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Speaker 1: Hour by the My Heart Radio app from ninety six

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Speaker 1: air VM to where Gabby You're listening today?

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Speaker 2: This is Clezy and Lisa's podcast.

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Speaker 3: Coming up on the podcast today, Anthony Lapalia is in

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Speaker 3: town for the Pulitzer Prize winning death of a salesman

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Speaker 3: and he joins us.

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Speaker 4: We caught up with Eliot Yo to talk about the

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Speaker 4: resuscitation of a footy club.

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Speaker 5: Took your calls on great lost and Found.

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Speaker 4: Stories and on the Shore Report an ultra rare Bob

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Speaker 4: Affett action figure going up for auction for a ridiculous

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Speaker 4: bucks and Lis So I did say to you recently,

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Speaker 4: I couldn't believe that there was a Loto win, not

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Speaker 4: just a lotto win, but two Lotto wins in Perth

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Speaker 4: for the same news agency. It was one of those

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Speaker 4: freaky situations, first division Lotto and I went, what are

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Speaker 4: the odds of that?

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Speaker 5: What are the chances?

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Speaker 4: So the winning place was Bishop Street News in Morley, right,

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Speaker 4: pretty freaky when you think about And they said it

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Speaker 4: wasn't such a big deal because it was a lineup,

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Speaker 4: but at a time, yeah, it was a syndicate and

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Speaker 4: they had to exchange numbers, put numbers down all that

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Speaker 4: and they just ended up with two syndicates that people

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Speaker 4: buy into for seventy bucks a peace, and they just

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Speaker 4: happened to have the same numbers. Amazing, Yeah, just incredible.

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Speaker 4: So one of the syndicates cost seventy bucks a share,

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Speaker 4: and a woman who had gone in there called the

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Speaker 4: news agency after the win of one hundred and ninety

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Speaker 4: eight thousand dollars. Her ticket was worth. Yeah, and she

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Speaker 4: called in and said, I can't believe I've lost my ticket.

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Speaker 4: She lost the syndicates syndicate, Well, it was her in particular,

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Speaker 4: her ticket, which had her name on her.

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Speaker 2: Oh, they all get a ticket. I've never been in

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Speaker 2: a syndicate.

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Speaker 4: You'll get a ticket to have proof of purchase. Oh okay,

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Speaker 4: So she lost it. They said, look, we suggest we've

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Speaker 4: had this happen before. We suggest you just go and

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Speaker 4: look everywhere again. Maybe check formal times. Yes exactly, that

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Speaker 4: sounded for us, So said woman. Check the car again,

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Speaker 4: check your pockets, all that stuff. Check your husband's pockets.

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Speaker 4: She called two hours later and pull up. She's in tears.

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Speaker 4: She still couldn't find a ticket, and she now knows

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Speaker 4: it's worth one hundred and ninety eight thousand dollars. Yeah,

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Speaker 4: sometimes when you buy a ticket, you go, can't believe

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Speaker 4: this little piece of paper could be worth a fortune?

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Speaker 4: It was, they said. Not long after that they called

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Speaker 4: it back. They said, stop crying. Yeah, come into the store.

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Speaker 4: A customer has found your ticket on the floor. It

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Speaker 4: has your name on it, and they've handed it in. Wow,

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Speaker 4: some good citizen has handed a ticket in. The winner

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Speaker 4: now has one hundred and we'll soon we'll be getting

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Speaker 4: her one hundred and ninety eight thousand dollars.

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Speaker 5: What if that good citizen knew probably know what they'd

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Speaker 5: picked up.

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Speaker 4: Have you ever found a lot of ticket? I found

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Speaker 4: a new lotto ticket once and I was going, when

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Speaker 4: do I feel guilty or move on? Move on with

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Speaker 4: life and spend it?

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Speaker 5: And got it to I mean, you don't know who's

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Speaker 5: I didn't have a name on it.

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Speaker 4: Yeah, no name on it. There was no name on it.

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Speaker 4: And you know what it won?

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Speaker 5: Nothing Jack?

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Speaker 4: Yeah, yeah, but this person one hundred ninety eight thousand dollars.

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Speaker 4: So I thought we'd open the phones on this one today.

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Speaker 4: I think it's a beauty when great lost and found stories.

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Speaker 4: Actually something of great value could be sentimental law to

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Speaker 4: value Jimmy in Ellenbrook.

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Speaker 2: What have you got for us? Jimmy me welcome whining

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Speaker 2: clues and Lisa.

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Speaker 4: Good, what you got for us? Made lost? And Fan.

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Speaker 6: Oh, just a few months ago, we're on a big,

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Speaker 6: well tripped family holiday and we were at Universal Studio

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Speaker 6: in California.

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Speaker 7: There.

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Speaker 6: Yeah, and they've got this brilliant indoor roller coaster, the

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Speaker 6: Coast of the Mummy roller Coaster. It's all in the

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Speaker 6: dark and the real thrill ride. And each individual car

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Speaker 6: is sort of two rows of three or four seats

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Speaker 6: of breast and there must be millions of these things.

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Speaker 6: They're firing one off every ten seconds, you know. So

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Speaker 6: we went on on that ride and they have a

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Speaker 6: little net pocket in front of your seat where you

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Speaker 6: can secure your belongings so things don't go flying all

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Speaker 6: over the place. And the kids and I my kids

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Speaker 6: are a bit older, and the three of us went

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Speaker 6: on and we thought, oh, that was so great. We'll

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Speaker 6: run around and que up and to go on it again.

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Speaker 6: And as we were getting on the ride the second

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Speaker 6: time after lining up, my son's gone, oh my god, Dad.

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Speaker 7: My phone.

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Speaker 6: I left it on the last carriage we were on,

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Speaker 6: and who knows, I mean, they weren't. We couldn't see

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Speaker 6: any numbers or whatever, and we were just getting strapped

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Speaker 6: in and he remembered which seat had been in on

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Speaker 6: the last right, and he just thought, on the off chance,

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Speaker 6: I'll turn around to the fellow and say, hey, by

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Speaker 6: any chances, there are an iPhone in that pocket in

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Speaker 6: front of you.

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Speaker 8: And yeah, it was still there.

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Speaker 6: No, we got in the exact same carriage there.

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Speaker 2: Oh wow, unbelievable. That was lucky.

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Speaker 4: That was fluke lucky found. Yeah, that's a beauty and

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Speaker 4: what a reliefs.

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Speaker 3: Jimmy, everything's on your phone now. Hasn't the thought of

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Speaker 3: losing my phone.

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Speaker 4: In holidays like that? You probably got incredible photos on it.

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Speaker 4: Probably might use it to pay for a whole lot

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Speaker 4: of stuff. Yes, it's such a pain, it's.

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Speaker 5: Just such a nightmare. You can totally do without.

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Speaker 3: Hayden and Les Murdy says, my brother Bendon took me

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Speaker 3: to the Western Derby at up To Stadium and when

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Speaker 3: the final siren went, we got to the car park

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Speaker 3: to get into the taxi and I searched my bag

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Speaker 3: and I left my phone upstairs and the cup holder,

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Speaker 3: which is a mile away anyway, when you're an optics, absolutely,

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Speaker 3: But an hour later it was handed into reception and

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Speaker 3: I got it back.

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Speaker 4: I see that restores your faked and tackle doesn't does.

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Speaker 4: That's very cool. They haven't tried to raise everything on

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Speaker 4: it and flog it off. Very nice. Good in Maddington.

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Speaker 2: Could I Craig, Hey, Craig, guys, there you goes.

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Speaker 4: Those great lost and found stories, you go one for us?

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Speaker 9: I do. Yeah.

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Speaker 10: Look, it's not a story of anything incredibly valuable, valuable,

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Speaker 10: but it is incredibly coincidental. So when I was thirteen,

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Speaker 10: for school camp, we went out.

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Speaker 11: On the bid Woman track and anyway, at nighttime, after dark,

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Speaker 11: went out for a.

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Speaker 10: Bit of a pee break and walked about.

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Speaker 11: Seventy hundred meters out from camp, and anyway, I stuck

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Speaker 11: a pocket knife in a tree and hung my compass on.

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Speaker 10: It, and anyway, I did my business.

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Speaker 7: And people started. Yeah.

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Speaker 10: Morning, I called my name and I got disorientated and

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Speaker 10: went back to camp. Couldn't find my knife again, got

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Speaker 10: all disorientated.

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Speaker 9: And I had to leave without it.

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Speaker 10: Looks just the next day couldn't find it. You know,

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Speaker 10: there's a lot of trees there, it looks.

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Speaker 11: Anyway, about three and a half years later, me and

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Speaker 11: my dad went on a hike on the Bibleman track

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Speaker 11: and again when fore break.

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Speaker 10: After stopping and you know, looked up as I was

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Speaker 10: doing enough and a half years later.

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Speaker 2: When the compass hanging off, it.

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Speaker 10: Calling off and get the knife out of the tree

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Speaker 10: because the tree has sort have started to grow into it.

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Speaker 4: That's Burke and Wills and Camel's andities in the tree.

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Speaker 3: That is incredible. Really, you know we were talking earlier, Craig.

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Speaker 3: They're making a movie on the bi Woman track. I

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Speaker 3: reckon that should be these people should find your knife.

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Speaker 4: All the scriptwriters.

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Speaker 2: Yeah, it's amazing.

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Speaker 7: Love that story.

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Speaker 4: Yeah, I bet you're good. You and to be shaking

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Speaker 4: your heads over that one. That's a ripper. It was great.

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Speaker 2: Yeah, thanks, great, that's the ripper.

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Speaker 4: So cool.

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Speaker 2: Leah in Leader.

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Speaker 7: Hello, Hello, good morning.

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Speaker 12: How are you.

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Speaker 5: Good's you're lost and found story?

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Speaker 13: My lost and found story is when I was getting

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Speaker 13: married in nineteen ninety five, my mother lent me my

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Speaker 13: nanna's real pearls for the winning Yes, yeah, something old

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Speaker 13: as well. Yeah yeah, and you know you go off

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Speaker 13: to the hotel for the night and then we just

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Speaker 13: packed up and come home. And then about a year later,

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Speaker 13: my mum goes to me, We've still got those pearls

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Speaker 13: like them back and I'm like, oh, okay, and do

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Speaker 13: you think I could find them? No way, no way

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Speaker 13: and how? And so then I decided and it's like stupidly,

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Speaker 13: I was like, oh no, I'm going to do it.

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Speaker 13: And I rang a clear voyant line and she said

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Speaker 13: to me, ring the hotel back and they're wrapped up

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Speaker 13: in a bunch of tissues.

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Speaker 2: No, I thought, no way.

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Speaker 13: So okay, I rang them and they're like, oh yeah,

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Speaker 13: they're still here and they delivered them to me and

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Speaker 13: they will wrapped up in tissues.

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Speaker 5: I'm clutching my pearls at the thought of them.

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Speaker 13: And I was able to wear them.

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Speaker 2: Oh that's beautiful.

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Speaker 8: I know.

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Speaker 13: I couldn't leave it because they were worth a bit

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Speaker 13: of money.

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Speaker 5: Did you tell you to the cautionary tale?

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Speaker 2: Yeah?

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Speaker 14: Yeah, because I'm from New Zealand.

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Speaker 13: My sister brought them over for my daughter's wedding and

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Speaker 13: she was able to wear them in New Zealand.

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Speaker 2: Yeah, that's incredible. Yeah, so the lock and key.

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Speaker 3: Thanks Leah, Leah, thank you great, have a good Actually

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Speaker 3: leave that a Clairvoyd told her where to look.

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Speaker 4: That's amazing. Do they have a lot of numbers for

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Speaker 4: the work.

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Speaker 3: That's better than your lotto guys, saying I suggest you

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Speaker 3: haven't a look.

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Speaker 4: So we're talking about this lost and found because a

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Speaker 4: woman lost her ticket without a ninety eight grand Yes,

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Speaker 4: someone found it on the floor.

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Speaker 3: Yeah, Danny in several grow says on our text line.

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Speaker 3: I once lost an envelope containing sixteen hundred dollars cash

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Speaker 3: and my plane ticket in a toilet at middland Gate

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Speaker 3: shopping center.

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Speaker 5: Took me ten minutes to realize that it had gone.

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Speaker 3: Thirty seconds before I got to the desk in a

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Speaker 3: you know, the info desk at the shops, a complete panic.

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Speaker 3: An angel of a human being had handed it in.

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Speaker 4: That is that in credible?

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Speaker 2: Is lucky?

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Speaker 4: Took about an out of jail, caam.

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Speaker 5: Most people are good.

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Speaker 3: You want to make sure that one of those people

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Speaker 3: is the ones you know, is the one that finds it.

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Speaker 4: You hope you just get lucky. Yeah, absolutely, let's get

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Speaker 4: a rocking am I this morning? How are you lost

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Speaker 4: and found? Story? Today?

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Speaker 9: A good news story and it's pretty recent. About six

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Speaker 9: months ago. I had to be up in town and

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Speaker 9: did not want to deal with parking. So I took

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Speaker 9: the train, did what I had to do was getting

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Speaker 9: back on the train to return to Rockingham, and tagged

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Speaker 9: on and sat down on the seat down on the

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Speaker 9: underground underknowns to me, my wallet, which is also my

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Speaker 9: tobacco wallet, fell out of my jacket pocket and deposited

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Speaker 9: itself on the seat next to me. Yest on the

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Speaker 9: got on the train, went to Rockingham. Didn't realize I

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Speaker 9: didn't have it till I went to tag off and went,

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Speaker 9: oh shit, great security, and they ran the video footage

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Speaker 9: and so forth, and it was it was clear that

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Speaker 9: a lady had picked it up, and with the hope

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Speaker 9: that maybe she was honest about it, good and clearly

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Speaker 9: stressed because money, tobacco, all my cards, everything. Yeah, So

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Speaker 9: off to my local tobacconist in Rockingham, I went.

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Speaker 2: To go and get smokes. Yeah.

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Speaker 4: Absolutely, I don't know.

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Speaker 9: What the heck possessed me to do so, but I

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Speaker 9: asked them had had anyone reported having found it? And

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Speaker 9: that was because I knew that to be the only

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Speaker 9: phone number in my wallet, And lo and behold, she

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Speaker 9: had she'd rung up, she said, she found Please get him,

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Speaker 9: Please get him to contact me, so I did it.

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Speaker 9: Turned out that was down in Mandra. So I jumped

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Speaker 9: on the train, went down a meadow and all intact

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Speaker 9: everything in it, and I had about from memory, I

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Speaker 9: think I had about seventy dollars in there. So I

250
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Speaker 9: handed it handed to the money So I can't take that.

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Speaker 8: That's not why I did it.

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Speaker 9: And I said, I don't care. I would have lost it.

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Speaker 9: You just saved me a fortune and having to replace everything.

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Speaker 3: Yeah.

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Speaker 4: Absolutely.

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Speaker 9: And then recently, I was only a couple of weeks

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Speaker 9: ago my sister turned around and had lost an umbrella

258
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Speaker 9: on the train coming down from Perth. Yeah, and said

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Speaker 9: that she wouldn't have bothered with it except for the

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Speaker 9: fact that she bought it at a Vano display and

261
00:11:19,040 --> 00:11:22,559
Speaker 9: was quite tentemental to her. She reported it and and

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Speaker 9: beholders at security and Mandra station.

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Speaker 4: Again, you guys are in a lucky streak.

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Speaker 2: Absolutely.

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Speaker 9: Yeah, it restores your faith in humanity does on the

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Speaker 9: right thing.

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Speaker 4: Yeah, very cool.

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Speaker 5: Good Sorry, Darren, good day.

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Speaker 4: You'd at least offer the woman some Becky, wouldn't you.

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Speaker 3: Donnor In Curranbine says a couple of years ago, three

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Speaker 3: of her adult children cad to Perth for a family wedding.

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Speaker 3: Would been to Frio on the last day, where there

273
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Speaker 3: was dreadful raining, really hard. We're almost at the Perth

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Speaker 3: station when my daughter realized couldn't find a wallet. They

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Speaker 3: caught an but back to Frio to backtrack their steps.

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Speaker 3: No one had seen anything, so she walked outside the

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Speaker 3: station for a little bit, despondent, never going to see

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Speaker 3: my stuff again. Look down and in the pouring rain,

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Speaker 3: there it was, sitting in the gutter.

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Speaker 5: Soaking wet.

281
00:12:13,160 --> 00:12:16,240
Speaker 3: Yeah, exactly, soaking wet, but everything's still inside.

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Speaker 2: It's amazing, So lucky.

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Speaker 7: Love it.

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Speaker 3: Max in Wembley, tell us about your friends good luck

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Speaker 3: lost and found story.

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Speaker 15: Yeah, good morning. This is my mate Burkie and we

287
00:12:27,600 --> 00:12:30,199
Speaker 15: were back in our younger days up in Broom, those

288
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Speaker 15: pearl divers. Burkeie was jumping down to do some work

289
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Speaker 15: on his dive and it was late in the nap

290
00:12:38,960 --> 00:12:42,040
Speaker 15: so very heavy spring tides coming in, so the tides

291
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Speaker 15: are huge.

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Speaker 12: Yes, he took his camera down with a big expensive

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Speaker 12: camera housing with the two handles, et cetera, to try

294
00:12:50,360 --> 00:12:53,440
Speaker 12: tack some photos of curdles or lails or shaft wherever

295
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Speaker 12: he wanted.

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Speaker 15: Anyway, during his dive, he's sort of clipped it off

297
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Speaker 15: onto his kit, but it's come loose, and he saw

298
00:13:00,880 --> 00:13:03,760
Speaker 15: his camera floating away in the tide. So he's swam

299
00:13:03,800 --> 00:13:06,040
Speaker 15: like man to get it, but obviously his hooked attached

300
00:13:06,080 --> 00:13:09,040
Speaker 15: to the boat with the hook of the airline, so

301
00:13:09,080 --> 00:13:12,280
Speaker 15: he couldn't get it, and watched his expensive camera in

302
00:13:12,320 --> 00:13:16,840
Speaker 15: the housing disappear into the tide. You know, came up

303
00:13:16,880 --> 00:13:21,160
Speaker 15: despondents said gone. A few months later, on another dive,

304
00:13:23,240 --> 00:13:27,640
Speaker 15: he was working away and the tide coumbled past his

305
00:13:27,720 --> 00:13:28,720
Speaker 15: camera in front of him.

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00:13:28,880 --> 00:13:34,000
Speaker 4: That's incredible of anywhere, anyone, any time with those tides.

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Speaker 7: I mean, it was just ridiculous.

308
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Speaker 15: It's crazy, but it actually think it would be more likely, yeah,

309
00:13:43,480 --> 00:13:47,960
Speaker 15: more likely to his camera chipped off a few bnacles.

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Speaker 7: It was.

311
00:13:51,520 --> 00:13:57,800
Speaker 3: Full of selfies of fish sealsags.

312
00:13:59,640 --> 00:14:00,800
Speaker 4: That is so cool.

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Speaker 3: Last level on Lost and Found Stories Darren and Poul Kennedy.

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Speaker 4: Hello, welcome, Darrendy.

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Speaker 7: Good.

316
00:14:08,080 --> 00:14:09,360
Speaker 4: What do you got for us? Boston fan?

317
00:14:10,880 --> 00:14:15,280
Speaker 8: I worke up in Mandering waterfront and made of mind

318
00:14:15,280 --> 00:14:17,200
Speaker 8: that I worked with He likes to collect cleans and

319
00:14:17,200 --> 00:14:20,240
Speaker 8: bottles for his drank kids. So we pulled over the

320
00:14:20,280 --> 00:14:22,040
Speaker 8: side of the road and I found this purse in

321
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Speaker 8: the bush because I just wandered around look at other stuff,

322
00:14:24,440 --> 00:14:27,920
Speaker 8: and it was all burnt and pretty old, and I

323
00:14:27,960 --> 00:14:30,800
Speaker 8: found all this ida and set of keys and stuff

324
00:14:30,800 --> 00:14:31,960
Speaker 8: that was inside this purse.

325
00:14:32,720 --> 00:14:37,800
Speaker 14: So I stopped this young lady on Facebook and founder

326
00:14:38,600 --> 00:14:43,000
Speaker 14: and mentioned to her there I found this person. She

327
00:14:43,520 --> 00:14:45,880
Speaker 14: saw a bit dubious, thinking I was a scammer, and

328
00:14:45,920 --> 00:14:48,880
Speaker 14: asked the photos of it all. So I took photos

329
00:14:48,880 --> 00:14:51,080
Speaker 14: and sent it to her, and she come back to

330
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Speaker 14: me with is that a set of keys there? And

331
00:14:53,040 --> 00:14:56,640
Speaker 14: I said, yeah, sure is And she said her purse

332
00:14:56,680 --> 00:14:59,040
Speaker 14: was stolen from a concert up in Mandar in ten

333
00:14:59,120 --> 00:15:03,160
Speaker 14: years earlier. Yes, she had since been married. And the

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00:15:03,280 --> 00:15:06,720
Speaker 14: set of keys was a red key on here that

335
00:15:06,880 --> 00:15:09,120
Speaker 14: was a blank that hadn't been cut. She said her

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00:15:09,200 --> 00:15:11,840
Speaker 14: husband had given that to her when she when he

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00:15:11,920 --> 00:15:14,920
Speaker 14: proposed to her, and that was a key to his heart. Oh,

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00:15:16,720 --> 00:15:21,160
Speaker 14: she couldn't believe that ten years. Yeah, she's got a

339
00:15:21,160 --> 00:15:23,680
Speaker 14: bit emotional, bet she did. I put it in the

340
00:15:23,680 --> 00:15:26,240
Speaker 14: middle Castle and send her to her. She now lives

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Speaker 14: in Melbourne.

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Speaker 4: Ye back, that's great, right, thanks, that's awesomes.

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Speaker 3: So they're making a movie said on the Bibleman track,

344
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Speaker 3: have you ever walked.

345
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Speaker 5: The Big Woman Track?

346
00:15:41,960 --> 00:15:42,640
Speaker 4: Never done it yourself?

347
00:15:42,680 --> 00:15:45,040
Speaker 5: I've walked on the Bibleman track. You haven't done the

348
00:15:45,040 --> 00:15:45,360
Speaker 5: whole thing?

349
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Speaker 3: Yeah, because you know there's bits of it all over

350
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Speaker 3: the place, so I have. It's not that I haven't

351
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Speaker 3: done the Bibleman track. I just haven't done the whole

352
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Speaker 3: Bibleman track.

353
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Speaker 4: Sure.

354
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Speaker 3: But apparently when the Bibleman Track Foundation heard the one

355
00:15:59,400 --> 00:16:02,120
Speaker 3: thousand trail was to be the setting of a new

356
00:16:02,160 --> 00:16:06,440
Speaker 3: feature film about a married couple's survival, they had what

357
00:16:06,480 --> 00:16:07,760
Speaker 3: a two word concern?

358
00:16:08,520 --> 00:16:11,400
Speaker 4: Wolf crek head on a stick.

359
00:16:11,880 --> 00:16:16,280
Speaker 3: Ever since the international success of Wolf Creek Back in

360
00:16:16,320 --> 00:16:19,400
Speaker 3: two thousand and five, it has often seemed as though

361
00:16:19,440 --> 00:16:23,800
Speaker 3: the Australian screen industry has been obsessed with genre films setting.

362
00:16:23,560 --> 00:16:23,960
Speaker 2: The up back.

363
00:16:24,000 --> 00:16:27,040
Speaker 3: I mean, it is the perfect setting. There hasn't been

364
00:16:27,080 --> 00:16:28,440
Speaker 3: that many though, and you.

365
00:16:28,440 --> 00:16:29,800
Speaker 4: Don't need CGI either.

366
00:16:29,880 --> 00:16:31,120
Speaker 5: There's been a few Wolf Creeks.

367
00:16:31,640 --> 00:16:34,080
Speaker 3: So you can't blame the Big Woman Track Foundation for

368
00:16:34,160 --> 00:16:37,400
Speaker 3: thinking end to end from the husband and wife team

369
00:16:37,480 --> 00:16:42,080
Speaker 3: behind twenty twenty two's indie hit Bass and Dream might

370
00:16:42,240 --> 00:16:46,040
Speaker 3: bring the wrong kind of publicity. Writer director Tim Boretto

371
00:16:46,120 --> 00:16:48,880
Speaker 3: and write a producer Melanie for Filler, admit there was

372
00:16:48,920 --> 00:16:52,800
Speaker 3: a moment of hesitation. Barretto says, I think the Big

373
00:16:52,840 --> 00:16:56,000
Speaker 3: Woman track foundation were relieved that we're not doing a

374
00:16:56,080 --> 00:17:00,760
Speaker 3: horror movie. In fact, we're doing a love story. End

375
00:17:00,760 --> 00:17:03,000
Speaker 3: to end is about a middle aged couple who make

376
00:17:03,040 --> 00:17:05,760
Speaker 3: a last ditch attempt to save their marriage by fulfilling

377
00:17:05,760 --> 00:17:08,399
Speaker 3: a long held promise to walk the Bibleman track together.

378
00:17:08,760 --> 00:17:10,680
Speaker 2: I couldn't think of anywhere where you'd be more likely

379
00:17:10,720 --> 00:17:12,760
Speaker 2: to be bickery, have a bit of a buny from

380
00:17:12,800 --> 00:17:15,240
Speaker 2: one end to the other there.

381
00:17:18,040 --> 00:17:20,720
Speaker 3: The film, as the title suggests, will be shot from

382
00:17:20,760 --> 00:17:23,200
Speaker 3: one end of the track to the other, from Calamunder

383
00:17:23,240 --> 00:17:27,440
Speaker 3: to Albany, with extended sequences in some towns along the way.

384
00:17:27,600 --> 00:17:30,800
Speaker 4: Right, Okay, so we look beautiful on the screen.

385
00:17:31,200 --> 00:17:33,679
Speaker 3: Yeah, I've seen a few movies about, you know, people

386
00:17:33,880 --> 00:17:36,560
Speaker 3: doing long walks with that Reese with a spoon.

387
00:17:37,280 --> 00:17:38,600
Speaker 5: That was a good I can't think what it was called,

388
00:17:38,600 --> 00:17:39,200
Speaker 5: but that was good.

389
00:17:41,200 --> 00:17:41,440
Speaker 7: Yeah.

390
00:17:41,480 --> 00:17:43,520
Speaker 5: So another another movie being made here.

391
00:17:43,560 --> 00:17:44,960
Speaker 3: But like I said, I don't think there'll be a

392
00:17:45,000 --> 00:17:47,960
Speaker 3: lot of cause for extras, not in that kind of

393
00:17:48,119 --> 00:17:50,800
Speaker 3: unless you know, you play hiker that they pass at

394
00:17:50,840 --> 00:17:53,959
Speaker 3: the year one hundred k marks. So you know you're

395
00:17:54,000 --> 00:17:56,680
Speaker 3: walking along with your backpack and you just go, huh, can.

396
00:17:56,640 --> 00:17:59,119
Speaker 4: We get a gig though, like as a German husband

397
00:17:59,119 --> 00:17:59,920
Speaker 4: and wife or something going out?

398
00:18:00,400 --> 00:18:01,920
Speaker 2: Then you're back to Wolf Creek.

399
00:18:02,600 --> 00:18:08,920
Speaker 3: You know that they know that what's gonna happens.

400
00:18:08,960 --> 00:18:10,399
Speaker 4: We're married couple.

401
00:18:11,840 --> 00:18:14,040
Speaker 5: We'll see, I'll put it, I'll put in a.

402
00:18:13,960 --> 00:18:18,640
Speaker 4: Call, Yeah, call the casting agents. A couple of more

403
00:18:19,520 --> 00:18:25,560
Speaker 4: more Lisa, more podcasts soon, honesty and broadcasting. We get

404
00:18:25,560 --> 00:18:27,560
Speaker 4: excited when someone special, certainly do.

405
00:18:27,880 --> 00:18:29,560
Speaker 5: We've been waiting a long time for this.

406
00:18:29,880 --> 00:18:32,640
Speaker 3: Arthur Miller's Pulitzer Prize winning Death of a Salesman who's

407
00:18:32,680 --> 00:18:36,880
Speaker 3: finally coming to the Crown Theater. It stars Emmy Golden

408
00:18:36,920 --> 00:18:40,719
Speaker 3: Globe and Tony Award winner. You are, Nelly and Egott.

409
00:18:42,440 --> 00:18:52,600
Speaker 3: I'm obsessed with he got but they got. Good to

410
00:18:52,640 --> 00:18:54,920
Speaker 3: see you, so lovely to have you join us in

411
00:18:55,000 --> 00:18:55,520
Speaker 3: the studio.

412
00:18:55,680 --> 00:18:57,480
Speaker 7: It's nice to be here.

413
00:18:57,880 --> 00:19:02,639
Speaker 3: Yeah, so Willy Lowman. Some of the names to have

414
00:19:02,640 --> 00:19:06,080
Speaker 3: played Willy Lowman over the years, Dustin Hoffman, Brian Dannahy,

415
00:19:06,640 --> 00:19:09,760
Speaker 3: Philip the Great, Philip Seymour Hoffman probably one of his

416
00:19:10,119 --> 00:19:11,080
Speaker 3: last sort.

417
00:19:10,880 --> 00:19:12,960
Speaker 2: Of roles George C. Scott.

418
00:19:13,720 --> 00:19:16,920
Speaker 3: I would imagine that as an actor, this is one

419
00:19:16,960 --> 00:19:19,600
Speaker 3: of those roles that is like, oh my god, I'm

420
00:19:19,600 --> 00:19:20,480
Speaker 3: going to be Willy Loman.

421
00:19:20,880 --> 00:19:25,240
Speaker 7: Yeah, it's intimidating. It's intimidating because I've seen two of those.

422
00:19:26,119 --> 00:19:26,920
Speaker 4: I saw few of those.

423
00:19:26,960 --> 00:19:29,560
Speaker 7: I saw Brian Danny do it, and I saw Philip

424
00:19:29,560 --> 00:19:34,320
Speaker 7: do it, and I've seen the original it was done

425
00:19:34,359 --> 00:19:37,960
Speaker 7: by Lee J. Cobb, which I actually think he's the best.

426
00:19:38,000 --> 00:19:38,600
Speaker 2: He's the greatest.

427
00:19:38,840 --> 00:19:41,880
Speaker 7: Yeah. Yeah, the old footage of the play I made,

428
00:19:42,560 --> 00:19:49,119
Speaker 7: and what's remarkable about him is that he looks like

429
00:19:49,280 --> 00:19:52,960
Speaker 7: sixty and that play thirty eight or thirty nine. He

430
00:19:53,080 --> 00:19:55,040
Speaker 7: just always looks like it's like me. I always looked

431
00:19:55,040 --> 00:19:55,880
Speaker 7: like an old guy.

432
00:19:56,359 --> 00:19:59,640
Speaker 4: He did not look like anth I walked down though.

433
00:20:00,000 --> 00:20:02,359
Speaker 4: I did Crown last week or two weeks ago, and

434
00:20:02,400 --> 00:20:04,480
Speaker 4: I walked in and there were posters if you were everywhere,

435
00:20:05,840 --> 00:20:08,959
Speaker 4: no off putting. I'm going to be honest. There are

436
00:20:08,960 --> 00:20:11,359
Speaker 4: dozens of them. I couldn't avoid you. And as a

437
00:20:11,359 --> 00:20:13,760
Speaker 4: fan that makes me excited. But as a performer, what

438
00:20:13,800 --> 00:20:15,760
Speaker 4: excites you about a production like this? Is it just

439
00:20:15,800 --> 00:20:17,400
Speaker 4: being involved in something so legendary.

440
00:20:17,600 --> 00:20:22,119
Speaker 7: Well, I hadn't done a play. I mean I started

441
00:20:22,119 --> 00:20:26,800
Speaker 7: out in theater. I probably did my first seven years

442
00:20:27,000 --> 00:20:30,200
Speaker 7: my career in theater and very little film or TV

443
00:20:30,400 --> 00:20:35,840
Speaker 7: or anything. And then it switched over because in your

444
00:20:35,880 --> 00:20:40,360
Speaker 7: thirties to start going, I need a couch, I need

445
00:20:40,359 --> 00:20:43,320
Speaker 7: a TV. Nothing. But fitter doesn't pay. Usually it doesn't

446
00:20:43,320 --> 00:20:45,960
Speaker 7: pay that well, especially when you're doing off off off

447
00:20:46,000 --> 00:20:49,560
Speaker 7: broadds and I started off off Broadway. Yeah, got off Broadway,

448
00:20:49,560 --> 00:20:52,240
Speaker 7: and then finally got to Broadway. And even on Broadway

449
00:20:54,000 --> 00:20:58,439
Speaker 7: it pays okay, but compared to film and television, we

450
00:20:58,520 --> 00:21:03,400
Speaker 7: can really make a few quid. And so I went

451
00:21:03,440 --> 00:21:05,399
Speaker 7: off and you know, I started doing some movies and

452
00:21:05,480 --> 00:21:07,840
Speaker 7: had a bit of success there, but I'd make a

453
00:21:07,880 --> 00:21:10,880
Speaker 7: point of going back every couple of years and doing

454
00:21:10,880 --> 00:21:14,760
Speaker 7: a play. And then I ended up doing a series

455
00:21:15,240 --> 00:21:20,119
Speaker 7: that went for seven years. And then I never I

456
00:21:20,119 --> 00:21:25,000
Speaker 7: stepped away from theater completely, and I had never The

457
00:21:25,080 --> 00:21:27,760
Speaker 7: last time I did theater was probably ten years ago.

458
00:21:28,440 --> 00:21:31,640
Speaker 7: I did a Broadway production of something in New York,

459
00:21:33,000 --> 00:21:39,240
Speaker 7: and I thought me, I'm probably not going to do it.

460
00:21:39,480 --> 00:21:41,879
Speaker 7: You know, I'm sixty five now, probably not going to

461
00:21:44,320 --> 00:21:47,800
Speaker 7: you know, I probably, Oh, stick with TV and film.

462
00:21:48,200 --> 00:21:54,879
Speaker 7: And this came up and these producers approached me about

463
00:21:54,920 --> 00:22:00,000
Speaker 7: it and I read it and I had to go

464
00:22:00,200 --> 00:22:04,520
Speaker 7: fortune of working with Arthur Miller when he was alive

465
00:22:05,520 --> 00:22:09,320
Speaker 7: on View from the Bridge, and it just reminded me

466
00:22:09,520 --> 00:22:11,879
Speaker 7: of what a great experience i'd had on that. And

467
00:22:11,920 --> 00:22:13,600
Speaker 7: then I read Death of the salesm because I hadn'tad

468
00:22:13,640 --> 00:22:17,040
Speaker 7: it in a long time, and I went, I just

469
00:22:17,280 --> 00:22:19,840
Speaker 7: I cannot pass this up. When am I going to

470
00:22:19,920 --> 00:22:23,800
Speaker 7: get you know, I've only you know, I'm clocking up

471
00:22:23,800 --> 00:22:27,879
Speaker 7: the miles on the old meter. How much time have

472
00:22:27,960 --> 00:22:29,640
Speaker 7: you got left to do what you'd like to do?

473
00:22:30,640 --> 00:22:36,320
Speaker 7: And as soon as I got back into it, I thought,

474
00:22:36,320 --> 00:22:39,200
Speaker 7: why did I ever leave this? Yeah, it's the reason

475
00:22:39,240 --> 00:22:42,959
Speaker 7: I got into it. And movies in TV they've just

476
00:22:43,000 --> 00:22:46,520
Speaker 7: become not all of them, a lot of them have

477
00:22:46,640 --> 00:22:48,160
Speaker 7: just become product.

478
00:22:48,560 --> 00:22:48,760
Speaker 2: You know.

479
00:22:50,680 --> 00:22:53,600
Speaker 7: They've got so many different channels and out, you know,

480
00:22:53,960 --> 00:22:59,320
Speaker 7: different different places to so many streamers, so many streamers

481
00:22:59,320 --> 00:23:01,399
Speaker 7: that they just need materials. So half the stuff you

482
00:23:01,440 --> 00:23:06,639
Speaker 7: read it's just it's unactable. I mean, it's not.

483
00:23:06,760 --> 00:23:07,960
Speaker 2: All Voice Wallows universe.

484
00:23:08,800 --> 00:23:14,040
Speaker 7: It is not all Boy Swallows universe. Yeah, and most

485
00:23:14,040 --> 00:23:16,080
Speaker 7: of it's pretty average and pretty bad. And even if

486
00:23:16,080 --> 00:23:18,159
Speaker 7: it's good, you have to look at the people that

487
00:23:18,160 --> 00:23:22,000
Speaker 7: are doing it, and they have an unbelievably fantastic knack

488
00:23:22,040 --> 00:23:25,240
Speaker 7: of taking something good and just hacking it to pisas.

489
00:23:26,080 --> 00:23:27,880
Speaker 7: So you know, you read the script that is good

490
00:23:27,920 --> 00:23:29,760
Speaker 7: and then you see it and you go, who who

491
00:23:29,920 --> 00:23:30,359
Speaker 7: edited this?

492
00:23:31,040 --> 00:23:31,640
Speaker 4: I've got some.

493
00:23:31,880 --> 00:23:33,840
Speaker 7: Mouse trying to get it cheese.

494
00:23:33,640 --> 00:23:36,920
Speaker 4: Or just just chopped it. So disappointing.

495
00:23:37,280 --> 00:23:40,720
Speaker 3: Yeah, so, but I guess it affords you the opportunity

496
00:23:40,800 --> 00:23:41,399
Speaker 3: to then do it.

497
00:23:41,520 --> 00:23:48,359
Speaker 7: Does it does? And then you know I came I

498
00:23:48,400 --> 00:23:51,199
Speaker 7: came out to do it. And the other connection I

499
00:23:51,200 --> 00:23:54,120
Speaker 7: had with it was that Neil Armfield, who's the director.

500
00:23:54,960 --> 00:23:59,720
Speaker 7: We'd done a movie or two together before, and we

501
00:23:59,800 --> 00:24:02,639
Speaker 7: had who talked about the prospect of doing theater together.

502
00:24:03,119 --> 00:24:05,800
Speaker 7: And when I heard he was going to direct, it's

503
00:24:05,840 --> 00:24:08,159
Speaker 7: just not even there was no question that it was

504
00:24:08,200 --> 00:24:15,040
Speaker 7: not going to be He has and you know, he's

505
00:24:15,119 --> 00:24:19,040
Speaker 7: probably one of the best theater directors in the country. Sure,

506
00:24:20,119 --> 00:24:22,520
Speaker 7: I'm probably one of the best directors in general, I think,

507
00:24:23,720 --> 00:24:30,040
Speaker 7: but he's very he's very specific, and he he did

508
00:24:30,040 --> 00:24:32,760
Speaker 7: something with this play that takes it out of the

509
00:24:32,880 --> 00:24:38,240
Speaker 7: ordinary what I call kitchen table drama. He's opened up

510
00:24:38,280 --> 00:24:42,840
Speaker 7: the stage right, so you're much more involved in the

511
00:24:42,840 --> 00:24:47,359
Speaker 7: whole community instead of being a kitchen table drama. So

512
00:24:47,440 --> 00:24:50,119
Speaker 7: it has more scope, which is why we can do

513
00:24:50,119 --> 00:24:55,119
Speaker 7: it at the casino. Yeah, the set's quite beautiful. But

514
00:24:55,359 --> 00:24:58,199
Speaker 7: he solved a problem that that's always been there with

515
00:24:58,240 --> 00:25:01,040
Speaker 7: that play. Is how he opened it up and how

516
00:25:01,080 --> 00:25:03,720
Speaker 7: do you're not have it in the traditional everyone's packed

517
00:25:03,720 --> 00:25:06,240
Speaker 7: tight in the kitchen. Just good in a three hundred

518
00:25:06,240 --> 00:25:08,720
Speaker 7: three theater, it's not good in when you've got a

519
00:25:08,760 --> 00:25:09,480
Speaker 7: thousand three theater.

520
00:25:09,960 --> 00:25:13,280
Speaker 3: It's not to be discounted that it's it's not a

521
00:25:13,359 --> 00:25:18,639
Speaker 3: doddle physically. It is a three hour play, so you know,

522
00:25:18,680 --> 00:25:21,840
Speaker 3: I guess you've got to carefully pace yourself for the

523
00:25:21,920 --> 00:25:24,439
Speaker 3: run to because there's matinee as well.

524
00:25:24,640 --> 00:25:29,080
Speaker 7: With a lot with Arthur's stuff, you cannot phone it in.

525
00:25:30,080 --> 00:25:32,600
Speaker 7: You have to mean what I work with them, got

526
00:25:32,600 --> 00:25:34,199
Speaker 7: to be on your game. He was very you know,

527
00:25:34,480 --> 00:25:36,320
Speaker 7: I loved him because he was just such a blunt

528
00:25:36,359 --> 00:25:39,120
Speaker 7: human but n you know.

529
00:25:39,400 --> 00:25:40,760
Speaker 5: Oh, he'll haunt you if you don't.

530
00:25:41,080 --> 00:25:47,760
Speaker 7: I mean, basically, his his his his opinion always was

531
00:25:49,119 --> 00:25:52,600
Speaker 7: if you just say the words. If you just say

532
00:25:52,600 --> 00:25:55,639
Speaker 7: the dialogue as quickly as just get it out as

533
00:25:55,720 --> 00:25:58,719
Speaker 7: quickly as possible, this other thing will take over and

534
00:25:58,760 --> 00:26:01,600
Speaker 7: it will come to life. And that's what happens how

535
00:26:01,640 --> 00:26:04,600
Speaker 7: fast you do it. This emotional stuff starts to write.

536
00:26:05,720 --> 00:26:07,119
Speaker 7: So when you read it on the page, it's a

537
00:26:07,119 --> 00:26:09,800
Speaker 7: bit bare bones looking. It doesn't do many stage directions

538
00:26:09,840 --> 00:26:15,320
Speaker 7: or anything. But if you play the dialogue with much commitment,

539
00:26:15,400 --> 00:26:19,240
Speaker 7: as much and as quickly as possible. Now that I

540
00:26:19,240 --> 00:26:22,040
Speaker 7: think we've got it down to under three hours, but

541
00:26:22,119 --> 00:26:25,879
Speaker 7: that's kind of rare. Yeah, and that's going for You

542
00:26:25,880 --> 00:26:28,399
Speaker 7: can think you're going full you know, full tilt on

543
00:26:28,440 --> 00:26:32,359
Speaker 7: it because it is. It is what I like to

544
00:26:32,359 --> 00:26:35,239
Speaker 7: call it, an energetic play. There's a lot going on.

545
00:26:37,640 --> 00:26:42,000
Speaker 7: And you know, so we started in Melbourne and the producers,

546
00:26:42,040 --> 00:26:43,920
Speaker 7: I guess you know, wanted to see how it went

547
00:26:43,960 --> 00:26:46,720
Speaker 7: and went over well enough for us to take you

548
00:26:46,800 --> 00:26:49,280
Speaker 7: to Sitney, did well enough for us to now come

549
00:26:49,280 --> 00:26:52,919
Speaker 7: to Perth. So I'm hoping that, you know, we can

550
00:26:53,000 --> 00:26:56,000
Speaker 7: get the lovely people of Berth to.

551
00:26:55,359 --> 00:26:57,640
Speaker 4: Come out for a night and come and see someone

552
00:26:57,640 --> 00:27:00,880
Speaker 4: who can't wait. Wait. The classic production, they were these

553
00:27:00,920 --> 00:27:04,119
Speaker 4: themes you know, the struggle with work and expectations of

554
00:27:04,200 --> 00:27:06,480
Speaker 4: your children are things it was seventy five years later.

555
00:27:06,480 --> 00:27:07,400
Speaker 4: They're all as relevant today.

556
00:27:07,640 --> 00:27:09,480
Speaker 7: You know, you want to pull us for it, and

557
00:27:09,480 --> 00:27:11,960
Speaker 7: that's seventy five years ago. And that's a really great

558
00:27:12,000 --> 00:27:16,359
Speaker 7: point from you, is that people think, you know, it's

559
00:27:16,400 --> 00:27:18,239
Speaker 7: an old creaky It's not an old creaky play. None

560
00:27:18,280 --> 00:27:21,199
Speaker 7: of his stuff is old and creaky because it deals

561
00:27:21,280 --> 00:27:25,680
Speaker 7: with themes in society and in our family. This one

562
00:27:25,760 --> 00:27:30,240
Speaker 7: probably more so than it's about you know, we've got

563
00:27:30,400 --> 00:27:33,600
Speaker 7: these strange people moving, and so it's about immigration. We're

564
00:27:33,640 --> 00:27:36,240
Speaker 7: people strange people moving in the neighborhood. And then you've

565
00:27:36,280 --> 00:27:39,640
Speaker 7: got the expectations of fathers and their sons, especially their

566
00:27:39,680 --> 00:27:43,520
Speaker 7: elder sons. That's in general. I mean, if you're a way,

567
00:27:43,800 --> 00:27:45,800
Speaker 7: you know your father wants you to be a lawyer

568
00:27:45,880 --> 00:27:51,639
Speaker 7: or a doctor. That's it. Mine did. And you know,

569
00:27:53,520 --> 00:27:55,120
Speaker 7: most of the kids I grew up with who were

570
00:27:55,840 --> 00:27:59,280
Speaker 7: of you know, Italian or Greek or Mediterranean descent. The

571
00:27:59,359 --> 00:28:04,560
Speaker 7: expect the parents were working class, but they really wanted

572
00:28:04,600 --> 00:28:06,760
Speaker 7: their kids to move up the ladder and it felt

573
00:28:06,760 --> 00:28:09,280
Speaker 7: like Australia was the place you could do it. And

574
00:28:09,320 --> 00:28:11,000
Speaker 7: whether you liked it or not, whether it was something

575
00:28:11,040 --> 00:28:13,600
Speaker 7: you were interested or not. That's what they were interested in.

576
00:28:14,240 --> 00:28:16,399
Speaker 7: So there was a lot of pressure. I remember me

577
00:28:16,520 --> 00:28:18,520
Speaker 7: when I was growing up with my dad, it was

578
00:28:18,560 --> 00:28:21,320
Speaker 7: a time of pressure. And he only got one of

579
00:28:21,400 --> 00:28:23,160
Speaker 7: us to fold. He got my youngest brother to fault.

580
00:28:23,720 --> 00:28:29,560
Speaker 7: He became a doctor, but the other myself with my

581
00:28:29,600 --> 00:28:32,720
Speaker 7: other brother, we you know, we failed to make the grade.

582
00:28:33,040 --> 00:28:35,879
Speaker 3: Yeah, and it's a universal story too, It's not just

583
00:28:35,920 --> 00:28:37,600
Speaker 3: a commentary on the American dream.

584
00:28:38,280 --> 00:28:41,280
Speaker 7: Yeah translates to I mean, I mean I was born here,

585
00:28:41,400 --> 00:28:43,840
Speaker 7: I grew up here. I had exactly the same kind

586
00:28:43,840 --> 00:28:46,680
Speaker 7: of situation with my father, who was not happy with

587
00:28:46,920 --> 00:28:50,080
Speaker 7: choices I was making in my life, and I had

588
00:28:50,080 --> 00:28:52,240
Speaker 7: to move ten thousand miles away. Basically I could have

589
00:28:52,280 --> 00:28:54,680
Speaker 7: my own life. That's how intense it can get.

590
00:28:54,680 --> 00:28:54,720
Speaker 1: It.

591
00:28:54,960 --> 00:29:01,960
Speaker 7: Yeah, but I think it. It's the most done play

592
00:29:02,000 --> 00:29:02,480
Speaker 7: in China.

593
00:29:03,320 --> 00:29:04,479
Speaker 2: Get out of Here really?

594
00:29:04,600 --> 00:29:08,560
Speaker 7: Yeah. Wow, Arthur Miller is extremely popular in China. I

595
00:29:08,560 --> 00:29:11,760
Speaker 7: didn't expect and this is the most done production in China.

596
00:29:12,240 --> 00:29:15,720
Speaker 7: This is like, it's done in China. Career, It's done

597
00:29:15,920 --> 00:29:20,760
Speaker 7: in Europe everywhere, but even in Asian countries. The dynamic works.

598
00:29:23,880 --> 00:29:27,240
Speaker 16: I would imagine we have had expectation and honor all

599
00:29:27,280 --> 00:29:30,320
Speaker 16: that stuff, and that's all in there, and you know,

600
00:29:30,720 --> 00:29:33,800
Speaker 16: it's about pride and when do you let that go

601
00:29:33,960 --> 00:29:37,960
Speaker 16: and when you let somebody be there. And it's also

602
00:29:38,160 --> 00:29:42,560
Speaker 16: ranging a guy, you know, Willie, who's in serious decline.

603
00:29:43,520 --> 00:29:47,320
Speaker 16: You know, probably I never know whether this is like

604
00:29:47,360 --> 00:29:50,720
Speaker 16: a tale from the grave River made up my mind,

605
00:29:51,280 --> 00:29:54,960
Speaker 16: was the tail from the grave? Or is in He's.

606
00:29:54,600 --> 00:30:00,800
Speaker 7: Definitely in the mid stages of Alzheimer's for sure, which

607
00:30:00,840 --> 00:30:01,400
Speaker 7: I think a lot of it.

608
00:30:01,480 --> 00:30:03,440
Speaker 5: And that's very hard for children, which I think.

609
00:30:03,280 --> 00:30:06,120
Speaker 7: A lot of families have to deal with now. Yeah, absolutely,

610
00:30:06,360 --> 00:30:13,720
Speaker 7: you know my generation, it's quite common and it's tough

611
00:30:13,720 --> 00:30:14,640
Speaker 7: when it happened.

612
00:30:14,400 --> 00:30:23,360
Speaker 5: Very tough. No, I think most of us have experienced that.

613
00:30:23,640 --> 00:30:28,080
Speaker 7: Yeah, it's very difficult to see someone that you knew

614
00:30:28,880 --> 00:30:34,560
Speaker 7: as kind of like a vital, you know, in charge

615
00:30:34,600 --> 00:30:38,000
Speaker 7: of life person to not knowing which door to go through.

616
00:30:38,600 --> 00:30:39,600
Speaker 7: It's very difficult.

617
00:30:40,120 --> 00:30:42,880
Speaker 4: So many people go through that fundamental thing right now.

618
00:30:43,000 --> 00:30:46,440
Speaker 4: We all know multiple people and it's not them, it's

619
00:30:46,440 --> 00:30:47,280
Speaker 4: their children. Game.

620
00:30:47,560 --> 00:30:49,600
Speaker 7: Yeah, yeah, yeah, I mean listen, I think if you're

621
00:30:50,600 --> 00:30:53,080
Speaker 7: if you're my grandmother had it.

622
00:30:53,440 --> 00:30:56,000
Speaker 5: My grandmother had it too, but she.

623
00:30:55,960 --> 00:30:58,479
Speaker 7: Would pop out once in a while. She came out

624
00:30:58,520 --> 00:31:02,360
Speaker 7: for a visit. They're locked in there and there's an

625
00:31:02,400 --> 00:31:04,320
Speaker 7: opening and they come out and they're normal for like

626
00:31:04,360 --> 00:31:04,920
Speaker 7: three minutes.

627
00:31:05,040 --> 00:31:07,320
Speaker 3: Yes, I know your name, you know everything, and then

628
00:31:07,360 --> 00:31:09,000
Speaker 3: they go, oh, and they're gone again.

629
00:31:09,120 --> 00:31:09,600
Speaker 7: Off they go.

630
00:31:09,760 --> 00:31:12,920
Speaker 3: It's very difficult. We would love to keep you here

631
00:31:13,040 --> 00:31:16,240
Speaker 3: all day. We all have to go before you go.

632
00:31:16,680 --> 00:31:19,720
Speaker 3: Is it true you were rejected from drama school? And

633
00:31:19,800 --> 00:31:21,440
Speaker 3: have you ever gone back and done a pretty woman

634
00:31:21,480 --> 00:31:23,120
Speaker 3: and said big mistake?

635
00:31:23,440 --> 00:31:24,440
Speaker 4: Huge? No?

636
00:31:24,440 --> 00:31:25,360
Speaker 7: No, no, no, I wasn't.

637
00:31:25,440 --> 00:31:25,880
Speaker 4: I wasn't.

638
00:31:26,280 --> 00:31:27,640
Speaker 7: That story has always been blown.

639
00:31:27,400 --> 00:31:29,400
Speaker 2: Out of proport makes a great story.

640
00:31:29,400 --> 00:31:34,240
Speaker 7: I don't know. Listen, it's typical. You have to go,

641
00:31:35,120 --> 00:31:38,280
Speaker 7: you know, probably three times before they let you in. Yeah,

642
00:31:38,360 --> 00:31:39,920
Speaker 7: and I got there the first time, but I was

643
00:31:39,960 --> 00:31:42,320
Speaker 7: just young and impatient, and I made it down to

644
00:31:42,400 --> 00:31:44,280
Speaker 7: like the last couple of hundred or whatever it was.

645
00:31:44,880 --> 00:31:47,840
Speaker 7: And the guy said to me, we don't think you're

646
00:31:47,880 --> 00:31:51,880
Speaker 7: quite ready because you don't have the right vocal quality.

647
00:31:51,920 --> 00:31:53,800
Speaker 7: You don't have this, you don't have that. And I

648
00:31:53,880 --> 00:31:56,000
Speaker 7: said to him, well, if I had that, I wouldn't

649
00:31:56,000 --> 00:32:00,960
Speaker 7: need to come here, and I meant it good. Isn't

650
00:32:00,960 --> 00:32:04,320
Speaker 7: that what? Therefore? I said, if any were those things,

651
00:32:04,320 --> 00:32:06,360
Speaker 7: I wouldn't need to come here. And that was it.

652
00:32:06,600 --> 00:32:10,320
Speaker 7: Out the door and I just walked out that door

653
00:32:10,360 --> 00:32:12,120
Speaker 7: and I thought, I'm not going to get anywhere here.

654
00:32:13,400 --> 00:32:19,240
Speaker 7: Everything back then, I always felt like Australia had a

655
00:32:19,360 --> 00:32:24,520
Speaker 7: very low glass ceiling, especially if you're ethnic background. And

656
00:32:24,560 --> 00:32:26,800
Speaker 7: I think maybe it's I don't know, I haven't lived

657
00:32:26,800 --> 00:32:30,080
Speaker 7: here long enough to know if it's changed, but it

658
00:32:30,160 --> 00:32:32,840
Speaker 7: seems like it's changed a little bit, a little bit.

659
00:32:33,600 --> 00:32:39,040
Speaker 7: But I still think that I think Australia is a

660
00:32:39,080 --> 00:32:42,520
Speaker 7: bit stuck. I think they need to become a republic.

661
00:32:42,560 --> 00:32:44,360
Speaker 7: And it's going to make me a lot of enemies,

662
00:32:44,680 --> 00:32:45,800
Speaker 7: but I really feel like they need to.

663
00:32:45,760 --> 00:32:49,760
Speaker 4: Become a republic time in history, isn't it.

664
00:32:50,600 --> 00:32:52,640
Speaker 7: I mean, I think the thing I've been part of

665
00:32:52,680 --> 00:32:55,040
Speaker 7: the Commonwealth has always robbed them a part of their

666
00:32:55,080 --> 00:33:00,240
Speaker 7: identity and there their place in the world as Australia

667
00:33:00,520 --> 00:33:05,560
Speaker 7: and being part of an antiquated, broken down thing that

668
00:33:05,680 --> 00:33:07,880
Speaker 7: serves not since the old girl got, I like the

669
00:33:07,880 --> 00:33:13,280
Speaker 7: old girl, but since the old girl went. You know,

670
00:33:13,480 --> 00:33:15,000
Speaker 7: no disrespect to Charles, but.

671
00:33:15,440 --> 00:33:19,360
Speaker 5: No, it's isn't it's it's not what it was.

672
00:33:22,080 --> 00:33:25,120
Speaker 7: Yes, well they're just waiting for They just wait for

673
00:33:25,160 --> 00:33:25,920
Speaker 7: the revolution to go.

674
00:33:27,040 --> 00:33:31,600
Speaker 3: Which tickets for Death of a Salesman at Crown Theater

675
00:33:31,920 --> 00:33:35,720
Speaker 3: through Ticketmaster. It starts August fifteen through to August twenty nine.

676
00:33:35,880 --> 00:33:36,800
Speaker 3: Get in quick.

677
00:33:37,480 --> 00:33:39,240
Speaker 5: It's been a pleasure to have you with us this morning.

678
00:33:39,320 --> 00:33:41,960
Speaker 7: Thank you. Good to see him, and my apologies to

679
00:33:42,000 --> 00:33:43,080
Speaker 7: all the Commonwealth people.

680
00:33:44,200 --> 00:33:46,240
Speaker 4: They'll enjoy it. They'll be on the text line.

681
00:33:49,720 --> 00:33:54,720
Speaker 1: There's sure report on ninety six a FM.

682
00:33:54,760 --> 00:33:57,400
Speaker 3: A TV series follow up to the John Wick films

683
00:33:57,520 --> 00:34:00,640
Speaker 3: is in development. There's no particular streaming service attached, Jeff,

684
00:34:00,640 --> 00:34:03,440
Speaker 3: butdis smell a bidding war because there's plenty of interest.

685
00:34:03,760 --> 00:34:06,840
Speaker 3: The series titled John Wick Under the High Table. Oh

686
00:34:06,880 --> 00:34:09,759
Speaker 3: it's like my Saturday night. I would pick up immediately

687
00:34:09,960 --> 00:34:12,080
Speaker 3: after the events of John Wick Chapter four.

688
00:34:12,480 --> 00:34:15,200
Speaker 5: Keanu reeves as executive producer of the series, but he's

689
00:34:15,280 --> 00:34:16,160
Speaker 5: not likely to be in it.

690
00:34:16,360 --> 00:34:18,359
Speaker 2: Of course. His fate at the end of chapter four

691
00:34:18,640 --> 00:34:20,000
Speaker 2: was quite ambiguous.

692
00:34:20,960 --> 00:34:24,880
Speaker 3: Serious Star Wars collectors are going to lose their Wookie

693
00:34:25,000 --> 00:34:29,560
Speaker 3: over this. An extremely rare prototype nineteen seventy nine Star

694
00:34:29,719 --> 00:34:33,720
Speaker 3: Wars Boba Fett action figure, described as the holy Grail

695
00:34:33,840 --> 00:34:41,560
Speaker 3: of collecting, is up for auction. It is only one

696
00:34:41,800 --> 00:34:44,560
Speaker 3: of thirty ever produced. Or it is one of only

697
00:34:44,680 --> 00:34:47,440
Speaker 3: thirty ever produced. It's the highest graded example of the

698
00:34:47,520 --> 00:34:49,640
Speaker 3: three known to still exist, and it's the first to

699
00:34:49,680 --> 00:34:51,880
Speaker 3: go up for auction. The toy was made as a

700
00:34:51,960 --> 00:34:54,600
Speaker 3: prototype in nineteen seventy nine, but never made it to

701
00:34:54,680 --> 00:34:55,319
Speaker 3: market due.

702
00:34:55,239 --> 00:34:57,280
Speaker 2: To the risk of injury from its firing rocket.

703
00:34:57,400 --> 00:35:01,440
Speaker 3: Oh dear, a similar Bobberfet figure became the most expensive

704
00:35:01,520 --> 00:35:04,840
Speaker 3: vintage toy in the world when it was auctioned for

705
00:35:05,000 --> 00:35:08,200
Speaker 3: eight hundred and eight thousand dollars a couple of months ago.

706
00:35:08,760 --> 00:35:10,320
Speaker 4: Oh no, that's ultimate, notisment.

707
00:35:10,480 --> 00:35:13,160
Speaker 5: That is I mean, fancy having eight hundred and eight

708
00:35:13,200 --> 00:35:14,480
Speaker 5: thousand dollars to spend.

709
00:35:14,320 --> 00:35:14,959
Speaker 2: On a bomb afet.

710
00:35:15,400 --> 00:35:16,719
Speaker 4: He wanted to be a counterfeit with.

711
00:35:18,600 --> 00:35:21,120
Speaker 3: Timothy chalome Is playing a young Bob Dylan in the

712
00:35:21,200 --> 00:35:25,440
Speaker 3: upcoming biopic called A Complete Unknown, But apparently Dylan Dylan

713
00:35:25,520 --> 00:35:29,959
Speaker 3: himself had some somewhat unconventional choices for who he wanted

714
00:35:30,000 --> 00:35:31,840
Speaker 3: to play him on the big screen. In an interview

715
00:35:31,880 --> 00:35:34,920
Speaker 3: back in twenty twelve, Dylan named Mickey Rooney as What

716
00:35:35,120 --> 00:35:37,279
Speaker 3: Bit Old and Dead, and Billy d.

717
00:35:37,440 --> 00:35:40,960
Speaker 5: Williams was another. Billy's a black American actor, novelist, and painter.

718
00:35:41,719 --> 00:35:43,880
Speaker 3: Back in two thousand and seven, the movie I'm Not

719
00:35:43,960 --> 00:35:47,360
Speaker 3: There had multiple actors portrayed Dylan, including Kate Blanchette and

720
00:35:47,400 --> 00:35:50,760
Speaker 3: Heath Ledger. I think Timothy Chalomey is a pretty good choice.

721
00:35:50,840 --> 00:35:54,359
Speaker 3: He was the I'm looking forward to see seeing how

722
00:35:54,400 --> 00:35:58,440
Speaker 3: he does now. That French pole vaulter we talked about yesterday,

723
00:35:58,640 --> 00:36:01,480
Speaker 3: Anthony Amarati, the guy who didn't make the finals because

724
00:36:01,480 --> 00:36:02,400
Speaker 3: he knocked the bar down with.

725
00:36:02,440 --> 00:36:03,160
Speaker 2: His private part.

726
00:36:03,280 --> 00:36:06,760
Speaker 3: Johnson has been offered a twenty five thousand dollar contract

727
00:36:06,800 --> 00:36:10,719
Speaker 3: with a triple X porncat Funny There, Yes, this is

728
00:36:10,840 --> 00:36:16,880
Speaker 3: the world we live in, revolting yeah spelled exactly, vaulting,

729
00:36:17,680 --> 00:36:21,760
Speaker 3: do more, clesy more, Lisa More, podcasts soon.

730
00:36:27,280 --> 00:36:29,919
Speaker 2: Hell yeah Yo, and a huge like ys the park

731
00:36:29,960 --> 00:36:31,160
Speaker 2: at Last, lot.

732
00:36:31,080 --> 00:36:34,880
Speaker 1: Com ninety six air ms on West Coast Eagle Elliot

733
00:36:35,000 --> 00:36:37,759
Speaker 1: Yo for Perth Window and Door Replacement.

734
00:36:37,320 --> 00:36:43,000
Speaker 17: Company, Give your home and you leasa life with Perth

735
00:36:43,080 --> 00:36:45,800
Speaker 17: Window and Door Replacement Company, the number one name in

736
00:36:45,920 --> 00:36:47,520
Speaker 17: the game to book your free quote.

737
00:36:47,600 --> 00:36:52,440
Speaker 5: Serge Perth Window and door, Good morning, Elliott morning, How

738
00:36:52,520 --> 00:36:54,040
Speaker 5: are you good?

739
00:36:54,600 --> 00:36:56,600
Speaker 2: He got to be pretty good with that. Not too

740
00:36:56,640 --> 00:36:57,440
Speaker 2: bad that yourself?

741
00:36:58,800 --> 00:37:01,800
Speaker 4: Good into the Sun's mate, well done, Yeah.

742
00:37:02,600 --> 00:37:06,080
Speaker 3: Ten points after stadium Friday Night football ninety seven to

743
00:37:06,200 --> 00:37:10,359
Speaker 3: eighty seven. The Eagles trailed almost the entire night though

744
00:37:10,560 --> 00:37:13,799
Speaker 3: in a grueling physical clash. But you had timed your

745
00:37:13,920 --> 00:37:16,800
Speaker 3: run to perfection. It was all planned.

746
00:37:17,360 --> 00:37:20,920
Speaker 2: Yeah, totally totally excitement and the fans as well. They

747
00:37:21,040 --> 00:37:22,560
Speaker 2: jumped on our back in the last quarter.

748
00:37:23,160 --> 00:37:23,680
Speaker 4: Fantastic.

749
00:37:24,040 --> 00:37:26,640
Speaker 2: Yeah, even though there was thirty eight thousand, so I

750
00:37:26,760 --> 00:37:32,200
Speaker 2: felt like it was so good, so good, so yeah, yeah,

751
00:37:32,640 --> 00:37:36,040
Speaker 2: reward for effort. We've played probably two or three games

752
00:37:36,120 --> 00:37:39,280
Speaker 2: now where we've put some consistent sort of games together.

753
00:37:39,480 --> 00:37:39,680
Speaker 13: Yep.

754
00:37:40,160 --> 00:37:42,680
Speaker 2: Maybe the free game we probably two and a half quarters,

755
00:37:42,719 --> 00:37:47,880
Speaker 2: but the prison game were pretty consistent. So reward for effort.

756
00:37:47,960 --> 00:37:48,160
Speaker 7: Really.

757
00:37:49,520 --> 00:37:52,279
Speaker 2: We played four good quarters on the weekend and we

758
00:37:52,360 --> 00:37:54,040
Speaker 2: came away with the win, which was good. We probably

759
00:37:54,080 --> 00:37:55,920
Speaker 2: cost ourselves a bit as well with our ball use

760
00:37:55,960 --> 00:37:59,480
Speaker 2: at times, but sons will probably say the same thing.

761
00:38:00,120 --> 00:38:02,279
Speaker 4: So it's got a good midfield. It would have been

762
00:38:02,320 --> 00:38:04,640
Speaker 4: hard work all day and they all they actually looked

763
00:38:04,640 --> 00:38:06,000
Speaker 4: shocked when they lost the game. I think they thought

764
00:38:06,040 --> 00:38:08,240
Speaker 4: they had in the bag for a while then yeah.

765
00:38:08,560 --> 00:38:11,640
Speaker 2: Yeah, yeah, but it's when you've got a player like

766
00:38:11,719 --> 00:38:15,160
Speaker 2: Wits who's just so tall, yeah and strong and yeah

767
00:38:15,239 --> 00:38:19,120
Speaker 2: and strong too, and just parming it down to raw

768
00:38:19,480 --> 00:38:24,120
Speaker 2: innocent Flanders, like they're some good players the top of

769
00:38:24,239 --> 00:38:25,840
Speaker 2: their draft, top players.

770
00:38:25,920 --> 00:38:26,080
Speaker 1: Yeah.

771
00:38:27,000 --> 00:38:29,840
Speaker 2: So yeah, yeah, it was good to be able to

772
00:38:29,920 --> 00:38:32,080
Speaker 2: nullify that and then be able to impact on the

773
00:38:32,080 --> 00:38:35,120
Speaker 2: scoreboard going the other way as well. So, yeah, it's

774
00:38:35,400 --> 00:38:37,759
Speaker 2: one of our focuses, obviously being contest and pressure for

775
00:38:37,760 --> 00:38:39,440
Speaker 2: the last couple of weeks. So it's glad that we

776
00:38:40,160 --> 00:38:41,880
Speaker 2: got the reward for hitting that.

777
00:38:42,680 --> 00:38:47,359
Speaker 3: I don't know what you're training schedule, timetable regime, how

778
00:38:47,440 --> 00:38:50,000
Speaker 3: it works, but I would imagine that it's very nice

779
00:38:50,040 --> 00:38:52,520
Speaker 3: to win a Friday night game and just oh sweet,

780
00:38:54,120 --> 00:38:54,919
Speaker 3: it's so good.

781
00:38:55,280 --> 00:38:57,600
Speaker 2: Yeah, it's so and then follow up with an eight

782
00:38:57,680 --> 00:38:59,520
Speaker 2: day break. Yeah oh yeah, exactly.

783
00:38:59,719 --> 00:38:59,879
Speaker 14: Yeah.

784
00:39:00,000 --> 00:39:03,560
Speaker 2: So we had Saturday Sunday off, which was just yeah, yeah, Sunday.

785
00:39:03,640 --> 00:39:07,760
Speaker 2: I was actually like, okay, I'm going to move around Sunday, Yeah, exactly.

786
00:39:07,920 --> 00:39:10,560
Speaker 2: Clean the house, made the lawn, made mum's lawn, like,

787
00:39:10,680 --> 00:39:12,560
Speaker 2: got some stuff done, which oh, well done.

788
00:39:12,680 --> 00:39:12,879
Speaker 7: Yeah.

789
00:39:13,000 --> 00:39:14,600
Speaker 2: Well, if it was a Sunday game, you just wouldn't

790
00:39:14,600 --> 00:39:15,120
Speaker 2: be able to do that.

791
00:39:15,280 --> 00:39:18,840
Speaker 4: Yeah, yeah, yeah, And when you know there's work like

792
00:39:19,280 --> 00:39:20,920
Speaker 4: a game coming up, it is harder to get things

793
00:39:20,960 --> 00:39:24,800
Speaker 4: done in anticipation you're preparing yourself. Yeah, exactly, exactly for

794
00:39:24,840 --> 00:39:27,320
Speaker 4: a footy club that had a great full forward and

795
00:39:27,440 --> 00:39:29,800
Speaker 4: Josh Kennedy and him gone, and then what Jake Woodman

796
00:39:29,800 --> 00:39:31,200
Speaker 4: has been through, isn't it wonderful to know you can

797
00:39:31,239 --> 00:39:32,480
Speaker 4: get it down there and is a bloke he's going

798
00:39:32,520 --> 00:39:33,600
Speaker 4: to kick goals almost every time.

799
00:39:33,840 --> 00:39:36,400
Speaker 2: Yeah, just about. That's what we're trying as deep as

800
00:39:36,440 --> 00:39:39,360
Speaker 2: we can get the balls possible, because Jaki or Oscar

801
00:39:39,520 --> 00:39:41,759
Speaker 2: even JD on the weekend I thought played very well.

802
00:39:42,800 --> 00:39:45,359
Speaker 2: So the deeper we can get the ball to them,

803
00:39:45,880 --> 00:39:48,920
Speaker 2: the better. Obviously puts the their opposition backs under a

804
00:39:48,960 --> 00:39:51,800
Speaker 2: fair bit of pressure and a lot of team d

805
00:39:52,000 --> 00:39:54,640
Speaker 2: things where you know, if you can break that wall

806
00:39:54,760 --> 00:39:56,960
Speaker 2: and burst the bubble and get through to the back

807
00:39:57,000 --> 00:39:59,720
Speaker 2: of it and put their backs under as much pressure

808
00:39:59,719 --> 00:40:02,360
Speaker 2: as you can can, then generally those types of forwards

809
00:40:02,400 --> 00:40:04,520
Speaker 2: with that amount of talent will end up getting the

810
00:40:04,600 --> 00:40:06,279
Speaker 2: job done. And then at ground level you know, then

811
00:40:06,280 --> 00:40:09,960
Speaker 2: we've got Liam and Tyrrell played very well on the weekend.

812
00:40:10,040 --> 00:40:13,040
Speaker 2: I thought as well, so you know, the minute we

813
00:40:13,080 --> 00:40:15,399
Speaker 2: can get the ball as deep as possible and put

814
00:40:15,480 --> 00:40:17,520
Speaker 2: as much pressure on as we can, it's easy to

815
00:40:17,560 --> 00:40:21,200
Speaker 2: defend defend behind as well. Most teams are on the

816
00:40:21,239 --> 00:40:23,000
Speaker 2: same boat. They want the same thing, really, they want

817
00:40:23,040 --> 00:40:26,279
Speaker 2: to play front half football. But the deba you can

818
00:40:26,320 --> 00:40:27,960
Speaker 2: get the ball, it helps so much more to to

819
00:40:28,040 --> 00:40:28,719
Speaker 2: be able to do that.

820
00:40:29,120 --> 00:40:30,960
Speaker 3: I feel like I've always I've heard a lot of

821
00:40:31,040 --> 00:40:33,120
Speaker 3: chat this year about young players, young players at the

822
00:40:33,120 --> 00:40:37,600
Speaker 3: Eagles and Jared Schofield selected seven players aged twenty or

823
00:40:37,680 --> 00:40:41,240
Speaker 3: under and that safe to say that did pay off.

824
00:40:41,560 --> 00:40:44,080
Speaker 2: Yeah, it did. Yeah, but we've kept it very very

825
00:40:44,120 --> 00:40:46,960
Speaker 2: simple the past couple of weeks really, so as I said,

826
00:40:47,000 --> 00:40:48,759
Speaker 2: contest and pressure has been one thing that we've been

827
00:40:48,800 --> 00:40:52,160
Speaker 2: going after. And then yeah, as much as we can

828
00:40:52,280 --> 00:40:56,439
Speaker 2: keep that ball in our forward half, the better. So yeah, yeah,

829
00:40:56,520 --> 00:40:59,719
Speaker 2: there's a few small things, but I guess when we're

830
00:40:59,719 --> 00:41:01,640
Speaker 2: out there as well, it's just about playing your role.

831
00:41:01,760 --> 00:41:05,520
Speaker 2: So and I think he's selected the players and the

832
00:41:05,600 --> 00:41:07,360
Speaker 2: young kids based on them playing their role in the

833
00:41:07,400 --> 00:41:09,719
Speaker 2: waffle and coming up and they're able to execute it

834
00:41:09,719 --> 00:41:11,279
Speaker 2: on the weekend as well, So that was really good

835
00:41:11,320 --> 00:41:11,560
Speaker 2: to see.

836
00:41:11,680 --> 00:41:13,560
Speaker 4: Yeah, those faces make for a good selfie, mate, did

837
00:41:13,560 --> 00:41:13,840
Speaker 4: you say that?

838
00:41:14,960 --> 00:41:17,160
Speaker 2: I saw him. I saw him taking the photo and

839
00:41:17,200 --> 00:41:19,120
Speaker 2: I was like, oh, do I get involved in this?

840
00:41:19,200 --> 00:41:20,600
Speaker 2: And I was like, no, I'm too sore and so

841
00:41:21,080 --> 00:41:23,879
Speaker 2: boys too sore to Yeah.

842
00:41:25,880 --> 00:41:27,680
Speaker 7: I let him go. It was good.

843
00:41:28,560 --> 00:41:33,359
Speaker 2: And then there was Coli in the middle of the photo. Yeah,

844
00:41:33,560 --> 00:41:34,600
Speaker 2: just Coli being coly.

845
00:41:34,760 --> 00:41:37,360
Speaker 4: Yeah, the little signal.

846
00:41:37,480 --> 00:41:39,319
Speaker 2: It was the coach's first winners the coach.

847
00:41:39,520 --> 00:41:39,719
Speaker 3: Yeah.

848
00:41:40,040 --> 00:41:43,239
Speaker 2: So I tried to miss out in the gator really

849
00:41:43,440 --> 00:41:47,319
Speaker 2: yeah right, key mess Yeah, push him into well done,

850
00:41:47,520 --> 00:41:51,120
Speaker 2: not today, mate. He at missing out, which was silly.

851
00:41:51,160 --> 00:41:52,480
Speaker 2: I should have kept him there because I had this

852
00:41:52,520 --> 00:41:54,920
Speaker 2: big scratch from harm and I ended up getting this

853
00:41:55,080 --> 00:41:57,040
Speaker 2: massive thing of gator out of my army.

854
00:41:58,960 --> 00:41:59,160
Speaker 12: Yeah.

855
00:41:59,280 --> 00:42:02,839
Speaker 2: Yeah that's so, isn't it as Oh.

856
00:42:02,840 --> 00:42:05,279
Speaker 4: Yeah yeah yeah, apparently it's fine in your eyes.

857
00:42:06,239 --> 00:42:08,279
Speaker 2: Yeah, well I got that too. I was scratching my

858
00:42:08,360 --> 00:42:10,360
Speaker 2: nose as well, So that fantastic.

859
00:42:10,480 --> 00:42:13,279
Speaker 4: Yeah, Parl Harry Edwards can't take a trick. He finally

860
00:42:13,320 --> 00:42:15,440
Speaker 4: gets a win and then but he got supped there right,

861
00:42:15,680 --> 00:42:18,959
Speaker 4: Oh yeah, poor bug twenty eight losses and then.

862
00:42:19,040 --> 00:42:20,759
Speaker 2: Yeah yeah, and then you get your teammate I think

863
00:42:20,800 --> 00:42:23,600
Speaker 2: it was Widow was like, this streak is over. Yeah,

864
00:42:23,719 --> 00:42:27,839
Speaker 2: so yeah, yeah, boys don't miss. But that's that's part

865
00:42:27,840 --> 00:42:28,960
Speaker 2: of the fun of being in football club.

866
00:42:29,000 --> 00:42:29,520
Speaker 4: Yeah, that's right.

867
00:42:30,120 --> 00:42:33,319
Speaker 3: There were a few injuries in the first quarter. Sam

868
00:42:33,360 --> 00:42:36,120
Speaker 3: Planders and Waterman clashed heads. Ben King got a knock

869
00:42:36,160 --> 00:42:38,879
Speaker 3: on the head in a marking contest. Oscar Allan came

870
00:42:38,920 --> 00:42:40,280
Speaker 3: off with a sore finger.

871
00:42:41,200 --> 00:42:45,360
Speaker 2: Is everyone okay, Yeah, everyone's okay, good bit banged up?

872
00:42:45,719 --> 00:42:47,600
Speaker 2: Everyone's okay. We got day breaks. That's all right.

873
00:42:48,000 --> 00:42:48,759
Speaker 5: It makes all the differ.

874
00:42:48,760 --> 00:42:50,359
Speaker 4: Cutch up and go Ageah, just one on your nose,

875
00:42:50,400 --> 00:42:50,759
Speaker 4: a new one.

876
00:42:51,000 --> 00:42:54,560
Speaker 2: Yeah yeah, I got scratched up nose, neck.

877
00:42:55,000 --> 00:42:58,320
Speaker 5: Yeah, just should make them nele.

878
00:42:58,480 --> 00:43:01,040
Speaker 2: Yeah, well you'd actually think that.

879
00:43:01,200 --> 00:43:01,399
Speaker 1: Check.

880
00:43:01,680 --> 00:43:04,600
Speaker 2: Yeah, but like I remember it, juniors check you nails,

881
00:43:05,239 --> 00:43:07,200
Speaker 2: so I'm will come around and check them. Oh yes,

882
00:43:07,600 --> 00:43:10,560
Speaker 2: But for some reason at league level they don't do it.

883
00:43:11,640 --> 00:43:13,840
Speaker 5: Someone's out there looking nails like Shakari Richards.

884
00:43:16,080 --> 00:43:20,759
Speaker 2: Yeah I know who it was. I'm not pointing the finger.

885
00:43:20,920 --> 00:43:22,319
Speaker 5: You're throwing your nails for next time.

886
00:43:24,800 --> 00:43:28,239
Speaker 4: No, definitely, not definitely not unless it wasn't a liberatory.

887
00:43:30,800 --> 00:43:33,400
Speaker 3: You wore the old jumper. When I say old, I

888
00:43:33,480 --> 00:43:38,239
Speaker 3: mean retro, and you got to hear the old club song.

889
00:43:38,320 --> 00:43:41,960
Speaker 3: But I guess it was good to hear any fantastic. Yeah,

890
00:43:42,040 --> 00:43:42,440
Speaker 3: I loved it.

891
00:43:44,000 --> 00:43:48,080
Speaker 5: Run out to it was youalist like the retro jumper

892
00:43:48,080 --> 00:43:48,760
Speaker 5: and the retro.

893
00:43:48,680 --> 00:43:51,560
Speaker 2: Song I am. I loved I love the retro jumper.

894
00:43:51,600 --> 00:43:53,239
Speaker 2: I think we should bring that back. I didn't like

895
00:43:53,320 --> 00:43:57,600
Speaker 2: the old logo. I just I just think it. Whether

896
00:43:57,640 --> 00:44:01,600
Speaker 2: it's nostalgic or whatever, I just yeah, I'm a traditionist. Yeah,

897
00:44:01,920 --> 00:44:03,960
Speaker 2: bring classics to bring it back. Yeah, bring it back.

898
00:44:04,080 --> 00:44:07,160
Speaker 2: I actually enjoy the darker color as well. Obviously we've

899
00:44:07,200 --> 00:44:09,360
Speaker 2: been we've had some very very good times in the

900
00:44:09,480 --> 00:44:12,960
Speaker 2: raw blue. But the darker car, the darker color, Yeah,

901
00:44:13,080 --> 00:44:15,560
Speaker 2: I think, well we've been we've played quite well with

902
00:44:15,640 --> 00:44:18,880
Speaker 2: the darker color this year, so I think we yeah, maybe.

903
00:44:18,640 --> 00:44:23,160
Speaker 3: We Yeah, we'll guess who's going to Tasmania now it's

904
00:44:23,200 --> 00:44:29,120
Speaker 3: Australian team. Oh sure, Yeah to play North Melbourne on

905
00:44:29,200 --> 00:44:32,239
Speaker 3: Saturday and hope but bounced down as eleven forty five

906
00:44:32,320 --> 00:44:32,799
Speaker 3: our time.

907
00:44:33,239 --> 00:44:35,879
Speaker 2: It's you know, it's always a tough trip.

908
00:44:35,960 --> 00:44:38,600
Speaker 5: To Tassie because it's a long way it is.

909
00:44:38,920 --> 00:44:39,120
Speaker 4: Yeah.

910
00:44:39,440 --> 00:44:44,759
Speaker 2: Yeah, and then two weeks time we're playing in Geelong exactly. Yeah,

911
00:44:44,960 --> 00:44:47,600
Speaker 2: as well we've got a home game. Oh well yeah,

912
00:44:47,719 --> 00:44:52,680
Speaker 2: but yeah, that's that between exactly, Yeah, yeah, exactly. So, yeah,

913
00:44:52,680 --> 00:44:55,080
Speaker 2: a couple of games ago, and we're obviously focusing on

914
00:44:55,120 --> 00:44:57,760
Speaker 2: a few things and you know, hopefully we can finish

915
00:44:57,800 --> 00:45:00,239
Speaker 2: a year off. But yeah, it obviously starts his week

916
00:45:00,280 --> 00:45:03,120
Speaker 2: in Tazzy and you know, North got the better of

917
00:45:03,239 --> 00:45:04,960
Speaker 2: us last time at home, so hopefully we can do

918
00:45:05,000 --> 00:45:05,480
Speaker 2: the sathing.

919
00:45:05,320 --> 00:45:07,680
Speaker 4: Pretty good in patches last couple of months.

920
00:45:07,960 --> 00:45:10,279
Speaker 2: They've just got talent. They've just got so much talent

921
00:45:10,560 --> 00:45:13,399
Speaker 2: over the past couple of years, through a draft and yeah,

922
00:45:13,440 --> 00:45:15,840
Speaker 2: a few other things as well. They've just got talent everywhere.

923
00:45:16,200 --> 00:45:18,319
Speaker 4: El you mentioned the wits, the influence of the big fella.

924
00:45:18,800 --> 00:45:22,400
Speaker 4: What about Maddie Flynn. How's he going? Because I think, okay, yeah, I.

925
00:45:22,400 --> 00:45:25,360
Speaker 2: Think just because of his because of how things have

926
00:45:25,640 --> 00:45:28,440
Speaker 2: unfolded and his injuries and stuff like that, I think

927
00:45:28,480 --> 00:45:30,560
Speaker 2: they're just trying to build him up now, okay, so

928
00:45:30,880 --> 00:45:32,360
Speaker 2: and build him up the right way instead of just

929
00:45:32,400 --> 00:45:36,480
Speaker 2: thrown him in the deep end. Going from there, so yeah, yeah,

930
00:45:36,560 --> 00:45:38,719
Speaker 2: but in saying that though, Cherry for them has been

931
00:45:38,760 --> 00:45:43,000
Speaker 2: playing very very well, very well. So yeah, yeah, we'll see.

932
00:45:43,080 --> 00:45:45,480
Speaker 5: What about Tom Eras he missed Friday because of concussion.

933
00:45:45,560 --> 00:45:48,880
Speaker 2: Will he be at this stage? Yeah? Yeah, at this stage,

934
00:45:48,920 --> 00:45:49,320
Speaker 2: I think.

935
00:45:49,239 --> 00:45:50,520
Speaker 5: It looks like everyone's on board.

936
00:45:50,680 --> 00:45:51,319
Speaker 1: Yes, yeah.

937
00:45:52,040 --> 00:45:55,840
Speaker 5: Did you hear the news this morning Dustin Martin retired.

938
00:45:56,120 --> 00:46:00,479
Speaker 3: Did competitive you have some Dustin stories to tell around

939
00:46:00,520 --> 00:46:01,040
Speaker 3: the campfire?

940
00:46:02,120 --> 00:46:02,319
Speaker 4: Yeah?

941
00:46:02,320 --> 00:46:07,799
Speaker 2: I would, but they're probably not my stories. But look,

942
00:46:08,080 --> 00:46:10,480
Speaker 2: he doesn't say doesn't talk when you're playing on him,

943
00:46:10,480 --> 00:46:15,080
Speaker 2: because he did silent Yeah, he did the that's Gove

944
00:46:15,200 --> 00:46:18,440
Speaker 2: story and that's a funny story. And I don't want

945
00:46:18,480 --> 00:46:19,239
Speaker 2: to I don't want.

946
00:46:19,120 --> 00:46:22,439
Speaker 4: To taken and ask him that. Yeah but a sports night.

947
00:46:22,560 --> 00:46:24,920
Speaker 2: Yeah, well exactly, but that's that's God's story. That's a

948
00:46:24,960 --> 00:46:27,160
Speaker 2: funny story. But even when I sat next to him

949
00:46:27,239 --> 00:46:29,640
Speaker 2: at an All Australian dinner and just it was like

950
00:46:29,760 --> 00:46:32,640
Speaker 2: drawing but out of stuff. Yeah, how are you going?

951
00:46:32,840 --> 00:46:36,200
Speaker 2: And he's like yeah too chatty, no, no, but like

952
00:46:36,280 --> 00:46:39,680
Speaker 2: a nice guy. Yeah. It just comes across as like

953
00:46:39,719 --> 00:46:40,440
Speaker 2: a real int of it.

954
00:46:40,680 --> 00:46:43,160
Speaker 4: Yeah, okay, so fair enough, you know what I mean?

955
00:46:43,320 --> 00:46:44,240
Speaker 2: But nice fellow.

956
00:46:44,280 --> 00:46:45,759
Speaker 4: Every now and then he does a media interview and

957
00:46:45,800 --> 00:46:46,879
Speaker 4: you go, Dusty's talking.

958
00:46:47,000 --> 00:46:49,840
Speaker 2: Yeah, listen, Yeah, I think I had Dusty and Bash

959
00:46:49,880 --> 00:46:53,439
Speaker 2: of Hooley, yeah, the same year, and it was yeah yeah,

960
00:46:53,560 --> 00:46:57,440
Speaker 2: Bash is a good fella. Yeah, chatty yeah, personality yeah

961
00:46:57,520 --> 00:47:02,319
Speaker 2: yeah chat and then next versus quiet. But to play

962
00:47:02,360 --> 00:47:05,239
Speaker 2: on the man, he's a freak. Yeah, he's a freak. Yeah,

963
00:47:05,360 --> 00:47:08,760
Speaker 2: absolute free. So yeah, it's sad, same go but nothing.

964
00:47:08,840 --> 00:47:11,360
Speaker 2: You know, we're all kitting yea, the tiger's on the

965
00:47:11,400 --> 00:47:15,040
Speaker 2: bottom of the ladder. Mate, it's changed. Yeah, yeah, absolutely.

966
00:47:15,800 --> 00:47:20,359
Speaker 5: Your fans seem to be quite keen for jared'schofield to stay.

967
00:47:21,080 --> 00:47:21,279
Speaker 7: Yeah.

968
00:47:21,280 --> 00:47:24,000
Speaker 2: I've noticed that this way. Yeah yeah, they're jumping on

969
00:47:24,120 --> 00:47:27,719
Speaker 2: board to be all right. Yeah yeah, well yeah absolutely,

970
00:47:28,280 --> 00:47:31,160
Speaker 2: I get on. I think we've had a chat about this,

971
00:47:31,239 --> 00:47:33,320
Speaker 2: maybe a couple of weeks ago. I get on pretty well. Scuy.

972
00:47:33,440 --> 00:47:36,320
Speaker 4: So despite the gatorade incident, yeah yeah, yeah yeah.

973
00:47:36,400 --> 00:47:39,520
Speaker 2: So no, but he did promise that if we won

974
00:47:39,680 --> 00:47:42,960
Speaker 2: that his missus would make some mint slice. He did

975
00:47:43,040 --> 00:47:44,960
Speaker 2: follow through with that, So hopefully we can get a

976
00:47:45,000 --> 00:47:47,120
Speaker 2: few more games under the belt and we can get

977
00:47:47,120 --> 00:47:48,160
Speaker 2: a few more mint slices.

978
00:47:48,800 --> 00:47:51,200
Speaker 5: Tripped to Tazzy a bit easier to have, sure would.

979
00:47:52,880 --> 00:47:54,600
Speaker 2: Well he got it checked, He got it checked with

980
00:47:54,680 --> 00:47:59,160
Speaker 2: the Yeah, with the nutrition yesterday and then yesterday I

981
00:47:59,280 --> 00:48:04,920
Speaker 2: was wondering why we had soup for lunch. Yeah, mean slice.

982
00:48:04,680 --> 00:48:07,959
Speaker 4: Coming in so yeah, measuring your food.

983
00:48:08,000 --> 00:48:12,120
Speaker 3: That's good suit though, But yeah, a meal, especially if

984
00:48:12,120 --> 00:48:13,200
Speaker 3: it's followed by mint slice.

985
00:48:13,680 --> 00:48:15,960
Speaker 5: You know, I prefer a mint slice to Tim Tam.

986
00:48:16,400 --> 00:48:19,520
Speaker 3: Oh call me crazy. People were talking about Tim TAM's

987
00:48:19,560 --> 00:48:22,120
Speaker 3: right there that I'm on that bus with. Really no,

988
00:48:22,239 --> 00:48:23,400
Speaker 3: I much preferred mint slice.

989
00:48:24,120 --> 00:48:26,160
Speaker 4: Just don't want to dunk the mint slice into the.

990
00:48:28,320 --> 00:48:28,560
Speaker 1: Soup.

991
00:48:29,719 --> 00:48:35,000
Speaker 3: Yeah no, no, no, yes, really yes every time. But

992
00:48:35,120 --> 00:48:36,920
Speaker 3: then I like my chocolate to be chocolate and I

993
00:48:37,080 --> 00:48:38,359
Speaker 3: like my biscuit to be a short bread.

994
00:48:39,080 --> 00:48:43,880
Speaker 2: Okay, yeah, you're a traditionalist. I'm a traditionalists. I'm fussy

995
00:48:44,360 --> 00:48:44,719
Speaker 2: all right.

996
00:48:44,960 --> 00:48:49,360
Speaker 3: Eleven forty five Saturday Morning bounced down against North Melbourne

997
00:48:49,440 --> 00:48:50,279
Speaker 3: in Tasmania.

998
00:48:50,360 --> 00:48:54,240
Speaker 4: Good luck, thank you, go get them Crazy and Lisa

999
00:48:54,640 --> 00:48:55,359
Speaker 4: ninety six