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Speaker 1: Powered by the radio WAP from ninety six air M

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Speaker 1: to whereever you're listening today.

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Speaker 2: This is Clearzy and Lisa's podcast.

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Speaker 3: On the podcast today we took your calls on how

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Speaker 3: you keep hurting yourself at work?

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Speaker 2: You want to borrow my eyepatch?

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Speaker 4: Ryan Cannum from Pseudo Echo talking about the fortieth anniversary

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Speaker 4: of Listening and therefore the Autumnal.

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Speaker 2: Park album veno'che reviewed The Beast.

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Speaker 4: The brat Pack doco was coming made by from one

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Speaker 4: of the brat Pack, one of the eight stars of

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Speaker 4: that era, Andrew McCarthy.

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Speaker 2: And so is a new series of The Night Manager.

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Speaker 2: Now you okay, just yeah?

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Speaker 3: I Nelly drew blood on my finger with my headphones.

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Speaker 3: That's a bit where they you know, they can clamp down. Yes, yeah,

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Speaker 3: they clamped down. I got pinched. Yeah, And if I'm

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Speaker 3: not getting pinched, the worst injury you get from your

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Speaker 3: headphones is when you go to put them on and

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Speaker 3: if they snap back, you can snap on your face

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Speaker 3: and just about take your nose off. It's like a

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Speaker 3: Venus fly trap having a go at your head.

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Speaker 4: Do you that sounds like you in the back seat

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Speaker 4: of with your brother and sister when you're a little pinched, say.

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Speaker 2: From all sides, Lisa did it? Yes, the joys of

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Speaker 2: being the youngest.

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Speaker 3: We want to talk about how you what and you

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Speaker 3: faked your finger in your pop.

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Speaker 2: To be fair, you could do that anywhere. Oh yeah

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Speaker 2: you could. That wasn't so much a work related injury.

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Speaker 2: Putting my headphones on they're dangerous, okay, fair enough, like

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Speaker 2: me pinching my finger putting it on my compoc flame anyway.

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Speaker 3: Yeah, we want to talk about the ways you hurt

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Speaker 3: yourself at work. One thing that does happen to me

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Speaker 3: a lot here and but as we know, we've discussed this.

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Speaker 3: I'm like the underside and what was it called strange Things? No, No,

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Speaker 3: the weird place, the upside down where it's all dark

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Speaker 3: side down, a dark and creepy. I am a conduit

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Speaker 3: for electricity. I get zapped sometimes I just touched something

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Speaker 3: and I get zapped.

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Speaker 2: You can hear it.

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Speaker 3: Clear clear across the office, can't you. There's a particular

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Speaker 3: door that we go through between us studio and the

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Speaker 3: other area.

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Speaker 2: She's she gets me all the time. This woman is

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Speaker 2: doc from Back to the Future. I wonder I'm not

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Speaker 2: thrown back across the.

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Speaker 3: Room so that this can happen to me at home

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Speaker 3: as well.

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Speaker 2: This isn't just.

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Speaker 3: This is the upside down that I live in, but

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Speaker 3: here particularly.

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Speaker 2: Bad and it's no, it's not my shoes.

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Speaker 3: No it's not it must have sayed yet no, because

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Speaker 3: you never know when it's going to happen. I've taken

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Speaker 3: to tapping the door handle if I'm going to get

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Speaker 3: zap before I clamp down on it.

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Speaker 2: Some weird tick your head.

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Speaker 3: The door for I'm going through my life tapping door

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Speaker 3: handles the case I get in, case I get zap, reckon.

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Speaker 3: It's got a lot to do with whatever, you know,

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Speaker 3: the electricity in the atmosphere of a day.

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Speaker 2: So this over the next week is probably going to

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Speaker 2: be hell for me. Do you open every door for?

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Speaker 2: Just be your door look like the end of it?

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Speaker 4: You know that when I started here with you in

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Speaker 4: twenty twenty one, Yeah, that I had a bit of

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Speaker 4: a problem with the top of a toilet cubicles here

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Speaker 4: at work at ninety six. But oh you keep taking

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Speaker 4: hitting my head on the top of the cubicle, right.

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Speaker 2: That's pretty low, isn't it? For it it's a bit low.

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Speaker 2: A cubical daughter not accommodate to your height.

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Speaker 4: I'm fairly tall, right. So one of our producers, Greg

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Speaker 4: started putting a picture of a duck up in the toilet,

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Speaker 4: just a duck, and it just said just a feature

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Speaker 4: of du and it said clazy. So all of the

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Speaker 4: other stuff are going, what the hell's the duck with claesy?

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Speaker 4: You had done it for it you think you looks

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Speaker 4: like a duck and it worked because I haven't done

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Speaker 4: it since.

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Speaker 2: But that was three and a half years ago.

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Speaker 3: Well, we want you to tell us how you always

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Speaker 3: hurt yourself at work? Doretta in yk K. How are

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Speaker 3: you always hurting yourself at work? Or Peter Fender?

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Speaker 5: Oh, well, being a teacher, And I'm sure plenty of

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Speaker 5: teachers feel the same way, and I have the same experiences.

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Speaker 5: We are always hitting our legs at this corner point

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Speaker 5: of the desk.

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Speaker 2: Oh yes, and they wind.

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Speaker 5: All different colors blue, yellow, and there's nothing worse when

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Speaker 5: you've already had a breeze there and you but again, yeah.

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Speaker 2: Well they're quite off a very small desks, are they?

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Speaker 3: For those small people beneath the knee that it gets.

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Speaker 5: No nice between the knee and the bar.

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Speaker 2: All light actually yes, and.

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Speaker 5: And sort of when you put a pair of shorts

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Speaker 5: on or you go put yours really lovely.

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Speaker 2: Yes, I can tell your teacher it looks like playing

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Speaker 2: sport exactly.

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Speaker 5: And of course in the classroom you can't say what

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Speaker 5: you want to say.

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Speaker 2: No, you say shivers a lot. Yeah, thanks to.

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Speaker 5: You.

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Speaker 4: Put some some guards or something on. I think you'll

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Speaker 4: need that maybe, yeah, yeah, padding beforehand and that later.

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Speaker 2: Oh, yes, they do need padded edges. Yeah, I think

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Speaker 2: you're right. Maybe I do it with footy girl posts.

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Speaker 4: So we're talking about the things you do to always

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Speaker 4: hurt yourself at work.

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Speaker 2: Debbian Thorn, let me have hello, good morning to you two.

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Speaker 2: How do you always hurt yourself at work? Deb Well,

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Speaker 2: promise me you won't laugh. I can't promise.

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Speaker 6: I'll work it on you. You wouldn't you.

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Speaker 7: I work in the warehouse and I start at stupid

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Speaker 7: o'clock at five o'clock in the morning.

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Speaker 2: Yeah, well, I'm laughing at that. I can relate to that.

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Speaker 6: Yeah.

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Speaker 7: So the main entrance is a roller door, and it

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Speaker 7: faces when the sun comes up right, which is fine,

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Speaker 7: but in the summer.

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Speaker 2: The phone's directly shining in.

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Speaker 7: So I put the roller door down quite a bit,

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Speaker 7: and when I go out for my brake, I duck

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Speaker 7: under the roller door and go out and come back. Well,

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Speaker 7: as usual, we have our faces in our phone. About

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Speaker 7: four or five times I have walked.

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Speaker 2: Into the roll of all whacked my head, bruised it.

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Speaker 2: And the last time I did it, I knock.

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Speaker 6: The glasses off, and.

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Speaker 2: Every time I say you're both it was a guilty, guilty,

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Speaker 2: your honor.

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Speaker 7: So yeah, I keep telling myself the roller doors down, Yeah, yeah,

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Speaker 7: I'm lucky one to see it.

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Speaker 2: Yeah, I need a picture of a Yeah, I'll make

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Speaker 2: one up for you. Thank you A tiny with your

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Speaker 2: head to day. Yeah yeah, there's no suns. It doesn't matter.

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Speaker 4: Yeah yeah, yeah, and maybe not look at the phone

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Speaker 4: as much because.

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Speaker 2: I've done it too.

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Speaker 3: Oh yeah right, okay, yeah guy, Thanks Debbie. What about you,

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Speaker 3: Peter and Bayford? How do you always hurt yourself at work?

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Speaker 1: Well, well, it's not so much every time, I heard

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Speaker 1: myself because I've only done it once and I won't

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Speaker 1: allow me to do it again. But I tripped over

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Speaker 1: traffic cone and snapped my femur. Peter, pretty well, I

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Speaker 1: was just carrying some merch because I go away on

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Speaker 1: business trips, and I was picking up a whole bunch

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Speaker 1: of merchant I used to take away with them on

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Speaker 1: the trip. And there's all these traffic cones up the top,

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Speaker 1: which actually we do sell them as well, off cordoned

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Speaker 1: off the area where all my merch was. And I

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Speaker 1: tripped over the very last one with my hands full

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Speaker 1: of stuff and trip and the traffic under base of

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Speaker 1: the traffic cones quite heavy, and it tipped over and

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Speaker 1: my leg fell on it and yeah, my FEMA. Yeah

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Speaker 1: pretty pretty damn painful.

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Speaker 4: Yeah, painful for you And sort of took a breath

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Speaker 4: away hearing about doubt it.

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Speaker 1: Yeah, so I had to They called an ambulance away.

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Speaker 1: I had to be carried down from the second floor

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Speaker 1: of the building and under on through into an ambones

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Speaker 1: a row person.

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Speaker 2: There you go, take some photos. Hell, yeah, you're not nice.

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Speaker 2: Well thanks, Peter. I'm glad you won't do it again.

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Speaker 6: No, I won't.

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Speaker 5: Hye.

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Speaker 2: Carolyn and Inglewood, Hello, Hi?

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Speaker 6: How are you same?

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Speaker 7: Good?

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Speaker 2: What do you do again?

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Speaker 8: Any how do I hurt myself? Let me count the wave.

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Speaker 8: I work in a barbershop. Quick shout out to John's

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Speaker 8: Gentleman's hair stylers. Yes, you walk into the footplate of

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Speaker 8: the barber chair, you cork yourself alon desk. But the

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Speaker 8: cracker is when people say have you ever cut anybody?

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Speaker 8: And my real bolt after thirty six years is yes,

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Speaker 8: always the same person me.

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Speaker 2: Yes, I bet you have.

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Speaker 3: But what about have you ever given anyone one of

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Speaker 3: those cutthroat raiser you know, close shaves in there in

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Speaker 3: the back?

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Speaker 6: Absolutely, we do with their work.

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Speaker 4: Yeah, yeah, obviously good skill apart from looking after yourself. Yeah, sorry,

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Speaker 4: say again, you've got skills, but you haven't looked up

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Speaker 4: yourself because you were.

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Speaker 6: Always comes first.

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Speaker 4: Have you ever had that thing that can end up

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Speaker 4: being a real issue for people who work in salons,

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Speaker 4: and that where someone's hair has gone into your skin

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Speaker 4: because they've heard that?

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Speaker 2: Absolutely idious?

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Speaker 7: Absolutely yeah, like thrown hair, like arown hair from someone else,

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Speaker 7: need cut?

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Speaker 2: Yeah? Wow, it just flies in and causes an issue.

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Speaker 3: Oh my gosh, you through such a hard time in there.

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Speaker 8: Tell you what people say, the haircuts are going up

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Speaker 8: in danger money.

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Speaker 2: Absolutely, you're like stunt people. So much to consider, Carolyn,

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Speaker 2: no worries. I have a great morning, Thanks for your service.

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Speaker 4: I don't want to be disrespectful to others far very

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Speaker 4: dangerous scissors.

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Speaker 2: You for your service, Caroline. It's true. Things buzzing everywhere you.

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Speaker 3: Can, then you can do yourself terrible injury with a

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Speaker 3: hot tool hot iron.

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Speaker 2: You know it's kind of curling. Could you imagine being

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Speaker 2: for a living giving people shaves with a real black

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Speaker 2: a light, the idea of it. Oh yeah, well actually

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Speaker 2: doing it.

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Speaker 3: No, I wouldn't trust myself that. Jackie and Bezandine Hello,

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Speaker 3: jack Hi, Hell are you good? How do you always

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Speaker 3: hurt yourself at work?

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Speaker 6: Okay?

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Speaker 9: So I'm a landscape gardener, so.

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Speaker 6: I'm hurt constantly.

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Speaker 9: So I really believe that there's at least one drop

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Speaker 9: of blood in every single garden that I've ever worked.

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Speaker 2: Blood sweat and tears. Yeah, blood sweat.

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Speaker 9: And I'm constantly being stung and bitten by either wash,

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Speaker 9: these ants, spiders, Yeah, about ten dogs. I was bitten

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Speaker 9: by a German shepherd and two jack Russells a couple

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Speaker 9: of years ago. Jumped over a fence. There was another

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Speaker 9: fence from the other side.

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Speaker 2: Had made away from a German not the German shepherd.

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Speaker 9: Yeah, left onto my sigh.

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Speaker 6: I think the bruise that it gave.

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Speaker 9: Me at the end was worse than the puncher and

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Speaker 9: the actual right mind. But I've jumped over a fence

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Speaker 9: once before. I nearly took my arm off because I

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Speaker 9: didn't know there was another fence.

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Speaker 2: That had no cappines, Jackie. Yes, it's terrible, Yes, I.

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Speaker 9: Know, but I actually loved my job. Rose bring season, dear,

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Speaker 9: and you know tree lopping.

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Speaker 8: I've had branches fall on me.

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Speaker 9: I picked through my ankle. Oh my god, I can

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Speaker 9: cut myself on the chainsaw all sorts of every day,

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Speaker 9: I bleed.

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Speaker 3: What about taking on bogan Villia that it has that

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Speaker 3: I just about where.

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Speaker 9: One I tell you, Weld of blogs, you know, the

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Speaker 9: big p suade world of blogs.

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Speaker 6: Yeah, Weld were where.

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Speaker 9: Those sorts of things that I'm bruning Boganvillia.

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Speaker 8: They've always got to have protective flas.

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Speaker 2: Oh yeah, you would that it.

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Speaker 6: Poisons you those things day?

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Speaker 2: Yeah, yeah, I tell you, Yeah.

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Speaker 4: What about what about bees? And about bees and wasps?

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Speaker 4: They'd be around you.

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Speaker 2: It's been stung by everything so many Jackie.

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Speaker 9: So when you get hit by a wasp, you never

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Speaker 9: get stung.

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Speaker 5: Once you get stung atwast seven.

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Speaker 2: Oh yeah, they got crazy. Yeah, they do.

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Speaker 3: Have a good day at work today on my way,

255
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Speaker 3: Now you show your resumes, the resumes or scars for

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Speaker 3: a job.

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Speaker 8: Definitely my forearms.

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Speaker 6: Oh god, the train tracks.

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Speaker 2: Good luck, We've got it all cross Floyd. At least

260
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Speaker 2: she loves it still. Yeah, she knows. She loves a geeks.

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Speaker 2: She's very passionate. Cheryline, brigadoon. What about you? How do

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Speaker 2: you always get yourself at work?

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Speaker 10: Well, I'm working the age k sex so constantly getting

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Speaker 10: your fingers pinched in wheelchairs, getting hit flapped and punched

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Speaker 10: and pinched by a residence and et cetera, et cetera,

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Speaker 10: and falling over their stuff. But one day I was

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Speaker 10: helping put a resident into his water. It got all

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Speaker 10: that stuff, got all that done off.

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Speaker 6: I went with a zimmer.

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Speaker 2: Frame, got tangled up so over and brake Murray's oh no,

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Speaker 2: oh dear god. Yeah, So then I was I was

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Speaker 2: the joke kids. You know he took on for the

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Speaker 2: Did I look after you?

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Speaker 7: Yeah?

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Speaker 6: I hasn't with with a walking frame and walk homes.

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Speaker 2: A bit like a carry on movie. But anyway, it

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Speaker 2: does a bit.

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Speaker 6: Find you.

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Speaker 4: Some residents could have got a slap or two in

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Speaker 4: without any acuse.

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Speaker 3: Quite exactly Thank you, Sharyatay, be careful, feel like.

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Speaker 2: Everybody after that.

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Speaker 3: Today, are you ready for some cocker warming? Yeah, this

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Speaker 3: story has really got me this morning. It's about a

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Speaker 3: ninety year old Air Force veteran in the US. His

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Speaker 3: name is Dylan McCormick. He lives in Louisiana and he's

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Speaker 3: ninety and he has a job because he needs a

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Speaker 3: job to make ends. Meat is pushing supermarket carts around,

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Speaker 3: you know, the car park. He collects supermarket carts.

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Speaker 2: So he was doing this.

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Speaker 3: You know, it was a long weekend, Memorial Day on

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Speaker 3: Monday in the US, and he was doing this in

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Speaker 3: ninety degree heat thirty two degrees for US. A ninety

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Speaker 3: year old out there collecting trolleys in thirty two degrees

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Speaker 3: on a public holiday.

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Speaker 2: Very sad that he's working.

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Speaker 3: Yeah, and well, he said, he gets two thy five

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Speaker 3: hundred dollars. Oh sorry, he needs two five hundred dollars

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Speaker 3: a month just to survive. But he gets less than

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Speaker 3: that from Social Security, which is why he needs the job.

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Speaker 3: Still at ninety working on public holiday in thirty degrees heat,

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Speaker 3: thirty two degrees heat, collecting trolleys.

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Speaker 2: So a woman saw him.

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Speaker 3: She happened to be an ex news anchor, newsreader, and

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Speaker 3: so she started up She thought, this is just this

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Speaker 3: is horrible.

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Speaker 2: So she started up a go fundme.

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Speaker 3: Paige got a few of her friends, you know, in

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Speaker 3: the news world to talk about it. In less than

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Speaker 3: twenty four hours, they've raised two hundred thousand dollars so

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Speaker 3: Air Force veteran Dylan can retire.

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Speaker 2: Now what a sweet isn't that? Isn't that just I'm

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Speaker 2: having an emotion and you know I have a heart

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Speaker 2: of black. I'm gonna say granite, but yeah, wow, this

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Speaker 2: made me feel so good.

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Speaker 3: So McCormick was born in nineteen thirty three to a

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Speaker 3: mother who lived to be one hundred and four years old.

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Speaker 2: So, you know, Jean suggests he's got a w go

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Speaker 2: he needs the cash. They hang their stayers, mccormacks. He's

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Speaker 2: nearly ninety one. They hang in there, you know.

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Speaker 3: And he served his country in the Air Force and

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Speaker 3: there he is, at ninety still having to collect carts

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Speaker 3: in the blazing sun.

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Speaker 2: Yeah not anymore. Memorial Day, Memorial Day of all day,

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Speaker 2: Yeah exactly, But what a great end to the store.

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Speaker 3: So two hundred grand they made in twenty four hours,

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Speaker 3: they're going to transfer the funds to him today and

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Speaker 3: you know he he should be able to retire now

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Speaker 3: that sweet.

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Speaker 2: Isn't that a great story and the longevity. I just

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Speaker 2: thought that was gorgeous. That's lovely. More Crazy, more Lisa,

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Speaker 2: more podcasts.

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Speaker 3: Soon, Echo are heading to town for their Machine tour.

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Speaker 3: They're going to do shows at the Asta Theater on

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Speaker 3: June twenty eight and Frio Social on June twenty nine.

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Speaker 3: You can get your tickets through Pseudo echo dot net

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Speaker 3: and Brian Canam's joining.

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Speaker 2: Us right now. Good morning, welcome mate, there you go.

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Speaker 3: Happy happy fortieth, thank you, thank you. Yeah, happy fortieth

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Speaker 3: of listening. I mean, it's it's amazing.

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Speaker 6: Yeah, yeah, I don't know where those hes went, but

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Speaker 6: it is pretty amazing. It doesn't feel a bit longer

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Speaker 6: than that's for sure.

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Speaker 8: Yeah.

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Speaker 4: Absolutely, But those tour are you going to get people

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Speaker 4: up and dancing, heading back to maybe slightly smaller venues

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Speaker 4: and get them going in the clubs.

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Speaker 11: Yeah.

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Speaker 6: So, you know, the concert tour was a lot of

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Speaker 6: fun and it was big, big scale, but yeah, there's

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Speaker 6: not a lot of dancing going on them. We think

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Speaker 6: that sort of feedback from the audience, so it makes

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Speaker 6: sense to alternate the tours and bring it back into

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Speaker 6: the clubs.

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Speaker 3: Yeah, we've often got the fun police stopping us from

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Speaker 3: getting up. I don't know, we do now. The show

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Speaker 3: is pitching itself as being full of epic lighting and visuals.

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Speaker 2: How can you tell us about that?

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Speaker 6: Yeah, well, we usually run a big screen with a

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Speaker 6: whole bunch of sort of high tech looking images as

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Speaker 6: well as some nice nostalgic retro looking images that the

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Speaker 6: crowd love seeing. And we'll often even have dances depending

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Speaker 6: on the state where we are. But yeah, it's a

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Speaker 6: pretty big scale six piece band these days, and you know,

365
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Speaker 6: we blast through all the hits as people love to

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Speaker 6: hit them.

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Speaker 2: Listening make when you wrote that, did you think this

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Speaker 2: is going to be a hit or do you never know?

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Speaker 6: You never really know. But it was one of our

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Speaker 6: first tracks that we recorded and wrote, and sunnily enough,

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Speaker 6: when we first wrote it, it was quite down that

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Speaker 6: it was halftime and quite dark. We were kind of

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Speaker 6: citing songs like Vienna by Ultravox, and we did it

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Speaker 6: at the show like that for quite a few months

375
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Speaker 6: until one day we just I think it was by

376
00:18:16,000 --> 00:18:18,440
Speaker 6: mistake we put the role drum pattern on and it

377
00:18:18,840 --> 00:18:22,600
Speaker 6: were double speed and we said, oh that's way better. Yes,

378
00:18:22,760 --> 00:18:23,960
Speaker 6: we just we left it like that.

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Speaker 3: How did you become the first unsigned band to appear

380
00:18:27,880 --> 00:18:28,840
Speaker 3: on Countdown back then?

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Speaker 6: Yeah, that was a kind of a crazy, crazy thing

382
00:18:31,960 --> 00:18:34,920
Speaker 6: that happened. I used to go to this club just

383
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Speaker 6: to check out the latest tunes, and Molly used to

384
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Speaker 6: be the DJ there and I used to go there

385
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Speaker 6: every week. And he must have known this little kid

386
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Speaker 6: on the sidelines there, just watch him intently. And about

387
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Speaker 6: a year or so later, somebody kicked him off about

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Speaker 6: this new band, so he thought he'd better go check

389
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Speaker 6: them out. So when he checks us out, he sees

390
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Speaker 6: it's me. That's a kid that used to come to

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Speaker 6: my clubs talking to me, so you know he was

392
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Speaker 6: he was so taken back by the show and the band,

393
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Speaker 6: and yeah, I didn't expect that at all. And then

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Speaker 6: within a couple of days he invited us coming to

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Speaker 6: fire on countown.

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Speaker 2: Oh that's great.

397
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Speaker 4: Memories of the Jump Club and Molly spinning discs and

398
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Speaker 4: al Ressa so much influence, mate.

399
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Speaker 6: Yeah, well the Jump Club was the one where he

400
00:19:14,720 --> 00:19:14,920
Speaker 6: came in.

401
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Speaker 2: That was one of us.

402
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Speaker 4: Oh well, unreal, But I mentioned as that. I had

403
00:19:19,000 --> 00:19:21,320
Speaker 4: that copy of Listening that I said to Leasa just

404
00:19:21,359 --> 00:19:23,520
Speaker 4: about grooves out. But I also had the twelve inch

405
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Speaker 4: of A Beat for You, which was on that first

406
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Speaker 4: Tunnel Park album.

407
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Speaker 12: Do you keep?

408
00:19:27,280 --> 00:19:28,760
Speaker 2: Do you keep stuff? You've got a lot of your

409
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Speaker 2: own memorabilia and vinyl.

410
00:19:31,160 --> 00:19:34,840
Speaker 6: I've got a couple of copies of each thing. I've

411
00:19:34,920 --> 00:19:36,920
Speaker 6: never been the best at looking after them. My wife

412
00:19:36,960 --> 00:19:42,159
Speaker 6: would tell how many. She's much better than me. Catalogs

413
00:19:42,200 --> 00:19:45,000
Speaker 6: things and archives that I'm a bit slack, you know.

414
00:19:45,080 --> 00:19:50,440
Speaker 6: They're like a doorstop sometimes place Matt. But yeah, it's

415
00:19:51,160 --> 00:19:53,119
Speaker 6: nice to sort of look through the collection sometimes and

416
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Speaker 6: go wow and bring back so many memories.

417
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Speaker 3: A few slight changes to the band the lineup since

418
00:19:59,240 --> 00:20:03,440
Speaker 3: All Time Park came out. Your drummer is nineteen years old.

419
00:20:03,480 --> 00:20:07,640
Speaker 3: She's not even half age. But I believe you went

420
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Speaker 3: through five drummers on the tour. What it's the very

421
00:20:10,119 --> 00:20:11,240
Speaker 3: spinal tap of you.

422
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Speaker 2: It was a bit she exploded discombustion. That is the

423
00:20:16,160 --> 00:20:18,360
Speaker 2: ultimate rock sort of thing.

424
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Speaker 6: It was crazy and she was really pulling at the

425
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Speaker 6: eleventh baron. Rackell had been to the lobbying to get

426
00:20:23,920 --> 00:20:27,040
Speaker 6: her in the band. She spotted her online and said,

427
00:20:27,080 --> 00:20:29,360
Speaker 6: this girl's got such a glow about her. There's something

428
00:20:29,400 --> 00:20:31,840
Speaker 6: about it that's magical. And I took one look and

429
00:20:31,880 --> 00:20:35,879
Speaker 6: see she looked about fourteen in the video. She was

430
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Speaker 6: younger given and you know, she just kept saying, I

431
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Speaker 6: want you to try her out. And then we were

432
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Speaker 6: two days out from a weekend of shows and the

433
00:20:44,560 --> 00:20:48,200
Speaker 6: drummer pulled out again, as they do, and we gave

434
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Speaker 6: acall flew her into the show. Her audition was the

435
00:20:51,119 --> 00:20:53,160
Speaker 6: sound check. It wasn't really an audition. We'd already said

436
00:20:53,359 --> 00:20:56,119
Speaker 6: you've got the gig, and we just sent her all

437
00:20:56,119 --> 00:20:58,280
Speaker 6: the stuff. She learned it in those two days and

438
00:20:58,320 --> 00:20:59,920
Speaker 6: came down to our show with us floor.

439
00:21:00,680 --> 00:21:01,280
Speaker 2: That's awesome.

440
00:21:02,280 --> 00:21:03,639
Speaker 6: No rehearsal demand at all, just.

441
00:21:03,880 --> 00:21:05,840
Speaker 2: That that's impressive.

442
00:21:06,400 --> 00:21:09,280
Speaker 6: Yeah, and it has been there solid ever since you

443
00:21:09,320 --> 00:21:10,399
Speaker 6: said fourteen.

444
00:21:10,440 --> 00:21:13,200
Speaker 2: That's what Molly thought of you at the Jump Club, little.

445
00:21:13,000 --> 00:21:15,800
Speaker 6: Gid best right, So I never never said an eye.

446
00:21:16,280 --> 00:21:16,680
Speaker 2: That's right.

447
00:21:17,720 --> 00:21:19,320
Speaker 4: You mentioned the lighting, un less I mentioned the lighting

448
00:21:19,359 --> 00:21:21,200
Speaker 4: and all the rest of it's a great production. But

449
00:21:21,520 --> 00:21:23,600
Speaker 4: is it going to be a small stone hinge by

450
00:21:23,600 --> 00:21:25,720
Speaker 4: any chance? On stage? Spinal tap?

451
00:21:26,880 --> 00:21:29,400
Speaker 6: No, no, no, We've made sure, we scaled any problem,

452
00:21:30,760 --> 00:21:33,920
Speaker 6: nothing you can't get out of. Yeah, we had had

453
00:21:33,920 --> 00:21:35,720
Speaker 6: a couple of a couple of close ones.

454
00:21:37,320 --> 00:21:39,640
Speaker 3: So Brian, it would have been something off Autumnal Park.

455
00:21:39,720 --> 00:21:42,960
Speaker 3: Can you remember the first time you heard yourself on

456
00:21:43,359 --> 00:21:43,919
Speaker 3: the radio.

457
00:21:45,160 --> 00:21:48,880
Speaker 6: It was pretty epic. Yes, well really the first time

458
00:21:49,040 --> 00:21:52,160
Speaker 6: was the countdown. That was really my first rush. Yes,

459
00:21:52,200 --> 00:21:54,680
Speaker 6: it's just seeing it broadcast and I think it was

460
00:21:54,720 --> 00:21:58,520
Speaker 6: at my twenty first birthday. Oh and somebody hooked it

461
00:21:58,640 --> 00:22:00,719
Speaker 6: up and played the recording of it, you know, at

462
00:22:00,760 --> 00:22:03,280
Speaker 6: my party, and that was pretty exciting and there was

463
00:22:03,520 --> 00:22:05,200
Speaker 6: some big cheers from the northern suburbs.

464
00:22:06,080 --> 00:22:06,840
Speaker 2: I love that.

465
00:22:07,080 --> 00:22:09,320
Speaker 4: And you work with a legend called Peter Dawkins with

466
00:22:09,400 --> 00:22:11,359
Speaker 4: the Dragon and Naisy Crawl, so you're in good company.

467
00:22:11,480 --> 00:22:11,680
Speaker 11: Yeah.

468
00:22:12,400 --> 00:22:15,200
Speaker 6: Peter was fantastic. He was old school and he was

469
00:22:15,200 --> 00:22:17,280
Speaker 6: a lot older than us. We have to seem like

470
00:22:17,320 --> 00:22:20,399
Speaker 6: a headmaster. He wasn't a lot of fun, but he

471
00:22:20,520 --> 00:22:23,400
Speaker 6: was very, very knowledgeable about music. We learned so much

472
00:22:23,480 --> 00:22:26,280
Speaker 6: off him. He might have had his cranky old ways,

473
00:22:27,680 --> 00:22:32,080
Speaker 6: because you know, we were young rascals and he taught

474
00:22:32,160 --> 00:22:32,640
Speaker 6: us so much.

475
00:22:32,720 --> 00:22:33,239
Speaker 2: He really did.

476
00:22:33,320 --> 00:22:35,720
Speaker 6: He took songs and he arranged and then took top

477
00:22:35,840 --> 00:22:37,680
Speaker 6: pits out. We'd be saying, no, not that you can't

478
00:22:37,720 --> 00:22:40,480
Speaker 6: take that bit, that's our favorite bit. He'd be saying, no,

479
00:22:40,560 --> 00:22:46,440
Speaker 6: that's just ten seconds of boarder looking back. You know,

480
00:22:46,480 --> 00:22:48,240
Speaker 6: I know exactly what he was doing. He was just

481
00:22:48,280 --> 00:22:49,600
Speaker 6: getting to the good bit.

482
00:22:50,000 --> 00:22:50,160
Speaker 13: Yeah.

483
00:22:50,760 --> 00:22:52,879
Speaker 2: Yeah, it's fair enough. And you had a mind for

484
00:22:52,920 --> 00:22:53,160
Speaker 2: the goal.

485
00:22:53,359 --> 00:22:58,879
Speaker 3: Yeah, yeah, do you in addition to the shows that

486
00:22:58,960 --> 00:23:01,240
Speaker 3: you're doing, did I hear correctly?

487
00:23:01,320 --> 00:23:02,400
Speaker 2: You are writing a book?

488
00:23:03,680 --> 00:23:04,480
Speaker 8: I am, I am.

489
00:23:04,520 --> 00:23:09,080
Speaker 6: I've been writing it for nearly ten years though, yes.

490
00:23:09,560 --> 00:23:12,240
Speaker 6: I guess the thing is is when I started the book,

491
00:23:12,440 --> 00:23:14,800
Speaker 6: I had one thing in mind, and then so many

492
00:23:14,840 --> 00:23:17,159
Speaker 6: things happened along the way that changed the course of

493
00:23:17,240 --> 00:23:19,639
Speaker 6: where the book was going to end, and so I

494
00:23:19,720 --> 00:23:22,840
Speaker 6: had to keep changing the tributory.

495
00:23:22,440 --> 00:23:23,280
Speaker 2: So story, emotion.

496
00:23:23,800 --> 00:23:26,679
Speaker 6: Yeah, yeah, there were so many things, and so I had,

497
00:23:27,240 --> 00:23:29,359
Speaker 6: you know, heurm oil at some point. So it was

498
00:23:29,480 --> 00:23:31,240
Speaker 6: like this wasn't part of the book. The book was

499
00:23:31,280 --> 00:23:33,919
Speaker 6: meant to be a real feel good, happy ending. Yeah.

500
00:23:34,880 --> 00:23:38,240
Speaker 6: You know, there's some dark clouds for here. I've navigated

501
00:23:38,280 --> 00:23:40,600
Speaker 6: through a few of those and getting it back on track.

502
00:23:41,240 --> 00:23:44,200
Speaker 4: I look forward to that absolutely. Yeah, it might be

503
00:23:44,240 --> 00:23:45,960
Speaker 4: twelve or fifteen years in the making, but look for it.

504
00:23:46,040 --> 00:23:47,720
Speaker 6: That's right, it'll real loggie.

505
00:23:47,880 --> 00:23:50,320
Speaker 3: Well, we're also looking forward to the show's Askeda Theater

506
00:23:50,840 --> 00:23:53,080
Speaker 3: on the twenty eighth of next month, Frio Social the

507
00:23:53,160 --> 00:23:56,040
Speaker 3: next night, the twenty ninth. Tickets are available through Pseudo

508
00:23:56,160 --> 00:23:58,520
Speaker 3: Echo Dot Lovely to chat to you, Brian.

509
00:23:58,600 --> 00:24:00,560
Speaker 2: It was a pleasure, but likewise, I was always good

510
00:24:00,600 --> 00:24:00,880
Speaker 2: to check.

511
00:24:01,080 --> 00:24:03,239
Speaker 4: There were a bunch of actors called well, they were

512
00:24:03,280 --> 00:24:05,520
Speaker 4: dubbed the brat pack in Hollywood, which is a play

513
00:24:05,560 --> 00:24:10,119
Speaker 4: on words from which was then a Martine Frank Frank

514
00:24:10,200 --> 00:24:13,240
Speaker 4: and Peter Lawford and all that crew back in the fifties.

515
00:24:13,320 --> 00:24:16,400
Speaker 4: And so it was nineteen eighty five and a magazine

516
00:24:16,480 --> 00:24:18,280
Speaker 4: article came out New York Magazine came out and they

517
00:24:18,320 --> 00:24:20,399
Speaker 4: wrote about this so called brat pack in the mid

518
00:24:20,520 --> 00:24:23,400
Speaker 4: twenties there were the young bucks and girls of Hollywood

519
00:24:23,880 --> 00:24:26,720
Speaker 4: and they talk about eight of these stars. And the

520
00:24:26,760 --> 00:24:28,560
Speaker 4: reason why I bring it up is because Andrew McCarthy,

521
00:24:28,600 --> 00:24:30,600
Speaker 4: who was one of the eight, the main eight of

522
00:24:30,720 --> 00:24:32,800
Speaker 4: what they called the brat packers. He's moved on to

523
00:24:32,840 --> 00:24:35,040
Speaker 4: be a travel writer more than anything these days, and

524
00:24:35,119 --> 00:24:38,000
Speaker 4: a filmmaker, but he was part of this group, Andrew

525
00:24:38,080 --> 00:24:39,000
Speaker 4: McCarthy Rob Loow.

526
00:24:38,960 --> 00:24:41,440
Speaker 2: He was my favorite. Yeah, he loved him. Yes, a

527
00:24:41,480 --> 00:24:42,560
Speaker 2: bit of vulnerability, didn't I.

528
00:24:42,920 --> 00:24:45,840
Speaker 3: You know, most usually the girls just loved the Rob

529
00:24:45,960 --> 00:24:49,040
Speaker 3: Low and that's sort of because he's so pretty. But

530
00:24:49,440 --> 00:24:52,400
Speaker 3: Andrew McCarthy was a bit more moody and broody.

531
00:24:52,480 --> 00:24:54,240
Speaker 2: No doubt, and that appealed to me, no doubt.

532
00:24:54,240 --> 00:24:57,119
Speaker 4: What about the nostrils of Judd Nelson, because Judd was

533
00:24:57,160 --> 00:24:58,880
Speaker 4: in the ad as well, because he was in both

534
00:24:58,920 --> 00:25:01,479
Speaker 4: of those big movies of the time, not only so Elbows,

535
00:25:01,480 --> 00:25:02,440
Speaker 4: but Breakfast Club as well.

536
00:25:02,600 --> 00:25:03,719
Speaker 2: Yeah, because not all of them were.

537
00:25:03,960 --> 00:25:07,119
Speaker 4: Emilio Westevez was part of that group, Molly Enwold was

538
00:25:07,160 --> 00:25:08,880
Speaker 4: part of the group, and Anthony Michael Hall as well.

539
00:25:08,960 --> 00:25:11,600
Speaker 4: So there were eight of them in the main pack

540
00:25:11,680 --> 00:25:14,280
Speaker 4: with Demi Moore and Alie Sheedy were in the part

541
00:25:14,320 --> 00:25:18,880
Speaker 4: of the eight. But this also discovered this documentary which

542
00:25:18,920 --> 00:25:21,600
Speaker 4: is coming out on June thirteen. It's been made as

543
00:25:21,640 --> 00:25:24,560
Speaker 4: ABC Studio so Hulu. But we just have to check

544
00:25:24,600 --> 00:25:26,480
Speaker 4: your streaming services for do we get it here? Made

545
00:25:26,480 --> 00:25:29,240
Speaker 4: it up on binge or something? A little quick quiz

546
00:25:29,280 --> 00:25:31,720
Speaker 4: for your lease with these people. Members of the brat pack,

547
00:25:32,240 --> 00:25:37,199
Speaker 4: James Spader, No, Robert Downey Jr. No not really were

548
00:25:37,480 --> 00:25:40,200
Speaker 4: what about when you think of it, Yeah, Breakfast Club

549
00:25:40,280 --> 00:25:43,119
Speaker 4: and sixteen Candles and Pretty Pick were made by John Hughes.

550
00:25:43,320 --> 00:25:46,000
Speaker 4: So he made some kind of wonderful So were Leah

551
00:25:46,080 --> 00:25:48,600
Speaker 4: Thompson and Eric Stubbs part of the brat pack?

552
00:25:48,880 --> 00:25:51,520
Speaker 2: The sort of on the ringe were they? They were

553
00:25:51,640 --> 00:25:56,040
Speaker 2: the official bread John Cryer Ducky of course from No no, No,

554
00:25:56,600 --> 00:25:59,120
Speaker 2: So they had their Ducky and Anthony Michael.

555
00:25:59,240 --> 00:26:02,960
Speaker 4: Yeah, because he was later one nerd, the cut nerd

556
00:26:03,040 --> 00:26:05,159
Speaker 4: kind of thing. And we know what he looks like now,

557
00:26:05,200 --> 00:26:08,240
Speaker 4: which is Mary Stuart Masterson. Probably not either, you know,

558
00:26:08,320 --> 00:26:10,600
Speaker 4: they were just a little bit later on really yeah,

559
00:26:10,640 --> 00:26:13,240
Speaker 4: but they do talk. Yeah, I mean Moore was definitely

560
00:26:13,280 --> 00:26:14,439
Speaker 4: part of it, and she was part of the main

561
00:26:14,520 --> 00:26:16,879
Speaker 4: eighte but Mia Wenningham was seen as more of a

562
00:26:17,000 --> 00:26:20,760
Speaker 4: serious actor. She was in Son Elmo's. She never really

563
00:26:20,840 --> 00:26:22,720
Speaker 4: got caught up in that kind of thing. Well she's

564
00:26:22,720 --> 00:26:25,560
Speaker 4: still working now as a serious actor. But what a time, hey,

565
00:26:26,359 --> 00:26:27,679
Speaker 4: the mid eighties, and like you said, it is right

566
00:26:27,720 --> 00:26:29,880
Speaker 4: up your alley. Yeah, we remember those movies so well.

567
00:26:30,680 --> 00:26:33,119
Speaker 4: John Hughes made most of them. But tell Shoemaker, who

568
00:26:33,920 --> 00:26:40,160
Speaker 4: lost just fairly recently. Well, Molly was his music, John didn't.

569
00:26:40,200 --> 00:26:43,520
Speaker 4: John Hughes love her, loved Molly. Who's the filmmaker of course. Yeah,

570
00:26:44,000 --> 00:26:47,200
Speaker 4: and some great music was put on the soundtracks, probably

571
00:26:47,240 --> 00:26:48,760
Speaker 4: not as much as what could have been. But as

572
00:26:48,800 --> 00:26:51,359
Speaker 4: you just said to me moments ago, you know, the

573
00:26:51,440 --> 00:26:53,520
Speaker 4: Pretty Pink soundtrack was an absolute beauty, wasn't it.

574
00:26:53,560 --> 00:26:57,120
Speaker 3: There's some gems on there, yes, shell Shock, New Order,

575
00:26:58,119 --> 00:27:00,520
Speaker 3: Bring on the Dancing Horses, Oh my good. Thanks on

576
00:27:00,600 --> 00:27:02,920
Speaker 3: the Bunnyman so good, Please please please please meet or

577
00:27:02,920 --> 00:27:05,639
Speaker 3: whatever it's called by the Smiths. Yeah, awesome songs.

578
00:27:05,640 --> 00:27:06,920
Speaker 4: To get you in the vibe. A little bit of

579
00:27:07,000 --> 00:27:09,240
Speaker 4: this documentary made by Andrew McCarthey, sounds a bit like this.

580
00:27:09,760 --> 00:27:11,800
Speaker 14: If you were coming of age in the nineteen eighties,

581
00:27:12,080 --> 00:27:15,800
Speaker 14: the brat Pack was near the center of your cultural awareness.

582
00:27:16,160 --> 00:27:19,160
Speaker 14: But for those of us experiencing it from the inside,

583
00:27:19,400 --> 00:27:24,840
Speaker 14: the brad Pack was something very different. On June tenth,

584
00:27:24,960 --> 00:27:27,200
Speaker 14: nineteen eighty five, New York magazine.

585
00:27:26,760 --> 00:27:28,240
Speaker 2: Pish Hollywood's broad Pack.

586
00:27:28,640 --> 00:27:35,600
Speaker 12: I just remember seeing that cover and thinking, oh, from

587
00:27:35,720 --> 00:27:38,479
Speaker 12: then on, my career and the career of everyone who

588
00:27:38,560 --> 00:27:40,600
Speaker 12: was involved was branded.

589
00:27:40,240 --> 00:27:42,800
Speaker 4: To the Brat pack so the right memories. But the

590
00:27:42,840 --> 00:27:44,359
Speaker 4: beauty of this is he guys and visits a lot

591
00:27:44,400 --> 00:27:46,600
Speaker 4: of the brat Packers. Awesome their opinions.

592
00:27:46,720 --> 00:27:49,480
Speaker 2: I can't wait. When did you this month? June thirteenth? Yeah,

593
00:27:49,520 --> 00:27:50,440
Speaker 2: only a couple of weeks away.

594
00:27:50,480 --> 00:27:52,840
Speaker 4: Yeah, they're saying that it's coming out on Hulu, so however,

595
00:27:52,840 --> 00:27:54,240
Speaker 4: but that ends up streaming it right.

596
00:27:54,240 --> 00:27:56,280
Speaker 2: Up on being Joe Prime. Yeah, yeah, some of them.

597
00:27:56,520 --> 00:27:57,760
Speaker 2: I'll just have to do a sirch And.

598
00:27:57,840 --> 00:28:00,240
Speaker 4: When did we get to June twelve thirteen? You probably

599
00:28:00,240 --> 00:28:01,880
Speaker 4: put in the Shore Report or something. We'll say where

600
00:28:01,880 --> 00:28:04,840
Speaker 4: you can where you can find that in the Sounds

601
00:28:05,200 --> 00:28:06,440
Speaker 4: Mighty Good, Brats.

602
00:28:06,400 --> 00:28:15,720
Speaker 2: More Crazy, More Lisa More Podcast Soon The Sure Report.

603
00:28:15,960 --> 00:28:17,720
Speaker 2: On ninety six AFM.

604
00:28:19,600 --> 00:28:25,160
Speaker 3: Oh Best News of the Week, they have finally announced

605
00:28:25,200 --> 00:28:30,200
Speaker 3: a second season, a season two of Tom Hiddleston's The

606
00:28:30,400 --> 00:28:31,240
Speaker 3: Night Manager.

607
00:28:31,840 --> 00:28:32,359
Speaker 2: Do you wat this?

608
00:28:32,840 --> 00:28:35,240
Speaker 3: You have told me this is amazing to get around

609
00:28:35,359 --> 00:28:39,520
Speaker 3: Season one's good. In fact, they've announced it's returning for

610
00:28:40,280 --> 00:28:43,640
Speaker 3: two more seasons really, the first of which we'll start

611
00:28:43,680 --> 00:28:45,840
Speaker 3: shooting in a few months, picking up eight years on

612
00:28:46,000 --> 00:28:48,800
Speaker 3: from where season one ended. The hit show, which is

613
00:28:48,840 --> 00:28:51,400
Speaker 3: based on John Lecaarr's best selling novel of the same name.

614
00:28:51,480 --> 00:28:55,720
Speaker 3: We'll see Hiddleston reprise his role as Jonathan Pine. Love

615
00:28:55,800 --> 00:28:59,520
Speaker 3: that name, Jonathan Pine, who works in a hotel after

616
00:28:59,600 --> 00:29:02,600
Speaker 3: leaving the Army and sees all sorts of shenannigans are

617
00:29:02,640 --> 00:29:05,680
Speaker 3: going on The night Manager first premiered in twenty sixteen,

618
00:29:06,240 --> 00:29:09,600
Speaker 3: winning a slew of awards, including a Best Actor Golden

619
00:29:09,640 --> 00:29:14,240
Speaker 3: Globe for Hittleston. The World's most Famous Beagle is back.

620
00:29:14,800 --> 00:29:19,160
Speaker 3: Apple TV Plus is introducing the new series Camp Snoopy,

621
00:29:19,320 --> 00:29:23,240
Speaker 3: based on Charles M. Schultz's Peanuts. The show follows Snoopy

622
00:29:23,240 --> 00:29:25,920
Speaker 3: and the Beagle Scouts, along with Charlie Brown and all

623
00:29:26,000 --> 00:29:29,880
Speaker 3: his friends as they enjoy an adventure field summer outdoors.

624
00:29:30,240 --> 00:29:33,840
Speaker 11: I'm heading off to spring Leak for summer camp. It's

625
00:29:33,920 --> 00:29:38,800
Speaker 11: a fun way to experience to create outdoors. Working together

626
00:29:39,040 --> 00:29:42,520
Speaker 11: with their trusty troop of Eagle Scout can achieve.

627
00:29:42,360 --> 00:29:52,000
Speaker 2: Onything that's cute. I love Woodstock.

628
00:29:52,320 --> 00:29:57,000
Speaker 3: Camp Snoopy premierez June fourteen, and rapper Shanpy did he

629
00:29:57,160 --> 00:29:59,880
Speaker 3: Coombs as you know? Is in all sorts of trouble

630
00:30:00,040 --> 00:30:02,560
Speaker 3: at the moment. The horrendous video of him assaulting his ex,

631
00:30:02,880 --> 00:30:05,280
Speaker 3: along with his homes in at least two cities in

632
00:30:05,320 --> 00:30:07,440
Speaker 3: the US being raided as part of an ongoing sex

633
00:30:07,520 --> 00:30:11,120
Speaker 3: trafficking investigation. So there have been grown calls for a

634
00:30:11,160 --> 00:30:13,120
Speaker 3: star on the Hollywood Walk of Fame to be removed,

635
00:30:13,560 --> 00:30:16,040
Speaker 3: but it won't be going anywhere apparently. The Hollywood Chamber

636
00:30:16,080 --> 00:30:18,960
Speaker 3: of Commerce says it has the authority to nominate, create,

637
00:30:19,040 --> 00:30:22,080
Speaker 3: and install stars, but not the authority.

638
00:30:21,680 --> 00:30:22,320
Speaker 2: To remove them.

639
00:30:23,040 --> 00:30:25,120
Speaker 3: Nothing someone with a jackhammer in the middle of the

640
00:30:25,240 --> 00:30:29,560
Speaker 3: night fixed. Surely absolutely, come on creative, Yeah, and get busy,

641
00:30:29,600 --> 00:30:31,640
Speaker 3: because that's what you do best. Some people, that is

642
00:30:31,720 --> 00:30:32,920
Speaker 3: your sure report A ninety six.

643
00:30:32,960 --> 00:30:35,760
Speaker 2: Her great the flick with ben Oche and.

644
00:30:35,840 --> 00:30:38,640
Speaker 13: How are You You're Good? No one does drama quite

645
00:30:38,840 --> 00:30:43,480
Speaker 13: like the French, do they? And so this film coming

646
00:30:43,560 --> 00:30:48,120
Speaker 13: out starring Leah Saido, the great French actress who, if

647
00:30:48,200 --> 00:30:50,640
Speaker 13: she's obviously been in many, many, many French films, I've

648
00:30:50,640 --> 00:30:53,680
Speaker 13: also seen her in Tarantinos, in Glorious Bastards. She's been

649
00:30:53,720 --> 00:30:55,880
Speaker 13: in nearly every Wes Anderson movie in the last sort

650
00:30:55,880 --> 00:31:00,040
Speaker 13: of five or ten years. She's a wonderful actress and

651
00:31:00,120 --> 00:31:03,440
Speaker 13: she gives the performance of her career in this film

652
00:31:03,560 --> 00:31:08,040
Speaker 13: called The Beast or in French lebette. Okay, I think

653
00:31:08,360 --> 00:31:12,960
Speaker 13: I'm not yeah, is that right? And this film it

654
00:31:13,080 --> 00:31:16,320
Speaker 13: also stars George McKay, who was the lead actor in

655
00:31:17,000 --> 00:31:21,040
Speaker 13: Sam Mendez's excellent World War One film nineteen seventeen. He

656
00:31:21,200 --> 00:31:24,520
Speaker 13: was the main guy in that wonderful, wonderful British actor

657
00:31:24,880 --> 00:31:27,120
Speaker 13: who's pretty handy with a French accent as well, might

658
00:31:27,160 --> 00:31:30,560
Speaker 13: I just say? And so this film is based on

659
00:31:30,880 --> 00:31:34,360
Speaker 13: a nineteen oh three novella by an author named Henry

660
00:31:34,480 --> 00:31:38,000
Speaker 13: James that was called The Beast in the Jungle, and

661
00:31:38,080 --> 00:31:39,960
Speaker 13: it was kind of the story was a metaphor. It

662
00:31:40,040 --> 00:31:44,920
Speaker 13: is about this guy who was paranoid by this fear,

663
00:31:45,240 --> 00:31:49,520
Speaker 13: this impression that he had that some great evil fate

664
00:31:49,760 --> 00:31:52,080
Speaker 13: was going to befall him at some time in his life.

665
00:31:52,520 --> 00:31:54,240
Speaker 13: He didn't know what it was exactly, but he just

666
00:31:54,280 --> 00:31:56,360
Speaker 13: had this vibe something bad was going to happen to him.

667
00:31:56,400 --> 00:31:59,480
Speaker 13: So because of that, he'd met this love of his life,

668
00:31:59,520 --> 00:32:01,960
Speaker 13: but he never married her. They never got together because

669
00:32:01,960 --> 00:32:04,600
Speaker 13: he didn't want to subject her to this terrible thing

670
00:32:04,680 --> 00:32:07,440
Speaker 13: that was going to happen. And then just on his deathbed,

671
00:32:07,520 --> 00:32:09,840
Speaker 13: he realized that the terrible thing was that he didn't

672
00:32:09,880 --> 00:32:12,880
Speaker 13: live his life, but he didn't follow love because of

673
00:32:13,040 --> 00:32:16,080
Speaker 13: his fears. So it's, you know, one of those metaphors

674
00:32:16,160 --> 00:32:18,320
Speaker 13: for like not living your life because of your fear

675
00:32:18,400 --> 00:32:21,840
Speaker 13: of thinking about anyway. So this film is a very

676
00:32:21,960 --> 00:32:24,160
Speaker 13: very loose adaptation of that. And I say loose, it

677
00:32:24,200 --> 00:32:28,080
Speaker 13: couldn't really get much looser because firstly, it switches the

678
00:32:28,160 --> 00:32:31,840
Speaker 13: bloke for a woman and the Leah Saidah's character Gabrielle.

679
00:32:31,920 --> 00:32:34,080
Speaker 13: She's the one who believes that this terrible thing is

680
00:32:34,120 --> 00:32:36,000
Speaker 13: going to happen to her. But it's also set in

681
00:32:36,080 --> 00:32:40,840
Speaker 13: the year twenty forty four when AI is in charge

682
00:32:40,880 --> 00:32:44,560
Speaker 13: of everything, and so AI basically has taken all the

683
00:32:44,680 --> 00:32:47,520
Speaker 13: jobs and all it's left for humans to do is

684
00:32:47,680 --> 00:32:51,600
Speaker 13: the real basic menial stuff, and she is not happy

685
00:32:51,640 --> 00:32:53,960
Speaker 13: with that. She believes that she is destined for more.

686
00:32:55,040 --> 00:32:59,000
Speaker 13: And when people have that belief, the AI kind of

687
00:32:59,080 --> 00:33:01,600
Speaker 13: reprograss them. It gives them the opportunity to go and

688
00:33:01,920 --> 00:33:06,240
Speaker 13: purify their DNA, and they do that by undergoing this

689
00:33:06,360 --> 00:33:09,760
Speaker 13: sort of medical process that allows them to revisit past

690
00:33:09,880 --> 00:33:15,000
Speaker 13: lives and basically erase, erase these kind of lingering echoes

691
00:33:15,080 --> 00:33:17,960
Speaker 13: from past lives and purify their DNA and then they're

692
00:33:18,000 --> 00:33:23,360
Speaker 13: happy to just be you know, like emotionless, emotionless human robots.

693
00:33:23,400 --> 00:33:29,040
Speaker 13: Basically quite a lot of facts. Yes, yeah, take it one.

694
00:33:29,200 --> 00:33:31,800
Speaker 13: And as she goes back through her past life, she

695
00:33:31,880 --> 00:33:34,440
Speaker 13: goes back to I think nineteen ten in Paris, the

696
00:33:34,520 --> 00:33:39,640
Speaker 13: Bella Poc and then also twenty fourteen in Los Angeles,

697
00:33:39,760 --> 00:33:42,200
Speaker 13: and in both of these past lives she runs into

698
00:33:42,320 --> 00:33:46,640
Speaker 13: George McKay's character Louis, and they have this kind of spark,

699
00:33:46,720 --> 00:33:49,320
Speaker 13: they have this kind of connection, but she has this

700
00:33:49,480 --> 00:33:51,600
Speaker 13: fear that something terrible is going to happen, which is

701
00:33:51,640 --> 00:33:54,080
Speaker 13: this thing in the future, and so you know, she's

702
00:33:54,160 --> 00:33:56,080
Speaker 13: reluctant to kind of get involved with them. So you

703
00:33:56,160 --> 00:33:58,479
Speaker 13: can see the links to the original story, although it's

704
00:33:58,760 --> 00:34:02,280
Speaker 13: very very different in the way it unfolds. This film

705
00:34:02,360 --> 00:34:06,520
Speaker 13: has so many ideas and is so French. It's it's

706
00:34:06,680 --> 00:34:09,960
Speaker 13: like it's the equivalent of going into a really fancy

707
00:34:10,000 --> 00:34:13,040
Speaker 13: restaurant in Paris and the menu is not in English,

708
00:34:13,360 --> 00:34:15,600
Speaker 13: the white staff refused to talk to you in English,

709
00:34:15,880 --> 00:34:18,400
Speaker 13: and so you have no idea what's really going on.

710
00:34:19,320 --> 00:34:21,879
Speaker 13: It's good, you assume it's good, but the only word

711
00:34:21,920 --> 00:34:24,440
Speaker 13: you can understand on the menu is scaro and I

712
00:34:24,440 --> 00:34:25,719
Speaker 13: don't know, I don't know if I'm going to like it,

713
00:34:26,840 --> 00:34:29,239
Speaker 13: but you've got to stick with it. It's also extremely long,

714
00:34:29,280 --> 00:34:32,880
Speaker 13: two and a half hours, and it's extremely slow moving,

715
00:34:33,040 --> 00:34:35,759
Speaker 13: So this will be the sort of film that I

716
00:34:35,840 --> 00:34:40,000
Speaker 13: would say eighty percent of people will find infuriating, but

717
00:34:40,400 --> 00:34:44,080
Speaker 13: if you stick with it, like you kind of lean

718
00:34:44,280 --> 00:34:49,040
Speaker 13: into the weirdness, because it's quite surreal. It's like that,

719
00:34:49,239 --> 00:34:52,880
Speaker 13: It's like David Lynch film, It's like your goslanthemos, like

720
00:34:53,000 --> 00:34:55,799
Speaker 13: poor things kind of all of these kind of things

721
00:34:55,880 --> 00:34:58,160
Speaker 13: are very similar to this, except this has taken to

722
00:34:58,200 --> 00:35:01,839
Speaker 13: an even more extreme level with a French twist as well.

723
00:35:02,640 --> 00:35:04,800
Speaker 13: But eventually you get to a point where you're so

724
00:35:04,920 --> 00:35:07,880
Speaker 13: engrossed you really want to find out what happens. And

725
00:35:08,000 --> 00:35:11,040
Speaker 13: the performances by George McKay, who's wonderful, and LEAs a Doo,

726
00:35:11,160 --> 00:35:15,759
Speaker 13: who's just absolutely for she's so like riveting in this film,

727
00:35:15,800 --> 00:35:17,960
Speaker 13: you can't take your eyes off her, and you go

728
00:35:18,040 --> 00:35:19,480
Speaker 13: along with it, and then there's a payoff in the

729
00:35:19,560 --> 00:35:21,360
Speaker 13: end and you go, oh, I'm glad I stuck with it.

730
00:35:22,080 --> 00:35:23,480
Speaker 13: It's a very interesting film.

731
00:35:24,200 --> 00:35:29,200
Speaker 2: Curious now how many I'm totally confused just from the review.

732
00:35:30,920 --> 00:35:32,560
Speaker 2: I don't want to give too many storils away. It's

733
00:35:32,560 --> 00:35:34,560
Speaker 2: a bit enigmatic. Yeah, I'm going to give it four.

734
00:35:34,760 --> 00:35:35,040
Speaker 6: Okay.

735
00:35:38,680 --> 00:35:40,920
Speaker 2: I do like the sound of it, but there are

736
00:35:41,040 --> 00:35:43,800
Speaker 2: a lot of factors going on. That's one of those problems.

737
00:35:43,840 --> 00:35:44,920
Speaker 2: Too many, Probably too many.

738
00:35:44,760 --> 00:35:47,560
Speaker 3: Because once they said it in the future, and I

739
00:35:47,640 --> 00:35:51,840
Speaker 3: was expecting the twist, eternal sunshine of the Spotless Money

740
00:35:52,000 --> 00:35:52,279
Speaker 3: very much.

741
00:35:52,320 --> 00:35:56,279
Speaker 2: So, yeah, when I loved that movie, all right, thank you,

742
00:35:56,600 --> 00:36:01,359
Speaker 2: thank you, guys. Lisa House. The sais after Ham