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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Yeah, Jimmy Carr is in Australia. You can see his

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Speaker 2: show Terribly Funny. Head along to Jimmy Carr dot com

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Speaker 2: to get yourself tickets. He's touring all over Australia and

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Speaker 2: he joins us right now, welcome, Jimmy.

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Speaker 1: I mean, well wood he frankly, I can't believe your

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Speaker 1: luck here. I am.

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Speaker 3: Come all this way and I can't believe you're Like, Jimmy,

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Speaker 3: I believe you're in a real mecca of Australia right now.

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Speaker 3: You're situated on the Gold Coast. Do you're loving the

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Speaker 3: culture of the Gold Coast Jimmy.

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Speaker 1: I mean it's yeah, sure, it's got a very early

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Speaker 1: nineties five the Gold Coast. It feels like we've never

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Speaker 1: had a recession. Everything's fine.

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Speaker 2: I also think, like I'm fascinated to hear what your

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Speaker 2: answer is here, Jimmy, because you know, obviously people that

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Speaker 2: haven't been Australia for haven't been to the Gold Coast before.

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Speaker 2: Like if you could equate the Gold Coast to a person,

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Speaker 2: who would that be.

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Speaker 1: I've got really bad news for you. I've got I've

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Speaker 1: got really bad news. I think the Gold Coast might

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Speaker 1: be Donald Trump. I think it might be because what

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Speaker 1: the Gold Coast is it's it's like it's a poor

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Speaker 1: person it's a poor person's view of how rich people live.

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Speaker 4: Yes, and you've got the fake Tans there as well.

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Speaker 1: Yeah, it's like it's like, you know, it's like if

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Speaker 1: the if the South of France as as imagined by

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Speaker 1: someone living in a caravan. I've got to say though,

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Speaker 1: I absolutely love it. I love Britain, but love it here.

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Speaker 1: I do really like it. It's like I wouldn't be here.

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Speaker 1: I don't need this. It's kind of great. It's nice

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Speaker 1: that thing as well of getting out in Australia because

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Speaker 1: I think a lot of people, a lot of especially

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Speaker 1: like foreign bands or foreign comedians come over to Australia

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Speaker 1: and they do Melbourne and Sydney and they go, you's

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Speaker 1: done it and everything, and you actually there's so much more,

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Speaker 1: and it's important to go to places like Canberra just

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Speaker 1: so you realize how good the other places are. You

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Speaker 1: you like it base level of wow, there's nothing going

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Speaker 1: on here.

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Speaker 2: Well mate, camera Camera is looking like a pretty special place.

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Speaker 2: Because you're also heading to Bendigo, the Ballarats I don't

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Speaker 2: think you.

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Speaker 1: Can say Bendigo anymore. I think it's like, I think

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Speaker 1: it's homophobic. I mean, whatever, you roll those dice, it's

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Speaker 1: your show.

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Speaker 4: He's a real shock jock. Will he's a real.

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Speaker 1: You've got you've got the list of to day's where's

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Speaker 1: the where's the where's the kind of the sketchist?

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Speaker 4: Uh? I'm throwing Woolen Gong thereon.

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Speaker 1: Oh that's all right, that's like a beautiful bub that's

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Speaker 1: just out just outside of Melbourne. Right, I've been there before.

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Speaker 4: No, no, no, Woolen Gong's in near Sydney, close to Sydney.

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Speaker 2: Yeah, it's bad now south of Sydney.

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Speaker 1: All right, Well I stand corrected, But I mean you know,

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Speaker 1: same same.

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Speaker 2: No, no, it's not, it's not. It's it's actually not

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Speaker 2: the same at all, very very far.

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Speaker 1: But it's it's it's all pretty I mean, it's all

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Speaker 1: I mean, you've really clung to the coast to people.

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Speaker 2: We have, haven't we?

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Speaker 4: Have you been to the middle though, Jimmy of Australia.

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Speaker 4: Have you gone to know?

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Speaker 1: Because it's the middle of Australia is full of deadly

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Speaker 1: point poisonous vermin or Bogans as you called.

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Speaker 3: Hey, Jimmy, no doubt, given that you know you've been flying,

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Speaker 3: et cetera, traveling around, I'm sure you've got a bit

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Speaker 3: of light reading with you. Have you read Prince Harry's

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Speaker 3: new book spare.

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Speaker 5: No?

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Speaker 1: Sorry? Sorry? Are they no longer selling copies of? We've

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Speaker 1: run our classics, the all Well books, They've all sold out.

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Speaker 1: We've only got this one left.

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Speaker 4: What are you?

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Speaker 1: What are you talking about?

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Speaker 2: Does it shock you? Does it shock you?

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Speaker 1: Does have you read Prince Harry's book you talking about?

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Speaker 4: But I've read some whose family whose.

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Speaker 1: Family life is so good that they could they've got

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Speaker 1: the time to give a flying f about it.

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Speaker 2: We are joined by the one and only Jimmy Carr. Jimmy,

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Speaker 2: you literally swatted our last question straight out of that

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Speaker 2: dojo that Prince Harry's biography. So I'm going to change

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Speaker 2: tact completely here. What he seems to think he's got

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Speaker 2: the best ass in Australia, which and.

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Speaker 1: He sorry who sorry? Who's who thinks they have the what?

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Speaker 3: That's what I believe I have the best behind in Australia's.

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Speaker 1: Bottom in terms of in terms of digestive efficiency. Weality

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Speaker 1: is really the key thing here, You're saying, your your

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Speaker 1: your your skills basis has kind of ended on being

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Speaker 1: able to pass solid food.

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Speaker 3: Okay, Honestly, I think functionality and the combination of esthetic

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Speaker 3: is where I'm winning the battle there in my my opinion.

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Speaker 3: But I wanted to ask you, Jimmy, so you think

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Speaker 3: if you're rating a behind, if you're ever in that

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Speaker 3: situation in your life, do you care more about functionality

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Speaker 3: at the bottom than.

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Speaker 1: Have I slipped into a parallel universe where any of

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Speaker 1: this is selling tickets to my show? Because I feel

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Speaker 1: like this is this is more chat room stuff. Guys.

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Speaker 1: I know, I know you're broadcasters. Then you've you've plucked

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Speaker 1: out into this job. You're on a national broadcast, this

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Speaker 1: is a beloved radio station. You think you have a

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Speaker 1: good ass. I mean it's it's a conversation you might

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Speaker 1: possibly have with a four year old. I think my

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Speaker 1: bom bum's good. I think I'm bump.

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Speaker 3: If you wanted to sell tickets to your show, I

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Speaker 3: am more than heavy to warm up the crab with

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Speaker 3: some sort of tushy dance before you go on stage.

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Speaker 1: Some kind of tushy dance. But you're a grown man,

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Speaker 1: Where's I mean? I can't think of how any any

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Speaker 1: use I would have for your ass other than maybe

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Speaker 1: parking my bike.

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Speaker 2: You could prove the smoothness over the phone, like.

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Speaker 1: You found a use for you.

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Speaker 2: You could rub your bum up against the microphone and

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Speaker 2: Jimmy could hear it.

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Speaker 4: Would you be open to that, Jimmy.

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Speaker 1: I'm not open to any of this. Frankly, I thought

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Speaker 1: that the print carry thing was we're digressing. We're just

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Speaker 1: talking talking about all kinds of asses. The only link

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Speaker 1: I can find.

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Speaker 2: I think we should do that. I think you need

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Speaker 2: to prove to Jimmy that your ass is pretty smooth.

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Speaker 2: Come on, here we go.

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Speaker 4: Listen careful.

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Speaker 1: Well it's live, it's live, ladies and gentlemen, but it's

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Speaker 1: not entertainment.

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Speaker 2: Here we go listen carefully, Jimmy.

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Speaker 1: Right, okay, so we now discover that your ass can

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Speaker 1: make a noise.

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Speaker 4: I mean, what do you think?

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Speaker 1: What do I think? I think this may be a

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Speaker 1: career low.

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Speaker 2: Come on, Jimmy, you've never listened to before.

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Speaker 1: You often have, Like you know, teachers will say this,

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Speaker 1: they say, they'll say, there's there's no bad ideas here,

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Speaker 1: just we're just a brainstorming with no bad ideas. I

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Speaker 1: think this could be used as an example of sometimes

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Speaker 1: there's some bad ideas.

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Speaker 2: Roll this out over schools. Moving forward, an example of

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Speaker 2: a shocking idea, rub your eyes into a microphone to

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Speaker 2: an national comedian.

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Speaker 1: Are you fulfilling some sort of quota here? Is it?

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Speaker 1: I know, I know increasingly it's becoming important to have

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Speaker 1: neurological diversity in workplaces. So the idea that you two

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Speaker 1: guys have been given a radio show just seems I mean,

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Speaker 1: it seems terrifically forward thinking. Presumably presumably someone that can

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Speaker 1: read is doing the morning show, are they? And it

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Speaker 1: just tails off through the afternoon. The guy on after

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Speaker 1: you can just grunt and point.

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Speaker 2: Oh wow, Jimmy, we're gonna have to leave it there.

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Speaker 1: Why would we leave it there? In the bottom of

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Speaker 1: the barrel is now clean?

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Speaker 2: That's right, So we're out. We can't we can't get

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Speaker 2: any lower. And I don't oh, I don't know if

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Speaker 2: I can take it anymore. All right, So Jimmy, if

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Speaker 2: you want to go and see Jimmy Carr, you're going

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Speaker 2: to see some actual entertainment. Go and see terribly fun

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Speaker 2: Head to Jimmy Carr dot Com to get tickets. Jimmy,

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Speaker 2: thank you so much for coming on the show. Good

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Speaker 2: luck for the rest of your time in Australia. It

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Speaker 2: really has been a pleasure.

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Speaker 1: I feel I feel like collectively we've all got a

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Speaker 1: little bit less funny after that.

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Speaker 2: Right now we are playing can you Here? It's a

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Speaker 2: stupid game. No it is. It's a stupid game and

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Speaker 2: I resent it, but unfortunately I need to know the answer.

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Speaker 2: I think everyone needs to know the answer. Can you

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Speaker 2: hear the do a canna be and a can of

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Speaker 2: soft drink opening? Just by the sound of it opening.

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Speaker 2: No one has successfully done it down the phone line. Well,

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Speaker 2: they haven't done five in a row, the famous five.

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Speaker 2: Everyone can do one, it's a fifty to fifty chance,

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Speaker 2: but to do five in a row is the difficult thing.

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Speaker 2: Our resident mathematician junior producer Analys worked out that it

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Speaker 2: was a three point seventy five chance of actually just

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Speaker 2: guessing five in a row. So we know the odds

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Speaker 2: are too low. You're going to have to hear it

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Speaker 2: in order to get through all five.

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Speaker 4: Gil has to be involved.

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Speaker 3: Now, do we want to go for the text line

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Speaker 3: option of can you here?

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Speaker 4: Today?

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Speaker 2: That's the other factor. We have no phone lines, so

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Speaker 2: please don't try and call for this.

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Speaker 4: This is really really exciting though.

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Speaker 3: If you have a mobile phone and it can text,

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Speaker 3: you are very much involved here. Okay, so pull over

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Speaker 3: because you're going to need to concentrate, but effectively, our

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Speaker 3: number is zero four two nine thirteen one oh six five. Yes, okay,

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Speaker 3: so that's the number you text. I say it again,

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Speaker 3: zero four two nine thirteen one oh.

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Speaker 2: Si Woods photo back.

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Speaker 4: I reckon, we still do this? I reckon, we still

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Speaker 4: do this.

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Speaker 2: I like this.

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Speaker 4: Okay, so you reckon?

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Speaker 2: I reckon we we're just call for one six five?

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Speaker 4: No, because I like the idea of doing five. Yeah, no,

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Speaker 4: it's so loopy. Okay, let just take course's gold. Hello, Ebony,

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Speaker 4: how are you? This is so much better? I'm good now, Ebony.

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Speaker 3: Why do you think you're the right person to be

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Speaker 3: having a crack today at getting five in a row?

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Speaker 6: Well, last time you did it last week, I felt

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Speaker 6: like I do you feel like I got the more?

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Speaker 7: Right?

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Speaker 5: So I thought surely there's something there.

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Speaker 3: Okay, yeah, okay, so you got you got four because

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Speaker 3: we played four last week and you got We only played.

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Speaker 2: Three, only played three last week? I think got through three?

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Speaker 4: Did she she got the fourth one wrong though?

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Speaker 2: Yes?

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Speaker 4: But Ebonie, you're saying you got the fourth one right?

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Speaker 7: Yes?

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Speaker 3: Yes, okay, okay, so you think you did better than

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Speaker 3: our player last Friday.

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Speaker 4: Let's go again?

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Speaker 5: I think so it could be like, I don't know, no.

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Speaker 2: No, no, it's all good, You're up? Can I can?

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Speaker 2: I ask?

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Speaker 7: Though?

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Speaker 2: Would A few people have said to me privately and

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Speaker 2: in passing that you're a ship can opener?

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Speaker 4: Well? Wow, where's that?

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Speaker 6: Is that?

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Speaker 4: Online? What do you mean my can opens bad?

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Speaker 2: I think you can open it's poor. I think you

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Speaker 2: need to be I think you need cons aggressive. Well,

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Speaker 2: you need consistency one way or the other. You're either

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Speaker 2: going for the quick rip, and I think you're showing

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Speaker 2: to everybody that you haven't had a beer or a

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Speaker 2: soft drink in a long time. So can you You're

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Speaker 2: either going on a tea guy. You're either going for

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Speaker 2: a quick rip or you're going for it.

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Speaker 4: What would you prefer?

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Speaker 2: I think a quick rip is probably going to be equal.

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Speaker 4: Blowing the thing.

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Speaker 3: Okay, quick rip, fine, I'll be giving you some quick rips. Okay, okay,

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Speaker 3: first one, here, can a soft drink or beer, going

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Speaker 3: for the famous five couple of quick rips coming, you're away, evaning,

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Speaker 3: you're ready?

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Speaker 8: Yeah, beer, brilliant, brilliant, start, brilliant, start, amazing, ebony.

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Speaker 4: This is exciting, This is exciting. How was my form?

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Speaker 2: Will? Yeah? Good, quick grill, Hey, don't shoot the messenger.

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Speaker 2: I can hear it. I can hear You're angry.

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Speaker 4: That's fair. I'm getting defensive.

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Speaker 2: I'm sorry.

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Speaker 4: Ok here we Govening number two.

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Speaker 5: I think that was a beer as well.

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Speaker 4: We've got a play.

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Speaker 3: When when I was having that pre chat with you,

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Speaker 3: I thought you wouldn't know where ebony, I wipe out

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Speaker 3: really quick. I could just hear it in your voice,

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Speaker 3: but I think you don't talk.

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Speaker 2: You get back to this.

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Speaker 4: Yeah, excited. We've got two from two going for the

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Speaker 4: famous fight.

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Speaker 2: Okay. A lot of people who chose to text they

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Speaker 2: have also all said beer really yes, geez yes, So.

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Speaker 4: People are can Okay, here we go. Number three.

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Speaker 5: Oh, I think maybe that's a soft drink.

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Speaker 2: Yeah, she's got it.

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Speaker 8: Wow.

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Speaker 2: Wow, Okay, that's three.

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Speaker 4: That's that's that's a tie with our best.

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Speaker 2: Yet, apart from poop pouncers in the Hall of Fame.

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Speaker 3: Well, people think you could smell it, and I'm starting

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Speaker 3: to believe it the same same. Obviously, you can't smell

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Speaker 3: it from the car. Okay, I'm nervous about my opening.

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Speaker 2: I'll tell you what she's done. Three, let's go to

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Speaker 2: a song. Oh God, so she can get the other two.

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Speaker 7: And goodness after this.

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Speaker 4: It's the Women Woody Podcast.

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Speaker 2: We are in the middle of a game of can

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Speaker 2: you hear it? Can you tell the difference between a

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Speaker 2: cannon bey or a can of soft drink opening just

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Speaker 2: by the sound of it. Now, currently this segment is unsponsored.

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Speaker 2: I'm not sure what the people in sales do, but

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Speaker 2: I feel like my eight month year old daughter Max

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Speaker 2: could sell this sigma. This is money for jam Anyway.

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Speaker 3: That was a wag, a little bit of a reflection

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Speaker 3: on how unsellable we are.

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Speaker 4: Unfortunately so could be.

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Speaker 2: But look, if you're just joining us, guys, no one's

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Speaker 2: done five in a row before, No one apart from

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Speaker 2: our ep cat and poop Pants. Wild rumors are that

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Speaker 2: he could smell them, or that he was getting fed

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Speaker 2: information in his ear, one of the two. I believe

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Speaker 2: both conspiracy theories. No one's done it over the phone.

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Speaker 2: None of you guys have done this right now, we're

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Speaker 2: up to can number four four, which is four or five.

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Speaker 2: Ebony is right in the thick of it, as deep

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Speaker 2: as anyone's ever gone.

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Speaker 4: How are you feeling, eb.

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Speaker 2: Gary?

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Speaker 5: Very nervous?

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Speaker 4: Can you?

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Speaker 3: Can you talk us through like a level of your

300
00:14:50,920 --> 00:14:53,520
Speaker 3: rationale here? Like what's going through your head? And what

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Speaker 3: are you hearing for?

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Speaker 6: So I feel like it's the beer is more of

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00:14:57,240 --> 00:14:59,920
Speaker 6: a flat can open like and just like a quick one,

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Speaker 6: whereas the soft drink is like this whole bubblyiness to it.

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Speaker 6: That's how I'm thinking it through.

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00:15:05,480 --> 00:15:08,640
Speaker 3: So you're listening to bubble factor or bubble yes? Interesting?

307
00:15:08,720 --> 00:15:09,280
Speaker 3: Really interesting?

308
00:15:09,280 --> 00:15:10,400
Speaker 2: What else would you listen for?

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Speaker 4: I don't know, ask Ebanie, don't knows me. I've never

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Speaker 4: got past one. You actually actually okay, Ebony, are you

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Speaker 4: ready for can?

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Speaker 8: For?

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00:15:20,960 --> 00:15:21,160
Speaker 5: Yes?

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00:15:21,240 --> 00:15:21,560
Speaker 9: I am?

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00:15:22,040 --> 00:15:23,040
Speaker 4: She weirs?

316
00:15:23,320 --> 00:15:24,000
Speaker 2: What does she win?

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00:15:24,120 --> 00:15:24,280
Speaker 10: Well?

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Speaker 2: No, I shouldn't ask that question because the answer is

319
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Speaker 2: nothing like.

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00:15:28,680 --> 00:15:30,360
Speaker 3: We have had so many people reach out to us

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Speaker 3: saying they can do this, and if Ebony gets it,

322
00:15:32,400 --> 00:15:32,760
Speaker 3: tell you.

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Speaker 2: What, It'll be a damn shame if it gets sponsored

324
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Speaker 2: in between now and the next time someone plays, because

325
00:15:37,440 --> 00:15:39,120
Speaker 2: they could win a lifetime with a beer or something.

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Speaker 4: Yeah, it's true. Actually might be blowing your load early ebony.

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Speaker 4: All right, here you go, he can for? Sorry, that

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Speaker 4: was a weird expression. Can for?

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Speaker 2: Oh hang on, sorry, it's been discussed. I've been good

330
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Speaker 2: to behind you back in meeting rooms all over the country.

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00:16:00,120 --> 00:16:02,320
Speaker 2: People have been saying that you can opening shite, and

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Speaker 2: I think we've seen it. You've had a mulligan on

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00:16:05,240 --> 00:16:06,280
Speaker 2: a fourth can as well.

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00:16:06,520 --> 00:16:09,520
Speaker 4: We're good now. I didn't I didn't do it. I

335
00:16:09,520 --> 00:16:13,200
Speaker 4: didn't do it. Don't worry. Even here we go. Can for.

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Speaker 5: That is a soft drink.

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00:16:22,320 --> 00:16:29,240
Speaker 2: By wow, wow, oh my god. So I'm convinced that

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00:16:29,280 --> 00:16:32,040
Speaker 2: she can hear it. But she can she can hear

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Speaker 2: the difference because you don't do four cans in a row.

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00:16:34,600 --> 00:16:38,240
Speaker 2: We found out before from junior producer analyst resident mathematician.

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00:16:38,280 --> 00:16:41,680
Speaker 2: Pretty sure she's got a PhD in mats three point

342
00:16:41,760 --> 00:16:44,520
Speaker 2: seventy five percent chance of actually nailing this just by

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00:16:44,560 --> 00:16:47,480
Speaker 2: guessing five in a row. It's really really hard. So

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Speaker 2: four in a row. I want to get analyst through

345
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Speaker 2: the mats now. But that's still bloody good.

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Speaker 3: Skill is definitely at play here. You reckon, there is

347
00:16:55,880 --> 00:16:57,920
Speaker 3: no doubt in my mind that some level of skill.

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Speaker 3: The question is can she get the famous five? We

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Speaker 3: are up to the fifth Ebony before we do the fifth?

350
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Speaker 3: Who are you doing this for? Who are you playing for?

351
00:17:04,960 --> 00:17:05,120
Speaker 8: Oh?

352
00:17:05,200 --> 00:17:07,080
Speaker 5: My family? You know those training all my life?

353
00:17:07,560 --> 00:17:07,960
Speaker 2: Well done?

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00:17:08,119 --> 00:17:10,760
Speaker 4: By training your whole life? Do you mean just cracking

355
00:17:10,760 --> 00:17:12,439
Speaker 4: a lot of bees around you as you were growing up?

356
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Speaker 2: Yeah? Yeah, amazing. You've got similart pitch to be on Saturday.

357
00:17:16,800 --> 00:17:18,000
Speaker 2: She also thank your family.

358
00:17:19,840 --> 00:17:22,440
Speaker 3: Okay, well this is your family, Ebony, and I wish

359
00:17:22,480 --> 00:17:22,880
Speaker 3: you the best.

360
00:17:22,880 --> 00:17:24,760
Speaker 5: I like, well, thank you?

361
00:17:24,800 --> 00:17:25,200
Speaker 2: Good luck?

362
00:17:25,440 --> 00:17:25,720
Speaker 3: Is five?

363
00:17:26,040 --> 00:17:26,840
Speaker 2: Can it be done?

364
00:17:27,280 --> 00:17:27,720
Speaker 4: Can five?

365
00:17:33,080 --> 00:17:40,840
Speaker 5: I'm going to say that's a soft drink, Ebony.

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00:17:41,640 --> 00:17:44,879
Speaker 1: Yes, that was a beer.

367
00:17:53,560 --> 00:17:56,960
Speaker 5: So close, we're still so up bag.

368
00:17:57,040 --> 00:17:58,000
Speaker 4: You should be shadowed.

369
00:17:59,440 --> 00:18:00,320
Speaker 11: I'm shadow.

370
00:18:05,240 --> 00:18:08,640
Speaker 2: I think she was guessing that what oh she would

371
00:18:08,640 --> 00:18:11,320
Speaker 2: have heard it woulds if you actually hear it? True.

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00:18:11,720 --> 00:18:13,680
Speaker 3: Maybe we're just a lucky run. I mean, at the

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00:18:13,720 --> 00:18:15,400
Speaker 3: end of the day, it's fifty to fifty every time.

374
00:18:15,480 --> 00:18:16,800
Speaker 3: But look, I gotta hand it.

375
00:18:16,720 --> 00:18:22,640
Speaker 4: To you, very well played, well done that We're going.

376
00:18:22,560 --> 00:18:27,760
Speaker 3: To send you three opened beers to open subjects.

377
00:18:27,800 --> 00:18:31,960
Speaker 2: What's the one thing that when you see it or

378
00:18:32,040 --> 00:18:35,439
Speaker 2: you smell it or you hear it, it reminds you

379
00:18:35,480 --> 00:18:42,760
Speaker 2: of losing your virginity. And I'll get this very shortly.

380
00:18:42,840 --> 00:18:47,200
Speaker 2: But in his new book Spare Ah, Yeah, of course,

381
00:18:48,960 --> 00:18:51,000
Speaker 2: in his new book. I've just seen his face everywhere.

382
00:18:51,000 --> 00:18:51,520
Speaker 2: He's got a book.

383
00:18:51,520 --> 00:18:53,680
Speaker 4: It's God's spare serious look on his face.

384
00:18:55,400 --> 00:18:58,600
Speaker 2: He has revealed the first time that he lost his virginity.

385
00:18:58,800 --> 00:19:01,159
Speaker 2: An interesting thing for me, Woods is that you and

386
00:19:01,160 --> 00:19:04,720
Speaker 2: Harry have a lot in common. What do you mean, Well,

387
00:19:04,760 --> 00:19:06,240
Speaker 2: you both looked up with an older woman in a

388
00:19:06,240 --> 00:19:06,680
Speaker 2: car park.

389
00:19:07,560 --> 00:19:09,320
Speaker 4: He was in a field he was in.

390
00:19:09,520 --> 00:19:11,280
Speaker 2: It was at the back of a pub, though you

391
00:19:11,320 --> 00:19:12,280
Speaker 2: were at the back of a park.

392
00:19:12,480 --> 00:19:16,440
Speaker 4: Similarity there. Yeah, yeah, Mone was behind a parked boat.

393
00:19:17,680 --> 00:19:21,760
Speaker 4: It's a parked boat in his story. This was a virginity.

394
00:19:21,760 --> 00:19:26,040
Speaker 3: By the way, this was like, you know, mid twenties. Yeah,

395
00:19:26,240 --> 00:19:26,600
Speaker 3: how long.

396
00:19:26,560 --> 00:19:27,479
Speaker 4: Are we going to follow this?

397
00:19:28,000 --> 00:19:30,159
Speaker 2: I don't know. I was just going to leave it

398
00:19:30,200 --> 00:19:36,080
Speaker 2: open and I was trying to before you gave you

399
00:19:36,080 --> 00:19:36,800
Speaker 2: give me a lot here.

400
00:19:36,880 --> 00:19:39,960
Speaker 4: Yeah, that's fair, and uh, I don't have to talk

401
00:19:40,000 --> 00:19:40,359
Speaker 4: about it.

402
00:19:40,359 --> 00:19:42,800
Speaker 2: It was an an older nightclub, wasn't it.

403
00:19:42,680 --> 00:19:45,200
Speaker 4: It was a nightclub where yeah.

404
00:19:45,000 --> 00:19:47,840
Speaker 2: Older people would for older, older women, older women, Yeah,

405
00:19:47,840 --> 00:19:49,040
Speaker 2: forty plus I believe.

406
00:19:48,960 --> 00:19:51,120
Speaker 4: Well there was There wasn't an age thing.

407
00:19:51,640 --> 00:19:53,720
Speaker 2: It was you had to show your idea or you

408
00:19:53,800 --> 00:19:59,040
Speaker 2: had to quote a scene from Happy Days and anyway,

409
00:20:01,359 --> 00:20:04,600
Speaker 2: that was you and Harry both out the back of

410
00:20:04,760 --> 00:20:07,400
Speaker 2: a pub with an older woman that look that trying

411
00:20:07,440 --> 00:20:09,239
Speaker 2: to track down this older woman that he mentioned in

412
00:20:09,240 --> 00:20:12,280
Speaker 2: his biograph for a really really long time. For a

413
00:20:12,320 --> 00:20:14,040
Speaker 2: long time you told me they thought it was Liz Hurley,

414
00:20:14,040 --> 00:20:14,960
Speaker 2: that it slept with Liz.

415
00:20:15,000 --> 00:20:17,760
Speaker 4: Heurley had to come out public land say it wasn't me. Wow,

416
00:20:17,840 --> 00:20:19,280
Speaker 4: the older woman totally wild.

417
00:20:19,280 --> 00:20:21,840
Speaker 2: Well that they've tracked this woman down. And here's just

418
00:20:21,840 --> 00:20:24,040
Speaker 2: a little bit about what she said about the encounter

419
00:20:24,800 --> 00:20:27,040
Speaker 2: Harry Roton's book. They gave him a slap on the bum,

420
00:20:27,440 --> 00:20:29,320
Speaker 2: I gave him a little squeeze. As far it was

421
00:20:29,320 --> 00:20:32,240
Speaker 2: a bit of fun. He had a pitch bumb, he

422
00:20:32,320 --> 00:20:37,399
Speaker 2: was young, had a pitch bumb. Extraordinary, extraordinary love and

423
00:20:37,480 --> 00:20:39,800
Speaker 2: all his detail. I think easily he must be loving

424
00:20:39,800 --> 00:20:42,399
Speaker 2: it as well. But the other thing, and again this

425
00:20:42,480 --> 00:20:44,240
Speaker 2: goes back to the question I'm asking, what's the thing

426
00:20:44,600 --> 00:20:46,919
Speaker 2: that when you see it it reminds you instantly of

427
00:20:46,960 --> 00:20:49,840
Speaker 2: losing your virginity. This is the bit that I think.

428
00:20:50,040 --> 00:20:51,960
Speaker 2: I don't think Harry is going to be able to

429
00:20:52,040 --> 00:20:56,080
Speaker 2: drive past a field of any description without remembering the

430
00:20:56,200 --> 00:20:58,400
Speaker 2: night that he lost his virginity to a much older woman.

431
00:20:59,400 --> 00:21:01,000
Speaker 3: I don't mind how very right in that he was

432
00:21:01,000 --> 00:21:02,440
Speaker 3: in glorious in his book.

433
00:21:03,080 --> 00:21:04,280
Speaker 2: It wasn't that glorious.

434
00:21:04,640 --> 00:21:06,560
Speaker 12: We were drunk and having sex in a field. It's

435
00:21:06,640 --> 00:21:07,840
Speaker 12: never going to be glorious.

436
00:21:09,200 --> 00:21:13,280
Speaker 4: I think it could be glorious in a beautiful field somewhere.

437
00:21:12,800 --> 00:21:14,840
Speaker 2: But fields, you bicked it like. There are a lot

438
00:21:14,880 --> 00:21:18,920
Speaker 2: of fields all across the world. So time he walks

439
00:21:18,960 --> 00:21:21,760
Speaker 2: in a field, he's like, jawiz, he take me back

440
00:21:21,760 --> 00:21:22,560
Speaker 2: to the first time.

441
00:21:22,920 --> 00:21:24,520
Speaker 4: You're right, it would it would, It would come through

442
00:21:24,520 --> 00:21:24,840
Speaker 4: his mind.

443
00:21:24,960 --> 00:21:27,639
Speaker 2: It was triggering. Yeah, yeah, it's triggering.

444
00:21:27,280 --> 00:21:28,960
Speaker 4: Whenever I see quite serious.

445
00:21:29,200 --> 00:21:30,560
Speaker 3: I'm not going to go into details, but if I

446
00:21:30,600 --> 00:21:35,280
Speaker 3: see a shed, boom, I'm back there at that a shed?

447
00:21:35,480 --> 00:21:38,920
Speaker 4: Yeah yeah, yeah, well it was more of a treehouse. No,

448
00:21:38,920 --> 00:21:40,560
Speaker 4: no shed, it was a ship. It was a shed.

449
00:21:40,600 --> 00:21:41,520
Speaker 4: I lost my virginity.

450
00:21:42,920 --> 00:21:45,720
Speaker 2: Didn't you think that you did? Oh you didn't?

451
00:21:45,880 --> 00:21:47,720
Speaker 3: True story? Yeah yeah, So I still think of it

452
00:21:47,760 --> 00:21:50,119
Speaker 3: as my first time. But yeah, it turns out I

453
00:21:50,160 --> 00:21:52,479
Speaker 3: wasn't doing it. Without going to the details, I was

454
00:21:52,560 --> 00:21:55,600
Speaker 3: not having sex, but I thought I was and it.

455
00:21:55,560 --> 00:22:01,160
Speaker 11: Was in a friend's shed. Yeah. Yeah, So you walked

456
00:22:01,160 --> 00:22:03,840
Speaker 11: out there, you were like, great, well, there we go.

457
00:22:03,960 --> 00:22:06,919
Speaker 11: What's happened? And did she tappy on the shoulder at

458
00:22:06,920 --> 00:22:07,399
Speaker 11: some stage?

459
00:22:07,440 --> 00:22:09,320
Speaker 4: And she was like hey, just so you know, No,

460
00:22:09,480 --> 00:22:11,359
Speaker 4: the most amazing thing is because she wasn't losing her

461
00:22:11,440 --> 00:22:13,800
Speaker 4: virginity only I was, So she knew I was doing

462
00:22:13,840 --> 00:22:15,359
Speaker 4: it wrong and didn't say anything.

463
00:22:15,480 --> 00:22:17,240
Speaker 2: Yeah. When did you find out.

464
00:22:17,800 --> 00:22:18,720
Speaker 4: When I finally did it?

465
00:22:18,760 --> 00:22:27,880
Speaker 3: And I was like, oh, because obviously you were disappointed.

466
00:22:28,560 --> 00:22:29,359
Speaker 2: You were disappointed.

467
00:22:29,520 --> 00:22:32,720
Speaker 3: I was like, hey, boys, I just like very excited

468
00:22:32,760 --> 00:22:35,120
Speaker 3: and stuff. But then in my head was like, it's

469
00:22:35,160 --> 00:22:35,800
Speaker 3: not that good.

470
00:22:36,359 --> 00:22:38,760
Speaker 2: I hated it. I didn't enjoy I can understand, and

471
00:22:38,760 --> 00:22:40,520
Speaker 2: if everyone to know the detail behind that, they would

472
00:22:40,600 --> 00:22:44,840
Speaker 2: understand too. Thirty when I was six ' five. What's

473
00:22:44,840 --> 00:22:47,280
Speaker 2: the one thing that when you see it it reminds

474
00:22:47,320 --> 00:22:48,880
Speaker 2: you of the first time?

475
00:22:49,200 --> 00:22:49,960
Speaker 4: Okay, so we've got.

476
00:22:49,840 --> 00:22:52,159
Speaker 2: Field for Harry, Field for Harry shed for what a

477
00:22:52,160 --> 00:22:54,080
Speaker 2: bit of a farm theme happening? Do you have a

478
00:22:54,080 --> 00:22:59,199
Speaker 2: pretty standard black leather couch. Whoa, yeah, yeah, we've got

479
00:22:59,200 --> 00:23:03,240
Speaker 2: one in our meeting room. It's terrifying anyway.

480
00:23:03,200 --> 00:23:04,880
Speaker 4: Right now, it's will and Wood.

481
00:23:05,080 --> 00:23:08,080
Speaker 2: What's the thing that when you see it it reminds

482
00:23:08,119 --> 00:23:15,520
Speaker 2: you of losing your virginity the first time, I said,

483
00:23:15,520 --> 00:23:17,159
Speaker 2: when you see it, But it might be something that

484
00:23:17,240 --> 00:23:20,280
Speaker 2: you smell, It might be a fragrance.

485
00:23:20,640 --> 00:23:21,800
Speaker 4: Sure, sure.

486
00:23:22,440 --> 00:23:26,720
Speaker 2: Our boss actually ab Abati apparently him every time he

487
00:23:26,760 --> 00:23:27,520
Speaker 2: smells raw meat.

488
00:23:27,880 --> 00:23:31,159
Speaker 3: Yeah, and we didn't ask any follow questions there. Obviously

489
00:23:31,520 --> 00:23:36,240
Speaker 3: very cold in an Abati. It should present some difficulties.

490
00:23:36,640 --> 00:23:38,040
Speaker 2: That's for him, not for him.

491
00:23:38,280 --> 00:23:40,560
Speaker 4: Oh no, absolutely awesome man.

492
00:23:41,359 --> 00:23:45,400
Speaker 3: Anyway, we've got Steffi here on thirteen one oh sixty five.

493
00:23:46,080 --> 00:23:48,879
Speaker 4: Stephie. What's the thing that reminds you of losing the

494
00:23:48,960 --> 00:23:50,840
Speaker 4: v plates.

495
00:23:51,760 --> 00:23:57,400
Speaker 9: Good Charlotte, Yeah right, yeah.

496
00:23:57,520 --> 00:24:00,919
Speaker 3: So honestly, every time that song comes on, it just

497
00:24:00,960 --> 00:24:01,520
Speaker 3: takes you back.

498
00:24:02,800 --> 00:24:03,439
Speaker 9: Yeah, that's it.

499
00:24:03,520 --> 00:24:05,440
Speaker 5: Every single time, it takes me back.

500
00:24:05,240 --> 00:24:07,560
Speaker 9: To my room in my parents' house.

501
00:24:08,119 --> 00:24:09,520
Speaker 5: Ye, that's it.

502
00:24:09,680 --> 00:24:12,400
Speaker 2: That's the And I imagine that's not because you were

503
00:24:13,080 --> 00:24:15,080
Speaker 2: sleeping with one of the man brothers. It's because of that.

504
00:24:15,160 --> 00:24:16,320
Speaker 2: It was actually playing in the background.

505
00:24:17,119 --> 00:24:21,320
Speaker 5: It was the anthem of my generation this day.

506
00:24:21,600 --> 00:24:22,880
Speaker 9: It brings it all back.

507
00:24:23,119 --> 00:24:26,040
Speaker 2: Right, thanks heavy. Someone wants to what's up? Hang on?

508
00:24:26,640 --> 00:24:28,920
Speaker 4: Someone wants to remain Who wants to talk?

509
00:24:29,119 --> 00:24:34,439
Speaker 2: Hello? Hello, Hello, Hi? Who's this?

510
00:24:34,600 --> 00:24:34,800
Speaker 9: Hell?

511
00:24:34,920 --> 00:24:39,639
Speaker 2: You very well? Thank you? Who is this? Look?

512
00:24:40,080 --> 00:24:44,000
Speaker 7: I've been following through your career for about ten years

513
00:24:44,119 --> 00:24:48,280
Speaker 7: or so. I don't want to say my name. Sure

514
00:24:48,440 --> 00:24:51,480
Speaker 7: I heard you were talking about Prince Harry sleeping with

515
00:24:51,520 --> 00:24:52,280
Speaker 7: an older woman.

516
00:24:52,400 --> 00:24:53,000
Speaker 9: Is that right?

517
00:24:53,119 --> 00:24:54,240
Speaker 4: Yes, that's correct.

518
00:24:55,160 --> 00:24:55,480
Speaker 1: Hmmm.

519
00:24:57,280 --> 00:25:00,440
Speaker 7: Well do you remember.

520
00:25:01,920 --> 00:25:12,879
Speaker 9: Mount Lowly, the Malt Club car this and do you

521
00:25:12,920 --> 00:25:14,040
Speaker 9: remember the boat?

522
00:25:15,720 --> 00:25:16,200
Speaker 4: Come on?

523
00:25:18,920 --> 00:25:19,880
Speaker 9: Come on.

524
00:25:21,880 --> 00:25:24,520
Speaker 7: You, come on, you have to remember.

525
00:25:26,400 --> 00:25:27,320
Speaker 4: Who is.

526
00:25:29,320 --> 00:25:31,119
Speaker 7: Come on, you can't forget me?

527
00:25:31,280 --> 00:25:36,080
Speaker 2: Can you just getting better and better? What what do

528
00:25:36,119 --> 00:25:38,040
Speaker 2: you You don't you don't have a name? You want

529
00:25:38,040 --> 00:25:39,360
Speaker 2: to remain anonymous? Is that right?

530
00:25:39,600 --> 00:25:39,800
Speaker 1: Oh?

531
00:25:39,920 --> 00:25:46,080
Speaker 7: Yes I do actually because the Mount really well in

532
00:25:46,280 --> 00:25:48,200
Speaker 7: the malt car park and the boat.

533
00:25:49,080 --> 00:25:53,359
Speaker 4: What were you wearing? Just to prove that it is you?

534
00:25:52,359 --> 00:25:55,520
Speaker 9: We have a slinky black dress on.

535
00:26:00,840 --> 00:26:05,879
Speaker 2: More. After this, it's willing, Woody started to say, Monique

536
00:26:05,880 --> 00:26:07,480
Speaker 2: County is in the city.

537
00:26:07,840 --> 00:26:11,800
Speaker 3: Welcome to egg Thank you for having me, genuine superstar

538
00:26:11,960 --> 00:26:15,160
Speaker 3: of the a f l W. Monique three time Best

539
00:26:15,200 --> 00:26:17,000
Speaker 3: and Fairest winner for the Richmond Tigers.

540
00:26:17,240 --> 00:26:19,320
Speaker 4: Were you always a weapon at footy?

541
00:26:19,560 --> 00:26:20,480
Speaker 13: I just love playing.

542
00:26:20,520 --> 00:26:22,520
Speaker 4: It's good for you. Yeah, you really?

543
00:26:22,560 --> 00:26:24,080
Speaker 2: There was a webon at basketball. Yeah.

544
00:26:24,200 --> 00:26:26,159
Speaker 3: Don't take this the wrong way, but was height a

545
00:26:26,240 --> 00:26:28,800
Speaker 3: factor as to why you moved to footy?

546
00:26:28,000 --> 00:26:30,080
Speaker 2: Why would you take that the wrong way?

547
00:26:30,119 --> 00:26:33,720
Speaker 4: Well, because you might get offended by thinking, well, you're

548
00:26:33,720 --> 00:26:34,920
Speaker 4: short money shot?

549
00:26:35,000 --> 00:26:40,040
Speaker 3: Yeah you Jesus Christ.

550
00:26:41,280 --> 00:26:41,600
Speaker 2: Wow.

551
00:26:42,680 --> 00:26:46,840
Speaker 13: No, I did have to overcome some height, and I

552
00:26:46,840 --> 00:26:50,119
Speaker 13: guess weight hurdles because I was really tiny. Yeah, but

553
00:26:50,640 --> 00:26:52,640
Speaker 13: in footy, yeah, there's no, it doesn't really matter.

554
00:26:52,680 --> 00:26:56,160
Speaker 3: How to you, You're like you're lightning on the football field.

555
00:26:56,640 --> 00:27:00,720
Speaker 3: It's it's extraordinary and I would say very deserving of

556
00:27:00,960 --> 00:27:04,919
Speaker 3: a mural on a wall in a very very famous place.

557
00:27:05,160 --> 00:27:08,399
Speaker 13: Yeah, I just got shown it being painted and I

558
00:27:08,440 --> 00:27:12,280
Speaker 13: had no idea it was happening. And to see that

559
00:27:12,320 --> 00:27:14,200
Speaker 13: next to Dusty as well was pretty special.

560
00:27:15,320 --> 00:27:16,240
Speaker 4: Yes, so grateful.

561
00:27:16,359 --> 00:27:19,320
Speaker 2: So how did you feel when the next mural was put.

562
00:27:19,160 --> 00:27:19,680
Speaker 1: On that wall?

563
00:27:19,680 --> 00:27:20,280
Speaker 4: Insulted?

564
00:27:24,800 --> 00:27:28,199
Speaker 13: I'm kidding. I haven't seen him in person, but it's

565
00:27:28,240 --> 00:27:30,080
Speaker 13: around the corner, so I probably could walk there right

566
00:27:30,160 --> 00:27:35,000
Speaker 13: now and graffiti over it.

567
00:27:35,680 --> 00:27:36,719
Speaker 4: For those that don't know.

568
00:27:36,840 --> 00:27:41,200
Speaker 3: Yeah, so yourself, another Richmond football superstar, and Dustin Martner

569
00:27:41,280 --> 00:27:44,679
Speaker 3: on this wall, and now Will and I kissing on

570
00:27:44,720 --> 00:27:47,160
Speaker 3: that wall is right next to you as well. So

571
00:27:47,560 --> 00:27:50,280
Speaker 3: you thought it would be funny if you gave Connor

572
00:27:50,359 --> 00:27:53,000
Speaker 3: cour so. Conn's the cafe owner, and we thought it'd

573
00:27:53,040 --> 00:27:55,080
Speaker 3: be funny if you spoke to him basically said, hey,

574
00:27:55,080 --> 00:27:56,200
Speaker 3: it's money contie here.

575
00:27:56,720 --> 00:27:58,800
Speaker 4: I'm on the side of your cafe.

576
00:27:59,280 --> 00:28:02,199
Speaker 3: I'm a little bit angry that there's a painting of

577
00:28:02,240 --> 00:28:04,600
Speaker 3: two radio hosts that looks a lot.

578
00:28:04,440 --> 00:28:08,359
Speaker 4: Better than mine, so I'd like mine touched up. Please,

579
00:28:08,760 --> 00:28:10,840
Speaker 4: did you say his name is con get.

580
00:28:10,680 --> 00:28:11,680
Speaker 13: Some free coffee.

581
00:28:13,000 --> 00:28:14,960
Speaker 2: We've Nah'll give him a call.

582
00:28:14,880 --> 00:28:28,840
Speaker 13: And I'll say exactly that and see what he says. Luck. Hello, Hi,

583
00:28:28,960 --> 00:28:36,240
Speaker 13: is this con speaking? It's Mini CONTI here. I happen

584
00:28:36,280 --> 00:28:38,160
Speaker 13: to be painted on the wall next to your cafe,

585
00:28:38,880 --> 00:28:40,600
Speaker 13: next to Dusty Dustin Martin.

586
00:28:41,560 --> 00:28:42,120
Speaker 9: How are you?

587
00:28:42,240 --> 00:28:45,000
Speaker 13: Yeah, I'm good, Thank you. I'm just a bit upset

588
00:28:45,080 --> 00:28:47,840
Speaker 13: that there's actually a painting of two radio hosts next

589
00:28:47,840 --> 00:28:49,280
Speaker 13: to me, and I'm just wondering if you could take

590
00:28:49,320 --> 00:28:49,720
Speaker 13: it down.

591
00:28:51,720 --> 00:28:52,240
Speaker 9: Why.

592
00:28:52,720 --> 00:28:54,680
Speaker 13: I just don't think it's a good look. For Richmond.

593
00:28:58,000 --> 00:29:02,360
Speaker 9: Right, Look, I'm not particularly fussed about that that new

594
00:29:02,480 --> 00:29:05,160
Speaker 9: or half from the fact that the girl that painted

595
00:29:05,360 --> 00:29:07,760
Speaker 9: is genius awesome.

596
00:29:08,360 --> 00:29:13,360
Speaker 2: Yes, the subject of the painting as well.

597
00:29:15,240 --> 00:29:20,680
Speaker 3: No, did you I think the line you said there

598
00:29:20,760 --> 00:29:23,040
Speaker 3: con was I'm not fussed by the radio.

599
00:29:24,680 --> 00:29:25,640
Speaker 2: You joking.

600
00:29:26,800 --> 00:29:30,400
Speaker 9: I know where you guys work. Coming over?

601
00:29:34,000 --> 00:29:37,480
Speaker 2: Hey, thanks God, great stuff for the legend. Hey, I'm on,

602
00:29:37,600 --> 00:29:40,840
Speaker 2: let's talk very very quickly about the twenty twenty three

603
00:29:40,920 --> 00:29:43,360
Speaker 2: All Star Mile Cellar the eighteenth of March at Mooney

604
00:29:43,400 --> 00:29:45,920
Speaker 2: Valley Race Course. And I know, kiss, i Vem've got

605
00:29:45,960 --> 00:29:48,440
Speaker 2: a wild card horse. So for anyone who votes via

606
00:29:48,440 --> 00:29:51,720
Speaker 2: the will and Woody page Willimwoody dot com, you can

607
00:29:51,720 --> 00:29:53,280
Speaker 2: head over the wind section vote. You've got to be

608
00:29:53,320 --> 00:29:55,200
Speaker 2: eighteen years and over. Teas and seas apply, but you

609
00:29:55,240 --> 00:29:59,200
Speaker 2: can be the wild card owner ambassador of our horse

610
00:29:59,720 --> 00:30:01,200
Speaker 2: and that you can go on to win two hundred

611
00:30:01,200 --> 00:30:02,680
Speaker 2: and fifty thousand dollars if the horse wins.

612
00:30:02,960 --> 00:30:05,080
Speaker 13: That's a lot of money. Pretty good, right, Yeah, it's

613
00:30:05,080 --> 00:30:09,160
Speaker 13: pretty awesome. It's a really unique event. To be able

614
00:30:09,200 --> 00:30:11,560
Speaker 13: to have a horse race that is voted by the

615
00:30:11,560 --> 00:30:14,680
Speaker 13: public and by fans is definitely really special. So I

616
00:30:14,680 --> 00:30:17,800
Speaker 13: think it brings a lot of traction to the sport. Though, yeah, yeah,

617
00:30:17,880 --> 00:30:18,680
Speaker 13: make sure you get voting.

618
00:30:18,720 --> 00:30:21,000
Speaker 2: Buddy Oath has said it. William dot Com head over

619
00:30:21,000 --> 00:30:22,760
Speaker 2: to the win section. Eighteen years and over two hundred

620
00:30:22,760 --> 00:30:25,360
Speaker 2: and fifty thousand dollars. You can win if you are

621
00:30:25,400 --> 00:30:27,640
Speaker 2: the World Card Owner Ambassador of our wild Card horse

622
00:30:27,800 --> 00:30:30,680
Speaker 2: at the twenty twenty three All Star Mile on the

623
00:30:30,680 --> 00:30:32,760
Speaker 2: eighteenth of March at Mooney Valley, Manie Country.

624
00:30:32,760 --> 00:30:34,280
Speaker 4: Thanks so much, no worries.

625
00:30:34,280 --> 00:30:37,360
Speaker 13: Thanks for having go tigs tags right now.

626
00:30:37,400 --> 00:30:41,160
Speaker 2: It's Willin would really it was.

627
00:30:41,200 --> 00:30:43,120
Speaker 4: It was that kind of show. I mean, I think

628
00:30:43,160 --> 00:30:45,600
Speaker 4: I think people it's tired on the podcast.

629
00:30:45,600 --> 00:30:47,760
Speaker 3: We're here, you should be tired, like we did not

630
00:30:47,960 --> 00:30:52,040
Speaker 3: no one could call the show for half of the show,

631
00:30:52,160 --> 00:30:54,880
Speaker 3: so we couldn't actually have anyone engaging. And we love

632
00:30:54,960 --> 00:30:57,040
Speaker 3: getting calls because you know, it just makes our jobs

633
00:30:57,080 --> 00:30:59,760
Speaker 3: easier when other people give us the gear. And then

634
00:30:59,800 --> 00:31:02,960
Speaker 3: we also the show started and you were literally about

635
00:31:03,000 --> 00:31:08,800
Speaker 3: to say Andy Lee next anyway, miscommunication, he joins us

636
00:31:08,800 --> 00:31:12,520
Speaker 3: on tomorrow show, which would be very exciting, And I mean,

637
00:31:12,520 --> 00:31:14,200
Speaker 3: do you want to talk should we talk more about

638
00:31:14,280 --> 00:31:14,720
Speaker 3: my tushy?

639
00:31:14,800 --> 00:31:16,160
Speaker 4: Off with Andy, I think because I feel like we

640
00:31:16,200 --> 00:31:17,120
Speaker 4: need to figure out how.

641
00:31:17,080 --> 00:31:17,880
Speaker 2: To talk more about it.

642
00:31:18,320 --> 00:31:21,000
Speaker 3: Why do we need to figure out exactly exactly what

643
00:31:21,120 --> 00:31:24,320
Speaker 3: we're doing with Andy to prove who has the better toosh?

644
00:31:24,440 --> 00:31:28,320
Speaker 2: Okay, I just think I probably need to be feeling them.

645
00:31:29,200 --> 00:31:33,240
Speaker 3: Yeah, I think that's fair with his consent. I'm totally

646
00:31:33,240 --> 00:31:36,200
Speaker 3: fine with you feeling my bottom, thank you. I'm sure

647
00:31:36,880 --> 00:31:39,080
Speaker 3: I'm sure Andy would be Okay, we'll get his consent,

648
00:31:39,160 --> 00:31:41,320
Speaker 3: of course. So do you just want to be touching?

649
00:31:41,360 --> 00:31:43,240
Speaker 3: Do you want to be hitting? Do you want to

650
00:31:43,240 --> 00:31:45,280
Speaker 3: be rubbing? Do you want to be squeezing?

651
00:31:47,280 --> 00:31:48,520
Speaker 2: I'll probably need to squeeze?

652
00:31:48,880 --> 00:31:49,320
Speaker 3: Yeah?

653
00:31:49,640 --> 00:31:49,920
Speaker 4: Yeah?

654
00:31:49,960 --> 00:31:53,200
Speaker 3: And should we be tensed or is it you know,

655
00:31:53,320 --> 00:31:54,560
Speaker 3: are we going for the all natural?

656
00:31:55,600 --> 00:31:57,640
Speaker 4: You know is tensing band?

657
00:31:58,440 --> 00:31:59,720
Speaker 2: I don't think tensing's banned?

658
00:32:00,880 --> 00:32:03,560
Speaker 4: No, because I will opt to squeeze.

659
00:32:04,200 --> 00:32:06,040
Speaker 3: I think I will. I will, I will be tensing.

660
00:32:07,160 --> 00:32:09,240
Speaker 3: But is that yeah, I'm just one. Is that cheating though?

661
00:32:09,280 --> 00:32:09,360
Speaker 1: Like?

662
00:32:09,440 --> 00:32:10,040
Speaker 2: I don't know?

663
00:32:10,520 --> 00:32:11,120
Speaker 4: Okay, good?

664
00:32:11,280 --> 00:32:14,120
Speaker 2: No, no, great? I think you can tense. I think

665
00:32:14,120 --> 00:32:16,200
Speaker 2: he can tense as well. I think we probably need

666
00:32:16,240 --> 00:32:18,600
Speaker 2: to count with a couple of tests that just make

667
00:32:18,720 --> 00:32:22,560
Speaker 2: sure that you know you can't cheat for starters, there's

668
00:32:22,560 --> 00:32:24,120
Speaker 2: got to be some ananimity to the butt.

669
00:32:24,280 --> 00:32:26,400
Speaker 3: Well, that's that's actually why I did bring in these

670
00:32:26,400 --> 00:32:28,920
Speaker 3: shorts today because I thought it was happening today. I've

671
00:32:28,920 --> 00:32:33,080
Speaker 3: brought in these small velvet hot pants effectively because I

672
00:32:33,280 --> 00:32:35,280
Speaker 3: because if you touch my ears, you know the jocks

673
00:32:35,320 --> 00:32:35,640
Speaker 3: I wear.

674
00:32:35,840 --> 00:32:37,720
Speaker 4: You know that's me and I know you. You want

675
00:32:37,720 --> 00:32:38,760
Speaker 4: to give the points to Andy.

676
00:32:39,040 --> 00:32:40,440
Speaker 2: No, that's you want to.

677
00:32:40,400 --> 00:32:40,920
Speaker 4: Piss me off.

678
00:32:40,920 --> 00:32:42,920
Speaker 3: And I know you, I know you, But I so

679
00:32:43,000 --> 00:32:44,920
Speaker 3: I think we need a uniform feel. So I think

680
00:32:44,920 --> 00:32:46,920
Speaker 3: if we both have the velvet shorties on, well, so.

681
00:32:47,000 --> 00:32:50,200
Speaker 2: You so you'll both do you alternate the shorties.

682
00:32:49,800 --> 00:32:52,400
Speaker 3: So we're both being our jocks. Then we'll blindfold you

683
00:32:52,480 --> 00:32:53,800
Speaker 3: and then one of us puts on the show.

684
00:32:53,880 --> 00:32:55,760
Speaker 2: How do you know that? I know that because you

685
00:32:55,760 --> 00:32:57,160
Speaker 2: buy those cheap supermarket jocks.

686
00:32:57,240 --> 00:32:58,920
Speaker 4: Yes, and he'll have good jocks.

687
00:32:59,000 --> 00:33:02,520
Speaker 2: You buy those like you, but they're called alphas or something. Yeah,

688
00:33:02,520 --> 00:33:05,760
Speaker 2: he does. He buys the supermarket, the cheap there alphas.

689
00:33:06,600 --> 00:33:06,959
Speaker 4: Jockey.

690
00:33:07,840 --> 00:33:09,400
Speaker 2: No, jockey's not supermarket jocks.

691
00:33:09,440 --> 00:33:10,960
Speaker 4: They're just be wearing my nice jocks.

692
00:33:11,000 --> 00:33:13,840
Speaker 2: They are will trying when you wear that dry fit

693
00:33:13,920 --> 00:33:14,640
Speaker 2: supermarket jock.

694
00:33:14,920 --> 00:33:17,280
Speaker 3: Well this is d I wear a dry fit jockey.

695
00:33:17,280 --> 00:33:19,760
Speaker 3: I can't find this anywhere anymore. Obviously stopped making it

696
00:33:19,760 --> 00:33:21,560
Speaker 3: because no one was buying it. But I love a

697
00:33:21,640 --> 00:33:23,400
Speaker 3: dry fit, and you know I love that. So you'll

698
00:33:23,440 --> 00:33:25,560
Speaker 3: take and he'll be wearing some nice cotton Calvin.

699
00:33:25,600 --> 00:33:27,800
Speaker 4: He'll have a beautiful c k, no doubt about it.

700
00:33:27,840 --> 00:33:29,240
Speaker 3: So that's why I think we both need to be

701
00:33:29,640 --> 00:33:31,800
Speaker 3: Or maybe I could bring in two pairs of jocks,

702
00:33:31,800 --> 00:33:34,960
Speaker 3: give him a supermarket jocks and he has to put on.

703
00:33:36,800 --> 00:33:39,479
Speaker 4: But it's really important that you don't know whose arce

704
00:33:39,480 --> 00:33:39,880
Speaker 4: you attaching.

705
00:33:39,920 --> 00:33:42,600
Speaker 2: Obviously, I think I'll know pretty quickly whose ass is who?

706
00:33:43,240 --> 00:33:43,640
Speaker 8: Really?

707
00:33:43,800 --> 00:33:46,240
Speaker 2: Yeah, because ok he's gonna have a great ass, do

708
00:33:46,280 --> 00:33:48,400
Speaker 2: you really. I think he's athletic.

709
00:33:49,480 --> 00:33:52,280
Speaker 3: He's athletic, but I don't think he's got like I

710
00:33:52,280 --> 00:33:56,160
Speaker 3: think he's naturally got a good ass. Yeah, yeah, anyone

711
00:33:56,160 --> 00:33:58,520
Speaker 3: else he naturally got a good ars.

712
00:33:58,560 --> 00:33:59,480
Speaker 2: But you think he's let it go.

713
00:34:00,360 --> 00:34:02,080
Speaker 4: No, I don't think it necessarily let it go. I

714
00:34:02,120 --> 00:34:03,320
Speaker 4: just think my ass is a lot better.

715
00:34:03,440 --> 00:34:07,840
Speaker 12: Okay, there's something right, Tommy, there's something you're missing here though,

716
00:34:07,840 --> 00:34:10,799
Speaker 12: we like you're focusing on like the tensing and stuff. Sure,

717
00:34:11,200 --> 00:34:15,480
Speaker 12: we're not going for Australia's like most athletic arts.

718
00:34:16,400 --> 00:34:18,080
Speaker 4: A fair point. That's a really fair point, like.

719
00:34:18,000 --> 00:34:20,600
Speaker 12: The fact that you're tensing. I don't think I necessarily

720
00:34:21,239 --> 00:34:23,200
Speaker 12: as a game man. All I'm saying is like a

721
00:34:23,239 --> 00:34:26,120
Speaker 12: tense ass, like a rock hard ass. That doesn't do

722
00:34:26,160 --> 00:34:26,480
Speaker 12: it for me.

723
00:34:26,600 --> 00:34:30,120
Speaker 3: Yeah, wow, okay, that's really that is really interesting insight. Okay, yea,

724
00:34:30,120 --> 00:34:31,759
Speaker 3: So maybe I shouldn't be focusing so much on the

725
00:34:31,760 --> 00:34:32,120
Speaker 3: tense face.

726
00:34:32,200 --> 00:34:35,319
Speaker 2: What's the metric here for the ass with Andy? When

727
00:34:35,360 --> 00:34:36,840
Speaker 2: I'm well, I.

728
00:34:36,840 --> 00:34:38,439
Speaker 4: Think you just go with your gut, like what asked

729
00:34:38,440 --> 00:34:39,480
Speaker 4: did you enjoy touching more?

730
00:34:39,680 --> 00:34:41,399
Speaker 2: And then I'll just say whether it was asked one

731
00:34:41,480 --> 00:34:44,640
Speaker 2: or asked two? I'll be blindfolded, and then whichever.

732
00:34:44,280 --> 00:34:47,600
Speaker 3: Asked that is, yeah, okay, which asked did you enjoy more?

733
00:34:47,760 --> 00:34:49,200
Speaker 3: Which which asked would you want to go back to?

734
00:34:49,840 --> 00:34:52,319
Speaker 2: Do people outside think that Andy Lee's got a ship

735
00:34:52,400 --> 00:34:53,239
Speaker 2: ass now on?

736
00:34:53,960 --> 00:34:57,680
Speaker 4: I don't say as comment common ass. He represents the

737
00:34:57,680 --> 00:34:59,720
Speaker 4: common ass poop pants.

738
00:35:00,400 --> 00:35:03,040
Speaker 1: I'm not going to comment on it, like I actually

739
00:35:03,040 --> 00:35:05,719
Speaker 1: don't know, No, I don't know enough about.

740
00:35:05,440 --> 00:35:09,840
Speaker 3: It, like about his art, but you've met he coming,

741
00:35:09,880 --> 00:35:11,640
Speaker 3: But that that is exactly my point.

742
00:35:12,160 --> 00:35:16,080
Speaker 4: He comes in. That's what you don't, and that's my point.

743
00:35:16,520 --> 00:35:18,480
Speaker 4: You never you never bump into Andy Lan and go

744
00:35:19,640 --> 00:35:20,080
Speaker 4: what are you good?

745
00:35:20,120 --> 00:35:23,160
Speaker 3: Asks on him because it's just a non event. It's

746
00:35:23,200 --> 00:35:25,160
Speaker 3: just it's just it's just not it's it's it's not

747
00:35:25,160 --> 00:35:27,239
Speaker 3: the feature that jumps out. Whereas I have had, like

748
00:35:27,560 --> 00:35:30,120
Speaker 3: you know, this bill a couple of times, people will

749
00:35:30,120 --> 00:35:31,600
Speaker 3: walk away from interaction with me and.

750
00:35:31,600 --> 00:35:39,880
Speaker 10: Go, no, one's done that, that's happened, right, tell me

751
00:35:40,719 --> 00:35:43,080
Speaker 10: a guest has definitely left here.

752
00:35:44,000 --> 00:35:45,239
Speaker 2: And gone to you.

753
00:35:45,280 --> 00:35:47,080
Speaker 4: The one with the long hair's got a pretty good

754
00:35:47,080 --> 00:35:48,040
Speaker 4: ass on him.

755
00:35:48,640 --> 00:35:51,759
Speaker 14: We had a guest come into our studio once you know,

756
00:35:51,880 --> 00:35:54,520
Speaker 14: there's I'm not going to mention any names here we go,

757
00:35:55,000 --> 00:35:58,000
Speaker 14: but they pinched another member of this team's bottom and

758
00:35:58,040 --> 00:35:59,399
Speaker 14: it wasn't yours show.

759
00:36:00,239 --> 00:36:02,600
Speaker 4: That is true.

760
00:36:02,960 --> 00:36:05,120
Speaker 3: But maybe she thought my bottom was out of her

761
00:36:05,200 --> 00:36:08,040
Speaker 3: league and she was like, well, I won't go for that.

762
00:36:08,160 --> 00:36:09,359
Speaker 4: You know, that's the pinnacle.

763
00:36:09,160 --> 00:36:13,719
Speaker 2: Absolutely only that you end forre.

764
00:36:14,400 --> 00:36:17,319
Speaker 3: That's true, and well that person is no longer part

765
00:36:17,360 --> 00:36:19,359
Speaker 3: of this show, so I've now taken king ass.

766
00:36:19,440 --> 00:36:22,440
Speaker 4: It's interesting, isn't it? That is an interesting, very interesting

767
00:36:22,440 --> 00:36:23,480
Speaker 4: point very interesting point.

768
00:36:23,520 --> 00:36:24,319
Speaker 2: Can I can I hear?

769
00:36:24,400 --> 00:36:24,480
Speaker 4: So?

770
00:36:24,840 --> 00:36:26,279
Speaker 2: What did you think of Andy's ass? Do you think

771
00:36:26,320 --> 00:36:31,600
Speaker 2: any had a common ass? I don't look at annuals

772
00:36:31,880 --> 00:36:34,719
Speaker 2: when he comes here. No batting for their own team there.

773
00:36:34,719 --> 00:36:37,640
Speaker 4: But whether I went for blogs or girls, I'm not.

774
00:36:37,800 --> 00:36:38,359
Speaker 2: I don't look.

775
00:36:38,440 --> 00:36:39,560
Speaker 4: I don't check out.

776
00:36:41,200 --> 00:36:43,640
Speaker 2: You see somebody in a cupboard once when they were

777
00:36:43,640 --> 00:36:44,040
Speaker 2: a guest.

778
00:36:44,200 --> 00:36:45,000
Speaker 4: It's very true.

779
00:36:46,160 --> 00:36:49,160
Speaker 2: You don't like you're purer than the driven snow. Are

780
00:36:49,200 --> 00:36:52,799
Speaker 2: you joking? I wouldn't dare look at an ass? Are

781
00:36:52,840 --> 00:36:56,640
Speaker 2: you joking? I walk away from that right now. It's

782
00:36:56,680 --> 00:36:57,359
Speaker 2: not going to end well.

783
00:36:57,400 --> 00:36:59,759
Speaker 3: The audio producer has walked through the airlock there as

784
00:36:59,760 --> 00:37:02,760
Speaker 3: we were talking there. J not about us on the hand, Sadwage,

785
00:37:02,920 --> 00:37:06,320
Speaker 3: I think I think.

786
00:37:05,520 --> 00:37:07,719
Speaker 2: The ham sandwiches are better ass than Andy Lee.

787
00:37:07,760 --> 00:37:08,759
Speaker 4: Yeah, wow, there you go.

788
00:37:09,320 --> 00:37:11,600
Speaker 2: Can I ask the source sisters any input here on

789
00:37:11,640 --> 00:37:17,480
Speaker 2: Andy's bum? Common? Well, Kate, it's a huge kV is

790
00:37:17,480 --> 00:37:18,879
Speaker 2: a huge Hamish Andy fan.

791
00:37:18,960 --> 00:37:22,560
Speaker 13: Yeah, I respect him, so I don't look below his eyes.

792
00:37:24,360 --> 00:37:27,320
Speaker 2: Guys, this is just how.

793
00:37:27,200 --> 00:37:28,399
Speaker 12: Lowly do you think of us?

794
00:37:28,440 --> 00:37:32,600
Speaker 4: That we're just we're not saying you're objectifying all that

795
00:37:32,640 --> 00:37:35,640
Speaker 4: you fair, But you said in your peripherals, you'd notice

796
00:37:35,680 --> 00:37:44,160
Speaker 4: it and have a thought. We keep those thoughts, asking you.

797
00:37:42,200 --> 00:37:47,720
Speaker 2: I don't. I do not have a view on Andy's ass.

798
00:37:47,960 --> 00:37:51,040
Speaker 2: I literally I cannot even think what it might look like. Well,

799
00:37:51,080 --> 00:37:53,600
Speaker 2: and he might walk in here and have a terrific bottom.

800
00:37:53,640 --> 00:37:55,000
Speaker 4: To be fair, I'm exactly the same.

801
00:37:55,000 --> 00:37:56,880
Speaker 3: And I think that's why I think it's the common

802
00:37:57,160 --> 00:37:59,440
Speaker 3: common as because I haven't noticed it. But maybe what

803
00:37:59,480 --> 00:38:04,200
Speaker 3: you're saying here is that, yeah, we would never notice anyway.

804
00:38:04,239 --> 00:38:06,480
Speaker 3: We'll find out tomorrow. Find out tomorrow.

805
00:38:07,160 --> 00:38:09,360
Speaker 4: This is extraordinary. I'm very excited. I don't know what

806
00:38:09,400 --> 00:38:11,960
Speaker 4: I'm gonna do tomorrow morning to prepare myself.

807
00:38:12,760 --> 00:38:14,920
Speaker 2: Don't do anything. Just if you think you're gonna crush him,

808
00:38:14,960 --> 00:38:16,440
Speaker 2: then you shouldn't even have to worry about it.

809
00:38:16,800 --> 00:38:17,880
Speaker 4: Even now, I'm getting nervous.

810
00:38:18,040 --> 00:38:19,400
Speaker 2: Okay, but what are you going to do?

811
00:38:19,680 --> 00:38:20,040
Speaker 4: I don't know.

812
00:38:20,280 --> 00:38:26,360
Speaker 2: Yeah, great, all right, we'll see every un tomorrow.

813
00:38:26,400 --> 00:38:26,719
Speaker 1: Go right,