have a salada? When is that period?

811
00:37:44,280 --> 00:37:45,719
Speaker 2: Maybe you should have gone into the law.

812
00:37:47,560 --> 00:37:47,759
Speaker 25: Look.

813
00:37:47,760 --> 00:37:49,839
Speaker 2: Coming up on the pup test, we're going to talk

814
00:37:49,880 --> 00:37:51,960
Speaker 2: about Bryce and Melissa from maths.

815
00:37:52,120 --> 00:37:55,640
Speaker 1: Oh wow, so much good discuss Ladas morisaid joining us

816
00:37:55,680 --> 00:37:59,640
Speaker 1: as well. Let's get on down to the Jonesy demand

817
00:37:59,680 --> 00:38:02,640
Speaker 1: of arms the pod test this morning. Married at First

818
00:38:02,680 --> 00:38:05,120
Speaker 1: Site last night, I thought, being on holidays for two weeks,

819
00:38:05,120 --> 00:38:07,160
Speaker 1: I wouldn't watch it. But it's the show that brings

820
00:38:07,239 --> 00:38:08,640
Speaker 1: our whole family together.

821
00:38:08,840 --> 00:38:10,480
Speaker 3: We've come a long way from the old days were

822
00:38:10,480 --> 00:38:12,319
Speaker 3: you'd stand around the pianola and.

823
00:38:12,800 --> 00:38:15,600
Speaker 2: Roll out the barrel or pick a box.

824
00:38:16,520 --> 00:38:20,120
Speaker 1: I married at First Sight, but wrapped up last night.

825
00:38:20,200 --> 00:38:22,880
Speaker 1: I wrapped up last night. They had the reunion, So

826
00:38:23,040 --> 00:38:25,080
Speaker 1: this is why they all go back together, and then

827
00:38:25,120 --> 00:38:27,279
Speaker 1: they have to watch what they've said about each other

828
00:38:28,520 --> 00:38:30,279
Speaker 1: in high definition television.

829
00:38:30,560 --> 00:38:35,120
Speaker 3: You know, Married at First Sights, Bryce and Melissa. We've

830
00:38:35,160 --> 00:38:39,320
Speaker 3: said we've worked here with Bryce. He's baddie of the season.

831
00:38:39,800 --> 00:38:43,560
Speaker 3: People like Melissa, but say why she giving herself over

832
00:38:43,640 --> 00:38:44,960
Speaker 3: to this toxic relationship?

833
00:38:45,280 --> 00:38:47,960
Speaker 2: People have really been upset. I saw that.

834
00:38:48,040 --> 00:38:50,799
Speaker 3: Georgia Love tweeted, I really feel for young women watching

835
00:38:50,840 --> 00:38:51,480
Speaker 3: maths this year.

836
00:38:51,640 --> 00:38:52,840
Speaker 2: Please no, it's not okay.

837
00:38:53,040 --> 00:38:54,680
Speaker 3: You don't need to stand by a man who only

838
00:38:54,719 --> 00:38:57,200
Speaker 3: makes you happy behind closed doors. You don't need to

839
00:38:57,200 --> 00:39:00,359
Speaker 3: stand by a man who embarrasses, upsets and abandons you ever,

840
00:39:00,800 --> 00:39:03,960
Speaker 3: not even once. And people here are saying it's unsettling,

841
00:39:04,120 --> 00:39:07,040
Speaker 3: it's triggering, it's watching red flag after red flag of

842
00:39:07,040 --> 00:39:10,439
Speaker 3: an abusive relationship. The toxicity is off the charts, et cetera,

843
00:39:10,480 --> 00:39:12,000
Speaker 3: et cetera, asking for Channel and I to have a

844
00:39:12,080 --> 00:39:14,480
Speaker 3: duty of care with what we're seeing. When they came

845
00:39:14,520 --> 00:39:16,760
Speaker 3: in here to talk to us, they said, no, we're happy,

846
00:39:16,840 --> 00:39:20,479
Speaker 3: we're in love. We're separate to all this toxic talk.

847
00:39:21,280 --> 00:39:25,040
Speaker 3: But from as a viewer, it looks toxic.

848
00:39:25,200 --> 00:39:27,080
Speaker 1: Of course it does a TV show. If it didn't

849
00:39:27,120 --> 00:39:29,680
Speaker 1: look toxic, you wouldn't be watching it. But it's all nice.

850
00:39:29,760 --> 00:39:32,000
Speaker 1: When we're married at first sight, first started, and they're

851
00:39:32,000 --> 00:39:34,200
Speaker 1: all very nice to each other. It didn't really rate

852
00:39:34,320 --> 00:39:34,640
Speaker 1: that well.

853
00:39:34,719 --> 00:39:35,319
Speaker 2: Well, that's true.

854
00:39:35,360 --> 00:39:37,960
Speaker 3: People are enjoying the drama, but there's a difference between

855
00:39:38,160 --> 00:39:43,000
Speaker 3: drama and what people are seeing as an abusive relationship.

856
00:39:43,120 --> 00:39:46,000
Speaker 1: Well, it's a fine, psychologically abusive. If this was a

857
00:39:46,200 --> 00:39:49,000
Speaker 1: TV show, say like Home and Away or Neighbors or

858
00:39:49,040 --> 00:39:51,880
Speaker 1: something like that, you would be watching it. But you

859
00:39:52,000 --> 00:39:55,080
Speaker 1: know that it's not reality. This is reality, but it's

860
00:39:55,120 --> 00:39:57,640
Speaker 1: not really reality. It's not real life.

861
00:39:58,080 --> 00:39:59,040
Speaker 2: But it's their lives.

862
00:39:59,440 --> 00:40:03,120
Speaker 1: And i've are you being manipulate? You're being manipulated by

863
00:40:03,520 --> 00:40:06,280
Speaker 1: as they are being manipulated because all they want is fame.

864
00:40:06,640 --> 00:40:09,000
Speaker 1: And Bryce is treating it as a game show, like

865
00:40:09,080 --> 00:40:11,359
Speaker 1: a competition it is to twin. He treats it as

866
00:40:11,400 --> 00:40:13,879
Speaker 1: a survivor. He even said, and we said that to him.

867
00:40:14,040 --> 00:40:15,920
Speaker 1: He even said, I wasn't I didn't come here to

868
00:40:16,000 --> 00:40:18,200
Speaker 1: win friends. That's what they say on Survivor. Then they're

869
00:40:18,200 --> 00:40:19,719
Speaker 1: going to go and stand on a coca ut for

870
00:40:19,760 --> 00:40:20,120
Speaker 1: an hour.

871
00:40:20,480 --> 00:40:20,680
Speaker 2: Yeah.

872
00:40:20,800 --> 00:40:24,120
Speaker 3: But in the meantime, there's Melissa and people are women

873
00:40:24,200 --> 00:40:26,200
Speaker 3: are seeing this relationship and I know a lot of it.

874
00:40:26,239 --> 00:40:27,000
Speaker 1: I haven't watched it.

875
00:40:27,000 --> 00:40:28,400
Speaker 3: I'm hearing this from you and what I read on

876
00:40:28,480 --> 00:40:32,279
Speaker 3: social media. Some women are saying this is very uncomfortable

877
00:40:32,320 --> 00:40:36,520
Speaker 3: to watch. How many times does she let him embarrass her,

878
00:40:38,320 --> 00:40:42,040
Speaker 3: mock her, not support her, make comments about her appearance

879
00:40:42,480 --> 00:40:45,320
Speaker 3: and She still says, I'm hurt, but that's okay.

880
00:40:45,520 --> 00:40:48,440
Speaker 1: Some of his greatest hits were I'll be complete honest,

881
00:40:48,800 --> 00:40:51,839
Speaker 1: not my type, but she's not ugly. There was also

882
00:40:51,960 --> 00:40:55,040
Speaker 1: the time that he kissed Rebecca. Rebecca's the one that

883
00:40:55,239 --> 00:40:58,040
Speaker 1: was with Jake. She hasn't had any relationship with Jake

884
00:40:58,280 --> 00:41:01,560
Speaker 1: whatsoever throughout the whole show. But then Bryce took it

885
00:41:01,640 --> 00:41:04,680
Speaker 1: upon himself to deem her queen of the experiment.

886
00:41:04,719 --> 00:41:06,359
Speaker 2: He kissed it quite aggressively on the cheek.

887
00:41:06,400 --> 00:41:09,960
Speaker 1: Do you hey, oh cran, you the king of the experiment?

888
00:41:12,719 --> 00:41:14,400
Speaker 5: Why you're the king of the experiment.

889
00:41:16,520 --> 00:41:18,919
Speaker 1: And you are the queen? You know what, You're the queen?

890
00:41:21,800 --> 00:41:21,960
Speaker 7: Yeah?

891
00:41:22,600 --> 00:41:23,480
Speaker 2: That disgusting.

892
00:41:24,480 --> 00:41:25,200
Speaker 1: How do you do that?

893
00:41:25,360 --> 00:41:25,520
Speaker 5: Mate?

894
00:41:25,880 --> 00:41:27,239
Speaker 1: To my wife that doesn't like me.

895
00:41:28,440 --> 00:41:30,440
Speaker 5: I wanted to give her a kiss to say sorry.

896
00:41:30,719 --> 00:41:33,799
Speaker 3: Apparently they shut down production after that. There was such

897
00:41:33,800 --> 00:41:36,760
Speaker 3: an uproar on the set at that moment, so Bryce's

898
00:41:36,840 --> 00:41:37,960
Speaker 3: upset everybody.

899
00:41:37,640 --> 00:41:40,280
Speaker 1: Well, it was extraordinary. Last night. They ended up playing

900
00:41:40,280 --> 00:41:43,479
Speaker 1: a piece of Bryce's mates saying that he indeed bought

901
00:41:43,800 --> 00:41:47,000
Speaker 1: a gift for his secret girlfriend on the outside.

902
00:41:46,560 --> 00:41:50,360
Speaker 2: And Rebecca stills and Melissa still says, you know what, that's.

903
00:41:50,200 --> 00:41:52,959
Speaker 5: Okay, well, and then Bryce said, this last two months

904
00:41:53,000 --> 00:41:56,120
Speaker 5: for us has been unreal. I'm in love with Mussa

905
00:41:56,560 --> 00:42:02,680
Speaker 5: and honestly it's growing day by day. Listens nothing short

906
00:42:02,719 --> 00:42:04,960
Speaker 5: of perfect. We've moved in together. I've made the move

907
00:42:05,040 --> 00:42:08,279
Speaker 5: down to Melbourne for me obviously, to move on from

908
00:42:08,320 --> 00:42:10,640
Speaker 5: my job. I thought, you know what, for once, I'm

909
00:42:10,680 --> 00:42:12,040
Speaker 5: going to put someone else first in my life.

910
00:42:12,719 --> 00:42:14,279
Speaker 2: It doesn't look like that in the show.

911
00:42:14,520 --> 00:42:16,720
Speaker 1: Of course, it doesn't look like that in the show.

912
00:42:17,160 --> 00:42:20,319
Speaker 1: But having been on a few reality shows myself, I.

913
00:42:20,520 --> 00:42:22,840
Speaker 2: Know how they edit these that all we can do

914
00:42:23,040 --> 00:42:24,439
Speaker 2: is judge what we see.

915
00:42:24,560 --> 00:42:26,840
Speaker 1: Well, what do you think do you think Bryce and Melissa?

916
00:42:26,920 --> 00:42:28,040
Speaker 1: Do they pass the pub test?

917
00:42:28,080 --> 00:42:28,640
Speaker 2: What do you reckon?

918
00:42:28,760 --> 00:42:31,200
Speaker 1: Are we going to see love and marriage and baby carriage?

919
00:42:31,400 --> 00:42:31,640
Speaker 19: Well?

920
00:42:32,480 --> 00:42:36,520
Speaker 3: Maybe, how do you see this going? Bryce and Melissa?

921
00:42:36,600 --> 00:42:37,680
Speaker 3: Do they pass the pub test?

922
00:42:40,640 --> 00:42:43,439
Speaker 24: Jonesy and Amanda in the Morning one on one point

923
00:42:43,520 --> 00:42:46,920
Speaker 24: seven WSFM, it's ten ways.

924
00:42:46,960 --> 00:42:51,600
Speaker 3: Well exciting Master Chef kicks off tonight and well we

925
00:42:51,719 --> 00:42:55,879
Speaker 3: must say the spunky guests, the spunky, our spunky next guest.

926
00:42:55,960 --> 00:42:57,279
Speaker 2: You know, I get a bit flustery when we talk

927
00:42:57,280 --> 00:42:57,800
Speaker 2: to Shock.

928
00:42:57,880 --> 00:42:58,480
Speaker 1: Is a kilt thing.

929
00:42:58,640 --> 00:42:59,680
Speaker 2: It is a killed thing.

930
00:43:00,120 --> 00:43:04,680
Speaker 3: It's the chef's restaurant to Kilting, that gorgeous accent, fabulous cook.

931
00:43:04,719 --> 00:43:07,480
Speaker 2: What's not to love? Jock is on Fillow, Hello.

932
00:43:08,480 --> 00:43:10,719
Speaker 12: Good morning, what a lovely introduction.

933
00:43:10,920 --> 00:43:12,480
Speaker 3: Well, you know, last time you're on the show, we

934
00:43:12,560 --> 00:43:14,319
Speaker 3: were talking about a dream I'd had where we were

935
00:43:14,480 --> 00:43:16,880
Speaker 3: just friends to try and convince Jones it was just

936
00:43:16,920 --> 00:43:18,040
Speaker 3: a friendship dream.

937
00:43:18,520 --> 00:43:20,600
Speaker 2: But I did get a little bit flustered just then.

938
00:43:20,960 --> 00:43:22,480
Speaker 1: I have friendship dreams all the time.

939
00:43:22,680 --> 00:43:25,040
Speaker 2: Pamela Anderson, Yeah, and Jennifer.

940
00:43:24,719 --> 00:43:25,480
Speaker 1: Hawkins who.

941
00:43:27,080 --> 00:43:27,759
Speaker 12: Breakfast Radio?

942
00:43:28,200 --> 00:43:31,239
Speaker 1: No, I think you want this information job? Some guys

943
00:43:31,239 --> 00:43:32,839
Speaker 1: sitting and shut up? Let him talk?

944
00:43:35,360 --> 00:43:38,680
Speaker 3: Well, Jock, looking forward to seeing it again tonight. How

945
00:43:38,719 --> 00:43:40,600
Speaker 3: do you have to go into training for it? Because

946
00:43:40,640 --> 00:43:43,399
Speaker 3: you have to eat a lot of food when you're

947
00:43:43,440 --> 00:43:46,080
Speaker 3: filming this show? Do you eat nothing but a jam

948
00:43:46,200 --> 00:43:47,480
Speaker 3: sandwich for weeks leading up?

949
00:43:48,600 --> 00:43:54,400
Speaker 12: So this is very topical because there is this weird

950
00:43:54,680 --> 00:43:59,040
Speaker 12: thing with my body, which either I've got hollow legs

951
00:43:59,120 --> 00:44:01,160
Speaker 12: or a couple of teeth. I'm not sure which. But

952
00:44:01,280 --> 00:44:06,279
Speaker 12: I can eat and keep eating and there's no end,

953
00:44:06,640 --> 00:44:09,719
Speaker 12: like I don't get I don't feel full. So we'll

954
00:44:09,760 --> 00:44:11,640
Speaker 12: do a testing at twenty four dishes and then I'll

955
00:44:11,640 --> 00:44:15,239
Speaker 12: have a full lunch afterwards or before. It doesn't make

956
00:44:15,280 --> 00:44:17,719
Speaker 12: any difference to me and the mail struggle a little bit.

957
00:44:17,880 --> 00:44:21,320
Speaker 12: With so much food, I just smash it. I love it.

958
00:44:21,560 --> 00:44:22,080
Speaker 11: I love it.

959
00:44:22,640 --> 00:44:23,719
Speaker 2: Do you ever put on weight?

960
00:44:24,840 --> 00:44:26,520
Speaker 12: Never exercise either?

961
00:44:27,960 --> 00:44:29,880
Speaker 1: So here you are saying that Andy pecks on the

962
00:44:29,960 --> 00:44:31,239
Speaker 1: pecks on the.

963
00:44:33,520 --> 00:44:35,680
Speaker 12: I think, look eating the amount of food that we

964
00:44:35,920 --> 00:44:41,120
Speaker 12: eat in testings, it's hard probably for a normal person

965
00:44:41,280 --> 00:44:45,120
Speaker 12: not to put a weight, I'll say that, but for me, weirdly,

966
00:44:45,239 --> 00:44:47,040
Speaker 12: I don't know what's going on, but I just I

967
00:44:47,080 --> 00:44:49,520
Speaker 12: don't know where it was. I don't put I struggle

968
00:44:49,600 --> 00:44:50,200
Speaker 12: to keep the weight on.

969
00:44:51,239 --> 00:44:53,640
Speaker 3: I reckon if you at your restaurant maybe had a

970
00:44:53,719 --> 00:44:57,360
Speaker 3: side serving of tapeworm for people, they take it so

971
00:44:57,400 --> 00:44:59,359
Speaker 3: we can eat all the delicious food and not worry

972
00:44:59,400 --> 00:44:59,719
Speaker 3: about it.

973
00:45:01,840 --> 00:45:04,040
Speaker 12: I don't know. Like we had lunch lunch with Melan

974
00:45:04,080 --> 00:45:08,239
Speaker 12: Andy yesterday and I ordered, you know, usual, like I

975
00:45:08,280 --> 00:45:10,759
Speaker 12: had a couple of snags and had a dish and

976
00:45:11,080 --> 00:45:14,799
Speaker 12: ordered fish and chips as like a side portion, slight

977
00:45:14,880 --> 00:45:17,800
Speaker 12: hustle of fish and chick and he's just looking at me,

978
00:45:17,840 --> 00:45:19,759
Speaker 12: and he goes it's just because it doesn't get old.

979
00:45:20,239 --> 00:45:22,520
Speaker 12: He goes, There's been years I've been watching you eat

980
00:45:22,680 --> 00:45:24,560
Speaker 12: and it's still defied belief.

981
00:45:25,800 --> 00:45:28,279
Speaker 1: Who has a side serving of fish and chips? Once

982
00:45:28,320 --> 00:45:30,399
Speaker 1: you eat fish and chips, just go oh man, that's

983
00:45:30,440 --> 00:45:31,840
Speaker 1: just too I never need to eat.

984
00:45:31,719 --> 00:45:34,799
Speaker 12: Again a great side hustle fish and chips.

985
00:45:34,960 --> 00:45:35,759
Speaker 19: Believe they try it.

986
00:45:35,960 --> 00:45:38,280
Speaker 1: Although you do come from the land of Hagis.

987
00:45:38,200 --> 00:45:41,440
Speaker 12: So I do. I do come from the Landis And

988
00:45:41,719 --> 00:45:44,120
Speaker 12: there's not a lot out over here in Australia, I've

989
00:45:44,120 --> 00:45:47,680
Speaker 12: got to say it. But the food here it's fantastic,

990
00:45:47,920 --> 00:45:49,799
Speaker 12: much like the guys on the show tonight. We've got

991
00:45:49,840 --> 00:45:53,160
Speaker 12: twenty four kid tests on the way into the Master

992
00:45:53,280 --> 00:45:57,680
Speaker 12: Chef kitchen tonight and the food is absolutely stunning. Some

993
00:45:57,840 --> 00:46:00,719
Speaker 12: of the dishes are truly well.

994
00:46:00,760 --> 00:46:02,640
Speaker 1: We look forward to seeing you then, and of course

995
00:46:02,680 --> 00:46:04,759
Speaker 1: you'll be in many of Amanda's friendship dreams. You want

996
00:46:04,760 --> 00:46:08,360
Speaker 1: to hear details about my Pamela Anderson Jennifer Hawkin's dream.

997
00:46:09,120 --> 00:46:11,000
Speaker 12: As long as she doesn't scream much to set off

998
00:46:11,080 --> 00:46:13,319
Speaker 12: the floor and serve to me it is.

999
00:46:13,440 --> 00:46:14,480
Speaker 2: It would be my pleasure.

1000
00:46:14,560 --> 00:46:17,319
Speaker 1: Always a treat to catch up Jock. You'll see Master Chef.

1001
00:46:17,480 --> 00:46:19,680
Speaker 1: It's back on the Telly tonight seven thirty on Channel ten.

1002
00:46:19,760 --> 00:46:21,760
Speaker 1: Thanks Jock than you guys.

1003
00:46:21,719 --> 00:46:22,400
Speaker 2: Nice to talk to you.

1004
00:46:24,520 --> 00:46:34,120
Speaker 15: Podcast right now, go to your windows, stick your head

1005
00:46:34,160 --> 00:46:35,000
Speaker 15: on a jel.

1006
00:46:38,920 --> 00:46:40,840
Speaker 1: Let's get down to the Jonesy demand of arms for

1007
00:46:40,840 --> 00:46:44,480
Speaker 1: a yard glass of opinion. Married a first sight, Bryce

1008
00:46:44,560 --> 00:46:46,680
Speaker 1: and Melissa. Do they pass the pub test?

1009
00:46:47,520 --> 00:46:50,080
Speaker 2: Yes, there's been a lot of controversy with this couple.

1010
00:46:50,680 --> 00:46:53,560
Speaker 3: I saw that Georgia Love tweeted I truly feel fear

1011
00:46:53,600 --> 00:46:55,200
Speaker 3: for young women watching maths this year.

1012
00:46:55,640 --> 00:46:56,880
Speaker 2: Please know this is not okay.

1013
00:46:57,040 --> 00:46:58,839
Speaker 3: You don't need to stand by a man who only

1014
00:46:58,880 --> 00:47:01,520
Speaker 3: makes you happy behind closed doors. You don't need to

1015
00:47:01,560 --> 00:47:03,960
Speaker 3: stand by a man who embarrasses, upsets and abandons you.

1016
00:47:04,160 --> 00:47:04,319
Speaker 1: Ever.

1017
00:47:04,800 --> 00:47:08,040
Speaker 3: Lots of people saying that he's gaslighting her, that it's

1018
00:47:08,120 --> 00:47:11,200
Speaker 3: been very unsettling, red flag after red flag, that should

1019
00:47:11,239 --> 00:47:14,520
Speaker 3: have worried Melissa, and that she still decided to stay

1020
00:47:14,560 --> 00:47:17,719
Speaker 3: by his side, saying that this is the toxicity of

1021
00:47:17,800 --> 00:47:19,360
Speaker 3: this is off the charts, but it is.

1022
00:47:19,440 --> 00:47:22,800
Speaker 1: Reality TV, and the narrative is changed by the people

1023
00:47:22,880 --> 00:47:24,800
Speaker 1: that do the editing. And if you're in a classic

1024
00:47:24,880 --> 00:47:28,000
Speaker 1: case an example, have a look at Harry met Sally

1025
00:47:28,440 --> 00:47:32,280
Speaker 1: the horror movie trailer version on YouTube. You are Harry

1026
00:47:32,320 --> 00:47:35,440
Speaker 1: met Sally. You wouldn't think that in any way is

1027
00:47:35,719 --> 00:47:39,440
Speaker 1: a menacing, violent movie, would you. But the way they

1028
00:47:39,560 --> 00:47:42,239
Speaker 1: do the editing and the music in this particular one

1029
00:47:42,320 --> 00:47:44,080
Speaker 1: on YouTube, it's extraordinary.

1030
00:47:44,200 --> 00:47:46,320
Speaker 2: But whether or not this is real or whether it

1031
00:47:46,360 --> 00:47:49,320
Speaker 2: has been populated real, yes, but this is what we're seeing.

1032
00:47:49,960 --> 00:47:53,320
Speaker 2: This is a relationship we are seeing on nightly television

1033
00:47:53,640 --> 00:47:55,759
Speaker 2: as reality, and a lot of people are seeing it

1034
00:47:55,840 --> 00:47:58,000
Speaker 2: as reality. So that's what you judge it on.

1035
00:47:58,480 --> 00:48:01,080
Speaker 1: So when people are buying into exactly what the people

1036
00:48:01,160 --> 00:48:03,399
Speaker 1: that make merrit at first sight want you to buy into,

1037
00:48:03,640 --> 00:48:06,560
Speaker 1: in the fact that you care and watch the show. Yeah,

1038
00:48:06,760 --> 00:48:11,399
Speaker 1: here's the show that our whole family watches together. That's

1039
00:48:11,480 --> 00:48:12,000
Speaker 1: the point of it.

1040
00:48:12,040 --> 00:48:16,120
Speaker 3: But as relationships go, this doesn't kick many goals. So

1041
00:48:16,440 --> 00:48:18,799
Speaker 3: what do you think Bryce and Melissa? Do they pass

1042
00:48:18,840 --> 00:48:19,399
Speaker 3: the pub test?

1043
00:48:19,760 --> 00:48:22,480
Speaker 7: Yes, they do pass the pup test. I went down

1044
00:48:22,560 --> 00:48:25,920
Speaker 7: to Melbourne to see South Sydney play The Melbourne Storm

1045
00:48:26,000 --> 00:48:29,359
Speaker 7: and Bryce was actually standing behind me and I said

1046
00:48:29,440 --> 00:48:31,640
Speaker 7: that I'll paint you very well, and he said they're

1047
00:48:31,760 --> 00:48:34,840
Speaker 7: very good at editing what they do and making words

1048
00:48:34,920 --> 00:48:37,680
Speaker 7: in my mouth that aren't really there. He was actually

1049
00:48:37,760 --> 00:48:38,960
Speaker 7: a really nice guy.

1050
00:48:39,400 --> 00:48:42,279
Speaker 22: No, I feel sick watching it, and they both need

1051
00:48:42,360 --> 00:48:43,479
Speaker 22: psychological help.

1052
00:48:43,840 --> 00:48:45,239
Speaker 21: Look, I think they do.

1053
00:48:45,840 --> 00:48:48,280
Speaker 7: I sort of feel a bit a little bit sorry

1054
00:48:48,360 --> 00:48:51,320
Speaker 7: for Bryce. He's a bit of a dope and he said.

1055
00:48:51,160 --> 00:48:54,520
Speaker 25: Some really stupid things. But my biggest.

1056
00:48:54,239 --> 00:48:56,720
Speaker 7: Scribe is with the rest of them that just wouldn't

1057
00:48:56,800 --> 00:49:00,319
Speaker 7: leave him alone. Definitely go past the pub test they're

1058
00:49:00,360 --> 00:49:01,600
Speaker 7: stating in it, because.

1059
00:49:01,840 --> 00:49:04,560
Speaker 21: Can community Pila and isolate Molisath.

1060
00:49:04,719 --> 00:49:07,480
Speaker 14: No, they don't, because whether it's that couple or any

1061
00:49:07,520 --> 00:49:09,560
Speaker 14: other couple on that show, and what they say is

1062
00:49:09,680 --> 00:49:11,880
Speaker 14: edited or not, they still say those words. They are

1063
00:49:11,960 --> 00:49:14,920
Speaker 14: not teaching or give you a good example to younger

1064
00:49:15,000 --> 00:49:15,600
Speaker 14: generations that.

1065
00:49:15,719 --> 00:49:16,720
Speaker 11: Watch this rubbish.

1066
00:49:16,880 --> 00:49:19,240
Speaker 14: And there's such a cultural domestic violence in this country.

1067
00:49:19,640 --> 00:49:22,000
Speaker 14: Young women watching this show are not being given a

1068
00:49:22,080 --> 00:49:24,120
Speaker 14: good example of how they need to be treated.

1069
00:49:25,000 --> 00:49:25,960
Speaker 2: It's interesting.

1070
00:49:26,200 --> 00:49:28,719
Speaker 1: That is a good point, right there. I guess who's

1071
00:49:28,760 --> 00:49:29,160
Speaker 1: coming out.

1072
00:49:29,400 --> 00:49:32,440
Speaker 2: It's Elanus Morriss. You know, no secrets for me?

1073
00:49:32,920 --> 00:49:36,759
Speaker 1: Right Well, here's one we made earlier. Alana's made earlier.

1074
00:49:37,040 --> 00:49:42,560
Speaker 24: Jam Jonesy and Amanda in the morning one oh one

1075
00:49:42,640 --> 00:49:44,560
Speaker 24: point seven WSFN.

1076
00:49:44,760 --> 00:49:46,759
Speaker 1: It's nice to be back. Seventeen past eight.

1077
00:49:48,440 --> 00:49:51,399
Speaker 3: Well, our Next Guest has won seven Grammys, released nine

1078
00:49:51,480 --> 00:49:54,880
Speaker 3: studio albums, and last year celebrated the twenty fifth anniversary

1079
00:49:55,200 --> 00:49:58,839
Speaker 3: of her breakthrough album, Jagged Little Pill. That album led

1080
00:49:58,880 --> 00:50:01,840
Speaker 3: to her becoming the young youngest artist to achieve Diamond

1081
00:50:01,960 --> 00:50:05,080
Speaker 3: certified status in the US, and that same album is

1082
00:50:05,160 --> 00:50:09,239
Speaker 3: now a stage musical coming to Australia to tell us

1083
00:50:09,320 --> 00:50:09,880
Speaker 3: more about it.

1084
00:50:10,000 --> 00:50:12,959
Speaker 2: How thrilled we are to welcome the incredible Alanis Morris

1085
00:50:13,000 --> 00:50:15,600
Speaker 2: said hello, Hello.

1086
00:50:16,120 --> 00:50:17,640
Speaker 1: I'd just like to say this to you because in

1087
00:50:17,719 --> 00:50:21,799
Speaker 1: Australia we say when we pronounce your name, we say Alanis.

1088
00:50:22,040 --> 00:50:25,960
Speaker 1: But we've always had this argument because in Canada you're

1089
00:50:26,120 --> 00:50:26,920
Speaker 1: you're an Alanis.

1090
00:50:27,880 --> 00:50:31,080
Speaker 16: Yeah, you know what, masda marsda pasta pasta?

1091
00:50:31,280 --> 00:50:33,080
Speaker 1: Which one would you prefer because we don't want to

1092
00:50:33,719 --> 00:50:34,680
Speaker 1: upset you or you.

1093
00:50:34,719 --> 00:50:38,319
Speaker 16: Know, yes, it would be really upset.

1094
00:50:39,600 --> 00:50:39,920
Speaker 2: Madam.

1095
00:50:40,160 --> 00:50:42,600
Speaker 16: I know you think I have an accent, but your

1096
00:50:42,640 --> 00:50:44,360
Speaker 16: accent is breathtaking so you can see it.

1097
00:50:44,440 --> 00:50:46,759
Speaker 1: However, again, well, I'm just going to say Alanis, all right,

1098
00:50:46,840 --> 00:50:48,319
Speaker 1: That's what I'm going to say. That I've been back

1099
00:50:48,320 --> 00:50:51,600
Speaker 1: announcing your song since since you came to be. I've

1100
00:50:51,600 --> 00:50:54,200
Speaker 1: been in this business, let's not change it now.

1101
00:50:54,680 --> 00:50:58,080
Speaker 3: It's extraordinary that he you are writing a musical about

1102
00:50:58,080 --> 00:51:01,040
Speaker 3: an album that you wrote when you were in your

1103
00:51:01,120 --> 00:51:02,720
Speaker 3: ninety when you were nineteen or twenty.

1104
00:51:02,800 --> 00:51:04,680
Speaker 2: How is it being collaborating with yourself?

1105
00:51:06,440 --> 00:51:07,840
Speaker 16: Well, you know, she's really great.

1106
00:51:10,719 --> 00:51:11,040
Speaker 11: No. I.

1107
00:51:11,560 --> 00:51:15,320
Speaker 16: First of all, I've always said collaboration is the highest

1108
00:51:15,400 --> 00:51:19,000
Speaker 16: form of you know, synergistic art for me, because certainly

1109
00:51:19,040 --> 00:51:21,719
Speaker 16: I can write alone and I love doing it, but

1110
00:51:21,880 --> 00:51:25,200
Speaker 16: there is nothing that can compare to having you know,

1111
00:51:25,239 --> 00:51:27,840
Speaker 16: I couldn't swing a dirty sock without hitting a master

1112
00:51:28,000 --> 00:51:29,840
Speaker 16: in the room, you know. So whether it was Diane

1113
00:51:29,880 --> 00:51:33,040
Speaker 16: Paulus directing, or Diablo Coda writing the.

1114
00:51:33,080 --> 00:51:36,640
Speaker 8: Book, Tom Kid doing the music, Larvie doing the choreography,

1115
00:51:37,120 --> 00:51:39,239
Speaker 8: you know, it was just a dream come true in

1116
00:51:39,400 --> 00:51:42,560
Speaker 8: terms of all of us sort of moving together and

1117
00:51:42,880 --> 00:51:44,879
Speaker 8: some of us would step forward and kick into high

1118
00:51:44,880 --> 00:51:48,680
Speaker 8: gear and then lean back, and it was the exact, beautiful,

1119
00:51:48,840 --> 00:51:50,520
Speaker 8: perfect example of collaboration.

1120
00:51:50,840 --> 00:51:53,320
Speaker 1: I was always imagine you collaborating with yourself. It's like

1121
00:51:53,400 --> 00:51:55,359
Speaker 1: the film clip for Ironic when you're in that cow

1122
00:51:55,880 --> 00:51:58,000
Speaker 1: and it's just this about you.

1123
00:51:58,400 --> 00:52:01,279
Speaker 16: Every day, just talking to these different hearts, the ambivalence.

1124
00:52:01,320 --> 00:52:04,279
Speaker 16: You know, there were such multitudinous humans that, you know,

1125
00:52:04,360 --> 00:52:06,640
Speaker 16: whenever I ask my kids, how are you feeling, They'll

1126
00:52:06,680 --> 00:52:08,360
Speaker 16: tell me at least six or seven things.

1127
00:52:08,840 --> 00:52:09,879
Speaker 2: Yeah, never one.

1128
00:52:10,000 --> 00:52:10,920
Speaker 16: It's never one emotion.

1129
00:52:11,960 --> 00:52:14,279
Speaker 2: Did you have any sense at the time that this

1130
00:52:14,760 --> 00:52:16,319
Speaker 2: would reverberate as it has?

1131
00:52:18,320 --> 00:52:18,360
Speaker 25: No.

1132
00:52:19,000 --> 00:52:21,440
Speaker 10: I mean, I knew I loved it, and I was

1133
00:52:21,480 --> 00:52:24,160
Speaker 10: on MCA Records as a teen, and they had I

1134
00:52:24,239 --> 00:52:26,680
Speaker 10: think Atlantic had asked if I wanted to put my

1135
00:52:26,800 --> 00:52:29,840
Speaker 10: records out from my teen years around the planet, and

1136
00:52:29,920 --> 00:52:30,520
Speaker 10: I didn't want to.

1137
00:52:30,560 --> 00:52:34,440
Speaker 16: Leave school, so I said no. So then I got

1138
00:52:34,520 --> 00:52:37,680
Speaker 16: dropped by MCA, and I remember saying to myself, this

1139
00:52:37,840 --> 00:52:41,560
Speaker 16: isn't an opportunity for me to start from scratch, because

1140
00:52:42,040 --> 00:52:45,400
Speaker 16: segueing from you know, maybe Miley Cyrus, perhaps Brittany, some

1141
00:52:45,560 --> 00:52:48,600
Speaker 16: other people who quote unquote had big success as a

1142
00:52:48,640 --> 00:52:53,400
Speaker 16: teen or a younger person segueing into adulthood is it

1143
00:52:53,520 --> 00:52:59,160
Speaker 16: publicly is beautifully horrifyingly awkward. So so I think when

1144
00:52:59,160 --> 00:53:01,080
Speaker 16: I was writing it, I just knew that I wouldn't

1145
00:53:01,080 --> 00:53:03,800
Speaker 16: stop until a record, the record really represented me. And

1146
00:53:03,840 --> 00:53:06,600
Speaker 16: there were times people at Maverick Madonna's label would say,

1147
00:53:07,320 --> 00:53:09,440
Speaker 16: we're scared this is a little too caustic, you know,

1148
00:53:09,480 --> 00:53:11,719
Speaker 16: And I said, well, I am nineteen, so you know,

1149
00:53:11,800 --> 00:53:13,799
Speaker 16: when I write a record in my forties, we can talk.

1150
00:53:14,040 --> 00:53:17,640
Speaker 1: Yeah. And that's a curious thing when with young songwriters

1151
00:53:17,680 --> 00:53:20,040
Speaker 1: because you are full of angst. But do you find

1152
00:53:20,080 --> 00:53:22,520
Speaker 1: when you perform, say you order know now, do you

1153
00:53:22,600 --> 00:53:26,280
Speaker 1: find that you Is it hard to perform an angsty

1154
00:53:26,480 --> 00:53:27,840
Speaker 1: song when you're not angsty?

1155
00:53:29,400 --> 00:53:33,400
Speaker 16: Uh No, because I am angsty. I'm just angsty about

1156
00:53:33,400 --> 00:53:36,160
Speaker 16: different things at forty six, you know, like different. You know,

1157
00:53:36,280 --> 00:53:38,080
Speaker 16: something that might have been horrifying when.

1158
00:53:38,000 --> 00:53:40,600
Speaker 23: I was younger is now you know, water off a

1159
00:53:40,680 --> 00:53:44,480
Speaker 23: ducts back. But now it's almost like my I love

1160
00:53:44,560 --> 00:53:46,440
Speaker 23: anger by the way. I just think it moves worlds

1161
00:53:46,480 --> 00:53:48,640
Speaker 23: and it's gorgeous. It gets a bad rep because it's off.

1162
00:53:48,719 --> 00:53:51,960
Speaker 23: It often looks destructive and murderous, and you know, but

1163
00:53:52,080 --> 00:53:54,359
Speaker 23: the actual energy is lovely. It can help us show

1164
00:53:54,440 --> 00:53:57,400
Speaker 23: up on behalf of activism. There's so many topics in

1165
00:53:57,760 --> 00:54:00,200
Speaker 23: this musical, you know, and to.

1166
00:54:00,239 --> 00:54:02,560
Speaker 16: The point where when people when we were doing workshops,

1167
00:54:02,600 --> 00:54:04,080
Speaker 16: you know, there was a lot there were a lot

1168
00:54:04,160 --> 00:54:07,960
Speaker 16: of tears. I was sobbing. The people portraying the characters

1169
00:54:08,040 --> 00:54:11,040
Speaker 16: were crying while they were performing it, and because we're

1170
00:54:11,080 --> 00:54:14,520
Speaker 16: doing it as a team, it's really healing. It's Catharsis

1171
00:54:14,600 --> 00:54:17,480
Speaker 16: happens for me when I'm alone on stage and alone

1172
00:54:17,520 --> 00:54:19,320
Speaker 16: in a studio. Kind of moves the energy, but it

1173
00:54:19,320 --> 00:54:22,280
Speaker 16: doesn't heal much. But as soon as it turns relational

1174
00:54:22,360 --> 00:54:24,799
Speaker 16: and there's another person in the room or many of them,

1175
00:54:25,640 --> 00:54:27,240
Speaker 16: it's a whole other level of healing.

1176
00:54:27,400 --> 00:54:28,600
Speaker 4: So I had no idea.

1177
00:54:29,040 --> 00:54:30,640
Speaker 16: That's the part I had no idea about.

1178
00:54:30,680 --> 00:54:32,440
Speaker 2: I had no idea about how it would be healing.

1179
00:54:33,360 --> 00:54:35,440
Speaker 3: I know it had a limited run in the States

1180
00:54:35,520 --> 00:54:37,719
Speaker 3: only because of COVID. It was set up for this big,

1181
00:54:37,840 --> 00:54:40,400
Speaker 3: long run and COVID got in the way. So with

1182
00:54:40,640 --> 00:54:42,719
Speaker 3: rule that Australia is the only other place this has

1183
00:54:42,800 --> 00:54:43,440
Speaker 3: been performed.

1184
00:54:44,200 --> 00:54:46,360
Speaker 16: Yes, this is the first time we're stepping out of

1185
00:54:47,160 --> 00:54:51,839
Speaker 16: America and I couldn't be more excited. Yeah, I'm sorry,

1186
00:54:51,920 --> 00:54:53,160
Speaker 16: my brain farted there.

1187
00:54:53,160 --> 00:54:56,440
Speaker 1: I don't even know when you're question does all the time?

1188
00:54:56,560 --> 00:54:57,839
Speaker 2: Surprised you couldn't smell out?

1189
00:54:59,040 --> 00:55:03,440
Speaker 1: It's coming down the Eventually the internet will yield. Eventually

1190
00:55:03,520 --> 00:55:06,080
Speaker 1: it will Well, it's great to talk to you. Tickets

1191
00:55:06,120 --> 00:55:08,719
Speaker 1: to Jagged Little Pill. The musical will be available in May.

1192
00:55:09,000 --> 00:55:11,560
Speaker 1: To find out more, head to Jagged Little Pill dot com.

1193
00:55:11,840 --> 00:55:14,560
Speaker 1: And Alanis Alanis, thank you for helping us with the

1194
00:55:14,640 --> 00:55:17,640
Speaker 1: pronunciation of your name, because it's been on our radio show.

1195
00:55:17,680 --> 00:55:20,399
Speaker 1: We've been doing the show for sixteen years, and every

1196
00:55:20,480 --> 00:55:22,920
Speaker 1: time I announced one of your songs, Amanda and I

1197
00:55:23,040 --> 00:55:26,200
Speaker 1: have an argument during the song about the pronunciation, and

1198
00:55:26,320 --> 00:55:29,480
Speaker 1: I like how you say, we're all right, We're all right.

1199
00:55:29,719 --> 00:55:30,840
Speaker 16: Just you know what I'm just going to I'm going

1200
00:55:30,920 --> 00:55:33,040
Speaker 16: to change my name to an emoji and then everyone

1201
00:55:33,120 --> 00:55:33,960
Speaker 16: it'll be much easier.

1202
00:55:34,120 --> 00:55:35,799
Speaker 2: We really appreciate it. If you wouldn't mind.

1203
00:55:36,000 --> 00:55:40,040
Speaker 1: Worked for Prince, It worked for Prince. Thank you, Thank

1204
00:55:40,080 --> 00:55:40,920
Speaker 1: you for joining us.

1205
00:55:41,800 --> 00:55:43,360
Speaker 16: Thank you for having me appreciate it.

1206
00:55:43,760 --> 00:55:49,520
Speaker 17: Jonesy and Amanda podcast, Get Up.

1207
00:55:49,520 --> 00:55:51,680
Speaker 1: Lady Bob, just way too early for this guy.

1208
00:55:52,400 --> 00:55:53,839
Speaker 2: Now ask for the weekend.

1209
00:55:54,000 --> 00:55:57,440
Speaker 1: Wsbm's one hundred thousand dollars credit cand crush. We should

1210
00:55:57,719 --> 00:55:59,239
Speaker 1: have a bit of a role play about it, just

1211
00:55:59,280 --> 00:56:00,960
Speaker 1: to make sure that every on the same page.

1212
00:56:01,200 --> 00:56:01,480
Speaker 7: I E.

1213
00:56:01,960 --> 00:56:03,759
Speaker 2: You no, I'm good with this.

1214
00:56:04,000 --> 00:56:06,720
Speaker 3: We have one hundred thousand dollars credit card. I've signed

1215
00:56:06,760 --> 00:56:10,120
Speaker 3: for this, so you know don't you spend too much here?

1216
00:56:10,880 --> 00:56:12,480
Speaker 3: So what's going to happen is we have one hundred

1217
00:56:12,480 --> 00:56:15,480
Speaker 3: thousand dollars. We have a certain amount every day you

1218
00:56:15,560 --> 00:56:16,000
Speaker 3: have to a.

1219
00:56:16,080 --> 00:56:18,880
Speaker 2: Yell out stop before your credit card gets to climb.

1220
00:56:18,960 --> 00:56:21,560
Speaker 1: Well, let's let's roll play. We've got Amanda on the

1221
00:56:21,600 --> 00:56:25,880
Speaker 1: line from Kuldji. Hell, Amanda, A high, Amanda? Are you

1222
00:56:25,960 --> 00:56:26,480
Speaker 1: ready to play?

1223
00:56:26,600 --> 00:56:30,360
Speaker 2: That's right? You don't like it when you don't get high? Jonesy?

1224
00:56:30,680 --> 00:56:33,640
Speaker 1: Well, it's just basic, man, This show is jonesy Amanda.

1225
00:56:33,760 --> 00:56:35,360
Speaker 2: It should be a man in Jones shouldn't.

1226
00:56:35,960 --> 00:56:38,000
Speaker 1: Are we going to do this now? Is this going

1227
00:56:38,080 --> 00:56:38,480
Speaker 1: to be a thing?

1228
00:56:38,560 --> 00:56:39,040
Speaker 2: No, let's work.

1229
00:56:39,080 --> 00:56:40,879
Speaker 1: Should we go on to Kathy of Kathy Town?

1230
00:56:41,400 --> 00:56:41,440
Speaker 24: No?

1231
00:56:41,760 --> 00:56:43,680
Speaker 2: No, Amanda of Cookie's ready to play.

1232
00:56:43,840 --> 00:56:46,040
Speaker 1: All you need to do is yell before the credit

1233
00:56:46,120 --> 00:56:49,800
Speaker 1: card gets to climb. Okay, you ready, I'm lost already.

1234
00:56:50,320 --> 00:56:53,400
Speaker 1: That's the sound effect that you don't want to hear.

1235
00:56:53,600 --> 00:56:56,719
Speaker 2: Okay, Okay, now you yell out stop when I think

1236
00:56:56,760 --> 00:56:57,320
Speaker 2: it's time.

1237
00:56:58,000 --> 00:57:00,600
Speaker 1: Who's doing this? Mail you both? Okay, let's go.

1238
00:57:02,280 --> 00:57:03,320
Speaker 4: Twenty five dollars.

1239
00:57:04,239 --> 00:57:07,360
Speaker 1: Thirty dollars, stop, stop thirty dollars.

1240
00:57:07,760 --> 00:57:09,239
Speaker 2: I know you radiotypes, You're cheap.

1241
00:57:09,880 --> 00:57:12,600
Speaker 1: Okay, well you've stopped done thirty dollars. Let's see how

1242
00:57:12,640 --> 00:57:13,840
Speaker 1: far you would have gone, Amanda.

1243
00:57:14,560 --> 00:57:28,320
Speaker 4: Fifty two dollars, one hundred and sixty four dollars, two

1244
00:57:28,520 --> 00:57:30,320
Speaker 4: hundred dollars, tree hundred.

1245
00:57:30,000 --> 00:57:33,160
Speaker 20: And ten dollars, one hundred and twenty one dollars, five

1246
00:57:33,320 --> 00:57:42,360
Speaker 20: hundred dollars, six hundred and fifty dollars, seven hundred and

1247
00:57:42,480 --> 00:57:47,440
Speaker 20: two dollars, seven hundred and three dollars, and twenty dollars

1248
00:57:47,880 --> 00:57:48,720
Speaker 20: and one dollars.

1249
00:57:49,960 --> 00:57:52,840
Speaker 2: Oh so I won eight hundred and one dollars.

1250
00:57:52,920 --> 00:57:54,640
Speaker 1: You want fifty two dollars? Your work?

1251
00:57:56,520 --> 00:57:57,160
Speaker 15: What a river?

1252
00:57:59,240 --> 00:58:00,880
Speaker 2: I think we'll underst the rules.

1253
00:58:00,720 --> 00:58:04,840
Speaker 1: By Amanda, By Amanda, if you would like to play.

1254
00:58:04,960 --> 00:58:08,360
Speaker 1: Thirteen WUSFM is our number. I've missed you. You know

1255
00:58:08,480 --> 00:58:13,360
Speaker 1: I really have suremuation. We're giving your credit card bill

1256
00:58:14,160 --> 00:58:20,160
Speaker 1: bomb with WSFMS one hundred thousand dollars credit card crush.

1257
00:58:20,880 --> 00:58:22,680
Speaker 1: Amy of Blacktown has joined us.

1258
00:58:22,720 --> 00:58:24,760
Speaker 2: Hello Amy, good morning guys.

1259
00:58:24,760 --> 00:58:26,000
Speaker 11: How are you We're very well?

1260
00:58:26,080 --> 00:58:29,080
Speaker 2: Did you understand our run through a little bit earlier? Amy,

1261
00:58:29,840 --> 00:58:30,160
Speaker 2: I did.

1262
00:58:30,840 --> 00:58:32,520
Speaker 1: All you gotta do is yell out stop before the

1263
00:58:32,560 --> 00:58:33,840
Speaker 1: credit card gets to climb.

1264
00:58:34,560 --> 00:58:38,920
Speaker 2: That's the noise you don't want to hear. Okay, Amy,

1265
00:58:39,120 --> 00:58:39,720
Speaker 2: ready to play?

1266
00:58:40,560 --> 00:58:41,120
Speaker 11: Ready to play.

1267
00:58:41,320 --> 00:58:41,680
Speaker 9: Let's go.

1268
00:58:43,840 --> 00:58:47,840
Speaker 20: One hundred dollars, one hundred and fifty two dollars, two

1269
00:58:48,040 --> 00:58:52,280
Speaker 20: hundred and eighteen dollars, two hundred and sixty seven dollars,

1270
00:58:58,440 --> 00:59:02,240
Speaker 20: three hundred and fifty dollars, three hundred and thirty dollars,

1271
00:59:02,640 --> 00:59:03,640
Speaker 20: one hundred.

1272
00:59:03,360 --> 00:59:06,680
Speaker 2: Dollars stop, five hundred dollars.

1273
00:59:07,000 --> 00:59:09,040
Speaker 1: How far would have you gone?

1274
00:59:09,160 --> 00:59:11,160
Speaker 3: All right, let's see five hundred is good to get

1275
00:59:11,400 --> 00:59:14,280
Speaker 3: you did better than you Let's pup your pants.

1276
00:59:14,600 --> 00:59:16,320
Speaker 2: Let's see how you might have gone.

1277
00:59:20,480 --> 00:59:23,720
Speaker 26: Five hundred and twenty dollars, hundred and thirty five dollars,

1278
00:59:24,440 --> 00:59:26,880
Speaker 26: forty five dollars under than sixty.

1279
00:59:26,600 --> 00:59:28,880
Speaker 4: Five dollars, hundred and seventy five.

1280
00:59:28,800 --> 00:59:36,640
Speaker 26: Dollars, hundred eighty dollars, honor see hundred dollars, twenty dollars,

1281
00:59:36,840 --> 00:59:41,360
Speaker 26: seven hundred dollars on hundred dollars, hundred dollars, one thousand dollars,

1282
00:59:42,520 --> 00:59:44,320
Speaker 26: one thousand and eighty dollars.

1283
00:59:45,960 --> 00:59:49,800
Speaker 3: Why one thousand and eighty Having said that, you got

1284
00:59:50,200 --> 00:59:52,680
Speaker 3: five hundred dollars more than you had earlier this morning,

1285
00:59:53,520 --> 00:59:54,080
Speaker 3: that's lovely.

1286
00:59:54,480 --> 00:59:56,200
Speaker 1: Congratulations Amy, good work you.

1287
00:59:57,200 --> 00:59:59,400
Speaker 2: Thank you, Thank you very much. Your next chance to

1288
00:59:59,480 --> 01:00:02,000
Speaker 2: play is after nine o'clock with ugly film coming up.

1289
01:00:02,080 --> 01:00:04,280
Speaker 1: Gets my goolies? You got something on your case? Our

1290
01:00:04,320 --> 01:00:06,440
Speaker 1: hotline number is available for you. Nine oh six one

1291
01:00:06,480 --> 01:00:20,080
Speaker 1: seven nine eighty four. Podcast called the Goolies Hotline Teksta

1292
01:00:20,120 --> 01:00:22,600
Speaker 1: Spials nine o six one seven nine eight four.

1293
01:00:22,720 --> 01:00:24,280
Speaker 2: Well, we've been away for a couple of weeks.

1294
01:00:24,320 --> 01:00:25,480
Speaker 1: Have people bags?

1295
01:00:25,960 --> 01:00:27,720
Speaker 2: Have they got goolies? Let's see.

1296
01:00:28,560 --> 01:00:32,000
Speaker 22: What gets my goolies is when you have a beautiful

1297
01:00:32,280 --> 01:00:35,720
Speaker 22: new bottle of your favorite expensive perfume.

1298
01:00:35,800 --> 01:00:38,600
Speaker 2: And you drop it on the bathroom floor and it

1299
01:00:38,800 --> 01:00:40,920
Speaker 2: smashes and goes everywhere.

1300
01:00:41,560 --> 01:00:43,440
Speaker 12: Oh that gets my goolies.

1301
01:00:44,120 --> 01:00:46,880
Speaker 22: But my bathroom does smell beautiful.

1302
01:00:46,920 --> 01:00:47,360
Speaker 1: That's true.

1303
01:00:47,480 --> 01:00:49,800
Speaker 3: I had a very expensive face cream that I dropped

1304
01:00:49,840 --> 01:00:51,520
Speaker 3: on the floor and it just smashed when everywhere, And

1305
01:00:51,560 --> 01:00:54,120
Speaker 3: it was so expensive. I just scooped it up and

1306
01:00:54,280 --> 01:00:56,480
Speaker 3: kept using it, even though it had grit and toenails

1307
01:00:56,520 --> 01:00:57,160
Speaker 3: and pubes in it.

1308
01:00:57,840 --> 01:00:58,880
Speaker 1: You put your face.

1309
01:00:59,000 --> 01:00:59,760
Speaker 2: That's my law firm.

1310
01:01:02,400 --> 01:01:03,280
Speaker 1: What else't we got?

1311
01:01:04,160 --> 01:01:08,640
Speaker 19: My mates turn up for a motorcycle ride. Everything's cool,

1312
01:01:09,280 --> 01:01:12,320
Speaker 19: my helmet is clean, my visor is clean. They said,

1313
01:01:12,440 --> 01:01:16,520
Speaker 19: just follow me, so I do ten minutes into the ride,

1314
01:01:16,800 --> 01:01:22,160
Speaker 19: the biggest bug in the world splatters itself on my visor,

1315
01:01:22,680 --> 01:01:27,280
Speaker 19: so I'm looking through bug guts and I can't stop

1316
01:01:27,520 --> 01:01:29,760
Speaker 19: because my mates haven't told me where we're going, so

1317
01:01:29,840 --> 01:01:32,320
Speaker 19: I can't stop to clean my visor, so I have

1318
01:01:32,440 --> 01:01:34,800
Speaker 19: to look through it and we ride for an hour

1319
01:01:34,920 --> 01:01:37,960
Speaker 19: or two. It dries me crazy.

1320
01:01:38,200 --> 01:01:39,720
Speaker 1: The perils of the modern motorcyclist.

1321
01:01:39,760 --> 01:01:41,200
Speaker 2: Have you thought of maybe any little winter?

1322
01:01:42,040 --> 01:01:45,000
Speaker 1: Remember that time that bug hit me and my eye

1323
01:01:45,080 --> 01:01:48,080
Speaker 1: blew out like the bug worked its way into my eye?

1324
01:01:48,800 --> 01:01:51,439
Speaker 1: Remember that time because of a bug. It was a bug,

1325
01:01:51,480 --> 01:01:53,680
Speaker 1: and I got in under my goggles and I'm riding

1326
01:01:53,680 --> 01:01:55,920
Speaker 1: along in it and my eye was so irritated. I

1327
01:01:55,960 --> 01:01:58,080
Speaker 1: couldn't I could see out of it fine, but it

1328
01:01:58,200 --> 01:02:00,400
Speaker 1: was so itchy. And I pulled over and Helen was

1329
01:02:00,400 --> 01:02:01,720
Speaker 1: on the back and she said, what's the matter with you?

1330
01:02:01,960 --> 01:02:03,920
Speaker 1: And I said, my eye is so itchy. And we're

1331
01:02:03,920 --> 01:02:05,919
Speaker 1: standing on the side of the highway and she looks

1332
01:02:05,920 --> 01:02:07,800
Speaker 1: at you and she puts two hands over her mouth

1333
01:02:07,840 --> 01:02:10,760
Speaker 1: and I go what. And another mate comes up and goes,

1334
01:02:10,760 --> 01:02:13,520
Speaker 1: oh my god. He goes, put this handkerchief over your eye,

1335
01:02:13,560 --> 01:02:15,000
Speaker 1: and I go why, And he guess it's going to

1336
01:02:15,120 --> 01:02:17,320
Speaker 1: fall out. And then I looked in the review mirror

1337
01:02:17,400 --> 01:02:19,680
Speaker 1: and my eye do you ever send that time? Homer

1338
01:02:19,760 --> 01:02:22,400
Speaker 1: Simpson was siphoning all the grease up and he got

1339
01:02:22,400 --> 01:02:25,840
Speaker 1: the vacuum on his eyeball and his eye just became gigantic.

1340
01:02:26,480 --> 01:02:28,280
Speaker 1: It was like that. It looked like I was going

1341
01:02:28,360 --> 01:02:29,160
Speaker 1: to fall out of my hend.

1342
01:02:29,200 --> 01:02:31,280
Speaker 2: You look like you had a goggle on, even when

1343
01:02:31,320 --> 01:02:31,680
Speaker 2: you didn't.

1344
01:02:31,880 --> 01:02:33,760
Speaker 1: It was like my eyeball was and I could see

1345
01:02:33,840 --> 01:02:36,200
Speaker 1: fine out of it. And I went to goldbn Hospital

1346
01:02:36,440 --> 01:02:38,720
Speaker 1: and the doctor said, I've never seen anything like this

1347
01:02:38,880 --> 01:02:39,520
Speaker 1: in my life.

1348
01:02:39,600 --> 01:02:40,760
Speaker 2: Did they take a bug out?

1349
01:02:41,040 --> 01:02:41,080
Speaker 8: No?

1350
01:02:41,560 --> 01:02:43,320
Speaker 1: No, he just he got some grim in there. He

1351
01:02:43,840 --> 01:02:46,760
Speaker 1: put a bar barm on it like a barm put

1352
01:02:46,840 --> 01:02:49,680
Speaker 1: his bomb on it. Bomb b a U M b

1353
01:02:49,880 --> 01:02:50,160
Speaker 1: u M.

1354
01:02:50,400 --> 01:02:53,480
Speaker 2: B a u M. It's b a l M bomb

1355
01:02:53,680 --> 01:02:54,960
Speaker 2: b a l M is balm.

1356
01:02:55,120 --> 01:02:56,040
Speaker 1: That is took.

1357
01:02:56,680 --> 01:03:00,800
Speaker 2: You're just saying bom bom put his bum on it.

1358
01:03:03,000 --> 01:03:05,600
Speaker 1: Anyway, Brown Eyes driver car.

1359
01:03:09,680 --> 01:03:10,840
Speaker 2: Finally Thanks.

1360
01:03:12,240 --> 01:03:18,840
Speaker 3: Is our numbers A favorite caller email of Facebook. Friend

1361
01:03:18,920 --> 01:03:22,480
Speaker 3: wins a family thunder thrill thirty minute Ultimate jet boat

1362
01:03:22,480 --> 01:03:25,840
Speaker 3: Adventure around Sydney Harbor Thunder Jet Boat thrilling right for

1363
01:03:25,920 --> 01:03:26,480
Speaker 3: the whole family.

1364
01:03:26,600 --> 01:03:29,400
Speaker 1: You also get the jonesy demanded tetel and branded bobble head.

1365
01:03:29,560 --> 01:03:31,880
Speaker 3: Well, a Welsh farmer revealed to the Guardian recently that

1366
01:03:32,000 --> 01:03:34,479
Speaker 3: he's eaten the same food his whole life.

1367
01:03:34,840 --> 01:03:38,200
Speaker 2: For lunch he has a pair orange and four sandwiches.

1368
01:03:37,680 --> 01:03:39,640
Speaker 1: With paste if he goes down mine.

1369
01:03:39,960 --> 01:03:42,200
Speaker 2: Well, then for dinner he has two pieces of fish,

1370
01:03:42,640 --> 01:03:46,520
Speaker 2: one onion and egg, baked beans and biscuits every day

1371
01:03:46,560 --> 01:03:47,800
Speaker 2: for ten years, even Christmas Day.

1372
01:03:47,880 --> 01:03:48,480
Speaker 1: He's a bachelor.

1373
01:03:48,560 --> 01:03:57,120
Speaker 2: You say tribal drum was beating four food monogamous. He's

1374
01:03:57,200 --> 01:03:58,240
Speaker 2: Tony for Uric farmer.

1375
01:03:58,640 --> 01:04:02,720
Speaker 25: My uncle Sheby's nearly eighty four or thirty six years

1376
01:04:02,720 --> 01:04:06,960
Speaker 25: old for the last sixty years plus bread and milk

1377
01:04:07,160 --> 01:04:10,440
Speaker 25: in a muggt every morning he washes it all up

1378
01:04:12,920 --> 01:04:13,400
Speaker 25: with a spoon.

1379
01:04:13,480 --> 01:04:15,880
Speaker 2: That said, So let me just get this right.

1380
01:04:16,200 --> 01:04:18,800
Speaker 3: It's one piece of bread and milk and he MUSHes

1381
01:04:18,840 --> 01:04:20,480
Speaker 3: it up and then eats it with a spoon.

1382
01:04:20,840 --> 01:04:24,160
Speaker 1: Yes, the guy is eighty five, though I must be

1383
01:04:24,280 --> 01:04:24,960
Speaker 1: working somewhere.

1384
01:04:25,560 --> 01:04:27,360
Speaker 2: Well, is it not challenging his teeth?

1385
01:04:28,240 --> 01:04:28,400
Speaker 4: Right?

1386
01:04:28,480 --> 01:04:29,040
Speaker 11: Auto?

1387
01:04:29,480 --> 01:04:30,320
Speaker 4: That's enough?

1388
01:04:30,840 --> 01:04:31,080
Speaker 15: Well.

1389
01:04:31,280 --> 01:04:34,560
Speaker 3: WSFM is one hundred thousand dollars credit card crushes back.

1390
01:04:34,720 --> 01:04:35,960
Speaker 2: I'd lift youel after nine o'clock.

1391
01:04:36,080 --> 01:04:38,360
Speaker 1: We will be back for jam Nation at six o'clock tonight.

1392
01:04:38,440 --> 01:04:41,360
Speaker 1: See the good Dad to you Well, thank God that's over.

1393
01:04:41,520 --> 01:04:46,720
Speaker 4: Good bite, Good Bite, Wipe the two from your.

1394
01:04:46,600 --> 01:04:47,600
Speaker 2: Own a podcaster.

1395
01:04:47,760 --> 01:04:51,600
Speaker 24: Today's show is available to download from the iHeartRadio app.

1396
01:04:51,720 --> 01:04:53,160
Speaker 2: All the Cool Kids Are Doing It.

1397
01:04:55,880 --> 01:04:57,040
Speaker 15: Last a.

1398
01:05:00,960 --> 01:05:04,800
Speaker 17: Jonesy and Amanda podcast. Catch up on what you've missed

1399
01:05:04,840 --> 01:05:06,600
Speaker 17: on the free iHeartRadio app