1 00:00:00,480 --> 00:00:04,400 Speaker 1: Jesus Christ Superstar is coming to Crown Theater from February thirteen. 2 00:00:04,559 --> 00:00:07,320 Speaker 1: You can get your pre sale tickets through Jesus Christ 3 00:00:07,360 --> 00:00:10,560 Speaker 1: Superstar dot com dot are You from today and general 4 00:00:10,600 --> 00:00:16,160 Speaker 1: tickets gone sale on Friday. Taking the much loved role 5 00:00:16,280 --> 00:00:18,560 Speaker 1: of Mary, It's Mahalia Barnes. 6 00:00:18,600 --> 00:00:19,320 Speaker 2: She's with us now. 7 00:00:19,400 --> 00:00:25,960 Speaker 1: Good morning, good morning, good good. I, like so many 8 00:00:26,000 --> 00:00:30,320 Speaker 1: people love Jesus Christ Superstar so much. From the first 9 00:00:30,320 --> 00:00:32,760 Speaker 1: time I saw the movie with Evonne Elleman, you know, 10 00:00:32,960 --> 00:00:35,840 Speaker 1: playing the role that you're taking on to, I think 11 00:00:35,880 --> 00:00:39,519 Speaker 1: we're seeing it with Doug Parkinson and Trevor White in 12 00:00:39,600 --> 00:00:43,080 Speaker 1: the maybe the eighties and then and in recent times. 13 00:00:43,080 --> 00:00:45,559 Speaker 1: It gets done. Every time it's done, it's just as 14 00:00:45,560 --> 00:00:49,199 Speaker 1: good as the first time I've seen it. How excited 15 00:00:49,240 --> 00:00:50,279 Speaker 1: are you to be part of it? 16 00:00:51,040 --> 00:00:53,360 Speaker 2: I'm so excited. I mean it's it's my first time 17 00:00:53,479 --> 00:00:56,560 Speaker 2: in a theater like a stage role, so like that's 18 00:00:56,560 --> 00:00:59,080 Speaker 2: that's a big deal for me. But it's such an 19 00:00:59,320 --> 00:01:02,200 Speaker 2: iconic role and such an iconic show that you know, 20 00:01:02,280 --> 00:01:06,479 Speaker 2: has such an amazing legacy of you know, amazing musicians, 21 00:01:06,680 --> 00:01:10,119 Speaker 2: people that I look up to and respect so much, 22 00:01:10,160 --> 00:01:12,200 Speaker 2: and you know, it feels like such an honor to 23 00:01:12,640 --> 00:01:14,479 Speaker 2: be able to step into that role that's been played 24 00:01:14,480 --> 00:01:17,240 Speaker 2: before by like a Von Ellerman, but people like Marsha 25 00:01:17,319 --> 00:01:20,160 Speaker 2: Hines and Tate Sobrano in this cuntry, you know, so 26 00:01:20,520 --> 00:01:22,680 Speaker 2: it really feels very special. 27 00:01:23,600 --> 00:01:25,800 Speaker 3: So you say, your first role on stage with Mahle, 28 00:01:26,000 --> 00:01:27,319 Speaker 3: how do you go about that? How do you go 29 00:01:27,360 --> 00:01:29,840 Speaker 3: about preparing and that, because it's different to just doing 30 00:01:29,840 --> 00:01:30,160 Speaker 3: a gig. 31 00:01:31,000 --> 00:01:33,200 Speaker 2: Yeah, well, I'm not sure yet. I'm you know, I'm 32 00:01:33,240 --> 00:01:35,120 Speaker 2: starting to sort of go through all the material and 33 00:01:35,240 --> 00:01:37,160 Speaker 2: learn it. And I've been you know, looking at watching 34 00:01:37,200 --> 00:01:39,840 Speaker 2: all different versions and listening to all different versions, and 35 00:01:39,959 --> 00:01:41,080 Speaker 2: you know, I'm just going to go out there and 36 00:01:41,080 --> 00:01:43,280 Speaker 2: still bring a bit of me to it. But I'm 37 00:01:43,319 --> 00:01:45,760 Speaker 2: really excited. It's an incredible team that I'm working on 38 00:01:45,800 --> 00:01:48,880 Speaker 2: the show, and I know that it's going to just 39 00:01:48,920 --> 00:01:51,960 Speaker 2: be wonderful. You know. I've got amazing people and you know, 40 00:01:52,040 --> 00:01:54,760 Speaker 2: fellow cast members who are incredible, but also a wonderful 41 00:01:54,760 --> 00:01:57,440 Speaker 2: team you know on the production side who are going 42 00:01:57,520 --> 00:02:01,320 Speaker 2: to you know, hopefully teach me everything I need to know. 43 00:02:01,920 --> 00:02:04,960 Speaker 1: I think one of the things about Jesus Christ Superstar 44 00:02:05,080 --> 00:02:08,080 Speaker 1: is it's a show that you can keep tweaking a 45 00:02:08,080 --> 00:02:11,120 Speaker 1: little with each you know generation, and will we see 46 00:02:11,160 --> 00:02:14,600 Speaker 1: any of that this time? I mean in the staging 47 00:02:14,680 --> 00:02:15,000 Speaker 1: of it. 48 00:02:16,560 --> 00:02:18,560 Speaker 2: Well, the staging of this version of it is is 49 00:02:18,880 --> 00:02:23,400 Speaker 2: very much based on the the the version that's been 50 00:02:23,440 --> 00:02:26,639 Speaker 2: over in the UK and touring touring lately. Yeah, so 51 00:02:26,680 --> 00:02:29,160 Speaker 2: it's yeah, it's like it's a big out It was 52 00:02:29,200 --> 00:02:31,800 Speaker 2: a big outdoor production, but obviously we're we're making that 53 00:02:31,919 --> 00:02:35,000 Speaker 2: work for a for a theater will be you know, 54 00:02:35,360 --> 00:02:38,320 Speaker 2: theaters all over the country, and so it's going to 55 00:02:38,360 --> 00:02:40,600 Speaker 2: be it's going to be pretty special. I do think 56 00:02:40,639 --> 00:02:43,800 Speaker 2: it's it's very quite different than obviously the nineties version, 57 00:02:43,840 --> 00:02:47,080 Speaker 2: which is flury frent as you mentioned, from the seventies version, 58 00:02:47,520 --> 00:02:49,400 Speaker 2: you know, like it is something that does keep sort 59 00:02:49,440 --> 00:02:53,880 Speaker 2: of evolving, but but the you know, the strength of 60 00:02:53,919 --> 00:02:57,760 Speaker 2: the music and the storyline is what sort of carries 61 00:02:57,800 --> 00:03:00,680 Speaker 2: it through and it just sort of ties it into 62 00:03:00,720 --> 00:03:01,520 Speaker 2: each generation. 63 00:03:01,880 --> 00:03:02,120 Speaker 1: Yeah. 64 00:03:02,280 --> 00:03:04,320 Speaker 3: Right, as least we were saying that that Trevor White Marsha 65 00:03:04,400 --> 00:03:08,000 Speaker 3: Hinz audition was over fifty years ago. Now it's hard 66 00:03:08,000 --> 00:03:09,639 Speaker 3: to believe it. So there's a lot of history here. 67 00:03:10,680 --> 00:03:13,440 Speaker 3: It is, Yeah, quite incredible. The sense of responsibility I 68 00:03:13,440 --> 00:03:15,920 Speaker 3: would imagine too in caring about. 69 00:03:16,040 --> 00:03:21,240 Speaker 2: You know, you know, just a little bit freshy. Everybody 70 00:03:21,280 --> 00:03:23,200 Speaker 2: loves it, but you know, I'm willing to give it 71 00:03:23,200 --> 00:03:23,600 Speaker 2: a try. 72 00:03:23,840 --> 00:03:24,920 Speaker 3: That's great, that's great. 73 00:03:25,919 --> 00:03:28,399 Speaker 1: We love to know where you were when you got 74 00:03:28,400 --> 00:03:29,800 Speaker 1: the call that you got the role. 75 00:03:32,040 --> 00:03:35,000 Speaker 2: Well, I've been, you know. I mean obviously i've been. 76 00:03:35,320 --> 00:03:39,160 Speaker 2: You know, I auditioned, and that process. That's a completely 77 00:03:39,160 --> 00:03:41,800 Speaker 2: new sort of thing for me because obviously I tend 78 00:03:41,840 --> 00:03:43,520 Speaker 2: to just do whatever I want and be in my 79 00:03:44,000 --> 00:03:49,520 Speaker 2: own band and just keep going. So this is a 80 00:03:49,560 --> 00:03:51,760 Speaker 2: little bit different. I was auditioned and then I had 81 00:03:51,840 --> 00:03:53,280 Speaker 2: to sort of wait and hear from them, and that 82 00:03:53,600 --> 00:03:56,440 Speaker 2: was quite a process because so many people are auditioning obviously, 83 00:03:56,480 --> 00:03:59,680 Speaker 2: and they go through all of their options and they 84 00:03:59,720 --> 00:04:01,720 Speaker 2: have to I think that, you know, it must be 85 00:04:01,760 --> 00:04:05,600 Speaker 2: a really interesting process for the people casting to then 86 00:04:05,640 --> 00:04:08,480 Speaker 2: try and find the right combination. Not just about oh, 87 00:04:08,560 --> 00:04:10,840 Speaker 2: you'll be great for Mary or you'll be great for Jesus. 88 00:04:10,920 --> 00:04:14,880 Speaker 2: It's about finding complimentary performers who are going to then 89 00:04:15,080 --> 00:04:17,560 Speaker 2: have a chemistry on stage, who are going to work together. 90 00:04:17,680 --> 00:04:20,640 Speaker 2: And you know, that's that's must be a really interesting 91 00:04:20,640 --> 00:04:22,720 Speaker 2: process for them. But I imagine it takes some time, 92 00:04:22,839 --> 00:04:25,360 Speaker 2: so I'm sitting on the other end of the phone waiting. 93 00:04:25,600 --> 00:04:28,960 Speaker 2: But it was good. I was. I was just at 94 00:04:28,960 --> 00:04:31,240 Speaker 2: home when I when I got the call, you know 95 00:04:31,360 --> 00:04:33,240 Speaker 2: that they wanted me to do it, and you know, 96 00:04:33,360 --> 00:04:36,200 Speaker 2: it had been a few weeks of nervous waiting. I 97 00:04:36,200 --> 00:04:40,000 Speaker 2: suppose happy dance around the lounge. Yeah, And you know, 98 00:04:40,080 --> 00:04:42,360 Speaker 2: I didn't want to tell anyone beforehand because I thought, 99 00:04:42,440 --> 00:04:46,760 Speaker 2: what if I don't get it? But you know, I 100 00:04:46,800 --> 00:04:49,760 Speaker 2: called my brother David actually, because obviously this is this 101 00:04:49,800 --> 00:04:53,839 Speaker 2: is a little bit more and so I told him 102 00:04:53,960 --> 00:04:55,919 Speaker 2: when I auditioned, I said, what do you think? You know, 103 00:04:55,960 --> 00:04:57,440 Speaker 2: do you think I should do this? You know, do 104 00:04:57,440 --> 00:04:59,120 Speaker 2: you think this is going to be? Am I going 105 00:04:59,200 --> 00:05:01,120 Speaker 2: to be able to hand this? You know, like, what 106 00:05:01,120 --> 00:05:04,000 Speaker 2: what do you think? And he was really encouraging, and 107 00:05:04,200 --> 00:05:07,120 Speaker 2: you know, I am. So I called him straight away 108 00:05:07,120 --> 00:05:09,960 Speaker 2: to let him know when I got it. And then, uh, 109 00:05:10,360 --> 00:05:13,280 Speaker 2: then I had to break the news to Dad. But 110 00:05:13,800 --> 00:05:19,679 Speaker 2: I was going to be for a while. Well course 111 00:05:19,800 --> 00:05:23,080 Speaker 2: I'm going to be basically, I mean, they're they're going 112 00:05:23,120 --> 00:05:25,000 Speaker 2: to be out on a Cold Chisel tour. And I 113 00:05:25,040 --> 00:05:28,200 Speaker 2: managed that. I managed Dad, and I also sing with 114 00:05:28,320 --> 00:05:32,400 Speaker 2: him tis I sing with Cold Chisel, and so, you know, 115 00:05:32,839 --> 00:05:37,479 Speaker 2: because the Sydney Run starts in November, I'm going to 116 00:05:37,480 --> 00:05:39,120 Speaker 2: be opting out of the Cold Chisel tour. 117 00:05:41,600 --> 00:05:42,200 Speaker 3: Chance you can go. 118 00:05:43,880 --> 00:05:48,280 Speaker 1: We are really looking forward to the Cold Chisel Anniversary tour. 119 00:05:48,640 --> 00:05:52,360 Speaker 2: May we ask how Jimmy's doing. He's doing really well. 120 00:05:52,400 --> 00:05:54,599 Speaker 2: I mean he's you know, he yeah, he had he 121 00:05:54,680 --> 00:05:59,839 Speaker 2: had to have a bit of a hit proceeds, but 122 00:06:00,680 --> 00:06:03,200 Speaker 2: and you know, I think he's been doing everything right. 123 00:06:03,240 --> 00:06:04,680 Speaker 2: I think he was a little frustrated that he had 124 00:06:04,680 --> 00:06:06,680 Speaker 2: to go out and do it because he's been well, 125 00:06:07,160 --> 00:06:09,200 Speaker 2: being healthy and doing all the things that he's meant 126 00:06:09,200 --> 00:06:11,440 Speaker 2: to exactly. But it was one of those sort of 127 00:06:11,440 --> 00:06:13,960 Speaker 2: inevitable things that had to happen. But you know, he's 128 00:06:14,000 --> 00:06:15,039 Speaker 2: recovering really well, and. 129 00:06:15,200 --> 00:06:17,240 Speaker 1: It's got to be frustrating when you're doing all the 130 00:06:17,320 --> 00:06:20,520 Speaker 1: right things. Yeah, especially letting me down. 131 00:06:21,160 --> 00:06:23,240 Speaker 3: That was on the Kwai too. It wasn't my heat, yeah. 132 00:06:23,400 --> 00:06:25,640 Speaker 2: Yeah, yeah, it was just I mean, I think it's 133 00:06:25,640 --> 00:06:27,960 Speaker 2: probably something that's been building up, you know, for a while, 134 00:06:28,000 --> 00:06:29,840 Speaker 2: but it was just got to a point where he said, 135 00:06:29,839 --> 00:06:31,840 Speaker 2: you know what I've got to make you know, make 136 00:06:31,839 --> 00:06:33,520 Speaker 2: a call now and do something about it so that 137 00:06:33,560 --> 00:06:35,320 Speaker 2: it doesn't become a bigger problem. 138 00:06:35,680 --> 00:06:37,560 Speaker 3: Yeah, on that bloody black belt he got all those 139 00:06:37,640 --> 00:06:39,839 Speaker 3: years ago. He's put his body through a bit, doesn't. 140 00:06:40,480 --> 00:06:42,040 Speaker 2: I mean he has put his body through a bit. 141 00:06:42,279 --> 00:06:43,920 Speaker 2: You know. I think that you know, he. 142 00:06:43,960 --> 00:06:48,760 Speaker 1: Must run your ragged trying to wrangle him. Yeah. 143 00:06:49,040 --> 00:06:52,120 Speaker 2: Well yeah, it's certainly a challenging role. So I think 144 00:06:52,200 --> 00:07:00,520 Speaker 2: Mary will be a walking part we break. We wait 145 00:07:00,560 --> 00:07:01,440 Speaker 2: for it to get to town. 146 00:07:01,520 --> 00:07:04,840 Speaker 1: February thirteen. Pre sale tickets available through Jesus Christ Superstar 147 00:07:04,960 --> 00:07:07,800 Speaker 1: dot com dot you from today and general tickets go 148 00:07:07,920 --> 00:07:11,760 Speaker 1: on sale on Friday. They will go like hotcakes. Will 149 00:07:12,000 --> 00:07:13,840 Speaker 1: looking forward to seeing Mahalia. 150 00:07:14,080 --> 00:07:15,200 Speaker 3: Yeah, all the best mohammas. 151 00:07:15,240 --> 00:07:17,160 Speaker 2: It would be great. Thank you, thanks for joining us. 152 00:07:17,240 --> 00:07:18,680 Speaker 2: Is to talk to you, See you soon,