WEBVTT - #246: Farewell Talkback Tingz

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<v Speaker 1>Just hoo stood the black couple of mitches.

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<v Speaker 2>Yeah, release yourself for the rude shocks of young adultsthood.

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<v Speaker 1>Would you rather sit on a cake and eat a dick?

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<v Speaker 1>Or sit on a dick and need a cake.

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<v Speaker 3>Sit on a deck and eat a cake? Absolutely?

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<v Speaker 1>If you sit on the cake, you ruin it. Do

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<v Speaker 1>you think I'd have a waste of cake by sit.

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<v Speaker 4>No?

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<v Speaker 1>His Michurie and Mitchell.

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<v Speaker 2>Kums Hello, yo, I love yea. Oh Mitchell's ready for

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<v Speaker 2>my recital. Oh yeah, ladies and gentlemen, I may awaken today.

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<v Speaker 1>Yeah, Mitchell Coombs is bringing back his child instrument.

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<v Speaker 5>I've not touched a violin in ten years. I think, Well, no,

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<v Speaker 5>I brought you a violin.

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<v Speaker 3>Well, I couldn't play that. That's the whole point of this.

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<v Speaker 5>I'm going to be seeing if I remember how to

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<v Speaker 5>play a violin from when I was in school.

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<v Speaker 3>Yeah, and I got with me hang on as part

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<v Speaker 3>of our bucket list.

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<v Speaker 1>Because the podcast is ending, we're in our final ten episodes,

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<v Speaker 1>and this is part of that.

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<v Speaker 3>I've got it here. Look at this.

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<v Speaker 1>What's bigger than I thought? Price Keeper Jener is here

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<v Speaker 1>as well. Hey, Jenner, that is a big violin if

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<v Speaker 1>ever i've seen one.

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<v Speaker 3>Yeah, it's a full size one.

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<v Speaker 1>Yeah, yeah, I don't know the difference between violins.

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<v Speaker 3>And shout out to.

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<v Speaker 5>A Erwin Violins yep, who provided this for me. They're

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<v Speaker 5>in Edgecliff, Okay, Alan seems like quite a genius.

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<v Speaker 1>Actually, if you need a violin and you're an edge Cliff.

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<v Speaker 3>Oh, good to know. I think that's the sort of

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<v Speaker 3>shop people would go out of their way for, aren't.

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<v Speaker 1>Yeah, Cliff, No, it's a special.

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<v Speaker 3>Here we go. Look at this thing. This is the

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<v Speaker 3>first time I've opened it because now.

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<v Speaker 1>He said to you, remember you haven't opened this since

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<v Speaker 1>you left the store. He said, don't open it until

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<v Speaker 1>you're on the show.

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<v Speaker 6>Yeah.

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<v Speaker 5>He was like, no, no, no, don't cheat. Just see

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<v Speaker 5>if you've got that muscle memory.

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<v Speaker 1>Oh, it's.

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<v Speaker 3>Confirming it is a violin.

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<v Speaker 1>Wow, it's a beautiful violin.

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<v Speaker 3>Look at that.

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<v Speaker 1>That is gorgeous.

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<v Speaker 5>I won't play it now, I'll save that for later

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<v Speaker 5>in the episode, but just confirming it's here.

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<v Speaker 3>Hang on, is it in tune? Bit off, I'll tune

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<v Speaker 3>it later.

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<v Speaker 6>That's beautiful.

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<v Speaker 3>The bow has horse hair, and that's what was missing

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<v Speaker 3>when you got me.

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<v Speaker 1>Because I still not convinced.

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<v Speaker 3>That it's like a horse tale.

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<v Speaker 1>You know, I do hear it. It's horse hair, hear it,

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<v Speaker 1>smell it. Is it actually horse hair or is it?

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<v Speaker 3>No, it's like a horse's tail. I believe.

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<v Speaker 1>Wow, this is incredible fine craftsmanship too. If I'm to

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<v Speaker 1>blad to use it that's coming up in the show.

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<v Speaker 1>Put a horse hair. You could donate some of your ponytail,

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<v Speaker 1>I'd say to be it's very fine. Yeah, Oh Mitchell,

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<v Speaker 1>are you nervous or do you feel like flying back?

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<v Speaker 3>It's not going to be good. It's not going to

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<v Speaker 3>be good.

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<v Speaker 1>Well, we've done this before. For me, I claim that

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<v Speaker 1>I could still play the saxophone and you couldn't. No,

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<v Speaker 1>I couldn't.

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<v Speaker 4>No.

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<v Speaker 1>I knew the first three notes to Eye of the Tiger,

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<v Speaker 1>it's the and then it collected.

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<v Speaker 5>I actually do have a little recap of your saxophone

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<v Speaker 5>playing also talk back things on the way.

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<v Speaker 1>And I believe Mitchell, you've got a message from Australian

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<v Speaker 1>Radio Royalty John Laws.

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<v Speaker 5>We have sat down and spoken with and he's done

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<v Speaker 5>a farewell message for us.

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<v Speaker 7>Fuck.

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<v Speaker 1>Do you remember going to that studio in that interview?

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<v Speaker 1>We were nervous the old vintage carpet which has the

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<v Speaker 1>two sm branding on it, and we.

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<v Speaker 3>Waited for it on the carpet wall.

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<v Speaker 1>The corvet of walls, and we kind of just sat

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<v Speaker 1>there and he didn't really know what he was doing,

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<v Speaker 1>didn't quite understand that, like we were kind of funny people.

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<v Speaker 1>He didn't know if he was being interviewed by journalists.

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<v Speaker 3>He liked it by the end, he did. Yeah, he did.

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<v Speaker 1>You want you offered him some of your vape?

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<v Speaker 3>That's the fuck? I forgot about that. What was it?

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<v Speaker 5>Anyway, I've got some cranky John Laws moments because he's

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<v Speaker 5>now retiring as well.

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<v Speaker 6>He is.

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<v Speaker 1>Yeah, he announced his retirement the same as us. Yeah,

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<v Speaker 1>same week as us.

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<v Speaker 5>It was a couple of days after us. That we

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<v Speaker 5>must have been the inspiration. I'm sure he keeps abreast

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<v Speaker 5>of our career.

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<v Speaker 1>Of course he would have heard and said, well, if

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<v Speaker 1>they're gone, there's no point broadcasting my nervousiss.

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<v Speaker 5>Letter, like, well, there's no competition now, so so coming

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<v Speaker 5>will you tell us how you got it as well?

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<v Speaker 3>Yeah, I'll get to all that later, don'ts do it?

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<v Speaker 1>Okay? Right, Well, welcome to the show everyone. If it's

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<v Speaker 1>your first time listening. It's this just me. Every week

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<v Speaker 1>we start the same with two gyms. Something we've noticed,

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<v Speaker 1>something we hate or appreciate. Mitch does not know mine,

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<v Speaker 1>and I do not know Mitch's and price Kbgena does

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<v Speaker 1>not know much.

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<v Speaker 3>I don't. She's just I just sit here and Yeah,

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<v Speaker 3>what's yours going to be about? Today?

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<v Speaker 1>Mine is about something that I've noticed on the internet,

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<v Speaker 1>on TikTok.

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<v Speaker 5>Especially, right, we've got very different TikTok feeds. If we've

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<v Speaker 5>learned anything on this podcast.

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<v Speaker 1>Oh yeah, mine is Mine is all healthy anxiety.

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<v Speaker 5>I'm going to put money on the fact that I

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<v Speaker 5>probably haven't seen what the fuck you're going to talk about.

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<v Speaker 1>You would have, I know you would have. Yeah, because

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<v Speaker 1>this is not a certain trend or a creator. This

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<v Speaker 1>is the language used by the entirety of new aged

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<v Speaker 1>influences in the Internet. That is annoying me, Like we

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<v Speaker 1>don't do it on this show. I don't know why

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<v Speaker 1>people treat language differently on TikTok and on Instagram.

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<v Speaker 3>Okay, well we'll get to that that I kick things off.

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<v Speaker 1>What's yours?

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<v Speaker 3>Well, I can just tell you now if I'm sure, Yeah,

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<v Speaker 3>all right, go for it, all right? Bradley, let's go.

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<v Speaker 1>It just.

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<v Speaker 5>It's microwave popcorn, a disaster waiting to fucking happen.

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<v Speaker 1>Oh, microwave popcorn. I gave up on.

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<v Speaker 7>Yeah.

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<v Speaker 1>No, I've had far too many yeah burnt bottom moments

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<v Speaker 1>and it's just not enjoyable.

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<v Speaker 7>Ever.

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<v Speaker 1>The first like four handfuls delicious, and then it starts

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<v Speaker 1>to go to burntown and it's shocking.

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<v Speaker 5>Firstly, I feel I don't want to sound like a

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<v Speaker 5>burmer on Facebook, but I feel there's less in the

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<v Speaker 5>bag than there used to be.

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<v Speaker 1>Okay, yeah, I agree with you.

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<v Speaker 5>Because I'm not kidding. I am using the same fucking

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<v Speaker 5>bowl that I always have for popcorn, and it's less

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<v Speaker 5>full in recent months. But also it's just you can't

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<v Speaker 5>win when you're microwaving popcorn either.

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<v Speaker 3>It's more kernels than anything.

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<v Speaker 6>Yeah.

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<v Speaker 5>And if you try and do that thing that Sean

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<v Speaker 5>and I love to do, where you put the maltese

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<v Speaker 5>in the popcorn and they sort of melt and it's

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<v Speaker 5>a beautiful combination.

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<v Speaker 3>I've ever done that, mate, you're missing out.

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<v Speaker 5>But the problem is if you do it at home

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<v Speaker 5>and there's all this unpopped corn in the bottom, it

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<v Speaker 5>sticks to.

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<v Speaker 3>The fucking Maltese.

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<v Speaker 5>And that's disgusting putting those kernels in your mouth.

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<v Speaker 1>You're not It's not a nice and easy way to

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<v Speaker 1>do it. But popping like actual corn kernels in like

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<v Speaker 1>butter on the hot plate is so much better. You

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<v Speaker 1>get such a good pop.

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<v Speaker 5>Yeah, I've heard that and I've watched people do it,

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<v Speaker 5>but I fucked it up doing it that way as well.

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<v Speaker 1>Oh right, so what do you do? Just buy the

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<v Speaker 1>pre bag stuff it's perfect.

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<v Speaker 3>Yeah, it's not the same.

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<v Speaker 5>So I'm saying, either it doesn't cook enough there's all

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<v Speaker 5>these unpopped fucking kernels in there, or you set the

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<v Speaker 5>house on fire. Yeah, and half of it's burned and

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<v Speaker 5>then there's still unpopped ones.

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<v Speaker 3>I don't understand how to win with that ship.

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<v Speaker 1>Yeah, and it's chemical warfare. The fucking smell of burnt

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<v Speaker 1>popcorn is discussing. It's horrific.

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<v Speaker 5>It lingered for ages because Sean basically set the whole

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<v Speaker 5>fucking bag of popcorn on fire recently, and we basically

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<v Speaker 5>threw it down the en syncarator with the water on

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<v Speaker 5>because it was on fire. And Sean goes, oh, thank god,

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<v Speaker 5>there's no smoke detector in our kitchen.

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<v Speaker 3>I was like, what there isn't Where the fuck's that

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<v Speaker 3>smoke detector in my office? Apparently, Ah, you.

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<v Speaker 1>Need one in your kitchen.

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<v Speaker 3>That's what I would have.

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<v Speaker 5>Thought, especially the office where I changed smoke cigarettes all day.

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<v Speaker 1>Waiting to happen about content creations on fire.

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<v Speaker 3>Yeah, from all the bombs that I drop it.

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<v Speaker 1>I am a popcorn lover at the movies. Yeah, that

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<v Speaker 1>smell when you walk to the lobby and you smell

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<v Speaker 1>the popcorn. I was scrolling for Uber. It's the other

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<v Speaker 1>night in my area. We've got a hots really close

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<v Speaker 1>to my house, and you can Uber eats and chop

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<v Speaker 1>tops and movie pints, and I thought, I fucking wanted

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<v Speaker 1>to fantastic. I really want to do it, just because

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<v Speaker 1>it's the best taste.

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<v Speaker 6>In the world.

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<v Speaker 5>Although Uber eats sing or getting popcorn delivered, it wouldn't

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<v Speaker 5>be quite the same by the time it got to You.

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<v Speaker 1>Know, something about that hot popcorn straight in that box

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<v Speaker 1>is so good. Exactly with you? Why are you eating

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<v Speaker 1>so much microwave popcorn too? You got movies at the moment.

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<v Speaker 7>Do you know?

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<v Speaker 5>It's not that I'm eating so much, but every so

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<v Speaker 5>often we will if we're both staying in on a

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<v Speaker 5>Saturday night. We're like, right, it's gonna be one of

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<v Speaker 5>those arts keeping back on the couch. Malteese is in

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<v Speaker 5>the popcorn beautiful. I don't feel like it used to

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<v Speaker 5>be this hard. And I'm using the same micro wave.

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<v Speaker 5>I'm using the same brand of bloody popcorn. It just

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<v Speaker 5>keeps going wrong all of a sudden.

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<v Speaker 1>You know what, different microwaves have different wattage and different power,

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<v Speaker 1>so you actually might need to like change your settings

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<v Speaker 1>to make sure it's perfect like that.

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<v Speaker 5>It's the same microwave of all with you, I'm blaming

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<v Speaker 5>the company. What's the brand that makes that bloody microwave popcorn?

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<v Speaker 1>Oh?

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<v Speaker 3>I can see the package.

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<v Speaker 1>I can see the package too, Yeah.

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<v Speaker 3>Pops, what is it? Poppin' pop popcorn? Pop blue and

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<v Speaker 3>yeah blue, and it's got the yellow and white poppin'.

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<v Speaker 5>I saw your ship out play popping because not enough

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<v Speaker 5>of popping. Frankly, that's actually the issue.

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<v Speaker 1>You're not popping off. Yeah all right, Well, I'm sure

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<v Speaker 1>they'll hit this.

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<v Speaker 6>No doubt.

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<v Speaker 5>It's the big fans of our work. Yeah yeah, and

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<v Speaker 5>why wouldn't they be first name Mary?

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<v Speaker 1>Yeah, thank you Mary?

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<v Speaker 6>Pop?

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<v Speaker 3>No, I got it.

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<v Speaker 1>I did get it? All right, shall we do my agent?

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<v Speaker 1>I've got one?

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<v Speaker 3>Sure, all right, what's this language beef? You've got?

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<v Speaker 1>All right? Here we go, Pop Bradley? Is it just me?

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<v Speaker 1>Has censorship on TikTok and Instagram gone way too far?

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<v Speaker 1>Like language sensorship.

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<v Speaker 3>Also on TikTok.

0:09:04.000 --> 0:09:05.920
<v Speaker 1>I will say on TikTok, I was watching a video

0:09:06.120 --> 0:09:08.720
<v Speaker 1>and I had no idea what this man was saying,

0:09:08.720 --> 0:09:11.280
<v Speaker 1>talking about a true crime story where a woman unlived herself,

0:09:11.880 --> 0:09:14.000
<v Speaker 1>and I was like, why is he saying un alive?

0:09:14.360 --> 0:09:15.920
<v Speaker 1>Say just say she died she.

0:09:16.040 --> 0:09:18.680
<v Speaker 5>I feel like that's not even that subtle of a

0:09:18.800 --> 0:09:19.520
<v Speaker 5>cover up word.

0:09:19.720 --> 0:09:22.760
<v Speaker 1>No, well, that's my point. I saw another content creator,

0:09:22.760 --> 0:09:24.800
<v Speaker 1>a sex worker, talking about their meat.

0:09:24.559 --> 0:09:27.800
<v Speaker 3>Stick meat stick and they have segs.

0:09:27.679 --> 0:09:31.120
<v Speaker 1>Going into a schmoll and they are a Segs worker

0:09:31.400 --> 0:09:32.000
<v Speaker 1>and I'm like.

0:09:32.080 --> 0:09:36.240
<v Speaker 3>S eggs. They always write that titles and I get it.

0:09:36.320 --> 0:09:37.840
<v Speaker 1>I get why they do it, because they're trying to

0:09:37.840 --> 0:09:40.480
<v Speaker 1>get around the algorithm, you know, banning them or getting

0:09:40.480 --> 0:09:42.640
<v Speaker 1>the blocking their video so that I've get seen. So

0:09:42.640 --> 0:09:44.080
<v Speaker 1>it's a way for them to talk about it and

0:09:44.160 --> 0:09:47.040
<v Speaker 1>still get views. However, we now just have a new

0:09:47.120 --> 0:09:49.600
<v Speaker 1>vocabulary that is TikTok words.

0:09:49.960 --> 0:09:52.839
<v Speaker 5>So we now, actually you would think TikTok would cotton

0:09:52.920 --> 0:09:53.400
<v Speaker 5>onto them.

0:09:55.000 --> 0:09:57.720
<v Speaker 1>It annoys me, but we're also adults. We know what

0:09:57.760 --> 0:10:00.600
<v Speaker 1>these words mean. Why you got Newtube. We can watch

0:10:00.600 --> 0:10:03.000
<v Speaker 1>any movie, we can watch any TV show, and we

0:10:03.040 --> 0:10:05.520
<v Speaker 1>talk about these themes. You go on TikTok and Instagram

0:10:05.640 --> 0:10:09.160
<v Speaker 1>and it's Schmeck's or segs or my meat pole and

0:10:09.160 --> 0:10:10.920
<v Speaker 1>it's I hate it. It makes me feel like I'm

0:10:10.920 --> 0:10:11.240
<v Speaker 1>a kid.

0:10:11.320 --> 0:10:13.640
<v Speaker 5>I get a lot more things, a lot more videos

0:10:13.679 --> 0:10:16.280
<v Speaker 5>taken off TikTok than I do on Instagram. Things can

0:10:16.280 --> 0:10:18.720
<v Speaker 5>slide on Instagram and Facebook and what have you, but

0:10:18.800 --> 0:10:19.840
<v Speaker 5>TikTok are very strict.

0:10:19.840 --> 0:10:21.120
<v Speaker 3>I posted a video recently.

0:10:21.440 --> 0:10:24.160
<v Speaker 5>You know those fucking scam messages you get, it's clearly

0:10:24.160 --> 0:10:26.560
<v Speaker 5>a scam. It's some lady being like, click this link

0:10:26.600 --> 0:10:27.600
<v Speaker 5>and enter my chat room.

0:10:27.600 --> 0:10:29.720
<v Speaker 3>I've got my tits out. I need to fuck tonight.

0:10:29.840 --> 0:10:33.319
<v Speaker 5>I get so many, and so I took a bunch

0:10:33.360 --> 0:10:35.640
<v Speaker 5>of screenshots and I was just kind of being like, babes,

0:10:35.640 --> 0:10:38.240
<v Speaker 5>you're backing up the wrong tree. Like I was responding

0:10:38.240 --> 0:10:41.360
<v Speaker 5>to all these messages in a video, I blurred the

0:10:41.480 --> 0:10:45.000
<v Speaker 5>puss out I blurred all the words out in it,

0:10:45.160 --> 0:10:49.480
<v Speaker 5>and I didn't say anything too revolting myself. Instagram fun

0:10:49.640 --> 0:10:52.520
<v Speaker 5>TikTok got taken down for explicit compliment. I was like,

0:10:52.559 --> 0:10:54.960
<v Speaker 5>am I supposed to do two versions where I say segs?

0:10:55.160 --> 0:10:56.240
<v Speaker 3>Yeah, that effects.

0:10:56.400 --> 0:10:58.880
<v Speaker 4>That's what I mean with my breakfast show that I

0:10:58.920 --> 0:11:03.600
<v Speaker 4>work on. What if the Oh yeah it's Amanda Keller show.

0:11:03.640 --> 0:11:05.080
<v Speaker 3>Anyway, that's been nice.

0:11:05.559 --> 0:11:08.600
<v Speaker 4>I upclouded a video of this guy talking about his

0:11:08.679 --> 0:11:11.679
<v Speaker 4>mental health battle and it was really really good and

0:11:11.840 --> 0:11:14.680
<v Speaker 4>he didn't mention anything like suicidal or anything. It was

0:11:14.720 --> 0:11:18.479
<v Speaker 4>just alluding to past attempts and stuff, but nothing explicit.

0:11:18.880 --> 0:11:22.679
<v Speaker 4>Was taken down in seconds for explicit material, Like.

0:11:22.679 --> 0:11:25.680
<v Speaker 1>I understand trigger warnings and yet people can be triggered,

0:11:25.760 --> 0:11:27.680
<v Speaker 1>and sometimes I'm triggered by things I see. I get it.

0:11:27.720 --> 0:11:29.840
<v Speaker 5>But also it was something recently that came out that

0:11:29.880 --> 0:11:33.920
<v Speaker 5>said a lot of teenagers young adults these days use

0:11:34.000 --> 0:11:36.920
<v Speaker 5>TikTok as like an education source when it comes to

0:11:37.000 --> 0:11:40.960
<v Speaker 5>mental health. So why you sense through it to educate

0:11:40.960 --> 0:11:43.320
<v Speaker 5>people if you're using words like eggs and whatever.

0:11:43.520 --> 0:11:44.960
<v Speaker 3>Yes, also think about it.

0:11:45.000 --> 0:11:46.800
<v Speaker 1>When I was in high school, we had to get

0:11:46.800 --> 0:11:49.160
<v Speaker 1>the fucking Atlas out on the World History Book, and

0:11:49.160 --> 0:11:51.000
<v Speaker 1>we were learning about all the horrific things that have

0:11:51.040 --> 0:11:53.080
<v Speaker 1>happened time and time again, and we were looking at

0:11:53.120 --> 0:11:55.160
<v Speaker 1>the Vietnam War and the burning of these people. Look

0:11:55.160 --> 0:11:57.719
<v Speaker 1>at these fans of these nude kids. They've been apalmed.

0:11:57.800 --> 0:11:59.679
<v Speaker 1>And I was his twelve year old. Yeah, and I'm like,

0:11:59.840 --> 0:12:03.640
<v Speaker 1>this is brutal. And then now we're like, seggs, meat pole.

0:12:04.080 --> 0:12:05.160
<v Speaker 1>I just think it's gone too far.

0:12:05.320 --> 0:12:08.679
<v Speaker 3>Meat Pole. I'm sorry, that's worse, meat Pole.

0:12:08.840 --> 0:12:09.960
<v Speaker 1>Yeah, meat polish.

0:12:09.960 --> 0:12:11.839
<v Speaker 3>It's worse than saying penis is fair.

0:12:12.440 --> 0:12:13.760
<v Speaker 1>And you know what, that's why Mitch and I getting

0:12:13.760 --> 0:12:16.160
<v Speaker 1>out of podcasting. Sorry, it's just the world is too woke.

0:12:16.200 --> 0:12:18.280
<v Speaker 1>And we went, oh my god.

0:12:18.120 --> 0:12:21.240
<v Speaker 3>Imagine, bitch, I can see meat pole. Oh yeah.

0:12:21.360 --> 0:12:24.120
<v Speaker 5>Do you remember when I had my award winning stand

0:12:24.200 --> 0:12:26.480
<v Speaker 5>up comedy show called water Off a duck's clit. Yeah,

0:12:27.240 --> 0:12:29.440
<v Speaker 5>people would censor the word clear, which by the way,

0:12:29.520 --> 0:12:30.280
<v Speaker 5>made it look worse.

0:12:30.440 --> 0:12:35.760
<v Speaker 3>See asterix asterix off for ducks. That's not better. But

0:12:35.800 --> 0:12:39.400
<v Speaker 3>I'm like, that's a body part. Yeah, shouldn't been. That's

0:12:39.440 --> 0:12:40.200
<v Speaker 3>not a swear word.

0:12:40.240 --> 0:12:43.120
<v Speaker 5>And so it's penis now out of bounds on TikTok,

0:12:43.400 --> 0:12:44.959
<v Speaker 5>but meat pole?

0:12:45.320 --> 0:12:47.240
<v Speaker 3>Yeah, fine, you know what did you'm on the fly?

0:12:47.400 --> 0:12:50.480
<v Speaker 1>Do we cater too much of society around around the kids?

0:12:51.040 --> 0:12:51.280
<v Speaker 7>Yeah?

0:12:51.440 --> 0:12:53.480
<v Speaker 1>Around kids. I don't swear in public because what if

0:12:53.480 --> 0:12:55.840
<v Speaker 1>the kids hear it? Go to school like I had to.

0:12:56.160 --> 0:12:56.360
<v Speaker 4>Yeah.

0:12:56.559 --> 0:13:00.000
<v Speaker 5>I literally learned to swear at a Catholic primary school.

0:13:00.200 --> 0:13:00.360
<v Speaker 7>Right.

0:13:00.760 --> 0:13:02.680
<v Speaker 5>He never sworn in my life when I was at

0:13:02.720 --> 0:13:04.400
<v Speaker 5>bog and Gate Public. As soon as I went to

0:13:04.440 --> 0:13:07.240
<v Speaker 5>the Catholic school, which you would think would be more uptight,

0:13:07.920 --> 0:13:11.120
<v Speaker 5>upstanding citizens whatever you think that's what I would be

0:13:11.120 --> 0:13:11.560
<v Speaker 5>walking into.

0:13:11.600 --> 0:13:13.800
<v Speaker 3>But no, they were puree for me, absolutely pure.

0:13:13.880 --> 0:13:15.880
<v Speaker 1>I went to a public school, you know, three kilometers

0:13:15.920 --> 0:13:18.520
<v Speaker 1>from the beach. It was brutal.

0:13:18.920 --> 0:13:21.640
<v Speaker 3>Yeah, there's nothing they haven't heard or said. I feel totally.

0:13:21.679 --> 0:13:24.640
<v Speaker 1>There were schmegs in the in the in the school bathroom. Yeah,

0:13:24.679 --> 0:13:25.400
<v Speaker 1>I'm not joking.

0:13:25.559 --> 0:13:26.160
<v Speaker 3>Schlubbies.

0:13:27.000 --> 0:13:28.760
<v Speaker 1>Oh my god, Slobby. I went to school with a

0:13:28.760 --> 0:13:32.880
<v Speaker 1>boy named Aaron Gobby. Aaron Gobby that's his Christian name?

0:13:33.679 --> 0:13:34.319
<v Speaker 1>Is gay?

0:13:34.720 --> 0:13:35.160
<v Speaker 3>Really?

0:13:35.520 --> 0:13:36.400
<v Speaker 1>Aaron Gobby Gay?

0:13:36.520 --> 0:13:38.480
<v Speaker 3>Well what's this fucking only fans name going to be?

0:13:38.520 --> 0:13:38.640
<v Speaker 7>Then?

0:13:38.760 --> 0:13:39.080
<v Speaker 1>Gobby?

0:13:39.280 --> 0:13:41.720
<v Speaker 3>You can't use it? The name and his birth certificate.

0:13:43.800 --> 0:13:46.840
<v Speaker 1>Called Gobby's globe. It just sounded like a pawn conglomerate.

0:13:47.000 --> 0:13:50.200
<v Speaker 5>Imagine if he got censored, he would Oh my god,

0:13:50.200 --> 0:13:53.079
<v Speaker 5>did I tell you this one time? Because I subscribed

0:13:53.120 --> 0:13:54.959
<v Speaker 5>to I can't remember what podcast it was. It might

0:13:55.000 --> 0:13:57.440
<v Speaker 5>have been like a Mum of Me or one or something. Yes,

0:13:57.520 --> 0:14:00.000
<v Speaker 5>and they interviewed Sarah Arbo from The Today Show.

0:14:00.200 --> 0:14:03.679
<v Speaker 3>Yeah, her last name is spelled ab oh no, and

0:14:03.840 --> 0:14:04.760
<v Speaker 3>the podcast.

0:14:04.440 --> 0:14:08.840
<v Speaker 5>App just automatically sensor it, so it's like a asterisk

0:14:08.920 --> 0:14:10.959
<v Speaker 5>o because they thought it was an indigenous slur.

0:14:11.880 --> 0:14:14.160
<v Speaker 3>Again, it's like the click thing that makes it look worse.

0:14:14.240 --> 0:14:15.040
<v Speaker 3>That's just her name.

0:14:15.360 --> 0:14:16.280
<v Speaker 1>That's really bad.

0:14:17.679 --> 0:14:20.560
<v Speaker 3>The title of the episode, it would have been automatic thing.

0:14:20.600 --> 0:14:21.280
<v Speaker 3>They didn't write it.

0:14:21.640 --> 0:14:23.720
<v Speaker 1>Of course, I get it. It's the same spelling as

0:14:23.720 --> 0:14:25.640
<v Speaker 1>a slur, so you know they're doing the algorithms, doing

0:14:25.680 --> 0:14:28.440
<v Speaker 1>the right thing. But still, yeah, who knew the algorithm

0:14:28.560 --> 0:14:29.040
<v Speaker 1>was so woke?

0:14:29.440 --> 0:14:31.360
<v Speaker 5>Yeah, and we've never been sensed in our title, So

0:14:31.360 --> 0:14:34.000
<v Speaker 5>everybody's made an episode title see you next Tuesday.

0:14:34.080 --> 0:14:36.160
<v Speaker 1>Oh my god, should we try? Why don't we? Why

0:14:36.160 --> 0:14:38.240
<v Speaker 1>don't you just write three swear words as the show

0:14:38.280 --> 0:14:42.080
<v Speaker 1>title today and see if it's okay? I want to

0:14:42.080 --> 0:14:43.360
<v Speaker 1>put prick.

0:14:44.040 --> 0:14:45.320
<v Speaker 3>That's barely a swear word.

0:14:45.480 --> 0:14:48.960
<v Speaker 1>Okay, slut o good?

0:14:49.600 --> 0:14:50.560
<v Speaker 3>No, I don't want to do that.

0:14:51.680 --> 0:14:52.680
<v Speaker 1>We don't want to lose the listen.

0:14:52.840 --> 0:14:55.560
<v Speaker 3>No, how confronting for someone who might.

0:14:55.480 --> 0:14:57.960
<v Speaker 1>Be new here, I don't think so, you know, make

0:14:58.000 --> 0:15:01.720
<v Speaker 1>new friends when you're terminal? What's the You can't bond?

0:15:02.120 --> 0:15:03.000
<v Speaker 3>That's terrible?

0:15:03.760 --> 0:15:04.920
<v Speaker 8>Is it just we?

0:15:08.400 --> 0:15:10.359
<v Speaker 3>Now all we're asking chalks?

0:15:11.000 --> 0:15:15.320
<v Speaker 5>Please please please read as my star?

0:15:17.080 --> 0:15:18.400
<v Speaker 3>Yeah?

0:15:18.920 --> 0:15:20.280
<v Speaker 1>What was that?

0:15:20.520 --> 0:15:21.240
<v Speaker 4>Was amazing?

0:15:22.080 --> 0:15:23.200
<v Speaker 3>You guys that was coming here?

0:15:24.960 --> 0:15:25.360
<v Speaker 1>Be board.

0:15:25.440 --> 0:15:27.280
<v Speaker 3>We made some jingles. You'll hear them over the next.

0:15:27.120 --> 0:15:29.160
<v Speaker 1>Three We guys have too much time on your hands.

0:15:30.240 --> 0:15:31.520
<v Speaker 3>I think we didn't take long.

0:15:31.760 --> 0:15:33.880
<v Speaker 1>Wow, we've got a gorgeous voice.

0:15:34.520 --> 0:15:35.640
<v Speaker 3>It was really beautiful.

0:15:36.000 --> 0:15:37.720
<v Speaker 5>Well, I'm also going to be blowing your minds of

0:15:37.760 --> 0:15:40.880
<v Speaker 5>my talent today. Should we do the violin recitle now?

0:15:41.480 --> 0:15:41.680
<v Speaker 7>Well?

0:15:41.760 --> 0:15:43.680
<v Speaker 1>No, we just had the musical treats of Oscar Kirk.

0:15:43.760 --> 0:15:46.440
<v Speaker 1>So perhaps we get our John Law's message. I see

0:15:46.520 --> 0:15:48.520
<v Speaker 1>you're saving the best to last. That sip you could

0:15:48.520 --> 0:15:48.840
<v Speaker 1>say that.

0:15:48.960 --> 0:15:52.280
<v Speaker 5>Yeah, see, we're only talk back things first. Yes, yeah, radio,

0:15:52.360 --> 0:15:52.840
<v Speaker 5>we can do that.

0:15:52.920 --> 0:15:53.200
<v Speaker 3>Let's go.

0:15:55.960 --> 0:15:58.840
<v Speaker 5>Whenever we hear cookedshit on talk back radio, we bring

0:15:58.840 --> 0:16:02.200
<v Speaker 5>it your way, idiots, because nobody in our sort of

0:16:02.200 --> 0:16:04.480
<v Speaker 5>age bracket really listens to talk about radio that much.

0:16:04.520 --> 0:16:06.440
<v Speaker 3>You don't need to. We'll keep you in the leap

0:16:06.440 --> 0:16:07.320
<v Speaker 3>if anything good happen.

0:16:07.440 --> 0:16:09.000
<v Speaker 1>Yeah, and we're going to trim the fat. These are

0:16:09.040 --> 0:16:10.960
<v Speaker 1>just the good cooked bits that you really want to listen.

0:16:11.120 --> 0:16:13.000
<v Speaker 1>You don't want to listen to the rambling about coal, seam

0:16:13.040 --> 0:16:15.040
<v Speaker 1>gas and Trump boring.

0:16:15.200 --> 0:16:17.360
<v Speaker 5>Yeah, don't go there. You're to send up angry and

0:16:17.400 --> 0:16:20.840
<v Speaker 5>brain dead pretty much. Yeah. And today we are paying

0:16:20.880 --> 0:16:24.840
<v Speaker 5>tribute again to John Laws because this Friday will be his.

0:16:24.880 --> 0:16:26.040
<v Speaker 3>Last day on air. Ever.

0:16:26.640 --> 0:16:30.120
<v Speaker 5>He announced that he's retiring from radio after seventy fucking years,

0:16:30.440 --> 0:16:32.640
<v Speaker 5>the same week that we announced we're ending the podcast.

0:16:32.880 --> 0:16:36.320
<v Speaker 5>So it's a huge blow to the broadcast industry. A

0:16:36.360 --> 0:16:38.400
<v Speaker 5>lot of legends are bowing out, aren't they.

0:16:38.400 --> 0:16:41.200
<v Speaker 1>Wait, So he's been on air for seventy years, Mitchell,

0:16:41.240 --> 0:16:41.840
<v Speaker 1>that's inside.

0:16:41.840 --> 0:16:43.240
<v Speaker 5>I don't know if that's in total though, because he

0:16:43.280 --> 0:16:45.920
<v Speaker 5>did retire once before, but then was like fuck it,

0:16:46.000 --> 0:16:46.840
<v Speaker 5>I miss it, I'm coming back.

0:16:46.880 --> 0:16:47.480
<v Speaker 1>I came back here.

0:16:47.600 --> 0:16:47.800
<v Speaker 7>Yeah.

0:16:47.840 --> 0:16:49.600
<v Speaker 5>So I guess that's a cumulative of the seventy years,

0:16:49.600 --> 0:16:51.760
<v Speaker 5>aren't So.

0:16:51.800 --> 0:16:53.600
<v Speaker 3>Do you want to hear the announcement that he's retiring.

0:16:53.680 --> 0:16:54.480
<v Speaker 1>I haven't heard it.

0:16:54.640 --> 0:16:56.680
<v Speaker 5>Okay, well here you are. We'll start with this and

0:16:56.680 --> 0:16:58.320
<v Speaker 5>then I've got a few cooked moments from him.

0:16:58.880 --> 0:17:03.680
<v Speaker 7>It's time for is what I think. And you know,

0:17:03.760 --> 0:17:06.359
<v Speaker 7>I've done it for a very very very very long time,

0:17:07.680 --> 0:17:10.640
<v Speaker 7>and I think that I'll just call it a day

0:17:11.560 --> 0:17:14.879
<v Speaker 7>and call it a day pretty soon, probably beginning of November.

0:17:15.760 --> 0:17:19.159
<v Speaker 7>Beginning of November, I think is probably the time. But

0:17:19.280 --> 0:17:24.480
<v Speaker 7>I've done it for seventy years. That's a long time. Wow,

0:17:25.240 --> 0:17:30.200
<v Speaker 7>long time. Fantastic years, fantastic years. Had a really really

0:17:30.240 --> 0:17:34.040
<v Speaker 7>good time, and love you know, most of it, loved

0:17:34.600 --> 0:17:38.280
<v Speaker 7>almost every minute of it. I'll travel, I'll sit about,

0:17:38.320 --> 0:17:40.760
<v Speaker 7>I'll read more than I read now, which is a

0:17:40.800 --> 0:17:44.680
<v Speaker 7>hell of a lot, but I'll read more. And when

0:17:44.720 --> 0:17:47.320
<v Speaker 7>I call it a day, it'll be a day. I'm

0:17:47.320 --> 0:17:50.120
<v Speaker 7>not going to go away and then come back again

0:17:50.160 --> 0:17:52.480
<v Speaker 7>and say, oh, it was all a mistake. It may

0:17:52.520 --> 0:17:57.920
<v Speaker 7>well be a mistake, but there'll be no return, no return.

0:17:58.200 --> 0:17:58.680
<v Speaker 7>That's it.

0:18:01.520 --> 0:18:01.919
<v Speaker 3>There you go.

0:18:02.119 --> 0:18:03.520
<v Speaker 1>I thought it was mass shooting at you there.

0:18:04.880 --> 0:18:05.960
<v Speaker 3>So yeah, he's.

0:18:05.840 --> 0:18:10.480
<v Speaker 5>Bowing out this Friday, November eighth, and we sat down

0:18:10.520 --> 0:18:12.040
<v Speaker 5>with him a couple of years ago, we've had him

0:18:12.040 --> 0:18:14.080
<v Speaker 5>on this podcast, and so on Friday, we're going to

0:18:14.160 --> 0:18:16.159
<v Speaker 5>repost that interview as like a little bonus thing, So

0:18:16.240 --> 0:18:17.359
<v Speaker 5>keep an eye for that in your feet.

0:18:17.440 --> 0:18:20.080
<v Speaker 1>We're massive radio nerds, right, and that's where you and

0:18:20.119 --> 0:18:22.320
<v Speaker 1>I met. So it was very full circle for us

0:18:22.359 --> 0:18:23.080
<v Speaker 1>to interview him.

0:18:23.160 --> 0:18:26.679
<v Speaker 5>Yeah, it was fucking intimidating. If you need reminding, like

0:18:26.760 --> 0:18:27.800
<v Speaker 5>you'll hear it on Friday.

0:18:27.840 --> 0:18:28.119
<v Speaker 3>It was.

0:18:28.600 --> 0:18:30.240
<v Speaker 5>He was a tough nut to crack. Put it that way.

0:18:30.520 --> 0:18:33.679
<v Speaker 5>But as we all know, because our idiots love hearing

0:18:33.720 --> 0:18:36.120
<v Speaker 5>talkback ting segments, as we know, he's at his best

0:18:36.119 --> 0:18:39.639
<v Speaker 5>when he's arguing with callers. Yeah, he doesn't really respond

0:18:39.720 --> 0:18:41.520
<v Speaker 5>well to criticism out John.

0:18:41.400 --> 0:18:44.119
<v Speaker 1>No, he doesn't not at all. No, And you know what,

0:18:44.119 --> 0:18:46.560
<v Speaker 1>you've been broadcasting for seventy years. Who is anyone else

0:18:46.600 --> 0:18:47.880
<v Speaker 1>to criticize him?

0:18:48.240 --> 0:18:49.439
<v Speaker 3>I think he fucking loves it.

0:18:49.520 --> 0:18:50.800
<v Speaker 1>Oh you think secretly he wants it.

0:18:51.000 --> 0:18:53.200
<v Speaker 5>I think he really enjoys, like yeah, like he would

0:18:53.200 --> 0:18:54.080
<v Speaker 5>never say it or produce that.

0:18:54.119 --> 0:18:55.680
<v Speaker 3>Oh, don't put them through, they're just going to roll

0:18:55.720 --> 0:18:57.760
<v Speaker 3>me up. He's like comel on fucking on. Yeah, right,

0:18:57.800 --> 0:18:58.800
<v Speaker 3>he knows good radio.

0:18:58.920 --> 0:19:01.159
<v Speaker 5>Yes, So the weird thing. I've got two examples. The

0:19:01.200 --> 0:19:03.200
<v Speaker 5>weird thing about the first one is that it's never

0:19:03.280 --> 0:19:06.160
<v Speaker 5>fucking clear what they're even arguing about. The caller has

0:19:06.160 --> 0:19:09.320
<v Speaker 5>an issue with John, but never actually says what it

0:19:09.400 --> 0:19:13.040
<v Speaker 5>specifies what it is. They just lockhorns from the instance

0:19:13.200 --> 0:19:14.159
<v Speaker 5>that he's let on, let's go.

0:19:16.119 --> 0:19:19.800
<v Speaker 7>One, three hundred bops, five, six, four. I just I'm sorry.

0:19:19.800 --> 0:19:20.720
<v Speaker 7>I nearly burped.

0:19:20.760 --> 0:19:22.320
<v Speaker 1>I didn't you did?

0:19:22.400 --> 0:19:25.639
<v Speaker 7>Kerry? Are you there? Yeah? Okay, Kerry, what do you

0:19:25.680 --> 0:19:26.440
<v Speaker 7>want to talk about?

0:19:27.280 --> 0:19:31.200
<v Speaker 1>Well, for starters, I believe you're a total hypocrite.

0:19:31.320 --> 0:19:35.840
<v Speaker 3>Oh dear, oh dear, bless me, and you chop and change.

0:19:36.000 --> 0:19:38.920
<v Speaker 7>Okay, okay, but hang on, hold, hold the phone. Would

0:19:38.960 --> 0:19:40.879
<v Speaker 7>you explain to me? Why hang on?

0:19:41.320 --> 0:19:42.400
<v Speaker 8>Just be quiet?

0:19:42.600 --> 0:19:47.560
<v Speaker 7>You be quiet, okay, floors, don't talk to me like that,

0:19:47.680 --> 0:19:51.040
<v Speaker 7>your old goat. What a vile human being you are.

0:19:51.359 --> 0:19:52.920
<v Speaker 7>I don't want you to listen to the program.

0:19:52.920 --> 0:19:55.960
<v Speaker 8>You're a you're can't even pronounce words correctly?

0:19:56.160 --> 0:19:59.480
<v Speaker 7>No, here we go? What word can't I pronounce correctly?

0:20:00.200 --> 0:20:00.680
<v Speaker 5>To yourself?

0:20:00.760 --> 0:20:02.159
<v Speaker 8>Just stumble over words?

0:20:02.440 --> 0:20:03.320
<v Speaker 1>God, you're a fool.

0:20:03.560 --> 0:20:05.320
<v Speaker 8>But anyway, you're a.

0:20:05.240 --> 0:20:09.320
<v Speaker 7>You're a horrible man. You're a nasty. You're a you're

0:20:09.400 --> 0:20:13.800
<v Speaker 7>a horrible, creepy kind of man. You wouldn't give me. Yes,

0:20:14.200 --> 0:20:18.280
<v Speaker 7>yes you are. You're creepy. And you're saying I'm a hypocrite.

0:20:19.240 --> 0:20:20.359
<v Speaker 1>You are a hypocrite.

0:20:20.400 --> 0:20:22.560
<v Speaker 7>Okay, but you haven't told me. You haven't told me

0:20:22.600 --> 0:20:23.680
<v Speaker 7>why I'm a hypocrite.

0:20:23.880 --> 0:20:24.959
<v Speaker 1>He's right to be quiet?

0:20:25.600 --> 0:20:27.479
<v Speaker 3>What be quiet?

0:20:27.520 --> 0:20:28.679
<v Speaker 1>That's what you tell people.

0:20:28.880 --> 0:20:32.560
<v Speaker 7>That's that's right. I do. I do. I'm doing the program,

0:20:32.880 --> 0:20:34.080
<v Speaker 7>and I wish you'd be crying.

0:20:34.400 --> 0:20:36.480
<v Speaker 3>Listen to listen to.

0:20:36.600 --> 0:20:39.560
<v Speaker 7>Will you do? To start with you halfway? You're an idiot?

0:20:39.960 --> 0:20:40.680
<v Speaker 7>Why do you listen?

0:20:41.480 --> 0:20:42.320
<v Speaker 1>Why am I creepy?

0:20:42.359 --> 0:20:42.800
<v Speaker 8>Laws?

0:20:42.840 --> 0:20:45.879
<v Speaker 7>Because you're listening to something that you obviously hate and

0:20:46.000 --> 0:20:48.919
<v Speaker 7>don't call and don't call me laws Kerry.

0:20:50.119 --> 0:20:53.800
<v Speaker 4>Yeah, your arguments now all the same, you pick you

0:20:53.960 --> 0:20:54.480
<v Speaker 4>just talk.

0:20:54.920 --> 0:20:58.200
<v Speaker 7>Why do you look? Why do you listen? Listen? Why

0:20:58.240 --> 0:21:03.399
<v Speaker 7>do you listen? You go, that's my business, it's my business.

0:21:03.480 --> 0:21:04.520
<v Speaker 7>It's me you're listening to.

0:21:05.320 --> 0:21:06.800
<v Speaker 3>That's donny, your bloody business.

0:21:06.840 --> 0:21:07.920
<v Speaker 5>How much you got in the bank?

0:21:08.000 --> 0:21:12.600
<v Speaker 7>Tell me, well, that's none of your business. Of crap. God,

0:21:12.680 --> 0:21:16.720
<v Speaker 7>you're nasty, you really are evil nasty man. Well, I

0:21:16.840 --> 0:21:18.320
<v Speaker 7>tell you what I'd like to be able to grab

0:21:18.359 --> 0:21:21.640
<v Speaker 7>you by the lapils. You're a real jerk. You are

0:21:21.680 --> 0:21:23.119
<v Speaker 7>a real jerk.

0:21:23.200 --> 0:21:24.920
<v Speaker 1>In your studio face to face.

0:21:25.000 --> 0:21:29.040
<v Speaker 7>Yeah yeah, okay, the door's open now, flim me up.

0:21:29.320 --> 0:21:31.159
<v Speaker 7>I'll tell you what. I'd love you to come in here.

0:21:31.320 --> 0:21:34.080
<v Speaker 7>You really are an unpleasant man. You're the kind of

0:21:34.480 --> 0:21:37.439
<v Speaker 7>you know my my pugilistic days are along behind me.

0:21:37.480 --> 0:21:40.120
<v Speaker 7>But I'd make an exception. You make me violent. I'd

0:21:40.200 --> 0:21:41.359
<v Speaker 7>like to smack you in the face.

0:21:46.640 --> 0:21:47.679
<v Speaker 3>You make me violent.

0:21:49.960 --> 0:21:54.080
<v Speaker 5>I also just love the little Oh I almost purp No.

0:21:56.440 --> 0:22:00.240
<v Speaker 7>One three hundred five six foot just some so. I

0:22:00.400 --> 0:22:01.320
<v Speaker 7>nearly did.

0:22:02.600 --> 0:22:04.800
<v Speaker 1>Doing a bit bomb. I didn't. That was skew.

0:22:07.600 --> 0:22:12.640
<v Speaker 3>The esopha guy. Is that what's cooled? That really escalated.

0:22:12.680 --> 0:22:14.800
<v Speaker 3>He wanted to hurt that man by the lapels. What

0:22:15.080 --> 0:22:16.280
<v Speaker 3>does that even mean? The lapels?

0:22:16.359 --> 0:22:18.840
<v Speaker 1>Well, like the lapel, like the little the part of

0:22:18.840 --> 0:22:19.240
<v Speaker 1>a collar.

0:22:20.359 --> 0:22:22.879
<v Speaker 3>Yeah yeah, okay. I kind of felt bad for John.

0:22:23.440 --> 0:22:25.720
<v Speaker 1>I did too. He never really explained why he like him.

0:22:25.800 --> 0:22:28.160
<v Speaker 3>No, we never got around to explaining why he's a hypocrite.

0:22:28.160 --> 0:22:30.080
<v Speaker 1>And John makes a good point that he's listening to.

0:22:30.040 --> 0:22:32.720
<v Speaker 3>The show that's the thing, and that he's a goat.

0:22:32.800 --> 0:22:33.720
<v Speaker 1>Oh the goat was great.

0:22:33.760 --> 0:22:38.280
<v Speaker 5>I loved he caught him a gos his insults the

0:22:38.320 --> 0:22:38.840
<v Speaker 5>early days.

0:22:38.840 --> 0:22:41.000
<v Speaker 3>We did a whole like montage.

0:22:40.480 --> 0:22:43.040
<v Speaker 5>Of his best insult. We've got even more to add

0:22:43.040 --> 0:22:46.520
<v Speaker 5>to the fucking listen. Now, another example, This lady called

0:22:46.520 --> 0:22:48.600
<v Speaker 5>in because apparently John had been speaking to a guy

0:22:48.680 --> 0:22:51.240
<v Speaker 5>on air that was like talking about being an alcoholic.

0:22:51.280 --> 0:22:54.399
<v Speaker 5>And John's not the most fucking sensitive creature. He just

0:22:54.480 --> 0:22:57.040
<v Speaker 5>kind of tough love approach about like you should get

0:22:57.080 --> 0:22:58.960
<v Speaker 5>off that stuff or something. And then this lady caught

0:22:59.040 --> 0:23:01.160
<v Speaker 5>up being like, oh, you should have handled that better.

0:23:01.200 --> 0:23:04.480
<v Speaker 5>And again, how does John respond to criticism?

0:23:04.640 --> 0:23:06.040
<v Speaker 3>No, not great?

0:23:07.040 --> 0:23:08.840
<v Speaker 7>How do you say your name Manaire?

0:23:09.000 --> 0:23:10.879
<v Speaker 5>Is that actually context I need to give as well

0:23:10.920 --> 0:23:12.520
<v Speaker 5>before I play that he does this thing every year

0:23:12.520 --> 0:23:15.439
<v Speaker 5>where he gives out Christmas puddings to certain callers, and

0:23:15.520 --> 0:23:17.560
<v Speaker 5>so that is the context you need to go into this.

0:23:17.600 --> 0:23:21.040
<v Speaker 7>Hang on, how do you say your name Manair? Is

0:23:21.080 --> 0:23:21.640
<v Speaker 7>that your name?

0:23:22.119 --> 0:23:22.880
<v Speaker 8>That's perfect?

0:23:23.080 --> 0:23:25.919
<v Speaker 7>Yeah? Okay, all right, mynir, Why why did you call me?

0:23:27.200 --> 0:23:30.240
<v Speaker 8>I just we go to the car because we're road

0:23:30.280 --> 0:23:33.480
<v Speaker 8>shipping my daughter and I we just kind of heard

0:23:33.520 --> 0:23:37.160
<v Speaker 8>the ending of the conversation with the man that had

0:23:37.200 --> 0:23:40.600
<v Speaker 8>the drinking problem. Yep, and yeah, I just felt really

0:23:40.640 --> 0:23:43.640
<v Speaker 8>sorry for him. I if you're giving out the pudding

0:23:43.800 --> 0:23:46.080
<v Speaker 8>to everyone that called, can I give him mine?

0:23:47.040 --> 0:23:49.360
<v Speaker 7>Oh? No, that's too complicated. But I'm happy to give

0:23:49.359 --> 0:23:51.720
<v Speaker 7>you a pudding if you'd like one. I can't.

0:23:51.880 --> 0:23:52.920
<v Speaker 8>I just send it to him.

0:23:53.280 --> 0:23:55.440
<v Speaker 7>No, I'm not going to do it because once we started,

0:23:55.800 --> 0:23:58.399
<v Speaker 7>we'll have everybody wanting to send it on to somebody else. Know,

0:23:58.960 --> 0:24:01.680
<v Speaker 7>So you either a or you don't accept it? Mane air,

0:24:02.760 --> 0:24:06.880
<v Speaker 7>I don't accept it, then, okay, why won't you accept it?

0:24:07.119 --> 0:24:08.320
<v Speaker 8>I just felt sorry to him.

0:24:09.280 --> 0:24:10.600
<v Speaker 7>Yeah, well I feel sorry for him.

0:24:10.640 --> 0:24:13.240
<v Speaker 8>To Jim, well, when you get off the booze, maybe

0:24:13.240 --> 0:24:16.159
<v Speaker 8>I'll give you a pudding. But if it was that easy,

0:24:16.200 --> 0:24:19.560
<v Speaker 8>don't you think he would be off it already. It's

0:24:19.640 --> 0:24:21.800
<v Speaker 8>very easy for someone like you to say just get

0:24:21.800 --> 0:24:24.840
<v Speaker 8>off it. He's got trauma and he's life that's not

0:24:24.960 --> 0:24:28.480
<v Speaker 8>helpful whatsoever. And he was actually really lovely to you. Yes,

0:24:28.520 --> 0:24:31.399
<v Speaker 8>he loved you, and I thought that you treated him

0:24:31.400 --> 0:24:34.600
<v Speaker 8>really unkindly, pat do you think he is feeling right

0:24:34.680 --> 0:24:36.640
<v Speaker 8>now after the conversation with you?

0:24:37.280 --> 0:24:41.160
<v Speaker 7>Listen Mania or whatever your neighbor is we know that man.

0:24:41.240 --> 0:24:44.280
<v Speaker 7>He's called before. I've dealt with him before, and he

0:24:45.240 --> 0:24:47.919
<v Speaker 7>likes me, even if you don't, my dear, and I

0:24:48.000 --> 0:24:50.480
<v Speaker 7>know that doesn't mean you know him. Listen to me,

0:24:50.520 --> 0:24:53.359
<v Speaker 7>You're stupid, bloody woman. Do you think that I don't

0:24:53.480 --> 0:24:56.040
<v Speaker 7>know how difficult it is to get off the booze.

0:24:56.080 --> 0:24:56.720
<v Speaker 7>I've spoken to.

0:24:56.760 --> 0:24:59.160
<v Speaker 8>Him a lot, a lot of.

0:24:59.119 --> 0:25:02.159
<v Speaker 7>Alcoholic keeps in my life. Would you do something for me?

0:25:03.359 --> 0:25:05.760
<v Speaker 8>No, Oh, that was my daughter, she said, No.

0:25:06.119 --> 0:25:07.000
<v Speaker 7>That was your daughter.

0:25:07.600 --> 0:25:11.640
<v Speaker 8>That was my daughter, who actually is a really emphathetic girl.

0:25:12.000 --> 0:25:13.680
<v Speaker 8>We got in the car, we turned on the radio

0:25:13.720 --> 0:25:15.840
<v Speaker 8>and she was really disgusted by what she heard. And

0:25:15.920 --> 0:25:18.120
<v Speaker 8>I just think you need to And how old is.

0:25:18.080 --> 0:25:19.119
<v Speaker 7>That precocious breath?

0:25:19.359 --> 0:25:20.960
<v Speaker 1>You start talking to people like that?

0:25:21.320 --> 0:25:23.200
<v Speaker 7>You would to mind your own damn business.

0:25:23.520 --> 0:25:25.240
<v Speaker 8>Well, don't have the radio show if you don't want

0:25:25.240 --> 0:25:25.919
<v Speaker 8>people listening.

0:25:26.119 --> 0:25:29.720
<v Speaker 7>I've done it for seventy years. I must be doing

0:25:29.760 --> 0:25:30.480
<v Speaker 7>something right.

0:25:32.040 --> 0:25:33.600
<v Speaker 6>Oh I want to start.

0:25:33.400 --> 0:25:36.199
<v Speaker 1>Doing that on my radio show, just pulling people bitches

0:25:36.240 --> 0:25:36.720
<v Speaker 1>and they're.

0:25:36.520 --> 0:25:39.359
<v Speaker 3>Going to the ad break, you dumb slot.

0:25:42.960 --> 0:25:45.719
<v Speaker 1>God. That was a that was intense. I would never

0:25:45.720 --> 0:25:46.760
<v Speaker 1>speak to a call like that.

0:25:46.840 --> 0:25:51.080
<v Speaker 3>I love the way that she absolutely had a point.

0:25:51.440 --> 0:25:53.440
<v Speaker 3>She did. It's like, nah, yeah she did.

0:25:53.680 --> 0:25:54.040
<v Speaker 7>She did.

0:25:54.160 --> 0:25:57.120
<v Speaker 4>And also all over a pudding, So do you want

0:25:57.119 --> 0:25:57.480
<v Speaker 4>a pudding?

0:25:57.760 --> 0:25:59.240
<v Speaker 1>She was pretty bold and you know what, she was

0:25:59.320 --> 0:26:02.240
<v Speaker 1>quite sweet with him. She's why why he upsets.

0:26:02.280 --> 0:26:03.520
<v Speaker 3>She didn't lash out one bit.

0:26:04.240 --> 0:26:08.439
<v Speaker 1>Reason he's got such a short temper. What he also like,

0:26:08.720 --> 0:26:12.160
<v Speaker 1>he's John Laws. He knows that there's a character. Half

0:26:12.200 --> 0:26:14.000
<v Speaker 1>of this is he guys, this is why people listen

0:26:14.080 --> 0:26:15.960
<v Speaker 1>to me. So he do this because you know, he

0:26:16.000 --> 0:26:17.520
<v Speaker 1>sees his opportunity. He takes it.

0:26:17.680 --> 0:26:20.080
<v Speaker 5>Often he'll have like a real punish of a caller

0:26:20.440 --> 0:26:22.560
<v Speaker 5>and he'll be patient with them and not lash out.

0:26:22.560 --> 0:26:24.080
<v Speaker 5>But then people will then call and be like, why

0:26:24.080 --> 0:26:26.439
<v Speaker 5>the fuck didn't you rip them to shreds? They kept it.

0:26:26.520 --> 0:26:28.479
<v Speaker 5>People are wanting him to lash out. Here's a national

0:26:28.560 --> 0:26:29.399
<v Speaker 5>is he I don't know.

0:26:29.560 --> 0:26:32.280
<v Speaker 3>It's like regional news South Wales, some stations in Queensland,

0:26:32.320 --> 0:26:33.960
<v Speaker 3>I don't know, got it right, yeah? Bit of everywhere?

0:26:34.040 --> 0:26:35.440
<v Speaker 1>Got yeahow.

0:26:36.320 --> 0:26:39.199
<v Speaker 5>And So because we are winding down the podcast and

0:26:39.240 --> 0:26:41.760
<v Speaker 5>we're big fans of John and we've met John, I

0:26:41.880 --> 0:26:44.840
<v Speaker 5>believe he was fond of us. He was Emily one

0:26:44.880 --> 0:26:47.880
<v Speaker 5>of our idiots suggested for our bucket list the things

0:26:47.920 --> 0:26:50.160
<v Speaker 5>we want to do before we wrap up the podcast

0:26:50.160 --> 0:26:53.160
<v Speaker 5>for good. She said, John Laws sending you guys off

0:26:53.160 --> 0:26:56.679
<v Speaker 5>one final time, and beautifully said, he put it on

0:26:56.720 --> 0:26:59.000
<v Speaker 5>the bucket list. Yeah, we know one of his producers.

0:26:59.040 --> 0:27:02.119
<v Speaker 5>He was one of our kind. Yes, he just queery us.

0:27:02.160 --> 0:27:02.840
<v Speaker 3>His name's we.

0:27:03.520 --> 0:27:05.159
<v Speaker 5>I said, do you reckon You could get a message

0:27:05.160 --> 0:27:08.480
<v Speaker 5>from John saying farewell to us and our podcast, good

0:27:08.560 --> 0:27:11.600
<v Speaker 5>luck with everything whatever, And he's like, yeah, leave it

0:27:11.640 --> 0:27:11.840
<v Speaker 5>with me.

0:27:11.920 --> 0:27:13.880
<v Speaker 3>And I said, even if he says no, to hell

0:27:13.920 --> 0:27:15.439
<v Speaker 3>with that. I don't want to be doing that.

0:27:15.680 --> 0:27:18.480
<v Speaker 1>Just record that that that'll be perfect. No.

0:27:18.480 --> 0:27:19.680
<v Speaker 3>No, he did more than that.

0:27:20.000 --> 0:27:23.000
<v Speaker 5>He actually recorded a message for us. But I just

0:27:23.160 --> 0:27:27.200
<v Speaker 5>think he didn't realize who he was talking to. You'll

0:27:27.200 --> 0:27:30.439
<v Speaker 5>soon understand why. I suspect that this is the message

0:27:30.440 --> 0:27:30.880
<v Speaker 5>from John.

0:27:30.880 --> 0:27:31.280
<v Speaker 6>You're ready.

0:27:31.320 --> 0:27:34.240
<v Speaker 1>Yeah, we've not heard this. Jenna hasn't heard an let's

0:27:34.240 --> 0:27:36.000
<v Speaker 1>go here we go okay.

0:27:36.040 --> 0:27:39.200
<v Speaker 7>Well, So as I hope you're happy in your retirements.

0:27:39.640 --> 0:27:41.760
<v Speaker 7>I tried it once, so I didn't like it very much,

0:27:42.359 --> 0:27:45.520
<v Speaker 7>so I came back to work. But I hope you

0:27:45.640 --> 0:27:49.760
<v Speaker 7>enjoy your retirement. You know you'll find you will get bored.

0:27:50.800 --> 0:27:54.040
<v Speaker 7>But you find a good woman or a good book,

0:27:54.760 --> 0:27:59.040
<v Speaker 7>preferably the former, and just enjoy yourselves. But if you

0:27:59.080 --> 0:28:03.400
<v Speaker 7>need any help, if you need any advice, not about

0:28:03.400 --> 0:28:06.160
<v Speaker 7>the women, no, that's your problem, but if you need

0:28:06.200 --> 0:28:09.560
<v Speaker 7>any advice about a good book to read. There's a

0:28:09.680 --> 0:28:14.639
<v Speaker 7>very good book called A Fortunate Life. I can't remember

0:28:14.680 --> 0:28:17.400
<v Speaker 7>his name, the bloke who wrote it, ab Facing, Yeah,

0:28:17.440 --> 0:28:22.480
<v Speaker 7>ab Facing, good book, A Fortunate Life. Read that, and

0:28:22.520 --> 0:28:25.480
<v Speaker 7>then when you throw that, read a bit of Earnest Hemingway,

0:28:25.520 --> 0:28:26.840
<v Speaker 7>and then go to sleep, good night.

0:28:27.960 --> 0:28:28.680
<v Speaker 3>That's it.

0:28:29.480 --> 0:28:30.640
<v Speaker 1>Go to sleep, good night.

0:28:31.520 --> 0:28:35.959
<v Speaker 5>Thanks John, thank you. Well, we'll do our best to

0:28:36.000 --> 0:28:36.920
<v Speaker 5>find a good wark.

0:28:37.040 --> 0:28:39.440
<v Speaker 1>We'll try, and a good book. And then he continued

0:28:39.480 --> 0:28:42.520
<v Speaker 1>to give us book recommendations. He didn't remember us.

0:28:43.080 --> 0:28:45.000
<v Speaker 5>His producer said to me, I don't know where he

0:28:45.040 --> 0:28:47.760
<v Speaker 5>got the retirement thing from. I never mentioned that you

0:28:47.800 --> 0:28:50.800
<v Speaker 5>guys are retiring, and said you're ending your podcast twenty eight.

0:28:52.000 --> 0:28:55.640
<v Speaker 1>Went off retiring for God's sake, we're gay, man, we

0:28:55.720 --> 0:28:56.640
<v Speaker 1>both have good men.

0:28:57.000 --> 0:28:58.720
<v Speaker 5>Oh we found a good woman in New Jenney, and

0:28:58.760 --> 0:29:01.640
<v Speaker 5>that's true. What if this Fortunate Life by A B.

0:29:01.800 --> 0:29:02.840
<v Speaker 5>Facing never heard of it?

0:29:02.920 --> 0:29:05.080
<v Speaker 1>I feel I have I feel like it's been around.

0:29:06.640 --> 0:29:07.840
<v Speaker 1>I don't know if I really want to.

0:29:08.200 --> 0:29:10.080
<v Speaker 3>Yeah, can't be bothered with that chill.

0:29:10.160 --> 0:29:11.840
<v Speaker 1>Thank you forgetting that. That's very sweet.

0:29:11.920 --> 0:29:12.720
<v Speaker 4>That was very good.

0:29:12.960 --> 0:29:15.040
<v Speaker 3>It could have been for anyone. It didn't feel specific.

0:29:15.120 --> 0:29:15.960
<v Speaker 1>No, but that's okay.

0:29:16.120 --> 0:29:16.600
<v Speaker 3>That's okay.

0:29:16.640 --> 0:29:17.000
<v Speaker 6>We got it.

0:29:17.120 --> 0:29:18.160
<v Speaker 3>Tech off the bucket leet.

0:29:18.320 --> 0:29:21.520
<v Speaker 1>Congratulations, We got a message from John Laws.

0:29:21.960 --> 0:29:23.200
<v Speaker 8>Is it just me?

0:29:28.240 --> 0:29:31.560
<v Speaker 1>Boom boom boom. Good evening, ladies and gentlemen. The performance

0:29:31.600 --> 0:29:35.360
<v Speaker 1>of Mitchell Coombs Concerto will begin shortly. Please take your seats.

0:29:35.640 --> 0:29:37.480
<v Speaker 3>Boom boom, boom, whitch off your mobile phones.

0:29:37.640 --> 0:29:40.480
<v Speaker 1>Mobile phone switched off to the woman in a white corduroy,

0:29:40.720 --> 0:29:43.880
<v Speaker 1>we can see your cleavage. Please have some decency for

0:29:43.920 --> 0:29:46.000
<v Speaker 1>the theater. It is vile.

0:29:46.480 --> 0:29:48.760
<v Speaker 3>So this is there. We're finding out if iron how

0:29:48.760 --> 0:29:49.440
<v Speaker 3>to play violin.

0:29:50.480 --> 0:29:52.440
<v Speaker 5>We tried to do these agents go on the podcast

0:29:52.480 --> 0:29:55.120
<v Speaker 5>in case you forgot I got you a gorgeous saxophone

0:29:55.120 --> 0:29:56.280
<v Speaker 5>to play, did outer.

0:29:56.440 --> 0:29:57.720
<v Speaker 3>And then you were going to get me a violin

0:29:57.800 --> 0:29:58.080
<v Speaker 3>to play.

0:29:58.080 --> 0:29:59.680
<v Speaker 5>You got me one where there was no horse hair

0:29:59.720 --> 0:30:03.520
<v Speaker 5>on the so I quite literally couldn't play it, And

0:30:03.560 --> 0:30:05.120
<v Speaker 5>then we could have never got a round to it.

0:30:05.160 --> 0:30:06.960
<v Speaker 5>This is back in like episode I think it was

0:30:07.040 --> 0:30:10.480
<v Speaker 5>eighty three or something. Fucking age as a guy, Jack

0:30:10.600 --> 0:30:12.360
<v Speaker 5>was the one that suggested this with the bucket least,

0:30:12.360 --> 0:30:14.040
<v Speaker 5>can we finally get Cooms to play violin?

0:30:14.280 --> 0:30:17.520
<v Speaker 3>Well, today it's the time, Jack, you ask you shall

0:30:17.520 --> 0:30:18.880
<v Speaker 3>receive a.

0:30:19.200 --> 0:30:22.920
<v Speaker 5>Erwin violins and Edgecliff for lending me this gorgeous fiddle.

0:30:23.840 --> 0:30:25.800
<v Speaker 5>For those that can't remember because it was so fucking

0:30:25.840 --> 0:30:28.000
<v Speaker 5>long ago. Do you want a little reminder of how

0:30:28.080 --> 0:30:29.719
<v Speaker 5>Cherry went with playing the saxophone.

0:30:29.800 --> 0:30:29.960
<v Speaker 1>Yeah?

0:30:30.520 --> 0:30:32.480
<v Speaker 5>It so this was you trying to play I of

0:30:32.480 --> 0:30:34.760
<v Speaker 5>the Tiger, which he boldly claimed if.

0:30:34.680 --> 0:30:36.840
<v Speaker 1>Given a saxophone, I could play the time, I could

0:30:36.840 --> 0:30:37.960
<v Speaker 1>play it from memory.

0:30:38.040 --> 0:30:55.880
<v Speaker 6>Yeah, exactly, I hear it.

0:30:59.000 --> 0:31:00.440
<v Speaker 3>Every repetitive.

0:31:08.080 --> 0:31:08.480
<v Speaker 8>You know what.

0:31:08.680 --> 0:31:11.040
<v Speaker 1>Not as bad as my memory is telling me.

0:31:11.240 --> 0:31:16.400
<v Speaker 3>That I remembered, I actually agree with Jenn. I remember being.

0:31:16.240 --> 0:31:19.280
<v Speaker 1>Quite that in a saxophone testy pop like that. That

0:31:19.440 --> 0:31:21.760
<v Speaker 1>was bizarre, bizarre.

0:31:21.840 --> 0:31:23.560
<v Speaker 5>It was like you thought it was a kazoo and

0:31:23.600 --> 0:31:25.760
<v Speaker 5>if you just hummed the notes and blew, it would have.

0:31:25.760 --> 0:31:28.600
<v Speaker 3>Just sound fine, blowing in time.

0:31:28.880 --> 0:31:32.640
<v Speaker 1>Okay, Yes, I'm not good at sax after all these years.

0:31:32.720 --> 0:31:35.040
<v Speaker 5>Yeah, I've got me fiddle let's see if I can remember.

0:31:35.200 --> 0:31:38.200
<v Speaker 5>I'm so excited, and I literally I don't reckon. I've

0:31:38.240 --> 0:31:39.920
<v Speaker 5>touched a violin in nearly ten years, so.

0:31:40.080 --> 0:31:42.720
<v Speaker 1>It'll be interesting. And you promised you didn't practice at home?

0:31:43.520 --> 0:31:46.960
<v Speaker 3>No, okay, No, I didn't not that. I don't promise.

0:31:47.840 --> 0:31:48.880
<v Speaker 1>You promise good, Okay.

0:31:49.000 --> 0:31:51.720
<v Speaker 3>I was thinking something simple like twinkle twink a little star.

0:31:52.040 --> 0:31:53.760
<v Speaker 1>Yeah, I think i'd start there. Oh my god, this

0:31:53.840 --> 0:31:57.400
<v Speaker 1>is a beautiful little fiddle chin rest. We're getting a

0:31:57.400 --> 0:31:58.160
<v Speaker 1>little git, are we?

0:31:58.560 --> 0:32:00.880
<v Speaker 3>Oh it's the shoulder restoring. That's fine, it's been a

0:32:00.880 --> 0:32:05.280
<v Speaker 3>while between turns. Oh wow, you right, Let's see if

0:32:05.280 --> 0:32:07.480
<v Speaker 3>the fucking bow works on this big issue last time.

0:32:07.880 --> 0:32:10.160
<v Speaker 1>Now, can you quickly refresh our memory? When did you

0:32:10.160 --> 0:32:11.080
<v Speaker 1>play in for how long?

0:32:12.360 --> 0:32:15.440
<v Speaker 5>I think I started getting lessons in year four, so

0:32:15.480 --> 0:32:18.720
<v Speaker 5>when I was ten, and then I gave up lessons

0:32:18.720 --> 0:32:20.720
<v Speaker 5>in like you're eleven or twelve.

0:32:20.880 --> 0:32:22.600
<v Speaker 4>And you used to play at the Antac.

0:32:22.320 --> 0:32:28.760
<v Speaker 5>Day Yeah, and the Christmas carols in gay Yes, all right, here's.

0:32:28.520 --> 0:32:31.200
<v Speaker 3>The bow moment. I'm going to have to tune it.

0:32:31.200 --> 0:32:37.600
<v Speaker 5>Obviously, this isn't the performance tuning noe.

0:32:39.840 --> 0:32:44.280
<v Speaker 3>Yeah, that's in tune. That is a bit on, sir,

0:32:44.480 --> 0:32:48.000
<v Speaker 3>it's like the start of a musical. Do you know

0:32:48.120 --> 0:32:50.200
<v Speaker 3>how I remember what notes to tune it to?

0:32:50.400 --> 0:32:50.520
<v Speaker 5>What?

0:32:50.840 --> 0:32:56.320
<v Speaker 3>Because there g d a good ah.

0:32:57.840 --> 0:32:59.840
<v Speaker 1>As still a bit on ABC?

0:33:00.080 --> 0:33:05.000
<v Speaker 3>Do that'll do?

0:33:05.160 --> 0:33:05.360
<v Speaker 7>Yeah?

0:33:05.400 --> 0:33:07.480
<v Speaker 3>That sounds did a good job.

0:33:08.760 --> 0:33:11.880
<v Speaker 5>So twrinkle trigger little sturrh is quite easy because there's

0:33:11.920 --> 0:33:14.280
<v Speaker 5>not many fingers involved. It's just the open note.

0:33:14.120 --> 0:33:16.680
<v Speaker 1>Like oh okay, well that's cheating.

0:33:20.120 --> 0:33:23.560
<v Speaker 5>Oh fuck, I've never played a violin with long nails before.

0:33:35.160 --> 0:33:37.120
<v Speaker 5>Whoa bit rusty?

0:33:38.600 --> 0:33:40.920
<v Speaker 1>Make sure that still sounds like a twinkle twinkle?

0:33:41.120 --> 0:33:43.600
<v Speaker 3>Whow you?

0:33:43.880 --> 0:33:44.760
<v Speaker 1>I was tightening the horse.

0:33:44.840 --> 0:33:49.720
<v Speaker 3>Yeah, I was tightening the bowl a bit. That's gorgeous anyway.

0:33:49.400 --> 0:33:53.240
<v Speaker 1>And will you be also performing I have the Tiger really?

0:33:53.400 --> 0:34:05.320
<v Speaker 4>No, I want Ie of the Tiger dead. That was

0:34:05.440 --> 0:34:09.600
<v Speaker 4>not can you say bittersweet symphony?

0:34:13.560 --> 0:34:13.680
<v Speaker 7>No?

0:34:13.840 --> 0:34:16.000
<v Speaker 3>Probably not all the way up here?

0:34:16.800 --> 0:34:21.879
<v Speaker 1>Oh no, I'm actually blown away. Can I try?

0:34:21.960 --> 0:34:24.719
<v Speaker 5>I think I could do it, though, I think I'll

0:34:24.760 --> 0:34:27.560
<v Speaker 5>talk to you know tw tw a little star again

0:34:27.600 --> 0:34:30.240
<v Speaker 5>because I used to play it in the school orchestra,

0:34:30.600 --> 0:34:31.799
<v Speaker 5>but I played the harmony bit.

0:34:32.440 --> 0:34:33.839
<v Speaker 3>So you have a guy. But I'm going to see

0:34:33.840 --> 0:34:35.960
<v Speaker 3>if I can find on YouTube someone else playing the lead.

0:34:36.160 --> 0:34:42.239
<v Speaker 1>Jenne past that. Thank you. How does it work?

0:34:42.480 --> 0:34:44.239
<v Speaker 3>You put the shoulder rest on your shoulder and your

0:34:44.280 --> 0:34:46.200
<v Speaker 3>chin on the chin rest. It's quite self explained.

0:34:46.880 --> 0:34:49.560
<v Speaker 1>That's such a protruding jawl like like that.

0:34:51.760 --> 0:34:54.640
<v Speaker 5>Also, see how your wrist is like leaning on the

0:34:54.760 --> 0:34:56.279
<v Speaker 5>violin theism meant to touch it.

0:34:56.239 --> 0:35:00.240
<v Speaker 1>At all and you go up or well you.

0:35:00.160 --> 0:35:01.360
<v Speaker 3>The bow can go both ways.

0:35:01.840 --> 0:35:04.160
<v Speaker 1>I reckon this a.

0:35:06.560 --> 0:35:14.600
<v Speaker 3>Bit more pressure. Okay, why are you only going one way?

0:35:14.920 --> 0:35:16.520
<v Speaker 3>You got up down up?

0:35:16.600 --> 0:35:23.080
<v Speaker 5>So sorry, hang on, how do you get the third note? Yeah,

0:35:23.120 --> 0:35:24.600
<v Speaker 5>that's where you put a finger on. Did you not

0:35:24.600 --> 0:35:25.960
<v Speaker 5>notice that I was putting my fingers sound?

0:35:26.000 --> 0:35:26.479
<v Speaker 3>No, I didn't.

0:35:26.600 --> 0:35:34.879
<v Speaker 1>I was looking at the other hand. Shit, all right, well,

0:35:34.920 --> 0:35:36.280
<v Speaker 1>what about like a Halloween version?

0:35:39.880 --> 0:35:41.480
<v Speaker 3>Hang on, let me see if I can do that.

0:35:41.600 --> 0:35:42.560
<v Speaker 3>I know what, I know what you mean?

0:35:42.600 --> 0:35:44.920
<v Speaker 1>You know what I mean? Like psycho?

0:35:45.040 --> 0:35:51.400
<v Speaker 5>Yeah, that would be all the way up here, that

0:35:51.520 --> 0:35:51.960
<v Speaker 5>sort of thing.

0:35:52.160 --> 0:35:56.800
<v Speaker 1>That's horrific. Wow, fun instrument.

0:35:56.880 --> 0:35:58.240
<v Speaker 3>I want to see if I can do this. Twinkle

0:35:58.280 --> 0:35:58.800
<v Speaker 3>took a little.

0:35:59.480 --> 0:36:00.719
<v Speaker 1>You need to google something.

0:36:02.120 --> 0:36:04.319
<v Speaker 3>Sorry, I'm trying to think of what keys.

0:36:04.360 --> 0:36:06.239
<v Speaker 1>Don't apologize. I'm taking a photo of this so I

0:36:06.239 --> 0:36:07.879
<v Speaker 1>can post it to the socials.

0:36:08.880 --> 0:36:15.359
<v Speaker 3>That's g hang on Twinkle Twink a little star, how

0:36:15.480 --> 0:36:17.960
<v Speaker 3>I wonder key of g on Earth you are?

0:36:20.360 --> 0:36:22.439
<v Speaker 5>Oh, look, some some ladies put it on you. Sue

0:36:22.480 --> 0:36:23.600
<v Speaker 5>Garba has put it on YouTube.

0:36:23.640 --> 0:36:25.080
<v Speaker 1>It's got two hundred views, thanks sir.

0:36:26.239 --> 0:36:27.000
<v Speaker 3>I can play along with that.

0:36:27.040 --> 0:36:29.840
<v Speaker 5>Okay, I have to remember my part. I've got no

0:36:29.920 --> 0:36:31.440
<v Speaker 5>sheet music. I'm just fucking.

0:36:31.920 --> 0:36:35.160
<v Speaker 3>Twinkle in G major in the third position that I

0:36:35.160 --> 0:36:40.000
<v Speaker 3>would like you to practice. Okay, I'll see if I

0:36:40.040 --> 0:36:40.520
<v Speaker 3>can join in.

0:36:54.320 --> 0:37:13.160
<v Speaker 1>Wow, wow in this ready altogether twin twinkle.

0:37:15.000 --> 0:37:26.560
<v Speaker 3>Shut up amount of time still and I nailed that, Ladies.

0:37:26.360 --> 0:37:29.280
<v Speaker 1>And gentlemen, Mitchell and I killed on the violin.

0:37:30.000 --> 0:37:31.240
<v Speaker 3>That was impressed, Mitchell.

0:37:31.239 --> 0:37:32.400
<v Speaker 1>That was good. I'm impressed.

0:37:33.000 --> 0:37:33.320
<v Speaker 6>Wow.

0:37:33.800 --> 0:37:36.960
<v Speaker 5>Maybe I should play it for our final episode.

0:37:37.800 --> 0:37:39.759
<v Speaker 3>Guys like Titanic.

0:37:40.320 --> 0:37:44.040
<v Speaker 1>Because we're doomed called again. It was like a hymn. Yeah,

0:37:44.080 --> 0:37:46.799
<v Speaker 1>what did they perform? Maybe that's how final laying.

0:37:46.800 --> 0:37:47.239
<v Speaker 3>It's the boat.

0:37:47.760 --> 0:37:50.120
<v Speaker 1>Yeah, what was the song they performed?

0:37:50.600 --> 0:37:52.120
<v Speaker 3>What's it called? It's a himn song.

0:37:52.400 --> 0:37:54.480
<v Speaker 1>Yeah, it's like Google Google song.

0:38:02.160 --> 0:38:02.640
<v Speaker 3>That's ship.

0:38:11.800 --> 0:38:12.000
<v Speaker 7>Yeah.

0:38:12.040 --> 0:38:17.479
<v Speaker 5>I'll play this as the podcast if you rehearse IMP's yeah.

0:38:17.640 --> 0:38:19.920
<v Speaker 1>No, it's not bad. You could even you could even

0:38:19.920 --> 0:38:22.360
<v Speaker 1>play it at home with Sean practice and then record it.

0:38:22.400 --> 0:38:24.160
<v Speaker 3>We could play it probably win because I've got to

0:38:24.160 --> 0:38:24.680
<v Speaker 3>give this back.

0:38:24.719 --> 0:38:27.960
<v Speaker 1>Ye're true. I'm sure they like the plug JD helping

0:38:28.120 --> 0:38:29.080
<v Speaker 1>me whatever it's called.

0:38:29.719 --> 0:38:31.680
<v Speaker 3>With Irwin violin, I got it.

0:38:31.800 --> 0:38:34.960
<v Speaker 1>We'll thank you to Erwin and and a violin. Mitchell,

0:38:34.960 --> 0:38:35.759
<v Speaker 1>great performance.

0:38:35.960 --> 0:38:38.760
<v Speaker 5>He said to me, have you got good muscle memory?

0:38:38.920 --> 0:38:40.319
<v Speaker 5>I was like, that's pretty much all I've got going

0:38:40.360 --> 0:38:41.600
<v Speaker 5>for me. I don't know what the funk notes I

0:38:41.640 --> 0:38:42.080
<v Speaker 5>just played on.

0:38:43.080 --> 0:38:45.400
<v Speaker 3>I remember where to put the fingers.

0:38:45.560 --> 0:38:47.120
<v Speaker 1>Hasn't that hasn't you never failed me?

0:38:47.960 --> 0:38:51.120
<v Speaker 3>Definitely a bit rusty though, that's all right? Wow, Wow,

0:38:51.360 --> 0:38:52.760
<v Speaker 3>that's brilliant Mitchell.

0:38:52.800 --> 0:38:53.560
<v Speaker 1>Great performance.

0:38:53.640 --> 0:38:55.440
<v Speaker 3>I feel like I'm ready for fucking carols in the

0:38:55.440 --> 0:38:55.960
<v Speaker 3>domain now.

0:38:56.960 --> 0:39:01.080
<v Speaker 1>Everyone I agree, that was beautiful. I don't really want okay,

0:39:01.160 --> 0:39:03.960
<v Speaker 1>don't go to that with John Laws. I've got no

0:39:04.040 --> 0:39:06.760
<v Speaker 1>musical ability. So for me, that is like dually performing

0:39:06.840 --> 0:39:07.719
<v Speaker 1>Madison Square Garden.

0:39:07.800 --> 0:39:09.320
<v Speaker 3>I'm just what did John have to do with that?

0:39:09.600 --> 0:39:12.680
<v Speaker 1>Well, that coupled with the John Laws No, just a bit.

0:39:12.960 --> 0:39:14.040
<v Speaker 1>I feel elated.

0:39:14.480 --> 0:39:15.680
<v Speaker 3>Three things off the buck list?

0:39:15.680 --> 0:39:18.120
<v Speaker 1>Tick tick tick nice, Yeah, got rid of u TI

0:39:18.160 --> 0:39:22.239
<v Speaker 1>another day. That's good. Thank you, all right, let's go.

0:39:22.320 --> 0:39:23.600
<v Speaker 1>Thanks for listening everyone.

0:39:23.360 --> 0:39:24.719
<v Speaker 5>Yes, we better get out of here. How are we

0:39:24.760 --> 0:39:27.359
<v Speaker 5>going with the following. I'm looking at the bucket least

0:39:27.480 --> 0:39:30.279
<v Speaker 5>of course. Oh another nap panpoint episode. We did that,

0:39:31.960 --> 0:39:33.960
<v Speaker 5>Lana says life on cut Girls.

0:39:33.640 --> 0:39:34.280
<v Speaker 6>On the podcast.

0:39:34.280 --> 0:39:35.839
<v Speaker 1>Oh, I can message.

0:39:36.320 --> 0:39:37.880
<v Speaker 3>I thought we already established that.

0:39:38.200 --> 0:39:41.200
<v Speaker 1>We'll join a message right now if you want, I'll

0:39:41.200 --> 0:39:42.520
<v Speaker 1>do it right now, Olivia.

0:39:42.719 --> 0:39:46.800
<v Speaker 5>Some more funny John Law's moments done. Yeah, Kate Langbrook

0:39:46.840 --> 0:39:47.520
<v Speaker 5>one last time.

0:39:47.640 --> 0:39:50.520
<v Speaker 3>That's locked in. Not a tick yet, but she is

0:39:50.560 --> 0:39:50.960
<v Speaker 3>coming on.

0:39:51.080 --> 0:39:54.440
<v Speaker 1>Kate is going to happen. I've asked for it.

0:39:54.520 --> 0:39:55.719
<v Speaker 3>Sweet. What about the other one?

0:39:55.800 --> 0:39:58.720
<v Speaker 1>Oh, I'll ask Laura as well? Okay, great, more responsive.

0:39:58.760 --> 0:39:59.439
<v Speaker 1>Laura's very busy.

0:39:59.440 --> 0:40:01.080
<v Speaker 3>This is all off the cloud. Chatlet we can probably

0:40:01.120 --> 0:40:03.719
<v Speaker 3>deal with later. We'll leave you to it, idiots. We'll

0:40:03.719 --> 0:40:04.800
<v Speaker 3>talk to you again next week.

0:40:05.160 --> 0:40:05.960
<v Speaker 1>Yes, so we do.

0:40:06.440 --> 0:40:09.960
<v Speaker 5>No, No, Sorry, I don't don't know what that means

0:40:09.960 --> 0:40:11.560
<v Speaker 5>to you come from no idea.

0:40:11.760 --> 0:40:13.839
<v Speaker 1>Thanks for listening. Five star review. If you don't mind,

0:40:13.880 --> 0:40:15.239
<v Speaker 1>and we'll see you all suit talk to you.

0:40:15.320 --> 0:40:15.919
<v Speaker 3>Say bye bye?

0:40:16.719 --> 0:40:17.920
<v Speaker 1>Is it just me?

0:40:18.480 --> 0:40:20.640
<v Speaker 3>A podcast by a couple of meches.

0:40:20.960 --> 0:40:24.640
<v Speaker 1>Make sure you've hit follow on your podcast.

0:40:24.160 --> 0:40:42.799
<v Speaker 5>At welcome to add brief our secret segment on the end,

0:40:42.880 --> 0:40:45.600
<v Speaker 5>we pretend that the show's done, but it is not. Jenna,

0:40:45.600 --> 0:40:46.600
<v Speaker 5>would you like to try the viilin?

0:40:46.719 --> 0:40:47.160
<v Speaker 4>Yeah? I do.

0:40:47.360 --> 0:40:50.520
<v Speaker 1>Yeah, I just want to say that the show's not done. Hey,

0:40:50.680 --> 0:40:52.160
<v Speaker 1>for those wondering, the show's not done?

0:40:52.239 --> 0:40:52.640
<v Speaker 3>No?

0:40:52.640 --> 0:40:56.600
<v Speaker 5>No, did you know Jennet that can I have the Yeah,

0:40:56.760 --> 0:41:02.279
<v Speaker 5>the horse, that's quite important. Did you notice a lot

0:41:02.280 --> 0:41:05.400
<v Speaker 5>of our idiots were saying, why the fuck didn't Jenna

0:41:05.640 --> 0:41:09.480
<v Speaker 5>try the labor simulator everyone that we were doing to

0:41:09.600 --> 0:41:11.600
<v Speaker 5>prove that women have a stronger threshold.

0:41:11.680 --> 0:41:15.920
<v Speaker 3>But I don't think you're the greatest example, because you're irogon.

0:41:16.040 --> 0:41:17.839
<v Speaker 3>You would have freaked out as well with that thing.

0:41:18.040 --> 0:41:18.880
<v Speaker 1>A powerful woman.

0:41:19.040 --> 0:41:21.680
<v Speaker 4>I had it on the whole time, and I was fine.

0:41:22.200 --> 0:41:25.120
<v Speaker 1>Jennets every month, don't you Jenny?

0:41:25.200 --> 0:41:25.399
<v Speaker 3>True?

0:41:25.560 --> 0:41:27.600
<v Speaker 1>Yeah, that's true. Women, you know it's.

0:41:27.480 --> 0:41:28.200
<v Speaker 3>Fucking weird though.

0:41:28.320 --> 0:41:30.600
<v Speaker 5>Yeah, with that tense machine thing, I got up to

0:41:30.640 --> 0:41:32.759
<v Speaker 5>number thirty and it killed you. Got up to number

0:41:32.800 --> 0:41:35.640
<v Speaker 5>twenty four and they were like, nah, that's enough. Sean

0:41:35.760 --> 0:41:38.319
<v Speaker 5>was like, for some reason, trying to prove a point.

0:41:38.360 --> 0:41:40.560
<v Speaker 3>He got up to fifty. Really, I was like, what

0:41:40.600 --> 0:41:42.600
<v Speaker 3>are you doing? And he's sitting there so calmly like, no,

0:41:42.640 --> 0:41:44.960
<v Speaker 3>it's fine. Jenne's kind of happen to go.

0:41:47.600 --> 0:41:50.439
<v Speaker 1>Oh, okay, it's medium.

0:41:50.480 --> 0:41:52.759
<v Speaker 5>So people think you're playing it like a piano. The

0:41:53.719 --> 0:41:56.759
<v Speaker 5>hands scoops underneath like that. Yes, it's like a guitar crater,

0:41:57.000 --> 0:41:59.680
<v Speaker 5>like you're holding it in the nape of a baby. Okay,

0:42:00.040 --> 0:42:02.520
<v Speaker 5>so the bow, you hold it like this. I don't

0:42:02.520 --> 0:42:04.080
<v Speaker 5>even realize that I was doing that by accent.

0:42:04.480 --> 0:42:05.759
<v Speaker 1>What holding it wrong?

0:42:06.040 --> 0:42:07.879
<v Speaker 3>No? I just knew how to hold the boat.

0:42:07.960 --> 0:42:10.759
<v Speaker 5>Oh, some goes under there, three fingers over and then

0:42:10.800 --> 0:42:13.080
<v Speaker 5>the pinky like that because sometimes you need to use

0:42:13.080 --> 0:42:14.040
<v Speaker 5>the pinky to flick it up.

0:42:14.920 --> 0:42:16.800
<v Speaker 1>Oh what does that do? Adds a bit of a bridle?

0:42:16.880 --> 0:42:17.480
<v Speaker 3>I can't remember.

0:42:19.200 --> 0:42:21.759
<v Speaker 5>Hang on, finger thumb through the middle and then the

0:42:21.760 --> 0:42:26.680
<v Speaker 5>pinky just goes on top. You don't actually, Yeah, and

0:42:26.800 --> 0:42:30.040
<v Speaker 5>you want to strike the boat between the fret board

0:42:30.040 --> 0:42:31.120
<v Speaker 5>and the bridge.

0:42:30.800 --> 0:42:34.000
<v Speaker 1>Like we put Samantha Jones on or whatever that YouTube

0:42:34.000 --> 0:42:37.960
<v Speaker 1>girl was, what's her name? Taylor?

0:42:39.080 --> 0:42:43.759
<v Speaker 3>A bit more pressure with the bow. Now, hang on,

0:42:43.800 --> 0:42:44.359
<v Speaker 3>I'll come here.

0:42:44.760 --> 0:42:46.680
<v Speaker 1>This is hard to watch and listen to.

0:42:46.840 --> 0:42:47.680
<v Speaker 3>This amount of pressure.

0:42:49.360 --> 0:42:50.799
<v Speaker 1>Yeah, that's better.

0:42:54.719 --> 0:42:56.200
<v Speaker 3>And then you need to put one finger down for

0:42:56.239 --> 0:43:05.359
<v Speaker 3>the next on that one. Yes, it's worse. One three

0:43:05.360 --> 0:43:16.239
<v Speaker 3>at a time is ideal. Wait wait, wait, now you're

0:43:16.239 --> 0:43:19.000
<v Speaker 3>saying that we don't hear for an hour.

0:43:19.120 --> 0:43:21.360
<v Speaker 1>We don't want the Yeah, we don't want the quality

0:43:21.360 --> 0:43:22.960
<v Speaker 1>of the show to drop in the final episodes.

0:43:23.800 --> 0:43:27.040
<v Speaker 3>And then you need three fingers on the string G.

0:43:27.200 --> 0:43:29.400
<v Speaker 1>String, which is what Jenna's got underneath their pants.

0:43:29.680 --> 0:43:32.239
<v Speaker 3>That was fun, Thank you. I'll have a bag. So

0:43:32.320 --> 0:43:35.120
<v Speaker 3>you know how I was doing one stroke per night?

0:43:35.400 --> 0:43:36.080
<v Speaker 1>Yeah, like.

0:43:38.719 --> 0:43:41.839
<v Speaker 5>You do like one stroke and then you need multiple notes.

0:43:41.880 --> 0:43:45.359
<v Speaker 5>It sounds good, It's like, but that sort of thing.

0:43:49.920 --> 0:43:59.240
<v Speaker 5>I've obviously not practice my skate out of practice choice.

0:44:00.239 --> 0:44:01.400
<v Speaker 3>You know what I was never able to do with

0:44:01.400 --> 0:44:04.120
<v Speaker 3>the vibrato. You know how they're like hanging a moving

0:44:04.160 --> 0:44:06.680
<v Speaker 3>because I would always instinctively shake my other hand with

0:44:06.760 --> 0:44:08.000
<v Speaker 3>you just be like.

0:44:09.560 --> 0:44:11.560
<v Speaker 1>Yeah, let me try. I just I don't need the

0:44:11.560 --> 0:44:12.680
<v Speaker 1>horse drink. So I'd like to play it like a

0:44:12.680 --> 0:44:15.160
<v Speaker 1>little banjo. I just want to see if it's possible.

0:44:15.640 --> 0:44:16.600
<v Speaker 3>I mean, I guess it is real.

0:44:17.480 --> 0:44:18.040
<v Speaker 1>Mom had a kid.

0:44:20.480 --> 0:44:23.200
<v Speaker 5>There's some songs that require you to pizzicato it you

0:44:23.239 --> 0:44:24.560
<v Speaker 5>know you play with a finger.

0:44:24.719 --> 0:44:26.120
<v Speaker 1>It's in my jaw, my jaw.

0:44:28.960 --> 0:44:32.000
<v Speaker 3>Okay, between the fret board and the bridge. Don't have

0:44:32.080 --> 0:44:41.160
<v Speaker 3>the bow on the black yah. Oh my god. Well

0:44:41.160 --> 0:44:46.879
<v Speaker 3>that was a noise. Yeah, I'm sorry. I can't listen

0:44:46.920 --> 0:44:49.080
<v Speaker 3>to any more of that. Stop give it back.

0:44:49.560 --> 0:44:54.319
<v Speaker 1>I tried. Man, I'm like musical. I've got every other

0:44:54.320 --> 0:44:56.160
<v Speaker 1>talent in the world. I can't have music as well.

0:44:56.800 --> 0:45:00.440
<v Speaker 3>Fun. Yeah, that was fine. That was very funn Jane.

0:45:00.440 --> 0:45:03.080
<v Speaker 3>It wasn't a money on those Lesons, but still vaguely

0:45:03.160 --> 0:45:05.720
<v Speaker 3>know what I'm doing. Oh, that was fun.

0:45:06.080 --> 0:45:09.680
<v Speaker 1>I think you should pick it up. I'm trying to

0:45:09.719 --> 0:45:10.479
<v Speaker 1>Oh that's fun.

0:45:12.200 --> 0:45:18.080
<v Speaker 3>I'm trying to do I can't remember that. No, I

0:45:18.120 --> 0:45:18.520
<v Speaker 3>can't do it.

0:45:19.160 --> 0:45:21.040
<v Speaker 1>Yeah, forget it, forget it.

0:45:21.680 --> 0:45:23.440
<v Speaker 3>You know I should have just gone out.

0:45:23.280 --> 0:45:27.040
<v Speaker 1>At a high. Yeah, it's a high.

0:45:27.080 --> 0:45:29.239
<v Speaker 3>I was better than this.

0:45:34.480 --> 0:45:39.719
<v Speaker 1>You can cut it now. It sounds like a goose

0:45:39.800 --> 0:45:42.600
<v Speaker 1>is choking on like a cash Loraine's trying to get

0:45:42.640 --> 0:45:42.879
<v Speaker 1>it out.

0:45:42.920 --> 0:45:45.960
<v Speaker 5>Another fucked up similly from you goose chugging on a

0:45:46.000 --> 0:45:46.719
<v Speaker 5>cash rain.

0:45:47.600 --> 0:45:49.680
<v Speaker 3>All right, we should go.

0:45:51.160 --> 0:45:53.480
<v Speaker 5>We hope this podcast made you feel at least two

0:45:53.520 --> 0:45:54.160
<v Speaker 5>percent better.

0:45:54.200 --> 0:45:55.520
<v Speaker 3>Today. That's all its two percent.

0:45:55.719 --> 0:45:58.640
<v Speaker 4>I wonder if the violin, if you could use if

0:45:58.640 --> 0:45:59.600
<v Speaker 4>you could use my hair.

0:46:00.200 --> 0:46:04.040
<v Speaker 5>I've already said that, yeah, but incentive that I was

0:46:04.280 --> 0:46:06.640
<v Speaker 5>pulling it real fucking tight in order to have that bow.

0:46:06.840 --> 0:46:08.839
<v Speaker 1>It's quite thin here you could.

0:46:10.080 --> 0:46:14.000
<v Speaker 5>Sorry, you guys also left the hanging. So this podcast,

0:46:14.040 --> 0:46:16.280
<v Speaker 5>oh sorry, made at least two percent better today.

0:46:16.280 --> 0:46:21.480
<v Speaker 3>That's all just two percent, so we nice. Catch you

0:46:21.520 --> 0:46:23.040
<v Speaker 3>back on Monday. We love you.

0:46:23.120 --> 0:46:25.120
<v Speaker 1>Thanks for listening to see then buy a buck the Bank?

0:46:25.440 --> 0:46:26.680
<v Speaker 7>Is It Just Me?

0:46:27.480 --> 0:46:31.160
<v Speaker 5>Podcast by a couple of Make sure you've hit follow

0:46:31.520 --> 0:46:33.240
<v Speaker 5>on your podcast app