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Speaker 1: All right, so before you shot the show, we've got

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Speaker 1: Celia Picole's going to join.

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Speaker 2: Us little bit later on.

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Speaker 3: She's here, Hi, Celia.

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Speaker 4: I am here.

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Speaker 1: Nice boys?

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Speaker 4: Later hang on is that walking down the corridor? Wow?

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Speaker 4: How did she get in here so fast? Surprise? Hello?

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Speaker 2: How I am I'm here?

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Speaker 4: I'm very well?

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Speaker 2: Good?

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Speaker 4: Am I? Yeah?

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Speaker 1: Really you're good? I am having a chat a bit

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Speaker 1: later on where obviously we were just figured out we

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Speaker 1: all had babies within two months of each other, so

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Speaker 1: there's some really rank chat to be had. That's like

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Speaker 1: totally irrelevant if you don't have a child, and we're

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Speaker 1: fully aware of that. So so maybe we'll do our

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Speaker 1: best to get that off the air. But so much

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Speaker 1: all we talk about off that's all we talk about

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Speaker 1: off into it.

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Speaker 4: We're just going to rena in the show has shaped

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Speaker 4: parents group? Right?

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Speaker 2: Why not? Because we want to talk about it?

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Speaker 5: Did you think you were ever going to be the

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Speaker 5: parent who wanted to talk about it all the time.

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Speaker 4: You're just it's just so huge, and the problem is

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Speaker 4: it's continually changing. So if you don't talk about it

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Speaker 4: exactly as it's happening, then it's gone. You know, we're

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Speaker 4: all about solids and crawling and walking. So I don't

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Speaker 4: know where you guys are at.

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Speaker 2: Are you crawling?

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Speaker 4: I am, yes, I'm quite light started. I just turned forty,

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Speaker 4: but I'm hoping.

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Speaker 1: Did you see her coming the doors? Live up to her?

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Speaker 4: I know it's good, isn't it. I'll get there one day.

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Speaker 6: Eleanor's got a.

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Speaker 2: Good role model then, which is great.

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Speaker 5: It is on this sheet here, But ye know.

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Speaker 4: It's not weird because they're just like people. Now she's

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Speaker 4: almost ten.

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Speaker 2: Months, but she is she crawling?

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Speaker 4: Yes, she's crawling. She wants to walk. She wished to walk.

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Speaker 2: When she wishes to.

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Speaker 4: Walk, she wishes to walk, That's what she was. She

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Speaker 4: wishes to have height. So if she's on the ground,

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Speaker 4: she wishes to stand, and if she's standing, she wishes

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Speaker 4: to be lifting.

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Speaker 1: Walking zone right now, And let me tell you it

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Speaker 1: is not something to look forward.

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Speaker 4: Tocause walking zone otherwise known as the bunk zone.

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Speaker 1: Yet well, falling, falling and walking.

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Speaker 4: Please please, that is a very that is that is

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Speaker 4: very unfortunate. In a transcript, you don't have any people that

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Speaker 4: written down.

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Speaker 1: No, your tone safe to don't worry. We all know

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Speaker 1: you're talking about a one year old we've got more.

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Speaker 1: We've got more a little bit later on the show.

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Speaker 1: Just stick around, enjoy, guys.

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Speaker 7: Well and Woody trapped. The adventure could begin at any moment.

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Speaker 1: And that's that's the way it is right now, guys,

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Speaker 1: could we could find ourselves in this prison effectively at

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Speaker 1: any stage. We have no idea when this is going

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Speaker 1: to start. All we know is that we're going to

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Speaker 1: have to solve puzzles to get out of there, and

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Speaker 1: that it continues until we solve all the puzzles.

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Speaker 2: That's all we know. Who's grabbing us? As in like

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Speaker 2: because we get kidnapped now right?

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Speaker 1: Yeah?

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Speaker 2: First question, who's doing the radio show?

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Speaker 4: Ken?

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Speaker 2: Think about that?

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Speaker 1: Did you we could do the show from in there?

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Speaker 1: I think we're going to be doing the show from

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Speaker 1: in there.

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Speaker 2: That Yeah, it makes a lot of sense.

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Speaker 5: We just so again the idea that we get kidnapped

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Speaker 5: now right, so so too?

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Speaker 3: Can we so call it kidnapped?

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Speaker 5: Well, that is the appropriate term to describe what's going

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Speaker 5: to happen to us at some stage in the next

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Speaker 5: Is it over a month?

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Speaker 4: Like?

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Speaker 2: Is it we could be taken?

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Speaker 1: Stop asking me the time.

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Speaker 2: I'm frustrated.

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Speaker 1: I can tell that you need to accept.

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Speaker 2: No, I'm not ready. I'm not in that stage yet.

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Speaker 2: I'm an anger.

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Speaker 1: You have got you have got a bit of PTSD

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Speaker 1: from you because you.

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Speaker 3: Have you recently were trapped in jungle for a long time.

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Speaker 5: And I just got flying over to Africa, and I

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Speaker 5: had no idea when I was going to be tossed

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Speaker 5: into a jungle.

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Speaker 2: And I'm just I'm back there.

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Speaker 3: Yeah, I can tell.

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Speaker 2: And I don't have my South African chaperone called dick

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Speaker 2: are and that's making me sad.

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Speaker 1: Do you know the thing I'm most scared about now

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Speaker 1: is the fact that you miss your South African.

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Speaker 3: But also do you.

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Speaker 2: Know you got me a gift when I left Africa.

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Speaker 3: It's getting a bit weird.

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Speaker 2: It's small bracelet.

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Speaker 1: So so I spent like I spend a bit of time.

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Speaker 3: Obviously, you and I spend time.

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Speaker 1: One on one with our daughters in the morning, and

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Speaker 1: that often means that our partners aren't there if I

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Speaker 1: get taken during that time.

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Speaker 2: Thank you for coming on board.

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Speaker 1: What do I because that even if that is a joke,

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Speaker 1: can you imagine how traumatizing that is for a little

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Speaker 1: girl to watch. It's going to be like I'm back

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Speaker 1: in Russia during the nineteen eighties.

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Speaker 5: Yeah, I don't know what Russia was like in the eighties.

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Speaker 5: But if bags on head, bags on heads, yes, that's traumatized.

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Speaker 3: Am I getting a bag put over my head? Poo pants?

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Speaker 1: Will there be a bag put over my head when

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Speaker 1: I get Maybe? If you want it, I don't want it.

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Speaker 3: Don't make it like that.

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Speaker 2: I actually wouldn't mind a bag on the head.

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Speaker 5: Just make sure my daughter's not watching.

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Speaker 2: I'll take the bag, all right.

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Speaker 1: Right, we're doing reverse slashs. Anyone who uses a pencil,

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Speaker 1: they're reverse slaying, no doubt.

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Speaker 5: What about choosing to pick up food over getting delivery

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Speaker 5: is a reverse.

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Speaker 8: Slave slave carking your car using your mirrors and your

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Speaker 8: eyebols instead of.

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Speaker 9: The camera the camera reverse save, reverse slay is using

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Speaker 9: a check to pay very reverse slave all right.

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Speaker 1: So it's pretty simple, guys, just the opposite of a sleigh.

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Speaker 1: So when you've deliberately chosen the pav or the or

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Speaker 1: the shitter option thirteen one oh six five, anyone who's

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Speaker 1: still using a pager is reversed.

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Speaker 3: As far as I'm called reverse slave.

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Speaker 1: If you if your parents chose to go to Wobby's

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Speaker 1: world over dream world.

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Speaker 3: They are reverse slaying.

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Speaker 2: My parents chose Bobby as well.

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Speaker 1: Reverse slave third one six five are deliberately taking the

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Speaker 1: paver or the worse option, can, in our view, be cool.

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Speaker 1: All of a sudden it goes. It goes from being

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Speaker 1: something cramp to slaying in reverse words.

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Speaker 5: I think I may still be the only person in

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Speaker 5: Australia who's a bit missed with understanding this. But again,

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Speaker 5: if you get it thirteen one oh sixty five, join us.

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Speaker 5: I have an example though, Yeah, yeah, when you go

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Speaker 5: to the urinal Yeah, and you go to take a Wii, Yep,

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Speaker 5: that's what you.

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Speaker 2: Do, and you pull your pants right down to your ankles.

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Speaker 1: Yeah, I'll pay it. Yeah. It is an element of

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Speaker 1: courage that comes with let's go to ben on thirty

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Speaker 1: one and six five. We're talking reverse slivehs. What have

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Speaker 1: you got for us?

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Speaker 10: So last time I called up about the checkbook, and

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Speaker 10: this time my reverse slave is instead of using an

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Speaker 10: Apple fast charger, just using the normal slow charge.

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Speaker 2: Love it, Benny Sleigh, Yeah, so inefficient?

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Speaker 3: I love it efficient.

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Speaker 1: Brendan's girl, Brendan, we're talking reverse sl.

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Speaker 7: Hey here you going.

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Speaker 1: All right?

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Speaker 5: So every supermarket has a big automatic door.

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Speaker 2: Yeah, yep, I decided to use the manual door on

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Speaker 2: the side of it.

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Speaker 9: Yeah.

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Speaker 1: Yeah, you guys are knocking this.

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Speaker 2: What about what about when you go to the some

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Speaker 2: of these examples. What about when you go to the W. H.

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Speaker 5: Smith which is at airports all around Australia and there's

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Speaker 5: clearly the cold urgency the news agency, there's the cold

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Speaker 5: cold ridge water bottles and then just next with the

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Speaker 5: warm ones, and you want for a.

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Speaker 1: Warm one sleigh. It's just dumb. Come on, there's no

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Speaker 1: are you going to have to tell me what you're

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Speaker 1: getting out of that? Like, it's not.

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Speaker 2: It's not a cold hand, you know, you get cold

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Speaker 2: hands sometimes cold.

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Speaker 1: It's just shitter.

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Speaker 2: Yeah, fair enough.

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Speaker 1: Let's go to Laser. I think that's the Sometimes yours

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Speaker 1: are so bad that they just become awful. There's gotta

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Speaker 1: be some benefit to it.

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Speaker 2: Well apparently you actually.

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Speaker 1: Let's go to American one six five Lisa, we're talking

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Speaker 1: reverse sleighs Illo, guys, my revers slay is still using

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Speaker 1: a sects machine.

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Speaker 2: Yeah love it.

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Speaker 1: Oh yeah, definitely thought you said sex machine. That's just

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Speaker 1: a slow Let's go to Joe A Fax Facts. Yeah,

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Speaker 1: I think it's pretty good. If I if you've got

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Speaker 1: if someone faxed me, oh yeah, impressed, that is a reverse.

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Speaker 2: But people can't fax you.

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Speaker 5: That's the point, because you don't have a fax machine.

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Speaker 5: Who can you fax these days?

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Speaker 1: It's true.

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Speaker 2: Let's go to Joe here, Joe, what's your reverse?

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Speaker 1: Just true?

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Speaker 11: My reverse sleigh is using the good old alarm cloth

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Speaker 11: rather than your eyes.

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Speaker 1: Yes, the radio, the radio, alarm radio clock radio is

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Speaker 1: so good.

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Speaker 2: Is it a reverse sleigh that I use a wake

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Speaker 2: up light?

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Speaker 3: No, we've been there again.

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Speaker 1: That's like, that's a really that That for me, is

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Speaker 1: the epitome of a choice that you don't want to

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Speaker 1: make in your life, which is going for something which

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Speaker 1: you think is going to be a sleigh and then

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Speaker 1: that thing being really shit.

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Speaker 2: That's my life.

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Speaker 5: Let's go to Larissa here, Larissa, what's your reverse sleigh?

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Speaker 4: Hi?

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Speaker 5: My reverse play is reading your phone or you're watch

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Speaker 5: in twenty four hour time instead of normal.

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Speaker 1: Twelve hour time.

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Speaker 2: Yeah, like it, sleigh. I wouldn't be able to do it,

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Speaker 2: but I like it.

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Speaker 1: What do you mean if someone asks you the time, Larissa,

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Speaker 1: and you'd say sixteen twelve, Well I wouldn't say it.

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Speaker 12: I would just say four twelve, but I know how

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Speaker 12: to just look at the time in twenty.

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Speaker 8: Four hour time.

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Speaker 2: And fun fact, Jim Courier talks in twenty four hours time.

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Speaker 6: Really he does.

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Speaker 1: He does. Joined by the one and only Celia Procola

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Speaker 1: in the studio because Utopia continues on ABC TV and ABC.

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Speaker 4: I view season five. Can you believe that we.

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Speaker 1: Congratulations, thank you.

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Speaker 4: It's all about It's all up to me.

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Speaker 2: I did that.

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Speaker 4: Nothing to do with us at all. This job has

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Speaker 4: very much been just like the Golden Platta, just handed this.

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Speaker 2: The working dog is.

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Speaker 1: The working dog. Guys are incredible.

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Speaker 4: It was a dream job in season one and it

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Speaker 4: continues to be the dream job.

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Speaker 9: Sea.

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Speaker 3: That's so nice to hear.

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Speaker 5: When you say the scripts are incredible, Cillia, they genuinely are.

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Speaker 5: Because you predicted something. Utopia predicted something about a stadium

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Speaker 5: in Tasmania.

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Speaker 2: Right, yeah, being built.

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Speaker 4: We've got some audio here from the show of Tasmanians

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Speaker 4: to do, not need nor want a huge new stadium.

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Speaker 1: I can't believe the ingratitude of some people. They didn't

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Speaker 1: ask for one.

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Speaker 4: I don't know what they want.

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Speaker 2: They live there.

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Speaker 4: It's not the point we need to start planning for one?

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Speaker 7: Why are you a plan?

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Speaker 2: Is a plan for fire?

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Speaker 3: Give me the book.

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Speaker 2: That's now being built at a stadium in Tasmania is now

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Speaker 2: being built. That's extraordinary.

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Speaker 4: Look, I'm not going to pretend that I know anything

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Speaker 4: about infrastructure.

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Speaker 2: There's a lot of stuff of the show.

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Speaker 4: It's pretending. It's acting right. I just sound really smart,

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Speaker 4: which is difficult because some people come up to me

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Speaker 4: and they think I know what I was talking about,

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Speaker 4: and they don't even I understand that the research is real,

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Speaker 4: like what they've studied. IS's a lot of stuff thats

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Speaker 4: my mind that is actually real. The one that I

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Speaker 4: always think of is the very Fast Train. I think

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Speaker 4: in season one, where they were trying to get up

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Speaker 4: a very fast train. And we keep rolling out this

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Speaker 4: thing because it gets votes, but it can't be done.

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Speaker 4: And they've done all these studies and we had these props,

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Speaker 4: so like, this is a report, this is a report.

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Speaker 4: Every five years or so they try this. It can't

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Speaker 4: be done. Here's a report. They have these incredibly detailed

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Speaker 4: prop reports. And then so I went, no, no, they're real,

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Speaker 4: they're real. This has actually happened, and it keeps getting

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Speaker 4: looked into. It and then a few years ago again

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Speaker 4: they announced very fast train but then a whoops, it

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Speaker 4: can't be done.

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Speaker 2: Hilarious. I know it's nuts, it's actually terrifying. Well, yes,

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Speaker 2: it is so funny that it's coming from a real plot.

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Speaker 4: Because I've never worked in an office, let alone in

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Speaker 4: the government department, and so when I started, I was like,

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Speaker 4: what a ridiculous satire. What if the world was actually

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Speaker 4: like this? And then the number of people have gone,

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Speaker 4: who's your sources? The insider leaking it?

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Speaker 1: It's terrifying. Well, one place you have worked those is

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Speaker 1: on stage obviously, And I know you had a baby

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Speaker 1: about the same time as Woody and I.

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Speaker 4: I sure did.

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Speaker 3: So you did your first stand up gig for.

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Speaker 2: Ten minutes she'd been there.

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Speaker 4: Should have high fived each other in the hospital, that

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Speaker 4: would be nice. You're not doing that. That was the

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Speaker 4: first thing I did after I had a baby. High

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Speaker 4: fived all the stuff, what top, let's go, let's go,

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Speaker 4: And then I said can I eat now? That was

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Speaker 4: my first thing. I'm like, it was like four sixty

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Speaker 4: percent love and adoration of the baby. And then I've

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Speaker 4: never been so starving in all my life. Can you

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Speaker 4: take this baby? From me so that I can get

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Speaker 4: uber eats, which I did. We got burgers, and this

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Speaker 4: place where we've got burgers also had sliders, which is

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Speaker 4: a little tiny burger, and it looked like I'd order

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Speaker 4: a burger for the baby two hour old baby, n

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Speaker 4: you can't, okay, you know, babies don't eat burgers. And

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Speaker 4: I was like, it's okay. I took the piccolo. So

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Speaker 4: what have you got? So I gotta I got a

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Speaker 4: almost ten month old girl?

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Speaker 3: Oh yeah, girl, Yeah, I've got a girl as well.

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Speaker 3: She's there ten months stuff a.

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Speaker 2: Bit over the hill, and I've got an eight month

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Speaker 2: old girl.

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Speaker 5: I want to ask you, though, because obviously we were

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Speaker 5: both the partners during the birthing suite, how was your partner, Dara?

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Speaker 5: Because I know he's a photographer, so was he sort

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Speaker 5: of going, oh, just hold that.

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Speaker 2: Hold back, squeeze seals, let's get a shut of that.

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Speaker 4: You know how graphic you want to get, but let's

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Speaker 4: do it. So he did take some excellent he took

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Speaker 4: some beautiful, beautiful photos, but when we got down to it,

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Speaker 4: he wasn't taking photos until she was born. But there

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Speaker 4: was one moment where I think the midwife went do

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Speaker 4: you want me to take a photo with you in it?

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Speaker 4: And he was like, oh, yes, of course took a photo.

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Speaker 4: It was only later so after you have a baby.

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Speaker 4: Some women she came out the not natural wet, just

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Speaker 4: the vaginal way. Yeah, you can say that it's not

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Speaker 4: swear Worth.

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Speaker 2: Absolutely, she came out.

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Speaker 4: Wait, it's not naturally, it's not anywhere. They came out

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Speaker 4: of the vaginal way. And I got a second degree tear,

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Speaker 4: which is the tear that's not all the way to

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Speaker 4: the asshole. Yes, this is excellent Arabia, just to leave

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Speaker 4: a little something to mystery.

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Speaker 2: Degrees until many degrees three.

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Speaker 4: Is a full degree tair.

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Speaker 1: But second, don't mind do you name the tair based

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Speaker 1: on how Yeah?

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Speaker 4: Right, that's correct, one big one. Anyway, I don't mind

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Speaker 4: having a second degree tair because it makes my vagina

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Speaker 4: seem quite smart. It's like, that's right, it's got two degrees.

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Speaker 4: Didn't even study.

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Speaker 1: We're just an advance were I just.

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Speaker 4: Read it today. Actually I'm really excited. I'm going to

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Speaker 4: try it on Saturday.

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Speaker 1: So I'm telling you, I'm.

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Speaker 4: Trying to hear and mum's the word. Maybe that's the

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Speaker 4: show title anyway. Anyway, So you get stitched up. Sorry,

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Speaker 4: anyone having dinner, you get stitched up. So it was

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Speaker 4: only later that when we looked at this beautiful photo

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Speaker 4: of myself and my partner holding our five second old baby,

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Speaker 4: that we realized that this woman hadn't actually cropped out.

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Speaker 4: The obstetrician was stitching up the beers descent and I

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Speaker 4: didn't need to see that. I probably could should have

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Speaker 4: framed it out before we put it on the wall.

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Speaker 1: But no, all in, well done. We need you, we

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Speaker 1: need your help with something because we're doing this thing.

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Speaker 4: Something just happened in my head? Did everyone else you that?

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Speaker 9: Now?

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Speaker 1: So we got told last week in a real, like

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Speaker 1: annoyingly like, almost cliche style rated commercial radio stunt Wood

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Speaker 1: are not going to be put inside a room locked

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Speaker 1: in there, and it's an escape room. I love escape room,

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Speaker 1: and it's going to be but it's it's for an

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Speaker 1: indefinite amount of time, so it's basically till we get.

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Speaker 4: Okay, that's prison.

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Speaker 2: Yeah, that's a better way to describe it.

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Speaker 1: Here's the noise you heard in your head, right, yeah,

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Speaker 1: So that's the that's the prison thing shutting and they

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Speaker 1: know that and the producers are planned this whole thing,

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Speaker 1: and it's really really intense wood. You and I have

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Speaker 1: never done an escape room before.

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Speaker 3: Have you done the skate room?

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Speaker 4: Yes? Sorry, that was not swearing. You're welcome. Of course

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Speaker 4: I have.

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Speaker 2: So you like them, you love them leaving.

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Speaker 4: A video games, it's like a tactile video game.

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Speaker 2: It's actually it's the best.

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Speaker 4: You go in and you just grab stuff and you

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Speaker 4: figure it out. Do them all the time. With Luke

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Speaker 4: McGregor a lot of the.

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Speaker 3: Time close to the last person I wanted to.

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Speaker 4: He's good. You don't want to be with someone who's

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Speaker 4: super competitive. That's why someone solving all the problems. You're like, no,

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Speaker 4: get away from it. I want to do it.

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Speaker 1: You want to be with someone who's like, Okay, that's cool.

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Speaker 5: Just to get ready for it, because again we've never

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Speaker 5: done an escape room.

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Speaker 2: You're now. I had no idea you were an escape

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Speaker 2: room maestro.

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Speaker 5: But we've got like the sort of puzzle that we'll

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Speaker 5: be doing right now, and I thought the three of

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Speaker 5: us could try and figure it out together, or you

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Speaker 5: don't get to leave.

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Speaker 4: Okay, no pressure. But I've also got a record once

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Speaker 4: with an X we got a record. We got on

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Speaker 4: the wall. We did it so quickly that they gave

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Speaker 4: us free bowling that like, that was so good that

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Speaker 4: we can't charge.

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Speaker 1: You for it.

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Speaker 4: Have bowling slightly to support, I know, because you're like

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Speaker 4: you pay they're quite expensive. Excin is there supposed to

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Speaker 4: take an hour and if you're too good at it,

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Speaker 4: you get out in fifteen minutes. You're like.

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Speaker 2: With the breakup and someone have to win the free bowling.

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Speaker 4: By the way, no, no, no, we were together at the time.

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Speaker 4: That would be terrible. Don't you escape room with an.

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Speaker 5: Ex good advice, no solid advice? All right, okay, here

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Speaker 5: is here is a puzzle. I am the son of

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Speaker 5: a chemist and a mathematician. I am the son of

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Speaker 5: a chemist and a mathematician. My nickname is Iron fifty nine.

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Speaker 2: What is my name?

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Speaker 4: Oh? Come on, you need a pen and paper for this,

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Speaker 4: I've got one.

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Speaker 5: I'm a chemist and a mathematician. Okay, So if what's

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Speaker 5: iron on.

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Speaker 4: The it's going to be one of the.

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Speaker 2: Iron is LB of a chemist.

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Speaker 5: I E is f e irons f e f fee

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Speaker 5: five nine.

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Speaker 2: Fee five.

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Speaker 5: I've watched the fifth letter of the offbet a B

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Speaker 5: C D E E fee and the ninth is a

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Speaker 5: B c D E f g h I. It's name

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Speaker 5: is f I.

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Speaker 4: I met with like the physical puzzle, stuff up and

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Speaker 4: shake it and lasers and stuff.

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Speaker 3: Son of it? Yeah, great, great?

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Speaker 5: Ion is f E on the periodic table. Yeah, it's

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Speaker 5: definitely fit for. And then what is five nine referred to?

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Speaker 3: Is iron? Fifty nine?

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Speaker 1: That could be the.

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Speaker 5: I'm the son of a chemist and a mathematician.

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Speaker 1: Matthew, hang on, hang on, no, hey on. But if

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Speaker 1: you're the son of a we can combine, you can

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Speaker 1: combined chemic.

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Speaker 4: I don't know, and iron please, oh yeah, that's the thing. Please.

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Speaker 13: What would be fifty nine in another expression.

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Speaker 4: Of in the Roman numerals, maybe the X, the the

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Speaker 4: IVY live No, because it is b B five I

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Speaker 4: think basically five and I X because ten that's ten.

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Speaker 4: So I X I think that iron.

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Speaker 1: Mixed iron VIX fifty I don't think.

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Speaker 4: Is that wrong?

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Speaker 1: Neelix felix felix l is fifty L is fifty I

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Speaker 1: x filix. Yeah.

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Speaker 4: Yeah, what's that got to do with mathematicians and chemist?

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Speaker 4: Oh that's not the call.

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Speaker 1: No, no, no, no, no no no, because chemist means

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Speaker 1: it's iron, it means f A. That's the chemistry part

452
00:19:34,280 --> 00:19:36,040
Speaker 1: of it and maths was the fifty nine.

453
00:19:36,840 --> 00:19:37,639
Speaker 3: It was two parts.

454
00:19:38,080 --> 00:19:42,560
Speaker 4: I usually do one with zombies and stuff. We did,

455
00:19:42,560 --> 00:19:45,600
Speaker 4: like I did an escape room for his bachelor party.

456
00:19:45,840 --> 00:19:49,080
Speaker 4: That's how cool we are. It is so funny. Yeah,

457
00:19:51,760 --> 00:19:54,159
Speaker 4: and then we and then we and then we ate

458
00:19:54,200 --> 00:19:56,159
Speaker 4: the zonia and then we drank wine and played connect

459
00:19:56,160 --> 00:19:56,679
Speaker 4: for so.

460
00:19:59,760 --> 00:19:59,920
Speaker 7: Man.

461
00:20:00,280 --> 00:20:02,720
Speaker 1: So he called you and was like, seals love a

462
00:20:02,760 --> 00:20:04,440
Speaker 1: bachelor party. What do you think, Gig, what are you doing?

463
00:20:04,480 --> 00:20:05,280
Speaker 4: I'm like, gotcha covered?

464
00:20:06,440 --> 00:20:09,200
Speaker 1: Thanks for coming in. Utopia continues tonight, guys, eight o'clock,

465
00:20:09,320 --> 00:20:11,480
Speaker 1: ABC TV and ABC I Views. We can see the

466
00:20:11,520 --> 00:20:14,680
Speaker 1: fifth season of a wonderful show on Ozzie TV.

467
00:20:14,760 --> 00:20:15,359
Speaker 3: Thanks for coming in.

468
00:20:15,400 --> 00:20:20,720
Speaker 1: Seales, Thank you. Love to have you in hereby Ryan Shelton,

469
00:20:20,760 --> 00:20:24,160
Speaker 1: Josh Van Coleenberg Back in the studio from The Imperfect Podcast,

470
00:20:24,240 --> 00:20:26,000
Speaker 1: our favorite podcast. You can get it wherever you get

471
00:20:26,000 --> 00:20:28,359
Speaker 1: your podcast, The Imperfects that truly is a wonderful listener

472
00:20:28,480 --> 00:20:30,440
Speaker 1: carries on a really bit of an institution.

473
00:20:30,560 --> 00:20:32,320
Speaker 3: Now, I'd have to say the Imperfect.

474
00:20:31,880 --> 00:20:33,760
Speaker 6: Podcast whole institution.

475
00:20:33,920 --> 00:20:36,000
Speaker 2: Would we hate hay as an institution?

476
00:20:36,520 --> 00:20:37,879
Speaker 6: I don't know for an institution.

477
00:20:38,119 --> 00:20:43,520
Speaker 2: What's pre institution you've got a new show. You got

478
00:20:43,560 --> 00:20:45,400
Speaker 2: a new and exciting show. Institution.

479
00:20:45,600 --> 00:20:48,399
Speaker 6: Yeah, institute, I don't think so that's not it.

480
00:20:49,760 --> 00:20:53,680
Speaker 2: You need it, frown for a kind work. We'll turn

481
00:20:53,760 --> 00:20:57,240
Speaker 2: you around.

482
00:21:01,440 --> 00:21:09,760
Speaker 5: Yes, yes, yes, yes, So with that podcast that's an institute.

483
00:21:10,440 --> 00:21:11,680
Speaker 2: Yeah, I don't know what came Open.

484
00:21:13,480 --> 00:21:14,080
Speaker 1: Podcasts.

485
00:21:15,200 --> 00:21:16,000
Speaker 6: That was great stuff.

486
00:21:16,040 --> 00:21:19,840
Speaker 14: Well, we are yet again without Hugh Vanka, the third

487
00:21:19,880 --> 00:21:22,040
Speaker 14: member of the imperfect which is I mean, at some

488
00:21:22,080 --> 00:21:24,480
Speaker 14: point we need to dock his pay because he there's

489
00:21:24,520 --> 00:21:26,200
Speaker 14: been a few times he does not coming.

490
00:21:26,600 --> 00:21:28,959
Speaker 1: I think, Yeah, you guys obviously need to sit down

491
00:21:28,960 --> 00:21:30,240
Speaker 1: and have a bit of a chat about what's going on,

492
00:21:30,320 --> 00:21:31,920
Speaker 1: because he's clearly doing a solo project.

493
00:21:31,960 --> 00:21:33,200
Speaker 3: He's clearly doing it behind your back.

494
00:21:34,280 --> 00:21:39,399
Speaker 14: Okay, I wouldn't say clearly, but you obviously know something

495
00:21:39,440 --> 00:21:39,840
Speaker 14: I don't.

496
00:21:40,760 --> 00:21:43,040
Speaker 3: Well, he was coming on here doing Wellness Wednesdays for a.

497
00:21:43,000 --> 00:21:44,719
Speaker 2: Little He actually did a Mindful Monday as well.

498
00:21:45,200 --> 00:21:45,440
Speaker 1: Monday.

499
00:21:45,520 --> 00:21:47,200
Speaker 2: Yeah, I didn't know about the Mindful Monday.

500
00:21:47,560 --> 00:21:47,760
Speaker 4: Yeah.

501
00:21:48,920 --> 00:21:51,160
Speaker 6: News to me, Frightened Friday is what I'm coming.

502
00:21:55,040 --> 00:21:56,240
Speaker 3: Like, what would that consist of?

503
00:21:56,320 --> 00:21:57,000
Speaker 1: Frightened Friday?

504
00:21:57,760 --> 00:21:59,640
Speaker 6: I'm just hiding under the desk and give you a shock.

505
00:22:00,680 --> 00:22:01,520
Speaker 6: So you're frightened.

506
00:22:03,119 --> 00:22:07,080
Speaker 1: It's a good fit that Frightened Friday is going on

507
00:22:07,160 --> 00:22:07,960
Speaker 1: until I get shot.

508
00:22:08,000 --> 00:22:10,160
Speaker 6: Yeah, exactly. It's a surprise segment for you.

509
00:22:10,240 --> 00:22:12,480
Speaker 1: Of course it could be on this Friday. We never know.

510
00:22:12,600 --> 00:22:13,680
Speaker 6: I can't say.

511
00:22:14,760 --> 00:22:16,679
Speaker 1: What you can say, though, is that you've got a

512
00:22:16,720 --> 00:22:18,320
Speaker 1: brand new thing that you do with us here. It's

513
00:22:18,320 --> 00:22:21,280
Speaker 1: a brand you almost institution, you'd say, definitely an institute

514
00:22:21,520 --> 00:22:23,840
Speaker 1: is you guys come in here from Fortnet with a

515
00:22:23,840 --> 00:22:26,159
Speaker 1: bit called the Compliments, So we learn about how to

516
00:22:26,240 --> 00:22:27,760
Speaker 1: give compliments to other people.

517
00:22:27,840 --> 00:22:28,520
Speaker 3: Josh, can you talk.

518
00:22:28,359 --> 00:22:29,200
Speaker 1: About that a bit more please?

519
00:22:29,320 --> 00:22:32,239
Speaker 11: Yeah, So we need to give more compliments. I think

520
00:22:32,280 --> 00:22:33,800
Speaker 11: a lot of us think we give compliments, but a

521
00:22:33,800 --> 00:22:36,679
Speaker 11: lot of the time we've learned through our podcast that

522
00:22:36,680 --> 00:22:39,399
Speaker 11: we're not doing them properly, and we brush them aside

523
00:22:39,400 --> 00:22:40,960
Speaker 11: and we make them to flip it and too easy.

524
00:22:41,359 --> 00:22:42,760
Speaker 2: Whereas the right way to.

525
00:22:42,760 --> 00:22:44,439
Speaker 11: Give a compliment, we've learned is that you need to

526
00:22:44,680 --> 00:22:46,919
Speaker 11: start by telling someone you know the compliment what you

527
00:22:46,960 --> 00:22:49,240
Speaker 11: like about them, but it's really important to tell them

528
00:22:49,240 --> 00:22:52,119
Speaker 11: how that makes you feel. You get a hit of oxytocin,

529
00:22:52,240 --> 00:22:55,679
Speaker 11: so does the person who receives the compliment, and that

530
00:22:55,760 --> 00:22:58,760
Speaker 11: oxytocin forms a bond, and you can it's all that connection,

531
00:22:59,280 --> 00:23:01,720
Speaker 11: connecting and make stronger connections with the people you care about.

532
00:23:01,880 --> 00:23:04,119
Speaker 5: Yeah, and a natural reaction is to then make a

533
00:23:04,200 --> 00:23:06,760
Speaker 5: joke or to sort of lighten the mood straight away.

534
00:23:06,880 --> 00:23:10,200
Speaker 14: Yeah, because it's an awkward feeling sometimes when someone says

535
00:23:10,240 --> 00:23:12,920
Speaker 14: something nice to you, or particularly when it's like how

536
00:23:12,920 --> 00:23:16,680
Speaker 14: that makes you feel, it's sort of an awkward vibe. So, yeah,

537
00:23:16,960 --> 00:23:19,160
Speaker 14: the temptation is to brush it off with a joke.

538
00:23:20,280 --> 00:23:21,159
Speaker 6: You shan't do that.

539
00:23:22,240 --> 00:23:24,760
Speaker 1: No, try and try and lean try and lean into

540
00:23:24,800 --> 00:23:28,080
Speaker 1: it if you can. Guys, and particularly if somebody does

541
00:23:28,080 --> 00:23:30,479
Speaker 1: is to you out in the world after this, if

542
00:23:30,520 --> 00:23:32,960
Speaker 1: they've been inspired by this segment, or if you get

543
00:23:32,960 --> 00:23:35,120
Speaker 1: inspired by it, see if you can really just make

544
00:23:35,160 --> 00:23:38,520
Speaker 1: it land hold eye contact with them. They'll probably try

545
00:23:38,560 --> 00:23:40,439
Speaker 1: and hit you with a few jokes, but just parry,

546
00:23:40,480 --> 00:23:43,199
Speaker 1: stay the course and hold eye contact. Just feel like, no,

547
00:23:43,240 --> 00:23:45,199
Speaker 1: I really mean that, and I want you to know that.

548
00:23:45,640 --> 00:23:47,280
Speaker 2: Do you think people are out there doing this off

549
00:23:47,359 --> 00:23:48,440
Speaker 2: the back of this, Like.

550
00:23:48,440 --> 00:23:52,160
Speaker 1: I really hope, So, I really hope. So I tell

551
00:23:52,200 --> 00:23:55,200
Speaker 1: you what I feel like, particularly dudes. You know, obviously

552
00:23:55,280 --> 00:23:57,520
Speaker 1: we are all men doing this, and I think there's

553
00:23:57,520 --> 00:23:59,880
Speaker 1: a reason we're doing that because this is the compliment.

554
00:24:00,200 --> 00:24:02,320
Speaker 1: It is the compliment. And I think women are a

555
00:24:02,320 --> 00:24:04,560
Speaker 1: lot better at, you know, telling people around them that

556
00:24:04,600 --> 00:24:06,720
Speaker 1: they love them and that they're they're useful to them,

557
00:24:06,760 --> 00:24:08,679
Speaker 1: and they're they're great at giving compliments well, certainly in

558
00:24:08,720 --> 00:24:11,199
Speaker 1: my experience, but men are traditionally really awful at this.

559
00:24:11,240 --> 00:24:12,840
Speaker 1: I think there's a reason why we've got a real

560
00:24:12,880 --> 00:24:15,080
Speaker 1: issue with mental health, particularly with men. And right up

561
00:24:15,080 --> 00:24:17,680
Speaker 1: next to getting another great example of how to give

562
00:24:17,720 --> 00:24:20,240
Speaker 1: a compliment, we've got another special guest coming in the studio.

563
00:24:20,359 --> 00:24:22,480
Speaker 14: So we usually in the past we've given compliments to

564
00:24:22,520 --> 00:24:27,320
Speaker 14: each other internally, and then recently we've been bringing in outsiders. Yeah,

565
00:24:27,520 --> 00:24:29,520
Speaker 14: and there is another outsider coming in.

566
00:24:29,520 --> 00:24:32,080
Speaker 1: Yeah, which I think was hard to get over the line,

567
00:24:32,119 --> 00:24:35,320
Speaker 1: given that our last outsider bolted like a horse after

568
00:24:35,400 --> 00:24:39,520
Speaker 1: the job. We haven't heard since dick was Dicko fled

569
00:24:39,560 --> 00:24:40,240
Speaker 1: the scene of the.

570
00:24:42,680 --> 00:24:44,200
Speaker 6: A Bit too Vulnerable.

571
00:24:45,800 --> 00:24:49,240
Speaker 5: You've seen Dicko by the way, thirteen, we haven't heard

572
00:24:49,240 --> 00:24:49,720
Speaker 5: from Dicko.

573
00:24:50,320 --> 00:24:54,560
Speaker 1: Rick Davies, who's in the studio right now. Actor EXTRAORDINAIY,

574
00:24:55,520 --> 00:24:57,960
Speaker 1: Welcome mate, Thanks for having me first time in the

575
00:24:57,960 --> 00:24:58,640
Speaker 1: studio with us.

576
00:24:58,760 --> 00:24:58,960
Speaker 4: Yeah.

577
00:24:59,200 --> 00:25:01,800
Speaker 1: Yeah, it's a love each studio. Thank you, thank you.

578
00:25:01,840 --> 00:25:04,520
Speaker 1: I building myself now, So what we're going to do?

579
00:25:05,520 --> 00:25:11,680
Speaker 14: It was not gloss over that huge achievement we.

580
00:25:12,320 --> 00:25:13,560
Speaker 3: Get on the podcast guys.

581
00:25:14,280 --> 00:25:16,040
Speaker 1: So what we are going to do though, Yeah, you

582
00:25:16,080 --> 00:25:18,800
Speaker 1: are going to get a compliment actually, yeah, Rick, that's

583
00:25:18,840 --> 00:25:21,440
Speaker 1: what you're here for. So temptation will be to try

584
00:25:21,480 --> 00:25:22,760
Speaker 1: and table.

585
00:25:23,280 --> 00:25:27,879
Speaker 2: Yeah it's sturdy, yeah under this well built player.

586
00:25:30,520 --> 00:25:31,240
Speaker 1: Are we ready to go?

587
00:25:31,720 --> 00:25:31,960
Speaker 6: Yes?

588
00:25:32,080 --> 00:25:33,240
Speaker 3: Yes, okay, let's do it.

589
00:25:47,680 --> 00:25:48,000
Speaker 6: Okay.

590
00:25:48,119 --> 00:25:51,720
Speaker 14: So the person giving the compliment to you, Rick is

591
00:25:51,840 --> 00:25:54,320
Speaker 14: Josh Van kyleen Berg VC.

592
00:25:54,800 --> 00:25:55,080
Speaker 6: It's me.

593
00:25:55,280 --> 00:25:56,120
Speaker 1: What are the kylies?

594
00:25:56,320 --> 00:25:56,919
Speaker 2: Yeah?

595
00:25:57,040 --> 00:25:57,520
Speaker 1: One off?

596
00:25:59,560 --> 00:25:59,919
Speaker 6: Yeah, one?

597
00:26:01,240 --> 00:26:05,439
Speaker 2: So Rick, I'm.

598
00:26:03,920 --> 00:26:07,240
Speaker 11: Really nervous about this actually, because we know each other

599
00:26:07,280 --> 00:26:09,320
Speaker 11: and we're becoming friends, I'd say, yeah, we don't really,

600
00:26:09,520 --> 00:26:11,199
Speaker 11: it's a new thing, and I think it's rare to

601
00:26:11,200 --> 00:26:13,000
Speaker 11: give a compliment like this early in a friendship.

602
00:26:13,960 --> 00:26:15,080
Speaker 2: I want the friendship.

603
00:26:16,080 --> 00:26:18,320
Speaker 14: You're on our podcast a couple of years ago now,

604
00:26:18,400 --> 00:26:19,200
Speaker 14: probably wasn't it, Rick?

605
00:26:19,280 --> 00:26:19,440
Speaker 1: Yeah?

606
00:26:19,520 --> 00:26:22,159
Speaker 11: Yeah, yeah, So that's where we first met, and then

607
00:26:22,160 --> 00:26:24,000
Speaker 11: we've since discovered we lived really close to each other,

608
00:26:24,080 --> 00:26:28,119
Speaker 11: bump into each other at the same cafe recently, a

609
00:26:28,119 --> 00:26:29,920
Speaker 11: while ago actually, so it was about six months ago.

610
00:26:30,000 --> 00:26:32,119
Speaker 11: You asked to catch up and go through some stuff

611
00:26:32,160 --> 00:26:33,479
Speaker 11: for sort of work stuff.

612
00:26:33,960 --> 00:26:35,720
Speaker 6: The person that you, the person.

613
00:26:35,480 --> 00:26:36,120
Speaker 2: I met that day.

614
00:26:36,280 --> 00:26:38,240
Speaker 11: That is what I want to compliment you about today

615
00:26:38,560 --> 00:26:40,760
Speaker 11: in that to be around you, there's this sense of

616
00:26:40,880 --> 00:26:43,879
Speaker 11: joy and zest for life and a fun that you

617
00:26:43,960 --> 00:26:47,080
Speaker 11: bring when that is like unlike anyone I've ever really

618
00:26:47,080 --> 00:26:49,040
Speaker 11: met before. I mean, a joy and zes for life

619
00:26:49,080 --> 00:26:50,680
Speaker 11: is really the main part of it. But I think

620
00:26:50,760 --> 00:26:52,560
Speaker 11: to me it could be summed up that after this,

621
00:26:53,240 --> 00:26:54,800
Speaker 11: in fact, it might be the only time we've hung out,

622
00:26:54,840 --> 00:26:57,520
Speaker 11: Billy hung out one on one, and it ended up

623
00:26:57,560 --> 00:26:59,960
Speaker 11: with you and I getting up, going for a walk

624
00:27:00,040 --> 00:27:02,880
Speaker 11: and buying tat Lotto Tis Yeah, and promising to share

625
00:27:03,520 --> 00:27:05,720
Speaker 11: to share the winnings with each other, which to me

626
00:27:05,840 --> 00:27:07,679
Speaker 11: felt like something you do when you're eighteen.

627
00:27:08,200 --> 00:27:16,840
Speaker 2: You didn't see my numbers, though, did you? I lost.

628
00:27:15,880 --> 00:27:17,960
Speaker 6: Seeing a ten foot train of a fur coat.

629
00:27:19,760 --> 00:27:22,600
Speaker 11: But the way that you made me feel that day,

630
00:27:22,680 --> 00:27:24,639
Speaker 11: and the way I always feel when I'm around you,

631
00:27:24,840 --> 00:27:27,080
Speaker 11: is the excitement you got. I find I used to

632
00:27:27,080 --> 00:27:28,440
Speaker 11: get when I was a lot younger. When you meet

633
00:27:28,480 --> 00:27:31,119
Speaker 11: new people, and there's this optimism for the life looking

634
00:27:31,160 --> 00:27:32,919
Speaker 11: for that you can do anything, you can have so

635
00:27:33,000 --> 00:27:34,960
Speaker 11: much fun, you can achieve so much, and you can

636
00:27:35,040 --> 00:27:36,720
Speaker 11: have such a great life. And I think as you

637
00:27:36,760 --> 00:27:39,399
Speaker 11: get older, I certainly get set in my ways and

638
00:27:39,440 --> 00:27:42,520
Speaker 11: start to lose some sense of optimism and joy just

639
00:27:42,560 --> 00:27:44,640
Speaker 11: in the possibility of what might be next, and being

640
00:27:44,680 --> 00:27:47,199
Speaker 11: around you makes me feel like there's so much more

641
00:27:47,280 --> 00:27:49,040
Speaker 11: joy to be had in life.

642
00:27:48,359 --> 00:27:54,800
Speaker 15: So that's yeah, I'm blown away. Like that's because I

643
00:27:54,880 --> 00:27:57,720
Speaker 15: just find you such a like not to put a

644
00:27:57,720 --> 00:27:59,680
Speaker 15: mirror up to, you know, back at you, but I

645
00:28:00,160 --> 00:28:04,480
Speaker 15: find you such an impressive, fun, intelligent and emotionally intelligent

646
00:28:04,520 --> 00:28:08,320
Speaker 15: person to be around and such an open person. To

647
00:28:08,400 --> 00:28:12,359
Speaker 15: hear that coming from you is huge, huge, and dude,

648
00:28:12,920 --> 00:28:15,320
Speaker 15: I'm blown away. I'm blown away. Thank you.

649
00:28:15,560 --> 00:28:16,800
Speaker 2: I meant every every bit of it.

650
00:28:17,040 --> 00:28:23,200
Speaker 15: You you want to hang out?

651
00:28:27,359 --> 00:28:29,640
Speaker 6: Wow, I don't.

652
00:28:29,440 --> 00:28:33,359
Speaker 14: Know technically what the rules are to throw back another compliment, Like,

653
00:28:33,440 --> 00:28:36,160
Speaker 14: I don't know, we haven't really ever come across that before.

654
00:28:36,160 --> 00:28:37,280
Speaker 2: We've called compliment Tennis.

655
00:28:37,680 --> 00:28:41,600
Speaker 11: Oh you're Josh, You've got bloody good hair.

656
00:28:41,720 --> 00:28:42,840
Speaker 1: Thank you.

657
00:28:42,960 --> 00:28:43,800
Speaker 2: It's going started.

658
00:28:51,120 --> 00:28:57,640
Speaker 7: Will and Woody trapped the adventure could begin at any moment.

659
00:29:02,680 --> 00:29:05,720
Speaker 5: Getting great reviews the New Indiana Jones. But enough about

660
00:29:05,720 --> 00:29:08,960
Speaker 5: the movie. Yes, we can be taken away at any time.

661
00:29:09,000 --> 00:29:10,840
Speaker 5: Weber and we had it gon be taken to a

662
00:29:10,880 --> 00:29:14,480
Speaker 5: mystery location where apparently there's a whole bunch of puzzles

663
00:29:14,560 --> 00:29:14,960
Speaker 5: or something.

664
00:29:15,680 --> 00:29:17,400
Speaker 2: We figure out the puzzles with your help.

665
00:29:17,440 --> 00:29:19,200
Speaker 5: By the way, so we're doing all the radio shows

666
00:29:19,240 --> 00:29:21,800
Speaker 5: from this mystery location. With the help of the listeners,

667
00:29:21,840 --> 00:29:23,600
Speaker 5: we will try and figure out puzzles, et cetera. It's

668
00:29:23,600 --> 00:29:25,760
Speaker 5: like an escape room, and once we figure that out,

669
00:29:26,040 --> 00:29:29,520
Speaker 5: where we are released. But that could be one day,

670
00:29:29,640 --> 00:29:30,960
Speaker 5: it could be a week, it could be two weeks,

671
00:29:31,000 --> 00:29:31,600
Speaker 5: it could be a month.

672
00:29:31,640 --> 00:29:33,000
Speaker 2: We genuinely have no idea.

673
00:29:33,040 --> 00:29:34,400
Speaker 3: We also don't know when we're going in.

674
00:29:34,600 --> 00:29:37,280
Speaker 1: That for me is the more painful part as a

675
00:29:37,280 --> 00:29:39,720
Speaker 1: control freak, being in the escape room. Like I'm in

676
00:29:39,800 --> 00:29:42,720
Speaker 1: you know, I am in control of my own destiny,

677
00:29:43,160 --> 00:29:44,640
Speaker 1: which you know, like I've got to solve O the

678
00:29:44,680 --> 00:29:46,920
Speaker 1: puzzles there. That's how I get out. I'm okay with that.

679
00:29:47,120 --> 00:29:51,080
Speaker 1: The bit that's really rattling me is that I don't know,

680
00:29:51,800 --> 00:29:54,520
Speaker 1: like what if we finish the show today and someone's

681
00:29:54,560 --> 00:29:57,320
Speaker 1: just out there with you know, a couple of black

682
00:29:57,360 --> 00:29:58,720
Speaker 1: bags and some cable ties.

683
00:30:00,240 --> 00:30:03,040
Speaker 2: I'm off that, Yeah, I'm so off.

684
00:30:02,880 --> 00:30:06,680
Speaker 5: That the same I want to have dinner, yeah, right,

685
00:30:06,880 --> 00:30:08,120
Speaker 5: because there'll be leftovers.

686
00:30:08,920 --> 00:30:10,480
Speaker 2: No, I'm really annoyed because.

687
00:30:11,080 --> 00:30:12,360
Speaker 3: Someone someone with a child.

688
00:30:12,480 --> 00:30:14,000
Speaker 1: You need to stop talking about the food that's going

689
00:30:14,040 --> 00:30:16,080
Speaker 1: to be left in your fridge. It needs to be

690
00:30:16,160 --> 00:30:17,720
Speaker 1: if you're going to miss your daughter more. Yeah.

691
00:30:17,720 --> 00:30:18,800
Speaker 2: We I'm definitely go to miss my daughter.

692
00:30:18,800 --> 00:30:22,040
Speaker 5: But that's an obvious one, right, I'm talking about practicality anyway.

693
00:30:22,600 --> 00:30:26,000
Speaker 5: We also have a scrolled, a dead Sea scroll, which

694
00:30:26,040 --> 00:30:28,640
Speaker 5: has been hanging from the roof of the studio since well,

695
00:30:28,680 --> 00:30:29,960
Speaker 5: I don't know how long it's been there for, but

696
00:30:30,000 --> 00:30:32,600
Speaker 5: we noticed that at like four point thirty yep. I think,

697
00:30:32,960 --> 00:30:36,440
Speaker 5: are we supposed to take it down now and read it?

698
00:30:36,520 --> 00:30:37,520
Speaker 1: Was it meant to be lower?

699
00:30:37,680 --> 00:30:37,800
Speaker 4: Like?

700
00:30:38,040 --> 00:30:38,800
Speaker 1: It was meant to be.

701
00:30:38,800 --> 00:30:39,680
Speaker 3: Lower, wasn't it?

702
00:30:39,800 --> 00:30:41,720
Speaker 1: Ideally it would have looked a little bit more impressive,

703
00:30:41,720 --> 00:30:44,000
Speaker 1: a little bit more obvious, And I think maybe if

704
00:30:44,000 --> 00:30:48,120
Speaker 1: you were going to like complete the complete the effect,

705
00:30:48,200 --> 00:30:50,200
Speaker 1: you would have gone for like some rope or something,

706
00:30:50,280 --> 00:30:53,600
Speaker 1: rather than the ribbon, which was clearly a regidged from

707
00:30:53,600 --> 00:30:57,080
Speaker 1: somebody's Christmas present. What I hit my head?

708
00:30:57,160 --> 00:31:01,680
Speaker 2: Ah, we play some music to make this same more grandiebs?

709
00:31:03,640 --> 00:31:04,160
Speaker 1: So do we.

710
00:31:05,800 --> 00:31:05,880
Speaker 4: Do?

711
00:31:06,000 --> 00:31:12,560
Speaker 1: We know? And this before? That's what I'm worried about.

712
00:31:12,560 --> 00:31:15,200
Speaker 1: Like if you open it and it says yeah, but

713
00:31:15,240 --> 00:31:18,200
Speaker 1: if you open it and it reads you're getting taken now,

714
00:31:18,720 --> 00:31:20,880
Speaker 1: like do we want that? Maybe we just leave it there.

715
00:31:20,880 --> 00:31:22,800
Speaker 2: I don't think we can just ignore this bit. They're

716
00:31:22,800 --> 00:31:26,480
Speaker 2: gonna take us. I can, oh yeah, talking to your microphone?

717
00:31:26,520 --> 00:31:27,960
Speaker 1: What good, good one?

718
00:31:29,040 --> 00:31:29,360
Speaker 7: All right?

719
00:31:29,560 --> 00:31:30,800
Speaker 1: Ten years in the biz right there.

720
00:31:30,880 --> 00:31:31,840
Speaker 2: I'm pulling it down, all right.

721
00:31:32,600 --> 00:31:34,760
Speaker 3: I think just pull it mate, I want to rip.

722
00:31:34,640 --> 00:31:35,800
Speaker 1: It a good point.

723
00:31:36,040 --> 00:31:36,400
Speaker 7: All right.

724
00:31:36,480 --> 00:31:38,440
Speaker 1: So this is I mean, it looks at a bit

725
00:31:38,440 --> 00:31:39,600
Speaker 1: of effort's gone in here.

726
00:31:40,080 --> 00:31:43,240
Speaker 2: No booby trap, No booby trap. I'm safe. No baby

727
00:31:43,280 --> 00:31:44,520
Speaker 2: track wasn't shot with an arrow.

728
00:31:47,760 --> 00:31:49,440
Speaker 5: That was the theater of the mine. Guys didn't actually

729
00:31:49,440 --> 00:31:51,280
Speaker 5: get shot with an arrow and might have believed it.

730
00:31:51,280 --> 00:31:54,520
Speaker 5: All right, I'm unraveling the the scroll.

731
00:31:56,480 --> 00:31:59,960
Speaker 3: It looks legit. What hit a coffee stay?

732
00:32:00,480 --> 00:32:02,960
Speaker 5: Yeah, clearly a couple of coffee stains. This is so

733
00:32:03,000 --> 00:32:06,040
Speaker 5: obviously a producer has burnt the edges. But some absolute

734
00:32:06,120 --> 00:32:08,719
Speaker 5: numb nuts has burnt it too much, so I actually

735
00:32:08,800 --> 00:32:09,600
Speaker 5: I can't read it.

736
00:32:10,440 --> 00:32:12,720
Speaker 2: I can't which numb.

737
00:32:12,600 --> 00:32:15,200
Speaker 5: Nuts burnt the scroll so much that I actually can't

738
00:32:15,240 --> 00:32:16,280
Speaker 5: read the first sentence.

739
00:32:16,880 --> 00:32:18,880
Speaker 1: Whose one job was burned the paper to make it

740
00:32:18,880 --> 00:32:20,800
Speaker 1: look real, but burnt it too much?

741
00:32:21,800 --> 00:32:23,160
Speaker 3: It was you, ol ja wasn't that?

742
00:32:23,880 --> 00:32:24,640
Speaker 2: I think I can.

743
00:32:26,200 --> 00:32:26,880
Speaker 4: Just read it.

744
00:32:26,960 --> 00:32:31,840
Speaker 2: I'll try. But will Woody tea week, you will be trapped?

745
00:32:32,160 --> 00:32:34,240
Speaker 3: Ta week it's.

746
00:32:34,040 --> 00:32:36,520
Speaker 2: Been it's been burnt. I think it's been that week,

747
00:32:36,760 --> 00:32:38,400
Speaker 2: that week, this week, tea week?

748
00:32:38,440 --> 00:32:40,000
Speaker 1: Oh, next week, next week?

749
00:32:40,080 --> 00:32:40,920
Speaker 3: Now be trapped.

750
00:32:41,360 --> 00:32:44,680
Speaker 2: So okay, we know it's next week. Okay. Teamwork and

751
00:32:44,760 --> 00:32:46,280
Speaker 2: intellect a code.

752
00:32:46,000 --> 00:32:48,880
Speaker 5: You must crack. Is this all going to be like poetry?

753
00:32:49,000 --> 00:32:50,280
Speaker 5: Or is it going to start making sense?

754
00:32:50,520 --> 00:32:53,040
Speaker 1: What is the purpose of this piece of paper?

755
00:32:53,560 --> 00:32:54,440
Speaker 3: Just more information?

756
00:32:54,480 --> 00:32:54,720
Speaker 1: Okay?

757
00:32:54,720 --> 00:32:56,160
Speaker 3: Couldn't you just told us in the post show?

758
00:32:56,200 --> 00:32:58,600
Speaker 2: This is a long read. God, strap yourselves in, guys.

759
00:32:58,600 --> 00:32:59,280
Speaker 2: This is a big letter.

760
00:32:59,520 --> 00:32:59,680
Speaker 7: Really.

761
00:32:59,760 --> 00:32:59,960
Speaker 1: Yeah.

762
00:33:01,000 --> 00:33:04,840
Speaker 2: Second, go to a song. Yeah, it's a long rain.

763
00:33:04,960 --> 00:33:07,000
Speaker 3: Oh my god, it is.

764
00:33:07,200 --> 00:33:11,840
Speaker 5: Can someone summarize it for me? For commercial radio? Can't

765
00:33:11,880 --> 00:33:13,000
Speaker 5: be on here reading the Bible.

766
00:33:17,000 --> 00:33:20,840
Speaker 1: I mean we haven't. We didn't really emphasize how great

767
00:33:20,920 --> 00:33:23,440
Speaker 1: the news was we got just before the song which

768
00:33:23,760 --> 00:33:26,120
Speaker 1: was in this on this parchment that you're reading was

769
00:33:26,200 --> 00:33:29,120
Speaker 1: that was awkwardly and annoyingly hanging from the ceiling for

770
00:33:29,160 --> 00:33:29,400
Speaker 1: most of.

771
00:33:29,400 --> 00:33:30,080
Speaker 2: The radio show.

772
00:33:30,200 --> 00:33:33,840
Speaker 1: Yes, we found out that we're not going in and

773
00:33:33,960 --> 00:33:35,120
Speaker 1: it said next week.

774
00:33:35,760 --> 00:33:37,920
Speaker 3: The first thing is the first thing. It said, next

775
00:33:37,960 --> 00:33:38,680
Speaker 3: week you'll be trapped.

776
00:33:38,680 --> 00:33:40,120
Speaker 1: Noise. We're not going into an S and M.

777
00:33:40,200 --> 00:33:42,440
Speaker 2: Dungeon. Might we might be. We have no idea, and

778
00:33:42,520 --> 00:33:46,320
Speaker 2: get your hopes up, big guy. Now, now let's speel

779
00:33:46,320 --> 00:33:46,960
Speaker 2: that tea on air.

780
00:33:48,480 --> 00:33:51,640
Speaker 1: Let's continue, because I think you've got the You've got

781
00:33:51,680 --> 00:33:53,560
Speaker 1: the rules in front of you. That's what That's what

782
00:33:53,600 --> 00:33:54,479
Speaker 1: the parchment is.

783
00:33:54,720 --> 00:33:55,360
Speaker 2: It's quite long.

784
00:33:55,640 --> 00:33:56,840
Speaker 3: Okay, do I read it from the top?

785
00:33:56,920 --> 00:33:57,120
Speaker 1: Yeah?

786
00:33:57,160 --> 00:33:58,720
Speaker 2: Sure, Okay, here we go. Next week.

787
00:33:58,760 --> 00:34:01,480
Speaker 5: You will be trapped. Team work in intellect a code

788
00:34:01,480 --> 00:34:04,160
Speaker 5: you must crack. Once you are in, you may not

789
00:34:04,360 --> 00:34:08,080
Speaker 5: leave till you've puzzled your way to a freedom reprieve?

790
00:34:09,040 --> 00:34:12,560
Speaker 5: Why is this so poetic? I can't just give us

791
00:34:12,560 --> 00:34:16,399
Speaker 5: the rules. Phones are allowed, but there'll be of no use.

792
00:34:16,719 --> 00:34:20,120
Speaker 5: Think of yourselves as the greatest recluse. As the room

793
00:34:20,200 --> 00:34:23,520
Speaker 5: tries to break you, you must not react. No violence

794
00:34:23,560 --> 00:34:28,760
Speaker 5: or breakages. You must use your tact it's your minds.

795
00:34:28,760 --> 00:34:31,840
Speaker 5: You will need no physical force. These rules will enforce

796
00:34:31,960 --> 00:34:34,960
Speaker 5: these rules. You'll uphold the tallest of trees, the smallest

797
00:34:34,960 --> 00:34:35,279
Speaker 5: of these.

798
00:34:35,400 --> 00:34:36,160
Speaker 2: Oh, this is boring.

799
00:34:36,760 --> 00:34:40,560
Speaker 5: If anything living does not survive, punishments and penalties will

800
00:34:40,600 --> 00:34:41,200
Speaker 5: be applied.

801
00:34:42,080 --> 00:34:43,200
Speaker 2: Your food will be delivered.

802
00:34:43,440 --> 00:34:51,719
Speaker 5: Your drinks on supply, alcoholic drinks or just drinks water. Well,

803
00:34:51,880 --> 00:34:55,800
Speaker 5: just don't say drinks. Then that's very misleading. Kiss and makeup?

804
00:34:56,480 --> 00:34:59,960
Speaker 5: If all aori, that's kiss?

805
00:35:01,239 --> 00:35:01,880
Speaker 2: Excuse me?

806
00:35:03,200 --> 00:35:09,759
Speaker 1: Sorry?

807
00:35:09,920 --> 00:35:12,719
Speaker 2: Is that a spell? A rye a w r y?

808
00:35:13,320 --> 00:35:13,839
Speaker 2: There you go?

809
00:35:13,960 --> 00:35:15,319
Speaker 3: What did a rye rhyme with?

810
00:35:15,600 --> 00:35:16,400
Speaker 2: Kiss and makeup?

811
00:35:16,480 --> 00:35:20,719
Speaker 5: If all a rye supply supply, you won't see outside,

812
00:35:20,920 --> 00:35:22,839
Speaker 5: but you won't be alone to help any time.

813
00:35:22,880 --> 00:35:24,359
Speaker 2: Your listeners are friends.

814
00:35:24,080 --> 00:35:26,839
Speaker 5: But it is you will and Woody who decide your

815
00:35:26,920 --> 00:35:30,120
Speaker 5: own ends. Oh nice, Okay, So what I understand? So

816
00:35:30,200 --> 00:35:32,680
Speaker 5: we can't get physical in there. We can't get we

817
00:35:32,719 --> 00:35:35,839
Speaker 5: can't we can't break our way out, obviously, and they're

818
00:35:35,880 --> 00:35:39,320
Speaker 5: saying if we if we break anything by using physical force,

819
00:35:39,760 --> 00:35:41,440
Speaker 5: we're breaking the rules and we will be punished.

820
00:35:41,480 --> 00:35:43,719
Speaker 1: Okay, how are you getting punished? You're getting your hopes

821
00:35:43,840 --> 00:35:47,120
Speaker 1: about that. It's an m dungeon again, don't there there is?

822
00:35:47,160 --> 00:35:50,680
Speaker 2: Hello? How will we be punished if I break something?

823
00:35:50,960 --> 00:35:52,879
Speaker 1: Don't put me in the red room? Please, don't take

824
00:35:52,920 --> 00:35:53,239
Speaker 1: me there?

825
00:35:53,360 --> 00:35:55,000
Speaker 2: If I break something? What's the punishment?

826
00:35:56,000 --> 00:35:58,520
Speaker 1: I think we're just I know, I think you're need

827
00:35:58,560 --> 00:36:00,680
Speaker 1: to and first about the punishment, bro, No one's going

828
00:36:00,719 --> 00:36:02,200
Speaker 1: to hit you, whip your or lock you up.

829
00:36:02,280 --> 00:36:05,720
Speaker 2: This is just a curious question. It's getting I think.

830
00:36:05,600 --> 00:36:08,719
Speaker 13: What will happen is you will get each day you'll

831
00:36:08,760 --> 00:36:10,480
Speaker 13: get a chance to break out of the room.

832
00:36:10,960 --> 00:36:13,560
Speaker 2: Yeah if you if you mark up.

833
00:36:13,560 --> 00:36:16,479
Speaker 12: Ard break those rules, then we'll probably take that chance away.

834
00:36:16,520 --> 00:36:17,360
Speaker 1: So you'll spend another.

835
00:36:17,160 --> 00:36:20,040
Speaker 3: Twenty four Okay, so it's time. It's time in there.

836
00:36:20,280 --> 00:36:24,640
Speaker 2: Time is the punishment? Is the punishment good punishment.

837
00:36:24,800 --> 00:36:27,279
Speaker 1: That's a good that's a good punch. It's a good

838
00:36:27,360 --> 00:36:30,520
Speaker 1: punishment that we know whips Indiana Jones does have a whip.

839
00:36:30,960 --> 00:36:35,759
Speaker 5: Yeah it's true, but nothing about that. Ye, we're not

840
00:36:35,760 --> 00:36:38,040
Speaker 5: getting punished like that. Okay, So time is the main punishment,

841
00:36:38,040 --> 00:36:39,600
Speaker 5: all right, that kind of makes sense to me.

842
00:36:39,640 --> 00:36:41,279
Speaker 1: I think so, I think it made lots. I mean,

843
00:36:41,360 --> 00:36:42,920
Speaker 1: can we get it in dot point now?

844
00:36:42,920 --> 00:36:47,800
Speaker 2: That we've Yeah, the non pole pros.

845
00:36:47,960 --> 00:36:50,839
Speaker 1: I mean I enjoyed it, and I obviously sounded good

846
00:36:50,840 --> 00:36:52,560
Speaker 1: and everything, but it'd be could to you know, just

847
00:36:52,600 --> 00:36:54,960
Speaker 1: know the rules of engagement and we can have them

848
00:36:55,000 --> 00:36:58,280
Speaker 1: in a nice visible font rather than a partially burnt

849
00:36:59,160 --> 00:37:02,239
Speaker 1: piece of a for which looks like it still has

850
00:37:02,560 --> 00:37:04,080
Speaker 1: some sort of timetable on the back of it.

851
00:37:04,800 --> 00:37:05,560
Speaker 2: That would be you.

852
00:37:05,760 --> 00:37:08,040
Speaker 4: Not everything over the next week is going to be

853
00:37:08,080 --> 00:37:10,560
Speaker 4: exactly how you want it, boys, but get used to it.

854
00:37:12,280 --> 00:37:13,400
Speaker 6: Spell a RYE.

855
00:37:14,920 --> 00:37:19,000
Speaker 2: Came home with jeez, what's going on here?

856
00:37:19,480 --> 00:37:20,799
Speaker 1: Learn how to spell right?

857
00:37:22,080 --> 00:37:23,799
Speaker 2: I'm going to write that down from today. That's great.

858
00:37:23,840 --> 00:37:29,359
Speaker 2: I thought it was I E Harry, Yeah, well that's

859
00:37:29,360 --> 00:37:31,319
Speaker 2: what okay, So yeah, it.

860
00:37:31,280 --> 00:37:39,400
Speaker 1: Looks like we're gonna be going nex week, are we on?

861
00:37:40,560 --> 00:37:40,759
Speaker 6: Yeah?

862
00:37:41,280 --> 00:37:41,879
Speaker 2: Oh nice?

863
00:37:41,920 --> 00:37:46,800
Speaker 3: What we were singing? Eventually? Term Parapat.

864
00:37:48,280 --> 00:37:57,040
Speaker 1: Studied astrology. You know you studied astrology astronomy or astrology astronomy? Yes,

865
00:37:57,200 --> 00:37:57,560
Speaker 1: I hope?

866
00:37:57,600 --> 00:38:02,279
Speaker 2: So wow? I really so you could lead with that.

867
00:38:02,280 --> 00:38:03,799
Speaker 2: Next time you see him, because you love.

868
00:38:03,719 --> 00:38:06,040
Speaker 3: Him, you get a bit battle aroundhim there.

869
00:38:06,040 --> 00:38:07,480
Speaker 16: Do you want poopants have a mic for this? I

870
00:38:07,480 --> 00:38:10,240
Speaker 16: think yep, Because we're about to go through the scroll.

871
00:38:10,560 --> 00:38:17,480
Speaker 1: Chocklemen, chuck him in Bro. If anyone knows what that

872
00:38:17,600 --> 00:38:20,840
Speaker 1: is the joke that is the punchline from and you're laughing.

873
00:38:21,520 --> 00:38:24,960
Speaker 3: If you don't know, you can probably google chuck it in.

874
00:38:24,920 --> 00:38:26,520
Speaker 1: Bro and that will give you what that joke is.

875
00:38:26,719 --> 00:38:27,520
Speaker 2: Great story.

876
00:38:27,680 --> 00:38:29,440
Speaker 1: You don't know that you've never heard someone did never

877
00:38:29,719 --> 00:38:31,600
Speaker 1: It's one of those urban myths that you get told,

878
00:38:31,640 --> 00:38:35,600
Speaker 1: like my brother's mate or something. Yeah, it's very funny.

879
00:38:35,880 --> 00:38:38,680
Speaker 5: All right, Okay, we're gonna just go through this, this

880
00:38:38,840 --> 00:38:41,160
Speaker 5: scroll that we got with a bit of a fine toothcomb,

881
00:38:41,160 --> 00:38:44,040
Speaker 5: I Reckon Wilbur. We were under that the haste of

882
00:38:44,080 --> 00:38:44,799
Speaker 5: commercial radio.

883
00:38:44,840 --> 00:38:48,839
Speaker 3: Obviously Jones, he'd be holding this up to the light.

884
00:38:49,920 --> 00:38:53,680
Speaker 1: You'd be using like a magnifying glass to uncover the

885
00:38:53,719 --> 00:38:54,800
Speaker 1: parchment secrets.

886
00:38:55,560 --> 00:38:57,839
Speaker 2: But that's what I'm doing. So what don't I do here?

887
00:38:58,320 --> 00:39:00,320
Speaker 1: Hold, I'm going to do it.

888
00:39:00,440 --> 00:39:01,520
Speaker 2: I'm going to read you lines.

889
00:39:01,560 --> 00:39:02,920
Speaker 1: What is in the Indiana Jones?

890
00:39:02,920 --> 00:39:03,040
Speaker 7: Wi?

891
00:39:03,200 --> 00:39:04,040
Speaker 1: We played that a few.

892
00:39:04,239 --> 00:39:05,560
Speaker 2: It's an arrow coming out of a wall.

893
00:39:05,600 --> 00:39:08,120
Speaker 1: I think it's a whip. I think it's in Indiana Jones.

894
00:39:08,160 --> 00:39:09,480
Speaker 2: Definitely, it's definitely.

895
00:39:10,120 --> 00:39:14,080
Speaker 1: Look at you just just imagining whatever torture game comes

896
00:39:14,160 --> 00:39:16,600
Speaker 1: to your mind. What if you whatever? You think it's

897
00:39:16,680 --> 00:39:19,200
Speaker 1: going to be most pleasurable for you. No, it's an

898
00:39:19,239 --> 00:39:21,719
Speaker 1: arrow coming out of a wall, like a half six

899
00:39:21,760 --> 00:39:23,520
Speaker 1: foot five guy hitting me with a baton.

900
00:39:25,920 --> 00:39:30,320
Speaker 2: All right, don't you buy that?

901
00:39:31,560 --> 00:39:33,839
Speaker 5: Okay, I'm gonna I'm going to throw lines at your will.

902
00:39:33,920 --> 00:39:37,880
Speaker 5: You tell me what it means. There are obvious ones. Okay,

903
00:39:38,000 --> 00:39:39,839
Speaker 5: phones are allowed, but there will be of no use.

904
00:39:39,880 --> 00:39:40,400
Speaker 2: What does that mean?

905
00:39:40,440 --> 00:39:46,320
Speaker 5: Does that mean we'll be in a non wireless.

906
00:39:44,040 --> 00:39:45,040
Speaker 1: The least cryptic?

907
00:39:45,400 --> 00:39:48,040
Speaker 3: I think that's what I think we can take that verbatim.

908
00:39:48,120 --> 00:39:49,640
Speaker 2: Yeah, as the what's what do you mean?

909
00:39:49,800 --> 00:39:51,919
Speaker 3: I wasn't just take that on its on its word.

910
00:39:52,880 --> 00:39:53,480
Speaker 2: So you've got you.

911
00:39:55,040 --> 00:39:56,560
Speaker 1: Can have your phone, but it's not going to be

912
00:39:56,560 --> 00:39:58,000
Speaker 1: of any use to you to solve the puzzle.

913
00:39:58,680 --> 00:40:01,120
Speaker 2: I called my partner facet baby.

914
00:40:01,200 --> 00:40:04,480
Speaker 1: Yep, it just said you can have your Fine, But

915
00:40:04,520 --> 00:40:06,600
Speaker 1: I thought you got a lot to get through.

916
00:40:06,680 --> 00:40:08,200
Speaker 5: I thought there would be of no use. You're an

917
00:40:08,280 --> 00:40:10,360
Speaker 5: underground bunker and you've got no Wi Fi on you.

918
00:40:10,840 --> 00:40:14,480
Speaker 5: You're assigned four on the line six.

919
00:40:14,480 --> 00:40:17,280
Speaker 2: And we've got at least.

920
00:40:16,360 --> 00:40:19,640
Speaker 5: Least as the room tries to break you you must

921
00:40:19,680 --> 00:40:21,640
Speaker 5: not react. What does what does it mean for us

922
00:40:21,680 --> 00:40:22,440
Speaker 5: not to react?

923
00:40:22,600 --> 00:40:25,360
Speaker 1: As the room tries to break you? You must not react?

924
00:40:25,360 --> 00:40:27,480
Speaker 5: Does that mean we just can't We'll be like mamma

925
00:40:27,480 --> 00:40:29,160
Speaker 5: fire feel They don't try.

926
00:40:29,080 --> 00:40:31,239
Speaker 12: To break you, but you can't try and break it.

927
00:40:33,719 --> 00:40:35,319
Speaker 1: And then I think that leads into the next line.

928
00:40:35,360 --> 00:40:37,120
Speaker 1: Doesn't it about using physical violence?

929
00:40:38,920 --> 00:40:42,120
Speaker 17: That's pretty obvious.

930
00:40:41,360 --> 00:40:45,120
Speaker 2: Good tick, no physical force. These rules are in force.

931
00:40:45,280 --> 00:40:48,879
Speaker 5: Kind of double down there, these rules you'll up ship

932
00:40:49,719 --> 00:40:50,279
Speaker 5: trouble down.

933
00:40:50,800 --> 00:40:52,400
Speaker 3: If we had to pull them up on it forced

934
00:40:52,400 --> 00:40:53,360
Speaker 3: you into d forced.

935
00:40:53,480 --> 00:40:54,640
Speaker 2: Okay, this is where it gets interesting.

936
00:40:54,719 --> 00:40:57,600
Speaker 5: Yeah, yeah, toss of trees, smallest of bees, If anything

937
00:40:57,680 --> 00:41:00,680
Speaker 5: living does not survive, punishments and penalties will be applied.

938
00:41:00,719 --> 00:41:02,560
Speaker 2: So they're going to be living things in there with us.

939
00:41:02,760 --> 00:41:03,920
Speaker 3: I don't know about that.

940
00:41:04,080 --> 00:41:05,440
Speaker 2: Why would they put that line in it? What else

941
00:41:05,440 --> 00:41:06,200
Speaker 2: could that possibly be?

942
00:41:06,760 --> 00:41:09,759
Speaker 1: Can I the tallest of trees, the smallest of bees.

943
00:41:10,120 --> 00:41:14,480
Speaker 5: If anything living does not survive, punishments and penalties will be.

944
00:41:14,520 --> 00:41:17,360
Speaker 3: Okay, just like if one of you die, that's like

945
00:41:17,600 --> 00:41:18,000
Speaker 3: not good.

946
00:41:18,080 --> 00:41:20,759
Speaker 5: Well obviously that's probably the punishment enough that we're dead.

947
00:41:20,880 --> 00:41:24,279
Speaker 5: It might be, but he's dead, better punish him, you

948
00:41:24,280 --> 00:41:24,719
Speaker 5: know what I mean.

949
00:41:27,560 --> 00:41:29,360
Speaker 1: Sorry, I was thinking about the other person. Anybody what,

950
00:41:29,719 --> 00:41:35,440
Speaker 1: he's dead, We'll go. You know, he's dead, get.

951
00:41:35,280 --> 00:41:35,759
Speaker 2: Stuck in the.

952
00:41:41,200 --> 00:41:46,000
Speaker 1: Don happen, idiot.

953
00:41:47,560 --> 00:41:50,239
Speaker 2: Then destroy the memory of him.

954
00:41:54,480 --> 00:42:00,279
Speaker 1: Sick the producers. We're not getting into corps mumulation eyes.

955
00:42:00,400 --> 00:42:02,920
Speaker 1: Don't worry. That won't be happening. No, they're saying, I

956
00:42:02,920 --> 00:42:05,360
Speaker 1: think you're right. I reckon. There might be maybe a

957
00:42:05,400 --> 00:42:09,400
Speaker 1: fish something like that that we've got to sort of

958
00:42:10,360 --> 00:42:13,040
Speaker 1: Is there a chance that we're looking after something which

959
00:42:13,080 --> 00:42:16,759
Speaker 1: is you know, necessary for our survival, like you know,

960
00:42:16,800 --> 00:42:18,719
Speaker 1: what if there's a cow in there that we've got

961
00:42:18,719 --> 00:42:22,040
Speaker 1: a milk for, you know, sustenance, lactoast free kind of

962
00:42:22,040 --> 00:42:22,880
Speaker 1: that you've put.

963
00:42:22,719 --> 00:42:24,000
Speaker 3: Some tablets in the milk or something.

964
00:42:24,080 --> 00:42:26,840
Speaker 1: Oh, a bit of lack teas nice potentially, I'm not

965
00:42:26,840 --> 00:42:27,759
Speaker 1: sure what lack teas is.

966
00:42:27,800 --> 00:42:29,759
Speaker 2: But breaks doown lactose for you Yeah, no, I got

967
00:42:29,800 --> 00:42:31,760
Speaker 2: it when you said it, But I don't have the enzyme.

968
00:42:31,960 --> 00:42:37,400
Speaker 1: But what if you or a chicken. What if we've

969
00:42:37,440 --> 00:42:41,360
Speaker 1: got chickens and they're laying eggs and then we're eating

970
00:42:41,360 --> 00:42:43,880
Speaker 1: the eggs, and we're going to look after the chicks

971
00:42:45,480 --> 00:42:49,640
Speaker 1: eggs good food delivered. Well, the food has continually comes up.

972
00:42:49,719 --> 00:42:54,279
Speaker 5: Now wait here we go. Your food will be delivered.

973
00:42:53,800 --> 00:42:55,480
Speaker 2: Your drinks on supply.

974
00:42:56,120 --> 00:42:59,520
Speaker 5: Now, that to me indicates you can have whatever food

975
00:42:59,560 --> 00:43:00,839
Speaker 5: you want whenever you want it.

976
00:43:00,920 --> 00:43:01,480
Speaker 3: No, it doesn't.

977
00:43:02,080 --> 00:43:03,920
Speaker 1: You're reading that into it. It says your food will

978
00:43:03,920 --> 00:43:06,640
Speaker 1: be delivered. That doesn't. It doesn't say you get to

979
00:43:06,719 --> 00:43:08,640
Speaker 1: choose what food you want delivered.

980
00:43:08,880 --> 00:43:10,320
Speaker 3: It says your food will be delivered.

981
00:43:10,360 --> 00:43:12,040
Speaker 2: That's true given stuff.

982
00:43:13,040 --> 00:43:16,000
Speaker 13: Yeah, yeah, I mean, well you can't get out of

983
00:43:16,040 --> 00:43:17,400
Speaker 13: the room, so it has to be delivered.

984
00:43:17,480 --> 00:43:19,560
Speaker 2: No, yeah, I get that. But like, but will we

985
00:43:19,640 --> 00:43:23,120
Speaker 2: be ordering or someone order food for it?

986
00:43:23,640 --> 00:43:25,359
Speaker 12: Whether you order the food or someone else orders.

987
00:43:25,560 --> 00:43:26,800
Speaker 2: Well, but will I be able.

988
00:43:26,680 --> 00:43:28,759
Speaker 5: To choose the restaurant and choose the meal that I

989
00:43:28,800 --> 00:43:31,120
Speaker 5: want or be given like a meal like in prison?

990
00:43:31,200 --> 00:43:34,320
Speaker 2: Like eat these slaps? Crim you know it's gonna be

991
00:43:34,400 --> 00:43:34,560
Speaker 2: like that.

992
00:43:37,560 --> 00:43:39,360
Speaker 12: No, I feel like we can come to some arrangement

993
00:43:39,520 --> 00:43:40,759
Speaker 12: whereby you're happy.

994
00:43:40,480 --> 00:43:44,720
Speaker 5: And sound good arrangement. And will there be some sort

995
00:43:44,719 --> 00:43:49,640
Speaker 5: of bed snack table or like a snack cupboard or.

996
00:43:49,640 --> 00:43:50,400
Speaker 2: Like a pantry?

997
00:43:51,080 --> 00:43:53,760
Speaker 12: I don't think so, So they will not be readily available.

998
00:43:53,719 --> 00:43:55,400
Speaker 1: Time to snack you've got puzzling to do.

999
00:43:55,800 --> 00:43:57,080
Speaker 2: We'll be in there for twenty four hours.

1000
00:43:57,520 --> 00:44:01,640
Speaker 1: Like, there's nothing like puzzling without a snack.

1001
00:44:01,840 --> 00:44:02,160
Speaker 6: Thank you.

1002
00:44:02,200 --> 00:44:05,600
Speaker 2: Will finally, no, it's fight or flight. Yes, you'll get

1003
00:44:05,640 --> 00:44:06,440
Speaker 2: hyper glossmic.

1004
00:44:06,760 --> 00:44:08,320
Speaker 12: Well, then puzzle harder.

1005
00:44:08,440 --> 00:44:11,200
Speaker 1: Boy, it is prison.

1006
00:44:11,600 --> 00:44:12,440
Speaker 2: It is prison.

1007
00:44:12,880 --> 00:44:15,800
Speaker 5: I feel that we're working the railroad, you know what

1008
00:44:15,880 --> 00:44:19,200
Speaker 5: I mean. And it's the you know in short shank redemption. Yeah, yeah,

1009
00:44:19,239 --> 00:44:20,560
Speaker 5: we're painting a roof or something.

1010
00:44:20,640 --> 00:44:20,799
Speaker 4: Yeah.

1011
00:44:20,880 --> 00:44:23,920
Speaker 1: Yeah, he's the prison warden. He's the prison warden. We're

1012
00:44:23,920 --> 00:44:25,400
Speaker 1: going to walk out in the front at some stage

1013
00:44:25,440 --> 00:44:28,200
Speaker 1: and get shot down by submachine gun on the way out,

1014
00:44:28,840 --> 00:44:31,319
Speaker 1: and then they're going to flog out corpses and mutilate.

1015
00:44:32,120 --> 00:44:37,040
Speaker 5: Down Okay, okay, so so there's a there's a we're

1016
00:44:37,040 --> 00:44:39,080
Speaker 5: coming to an arrangement with the food delivery.

1017
00:44:39,160 --> 00:44:41,080
Speaker 12: I think you'll be I think the food will be

1018
00:44:41,120 --> 00:44:42,080
Speaker 12: the least of your issues.

1019
00:44:42,520 --> 00:44:45,400
Speaker 2: Nice. Yeah, okay, that's good. And snacks.

1020
00:44:46,440 --> 00:44:47,560
Speaker 12: Let's come back to snacks.

1021
00:44:48,040 --> 00:44:51,200
Speaker 2: We'll circle back to snacks. Okay, this is interesting.

1022
00:44:51,600 --> 00:44:54,520
Speaker 1: Makes you like snack, like, just just let's thrown into it.

1023
00:44:54,560 --> 00:44:57,839
Speaker 1: Don't don't I'm doing I'm not doing a list.

1024
00:44:57,960 --> 00:44:59,280
Speaker 12: I'm just saying, what are you thinking?

1025
00:45:00,120 --> 00:45:03,800
Speaker 2: Don't just like this is Blue Skys. It's not a

1026
00:45:03,840 --> 00:45:04,279
Speaker 2: wish list.

1027
00:45:04,280 --> 00:45:05,640
Speaker 1: It's just like, what are you envisaging?

1028
00:45:05,719 --> 00:45:07,440
Speaker 3: Can I hear blues Guys for entertainment?

1029
00:45:08,760 --> 00:45:13,480
Speaker 2: I mean visaged like Blue Skuys. Like I'm thinking, like,

1030
00:45:13,520 --> 00:45:19,920
Speaker 2: you know, movie set style catering tent with ba maries

1031
00:45:20,080 --> 00:45:23,240
Speaker 2: like lined bay like a buffet, like a hotel buffet.

1032
00:45:23,560 --> 00:45:32,400
Speaker 1: Line, that's what I'm lined lined with what like lined

1033
00:45:32,440 --> 00:45:39,319
Speaker 1: with cashws cash, cash walls, cashw paste because the interior,

1034
00:45:39,840 --> 00:45:42,320
Speaker 1: that's what I'm thinking, the lining of a jacket lined

1035
00:45:42,480 --> 00:45:45,120
Speaker 1: and what do you what do you if that's Blue Sky?

1036
00:45:45,200 --> 00:45:49,759
Speaker 12: What's like you're like, you know, realistic expect.

1037
00:45:49,520 --> 00:45:54,120
Speaker 5: Okay, so you take to replace tent with tables, so

1038
00:45:54,160 --> 00:45:58,360
Speaker 5: it's just like a catering table. So it's just like

1039
00:45:59,320 --> 00:46:02,520
Speaker 5: dips and like chopped up carrots and cucumber.

1040
00:46:02,000 --> 00:46:05,680
Speaker 2: And just snacky nuts.

1041
00:46:05,920 --> 00:46:07,520
Speaker 5: Well, that's a dangerous game for me at the moment.

1042
00:46:07,560 --> 00:46:09,680
Speaker 5: I can't stop beating then when I start. But but

1043
00:46:09,760 --> 00:46:13,360
Speaker 5: like a table, right, so, at Will's daughter's first birthday

1044
00:46:13,360 --> 00:46:14,960
Speaker 5: there was this beautiful grazing table.

1045
00:46:15,000 --> 00:46:16,280
Speaker 2: I'm sort of expecting this.

1046
00:46:16,600 --> 00:46:18,439
Speaker 1: I can put you onto them they were good.

1047
00:46:19,000 --> 00:46:21,800
Speaker 5: So this grazing table, which is like when we walk away,

1048
00:46:21,880 --> 00:46:23,759
Speaker 5: we come back and it's like, well when did this

1049
00:46:23,800 --> 00:46:26,640
Speaker 5: get replenished? Like the Tim Tam packet which never runs out?

1050
00:46:26,840 --> 00:46:29,240
Speaker 5: We all so someone's like constantly topping up.

1051
00:46:29,520 --> 00:46:40,239
Speaker 17: Okay, no, okay, it never runs one of them.

1052
00:46:40,840 --> 00:46:41,479
Speaker 1: It would be.

1053
00:46:41,400 --> 00:46:44,480
Speaker 16: Good and we never see I don't think so it's

1054
00:46:44,600 --> 00:46:46,160
Speaker 16: more likely going to be like a pack of the shape.

1055
00:46:46,400 --> 00:46:47,880
Speaker 12: We actually haven't thought about the snacks.

1056
00:46:48,600 --> 00:46:49,759
Speaker 3: Fuck, that's disappointing.

1057
00:46:51,320 --> 00:46:52,759
Speaker 2: I'm glad we've talked about it that. I'm glad we've

1058
00:46:52,840 --> 00:46:53,239
Speaker 2: dressed it now.

1059
00:46:53,280 --> 00:46:54,640
Speaker 3: I think we put it under Wheel's company.

1060
00:46:55,360 --> 00:46:57,200
Speaker 1: I don't putting it. I'm not. I'm not.

1061
00:46:57,400 --> 00:46:59,680
Speaker 16: I'm not as in we get as in we get

1062
00:46:59,680 --> 00:47:01,800
Speaker 16: the company that supplied your grazing table.

1063
00:47:03,200 --> 00:47:06,520
Speaker 13: This is a true thought that I probably I think

1064
00:47:06,520 --> 00:47:10,279
Speaker 13: we're paying for food. No, I do think that you

1065
00:47:10,360 --> 00:47:15,319
Speaker 13: haven't under like quite seriously.

1066
00:47:16,000 --> 00:47:17,000
Speaker 2: Well that's a worry.

1067
00:47:17,080 --> 00:47:19,680
Speaker 18: I'm not like I think that we might give you

1068
00:47:19,680 --> 00:47:25,480
Speaker 18: some more for everyone is really come from a situation

1069
00:47:25,560 --> 00:47:29,040
Speaker 18: where I was literally malmarriged, and now you are throwing

1070
00:47:29,120 --> 00:47:30,560
Speaker 18: me in a bunker somewhere.

1071
00:47:30,760 --> 00:47:33,160
Speaker 2: No, once again, I will be starving. I'm gonna I'm

1072
00:47:33,160 --> 00:47:36,040
Speaker 2: gonna have a mental breakdown, well quite breakdown. I'm gonna

1073
00:47:36,040 --> 00:47:36,520
Speaker 2: have a breakdown.

1074
00:47:36,840 --> 00:47:39,960
Speaker 1: Is there a clue in there there in your breakdown?

1075
00:47:41,000 --> 00:47:50,080
Speaker 1: Maybe part of it? Maybe we need I think we'll

1076
00:47:50,080 --> 00:47:52,600
Speaker 1: figure it out, mate. I worst case scenario.

1077
00:47:52,280 --> 00:47:54,040
Speaker 2: I'm going to bring in a lot of snacks. That's

1078
00:47:54,040 --> 00:47:54,480
Speaker 2: what I'm doing.

1079
00:47:54,480 --> 00:47:56,799
Speaker 1: I think that the idea is that you might need

1080
00:47:56,840 --> 00:47:59,440
Speaker 1: to pack a bag with food and just have that

1081
00:47:59,520 --> 00:48:01,960
Speaker 1: on you at all times, because when you get taken

1082
00:48:02,000 --> 00:48:03,759
Speaker 1: to go into the room next week, you want to

1083
00:48:03,800 --> 00:48:05,319
Speaker 1: make sure you've got that bag, and you so might.

1084
00:48:05,360 --> 00:48:09,640
Speaker 1: I suggest getting one of those bags. Might be an eski.

1085
00:48:09,719 --> 00:48:12,080
Speaker 1: You might need a wheel and eskie around by one

1086
00:48:12,080 --> 00:48:15,680
Speaker 1: of those. If you get one of those, no, mate,

1087
00:48:15,680 --> 00:48:16,920
Speaker 1: I'll tell you what you need to get. Actually, your

1088
00:48:16,920 --> 00:48:19,160
Speaker 1: friend of one's got one of these. It's a backpack.

1089
00:48:19,200 --> 00:48:24,799
Speaker 1: It's called a Yeti backpack. It's a fridge backpacks.

1090
00:48:25,600 --> 00:48:26,839
Speaker 2: Yet you charge it?

1091
00:48:27,480 --> 00:48:30,919
Speaker 3: No, no, no, it's just an amazing cooler. Yeah, yeah,

1092
00:48:30,960 --> 00:48:31,960
Speaker 3: I haven't heard of yetties.

1093
00:48:32,080 --> 00:48:32,960
Speaker 2: I've heard of a Yeti.

1094
00:48:33,200 --> 00:48:35,439
Speaker 1: Yeah, you get a Yetti backpack and you just wear

1095
00:48:35,480 --> 00:48:38,360
Speaker 1: that for next weeks and then then I have a

1096
00:48:38,360 --> 00:48:40,440
Speaker 1: suitcase full of snacks that don't need to be refrigerated.

1097
00:48:40,560 --> 00:48:42,960
Speaker 2: Yeap, I'll bring all that in. Okay, great tick.

1098
00:48:43,280 --> 00:48:45,279
Speaker 1: And your banana chips that you're dehydrating.

1099
00:48:45,520 --> 00:48:48,359
Speaker 5: Ah yeah, no, no, bring them in, yeah, perfect, Okay,

1100
00:48:48,360 --> 00:48:49,480
Speaker 5: I'll bring the banana chips.

1101
00:48:51,280 --> 00:48:56,280
Speaker 2: We'll bring some shapes. You guys are just bringing shape.

1102
00:48:56,280 --> 00:49:06,000
Speaker 1: Talking like a cinematic production tent with lies cash you

1103
00:49:06,120 --> 00:49:11,920
Speaker 1: in custom faies, and the bamories themselves are edible, like

1104
00:49:12,760 --> 00:49:17,919
Speaker 1: seeing like a room in really Wanker's chocolate. Everything's made

1105
00:49:17,960 --> 00:49:20,760
Speaker 1: of nuts and gluten free crackers.

1106
00:49:20,960 --> 00:49:25,680
Speaker 5: Oh the dream okay, okay. I don't know if it's

1107
00:49:25,719 --> 00:49:28,160
Speaker 5: just a random line or if it means saying, kiss

1108
00:49:28,160 --> 00:49:28,720
Speaker 5: and makeup.

1109
00:49:28,920 --> 00:49:29,680
Speaker 2: If all are rye?

1110
00:49:30,640 --> 00:49:35,040
Speaker 5: What that read the couple of lines before it, punishments

1111
00:49:35,040 --> 00:49:37,320
Speaker 5: and penalties will be applied, Your food will be delivered,

1112
00:49:37,360 --> 00:49:40,160
Speaker 5: your drinks on supply, Kiss and makeup if all are rye.

1113
00:49:40,440 --> 00:49:42,840
Speaker 1: I think they're just saying like, if you get upset

1114
00:49:42,880 --> 00:49:44,120
Speaker 1: with each other, then you just got.

1115
00:49:43,920 --> 00:49:46,680
Speaker 3: To make up and carry on. Yeah, don't be annoyed.

1116
00:49:46,680 --> 00:49:50,279
Speaker 2: So that's not like a rule was, Oh, we'll get

1117
00:49:50,320 --> 00:49:51,320
Speaker 2: punished if we get angry.

1118
00:49:51,560 --> 00:49:55,360
Speaker 1: I don't stop punishment's time, right, They're not going to

1119
00:49:55,440 --> 00:49:55,680
Speaker 1: hit you.

1120
00:49:55,880 --> 00:49:59,080
Speaker 13: I think what what you might want to refer back

1121
00:49:59,120 --> 00:50:01,080
Speaker 13: to those when you're in the we could want we

1122
00:50:01,120 --> 00:50:01,640
Speaker 13: could get.

1123
00:50:01,520 --> 00:50:05,360
Speaker 5: Punished, hang on poop pants as just the kissing is

1124
00:50:05,400 --> 00:50:06,840
Speaker 5: a thing, so we have like what.

1125
00:50:06,960 --> 00:50:09,319
Speaker 13: No, I'm saying that you might want to keep that

1126
00:50:09,360 --> 00:50:11,560
Speaker 13: in you in with you that those.

1127
00:50:11,440 --> 00:50:13,640
Speaker 2: Rules are these are.

1128
00:50:15,440 --> 00:50:18,160
Speaker 1: The can we have them in dot point order? They

1129
00:50:18,200 --> 00:50:23,319
Speaker 1: need to be in the pros okay? If yeah, it

1130
00:50:23,400 --> 00:50:24,200
Speaker 1: is very confusing.

1131
00:50:24,400 --> 00:50:26,600
Speaker 5: You won't see outside, but you won't be alone to

1132
00:50:26,640 --> 00:50:29,200
Speaker 5: help anytime. Okay, So that's great that listeners can call

1133
00:50:29,280 --> 00:50:29,960
Speaker 5: up and help us solve.

1134
00:50:30,000 --> 00:50:31,839
Speaker 1: I understand it's a puzzle, but like, can we have

1135
00:50:31,880 --> 00:50:33,520
Speaker 1: the rules not as a puzzle? I feel like there

1136
00:50:33,560 --> 00:50:36,360
Speaker 1: are a few things before we get in there. Snacks

1137
00:50:36,680 --> 00:50:39,240
Speaker 1: rules don't need to be cryptic.

1138
00:50:40,480 --> 00:50:46,720
Speaker 12: SNAs snacks are not the rules all the rules?

1139
00:50:46,800 --> 00:50:47,160
Speaker 1: All right?

1140
00:50:47,280 --> 00:50:51,400
Speaker 5: Yeah, kiss and makeup? If all awry is remember that

1141
00:50:51,400 --> 00:50:54,520
Speaker 5: that is a clue. That doesn't make any sense. That's

1142
00:50:54,560 --> 00:50:56,239
Speaker 5: not a rule at all. That's the only line which

1143
00:50:56,280 --> 00:50:57,400
Speaker 5: just seems completely random.

1144
00:50:57,680 --> 00:50:59,359
Speaker 3: You know, you're the only one that's held the piece

1145
00:50:59,400 --> 00:50:59,760
Speaker 3: of paper.

1146
00:50:59,800 --> 00:51:01,520
Speaker 1: And I feel like you've missed out on the fact

1147
00:51:01,520 --> 00:51:02,880
Speaker 1: that the word kiss is spelled K.

1148
00:51:03,160 --> 00:51:04,960
Speaker 3: I slate the radio station as well.

1149
00:51:05,000 --> 00:51:06,040
Speaker 2: I thought it was just a typer.

1150
00:51:06,800 --> 00:51:07,440
Speaker 4: Oh God.

1151
00:51:08,160 --> 00:51:11,560
Speaker 12: Depending on which market you're listening to this, of course, yeah, yeah, of.

1152
00:51:11,480 --> 00:51:12,280
Speaker 1: Course, of course.

1153
00:51:12,920 --> 00:51:15,440
Speaker 5: So there are some radio stations within the network that

1154
00:51:15,520 --> 00:51:17,760
Speaker 5: are kiss radio.

1155
00:51:17,520 --> 00:51:21,879
Speaker 2: And makeup if all were right, all right, Jesus, we're

1156
00:51:21,920 --> 00:51:25,520
Speaker 2: not going to get out Jesus and make up.

1157
00:51:27,920 --> 00:51:28,840
Speaker 1: Radio and maker.

1158
00:51:33,440 --> 00:51:35,640
Speaker 2: I think that's it, all right. Well, how are you

1159
00:51:35,680 --> 00:51:42,200
Speaker 2: guys feeling? I'm over it? Tom, You're like, how genuinely,

1160
00:51:42,200 --> 00:51:43,919
Speaker 2: how are you feeling? It's such a crock of shit.

1161
00:51:44,040 --> 00:51:49,560
Speaker 16: I am looking forward to it, but after I've seen

1162
00:51:49,600 --> 00:51:52,560
Speaker 16: your performance today, I'm really worried because I don't think

1163
00:51:52,600 --> 00:51:54,960
Speaker 16: I'm allowed to get involved in much puzzling, and that

1164
00:51:55,160 --> 00:51:56,120
Speaker 16: I'm very.

1165
00:51:55,960 --> 00:51:57,440
Speaker 3: Frustrated with you already.

1166
00:51:57,719 --> 00:52:01,560
Speaker 5: Can't you be like a listener and help stove? I can't, Tom,

1167
00:52:01,640 --> 00:52:04,760
Speaker 5: really not so Tom? So what is what's Tom doing

1168
00:52:04,800 --> 00:52:05,160
Speaker 5: in there?

1169
00:52:05,840 --> 00:52:07,360
Speaker 12: He's pressing?

1170
00:52:07,400 --> 00:52:10,440
Speaker 1: But this radio show is going to go to it?

1171
00:52:10,520 --> 00:52:12,879
Speaker 1: I think I told you that we're doing the show

1172
00:52:12,960 --> 00:52:13,160
Speaker 1: for me.

1173
00:52:13,200 --> 00:52:15,040
Speaker 2: There, I get the radio show, but he's in there

1174
00:52:15,040 --> 00:52:17,279
Speaker 2: with his twenty four seven. He's like, he's not legal.

1175
00:52:17,320 --> 00:52:19,520
Speaker 1: But I think once you go in, you like, we're

1176
00:52:19,560 --> 00:52:20,479
Speaker 1: in the room.

1177
00:52:20,760 --> 00:52:24,560
Speaker 2: Did you just bourbon? Then blow it? Come on fans,

1178
00:52:24,600 --> 00:52:25,360
Speaker 2: that smells like that?

1179
00:52:25,560 --> 00:52:25,799
Speaker 1: Great?

1180
00:52:25,880 --> 00:52:27,640
Speaker 2: Did you hear anything to tape.

1181
00:52:29,120 --> 00:52:31,480
Speaker 1: You can smell then, mate, you're the one to be

1182
00:52:31,520 --> 00:52:35,399
Speaker 1: an air pointing fingers about what smells. Now, I think

1183
00:52:35,440 --> 00:52:37,920
Speaker 1: that the deal is we need Tom in there for

1184
00:52:37,960 --> 00:52:38,680
Speaker 1: the radio show.

1185
00:52:39,800 --> 00:52:40,200
Speaker 2: I'm wrong.

1186
00:52:40,560 --> 00:52:42,480
Speaker 1: Oh, I'm smelling smelling.

1187
00:52:44,719 --> 00:52:45,799
Speaker 2: Bricks he burped and blue?

1188
00:52:45,800 --> 00:52:46,920
Speaker 1: What is that? That's its seky?

1189
00:52:47,000 --> 00:52:49,200
Speaker 2: It is it's it's seky. You set up the most

1190
00:52:49,040 --> 00:52:52,600
Speaker 2: out that is really I did have that?

1191
00:52:52,760 --> 00:52:55,040
Speaker 1: Yeah, I haven't got that. He is everywhere because can

1192
00:52:55,040 --> 00:53:00,719
Speaker 1: you open the door?

1193
00:53:01,000 --> 00:53:01,279
Speaker 6: Hit me?

1194
00:53:03,120 --> 00:53:10,480
Speaker 1: I'm still inhaling zeki. No curmey if I'm wrong. But

1195
00:53:10,520 --> 00:53:12,040
Speaker 1: the reason Tom is in there with us for the

1196
00:53:12,040 --> 00:53:14,439
Speaker 1: whole time is because we're in a locked room, right,

1197
00:53:14,560 --> 00:53:17,839
Speaker 1: so the only way out is by like actually getting out.

1198
00:53:17,880 --> 00:53:20,960
Speaker 1: So Tom, people come in and out. We're in a

1199
00:53:21,000 --> 00:53:21,799
Speaker 1: fucking room.

1200
00:53:21,880 --> 00:53:23,839
Speaker 2: We're in an escape room because you need to push

1201
00:53:23,880 --> 00:53:24,920
Speaker 2: the buttons. You have to be in.

1202
00:53:24,880 --> 00:53:25,640
Speaker 1: There for the whole time.

1203
00:53:26,440 --> 00:53:28,040
Speaker 3: But I'm not across any of it.

1204
00:53:28,120 --> 00:53:34,240
Speaker 16: So great that he can help us with stuff because

1205
00:53:34,280 --> 00:53:36,160
Speaker 16: I don't I don't know.

1206
00:53:36,800 --> 00:53:40,760
Speaker 2: Yeah, but we can chat, we talk about non puzzle

1207
00:53:40,800 --> 00:53:41,520
Speaker 2: related anyway.

1208
00:53:41,560 --> 00:53:42,439
Speaker 3: My name is not on the show.

1209
00:53:43,360 --> 00:53:45,919
Speaker 1: Yeah, yeah, okay, i'llowed to point out that I knew

1210
00:53:45,920 --> 00:53:47,080
Speaker 1: the chemical symbol for iron.

1211
00:53:47,239 --> 00:53:49,000
Speaker 3: That was good, really good, Thank you.

1212
00:53:49,080 --> 00:53:51,520
Speaker 2: Really good. The maths thing took you forever.

1213
00:53:52,000 --> 00:53:54,719
Speaker 16: Yeah, maths isn't like, well, obviously it's going to be

1214
00:53:54,920 --> 00:53:55,880
Speaker 16: something to do with numbers.

1215
00:53:56,120 --> 00:54:00,200
Speaker 1: Yeah, but but but you came up with the the

1216
00:54:00,280 --> 00:54:02,359
Speaker 1: numeralus thing was which which is what got us there?

1217
00:54:02,680 --> 00:54:09,200
Speaker 13: No, that was I thought it was that picked up

1218
00:54:09,200 --> 00:54:09,719
Speaker 13: on the and.

1219
00:54:09,760 --> 00:54:11,960
Speaker 1: There will be no clues on the night.

1220
00:54:13,520 --> 00:54:16,320
Speaker 5: I thought it was the number in the alphabet ship

1221
00:54:17,440 --> 00:54:22,080
Speaker 5: ship any no clues on the night.

1222
00:54:22,239 --> 00:54:23,360
Speaker 2: No, I think we do get clothes.

1223
00:54:23,719 --> 00:54:26,000
Speaker 3: I don't think we don't make close.

1224
00:54:26,440 --> 00:54:28,920
Speaker 1: That's why we're saying to people to follow us. They

1225
00:54:28,920 --> 00:54:31,680
Speaker 1: can help us on Instagram and Facebook because if they

1226
00:54:31,760 --> 00:54:33,040
Speaker 1: know then they can give us a clue.

1227
00:54:33,040 --> 00:54:35,840
Speaker 5: But we have been in there for a week and

1228
00:54:35,880 --> 00:54:39,440
Speaker 5: we haven't figured that one puzzle, and someone has to drop.

1229
00:54:39,360 --> 00:54:44,839
Speaker 12: That's a distinct possibility. After today, I'm not even like,

1230
00:54:45,200 --> 00:54:47,640
Speaker 12: yeah that was that was today was alarming.

1231
00:54:48,400 --> 00:54:50,719
Speaker 16: Yeah, and I heard I heard a hint of a

1232
00:54:50,719 --> 00:54:55,040
Speaker 16: puzzle before, and I think it's will.

1233
00:54:54,800 --> 00:55:02,240
Speaker 2: Take you days. Perfect, perfect, And we can't see outside.

1234
00:55:02,239 --> 00:55:05,800
Speaker 2: There's no window. There's no window. That's very unhealthy. Guys.

1235
00:55:06,400 --> 00:55:09,240
Speaker 5: Where am I getting vitamin D from? I was taking

1236
00:55:09,239 --> 00:55:13,239
Speaker 5: the multi vitamin in the jungle quite seriously because I

1237
00:55:13,239 --> 00:55:15,239
Speaker 5: wasn't seen enough light.

1238
00:55:15,560 --> 00:55:17,600
Speaker 1: I think you get enough vitamin D in like five

1239
00:55:17,680 --> 00:55:18,400
Speaker 1: minutes of sunlight.

1240
00:55:18,520 --> 00:55:19,840
Speaker 2: We won't get five minutes of sunlight.

1241
00:55:19,840 --> 00:55:20,240
Speaker 6: William.

1242
00:55:20,480 --> 00:55:23,040
Speaker 2: We can't go outside, that's true.

1243
00:55:23,040 --> 00:55:25,239
Speaker 1: Well, we can get ah, No, I think tanning beds

1244
00:55:25,239 --> 00:55:27,839
Speaker 1: are illegal. We might be able to use the didn't

1245
00:55:27,840 --> 00:55:29,480
Speaker 1: you say we're looking after an animal. Surely that'll be

1246
00:55:29,560 --> 00:55:31,480
Speaker 1: under a UV light like you're looking after a lizard

1247
00:55:31,560 --> 00:55:33,440
Speaker 1: or something. You can just deck your head under there

1248
00:55:33,440 --> 00:55:34,560
Speaker 1: with some pills.

1249
00:55:35,440 --> 00:55:37,640
Speaker 2: That's sort of saying pills nutrients.

1250
00:55:37,719 --> 00:55:38,160
Speaker 3: Vitamin D.

1251
00:55:38,960 --> 00:55:40,719
Speaker 2: Yeah, a couple of vitamins came to my house.

1252
00:55:41,560 --> 00:55:45,239
Speaker 1: Perfect, all right, we might go lots to talk about,

1253
00:55:45,320 --> 00:55:48,960
Speaker 1: lots to discuss. It's been good. We'll see. We'll see

1254
00:55:49,040 --> 00:55:55,920
Speaker 1: guys tomorrow. As we edge closer to the escape,