1 00:00:00,520 --> 00:00:03,800 Speaker 1: Powered by the my Heart Radio app from ninety six 2 00:00:03,840 --> 00:00:04,600 Speaker 1: AIRFM to. 3 00:00:04,600 --> 00:00:06,400 Speaker 2: Wherever you're listening today. 4 00:00:06,640 --> 00:00:09,119 Speaker 3: This is Clearsy and Lisa's podcast. 5 00:00:09,400 --> 00:00:12,080 Speaker 4: Coming up. On the podcast singa Burnard Fanning talks about 6 00:00:12,080 --> 00:00:14,320 Speaker 4: this weekend Somersault concert in Bustles. 7 00:00:14,360 --> 00:00:16,040 Speaker 1: We took calls on what you'd like to be brought 8 00:00:16,200 --> 00:00:18,119 Speaker 1: back after we talked about what you think what you 9 00:00:18,160 --> 00:00:19,600 Speaker 1: Never see again yesterday. 10 00:00:19,320 --> 00:00:23,279 Speaker 4: Ahead of the launch of season two, Season three of 11 00:00:23,360 --> 00:00:25,200 Speaker 4: the Last of Us has been announced. 12 00:00:25,480 --> 00:00:27,720 Speaker 1: A comment about Lady Gaga not coming to Perth. It's 13 00:00:27,720 --> 00:00:29,080 Speaker 1: got Lisa just fuming. 14 00:00:29,320 --> 00:00:33,880 Speaker 4: Well it tickled my fat more so and ben O'Shea 15 00:00:34,159 --> 00:00:36,159 Speaker 4: reviews Death of a Unicorn a little. 16 00:00:35,920 --> 00:00:37,400 Speaker 5: Bit different to Death of a Salesman by the sound 17 00:00:37,400 --> 00:00:40,120 Speaker 5: of it. 18 00:00:38,800 --> 00:00:41,120 Speaker 1: It's a momentous day, lease in the history of you 19 00:00:41,159 --> 00:00:43,840 Speaker 1: and I well do tell well. 20 00:00:43,880 --> 00:00:45,839 Speaker 5: In December, you know how I went to go to 21 00:00:45,880 --> 00:00:47,239 Speaker 5: a gym and I checked out a gym. 22 00:00:47,280 --> 00:00:48,239 Speaker 4: Yes, yeah, And in. 23 00:00:48,280 --> 00:00:50,080 Speaker 1: January we came back and I was banging on about 24 00:00:50,120 --> 00:00:53,320 Speaker 1: going walking around a gym. Yes, And then you joined 25 00:00:53,320 --> 00:00:54,000 Speaker 1: a gym. 26 00:00:53,840 --> 00:00:55,320 Speaker 4: Because I said you inspired me. 27 00:00:55,840 --> 00:00:56,080 Speaker 6: Yes. 28 00:00:56,600 --> 00:00:57,840 Speaker 5: Today I'm joining the gym. 29 00:00:57,880 --> 00:01:00,920 Speaker 4: Oh my god, I'm because on three weeks in. 30 00:01:01,040 --> 00:01:02,960 Speaker 1: Now, I'll go to a cafe called Gesher. I've got 31 00:01:02,960 --> 00:01:04,440 Speaker 1: a mate called gym. I'm going to join in today. 32 00:01:04,440 --> 00:01:08,520 Speaker 1: About no, I'm going to join the gym. Don't tell 33 00:01:08,520 --> 00:01:10,440 Speaker 1: you inspired you now you've reinspired me. 34 00:01:10,840 --> 00:01:14,360 Speaker 4: This morning I thought I may have needed a hydraulic 35 00:01:14,440 --> 00:01:17,600 Speaker 4: lift to the car park downstairs to get out of 36 00:01:17,600 --> 00:01:21,600 Speaker 4: my low to the ground car because yesterday beginner gloves 37 00:01:21,600 --> 00:01:27,080 Speaker 4: were off. Holy hell, and that's that's two words. But 38 00:01:27,160 --> 00:01:29,200 Speaker 4: I still can't get my head around coming out of 39 00:01:29,240 --> 00:01:34,759 Speaker 4: my mouth. Have we met my trainer? She just doesn't 40 00:01:34,800 --> 00:01:37,240 Speaker 4: muck around with us. I kept to keep reminding her, 41 00:01:37,760 --> 00:01:41,679 Speaker 4: I'm old and I haven't done this nineteen ninety nine. 42 00:01:42,080 --> 00:01:44,560 Speaker 4: And she's making me, you know, push stuff around with 43 00:01:44,600 --> 00:01:47,000 Speaker 4: my legs that's forty fifty kilo. Know. 44 00:01:47,080 --> 00:01:49,240 Speaker 5: The more you say that I'm all back off, she'll 45 00:01:49,280 --> 00:01:50,400 Speaker 5: go stronger, she'll go tougher. 46 00:01:51,120 --> 00:01:53,120 Speaker 4: Well she does too, she said, She said, you don't 47 00:01:53,160 --> 00:01:55,200 Speaker 4: complain much. It's like, well, yeah, because I'm gen X, 48 00:01:55,240 --> 00:01:58,320 Speaker 4: we get on with it. But then stoic, so she 49 00:01:58,400 --> 00:02:01,280 Speaker 4: adds more weights to it. So I need to start complaining. 50 00:02:01,320 --> 00:02:02,400 Speaker 5: I think you need to start bitching. 51 00:02:02,600 --> 00:02:08,359 Speaker 1: Yeah, absolutely, And then you need to TikTok, a computer 52 00:02:08,480 --> 00:02:11,000 Speaker 1: says No, I heard a story yesterday about a lot 53 00:02:11,040 --> 00:02:13,400 Speaker 1: of young people, like I'm talking people in their twenties, 54 00:02:13,440 --> 00:02:15,799 Speaker 1: even even some in their thirties have started doing some 55 00:02:16,080 --> 00:02:19,440 Speaker 1: old fashioned things like baking sour dough bread and pickling 56 00:02:19,520 --> 00:02:22,160 Speaker 1: carrots and beetroot and onion and stuff. And some people 57 00:02:22,200 --> 00:02:24,720 Speaker 1: are picking up, you know, starting to do crocheting and 58 00:02:24,760 --> 00:02:27,800 Speaker 1: stuff like that. And I thought that's interesting, And I thought, 59 00:02:28,000 --> 00:02:29,519 Speaker 1: what do you reckon should come back? I like you 60 00:02:29,639 --> 00:02:31,320 Speaker 1: up for double down and making a big comeback. 61 00:02:33,720 --> 00:02:35,639 Speaker 5: Common sense, common sense will be nice. 62 00:02:35,800 --> 00:02:39,760 Speaker 1: Intestinal fortitude would you put work ethic in there as well? 63 00:02:39,840 --> 00:02:44,040 Speaker 4: Yes? That sort of kindigoes had it had with intestinal fortitude? 64 00:02:44,120 --> 00:02:46,080 Speaker 5: Doesn't it a little bit of guts? 65 00:02:46,360 --> 00:02:46,520 Speaker 4: Yea? 66 00:02:46,960 --> 00:02:49,240 Speaker 5: And what should come back? It can be a fad, 67 00:02:49,320 --> 00:02:52,040 Speaker 5: can be a fashion, could be something that you old fashion? 68 00:02:52,800 --> 00:02:54,040 Speaker 5: What do you reckon should come back? 69 00:02:54,320 --> 00:02:56,519 Speaker 4: I definitely have thoughts. I'll go back to you in 70 00:02:56,560 --> 00:02:56,839 Speaker 4: a moment. 71 00:02:56,919 --> 00:03:00,399 Speaker 5: No, No, we'll get onto that. What do you come back? Cakes? Oh? Really? 72 00:03:00,480 --> 00:03:01,560 Speaker 4: I love a cape. 73 00:03:01,560 --> 00:03:02,840 Speaker 5: Many of the professor cape. 74 00:03:04,960 --> 00:03:08,160 Speaker 4: More seedy guy in a back alley, you know kind 75 00:03:08,200 --> 00:03:09,240 Speaker 4: of cake. 76 00:03:09,360 --> 00:03:09,560 Speaker 2: Yeah? 77 00:03:09,600 --> 00:03:13,200 Speaker 4: Yeah, well just yes and twirling mustaches. 78 00:03:12,840 --> 00:03:15,760 Speaker 5: That magicians that kind of a cave the magician. 79 00:03:15,919 --> 00:03:18,920 Speaker 4: Do you love a cape? Vincent Stratton said, manners, manners 80 00:03:18,919 --> 00:03:23,160 Speaker 4: need to come back. That's so true. Liz in Armadale says, 81 00:03:23,200 --> 00:03:28,120 Speaker 4: nineteen eighties prices on everything. Sean and Medina said, need 82 00:03:28,160 --> 00:03:32,519 Speaker 4: to bring back Arnet's tomato salcer shapes. Well, and as 83 00:03:32,560 --> 00:03:34,800 Speaker 4: you know, I want them to bring back potato in 84 00:03:34,840 --> 00:03:37,960 Speaker 4: a biscuit. Oh you do you do in a biscuit 85 00:03:38,080 --> 00:03:39,840 Speaker 4: rather than shape of yours? 86 00:03:40,080 --> 00:03:42,480 Speaker 1: And I'm with Craig who wants panel vans back. Go Craig, 87 00:03:43,880 --> 00:03:45,920 Speaker 1: It's okay, let's go to Kelly on the lines. Get 88 00:03:45,920 --> 00:03:47,520 Speaker 1: okel good morning. 89 00:03:47,760 --> 00:03:49,600 Speaker 4: You want to see brought back? What trend? 90 00:03:49,840 --> 00:03:51,600 Speaker 2: Peter's ice cream cake? 91 00:03:52,160 --> 00:03:53,040 Speaker 5: Ice cream cakes? 92 00:03:53,720 --> 00:03:56,400 Speaker 7: Okay, those flowers amazing like. 93 00:03:56,360 --> 00:04:03,360 Speaker 4: Our birthday parties, the weird frozen creep right, you couldn't 94 00:04:03,480 --> 00:04:06,760 Speaker 4: get them. Still you can't get the Peters ones anymore. 95 00:04:07,520 --> 00:04:12,000 Speaker 4: Taste the same, Yeah, yeah, magical And I always had 96 00:04:12,000 --> 00:04:15,960 Speaker 4: those on my sister's birthday. Yeah, yours, pink flowers. 97 00:04:17,000 --> 00:04:20,120 Speaker 1: They had a unique taste and have a unique that 98 00:04:20,880 --> 00:04:23,600 Speaker 1: I see that it wasn't cream frozen. 99 00:04:23,640 --> 00:04:24,360 Speaker 4: Seemed to melt. 100 00:04:24,560 --> 00:04:28,320 Speaker 5: No, they didn't. Probably still in our stomachs now. 101 00:04:31,440 --> 00:04:35,920 Speaker 4: Memory good memories of the Peter's ice cream a ripper 102 00:04:36,160 --> 00:04:36,800 Speaker 4: that were great. 103 00:04:37,040 --> 00:04:38,520 Speaker 5: It took up the whole freezer we had small. 104 00:04:39,279 --> 00:04:41,080 Speaker 4: Yeah, yeah, I liked the pink. 105 00:04:41,560 --> 00:04:43,480 Speaker 5: Never lasted very long at my place about yours? 106 00:04:43,600 --> 00:04:44,760 Speaker 4: No, not long at all. 107 00:04:44,839 --> 00:04:47,160 Speaker 5: No, I wouldn't get to the next day after the birthday. 108 00:04:46,800 --> 00:04:50,480 Speaker 4: Blady Jenny and Busselton says they should bring back honesty, manners, 109 00:04:50,560 --> 00:04:53,680 Speaker 4: respect for others, and Sunday lunch roasts with the family. 110 00:04:53,960 --> 00:04:57,720 Speaker 4: I love every bit of all of that here. Yes, 111 00:04:57,920 --> 00:04:59,719 Speaker 4: I love the sound of see you on the weekend, 112 00:04:59,800 --> 00:05:02,159 Speaker 4: Jenny up to episodes were down. 113 00:05:02,560 --> 00:05:04,719 Speaker 5: Forget the Jenny. We're going to jeans. Let's go to Merrick. 114 00:05:04,760 --> 00:05:06,360 Speaker 2: Could Mitch good morning, good morning? 115 00:05:06,520 --> 00:05:08,920 Speaker 4: What trend would you like to be brought back? Mitch? 116 00:05:09,320 --> 00:05:11,120 Speaker 2: Cravats and smoking jackets. 117 00:05:11,560 --> 00:05:13,919 Speaker 4: Now there you go. That's that's a bit like my 118 00:05:14,040 --> 00:05:18,839 Speaker 4: hooded cake is a suggestion. I love a cravat, love 119 00:05:18,839 --> 00:05:19,679 Speaker 4: a smoking jacket. 120 00:05:19,760 --> 00:05:21,920 Speaker 5: Does that mean you have to smoke? Mitchell? Did you 121 00:05:21,920 --> 00:05:22,680 Speaker 5: just leave that line? 122 00:05:24,320 --> 00:05:27,640 Speaker 2: It's very fashion nice velvet one was set in hotels, 123 00:05:27,839 --> 00:05:28,560 Speaker 2: very classy. 124 00:05:28,720 --> 00:05:32,159 Speaker 4: You had me at velvet talking a nice smoking jacket 125 00:05:32,200 --> 00:05:35,800 Speaker 4: and a cravat gives the suggestion of a nicely spoken, 126 00:05:36,880 --> 00:05:39,640 Speaker 4: literate TMN to Yes. 127 00:05:39,640 --> 00:05:41,839 Speaker 2: Matt Preston, Matt Preston, Yeah. 128 00:05:41,760 --> 00:05:43,800 Speaker 5: True love, Matt. 129 00:05:44,760 --> 00:05:47,799 Speaker 4: Yes, Yeah, I'm there for all of that, Mitch. 130 00:05:48,120 --> 00:05:52,080 Speaker 1: Mitch, thank you, classy audition. There to the list, could I, 131 00:05:52,400 --> 00:05:53,240 Speaker 1: Jimmy and Allen. 132 00:05:53,000 --> 00:05:55,560 Speaker 8: Broke good unless all right? 133 00:05:55,680 --> 00:05:56,480 Speaker 2: Good good? 134 00:05:56,560 --> 00:05:58,719 Speaker 4: What trend would you like to see brought back? 135 00:05:59,000 --> 00:06:01,440 Speaker 8: Well, speaking of racy, I think we need to bring 136 00:06:01,480 --> 00:06:03,240 Speaker 8: back the lost art of letter writing. 137 00:06:03,760 --> 00:06:09,560 Speaker 4: Yeah, well yes, because my theory on why people are 138 00:06:09,560 --> 00:06:12,720 Speaker 4: so useless in the word department is because they don't 139 00:06:12,720 --> 00:06:16,600 Speaker 4: see things written down these days, and that's that, so 140 00:06:16,640 --> 00:06:18,280 Speaker 4: they don't know how to use words. That's why they 141 00:06:18,320 --> 00:06:20,760 Speaker 4: all say taken back instead of taking up back, which 142 00:06:20,839 --> 00:06:23,040 Speaker 4: drives me mad. I was watching Maths the other night 143 00:06:23,160 --> 00:06:25,039 Speaker 4: Jimmy and I won't say which one of them, but 144 00:06:25,080 --> 00:06:27,039 Speaker 4: one of the girls on it was talking about someone 145 00:06:27,040 --> 00:06:29,960 Speaker 4: else being appreciated as a piece of art. She said, 146 00:06:30,120 --> 00:06:32,279 Speaker 4: imagine you're in the sixteenth. 147 00:06:31,760 --> 00:06:38,839 Speaker 8: Chapel from the fifte. 148 00:06:39,440 --> 00:06:41,400 Speaker 5: You knew that the guy they called that poppy guy. 149 00:06:41,480 --> 00:06:45,200 Speaker 4: Yeah, sixteenth Chapel. I thought, oh, bless if she'd ever 150 00:06:45,200 --> 00:06:47,200 Speaker 4: picked up a book in her life. You might know 151 00:06:47,240 --> 00:06:48,120 Speaker 4: it's a sustained Jimmy. 152 00:06:48,120 --> 00:06:49,960 Speaker 1: When you talk about letter writing, you're thinking like someone 153 00:06:49,960 --> 00:06:52,520 Speaker 1: actually picks up a pen and writes on paper as well. 154 00:06:52,760 --> 00:06:56,400 Speaker 8: Yeah, right now we have the instant gratification of quickly 155 00:06:56,400 --> 00:06:59,640 Speaker 8: going back and forth on instant messaging acts, video calling, 156 00:06:59,640 --> 00:07:02,360 Speaker 8: but the romance sitting at the writing table and actually 157 00:07:02,640 --> 00:07:06,560 Speaker 8: pouring your heart out on the papering it off with 158 00:07:06,600 --> 00:07:10,480 Speaker 8: an email stamp and. 159 00:07:09,920 --> 00:07:10,480 Speaker 5: Yeah, I'm with you. 160 00:07:10,600 --> 00:07:15,679 Speaker 4: It doesn't. We've already had requests as to whether you're single. 161 00:07:17,520 --> 00:07:18,960 Speaker 5: There's been it's been quick response. 162 00:07:19,160 --> 00:07:21,280 Speaker 4: It doesn't. You know, it's not saying it has to 163 00:07:21,280 --> 00:07:21,840 Speaker 4: be with a quill? 164 00:07:21,920 --> 00:07:24,480 Speaker 2: Does what? Does? No? 165 00:07:24,560 --> 00:07:24,680 Speaker 5: Not? 166 00:07:24,720 --> 00:07:26,800 Speaker 4: Necessarily yeah, writing a letter. 167 00:07:26,880 --> 00:07:28,679 Speaker 1: And what is disturbing is if you go to write 168 00:07:28,760 --> 00:07:31,480 Speaker 1: or print these days sometimes you go, oh, I'm typing 169 00:07:31,480 --> 00:07:33,920 Speaker 1: way too much lately because it becomes a difficult task. 170 00:07:35,200 --> 00:07:35,520 Speaker 4: Love it. 171 00:07:35,520 --> 00:07:36,680 Speaker 5: Thanks for bringing back the romance. 172 00:07:37,160 --> 00:07:41,000 Speaker 4: Thanks writing Peter's ice Cream's cravats. This is my kind 173 00:07:41,000 --> 00:07:41,360 Speaker 4: of morning. 174 00:07:41,440 --> 00:07:43,560 Speaker 1: So much stuff coming back. And you you threw the 175 00:07:43,600 --> 00:07:46,280 Speaker 1: cape in? Does it come with a cane? Your cape? 176 00:07:47,040 --> 00:07:51,720 Speaker 4: If you're going to the sixteenth Chapel, the sixteenth channel, 177 00:07:52,040 --> 00:07:54,280 Speaker 4: Trent says, bring back driving in the left hand lane 178 00:07:54,320 --> 00:07:57,840 Speaker 4: and less overtaking. Yeah, I mean when that when did 179 00:07:57,840 --> 00:07:59,760 Speaker 4: that sort of cease to be a thing? 180 00:08:00,160 --> 00:08:03,600 Speaker 5: Loutering in that right lane on those two carriageways can happen. 181 00:08:03,880 --> 00:08:07,160 Speaker 4: It does draw a bit of a hurrumph. 182 00:08:06,960 --> 00:08:10,320 Speaker 5: Absolutely, especially and you can tell right anyway. 183 00:08:10,000 --> 00:08:12,800 Speaker 4: You know that side eye you give them. It's like, 184 00:08:12,880 --> 00:08:14,720 Speaker 4: why am I passing you on the inside? 185 00:08:15,160 --> 00:08:16,880 Speaker 1: Are you the tough guy when you're in traffic, in 186 00:08:16,920 --> 00:08:18,200 Speaker 1: the safety of your car with the doors locked? 187 00:08:18,280 --> 00:08:19,920 Speaker 4: If if I have the top down, not. 188 00:08:20,720 --> 00:08:23,160 Speaker 5: Because I could throw something in, because I could come out. 189 00:08:23,240 --> 00:08:27,600 Speaker 1: Yeah, it's event Hi, Yeah, what would you like back? 190 00:08:27,640 --> 00:08:29,080 Speaker 1: Jen's what's your trend or thing? 191 00:08:29,520 --> 00:08:30,600 Speaker 2: Customer service? 192 00:08:30,800 --> 00:08:34,160 Speaker 5: Oh well there has to be staff in the place, 193 00:08:34,200 --> 00:08:36,079 Speaker 5: doesn't the agenda get customer service generally? 194 00:08:36,440 --> 00:08:40,760 Speaker 2: Well yes, yes, I mean as you get older, I'm 195 00:08:40,760 --> 00:08:43,240 Speaker 2: a little bit older, but you do you. 196 00:08:43,360 --> 00:08:46,360 Speaker 7: Appreciate someone who will smile and talk to you and 197 00:08:46,440 --> 00:08:49,719 Speaker 7: converse and like it used to be, you know what, 198 00:08:49,760 --> 00:08:50,720 Speaker 7: where's that gone? 199 00:08:51,040 --> 00:08:52,760 Speaker 4: Or at least act like they're not doing you a 200 00:08:52,760 --> 00:08:57,640 Speaker 4: favor by asking you if you want something, and if you. 201 00:08:57,559 --> 00:08:59,160 Speaker 2: Don't get decent customer service. 202 00:08:59,200 --> 00:08:59,839 Speaker 1: You're not going to go. 203 00:08:59,800 --> 00:09:01,360 Speaker 4: Back, absolutely not. 204 00:09:01,600 --> 00:09:01,920 Speaker 5: Yeah. 205 00:09:02,000 --> 00:09:04,280 Speaker 1: Yeah, I mean that could extend to having somewhere where 206 00:09:04,320 --> 00:09:06,520 Speaker 1: you can actually phone the line and someone actually picks 207 00:09:06,520 --> 00:09:06,800 Speaker 1: it up. 208 00:09:08,280 --> 00:09:11,559 Speaker 4: Service service, service service. 209 00:09:12,040 --> 00:09:12,240 Speaker 2: Yeah. 210 00:09:12,520 --> 00:09:19,080 Speaker 1: Thanks j great, that's good. A lot of really fundamental 211 00:09:19,120 --> 00:09:21,000 Speaker 1: manners type based things aren't there. 212 00:09:20,880 --> 00:09:24,280 Speaker 4: And you know, fashion not that hard. Jamie in Bullsbrook, Hello, 213 00:09:25,679 --> 00:09:26,240 Speaker 4: were yourself? 214 00:09:27,000 --> 00:09:27,719 Speaker 5: What do you for us? 215 00:09:28,040 --> 00:09:30,840 Speaker 2: A little bit frustrated. I missed out on yesterday's calling 216 00:09:31,200 --> 00:09:34,080 Speaker 2: and apparently someone said they don't want the Safari suit 217 00:09:34,120 --> 00:09:34,600 Speaker 2: to come back. 218 00:09:34,960 --> 00:09:35,680 Speaker 5: A couple of those. 219 00:09:36,960 --> 00:09:39,800 Speaker 2: I've got two on standby. I'm waiting for the bloody day. Yeah, 220 00:09:39,840 --> 00:09:42,319 Speaker 2: I've the sky Blue and I've got the ten. I've 221 00:09:42,320 --> 00:09:45,400 Speaker 2: got about six or seven shirts. I've got two pairs 222 00:09:45,400 --> 00:09:48,640 Speaker 2: of slip on, a pair of lace up, seven or 223 00:09:48,640 --> 00:09:49,160 Speaker 2: eight ties. 224 00:09:49,679 --> 00:09:52,880 Speaker 4: Tis old wardrobe. 225 00:09:53,320 --> 00:09:56,120 Speaker 2: Yeah, all I can say is nothing compliments a mullet 226 00:09:56,160 --> 00:09:58,160 Speaker 2: and a mustache and a hairy chest like a good 227 00:09:58,160 --> 00:10:01,160 Speaker 2: old fashioned Safari suit mate. Can't get out looking like 228 00:10:01,200 --> 00:10:03,640 Speaker 2: a second d daddo salesman where you're doing it wrong. 229 00:10:04,559 --> 00:10:07,480 Speaker 4: I'm glad that you put the whole thing together from 230 00:10:07,559 --> 00:10:09,640 Speaker 4: you know, you look at the big picture. You can't 231 00:10:09,640 --> 00:10:11,400 Speaker 4: say you're not a man without style shaming. 232 00:10:11,440 --> 00:10:13,559 Speaker 5: Your wardrobe is nineteen seventy two right there. 233 00:10:15,400 --> 00:10:17,160 Speaker 2: It stops about nine at eighty nine. 234 00:10:17,320 --> 00:10:19,680 Speaker 5: Oh it doesn't keep going. Well, it did have a 235 00:10:19,679 --> 00:10:20,680 Speaker 5: bit of longevity, didn't it. 236 00:10:21,400 --> 00:10:26,280 Speaker 2: Yeah? What I wore one? Yeah, I wore one to 237 00:10:26,320 --> 00:10:30,320 Speaker 2: a nightclub about twenty five years ago. And the only 238 00:10:30,440 --> 00:10:32,600 Speaker 2: problem I had with it I took the missus and 239 00:10:32,679 --> 00:10:35,600 Speaker 2: she was flat out all night, pushing women away who 240 00:10:35,600 --> 00:10:36,400 Speaker 2: wandered buy me drinks. 241 00:10:37,679 --> 00:10:40,360 Speaker 5: In my head, yeah, exactly. You had to look for it. 242 00:10:40,440 --> 00:10:45,160 Speaker 2: Fell people still, Jamie. 243 00:10:47,240 --> 00:10:50,520 Speaker 4: Oh, last call, Michelle and Duncraig. What trend do you 244 00:10:50,760 --> 00:10:54,240 Speaker 4: want brought back? I would love the service attendant at 245 00:10:54,240 --> 00:10:56,480 Speaker 4: the petrol station that came out and put your pets 246 00:10:56,600 --> 00:10:58,480 Speaker 4: in and cleaned your windscreens. 247 00:11:00,200 --> 00:11:02,240 Speaker 5: What is this? What is this thing you speak of? 248 00:11:02,280 --> 00:11:02,800 Speaker 5: What is that? 249 00:11:02,840 --> 00:11:04,160 Speaker 4: Michelle? You read my mind? 250 00:11:04,200 --> 00:11:07,000 Speaker 1: And attendant that's the one next year to say they 251 00:11:07,080 --> 00:11:08,040 Speaker 1: check your oil as well. 252 00:11:08,200 --> 00:11:10,680 Speaker 4: Yeah, he come out and say, pop your bonnet, missus, 253 00:11:10,800 --> 00:11:12,640 Speaker 4: check your oil, check your oil with aig. 254 00:11:15,080 --> 00:11:15,880 Speaker 6: Have a great day. 255 00:11:17,880 --> 00:11:19,719 Speaker 4: If you said pop your bonnet, missus to one of 256 00:11:19,760 --> 00:11:25,760 Speaker 4: these flaky new you know, generation young that lose their mind. 257 00:11:25,960 --> 00:11:27,600 Speaker 4: They wouldn't be able to go to work for a week. 258 00:11:27,840 --> 00:11:29,160 Speaker 4: They'd be making a huge fuss. 259 00:11:29,200 --> 00:11:30,959 Speaker 5: One how long are we going to take them to 260 00:11:30,960 --> 00:11:31,600 Speaker 5: find the dipstick? 261 00:11:31,640 --> 00:11:31,800 Speaker 2: Now? 262 00:11:32,720 --> 00:11:33,199 Speaker 7: Where is that? 263 00:11:34,080 --> 00:11:36,679 Speaker 5: Where the old drive. 264 00:11:36,400 --> 00:11:38,680 Speaker 4: Away attendant doing you your gas? 265 00:11:38,720 --> 00:11:41,240 Speaker 5: I did it all and they even squidged your windscreen? 266 00:11:41,559 --> 00:11:41,719 Speaker 2: Was that? 267 00:11:41,960 --> 00:11:43,560 Speaker 4: Yes? They did? 268 00:11:44,360 --> 00:11:46,560 Speaker 5: And no one intersections, anyone got any of that? 269 00:11:46,760 --> 00:11:48,800 Speaker 4: You wanted the put air in your tires or something 270 00:11:48,880 --> 00:11:55,600 Speaker 4: they do with a smile. Yeah, yeah, thanks Michelle. 271 00:11:57,120 --> 00:12:00,400 Speaker 2: More Crazy more podcasts soon. 272 00:12:01,320 --> 00:12:05,600 Speaker 4: Somersault is on this Saturday at Barnard Park in Bustleton. 273 00:12:05,640 --> 00:12:09,280 Speaker 4: Tickets are available through Ticketmaster and Bernard Fannings on the 274 00:12:09,280 --> 00:12:11,080 Speaker 4: bill and he's joining us now Hello. 275 00:12:11,360 --> 00:12:13,920 Speaker 5: Walking back today guys, how are you going very well? 276 00:12:14,080 --> 00:12:16,600 Speaker 4: So you're performing on Saturday with Paul Dempsey from Something 277 00:12:16,640 --> 00:12:19,440 Speaker 4: for Kate as Fanning Dempsey National Park. You've been working 278 00:12:19,480 --> 00:12:22,640 Speaker 4: together for a while now. How did this collaboration first 279 00:12:22,679 --> 00:12:23,200 Speaker 4: come about? 280 00:12:23,800 --> 00:12:27,480 Speaker 7: Oh, we've been friends for thirty years nearly so we 281 00:12:28,760 --> 00:12:30,680 Speaker 7: but we only started talking about it a few years ago. 282 00:12:30,960 --> 00:12:31,160 Speaker 4: Yeah. 283 00:12:31,240 --> 00:12:32,840 Speaker 7: It was just it was just that kind of thing 284 00:12:32,880 --> 00:12:34,439 Speaker 7: where we were going, Oh, what are you doing next? 285 00:12:35,480 --> 00:12:36,959 Speaker 7: I'm making a record and going on to it. What 286 00:12:37,000 --> 00:12:38,600 Speaker 7: are you doing next? So I'm making a record and 287 00:12:38,640 --> 00:12:40,520 Speaker 7: going on to Okay, shall we do it together. 288 00:12:40,559 --> 00:12:40,920 Speaker 4: Like a plan? 289 00:12:41,840 --> 00:12:44,920 Speaker 5: Yeah yeah, so are you obviously mates? 290 00:12:44,920 --> 00:12:46,720 Speaker 1: So there's no trouble with putting your name first there 291 00:12:46,720 --> 00:12:48,200 Speaker 1: about it. 292 00:12:50,120 --> 00:12:52,680 Speaker 7: I don't know that it might have been a coin toss. Yeah, 293 00:12:52,760 --> 00:12:53,679 Speaker 7: you remember. 294 00:12:55,120 --> 00:12:57,760 Speaker 4: It does so yeah, you should ask me the same question, Clarsey. 295 00:12:57,920 --> 00:12:59,080 Speaker 5: Yeah, and you were here first. 296 00:13:00,400 --> 00:13:06,199 Speaker 7: It was shortest, the tallest actually that's where it was. 297 00:13:04,800 --> 00:13:08,200 Speaker 4: Taller to shorter here. So the lineup includes mister Higgins, 298 00:13:08,320 --> 00:13:11,800 Speaker 4: John Butler, the Waifs, the Whitler's, Josh Pike. Nice day 299 00:13:11,800 --> 00:13:14,160 Speaker 4: out and in a beautiful. 300 00:13:14,120 --> 00:13:16,920 Speaker 7: Pretty awesome lineup. Yeah, I don't think I've never done 301 00:13:16,920 --> 00:13:19,640 Speaker 7: a gig in Bustleton. I've driven through there before, but 302 00:13:19,920 --> 00:13:23,280 Speaker 7: I'm looking forward to walking out on the jetty. 303 00:13:23,360 --> 00:13:26,120 Speaker 4: Well put aside a bit of time, you know, Jeddy 304 00:13:26,160 --> 00:13:33,040 Speaker 4: in the southernmosphere and all of that. Yes, it's a 305 00:13:33,040 --> 00:13:34,760 Speaker 4: beautiful spot second time. 306 00:13:34,880 --> 00:13:37,760 Speaker 7: Oh yeah, so everyone, I mean, that whole coast is 307 00:13:37,800 --> 00:13:43,000 Speaker 7: just crazy, isn't it so wild? Which is awesome? 308 00:13:43,040 --> 00:13:43,240 Speaker 2: Yeah? 309 00:13:43,280 --> 00:13:45,440 Speaker 1: Hey, Bertie, you like me a cricket tragic because you've 310 00:13:45,480 --> 00:13:47,360 Speaker 1: been playing a bit of cricket with one Gilly of 311 00:13:47,400 --> 00:13:49,079 Speaker 1: all people, not just anyone down the street. 312 00:13:52,480 --> 00:13:55,280 Speaker 7: Uh. There was a charity day over here. He's from 313 00:13:55,280 --> 00:14:00,280 Speaker 7: More originally. I know you've adopted him in w A, but. 314 00:14:01,720 --> 00:14:02,120 Speaker 5: He was. 315 00:14:02,480 --> 00:14:04,920 Speaker 7: They were naming a stand after him over here at 316 00:14:04,920 --> 00:14:09,080 Speaker 7: the Lizmore kind of showground and he had a charity 317 00:14:09,280 --> 00:14:11,520 Speaker 7: fundraiser day. So I got to open the batting with him, 318 00:14:11,520 --> 00:14:13,360 Speaker 7: which was pretty awesome, but I ran him out. 319 00:14:13,520 --> 00:14:16,000 Speaker 4: Oh no, you read Oh my god. 320 00:14:16,679 --> 00:14:19,720 Speaker 7: Yeah, it was pretty It was pretty sad. I blame 321 00:14:19,760 --> 00:14:23,000 Speaker 7: the building side. It was kind of like cheating bandage 322 00:14:23,320 --> 00:14:24,400 Speaker 7: building building side. 323 00:14:24,480 --> 00:14:27,560 Speaker 5: You should have thrown to my own. Did he get 324 00:14:27,600 --> 00:14:29,680 Speaker 5: to hit a couple of sixes? Did he clear the band? 325 00:14:29,760 --> 00:14:32,320 Speaker 7: He hit a lot of sixes after that? 326 00:14:32,440 --> 00:14:32,680 Speaker 5: Yeah? 327 00:14:32,720 --> 00:14:36,040 Speaker 4: Well yeah, this year marks twenty five years. Way to 328 00:14:36,040 --> 00:14:38,440 Speaker 4: make us all feel old. Since Powder for You released 329 00:14:38,600 --> 00:14:41,040 Speaker 4: obnestly number five, we just said, you know what a 330 00:14:41,120 --> 00:14:44,160 Speaker 4: huge album was six arias that resulted in including Album 331 00:14:44,200 --> 00:14:46,240 Speaker 4: of the Year, Single of the Year, and Best Group. 332 00:14:46,680 --> 00:14:48,640 Speaker 4: Did you think at the time you were making I know, 333 00:14:48,880 --> 00:14:51,240 Speaker 4: right when you think about it like that, did that 334 00:14:51,320 --> 00:14:53,760 Speaker 4: at the time? Did you think we're making something very 335 00:14:53,760 --> 00:14:54,600 Speaker 4: special here. 336 00:14:54,960 --> 00:14:57,560 Speaker 7: No, of course not. I mean, well, you you kind 337 00:14:57,560 --> 00:15:00,360 Speaker 7: of think you have to think that every time you acording. 338 00:15:00,440 --> 00:15:03,440 Speaker 7: Well true, but not like you're not thinking, oh, this 339 00:15:03,520 --> 00:15:05,080 Speaker 7: is going to be the album of the year or anything. 340 00:15:05,160 --> 00:15:08,360 Speaker 7: You're just trying to I think as a writer, you 341 00:15:08,560 --> 00:15:11,720 Speaker 7: kind of always have to be thinking this is the 342 00:15:11,720 --> 00:15:14,400 Speaker 7: best thing I've ever done every time you write a song, right, 343 00:15:14,640 --> 00:15:17,560 Speaker 7: you know that kind of has to be the mentality 344 00:15:17,720 --> 00:15:20,720 Speaker 7: or else what's the point? You know, you're kind of 345 00:15:20,760 --> 00:15:24,840 Speaker 7: trying to improve. I don't mean that it's necessarily going 346 00:15:24,880 --> 00:15:27,560 Speaker 7: to be what other people like. 347 00:15:27,840 --> 00:15:28,920 Speaker 5: Yeah, fair enough. 348 00:15:28,960 --> 00:15:32,920 Speaker 7: You know sometimes those things kind of coalesce like it 349 00:15:33,000 --> 00:15:34,600 Speaker 7: did with obviously number five obviously. 350 00:15:34,960 --> 00:15:38,480 Speaker 4: Yeah, you've got to apply that that logic to everything 351 00:15:38,520 --> 00:15:42,000 Speaker 4: you do in life. Really or what's the point? 352 00:15:42,320 --> 00:15:43,360 Speaker 7: Yeah, pretty much. 353 00:15:43,960 --> 00:15:46,200 Speaker 1: We spoke to Steve Kilby last week and yeah, incredible 354 00:15:46,320 --> 00:15:48,360 Speaker 1: get back catalog with the Church and solo. 355 00:15:48,080 --> 00:15:50,440 Speaker 5: And other combos and that, Grant mcglennon and all the 356 00:15:50,480 --> 00:15:50,800 Speaker 5: rest of it. 357 00:15:50,880 --> 00:15:53,240 Speaker 1: But he he we talked about songwriting and he seemed 358 00:15:53,240 --> 00:15:55,080 Speaker 1: to think he was very very lucky that he had 359 00:15:55,080 --> 00:15:56,680 Speaker 1: the tap that he could turn on any time. You know, 360 00:15:57,040 --> 00:15:59,160 Speaker 1: the songs were sort of often there. Do you find 361 00:15:59,800 --> 00:16:02,000 Speaker 1: you're bit like that or does it turn on and off? 362 00:16:02,000 --> 00:16:03,040 Speaker 1: You get a block everything in there? 363 00:16:04,280 --> 00:16:07,360 Speaker 7: Yeah, I'm not as politic as Steve is, he writes, 364 00:16:08,200 --> 00:16:13,440 Speaker 7: he writes, seems to write very easily. He's they've made 365 00:16:13,440 --> 00:16:16,240 Speaker 7: I don't know, like twenty six albums or something in church, 366 00:16:16,960 --> 00:16:21,440 Speaker 7: like crazy amount of records. But I mean, I write 367 00:16:21,480 --> 00:16:24,880 Speaker 7: all the time, but I am not able to just 368 00:16:25,000 --> 00:16:29,760 Speaker 7: turn a song on. I mean I also, like I said, 369 00:16:29,800 --> 00:16:31,960 Speaker 7: because I sort of hold myself to that standard of 370 00:16:32,040 --> 00:16:34,400 Speaker 7: like every time I write a song, I'm not just 371 00:16:34,440 --> 00:16:36,800 Speaker 7: going to do it and put it in the d draw, 372 00:16:37,600 --> 00:16:40,640 Speaker 7: you know, like it's I always want the quality of 373 00:16:40,680 --> 00:16:43,320 Speaker 7: it to be really high, and I want it to 374 00:16:43,360 --> 00:16:46,480 Speaker 7: move me, yes before, because it's not going to move 375 00:16:46,520 --> 00:16:50,760 Speaker 7: anybody else, you know. That's kind of the the rationale 376 00:16:50,840 --> 00:16:54,440 Speaker 7: for me, I guess. So yeah, but everyone does it differently. 377 00:16:54,560 --> 00:16:54,760 Speaker 4: You know. 378 00:16:54,840 --> 00:16:59,400 Speaker 7: Some people just want to want to keep going, and 379 00:16:59,640 --> 00:17:05,080 Speaker 7: there are k with having stuff that just gets it finished. 380 00:17:05,280 --> 00:17:06,920 Speaker 2: Yeah, and that's okay as well. 381 00:17:07,160 --> 00:17:10,040 Speaker 5: You know, you know it may not be top notes. 382 00:17:10,080 --> 00:17:13,040 Speaker 4: Okay, Yes, Before we let you go, Bernard, we like 383 00:17:13,119 --> 00:17:15,879 Speaker 4: to ask when was the first time do you remember 384 00:17:15,880 --> 00:17:17,399 Speaker 4: the first time you heard yourself on the radio. 385 00:17:20,160 --> 00:17:23,000 Speaker 7: I don't remember exactly, but it would have been ninety ninety. 386 00:17:24,320 --> 00:17:24,560 Speaker 5: Three. 387 00:17:24,880 --> 00:17:27,200 Speaker 4: Okay, So often it happens in the car. 388 00:17:28,359 --> 00:17:33,240 Speaker 7: Yeah, yeah, that's right. I don't honestly don't remember that. 389 00:17:33,400 --> 00:17:38,280 Speaker 7: It wasn't no, but it's I think it's it's kind 390 00:17:38,280 --> 00:17:40,480 Speaker 7: of some people get really excited about that. I think 391 00:17:40,520 --> 00:17:44,000 Speaker 7: when you're recording. When you're recording, you hear the song 392 00:17:44,080 --> 00:17:46,760 Speaker 7: so much. The other thing about, honestly, about listening to 393 00:17:46,840 --> 00:17:49,960 Speaker 7: a song on the radio from compared to the studio version, 394 00:17:49,960 --> 00:17:51,720 Speaker 7: and you guys would know this is there's so much 395 00:17:51,760 --> 00:17:57,960 Speaker 7: compression on it. It doesn't sound anything like what the recordings. Yeah, 396 00:17:58,160 --> 00:18:01,840 Speaker 7: so it's often a spectacular disappointment. 397 00:18:03,200 --> 00:18:04,960 Speaker 5: It's you've done so much work to get the sound 398 00:18:05,040 --> 00:18:05,919 Speaker 5: right to go, oh what's that? 399 00:18:06,320 --> 00:18:06,520 Speaker 3: Yeah? 400 00:18:06,640 --> 00:18:07,120 Speaker 5: Compacted? 401 00:18:07,160 --> 00:18:13,560 Speaker 7: Then it's like thanks, you guys just it yeah, yeah, yeah, no, no, 402 00:18:13,680 --> 00:18:17,040 Speaker 7: one don't be disappointed. Yeah, I'm just going to make 403 00:18:17,080 --> 00:18:20,119 Speaker 7: an appeal is to the producers today, can you just 404 00:18:20,160 --> 00:18:22,840 Speaker 7: take the compressors off when you play the next fanning 405 00:18:22,880 --> 00:18:23,800 Speaker 7: danty tongue? 406 00:18:23,600 --> 00:18:26,280 Speaker 5: So it happens, yeah, cool, You get lots of nice calls. 407 00:18:26,920 --> 00:18:31,639 Speaker 4: Absolutely Tickets are still available through Ticketmaster for Saturday at 408 00:18:31,680 --> 00:18:34,480 Speaker 4: Barnard Park. I think it's Barnard. It could be Barnard, 409 00:18:34,800 --> 00:18:40,119 Speaker 4: but it's Barnet. Yeah, thanks for chatting to us, Berner. 410 00:18:40,240 --> 00:18:42,639 Speaker 1: Good on you guys, despite us making you sound your 411 00:18:42,640 --> 00:18:44,320 Speaker 1: song sound crappy for forty years. 412 00:18:44,400 --> 00:18:47,400 Speaker 5: Yeah. 413 00:18:48,600 --> 00:18:51,400 Speaker 2: Sure. Report on ninety six am. 414 00:18:53,160 --> 00:18:56,119 Speaker 4: Brad Pitt's Plan B Production company is in talks with 415 00:18:56,160 --> 00:18:59,320 Speaker 4: the creators of Netflix hit Adolescents for a season two. 416 00:18:59,600 --> 00:19:01,800 Speaker 4: When I was watching season one, you know, on the 417 00:19:01,840 --> 00:19:06,119 Speaker 4: opening credits, every time you saw Brad Pitt's name as 418 00:19:06,160 --> 00:19:08,960 Speaker 4: one of the producers, and I every time, I thought, well, 419 00:19:09,040 --> 00:19:10,680 Speaker 4: assume it's that Brad Peat. 420 00:19:10,760 --> 00:19:13,080 Speaker 5: Yeah, you wouldn't have mentioned there's another because if it was, 421 00:19:13,119 --> 00:19:14,120 Speaker 5: it'd be Brad J. Pitt. 422 00:19:14,320 --> 00:19:18,240 Speaker 4: Ye exactly. So they're hoping co creator and season one 423 00:19:18,240 --> 00:19:21,160 Speaker 4: star Stephen Graham will re team with the writer Jack 424 00:19:21,200 --> 00:19:23,960 Speaker 4: Thorne and make it happen again. More than one hundred 425 00:19:23,960 --> 00:19:26,760 Speaker 4: and fourteen million people have watched Adolescents since her debut 426 00:19:27,000 --> 00:19:29,320 Speaker 4: not quite a month ago. Feels like it's been out 427 00:19:29,359 --> 00:19:32,280 Speaker 4: because it was made such an impression. It feels like 428 00:19:32,280 --> 00:19:34,040 Speaker 4: it's been out for a while. But it was the 429 00:19:34,119 --> 00:19:38,720 Speaker 4: thirteenth of March that it got released. Ed Shearon just 430 00:19:38,800 --> 00:19:41,240 Speaker 4: opened up about all sorts of things when he appeared 431 00:19:41,240 --> 00:19:44,560 Speaker 4: on Alex Cooper's popular Call Her Daddy podcast. I didn't 432 00:19:46,280 --> 00:19:48,760 Speaker 4: someone explained to me the title of this podcast. Does 433 00:19:48,760 --> 00:19:52,800 Speaker 4: it mean call Alex Cooper, hey daddy, you know? Or 434 00:19:53,280 --> 00:19:55,200 Speaker 4: call her dad she needs a lift? 435 00:19:56,560 --> 00:19:56,760 Speaker 5: Yeah? 436 00:19:56,800 --> 00:20:01,560 Speaker 4: I don't get it anyway. Edun's open up about the 437 00:20:01,600 --> 00:20:03,880 Speaker 4: fact he collects movie props and top of his wish 438 00:20:03,880 --> 00:20:07,920 Speaker 4: list is George Clooney's Batman costume Lofty. His all time 439 00:20:07,920 --> 00:20:10,879 Speaker 4: favorite movie is Goodfellas, and he shared his thoughts on 440 00:20:10,920 --> 00:20:13,480 Speaker 4: doing the Super Bowl halftime show. He says, for the record, 441 00:20:13,480 --> 00:20:15,840 Speaker 4: he's never been asked, but even if he was, he 442 00:20:15,880 --> 00:20:17,359 Speaker 4: doesn't see it as the right fit. 443 00:20:17,520 --> 00:20:19,480 Speaker 5: Have you ever been asked to do the Super Bowl? 444 00:20:19,600 --> 00:20:21,480 Speaker 7: Me going up there and being like, here's the A 445 00:20:21,640 --> 00:20:24,040 Speaker 7: team and here's I Just like, no one wants to 446 00:20:24,040 --> 00:20:24,359 Speaker 7: see that. 447 00:20:24,400 --> 00:20:27,119 Speaker 4: I think I could nail one song. He said he 448 00:20:27,160 --> 00:20:29,840 Speaker 4: doesn't think he has the right pizazz for the Super 449 00:20:29,880 --> 00:20:32,520 Speaker 4: Bowl doing it solo, but he would consider going on 450 00:20:32,560 --> 00:20:35,560 Speaker 4: with someone else. Well, that happens quite a lot. It 451 00:20:35,600 --> 00:20:36,800 Speaker 4: was a little I think of a little bit of 452 00:20:36,800 --> 00:20:44,080 Speaker 4: a roundabout hint he dropped. Yeah, Maroon five fans rejoice. 453 00:20:44,119 --> 00:20:46,000 Speaker 4: Maybe he could do the Super Bowl with Maroon fart. 454 00:20:46,080 --> 00:20:49,639 Speaker 4: New music is on the way. Adam Levine confirmed the 455 00:20:49,680 --> 00:20:52,240 Speaker 4: news on The Tonight Show with Jimmy Fallon. 456 00:20:52,359 --> 00:20:55,399 Speaker 6: Can I divulge all the details? Okay, understood, but the 457 00:20:55,480 --> 00:20:59,040 Speaker 6: details are basically roughly, there's a song come in single 458 00:20:59,040 --> 00:21:01,359 Speaker 6: coming at the end of the month. Fish was coming 459 00:21:01,359 --> 00:21:04,199 Speaker 6: over the summer, non specifically around the summertime, and then 460 00:21:04,240 --> 00:21:08,159 Speaker 6: even more non specifically, there is a tour coming in 461 00:21:08,200 --> 00:21:08,560 Speaker 6: the fall. 462 00:21:09,359 --> 00:21:12,119 Speaker 4: You do have to do the seasonal math there. His 463 00:21:12,320 --> 00:21:15,399 Speaker 4: summer equals our winter and in the fall means this spring. 464 00:21:16,240 --> 00:21:18,840 Speaker 4: Speaking of the promise of new stuff, the Last of 465 00:21:18,920 --> 00:21:22,240 Speaker 4: Us has been officially renewed for season three. This news 466 00:21:22,240 --> 00:21:25,080 Speaker 4: comes as season two is about to finally hit the screen. 467 00:21:25,520 --> 00:21:31,560 Speaker 4: That's out this Monday on Max. Yes, it's gonna go 468 00:21:31,760 --> 00:21:32,600 Speaker 4: where the White. 469 00:21:32,320 --> 00:21:35,560 Speaker 5: Lotus was, And I was going to say White Lotus. Yeah, 470 00:21:35,760 --> 00:21:38,160 Speaker 5: Last of Us? 471 00:21:38,160 --> 00:21:45,960 Speaker 7: More as more podcasts soon, Great the flick with Beno. 472 00:21:46,840 --> 00:21:50,919 Speaker 4: Ben o'she I Love Richard E. Grant He is the 473 00:21:50,960 --> 00:21:53,520 Speaker 4: best ever since It's a Treasure with Nulla and I 474 00:21:53,720 --> 00:21:56,520 Speaker 4: and that's alliloquy up against the fens at the end, 475 00:21:56,840 --> 00:21:58,720 Speaker 4: which I had to watch one hundred and ten times. 476 00:21:58,760 --> 00:21:58,920 Speaker 5: Yep. 477 00:21:59,000 --> 00:22:02,600 Speaker 3: Absolutely, he's fantastic in this. But you know, I am 478 00:22:02,600 --> 00:22:05,520 Speaker 3: so glad they made this movie. For too long, we've 479 00:22:05,520 --> 00:22:09,280 Speaker 3: looked at unicorns as this ultimate symbol of cuteness and 480 00:22:09,440 --> 00:22:15,760 Speaker 3: magic and whimsy. They've yeah, rainbows, yeah, my little ponies, 481 00:22:15,800 --> 00:22:18,679 Speaker 3: all this stuff. Sick of it. I'm so sick of it. 482 00:22:18,720 --> 00:22:21,639 Speaker 3: So I'm glad finally someone is telling the truth about unicorns, 483 00:22:21,760 --> 00:22:25,200 Speaker 3: that they're actually murderous beasts that want to evil, that 484 00:22:25,359 --> 00:22:27,520 Speaker 3: want to evil, and they want to kill humans in 485 00:22:27,560 --> 00:22:33,040 Speaker 3: the most brutal fashion. Exactly, it's not just decoration. What 486 00:22:33,119 --> 00:22:36,760 Speaker 3: animal doesn't use the horn to defend itself with to 487 00:22:36,840 --> 00:22:39,560 Speaker 3: fight it's unicorns apparently use it for magic. 488 00:22:39,680 --> 00:22:40,160 Speaker 5: What the heck? 489 00:22:40,200 --> 00:22:42,600 Speaker 3: You can make a wish that doesn't make any sense really, So, 490 00:22:44,320 --> 00:22:47,240 Speaker 3: first time director Alex Schaffman has made this movie with 491 00:22:47,320 --> 00:22:50,880 Speaker 3: the studio A twenty four, which is this indie filmmaking 492 00:22:50,960 --> 00:22:55,520 Speaker 3: house that is, you know, so beloved with movie fans 493 00:22:55,560 --> 00:22:57,840 Speaker 3: around the world. Basically, it's one of the only studios 494 00:22:57,840 --> 00:22:59,720 Speaker 3: where if you slap the A twenty four logo on 495 00:22:59,720 --> 00:23:01,560 Speaker 3: the po people go, I'll go see it. 496 00:23:01,560 --> 00:23:03,160 Speaker 5: It doesn't matter. I don't know. I don't know. 497 00:23:03,119 --> 00:23:05,200 Speaker 3: Anybody about I don't know anybody in it, I don't 498 00:23:05,200 --> 00:23:07,760 Speaker 3: know any director. But I'll still go and see it 499 00:23:07,760 --> 00:23:09,679 Speaker 3: because I trust A twenty four. That's how kind of 500 00:23:09,680 --> 00:23:11,960 Speaker 3: prestigious that brand is. And so they're probably the only 501 00:23:11,960 --> 00:23:14,760 Speaker 3: studio that could make this movie. We're the first time director. 502 00:23:15,280 --> 00:23:20,560 Speaker 3: It's basically inspired by medieval tapestries about hunting a unicorn 503 00:23:20,600 --> 00:23:23,359 Speaker 3: that hang up in the Metropolitan Museum of Art in 504 00:23:23,400 --> 00:23:28,840 Speaker 3: New York, Ye yep, and what happens and all of 505 00:23:28,880 --> 00:23:33,080 Speaker 3: this kind of stuff mythology around unicorns. It's half inspired 506 00:23:33,080 --> 00:23:36,320 Speaker 3: by that and half inspired by the Sacla family, who 507 00:23:36,520 --> 00:23:38,680 Speaker 3: you know, if you follow the news, they're the owners, 508 00:23:39,040 --> 00:23:42,720 Speaker 3: the owners of Purdue Farmer, who are the you know, 509 00:23:42,760 --> 00:23:47,639 Speaker 3: sort of chief creators of oxy content, opioid crisis. A 510 00:23:47,800 --> 00:23:52,280 Speaker 3: TV series like Dope Sick about the Sackler family. So 511 00:23:52,680 --> 00:23:54,560 Speaker 3: you can kind of figure out in your brain how 512 00:23:54,560 --> 00:23:57,080 Speaker 3: those two things go together. You're basically where this movie 513 00:23:57,119 --> 00:24:00,360 Speaker 3: is at. So you've got Paul Rudd and the Great 514 00:24:00,440 --> 00:24:03,560 Speaker 3: Jenna or Tago so hot right now, they are a 515 00:24:03,640 --> 00:24:07,480 Speaker 3: daddy daughter duo a little bit estranged after the death 516 00:24:07,520 --> 00:24:10,040 Speaker 3: of Paul Rudd's wife in the film A General Tager's Mum. 517 00:24:10,400 --> 00:24:13,240 Speaker 3: They decide to reconnect by going on this work trip 518 00:24:13,880 --> 00:24:17,040 Speaker 3: to visit Paul Rudd's employer, basically an equivalent of the 519 00:24:17,080 --> 00:24:21,159 Speaker 3: Sackler family, the Leopolds. This family who owns a pharmaceutical company, 520 00:24:21,440 --> 00:24:25,000 Speaker 3: have this huge mansion out in the woods. So they 521 00:24:25,000 --> 00:24:27,119 Speaker 3: go on this road trip. He's got to sign some 522 00:24:27,160 --> 00:24:30,040 Speaker 3: paperwork and sort of get a promotion in the company. 523 00:24:30,600 --> 00:24:32,399 Speaker 3: Along the way, they pass through this kind of like 524 00:24:32,480 --> 00:24:35,320 Speaker 3: special nature reserve that's been set up by the Leopold family, 525 00:24:36,200 --> 00:24:39,240 Speaker 3: and he's not paying attention to where he's driving. Hits 526 00:24:39,240 --> 00:24:44,760 Speaker 3: an animal turns out juvenile unicorn. No, and so this 527 00:24:44,840 --> 00:24:46,720 Speaker 3: is a world where no one believes in unicorn. So 528 00:24:46,800 --> 00:24:49,359 Speaker 3: it comes as a legitimate shock to the two that 529 00:24:49,440 --> 00:24:51,240 Speaker 3: hang on a minute, what the heck is this? They 530 00:24:51,280 --> 00:24:53,080 Speaker 3: almost don't want to admit what it is. They're looking 531 00:24:53,080 --> 00:24:54,879 Speaker 3: at it, going, oh, is it some sort of growth? 532 00:24:54,960 --> 00:24:57,760 Speaker 3: Is it a tumor on this horse's head? And General 533 00:24:57,880 --> 00:24:59,959 Speaker 3: Taker's characters like, come on, let's just call a spaders. 534 00:25:00,320 --> 00:25:02,160 Speaker 5: We know what this is. This is a unicorn as 535 00:25:02,160 --> 00:25:02,960 Speaker 5: they don't know what to do. 536 00:25:03,080 --> 00:25:06,439 Speaker 3: The animal's kind of dead, but not before some of 537 00:25:06,480 --> 00:25:09,320 Speaker 3: its blood is splattered onto them. They loaded up into 538 00:25:09,359 --> 00:25:12,159 Speaker 3: the back of the rental suv continue on their journey 539 00:25:12,200 --> 00:25:16,959 Speaker 3: to the Leopold's mansion. When they're there, they discover that 540 00:25:17,040 --> 00:25:18,879 Speaker 3: this road killer is in the back of the car, 541 00:25:19,400 --> 00:25:21,760 Speaker 3: but they quickly realize that hang on a minute. As 542 00:25:21,760 --> 00:25:24,479 Speaker 3: shocking as this is, maybe there's an opportunity here because 543 00:25:24,480 --> 00:25:27,119 Speaker 3: the blood that's spattered on Paul Rudd and Jenna or 544 00:25:27,160 --> 00:25:30,359 Speaker 3: Taga seems to have miraculous healing powers. All of a sudden, 545 00:25:30,359 --> 00:25:33,919 Speaker 3: Paul Rudd's characters sort of you know, short sightedness is cured, 546 00:25:34,119 --> 00:25:37,399 Speaker 3: his allergies are cured, Jenna or Tager's acne is cured. 547 00:25:37,760 --> 00:25:38,119 Speaker 4: Richard E. 548 00:25:38,240 --> 00:25:42,000 Speaker 3: Grant plays the patriarch of the Leopold family, Odell Leopold. 549 00:25:42,119 --> 00:25:44,560 Speaker 3: He has terminal cancer. He tries to take a bit 550 00:25:44,600 --> 00:25:45,840 Speaker 3: of it. He tries to take a bit of the 551 00:25:45,840 --> 00:25:49,479 Speaker 3: you a little bit lo and behold, he's cured. 552 00:25:49,560 --> 00:25:49,760 Speaker 6: No. 553 00:25:50,760 --> 00:25:52,960 Speaker 5: Will Poulter, who is also. 554 00:25:52,760 --> 00:25:56,000 Speaker 3: Another ross who's really you know, doing great things at 555 00:25:56,000 --> 00:25:57,800 Speaker 3: the moment. He plays the sort of the son of 556 00:25:57,840 --> 00:25:59,920 Speaker 3: the Leopold family. He thinks, you know, maybe there is 557 00:25:59,920 --> 00:26:02,479 Speaker 3: a recreational party drug. He crushes up a little bit 558 00:26:02,480 --> 00:26:04,800 Speaker 3: of the horn and snorts that he has a great time. 559 00:26:05,000 --> 00:26:07,600 Speaker 3: So they quickly realize that, you know, every part of 560 00:26:07,640 --> 00:26:10,959 Speaker 3: the unicorn knows to tail is you know, potentially this 561 00:26:11,040 --> 00:26:15,680 Speaker 3: billion dollar pharmaceutical product. So they truck in some scientists. 562 00:26:15,760 --> 00:26:18,840 Speaker 3: They start doing experiments. Everything seems to be going swimmingly. 563 00:26:18,880 --> 00:26:21,719 Speaker 3: Everyone's going to get super rich. Just one problem. This 564 00:26:21,840 --> 00:26:25,520 Speaker 3: juvenile unicorn has a mummy and daddy unicorn that wants 565 00:26:25,560 --> 00:26:28,800 Speaker 3: to get revenge on anybody associated with the death of 566 00:26:28,920 --> 00:26:33,000 Speaker 3: the of the child. And unicorns in according to this movie, 567 00:26:33,040 --> 00:26:35,639 Speaker 3: not so cuddly as you might remember, probably more like 568 00:26:35,680 --> 00:26:39,160 Speaker 3: something out of Alien. They are terrified it doesn't happen, 569 00:26:39,760 --> 00:26:43,320 Speaker 3: and so then from there it turns into an extremely 570 00:26:43,560 --> 00:26:47,080 Speaker 3: gory movie where everybody in the film, which includes Tea 571 00:26:47,119 --> 00:26:49,520 Speaker 3: Leoni she's in it as well, you know, just gets 572 00:26:49,560 --> 00:26:52,119 Speaker 3: sort of picked off one by one by these unicorns, 573 00:26:52,760 --> 00:26:55,120 Speaker 3: and and so you sort of, you know, it gets 574 00:26:55,160 --> 00:26:57,040 Speaker 3: it gets pretty extreme as the movie goes on. That 575 00:26:57,119 --> 00:26:59,800 Speaker 3: part of the film is quite silly. Richardy Grant very 576 00:26:59,880 --> 00:27:02,240 Speaker 3: very good. Jenna will take a very good Will Poulter 577 00:27:02,359 --> 00:27:05,280 Speaker 3: as kind of the spoil rich Nepo baby is amazing. 578 00:27:06,240 --> 00:27:09,919 Speaker 3: Paul Rudd is not so fantastic in this film. He's okay, 579 00:27:10,040 --> 00:27:12,840 Speaker 3: but that that relationship, that dynamic between him and his 580 00:27:12,960 --> 00:27:16,080 Speaker 3: daughter played by General Tagers, is kind of doesn't really 581 00:27:16,080 --> 00:27:19,359 Speaker 3: make a lot of sense. And but the overall premise 582 00:27:19,359 --> 00:27:21,560 Speaker 3: of the film is a wild movie. I would just 583 00:27:21,640 --> 00:27:23,679 Speaker 3: with school holidays coming up next week, I would just 584 00:27:23,840 --> 00:27:26,440 Speaker 3: encourage any parents out there not to look at this 585 00:27:26,520 --> 00:27:28,639 Speaker 3: film and Jenna or Tager who is the star of 586 00:27:28,640 --> 00:27:31,000 Speaker 3: that Wednesday series and then yeahs to be a good 587 00:27:31,000 --> 00:27:33,399 Speaker 3: one to take the kids along too. No, it's it 588 00:27:33,440 --> 00:27:38,320 Speaker 3: will traumatize that they will have nightmares. It's the director really, 589 00:27:38,440 --> 00:27:41,400 Speaker 3: you know, wears his influences on his sleeve. There's there's 590 00:27:41,400 --> 00:27:43,520 Speaker 3: a tip of the cap to Jurassic Park, to the 591 00:27:43,560 --> 00:27:46,400 Speaker 3: Alien franchise, to lots of these, to lots of these 592 00:27:46,400 --> 00:27:51,280 Speaker 3: creature feature movies, Jurassic very very much so very much so. 593 00:27:51,359 --> 00:27:54,119 Speaker 1: With some just maybe wrong. Was Will Paulterai wasn't he 594 00:27:54,200 --> 00:27:55,280 Speaker 1: the young guy in Dope Sick? 595 00:27:55,720 --> 00:27:55,920 Speaker 6: Yeah? 596 00:27:56,240 --> 00:27:56,520 Speaker 2: He was. 597 00:27:56,600 --> 00:27:57,159 Speaker 4: Yeah. 598 00:27:57,200 --> 00:27:59,639 Speaker 3: So you so you've got you know, you've got some 599 00:27:59,680 --> 00:28:02,119 Speaker 3: interesting references in it, but unfortunately Death of the Unicorn 600 00:28:02,160 --> 00:28:03,520 Speaker 3: doesn't completely live up to. 601 00:28:03,840 --> 00:28:04,920 Speaker 5: Some of those references. 602 00:28:05,040 --> 00:28:07,760 Speaker 3: It's not a Jurassic Park, it's not an alien but 603 00:28:08,320 --> 00:28:11,320 Speaker 3: it's a fun idea. Hey, look, I'm glad somebody made it. 604 00:28:11,359 --> 00:28:13,000 Speaker 5: Who writes this stuff? It's amazing? 605 00:28:13,040 --> 00:28:15,440 Speaker 4: All right? Well how many ripped them and new ones are? 606 00:28:15,760 --> 00:28:19,800 Speaker 4: Because I'm guessing, I'm just guessing. Are you giving it? 607 00:28:19,880 --> 00:28:21,560 Speaker 3: Yeah, I'm just glad you didn't do anything horn re lated. 608 00:28:21,640 --> 00:28:25,800 Speaker 3: I'm going to give a three three all right, thank you, Ben, 609 00:28:26,080 --> 00:28:26,880 Speaker 3: See you guys. 610 00:28:27,280 --> 00:28:29,000 Speaker 4: When the alarm went off this morning at you know, 611 00:28:29,080 --> 00:28:33,400 Speaker 4: the usual ungodly time of twenty past three, thinking, I 612 00:28:33,400 --> 00:28:38,080 Speaker 4: was thinking, I was thinking, I'll just have a look 613 00:28:38,200 --> 00:28:40,920 Speaker 4: quickly at Facebook. It's what I tend to do first 614 00:28:40,920 --> 00:28:44,800 Speaker 4: thing before I drag myself out. You just say what 615 00:28:44,920 --> 00:28:48,320 Speaker 4: people the people are talking about the vice the day, 616 00:28:48,840 --> 00:28:51,600 Speaker 4: and of course people are talking about Lady Gaga not 617 00:28:51,680 --> 00:28:55,480 Speaker 4: coming to Perth, snubbing Perth and you know, how can 618 00:28:55,520 --> 00:28:58,080 Speaker 4: you call just going to Sydney and Melbourne and Brisbane 619 00:28:58,120 --> 00:29:00,080 Speaker 4: are tour It's because you know what about Perth and 620 00:29:00,120 --> 00:29:03,400 Speaker 4: Adelaide and Tasmania in the northern and that's true. But 621 00:29:03,480 --> 00:29:05,640 Speaker 4: you know, the comments always crack me up. But there's 622 00:29:05,720 --> 00:29:08,840 Speaker 4: one comment in particular. This is from the file of 623 00:29:08,880 --> 00:29:13,360 Speaker 4: what comment is really annoying me today? Michelle I won't 624 00:29:13,360 --> 00:29:17,040 Speaker 4: say a surname, commented on it on the story about 625 00:29:17,160 --> 00:29:20,600 Speaker 4: Lady Gaga fans upset over Perth to a snub. She said, 626 00:29:21,120 --> 00:29:25,000 Speaker 4: first world problem, and I thought, well, yeah, we live 627 00:29:25,040 --> 00:29:29,280 Speaker 4: in the first world, Michelle. She offered her first world problem. 628 00:29:29,280 --> 00:29:31,840 Speaker 4: But that's that's up there with you know, never heard 629 00:29:31,840 --> 00:29:36,080 Speaker 4: of him or who you know, looking checking the radar 630 00:29:36,200 --> 00:29:38,840 Speaker 4: for someone who cares, you know, these people that can 631 00:29:38,920 --> 00:29:41,920 Speaker 4: be bothered commenting. But I thought, first world problem. Well, yes, 632 00:29:42,520 --> 00:29:44,959 Speaker 4: we do live in the first world, So what's your 633 00:29:47,280 --> 00:29:49,480 Speaker 4: I do have a problem with Lady Gaga not coming here, 634 00:29:50,760 --> 00:29:52,200 Speaker 4: and I don't want to have to fly to Sydney. 635 00:29:52,200 --> 00:29:53,680 Speaker 5: Look, I think we threw a few of those cliches 636 00:29:53,680 --> 00:29:54,440 Speaker 5: around yesterday too. 637 00:29:54,600 --> 00:29:57,960 Speaker 4: It's not coming the real problem whatever. 638 00:29:58,280 --> 00:30:00,360 Speaker 5: And you also looked at it with your three twenty 639 00:30:00,400 --> 00:30:03,360 Speaker 5: five A filters. I did not much of a filter 640 00:30:03,440 --> 00:30:03,760 Speaker 5: at all. 641 00:30:04,080 --> 00:30:05,680 Speaker 4: It was a cat crawling on my head. 642 00:30:05,720 --> 00:30:07,760 Speaker 5: Now do you feel better? Now? Good off the chest? 643 00:30:08,200 --> 00:30:08,600 Speaker 3: Yeah? 644 00:30:08,640 --> 00:30:09,200 Speaker 5: Okay? 645 00:30:09,760 --> 00:30:13,840 Speaker 6: Crazy and Lisa