1 00:00:00,480 --> 00:00:02,000 Speaker 1: Jonesy and Amanda. 2 00:00:01,520 --> 00:00:02,040 Speaker 2: In the morning. 3 00:00:04,160 --> 00:00:06,680 Speaker 3: We love having our next guest on the show. He's 4 00:00:06,720 --> 00:00:10,200 Speaker 3: just released his sixth album, Once Upon a Mind, and 5 00:00:10,280 --> 00:00:13,200 Speaker 3: luckily for us, he's heading down Under in November to tour. 6 00:00:13,400 --> 00:00:15,800 Speaker 3: So you're always charming James Blunt, Hello, James, So. 7 00:00:15,800 --> 00:00:18,200 Speaker 1: Nice to see you. Guys, surely see you too. Can't 8 00:00:18,200 --> 00:00:20,279 Speaker 1: be always charming. There's got to be times. 9 00:00:20,560 --> 00:00:22,320 Speaker 4: Yeah, I mean a moment this microphones off, I'm going 10 00:00:22,360 --> 00:00:25,560 Speaker 4: to be swearing at you. 11 00:00:23,280 --> 00:00:27,600 Speaker 3: And we've all been so moved and I know on 12 00:00:27,720 --> 00:00:30,320 Speaker 3: Leased Wilkinson boost into tears on the project the other night. 13 00:00:30,720 --> 00:00:33,840 Speaker 3: Your film clip for the song You've made Monster about 14 00:00:33,840 --> 00:00:37,680 Speaker 3: your dad's kidney disease. It's a beautiful song, a beautiful clip. 15 00:00:37,680 --> 00:00:39,920 Speaker 3: But I've heard since then good news for your dad. 16 00:00:40,600 --> 00:00:44,000 Speaker 1: Yet he was fifty three weeks ago he was offered. 17 00:00:43,840 --> 00:00:47,040 Speaker 4: A kidney by somewhere fifty three weeks. Yeah, and as 18 00:00:47,080 --> 00:00:49,600 Speaker 4: of this week that's that's taking place, and we hope 19 00:00:49,600 --> 00:00:53,200 Speaker 4: it all goes well. So remarkable story and but yeah, 20 00:00:53,240 --> 00:00:55,600 Speaker 4: and in the process it has been for me an 21 00:00:55,600 --> 00:00:59,000 Speaker 4: incredibly heartwarming time because I've got to say in a 22 00:00:59,080 --> 00:01:01,320 Speaker 4: song things to my farm that I wouldn't have otherwise 23 00:01:01,400 --> 00:01:02,720 Speaker 4: had to say. The song says, you know, I'm not 24 00:01:02,960 --> 00:01:04,800 Speaker 4: your son, You're not my father. We're just two grown 25 00:01:04,800 --> 00:01:07,679 Speaker 4: men saying goodbye. No need to forgive, no need to forget. 26 00:01:07,720 --> 00:01:10,280 Speaker 4: I know your mistakes and you know mine. And there's 27 00:01:10,280 --> 00:01:11,920 Speaker 4: a kind of emotional moments that he and I were 28 00:01:12,000 --> 00:01:13,640 Speaker 4: very close but would never have otherwise. 29 00:01:13,760 --> 00:01:15,800 Speaker 2: Well, in watching the film clip, was it, did it 30 00:01:15,800 --> 00:01:17,960 Speaker 2: feel a bit weird because I couldn't imagine you're younger 31 00:01:17,959 --> 00:01:20,720 Speaker 2: than me, but my dad who's passed away a few 32 00:01:20,760 --> 00:01:23,200 Speaker 2: years now, but we never had that relationship. Was just 33 00:01:23,480 --> 00:01:26,759 Speaker 2: it's a different We're looking at men who are quite 34 00:01:26,760 --> 00:01:28,880 Speaker 2: willing to express their feelings to their father, which I 35 00:01:28,920 --> 00:01:29,399 Speaker 2: really like. 36 00:01:30,040 --> 00:01:32,640 Speaker 4: Well, you know, as you can see, I'm the one 37 00:01:32,640 --> 00:01:35,240 Speaker 4: blubbing on the camera and the crew all blubbing their 38 00:01:35,240 --> 00:01:38,000 Speaker 4: eyes out, and he certainly isn't. He's looking at us 39 00:01:38,040 --> 00:01:40,160 Speaker 4: wondering what on earth we're all doing because he's still alive. 40 00:01:41,040 --> 00:01:44,120 Speaker 4: But he's an expert, he's a brit and you know, 41 00:01:44,160 --> 00:01:46,360 Speaker 4: in normal everyday chat, no, I wouldn't express that kind 42 00:01:46,360 --> 00:01:48,400 Speaker 4: of emotion for him. But I think what it really 43 00:01:48,400 --> 00:01:50,320 Speaker 4: showed is although the song talks about you know, it's 44 00:01:50,320 --> 00:01:51,720 Speaker 4: my turn to look after you. It's my turn to 45 00:01:51,760 --> 00:01:53,560 Speaker 4: chase the monsters away. At the end of the day, 46 00:01:53,680 --> 00:01:56,120 Speaker 4: he's still my father, and there's me, you know, looking miserable, 47 00:01:56,120 --> 00:01:57,880 Speaker 4: and him patting me on the arm saying, don't worry, son, 48 00:01:57,920 --> 00:01:58,640 Speaker 4: you can get through this. 49 00:01:59,000 --> 00:02:01,120 Speaker 3: Do you find having i'm a father that you look 50 00:02:01,160 --> 00:02:02,680 Speaker 3: at your parents differently? 51 00:02:03,000 --> 00:02:03,640 Speaker 1: Yeah? Very much. 52 00:02:03,640 --> 00:02:05,400 Speaker 4: And I could only have written this song because I 53 00:02:05,440 --> 00:02:08,520 Speaker 4: have a small family now, because yeah, you suddenly look 54 00:02:08,560 --> 00:02:10,320 Speaker 4: at the world through a father's eyes. 55 00:02:12,320 --> 00:02:14,360 Speaker 3: How do you go about writing your songs? Obviously this 56 00:02:14,480 --> 00:02:17,120 Speaker 3: was something that was playing for a long time with you. 57 00:02:17,560 --> 00:02:19,919 Speaker 3: What are your other inspirations when you're songwriting? 58 00:02:20,200 --> 00:02:22,440 Speaker 4: Well, I suppose I've always written about real life and 59 00:02:22,440 --> 00:02:24,960 Speaker 4: real life experiences. This album is very different from me 60 00:02:25,040 --> 00:02:27,679 Speaker 4: because my first album, back to Bedlam, I wrote before 61 00:02:27,680 --> 00:02:29,320 Speaker 4: I had a record deal. I didn't know if anyone 62 00:02:29,320 --> 00:02:31,000 Speaker 4: would ever hear it. So I was very open and 63 00:02:31,080 --> 00:02:33,320 Speaker 4: very honest, and then suddenly when it did hit big, 64 00:02:33,520 --> 00:02:36,400 Speaker 4: you realize that audience is out there, the critique is 65 00:02:36,480 --> 00:02:38,680 Speaker 4: out there that you might get and so I held 66 00:02:39,040 --> 00:02:41,720 Speaker 4: myself back in the subsequent albums and I love those songs. 67 00:02:41,800 --> 00:02:43,480 Speaker 4: I'm very proud of them, but I never opened up 68 00:02:43,639 --> 00:02:46,400 Speaker 4: in the same way until now, until this album, when 69 00:02:46,440 --> 00:02:48,880 Speaker 4: suddenly things are going on at home. I've really I 70 00:02:48,960 --> 00:02:51,640 Speaker 4: found more important than the music business and the records 71 00:02:51,639 --> 00:02:54,320 Speaker 4: I'm putting out for that audience, with my father being ill, 72 00:02:54,440 --> 00:02:56,920 Speaker 4: with a new family, with going out on tour and 73 00:02:57,000 --> 00:02:59,680 Speaker 4: leaving that little family behind for eighteen months at a time, 74 00:03:00,000 --> 00:03:02,760 Speaker 4: Suddenly I need to say things to the ones I love, 75 00:03:02,800 --> 00:03:04,840 Speaker 4: and I'm no longer in the music business. I'm just 76 00:03:05,080 --> 00:03:06,640 Speaker 4: in the music and it's a great place to be. 77 00:03:06,800 --> 00:03:09,200 Speaker 2: It must be so satisfying when you make that connection, though, 78 00:03:09,360 --> 00:03:10,880 Speaker 2: you know, there's that point you think, where am I 79 00:03:10,919 --> 00:03:11,639 Speaker 2: going to be successful? 80 00:03:11,760 --> 00:03:12,959 Speaker 1: Is anyone going to get this? And then all of 81 00:03:12,960 --> 00:03:14,160 Speaker 1: a sudden when they get at them. 82 00:03:14,360 --> 00:03:16,800 Speaker 4: Yeah, absolutely, And you know it's a poison challeish at 83 00:03:16,800 --> 00:03:19,639 Speaker 4: the same time, because then suddenly you can't help but 84 00:03:19,720 --> 00:03:22,720 Speaker 4: be aware of that. And so when I'm writing songs, 85 00:03:22,720 --> 00:03:24,760 Speaker 4: perhaps in the past I've been thinking, you know, wow, okay, 86 00:03:24,760 --> 00:03:26,840 Speaker 4: what would they like to hear? And that's not the 87 00:03:26,880 --> 00:03:28,720 Speaker 4: way to write songs, and you just say, what do 88 00:03:28,760 --> 00:03:30,720 Speaker 4: I need to say? And you know it's taking me 89 00:03:30,800 --> 00:03:31,799 Speaker 4: six albums to learn. 90 00:03:31,680 --> 00:03:34,000 Speaker 3: That, but now you've written such a personal album, I 91 00:03:34,000 --> 00:03:35,800 Speaker 3: guess you have to be careful your song Sorry about 92 00:03:35,800 --> 00:03:38,320 Speaker 3: the Stripper, I mean your wife may not understand that song. 93 00:03:38,440 --> 00:03:41,280 Speaker 4: I think you're quite right and so yeah, you know. 94 00:03:42,920 --> 00:03:44,440 Speaker 2: Me too, I haven't seen I haven't I'm not for 95 00:03:44,480 --> 00:03:49,280 Speaker 2: me with Sorry about the Stripper as a B side. Well, 96 00:03:49,320 --> 00:03:51,880 Speaker 2: the day is young, isn't it really, so you don't 97 00:03:51,880 --> 00:03:53,520 Speaker 2: do anything controversial, James. 98 00:03:53,520 --> 00:03:54,480 Speaker 1: It is always great to talk to you. 99 00:03:54,520 --> 00:03:56,920 Speaker 2: The new album, Once Upon Her Mind is out now, 100 00:03:57,160 --> 00:04:00,320 Speaker 2: and catching him touring in November, my god, it's like 101 00:04:00,400 --> 00:04:01,200 Speaker 2: Miles Awad Well. 102 00:04:01,160 --> 00:04:03,000 Speaker 4: We needed to make sure that people had no excuse, 103 00:04:03,080 --> 00:04:05,320 Speaker 4: their diaries were free. And for me, the highlight of 104 00:04:05,360 --> 00:04:07,640 Speaker 4: that tour in November is I'm coming back with Jason Moraz, 105 00:04:08,840 --> 00:04:10,360 Speaker 4: which I think every we he and I have toured 106 00:04:10,360 --> 00:04:12,400 Speaker 4: before together and it's I'm so excited. 107 00:04:12,080 --> 00:04:14,000 Speaker 1: To be with him. So get craiging on Sorry about 108 00:04:14,000 --> 00:04:15,880 Speaker 1: the Stripper and Sorry. 109 00:04:15,680 --> 00:04:17,800 Speaker 3: About Stripper, wed like that song written, but also Bookie 110 00:04:17,800 --> 00:04:20,120 Speaker 3: Babysitter because you need to be free in November. 111 00:04:19,760 --> 00:04:22,440 Speaker 1: Exactly, James Blunt, thank you, great to see you guys. 112 00:04:22,480 --> 00:04:23,040 Speaker 1: Thank you so much. 113 00:04:23,320 --> 00:04:25,840 Speaker 4: Join the and Amanda in the morning one one point 114 00:04:25,920 --> 00:04:26,320 Speaker 4: seven t