1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,040 --> 00:00:06,640 Speaker 2: I watched in Former thirty eight thirty eight last night. 3 00:00:06,880 --> 00:00:10,000 Speaker 2: This is the tale of Nicola Gobbo. I like the 4 00:00:10,039 --> 00:00:13,480 Speaker 2: idea of just calling it Gobbo. But she was the lawyer, 5 00:00:13,520 --> 00:00:16,200 Speaker 2: the criminal lawyer that defended the likes of Carl Williams 6 00:00:16,480 --> 00:00:18,000 Speaker 2: and Tony Mockbell. 7 00:00:17,680 --> 00:00:19,560 Speaker 3: And then became an informant. 8 00:00:19,760 --> 00:00:21,080 Speaker 1: Yeah. 9 00:00:21,320 --> 00:00:21,599 Speaker 3: I don't know. 10 00:00:21,760 --> 00:00:22,279 Speaker 1: Is it just me? 11 00:00:22,440 --> 00:00:26,520 Speaker 2: But because we've had so much rareality TV, who Married 12 00:00:26,520 --> 00:00:29,840 Speaker 2: at First Sight? Et ol, I suddenly feel like when 13 00:00:29,880 --> 00:00:32,960 Speaker 2: I'm watching a show Australian drama with acting, it looks 14 00:00:32,960 --> 00:00:36,280 Speaker 2: like they're acting seems to be I don't know, is it. 15 00:00:36,720 --> 00:00:39,720 Speaker 2: I'm pretty sure the last I'm Underbelly series didn't seem 16 00:00:39,720 --> 00:00:41,440 Speaker 2: as so self aware. 17 00:00:41,600 --> 00:00:43,800 Speaker 1: Do you know what I mean? Is it because we 18 00:00:43,840 --> 00:00:44,720 Speaker 1: watched Married at First Sight? 19 00:00:44,800 --> 00:00:47,479 Speaker 2: There's a new genre of actor because the people that 20 00:00:47,520 --> 00:00:49,639 Speaker 2: go and married at first Site they're not real. 21 00:00:50,000 --> 00:00:53,479 Speaker 1: But they're acting. They're like characters, so they're stain acting. Yeah, 22 00:00:53,520 --> 00:00:54,600 Speaker 1: but you know you know what I mean? 23 00:00:55,240 --> 00:00:58,040 Speaker 3: I haven't watched thirty eight thirty eight, Well I watched it. 24 00:00:58,320 --> 00:00:59,360 Speaker 3: I was watching it last night. 25 00:00:59,400 --> 00:01:04,520 Speaker 1: What did Harley? But that these agree with me? Isn't 26 00:01:04,520 --> 00:01:05,520 Speaker 1: he Yeah, I. 27 00:01:05,520 --> 00:01:07,479 Speaker 3: Don't know if he's agreeing that he feels like they're acting, 28 00:01:07,480 --> 00:01:09,680 Speaker 3: because if you're watching great acting, you don't see acting. 29 00:01:09,880 --> 00:01:12,959 Speaker 3: I'm not saying that's what these people acting, sure, but 30 00:01:13,760 --> 00:01:15,000 Speaker 3: maybe you just weren't in the mood. 31 00:01:15,640 --> 00:01:18,920 Speaker 1: I'm always in the mood for underbelly. Possibly that's right. 32 00:01:19,400 --> 00:01:20,200 Speaker 1: What do you mean that's right? 33 00:01:20,200 --> 00:01:21,199 Speaker 3: Because you want under boob. 34 00:01:22,160 --> 00:01:25,760 Speaker 2: Underbelly in the past has provided good free to wear bosom. 35 00:01:26,040 --> 00:01:28,880 Speaker 3: You know all the people that work on those productions, 36 00:01:28,880 --> 00:01:31,600 Speaker 3: that research the stories, that act, that are the production 37 00:01:31,720 --> 00:01:35,399 Speaker 3: managers that do the catering. Everybody it's proud of their production. 38 00:01:35,760 --> 00:01:37,240 Speaker 3: You're just watching it for free. 39 00:01:37,080 --> 00:01:40,679 Speaker 2: Towear books, not just watching it for but enjoying it 40 00:01:40,800 --> 00:01:43,120 Speaker 2: because I'm from an era where you just didn't get 41 00:01:43,160 --> 00:01:46,320 Speaker 2: to see bosoms. These days, you didn't see bosoms anywhere. 42 00:01:46,400 --> 00:01:48,000 Speaker 2: You get on your phone and you type in bosoms, 43 00:01:48,000 --> 00:01:50,520 Speaker 2: there they go. It's they're everywhere. 44 00:01:50,800 --> 00:01:53,640 Speaker 3: You hanker for National geographic at the identist. 45 00:01:53,680 --> 00:01:55,520 Speaker 1: That's where we used to have to get our source 46 00:01:55,560 --> 00:01:57,600 Speaker 1: of bousomicks me bosom. I remember one. 47 00:01:57,440 --> 00:02:00,240 Speaker 2: Time, many years ago, Mum got a new idea and 48 00:02:00,280 --> 00:02:03,600 Speaker 2: they had the Platech's you know, catalog in the middle 49 00:02:03,640 --> 00:02:03,920 Speaker 2: of it. 50 00:02:04,120 --> 00:02:06,600 Speaker 1: But there was a bit of nipple under the bra. 51 00:02:08,040 --> 00:02:08,919 Speaker 3: Is the best you got. 52 00:02:09,040 --> 00:02:13,800 Speaker 1: Just serve that. That's this old sailor, very well finished 53 00:02:13,800 --> 00:02:17,000 Speaker 1: with a new idea. What I'm saying is that the 54 00:02:17,080 --> 00:02:18,519 Speaker 1: kids these days, they don't it's too easy. 55 00:02:18,520 --> 00:02:21,280 Speaker 3: Fads get easy, which is why we don't need to 56 00:02:21,320 --> 00:02:22,480 Speaker 3: see it in our television. 57 00:02:22,760 --> 00:02:23,720 Speaker 1: Do you think that's a thing. 58 00:02:23,919 --> 00:02:26,040 Speaker 3: I mean, as I said before, when you're were commenting 59 00:02:26,080 --> 00:02:28,839 Speaker 3: on this show last week, why is all police work 60 00:02:28,880 --> 00:02:30,919 Speaker 3: done in a strip show? In a sum Why do 61 00:02:30,960 --> 00:02:33,639 Speaker 3: they all go into strip clubs? I'm sure ninety nine 62 00:02:33,680 --> 00:02:37,400 Speaker 3: point nine percent of police cases are solved without strip 63 00:02:37,480 --> 00:02:40,080 Speaker 3: clubs involved, but no one makes shows about those. 64 00:02:40,160 --> 00:02:41,399 Speaker 1: Well, no one wants to watch that. 65 00:02:41,840 --> 00:02:44,440 Speaker 2: People wanted this, people like me of my genre that 66 00:02:44,560 --> 00:02:45,840 Speaker 2: want to watch free to wear bulls. 67 00:02:45,880 --> 00:02:48,080 Speaker 3: Someone's been murdered get to the strip club. 68 00:02:48,240 --> 00:02:49,840 Speaker 1: Straight into the strip club. 69 00:02:50,120 --> 00:02:52,920 Speaker 2: So a great expense to our show, I bought the 70 00:02:52,960 --> 00:02:56,600 Speaker 2: Bozometa to count the number of bosoms that presented themselves 71 00:02:56,880 --> 00:02:59,639 Speaker 2: on thirty eight thirty eight. I'll just plug it in 72 00:02:59,639 --> 00:03:07,840 Speaker 2: because I just don't feel that there was a lot. 73 00:03:07,240 --> 00:03:09,639 Speaker 1: That was it as I suspected. 74 00:03:09,800 --> 00:03:10,480 Speaker 3: Let's hear it again. 75 00:03:12,080 --> 00:03:13,040 Speaker 1: It's not the whole bulls. 76 00:03:13,120 --> 00:03:18,480 Speaker 3: Just how many two bosoms, two uneven ones by the 77 00:03:18,480 --> 00:03:19,840 Speaker 3: same were they on the same person? 78 00:03:20,440 --> 00:03:23,320 Speaker 2: Yeah, and I'm the same person, you know, Golden Mile, 79 00:03:23,440 --> 00:03:25,560 Speaker 2: there was a there was a glut of bosoms? 80 00:03:27,000 --> 00:03:27,919 Speaker 3: Is that the collective? 81 00:03:28,000 --> 00:03:34,440 Speaker 1: Now? A glut of bosoms? Don't type that into the internet, 82 00:03:34,680 --> 00:03:35,000 Speaker 1: joins 83 00:03:35,040 --> 00:03:37,560 Speaker 3: The and Amanda in the morning at one point seven, 84 00:03:37,640 --> 00:03:37,680 Speaker 3: t