1 00:00:02,440 --> 00:00:07,800 Speaker 1: Get a I'm La La Berry, nutritionist, author, actor, TV presenter, 2 00:00:08,080 --> 00:00:14,040 Speaker 1: and professional oversharer. This podcast is all about celebrating failure 3 00:00:14,600 --> 00:00:17,200 Speaker 1: because I believe it's a chance for us to learn, 4 00:00:17,800 --> 00:00:22,160 Speaker 1: grow and face our blind spots. Each week, I'll interview 5 00:00:22,239 --> 00:00:26,160 Speaker 1: a different guest about their highs as well as their lows, 6 00:00:26,200 --> 00:00:27,160 Speaker 1: all in a bid to. 7 00:00:27,200 --> 00:00:35,000 Speaker 2: Inspire us to fearlessly fail. You ready, ready, Eddie, I'm 8 00:00:35,040 --> 00:00:37,839 Speaker 2: ready ready for this. I'm ready? Are you ready? I 9 00:00:37,880 --> 00:00:41,520 Speaker 2: was born ready? Really welcome thank you? 10 00:00:42,159 --> 00:00:45,000 Speaker 1: So this might be a familiar voice on the air 11 00:00:45,040 --> 00:00:52,400 Speaker 1: ones to well technically yeah, Friday, Friday Monday. When I 12 00:00:52,479 --> 00:00:54,720 Speaker 1: come back from La, we like to welcome back hip 13 00:00:55,280 --> 00:01:01,000 Speaker 1: and this is it, so welcome back, come back man, 14 00:01:01,120 --> 00:01:04,920 Speaker 1: Welcome back to the Bay, Byron Bay, Lola Berry. 15 00:01:05,000 --> 00:01:08,720 Speaker 2: Yes, welcome home, thank you well to your Byron home. Yeah, 16 00:01:08,760 --> 00:01:13,280 Speaker 2: thank you to our house. Yes, it's an almost have 17 00:01:13,319 --> 00:01:15,680 Speaker 2: your own bed. Isn't it Just nice? Isn't it? 18 00:01:16,040 --> 00:01:18,600 Speaker 1: Because what we did is I came back and within 19 00:01:18,959 --> 00:01:20,920 Speaker 1: I think two days we had to fly to Melbourne 20 00:01:20,959 --> 00:01:25,039 Speaker 1: for wonder LUs right for touur so having two days 21 00:01:25,319 --> 00:01:30,160 Speaker 1: oh so nice, and then got back a bit dramatic 22 00:01:30,200 --> 00:01:31,600 Speaker 1: getting back wasn't it just. 23 00:01:32,080 --> 00:01:35,160 Speaker 2: Oh yeah, we got diverted to Brisbane. 24 00:01:35,360 --> 00:01:38,560 Speaker 1: Holy mack, flu Melbourne to gold Coast. We're hovering and 25 00:01:38,600 --> 00:01:41,000 Speaker 1: doing circles to the point that someone got plane sick. 26 00:01:41,319 --> 00:01:44,000 Speaker 2: Yeah, for half an hour doing a circle for half 27 00:01:44,040 --> 00:01:44,280 Speaker 2: an hour. 28 00:01:44,319 --> 00:01:46,520 Speaker 1: And they're like, we've got ninety minutes of fuel left, 29 00:01:46,560 --> 00:01:48,120 Speaker 1: like they could give us updates of how much feel 30 00:01:48,120 --> 00:01:49,480 Speaker 1: and they're like, we're gonna have to go to Brisbane 31 00:01:49,480 --> 00:01:52,240 Speaker 1: and refuel. And then they were like and then we'll 32 00:01:52,240 --> 00:01:54,200 Speaker 1: bring you back to the Goldie. That was the first thing. 33 00:01:55,000 --> 00:01:57,480 Speaker 1: And then there was a what was it a spill 34 00:01:57,640 --> 00:02:00,000 Speaker 1: on the runway. 35 00:02:00,120 --> 00:02:03,880 Speaker 2: It was like a hydraulic problem. That's hydraulics. So no, 36 00:02:04,320 --> 00:02:09,320 Speaker 2: the hydraulics are so the landing gear yeah, right has hydraulics, 37 00:02:09,720 --> 00:02:13,119 Speaker 2: which like obviously that controls the landing gear coming down 38 00:02:13,160 --> 00:02:15,200 Speaker 2: and when it hits the runway. Yeah, So there was 39 00:02:15,200 --> 00:02:17,360 Speaker 2: something wrong with that and I think it leaked like 40 00:02:17,520 --> 00:02:23,320 Speaker 2: hydraulic like liquid, yeah, fluid onto the runway and then 41 00:02:23,320 --> 00:02:26,360 Speaker 2: they sent an engineer from Briso. Yeah, and the runways 42 00:02:26,400 --> 00:02:30,160 Speaker 2: need to be like pristinely clean to land, yeah, to land, Yeah, 43 00:02:30,160 --> 00:02:33,840 Speaker 2: there can't be any cocker on the on the runways anyway. 44 00:02:33,919 --> 00:02:37,799 Speaker 2: So then we got diverted to Brisbane, which it's only 45 00:02:37,840 --> 00:02:40,600 Speaker 2: ten minutes away in the plane. In the plane in. 46 00:02:41,120 --> 00:02:44,119 Speaker 1: Life, it's over an hour on the bus. So when 47 00:02:44,120 --> 00:02:45,560 Speaker 1: we had to get a basket, had to wait about 48 00:02:45,560 --> 00:02:46,360 Speaker 1: what an hour and a half. 49 00:02:46,360 --> 00:02:48,840 Speaker 2: For about an hour and a half, Yeah, my phone died. 50 00:02:49,320 --> 00:02:52,760 Speaker 2: Oh so I was like sitting next to it. He 51 00:02:52,919 --> 00:02:54,080 Speaker 2: was much calmer than me. 52 00:02:54,240 --> 00:02:57,600 Speaker 1: I was so angry because I was so jet lagged. 53 00:02:57,760 --> 00:03:01,840 Speaker 2: Yeah, what can you do? Yeah, And then we were 54 00:03:01,880 --> 00:03:03,440 Speaker 2: sitting on the bus and I was like, oh, my 55 00:03:03,560 --> 00:03:06,840 Speaker 2: back sore. Remember but I slept most of the time, 56 00:03:07,080 --> 00:03:08,600 Speaker 2: did I Yeah, I just remember. 57 00:03:08,680 --> 00:03:10,919 Speaker 1: I was like fuck this, I'm going on TikTok and 58 00:03:11,000 --> 00:03:12,200 Speaker 1: watching Pedro Pascal. 59 00:03:12,440 --> 00:03:15,000 Speaker 2: Yeah, within ten minutes, you're asleep, and I'm sitting there 60 00:03:15,040 --> 00:03:16,440 Speaker 2: for an hour and a half on my own just 61 00:03:16,680 --> 00:03:19,400 Speaker 2: munging on your lollies. Yeah I did. Yeah. He was 62 00:03:19,520 --> 00:03:21,760 Speaker 2: ending his Alan's lollies that we got from our hotel. 63 00:03:21,960 --> 00:03:23,799 Speaker 2: Shouts overloa they. 64 00:03:23,680 --> 00:03:27,880 Speaker 1: Do free unlimited candy. I didn't have one, not one 65 00:03:27,919 --> 00:03:31,359 Speaker 1: single one. You're not really a lolly person, No, I'm 66 00:03:31,400 --> 00:03:33,320 Speaker 1: much more chocolate. You're a chocolate person. 67 00:03:33,639 --> 00:03:38,080 Speaker 2: Yeah, where they had that Little Mintie's and Little Alan's lollies. 68 00:03:38,000 --> 00:03:39,800 Speaker 1: Look like they had some sour things, but you're not. 69 00:03:39,840 --> 00:03:41,240 Speaker 1: I set much of a sour land. 70 00:03:41,800 --> 00:03:43,320 Speaker 2: I didn't love the sours as much. 71 00:03:43,440 --> 00:03:45,240 Speaker 1: You didn't like those sour patch things. 72 00:03:45,240 --> 00:03:47,680 Speaker 2: I bought back. I don't know them. They're good, They're 73 00:03:47,720 --> 00:03:50,000 Speaker 2: just not my first choice of a lolly. What's your 74 00:03:50,000 --> 00:03:53,080 Speaker 2: first choice? I don't know, but I just like any 75 00:03:53,080 --> 00:03:54,680 Speaker 2: of the Allen's party mix. 76 00:03:55,080 --> 00:03:56,560 Speaker 1: Do you remember when you were a kid, you go 77 00:03:56,600 --> 00:03:59,280 Speaker 1: to seven eleven and get the Anaconda. 78 00:03:59,280 --> 00:04:02,120 Speaker 2: It was like a one giant one absolutely and it 79 00:04:02,200 --> 00:04:05,240 Speaker 2: always not the blue bit. Yeah, yeah, yeah, not seven 80 00:04:05,280 --> 00:04:07,680 Speaker 2: eleven for me. We had a local milk bar that's 81 00:04:07,680 --> 00:04:09,480 Speaker 2: even better. Yeah yeah, and. 82 00:04:09,400 --> 00:04:11,280 Speaker 1: Then would cost like fifty cents or something. 83 00:04:11,320 --> 00:04:13,800 Speaker 2: Yeah, I'm pretty sure. And it was the best, ah 84 00:04:13,880 --> 00:04:16,400 Speaker 2: yeah for me. By little bags and lollies. Yeah, I 85 00:04:16,480 --> 00:04:20,039 Speaker 2: remember that cats remember black Cats, Yeah, black Cats. I 86 00:04:20,040 --> 00:04:22,920 Speaker 2: remember them having like a little like a lolli bar. Yeah, 87 00:04:22,960 --> 00:04:25,000 Speaker 2: and you know you would select like two of these 88 00:04:25,040 --> 00:04:27,239 Speaker 2: and two of them, and they'll be like five cents each, 89 00:04:27,440 --> 00:04:31,279 Speaker 2: and they would all, yeah, we're really aging ourselves. We're 90 00:04:31,400 --> 00:04:34,360 Speaker 2: so aging ourselves. That doesn't exist, but bombs. Do you 91 00:04:34,360 --> 00:04:36,960 Speaker 2: remember bombs? Yeah? Yeah? 92 00:04:37,000 --> 00:04:39,920 Speaker 1: And is it the toffee apple? And redskins? Do you 93 00:04:39,920 --> 00:04:42,880 Speaker 1: remember skins? I'm sure red skins they were my favorite. 94 00:04:42,920 --> 00:04:45,080 Speaker 1: They still exist. I'm pretty sure. I feel like they 95 00:04:45,080 --> 00:04:47,760 Speaker 1: would be culturally inappropriate now, would they not? 96 00:04:47,880 --> 00:04:51,120 Speaker 2: They had a little Indian on them. Maybe in the US? Yeah, maybe, 97 00:04:51,640 --> 00:04:54,520 Speaker 2: I feel like they're totally not right. I'm pretty sure 98 00:04:54,520 --> 00:04:57,520 Speaker 2: I've still seen a version of them. Maybe they've changed 99 00:04:57,560 --> 00:04:57,920 Speaker 2: the name. 100 00:04:58,760 --> 00:05:01,080 Speaker 1: I always get afraid of any lollies like that though, 101 00:05:01,080 --> 00:05:02,599 Speaker 1: that it will pull my feelings out. 102 00:05:02,880 --> 00:05:06,640 Speaker 2: Yeah, because they're just straight sugar and then really like 103 00:05:07,279 --> 00:05:10,000 Speaker 2: tacky like that real where you just need to suck 104 00:05:10,080 --> 00:05:12,400 Speaker 2: on them. You're not meant to like chew, whereas I 105 00:05:12,520 --> 00:05:14,560 Speaker 2: like to chew. Do you know I do like it? 106 00:05:14,600 --> 00:05:18,680 Speaker 2: A lolly? What a Chico Chico baby? Chico babies? 107 00:05:19,160 --> 00:05:22,200 Speaker 1: But do you know why chocolate in a lollly? Chocolate 108 00:05:22,279 --> 00:05:24,440 Speaker 1: in a lily chocolate flavored jelly beat baby? 109 00:05:24,680 --> 00:05:28,320 Speaker 2: Is that another one that's they've changed and changed? Surely? 110 00:05:28,760 --> 00:05:30,839 Speaker 2: What are they called now? Chocolate babies? I don't know, 111 00:05:31,040 --> 00:05:33,680 Speaker 2: chocolate jelly be show Google? Why are you're talking? 112 00:05:34,160 --> 00:05:38,320 Speaker 1: I've it's yeah, and there are a few. There are 113 00:05:38,360 --> 00:05:42,640 Speaker 1: a few, like things from the olden days I when 114 00:05:42,680 --> 00:05:44,440 Speaker 1: we were young, that have changed names. 115 00:05:44,440 --> 00:05:45,320 Speaker 2: But they're the same thing. 116 00:05:46,400 --> 00:05:49,600 Speaker 1: Uh, choc babies now or they still called Chico Babies. 117 00:05:49,640 --> 00:05:54,799 Speaker 2: Okay. November fifteenth, twenty twenty neslevery names Alan Lolly's brands 118 00:05:55,279 --> 00:06:02,599 Speaker 2: Redskins and Chico's too. Okay, So Redskins are now called 119 00:06:02,760 --> 00:06:08,440 Speaker 2: red Ripper and Chico Babies are called Cheekies. Oh that's cute, 120 00:06:08,600 --> 00:06:11,080 Speaker 2: show the branding. Yeah, which cheekies is better? 121 00:06:12,360 --> 00:06:12,560 Speaker 3: Oh? 122 00:06:12,680 --> 00:06:13,440 Speaker 2: How cute? 123 00:06:14,240 --> 00:06:16,920 Speaker 1: Yeah, red Rippers aren't as cool as Redskins though. 124 00:06:17,640 --> 00:06:21,240 Speaker 2: Yeah, but I mean we weren't like to our we 125 00:06:21,240 --> 00:06:24,479 Speaker 2: weren't like aware of No, we had no idea. Yeah 126 00:06:24,680 --> 00:06:27,800 Speaker 2: you know what any of them means. 127 00:06:28,160 --> 00:06:32,040 Speaker 1: No, we've totally digressed and talked about old fashioned lollies, 128 00:06:32,080 --> 00:06:32,440 Speaker 1: haven't we. 129 00:06:32,760 --> 00:06:33,480 Speaker 2: Yeah. 130 00:06:33,880 --> 00:06:36,599 Speaker 1: And Matt's now deep diving and probably on Reddit knowing him. 131 00:06:37,240 --> 00:06:40,120 Speaker 2: No, I'm just doing like an ABC News. I love 132 00:06:40,120 --> 00:06:43,120 Speaker 2: a little mid pod Google, do you Yeah, because he 133 00:06:43,240 --> 00:06:44,960 Speaker 2: just needs to fact check it on the spot. 134 00:06:45,240 --> 00:06:49,480 Speaker 1: Oh move over, Monica Padman from j Expert. Matt's gonna 135 00:06:49,720 --> 00:06:51,039 Speaker 1: fact check mid pod. 136 00:06:51,279 --> 00:06:53,160 Speaker 2: Yeah, I'm going to start. I should actually set a 137 00:06:53,240 --> 00:06:57,599 Speaker 2: laptop up and have it ready to go. More for it. Yeah, anyway, 138 00:06:57,760 --> 00:07:01,400 Speaker 2: so if anyone, Yeah, redskins and. 139 00:07:01,480 --> 00:07:03,320 Speaker 1: But like wagon wheels are still got the same name 140 00:07:03,360 --> 00:07:03,800 Speaker 1: all that. 141 00:07:03,720 --> 00:07:06,800 Speaker 2: Stuff red rippers. Yeah, wagon wheels are tiny now and 142 00:07:06,839 --> 00:07:10,320 Speaker 2: they're thin need to be huge, yeah, massive and fat. 143 00:07:10,520 --> 00:07:13,360 Speaker 2: I didn't like them, though, I love them. 144 00:07:13,720 --> 00:07:17,240 Speaker 1: What's the one you always get when I'm away? Monte Carlos. 145 00:07:18,160 --> 00:07:21,680 Speaker 2: Love love a little Avo coffee and Biki? 146 00:07:21,840 --> 00:07:27,240 Speaker 1: Can I say what Americans do so well? I've never 147 00:07:27,280 --> 00:07:29,960 Speaker 1: had a Smalls, but I will. I think I would 148 00:07:30,000 --> 00:07:34,120 Speaker 1: love it. So that's Graham cracker chocolate melted with marshmallow 149 00:07:35,240 --> 00:07:37,240 Speaker 1: and you can make like a sandwich with Graham crap 150 00:07:37,360 --> 00:07:38,640 Speaker 1: on a cracker. 151 00:07:38,280 --> 00:07:39,000 Speaker 2: On either side. 152 00:07:39,320 --> 00:07:44,400 Speaker 1: No Americans literally, if you go to a special like 153 00:07:45,320 --> 00:07:49,680 Speaker 1: cookie shop, yeah, they have a little alb and warmer 154 00:07:50,120 --> 00:07:52,920 Speaker 1: and those cookies they come out. 155 00:07:52,760 --> 00:07:53,560 Speaker 2: Warm as salt. 156 00:07:54,640 --> 00:07:59,040 Speaker 1: And I'm just like Americans get cookies right. They really 157 00:07:59,200 --> 00:08:01,320 Speaker 1: know how to nail a good cookie. And I found 158 00:08:01,360 --> 00:08:05,280 Speaker 1: good gluten free ones too. There's this famous cookie place 159 00:08:05,400 --> 00:08:07,560 Speaker 1: in New York and it's just launched in LA It's 160 00:08:07,600 --> 00:08:11,600 Speaker 1: called Levene, and they do these cookies that almost look 161 00:08:11,640 --> 00:08:14,720 Speaker 1: like little mountains like so they're full of like and 162 00:08:14,760 --> 00:08:17,280 Speaker 1: I don't know what they do. But when you rip 163 00:08:17,320 --> 00:08:20,840 Speaker 1: it open, well yeah, but I think I would have 164 00:08:20,840 --> 00:08:22,360 Speaker 1: told you about it. But when you rip it open, 165 00:08:22,440 --> 00:08:26,640 Speaker 1: the all the little it's spelled l E v A 166 00:08:26,960 --> 00:08:30,440 Speaker 1: I N I think or Levine Levine. 167 00:08:30,600 --> 00:08:31,000 Speaker 2: I don't know. 168 00:08:32,200 --> 00:08:34,080 Speaker 1: But it's famous in New York, like that is where 169 00:08:34,280 --> 00:08:36,760 Speaker 1: the place to go for like a seven dollar cookie 170 00:08:36,800 --> 00:08:40,920 Speaker 1: or an eight dollar cookie and then crazy. But they 171 00:08:41,000 --> 00:08:43,800 Speaker 1: have a gluten free chop chip and walnut. 172 00:08:44,679 --> 00:08:47,040 Speaker 2: Yeah you got it. You're looking at it right on 173 00:08:47,080 --> 00:08:48,000 Speaker 2: their website. 174 00:08:48,800 --> 00:08:52,120 Speaker 1: But when you open it up, like it doesn't come 175 00:08:52,160 --> 00:08:55,120 Speaker 1: as a warmed cookie, but the little chop chips. 176 00:08:54,880 --> 00:08:57,080 Speaker 2: Are melted inside. I don't know how they do that. 177 00:08:57,120 --> 00:08:58,040 Speaker 2: They look incredible. 178 00:08:58,240 --> 00:09:02,120 Speaker 1: Yeah, Americans not how to do a cookie, that is 179 00:09:02,160 --> 00:09:02,640 Speaker 1: my theory. 180 00:09:02,640 --> 00:09:05,440 Speaker 2: And I am a bit bakery. Yees. 181 00:09:05,480 --> 00:09:07,840 Speaker 1: So it's in Larchmont if you're in La down the 182 00:09:07,880 --> 00:09:12,320 Speaker 1: famous Larchmont village. But if you're in New York, I 183 00:09:12,320 --> 00:09:13,559 Speaker 1: don't know what's reats on New York. 184 00:09:13,600 --> 00:09:15,000 Speaker 2: I haven't been New York in years. 185 00:09:15,240 --> 00:09:18,960 Speaker 1: Ye. The other thing, obviously, I'm like so wrapped to 186 00:09:18,960 --> 00:09:21,520 Speaker 1: be back with you. But it is fall in America. 187 00:09:21,679 --> 00:09:25,320 Speaker 1: And when it's full, that's your favorite, that's my favorite 188 00:09:25,480 --> 00:09:27,280 Speaker 1: because I love what do I love? 189 00:09:27,320 --> 00:09:33,880 Speaker 2: Boo? You love what do you call it? What? Pumpkin spice? 190 00:09:34,040 --> 00:09:37,440 Speaker 2: That's right, that's right, that is correct. 191 00:09:38,040 --> 00:09:42,840 Speaker 1: And right before I flew back traded, Joe's like the 192 00:09:43,040 --> 00:09:46,400 Speaker 1: day before I flew back, launched all it's full pump 193 00:09:46,480 --> 00:09:49,520 Speaker 1: and spice, this pumpkin spice, strude, all muffins pumpkin spice. 194 00:09:49,559 --> 00:09:52,120 Speaker 2: Well, I'm upset you didn't bring me back the bag 195 00:09:52,320 --> 00:09:56,240 Speaker 2: of those pretzel things. Yeah, the chocolate covered pretzels. 196 00:09:56,840 --> 00:09:59,520 Speaker 1: First of all, there's a reason for this because you 197 00:09:59,559 --> 00:10:03,240 Speaker 1: love them to No, I don't really like that much 198 00:10:03,320 --> 00:10:05,480 Speaker 1: that flavor. I don't really like peanut butter and a pretzel. 199 00:10:05,480 --> 00:10:06,439 Speaker 1: It's not really my flavor. 200 00:10:06,520 --> 00:10:08,280 Speaker 2: Jet. I didn't think I would love it either, but 201 00:10:08,440 --> 00:10:09,320 Speaker 2: I fucking love them. 202 00:10:09,920 --> 00:10:12,680 Speaker 1: But here's the thing, boot, I would have got one 203 00:10:12,720 --> 00:10:17,280 Speaker 1: of every pumpkin spice product available ever at and I 204 00:10:17,280 --> 00:10:19,439 Speaker 1: would have felt so sick when I got back. 205 00:10:20,440 --> 00:10:22,200 Speaker 2: What's wrong of the levels? A bit funky? No, I 206 00:10:22,240 --> 00:10:24,480 Speaker 2: was thinking, where's my bottle of water gone? Oh it's 207 00:10:24,559 --> 00:10:26,560 Speaker 2: right there, Boo, Okay, me to get it for you. 208 00:10:26,840 --> 00:10:29,360 Speaker 2: That's all right. Try to sip in my tea. Maybe 209 00:10:29,520 --> 00:10:35,040 Speaker 2: it's a green oh okay, yeah, maybe, Okay. So we've 210 00:10:35,080 --> 00:10:36,319 Speaker 2: talked about food for ten minutes. 211 00:10:36,400 --> 00:10:40,240 Speaker 1: I know, I know, so oh gee, I nearly knocked 212 00:10:40,240 --> 00:10:43,520 Speaker 1: the micro over, didn't I? Yeah, as are you looking 213 00:10:43,520 --> 00:10:46,079 Speaker 1: at that cord? Because it's a bit It's fine, okay. 214 00:10:47,000 --> 00:10:51,880 Speaker 1: So I thought we could talk about why why I'm back? 215 00:10:52,559 --> 00:10:55,000 Speaker 2: Why are you back? Well? 216 00:10:55,240 --> 00:10:58,600 Speaker 1: I had work, so my intent was to say about 217 00:10:58,600 --> 00:11:01,480 Speaker 1: another month or too long and come back for quimbo 218 00:11:01,559 --> 00:11:01,960 Speaker 1: with you. 219 00:11:02,480 --> 00:11:03,800 Speaker 2: That was my intent, wasn't it. 220 00:11:04,280 --> 00:11:08,200 Speaker 1: But I have decided. 221 00:11:07,600 --> 00:11:08,200 Speaker 2: To come back. 222 00:11:08,320 --> 00:11:12,640 Speaker 1: Well, No, we had work Wonderloss Festival, so I landed. 223 00:11:12,960 --> 00:11:16,160 Speaker 1: I think I had two nights with you, yep, and 224 00:11:16,200 --> 00:11:22,280 Speaker 1: then straight to Maubs did Wonder last. Then we've come 225 00:11:22,360 --> 00:11:24,680 Speaker 1: back here for a couple of nights, back to Byron 226 00:11:25,120 --> 00:11:28,880 Speaker 1: Goldie tonight, literally two nights and then and the headliner 227 00:11:28,920 --> 00:11:31,360 Speaker 1: tonight is Mick Fanning. Oh wow, couldn't get him on 228 00:11:31,360 --> 00:11:35,640 Speaker 1: the pod. Boo tried and Davy rut again tonight. Yeah. 229 00:11:35,920 --> 00:11:38,760 Speaker 1: Also he's apparently really shy and won't do the pod. Yeah, 230 00:11:38,920 --> 00:11:44,280 Speaker 1: I've tried, guys, I've tried. And then I you stay, 231 00:11:44,679 --> 00:11:48,360 Speaker 1: you get to have a little steay cash on the Goldie. 232 00:11:48,440 --> 00:11:49,960 Speaker 2: I'm sleep in Well. 233 00:11:50,000 --> 00:11:51,640 Speaker 1: I have to leave at four thirty am to get 234 00:11:51,679 --> 00:11:55,120 Speaker 1: a six am flight to SIDS. So then I go 235 00:11:55,200 --> 00:11:58,160 Speaker 1: to Sydney, record a bunch of pottos and then do 236 00:11:58,280 --> 00:12:00,760 Speaker 1: Wonder Lust and then fly back to you on Wow. 237 00:12:01,040 --> 00:12:02,880 Speaker 1: It's going to be quite a quick trip. 238 00:12:03,600 --> 00:12:06,559 Speaker 2: Yeah, give me back someday, I see be fine. 239 00:12:06,840 --> 00:12:09,920 Speaker 1: And then Monday I have to go to Brisbane, which 240 00:12:10,000 --> 00:12:11,160 Speaker 1: is two hours each way. 241 00:12:11,440 --> 00:12:14,760 Speaker 2: Am I coming? No? Yeah? You come? Sweet? Is that 242 00:12:14,760 --> 00:12:17,200 Speaker 2: going to change? No? I might need a bit of 243 00:12:17,280 --> 00:12:21,600 Speaker 2: like support on the phone. Okay, yeah, can do that. 244 00:12:22,520 --> 00:12:26,000 Speaker 1: But that's the interview Trent Dalton, Oh, who is the 245 00:12:26,080 --> 00:12:31,920 Speaker 1: author of Boy Swallows Universe Love Stories, and he's just 246 00:12:31,960 --> 00:12:32,720 Speaker 1: brought a book out. 247 00:12:33,040 --> 00:12:37,240 Speaker 2: Look what it's called Boo boo? What's called Lola in 248 00:12:37,280 --> 00:12:40,679 Speaker 2: the mirror at Trent Dalton is Boy Swallows Universe, the 249 00:12:40,760 --> 00:12:41,959 Speaker 2: one they're making a show about. 250 00:12:42,120 --> 00:12:45,520 Speaker 1: They've made a Netflix series about our mate Anthony la 251 00:12:45,520 --> 00:12:47,359 Speaker 1: Palia plays the baddie Titus. 252 00:12:47,400 --> 00:12:51,360 Speaker 2: Well, so it's going to be that's cool. It's going 253 00:12:51,400 --> 00:12:54,199 Speaker 2: to be col cool. And what's it about? What's the 254 00:12:54,240 --> 00:12:55,839 Speaker 2: boy Universe about. 255 00:12:55,960 --> 00:12:59,280 Speaker 1: I think it's actually about Trent Dalton's youth and set 256 00:12:59,280 --> 00:13:01,640 Speaker 1: in the eighties and like growing up, but it's also 257 00:13:01,800 --> 00:13:08,000 Speaker 1: about like it shows a little bit of the grimey 258 00:13:09,240 --> 00:13:11,840 Speaker 1: side of where he grew up as well, which was 259 00:13:12,800 --> 00:13:14,680 Speaker 1: there's a little bit of drugs, a little bit of 260 00:13:14,960 --> 00:13:17,680 Speaker 1: mum in jail for a bit, and so it's like 261 00:13:17,720 --> 00:13:20,400 Speaker 1: a love story. There were so many different elements to it, 262 00:13:20,440 --> 00:13:23,560 Speaker 1: like love story with his mom and like him holding 263 00:13:23,640 --> 00:13:24,800 Speaker 1: hope always. 264 00:13:24,640 --> 00:13:28,280 Speaker 2: Was it based Queensland? No, no is the story based 265 00:13:28,320 --> 00:13:29,320 Speaker 2: in Queensland, gotcha? 266 00:13:30,280 --> 00:13:33,240 Speaker 1: But Anthony for the band, he had to dye his 267 00:13:33,240 --> 00:13:37,880 Speaker 1: hair like peroxide blah yeah, yeah, yeah, that's part of 268 00:13:37,920 --> 00:13:43,160 Speaker 1: the characters like looks kill anyway, So apparently I'm wanted 269 00:13:43,120 --> 00:13:45,640 Speaker 1: to ask a few questions about Boy Was Universe. So 270 00:13:45,679 --> 00:13:47,880 Speaker 1: I've got to like, I'm going to keep it to 271 00:13:48,120 --> 00:13:50,680 Speaker 1: very hush hush, Well, I think, yeah, because we don't 272 00:13:50,679 --> 00:13:53,480 Speaker 1: know when it launches on Netflix, even though I reckon 273 00:13:53,520 --> 00:13:54,440 Speaker 1: it'll come out by the end. 274 00:13:54,320 --> 00:13:56,240 Speaker 2: Of the year. Surely, wasn't it shot last year? 275 00:13:57,240 --> 00:14:00,320 Speaker 1: Exact time last year? So I think they shot literally 276 00:14:00,320 --> 00:14:01,400 Speaker 1: October last Yeah? 277 00:14:01,720 --> 00:14:02,840 Speaker 2: How cool? How cool? 278 00:14:03,840 --> 00:14:06,280 Speaker 1: So I've got to read this book, which is quite 279 00:14:06,280 --> 00:14:08,640 Speaker 1: a thick book. It's not a little book. I've got 280 00:14:08,720 --> 00:14:10,160 Speaker 1: two days, three days to read it. 281 00:14:10,240 --> 00:14:11,880 Speaker 2: I feel like you'd be fine. I feel like I'll 282 00:14:11,880 --> 00:14:14,960 Speaker 2: be fine too, you know me. Yeah, an hour on 283 00:14:15,000 --> 00:14:16,200 Speaker 2: the flight in the. 284 00:14:16,120 --> 00:14:18,120 Speaker 1: Car, try not pack my laptop then, and. 285 00:14:18,120 --> 00:14:21,120 Speaker 2: Just now I'd be reading the whole time. What do 286 00:14:21,160 --> 00:14:28,000 Speaker 2: you need your laptop for emails? Work? Well? Pack both? Yeah, 287 00:14:28,040 --> 00:14:29,520 Speaker 2: I think I will both, you know. 288 00:14:29,600 --> 00:14:32,080 Speaker 1: I like my nay lappy yeah, and I like to 289 00:14:32,080 --> 00:14:33,600 Speaker 1: get up have coffee work. 290 00:14:33,760 --> 00:14:37,960 Speaker 2: Yeah. But yeah, like you know, on the flight it's 291 00:14:38,240 --> 00:14:42,680 Speaker 2: an our flight each way, it's two hours of reading. Yeah, yeah, yeah, 292 00:14:42,800 --> 00:14:43,440 Speaker 2: just smash throught. 293 00:14:43,520 --> 00:14:45,320 Speaker 1: I actually watched a great movie on the flight from 294 00:14:45,360 --> 00:14:47,520 Speaker 1: Melbourne for anyone who's going to fly Virgin and has 295 00:14:47,520 --> 00:14:48,680 Speaker 1: that entertainment. 296 00:14:49,800 --> 00:14:51,600 Speaker 2: It's called Richard Jewel. 297 00:14:52,480 --> 00:14:55,280 Speaker 1: And it's got Sam Rockwell in it and Kathy Baits, 298 00:14:55,280 --> 00:14:56,160 Speaker 1: two of the greats. 299 00:14:56,280 --> 00:14:59,000 Speaker 2: Yeah. I like Kathy Baits. I like them both. I 300 00:14:59,120 --> 00:15:00,960 Speaker 2: really like them both. But yes, agreed. 301 00:15:01,480 --> 00:15:07,200 Speaker 1: It's about There was this bombing and Olympic Park in Atlanta, America, 302 00:15:08,000 --> 00:15:14,480 Speaker 1: and a security guard found like the suspect the backpack 303 00:15:15,120 --> 00:15:18,280 Speaker 1: and was like for about forty eight hours was touted 304 00:15:18,320 --> 00:15:21,720 Speaker 1: as a hero, right, and then within forty eight hours 305 00:15:21,960 --> 00:15:24,960 Speaker 1: was considered because he had a quirky personality, he really 306 00:15:25,000 --> 00:15:27,360 Speaker 1: respected the law, like so badly want to be a 307 00:15:27,360 --> 00:15:30,200 Speaker 1: police officer. So they were like, oh, actually he fits 308 00:15:30,200 --> 00:15:33,320 Speaker 1: the profile of a loan bomber well. And then like 309 00:15:33,400 --> 00:15:36,000 Speaker 1: the media, it all flicked in forty eight hours and 310 00:15:36,040 --> 00:15:40,520 Speaker 1: they just they turned him into the monster and. 311 00:15:41,680 --> 00:15:45,280 Speaker 2: Not to give much away, well, we have to know wrongfully, 312 00:15:45,360 --> 00:15:48,960 Speaker 2: so yeah, he was wrongfully accused, correct, And do they 313 00:15:48,960 --> 00:15:51,840 Speaker 2: find the real bomber in the movie? They do, Yeah, 314 00:15:52,760 --> 00:15:53,200 Speaker 2: they do. 315 00:15:53,560 --> 00:15:56,960 Speaker 1: But yeah, it's a very really good movie, really good, 316 00:15:57,600 --> 00:15:59,040 Speaker 1: like you know when you watch half of it on 317 00:15:59,080 --> 00:16:00,680 Speaker 1: a flight and you can't wait for your flight home 318 00:16:00,720 --> 00:16:03,440 Speaker 1: to watch the hours. And then I started because that 319 00:16:03,520 --> 00:16:05,440 Speaker 1: only had like half an hour left. And then I 320 00:16:05,480 --> 00:16:09,200 Speaker 1: started a move with Channing Tatum. It's called Little Foot 321 00:16:09,600 --> 00:16:11,720 Speaker 1: and he's the voice and days a voice. 322 00:16:11,800 --> 00:16:16,560 Speaker 2: James Corden is that an older one? Two thousand and nine? Cha? Yeah, 323 00:16:16,600 --> 00:16:19,560 Speaker 2: I think, I think, I think. And he can sing. 324 00:16:20,080 --> 00:16:22,840 Speaker 2: Channing Tatum can sing. Yeah, James Corden sings. We know 325 00:16:22,920 --> 00:16:23,360 Speaker 2: that already. 326 00:16:23,400 --> 00:16:25,120 Speaker 1: And we know Zendaya can sing because of. 327 00:16:25,080 --> 00:16:27,840 Speaker 2: A living James Corden like musical theater and vibes. 328 00:16:28,040 --> 00:16:30,880 Speaker 1: Yeah, I'm pretty sure he trained at like Rada, which 329 00:16:30,920 --> 00:16:35,040 Speaker 1: is where like Eddie Redmaden trained. Yeah, So anyway, I 330 00:16:35,120 --> 00:16:39,080 Speaker 1: highly recommend them. So basically coming back for work, coming 331 00:16:39,120 --> 00:16:40,600 Speaker 1: back for love, coming back. 332 00:16:40,440 --> 00:16:44,280 Speaker 2: For Byron time, coming back for love. Yeah, do you 333 00:16:44,320 --> 00:16:48,920 Speaker 2: know who with U? Is it me? Yeah? That's nice. Yeah, 334 00:16:49,080 --> 00:16:51,000 Speaker 2: that is noise. That's nice. 335 00:16:51,720 --> 00:16:54,120 Speaker 1: But also there's a massive actors and writers striking l 336 00:16:54,200 --> 00:16:56,920 Speaker 1: as so like all the times to choose to come back, 337 00:16:56,960 --> 00:16:59,840 Speaker 1: it's probably not a bad time. 338 00:17:00,040 --> 00:17:02,080 Speaker 2: Things a perfect time, And I think you just need 339 00:17:02,120 --> 00:17:05,080 Speaker 2: a little bit of Byron Bay. 340 00:17:05,200 --> 00:17:08,399 Speaker 1: So La is healing phenomenal, like phenomenal, like I think 341 00:17:08,480 --> 00:17:12,000 Speaker 1: you're gonna love it next year. But it is like 342 00:17:12,320 --> 00:17:13,560 Speaker 1: energetically taxing. 343 00:17:13,680 --> 00:17:14,879 Speaker 2: Yeah, totally, you're. 344 00:17:14,760 --> 00:17:17,560 Speaker 1: Constantly on Like, as you know, I was working in 345 00:17:17,560 --> 00:17:20,520 Speaker 1: an wage job so that we could still pay mortgage 346 00:17:21,320 --> 00:17:25,119 Speaker 1: while you were looking after that, weren't you, Yes, yes, yes, 347 00:17:25,480 --> 00:17:29,440 Speaker 1: that face, But so that I didn't essentially like eat 348 00:17:29,440 --> 00:17:31,480 Speaker 1: away my savings while I was over there, which is 349 00:17:31,560 --> 00:17:34,360 Speaker 1: like a super common thing that ossies do. But because 350 00:17:34,680 --> 00:17:37,800 Speaker 1: the Australian dollar is sixty three cents to the American dollar. 351 00:17:38,560 --> 00:17:41,840 Speaker 1: It almost feels like you're cutting your money in half. 352 00:17:42,720 --> 00:17:45,399 Speaker 1: And so I was like, far out, I need to 353 00:17:45,400 --> 00:17:47,080 Speaker 1: find another way. So I just got this little job 354 00:17:47,119 --> 00:17:49,399 Speaker 1: at a yogat geo and it's enough covered all my 355 00:17:49,480 --> 00:17:55,040 Speaker 1: air one addictions and my petrol essentially and my car. 356 00:17:55,240 --> 00:17:57,120 Speaker 1: I you paid for my car out of it too, 357 00:17:57,560 --> 00:18:00,679 Speaker 1: so quickly cut back my spend and then for the 358 00:18:00,760 --> 00:18:03,199 Speaker 1: last couple of months, I was house sitting and dog sitting, 359 00:18:03,680 --> 00:18:07,480 Speaker 1: So my spending's kind of like pulled right back toward Yeah. 360 00:18:07,600 --> 00:18:11,119 Speaker 2: Yeah, because LA is so expensive. It's so expensive. 361 00:18:10,840 --> 00:18:15,520 Speaker 1: Even rental as well, like saying somewhere like wild wild, 362 00:18:15,920 --> 00:18:19,000 Speaker 1: I mean it's wild here. Yeah, Byron Bay is probably 363 00:18:19,000 --> 00:18:20,200 Speaker 1: one of the most expensive places. 364 00:18:20,320 --> 00:18:23,760 Speaker 2: Yeahs I mean yeah it is. And you think about 365 00:18:23,880 --> 00:18:26,600 Speaker 2: you know, like a small rental seven hundred dollars a 366 00:18:26,640 --> 00:18:31,000 Speaker 2: week here. Yeah. Is that our old place? Yeah, that 367 00:18:31,160 --> 00:18:34,000 Speaker 2: was like, well, it started at five point fifty when 368 00:18:34,040 --> 00:18:37,840 Speaker 2: we moved in, yeah, like three years ago. Now, yeah, 369 00:18:37,920 --> 00:18:40,320 Speaker 2: and what would that be now? I think when we 370 00:18:40,359 --> 00:18:42,960 Speaker 2: moved out, they re advertised it for like seven or 371 00:18:42,960 --> 00:18:46,320 Speaker 2: seven fifty wow, and now it's probably even eight. No, 372 00:18:46,400 --> 00:18:49,159 Speaker 2: it's probably probably still about the same dragon. Yeah, it's 373 00:18:49,480 --> 00:18:52,720 Speaker 2: like it's settled a little bit. Wow. But yeah, wild 374 00:18:53,200 --> 00:18:55,320 Speaker 2: wild bird. And we thought five point fifty was a 375 00:18:55,320 --> 00:19:03,720 Speaker 2: lot in twenty twenty. Yeah it was. Yeah. Anyway, we digress, digress, 376 00:19:03,760 --> 00:19:05,920 Speaker 2: that's life. So yeah, that's kind of why I'm back. 377 00:19:05,960 --> 00:19:08,000 Speaker 2: So I've come back for one of the last comeback. 378 00:19:08,080 --> 00:19:13,440 Speaker 2: For got a few like Keil campaigns coming up, and 379 00:19:13,760 --> 00:19:16,880 Speaker 2: I really am excited to have some time with you 380 00:19:16,960 --> 00:19:18,800 Speaker 2: in the beach and in the sun when I get 381 00:19:18,800 --> 00:19:20,920 Speaker 2: back from this work travel in that. 382 00:19:21,000 --> 00:19:23,240 Speaker 1: I just don't want to ruin my blowwave, you know. 383 00:19:23,680 --> 00:19:26,680 Speaker 1: So we're just gonna swim every day, but I want 384 00:19:26,680 --> 00:19:28,520 Speaker 1: to go snorkeling, and I did that. 385 00:19:30,359 --> 00:19:35,280 Speaker 2: We actually like, can we go by like a proper snorkel. 386 00:19:35,200 --> 00:19:37,520 Speaker 3: Yeah, let's do that when I land on. Yeah, is 387 00:19:37,560 --> 00:19:41,440 Speaker 3: there like a snorkeling shop? Yeah, surely. Oh, we're going 388 00:19:41,440 --> 00:19:44,640 Speaker 3: to Gold Coast today. Let's there'll be something there. Yeah, 389 00:19:44,720 --> 00:19:46,800 Speaker 3: we can look for I didn't think about that. 390 00:19:47,800 --> 00:19:49,800 Speaker 2: Forget. There's a bit of good shop surf dive and 391 00:19:49,840 --> 00:19:51,840 Speaker 2: ski shop. 392 00:19:51,800 --> 00:19:54,240 Speaker 1: Surf dive and ski you if you're not careful, that 393 00:19:54,359 --> 00:19:59,040 Speaker 1: sounds rude, okay, So what can we do? A little 394 00:19:59,119 --> 00:20:00,720 Speaker 1: check in, like, what's go going on for you? Because 395 00:20:00,720 --> 00:20:04,760 Speaker 1: since I've got back, we haven't had one movie night together. 396 00:20:04,880 --> 00:20:07,959 Speaker 1: We have not watched one Netflix show. I've got movies 397 00:20:08,040 --> 00:20:11,200 Speaker 1: up ready to roll, Yeah, ready to watch. 398 00:20:11,359 --> 00:20:16,080 Speaker 2: Yeah. No, you're doing work not I've been a little 399 00:20:16,119 --> 00:20:17,760 Speaker 2: bit on the busy side, to be. 400 00:20:17,680 --> 00:20:20,359 Speaker 1: Honest, Is this because you're composing for two different shows? 401 00:20:20,560 --> 00:20:22,080 Speaker 1: One you're sound engineering for. 402 00:20:22,160 --> 00:20:25,119 Speaker 2: I'm doing post production on one show and composing for 403 00:20:25,400 --> 00:20:30,199 Speaker 2: a new pilot. Oh that's coote. Yeah, which one do 404 00:20:30,240 --> 00:20:35,800 Speaker 2: you like more? I mean they're both different challenges, they're 405 00:20:35,800 --> 00:20:38,359 Speaker 2: both good, they're both fine. The composing would be like 406 00:20:38,440 --> 00:20:41,520 Speaker 2: more creative though. Yeah, composing is you know, essentially what 407 00:20:41,560 --> 00:20:44,600 Speaker 2: I want to only be doing. Yeah, but it's good. 408 00:20:44,680 --> 00:20:46,760 Speaker 2: It's just good to be working on TV shows and 409 00:20:46,880 --> 00:20:50,720 Speaker 2: good to be working and obviously I'm still podcast editing 410 00:20:50,760 --> 00:20:53,680 Speaker 2: and writing and all that kind of stuff. But yeah, 411 00:20:53,680 --> 00:20:56,560 Speaker 2: I've had a bit of a busy schedule. You have, 412 00:20:56,800 --> 00:21:02,960 Speaker 2: And when do you foresee that load lightning? I think 413 00:21:03,600 --> 00:21:07,320 Speaker 2: after another another week. Maybe I don't think this wasn't 414 00:21:07,359 --> 00:21:11,040 Speaker 2: meant to be as big a load. Oh yeah, this 415 00:21:11,200 --> 00:21:13,600 Speaker 2: was meant to be like half the amount. 416 00:21:13,920 --> 00:21:16,080 Speaker 1: Oh, so they've just loved what you do. They've booked 417 00:21:16,080 --> 00:21:16,560 Speaker 1: you for more. 418 00:21:16,680 --> 00:21:21,840 Speaker 2: No, No, it's it's just the first bunch of episodes 419 00:21:22,359 --> 00:21:25,159 Speaker 2: just need to be finished and then and then we 420 00:21:25,280 --> 00:21:27,240 Speaker 2: kind of we're on a bit of a schedule after that. 421 00:21:27,720 --> 00:21:29,920 Speaker 2: Then it'll be more manager yeah, yeah, and then you're 422 00:21:29,960 --> 00:21:32,040 Speaker 2: kind of doing X amount of episodes per week. But 423 00:21:32,200 --> 00:21:35,400 Speaker 2: I just did like eight episodes in two days, two 424 00:21:35,440 --> 00:21:38,720 Speaker 2: or three days, which is wild, which is shitloads. Yeah. 425 00:21:38,920 --> 00:21:42,880 Speaker 2: He hasn't stopped. Haven't stopped, and only twelve hours yesterday. Yeah, 426 00:21:43,080 --> 00:21:45,800 Speaker 2: we're close to I still feel jet lagged as well. 427 00:21:45,920 --> 00:21:46,720 Speaker 2: It takes a while. 428 00:21:47,040 --> 00:21:50,120 Speaker 1: I hit a wall at about six pm. Five, No, 429 00:21:50,200 --> 00:21:53,199 Speaker 1: five pm, yeah, don't I Yeah, How am I going 430 00:21:53,240 --> 00:21:55,000 Speaker 1: to be I go on stage at seven pm tonight? 431 00:21:55,160 --> 00:21:58,360 Speaker 2: He'll be fine, have a late coffee, no boom. Yeah, 432 00:21:58,480 --> 00:22:00,600 Speaker 2: I gotta be up at four thirty eight. Okay, well 433 00:22:00,640 --> 00:22:02,320 Speaker 2: then you'll be right, you'll be right. 434 00:22:02,400 --> 00:22:03,880 Speaker 1: How am I going to have to like not wake 435 00:22:03,920 --> 00:22:04,760 Speaker 1: you up in the morning. 436 00:22:05,440 --> 00:22:08,399 Speaker 2: You'll wake me up, that's fine. It'll just for like 437 00:22:08,400 --> 00:22:10,160 Speaker 2: the middle of the night for you. Yeah, it will fine. 438 00:22:10,160 --> 00:22:12,919 Speaker 2: I'll go back to sleep, yeah. Yeah. So yeah, and 439 00:22:12,960 --> 00:22:15,800 Speaker 2: then obviously I can't talk. I can't say what the 440 00:22:15,800 --> 00:22:19,560 Speaker 2: pilot is. But yeah, working on a pilot, do you 441 00:22:19,600 --> 00:22:23,040 Speaker 2: get asked to sign NDA's uh huh really? 442 00:22:23,760 --> 00:22:27,000 Speaker 1: Did you have to do that for The Uninspired Boys? 443 00:22:27,119 --> 00:22:31,159 Speaker 2: Yep. Yeah. Generally if you get sent any footage or 444 00:22:31,160 --> 00:22:36,040 Speaker 2: anything like that prior you sign NDAs. I've got an 445 00:22:36,160 --> 00:22:37,200 Speaker 2: NDA with Trent. 446 00:22:37,760 --> 00:22:39,359 Speaker 1: Yeah, I'm not like I haven't had to sign it, 447 00:22:39,440 --> 00:22:42,159 Speaker 1: but in writing it's like this is embargoed until the 448 00:22:42,200 --> 00:22:43,960 Speaker 1: sixth of octob like it's got a date. 449 00:22:44,080 --> 00:22:49,240 Speaker 2: That's fair too. Yeah, even like location location, Like there 450 00:22:49,280 --> 00:22:50,280 Speaker 2: was an NDA. 451 00:22:50,960 --> 00:22:54,600 Speaker 1: TRENDRT interviewed Reality Start, I had to sign Ah, that's right, yeah, 452 00:22:54,640 --> 00:22:58,040 Speaker 1: and I was like, oh wait, yeah, well that happens serious. 453 00:22:58,280 --> 00:23:01,680 Speaker 2: Yeah, so yeah, the pilot's call that's a little bit harder. 454 00:23:01,720 --> 00:23:04,879 Speaker 2: It is a pilot, so it's very at the beginnings 455 00:23:04,880 --> 00:23:05,679 Speaker 2: of a show. 456 00:23:06,640 --> 00:23:08,479 Speaker 1: And it being a pilot that would mean you wouldn't 457 00:23:08,480 --> 00:23:10,840 Speaker 1: get paid unless it gets picked up, correct. 458 00:23:10,520 --> 00:23:14,400 Speaker 2: Yeah yeah for that one. Yeah yeah, wow wow. So yeah, 459 00:23:14,400 --> 00:23:17,080 Speaker 2: a few things, and then just obviously being with you 460 00:23:17,160 --> 00:23:18,840 Speaker 2: and hanging out with you. 461 00:23:19,040 --> 00:23:20,879 Speaker 1: How has that been showing in the bed again? 462 00:23:21,160 --> 00:23:26,280 Speaker 2: Interesting? Oh well, it's it's kind of like you forget 463 00:23:26,359 --> 00:23:29,720 Speaker 2: that two people have like two different body temperatures. 464 00:23:29,880 --> 00:23:31,600 Speaker 1: He actually calls me a hot submarine. 465 00:23:31,680 --> 00:23:35,000 Speaker 2: Yeah, you're hot, and then you want all the covers. 466 00:23:35,600 --> 00:23:38,679 Speaker 1: I'm a cold Do you understand like a bed with socks? 467 00:23:38,760 --> 00:23:40,840 Speaker 2: I know, but I get in and the bed is 468 00:23:40,880 --> 00:23:43,960 Speaker 2: like boiling hot, and then I can't even sleep under 469 00:23:44,040 --> 00:23:45,920 Speaker 2: the un Yeah, but. 470 00:23:45,880 --> 00:23:48,320 Speaker 1: Then why do I feel cold and neat extra blankets? 471 00:23:48,320 --> 00:23:50,720 Speaker 2: And I don't know. I think it's just just your constitution. 472 00:23:51,080 --> 00:23:53,280 Speaker 1: Just is that I'm cold or hot. That's what I'm 473 00:23:53,280 --> 00:23:54,040 Speaker 1: trying to figure out. 474 00:23:55,359 --> 00:23:58,040 Speaker 2: You probably feel cold, but when I get in, the 475 00:23:58,040 --> 00:24:02,080 Speaker 2: bed feels hot for me. Got it? Yeah, so maybe 476 00:24:02,240 --> 00:24:06,399 Speaker 2: I run hot. I don't know. I don't know. 477 00:24:06,440 --> 00:24:10,480 Speaker 1: You're quite a slight fella, so are you. But you're 478 00:24:10,560 --> 00:24:12,639 Speaker 1: lean mina, which means I think that means you feel 479 00:24:12,640 --> 00:24:13,159 Speaker 1: the cold. 480 00:24:13,480 --> 00:24:17,480 Speaker 2: Yeah, but I don't know. Maybe my circulation's good or 481 00:24:17,520 --> 00:24:21,600 Speaker 2: something like that. I'm very healthy these days. Wow, oh, 482 00:24:21,640 --> 00:24:22,639 Speaker 2: come on, come on. 483 00:24:22,760 --> 00:24:25,560 Speaker 1: He's been smashing sugars like there's no tomorrow. 484 00:24:26,600 --> 00:24:27,520 Speaker 2: I bought him back. 485 00:24:27,640 --> 00:24:29,840 Speaker 1: So when I went to that La Rams thing, they 486 00:24:29,880 --> 00:24:34,600 Speaker 1: had a like it was that tea's nice. By the way, 487 00:24:33,560 --> 00:24:36,600 Speaker 1: it's wild blueberry and green tea. 488 00:24:36,840 --> 00:24:37,840 Speaker 2: Oh that's delicious. 489 00:24:37,880 --> 00:24:40,840 Speaker 1: That by the brand is Yogi tea, very hard to find. 490 00:24:41,080 --> 00:24:44,240 Speaker 2: No, I've been okay, Yes, I have been smashing a 491 00:24:44,280 --> 00:24:48,240 Speaker 2: few of the old Piscotties with my afternoon coffee. 492 00:24:48,760 --> 00:24:55,000 Speaker 1: What what's been your favorite treem I bought your back 493 00:24:55,040 --> 00:24:58,040 Speaker 1: peanut buttercups. I bought your back. I bought you haven't 494 00:24:58,040 --> 00:24:59,400 Speaker 1: had your Harry Potter chocolate Now, I. 495 00:24:59,320 --> 00:25:01,639 Speaker 2: Was just waiting for them. Yeah, I don't know. I 496 00:25:01,920 --> 00:25:03,720 Speaker 2: love it all that. I don't have favorites. 497 00:25:03,880 --> 00:25:06,159 Speaker 1: I just other than that trade josing, I did not 498 00:25:06,200 --> 00:25:06,879 Speaker 1: bring back for you. 499 00:25:07,080 --> 00:25:07,280 Speaker 2: Yeah. 500 00:25:07,880 --> 00:25:09,760 Speaker 1: It's annoying though, cause when I'm in La, I'm like, 501 00:25:09,760 --> 00:25:13,000 Speaker 1: what do you mean nothing? Don't mean nothing? As soon 502 00:25:13,000 --> 00:25:14,720 Speaker 1: as I get back, why didn't you bring back? 503 00:25:15,160 --> 00:25:17,679 Speaker 2: No? Well, obviously I had them, and I ate like 504 00:25:17,840 --> 00:25:21,360 Speaker 2: heaps throughout the year, so you felt like you had 505 00:25:21,359 --> 00:25:23,840 Speaker 2: your fix. Yeah, I had my fix. Oh god, and 506 00:25:23,880 --> 00:25:27,840 Speaker 2: I would have just smashed them anyway. Okay, I understand 507 00:25:27,920 --> 00:25:30,679 Speaker 2: that I may have consumed a little bit of extra sugar. 508 00:25:31,440 --> 00:25:35,280 Speaker 1: Well, I'm working all weekends, so I go to town. 509 00:25:35,680 --> 00:25:38,960 Speaker 2: No, I'm good, I'm good. Just nice to have like 510 00:25:39,000 --> 00:25:42,760 Speaker 2: a little no, no, little little bicky with a with 511 00:25:42,800 --> 00:25:45,960 Speaker 2: an Arvo coffee or a nighttime tea. Yeah, you know, 512 00:25:46,160 --> 00:25:49,960 Speaker 2: little no, little norm little yeah, little niche. But I 513 00:25:50,040 --> 00:25:53,240 Speaker 2: like we eat healthy. We eat like we've been having 514 00:25:53,320 --> 00:25:57,680 Speaker 2: minnestrone lunch my my request. We've been having green juices 515 00:25:57,720 --> 00:26:02,000 Speaker 2: every day, like we do all that stuff. Yeah, we do. So. Yeah, 516 00:26:02,040 --> 00:26:05,679 Speaker 2: I think I think I'm fairly balanced. You are. I 517 00:26:05,680 --> 00:26:07,960 Speaker 2: haven't done any like pilates or anything for the last 518 00:26:07,960 --> 00:26:10,120 Speaker 2: week though. Have you done anything? No? 519 00:26:10,240 --> 00:26:13,280 Speaker 1: Nothing, zero in the time I've been back. 520 00:26:13,440 --> 00:26:15,760 Speaker 2: Yeah, we get up every day. Yeah, what are you 521 00:26:15,760 --> 00:26:19,720 Speaker 2: looking at? Were going time? We're going over? No, We're fine. 522 00:26:19,880 --> 00:26:22,320 Speaker 2: We just I don't want to waffle too much. We 523 00:26:22,520 --> 00:26:23,000 Speaker 2: in the tire. 524 00:26:23,119 --> 00:26:25,880 Speaker 1: So I'm only spent five nights back here and I've 525 00:26:25,920 --> 00:26:27,600 Speaker 1: gone to yoga to plus. 526 00:26:27,680 --> 00:26:30,480 Speaker 2: Yeah, you smashed it. What are you reading there? 527 00:26:30,800 --> 00:26:32,560 Speaker 1: Yeah, so we thought we might do some book reviews 528 00:26:32,560 --> 00:26:32,800 Speaker 1: for you. 529 00:26:32,920 --> 00:26:35,560 Speaker 2: Yeah, you've got books? There is this do you want 530 00:26:35,560 --> 00:26:36,679 Speaker 2: to start? What are you reading? 531 00:26:36,880 --> 00:26:39,920 Speaker 1: Well, I'm I'm paragraphed one into Trent Dalton's new book. 532 00:26:40,000 --> 00:26:41,959 Speaker 1: So you know this is the arc copy, so advance 533 00:26:42,000 --> 00:26:43,879 Speaker 1: reader copies. This is actually not the real front cover. 534 00:26:44,320 --> 00:26:46,480 Speaker 2: Yeah. Yeah, I've seen you get them. 535 00:26:46,800 --> 00:26:49,919 Speaker 1: I love an ARC Advance reader copy. 536 00:26:50,119 --> 00:26:54,400 Speaker 2: Ah Arc Advance Reader copy. That's that makes sense. Yes, 537 00:26:54,480 --> 00:26:57,200 Speaker 2: I'm really excited. I haven't read his other book. 538 00:26:57,080 --> 00:27:00,720 Speaker 1: All Our Shimmering Skies, but I have definitely read Voice 539 00:27:00,800 --> 00:27:03,880 Speaker 1: Wose Universe and Love Stories and love them both. So 540 00:27:05,400 --> 00:27:07,480 Speaker 1: I'm gonna have to get through that one. So I'll 541 00:27:07,520 --> 00:27:11,840 Speaker 1: review that on the next week's diary. But I part 542 00:27:11,920 --> 00:27:16,439 Speaker 1: of my acting school in La. We got given this 543 00:27:16,480 --> 00:27:20,119 Speaker 1: book on the last day. It's called The War of Art, 544 00:27:20,760 --> 00:27:24,640 Speaker 1: and I love it like it gets me teary, and 545 00:27:24,720 --> 00:27:26,800 Speaker 1: so I just thought i'd just randomly open to a 546 00:27:26,880 --> 00:27:32,240 Speaker 1: highlighted bit and just just share some wisdoms. 547 00:27:33,359 --> 00:27:36,760 Speaker 2: Do you want one? Yeah, share some wisdoms. When inspiration 548 00:27:37,000 --> 00:27:42,000 Speaker 2: touches talent, she gives birth to truth and beauty. Did 549 00:27:42,080 --> 00:27:44,320 Speaker 2: you like that? Yeah? I love that? Or are you're 550 00:27:44,320 --> 00:27:46,800 Speaker 2: too busy looking your Rome book? Keep going? 551 00:27:46,920 --> 00:27:51,359 Speaker 1: The next one? Resistance arises from within. It is self 552 00:27:51,400 --> 00:27:57,840 Speaker 1: generated and self perpetuated. Resistance is the enemy within. So 553 00:27:57,920 --> 00:28:01,520 Speaker 1: this whole book is kind of resistance versus acceptance. 554 00:28:02,359 --> 00:28:03,200 Speaker 2: Most of us have. 555 00:28:03,119 --> 00:28:07,080 Speaker 1: Two lives, the life we live and the unlived life 556 00:28:07,119 --> 00:28:11,560 Speaker 1: within us. Between the two stands resistance. Resistance is the 557 00:28:11,600 --> 00:28:14,800 Speaker 1: most toxic force on the planet. It is the root 558 00:28:14,880 --> 00:28:21,040 Speaker 1: of more unhappiness than poverty, disease, and erectile dysfunction. How 559 00:28:21,080 --> 00:28:26,800 Speaker 1: funny to yield to resistance. To yield to resistance deforms 560 00:28:26,840 --> 00:28:31,880 Speaker 1: our spirit. Every sun casts a shadow, and Genius's shadow 561 00:28:32,119 --> 00:28:35,480 Speaker 1: is resistance. That's really cool. Here we go, here's the 562 00:28:35,560 --> 00:28:40,640 Speaker 1: last one I'll do share. The professional respects his craft. 563 00:28:41,280 --> 00:28:45,720 Speaker 1: The professional dedicates himself to mastering technique, not because he 564 00:28:45,760 --> 00:28:50,200 Speaker 1: believes technique is a substitute for inspiration, but because he 565 00:28:50,280 --> 00:28:54,200 Speaker 1: wants to be in possession of the full arsenal of 566 00:28:54,280 --> 00:28:58,920 Speaker 1: skills when inspiration does come. The professional is sly. He 567 00:28:59,000 --> 00:29:03,240 Speaker 1: knows that by toiling beside the front door of technique, 568 00:29:03,280 --> 00:29:05,000 Speaker 1: he leaves room for genius to. 569 00:29:05,080 --> 00:29:06,920 Speaker 2: Enter by the back. I like that. 570 00:29:07,200 --> 00:29:09,160 Speaker 1: Well, it's kind of like how I feel about always 571 00:29:09,160 --> 00:29:10,240 Speaker 1: being in acting school. 572 00:29:11,120 --> 00:29:13,880 Speaker 2: Very cool, that's very cool. Yeah, all right, I might 573 00:29:13,960 --> 00:29:15,280 Speaker 2: have to read that after you. 574 00:29:15,280 --> 00:29:17,280 Speaker 1: No, Like, as I was reading, I was like, oh 575 00:29:17,360 --> 00:29:20,040 Speaker 1: my goodness, Matt would frigging love this. 576 00:29:20,160 --> 00:29:21,440 Speaker 2: Can I read one more? Yeah? Go. 577 00:29:23,240 --> 00:29:27,120 Speaker 1: Resistance and criticism. If you find yourself criticizing other people, 578 00:29:27,200 --> 00:29:30,560 Speaker 1: you're probably doing it out of resistance. When we see 579 00:29:30,640 --> 00:29:35,080 Speaker 1: others beginning to live their authentic selves, it drives us 580 00:29:35,160 --> 00:29:39,480 Speaker 1: crazy if we have not lived out our own. Individuals 581 00:29:39,520 --> 00:29:44,280 Speaker 1: who are realized in their own lives almost never criticize others. 582 00:29:44,920 --> 00:29:47,760 Speaker 1: If they speak at all, it is to offer encouragement. 583 00:29:48,120 --> 00:29:53,760 Speaker 1: Watch yourself. Of all the manifestations of resistance, most only 584 00:29:53,880 --> 00:29:57,880 Speaker 1: harm ourselves. Criticism and cruelty harm. 585 00:29:57,720 --> 00:30:03,520 Speaker 2: Others as well. I love that. Yeah, this is right 586 00:30:03,600 --> 00:30:06,080 Speaker 2: up your la, this book. Yeah, I'm into that. 587 00:30:06,360 --> 00:30:08,200 Speaker 1: And you're reading something at the moment too. 588 00:30:08,280 --> 00:30:11,400 Speaker 2: Well. First of all, I'd like to give myself a 589 00:30:11,440 --> 00:30:13,720 Speaker 2: little bit of credit. Of course, I think I've read 590 00:30:13,720 --> 00:30:16,360 Speaker 2: like six books this year. Well that's true, which I 591 00:30:16,400 --> 00:30:19,320 Speaker 2: know that doesn't sound much, but that's cool. 592 00:30:19,360 --> 00:30:21,360 Speaker 1: I don't think I'm like loads ahead of you. 593 00:30:21,800 --> 00:30:25,440 Speaker 2: Yeah, like probably about twelve. Yeah, you probably do one 594 00:30:25,480 --> 00:30:29,040 Speaker 2: a month. Yeah, but I feel like, oh, maybe it's more. 595 00:30:29,080 --> 00:30:31,280 Speaker 2: I don't know. I've read like a fair bit. Well, 596 00:30:31,280 --> 00:30:34,440 Speaker 2: because you're morning ritual as coffee read than what coffee 597 00:30:34,480 --> 00:30:36,760 Speaker 2: read and work. Yeah, and I really love that. I 598 00:30:36,800 --> 00:30:40,360 Speaker 2: feel like it really sets my day up. But I 599 00:30:40,560 --> 00:30:43,800 Speaker 2: am reading Joe de Spenser Break in the Habit of 600 00:30:43,840 --> 00:30:47,400 Speaker 2: Being yourself. Where'd you get that book? Booboo? Jordana lent 601 00:30:47,440 --> 00:30:52,040 Speaker 2: it to me? Oh terrible? Yeah, yeah, you loving it? 602 00:30:52,200 --> 00:30:55,560 Speaker 2: I love it. So I'm only about halfway and nearly halfway, 603 00:30:55,560 --> 00:31:01,000 Speaker 2: about halfway and it's you know, and the subtext is 604 00:31:01,280 --> 00:31:03,200 Speaker 2: how to lose your mind create a new one literally 605 00:31:03,280 --> 00:31:07,120 Speaker 2: just changing your thought patterns really, yeah, becoming like super 606 00:31:07,160 --> 00:31:11,479 Speaker 2: aware of how you think and how you feel and 607 00:31:11,520 --> 00:31:14,600 Speaker 2: then changing that and then also like aligning how you 608 00:31:14,640 --> 00:31:19,480 Speaker 2: think and feel. So and obviously I'm not all the 609 00:31:19,480 --> 00:31:23,720 Speaker 2: way through it, but you know, he talks about aligning 610 00:31:23,720 --> 00:31:27,320 Speaker 2: the feeling of like when you're creating or manifesting or 611 00:31:27,600 --> 00:31:30,040 Speaker 2: whatever it is you want to do. So it's just 612 00:31:30,040 --> 00:31:32,520 Speaker 2: not enough to be like, Okay, I can do that thing. 613 00:31:33,040 --> 00:31:35,880 Speaker 2: He's like, you need to also like feel it ahead 614 00:31:35,880 --> 00:31:37,800 Speaker 2: of time that you can do it, or that you 615 00:31:37,880 --> 00:31:40,280 Speaker 2: have and that you have. Yeah, so it's all about 616 00:31:40,320 --> 00:31:44,000 Speaker 2: like that kind of feeling and energy all at the 617 00:31:44,040 --> 00:31:48,440 Speaker 2: same time. And yeah, just I don't know just enjoying 618 00:31:49,560 --> 00:31:53,280 Speaker 2: enjoying everything. To you, I don't really enjoy anything or 619 00:31:53,280 --> 00:31:55,960 Speaker 2: like when I finish something, I don't feel like a 620 00:31:56,000 --> 00:31:58,320 Speaker 2: sense of accomplishment. I more feel like a sense of 621 00:31:59,160 --> 00:32:02,840 Speaker 2: relief that it's so yeah, I don't know. I'm just 622 00:32:03,440 --> 00:32:06,719 Speaker 2: I'm probably changing my thought patterns to really just enjoy 623 00:32:07,400 --> 00:32:09,800 Speaker 2: things a little bit more. I like that, and enjoy 624 00:32:09,840 --> 00:32:13,640 Speaker 2: the feeling and just letting yourself have the feeling, you know, 625 00:32:13,760 --> 00:32:16,680 Speaker 2: even ahead of time. So it's like you're thinking about something, 626 00:32:16,680 --> 00:32:21,080 Speaker 2: it's like, how how do you feel when you're thinking 627 00:32:21,120 --> 00:32:23,959 Speaker 2: about that thing? Or how will that feel? And experiencing 628 00:32:24,000 --> 00:32:28,120 Speaker 2: it already before. So anyway, it's really cool. And there's 629 00:32:28,120 --> 00:32:30,360 Speaker 2: all these meditations that go around with it, and I 630 00:32:30,360 --> 00:32:33,960 Speaker 2: mean it's a bit like spiritual we were hippie, mixed 631 00:32:33,960 --> 00:32:37,160 Speaker 2: in with like quantum physics and some other crazy shit 632 00:32:37,200 --> 00:32:39,480 Speaker 2: that he talks about. But yeah, it's really cool. I've 633 00:32:39,480 --> 00:32:42,000 Speaker 2: consumed a lot of his stuff before. I have not 634 00:32:42,120 --> 00:32:44,440 Speaker 2: I know exactly what you're talking about. But yes, I've 635 00:32:44,440 --> 00:32:46,640 Speaker 2: consumed his stuff before, but I've not read the book. 636 00:32:46,680 --> 00:32:47,640 Speaker 2: So I'm reading the book. 637 00:32:47,800 --> 00:32:51,760 Speaker 1: Oh good stuff. And what's your plan? Like we're coming 638 00:32:51,840 --> 00:32:54,200 Speaker 1: up to the whole day season. Have you got any plans? 639 00:32:54,400 --> 00:32:57,360 Speaker 2: No? Not really? What are you going to cook? I 640 00:32:57,400 --> 00:33:01,160 Speaker 2: don't know, no idea, Lind's at all. Maybe I can 641 00:33:01,200 --> 00:33:04,640 Speaker 2: do one one tort I haven't made a tot in 642 00:33:05,120 --> 00:33:08,120 Speaker 2: like a year. When was last I made the night 643 00:33:08,160 --> 00:33:11,640 Speaker 2: before ibf ah, yeah, yeah, yeah made. 644 00:33:11,800 --> 00:33:14,080 Speaker 1: I was like, I need a that was so that 645 00:33:14,120 --> 00:33:16,800 Speaker 1: was last year. Yeah, that was last November. 646 00:33:17,040 --> 00:33:18,280 Speaker 2: Yeah, Jesus Christ. 647 00:33:18,560 --> 00:33:20,080 Speaker 1: The night before the egg collection, I was like, I'm 648 00:33:20,120 --> 00:33:21,000 Speaker 1: need a fucking tour. 649 00:33:21,360 --> 00:33:24,440 Speaker 2: Yeah. So yeah, I don't know. I've got I've got 650 00:33:24,440 --> 00:33:27,360 Speaker 2: a fairly busy work schedule the next couple of months 651 00:33:28,960 --> 00:33:32,800 Speaker 2: and then yeah, we'll just see what happens. I think 652 00:33:32,800 --> 00:33:34,840 Speaker 2: it's gonna be a nice little summer with you, and 653 00:33:34,880 --> 00:33:37,320 Speaker 2: I'm excited. I'm excited. 654 00:33:37,600 --> 00:33:40,200 Speaker 1: What are you pointing at, boot? We've done everything, done 655 00:33:40,200 --> 00:33:42,960 Speaker 1: everything on the list. Yeah is that what you were Yeah? Yeah, 656 00:33:43,040 --> 00:33:45,480 Speaker 1: he was running me up. No, No, we've covered the whole list. 657 00:33:45,520 --> 00:33:47,400 Speaker 1: I've talked about it all. I've talked about it all 658 00:33:47,720 --> 00:33:49,880 Speaker 1: other than what we're looking forward to about the pod. 659 00:33:49,960 --> 00:33:53,160 Speaker 1: But of course there'll be Christmas themed potter roonies. I 660 00:33:53,200 --> 00:33:56,000 Speaker 1: want to have a Halloween or fall based party or dinner. 661 00:33:55,720 --> 00:33:57,920 Speaker 2: Party you two. Yeah, And I've got some ideas for 662 00:33:58,000 --> 00:34:01,240 Speaker 2: some other guests, people that I've met for the pod. Yeah. 663 00:34:01,400 --> 00:34:05,800 Speaker 1: Oh right, yeah, well we've got we've got I think 664 00:34:05,840 --> 00:34:09,320 Speaker 1: we're allowed to bring trend out on the ninth of October, 665 00:34:10,120 --> 00:34:13,640 Speaker 1: and I'm recording guests in Sydney. We've recorded guests in Melbourne, 666 00:34:13,960 --> 00:34:17,040 Speaker 1: and then I've got still a friend that I recorded 667 00:34:17,080 --> 00:34:21,720 Speaker 1: in Lay. We'll be on the pod. An amazing voice 668 00:34:21,760 --> 00:34:25,319 Speaker 1: actor and on camera actor. He was on The Good Place. 669 00:34:25,400 --> 00:34:26,359 Speaker 1: I know you love that show. 670 00:34:26,440 --> 00:34:28,120 Speaker 2: Oh yeah, that was a good show. Yeah, I did 671 00:34:28,200 --> 00:34:31,040 Speaker 2: like The Good Place. I think I only watched season 672 00:34:31,040 --> 00:34:34,600 Speaker 2: one though, I think he's in season one. Yeah, yeah, yeah, yeah, 673 00:34:35,239 --> 00:34:35,680 Speaker 2: so funny. 674 00:34:35,719 --> 00:34:37,680 Speaker 1: And it got there with no script, like got to 675 00:34:37,719 --> 00:34:39,200 Speaker 1: the morning of still no script. 676 00:34:39,280 --> 00:34:42,840 Speaker 2: Oh yeah, yeah yeah. How's the stress of that? Right? 677 00:34:43,080 --> 00:34:45,719 Speaker 1: And then I think they gave him the script. Yeah, 678 00:34:45,760 --> 00:34:49,400 Speaker 1: either like a couple of hours, like really had no concept. 679 00:34:49,560 --> 00:34:52,320 Speaker 1: The show had never existed before. I think he was 680 00:34:52,360 --> 00:34:53,759 Speaker 1: in the pilot dep like every one. 681 00:34:54,040 --> 00:34:54,960 Speaker 2: Yeah, and it's like so. 682 00:34:54,920 --> 00:34:57,640 Speaker 1: I had nothing to like, go, okay, we're in this 683 00:34:57,680 --> 00:35:00,000 Speaker 1: make believe world or in this limbo world. 684 00:35:00,239 --> 00:35:01,400 Speaker 2: He had no idea. 685 00:35:01,880 --> 00:35:06,279 Speaker 1: All he knew is his lines and that like a 686 00:35:06,320 --> 00:35:07,800 Speaker 1: bin was going to fall on his head and he 687 00:35:07,920 --> 00:35:08,640 Speaker 1: pop out of the bin. 688 00:35:08,800 --> 00:35:11,200 Speaker 2: That's true. He knew. Okay, well that's what you did 689 00:35:11,239 --> 00:35:13,359 Speaker 2: when you're a professional. You got to just bruck up 690 00:35:13,400 --> 00:35:14,280 Speaker 2: and do it. Yeah. 691 00:35:14,320 --> 00:35:17,799 Speaker 1: How good that perform He recently didn't add with Snoop Dogg. 692 00:35:17,960 --> 00:35:21,520 Speaker 1: That's cool, Yeah, very cool. I'm looking forward to. 693 00:35:22,120 --> 00:35:24,799 Speaker 2: Do you know Snoop Dogg has walk out music? What 694 00:35:24,800 --> 00:35:27,160 Speaker 2: do you mean? So on wherever he is. 695 00:35:26,960 --> 00:35:29,600 Speaker 1: On the commercial, So he had a standing actor for 696 00:35:29,640 --> 00:35:31,680 Speaker 1: a lot of it. And then when they're like, right, 697 00:35:31,719 --> 00:35:34,880 Speaker 1: we're ready to shoot Snoops Snoop scenes because he was 698 00:35:34,880 --> 00:35:37,279 Speaker 1: doing an ad campaign for Jack in the Box, which 699 00:35:37,320 --> 00:35:40,240 Speaker 1: is a takeaway food like all about having the monkeys 700 00:35:40,320 --> 00:35:45,000 Speaker 1: because obviously and she's illegally legally California, and so like 701 00:35:45,120 --> 00:35:47,560 Speaker 1: had a brownie and all this shit, that extra stuff 702 00:35:47,800 --> 00:35:51,880 Speaker 1: if you've got the munchies. Anyway, J Hayes's character is like, 703 00:35:51,880 --> 00:35:54,840 Speaker 1: all right, guys, let's brainstorm some ideas. And then Snoop 704 00:35:54,880 --> 00:35:57,000 Speaker 1: walks in and he opens a briefcase and he's like, 705 00:35:57,040 --> 00:35:58,480 Speaker 1: this is my idea. 706 00:35:58,640 --> 00:35:59,920 Speaker 2: So he has a standing actor for the d. 707 00:36:00,320 --> 00:36:05,000 Speaker 1: And then like every time he'd come to set to. 708 00:36:04,239 --> 00:36:07,439 Speaker 2: Do his bit, he's got walking music that's his. 709 00:36:07,400 --> 00:36:11,120 Speaker 1: Own music, So Snoop Dogg music playing for him to 710 00:36:11,160 --> 00:36:11,759 Speaker 1: walk to set. 711 00:36:12,480 --> 00:36:14,879 Speaker 2: How funny that's pretty. I mean, live in the dream, right, 712 00:36:14,920 --> 00:36:19,080 Speaker 2: live in the Dreamstle Entourage. I'm looking forward to a 713 00:36:19,080 --> 00:36:24,080 Speaker 2: little summer and maybe like a nice relaxing one this year. 714 00:36:24,080 --> 00:36:27,520 Speaker 1: Because last year was IVF fuelled very much, so, so 715 00:36:27,560 --> 00:36:28,440 Speaker 1: it'll be nice just. 716 00:36:28,400 --> 00:36:33,480 Speaker 2: You and me, Boo, you and me, and yeah, I'm 717 00:36:33,520 --> 00:36:36,120 Speaker 2: looking forward to it. Okay, your gorgeous. All right, I 718 00:36:36,239 --> 00:36:38,960 Speaker 2: love you, love you. Let's go to Gold Coast. Yeah, 719 00:36:38,960 --> 00:36:41,759 Speaker 2: we've got to get ready now, don't we. Okay, love you, 720 00:36:41,920 --> 00:36:43,120 Speaker 2: Bye bye. 721 00:36:47,320 --> 00:36:51,600 Speaker 1: That's a wrap on another episode of Fearlessly Failing. 722 00:36:52,280 --> 00:36:54,040 Speaker 2: As always, thank you to our. 723 00:36:53,960 --> 00:36:59,840 Speaker 1: Guests, and let's continue the conversation on Instagram. I'm at Yamo, Lola. 724 00:37:00,880 --> 00:37:05,080 Speaker 1: This potty my word for podcast is available. 725 00:37:04,520 --> 00:37:06,319 Speaker 2: On all streaming platforms. 726 00:37:06,760 --> 00:37:09,760 Speaker 1: I'd love it if you could subscribe, rpe and comment 727 00:37:10,040 --> 00:37:11,919 Speaker 1: and of course spread the love.