1
00:00:00,560 --> 00:00:04,280
Speaker 1: Christ Yeah, welcome friends to the Christian O'Connell Show podcast.

2
00:00:04,519 --> 00:00:16,840
Speaker 2: The collection's gone off. Who's calling Christian? All right, let's

3
00:00:16,880 --> 00:00:19,919
Speaker 2: find out who is celebrity number six on day two

4
00:00:20,000 --> 00:00:23,480
Speaker 2: of Who's Calling Christian? Good morning? Who's this?

5
00:00:24,600 --> 00:00:28,920
Speaker 3: Good morning? This is Shelley Craft calling from the block.

6
00:00:29,600 --> 00:00:31,639
Speaker 3: It is indeed good morning. How are you?

7
00:00:31,800 --> 00:00:33,839
Speaker 2: Are you calling live from the block? Shell? Are you

8
00:00:33,880 --> 00:00:35,280
Speaker 2: there now? Opening it all up?

9
00:00:36,680 --> 00:00:39,400
Speaker 3: That's right, making sure everyone's fired up and ready for

10
00:00:39,440 --> 00:00:41,479
Speaker 3: a big day on site though we are well and

11
00:00:41,520 --> 00:00:43,920
Speaker 3: truly finished shooting, so I am still in bed to

12
00:00:43,960 --> 00:00:44,760
Speaker 3: be honest.

13
00:00:45,120 --> 00:00:47,480
Speaker 2: Caught you the first celebrity to call us lie from bed.

14
00:00:47,560 --> 00:00:52,199
Speaker 2: That is some skills right now. Yeah, now, I'm impressed.

15
00:00:52,200 --> 00:00:54,600
Speaker 2: That's great. And Shelley, who has asked you to give

16
00:00:54,640 --> 00:00:56,040
Speaker 2: us a call for Who's Calling Christian?

17
00:00:56,760 --> 00:00:59,880
Speaker 3: I am calling on behalf of the Perry Cross Foundation

18
00:01:00,080 --> 00:01:03,520
Speaker 3: and that they are a spinal research and rehab institute

19
00:01:03,560 --> 00:01:06,560
Speaker 3: that's all about raising money and awareness for severe a

20
00:01:06,640 --> 00:01:08,839
Speaker 3: spinal injury and they.

21
00:01:08,680 --> 00:01:10,200
Speaker 1: Are my charity for the day.

22
00:01:10,520 --> 00:01:13,080
Speaker 2: Great, And do you have a different charity every single day?

23
00:01:13,080 --> 00:01:13,280
Speaker 4: There?

24
00:01:13,360 --> 00:01:17,640
Speaker 2: So Tuesday it's the Spinal People. Wednesday more of a

25
00:01:17,880 --> 00:01:19,479
Speaker 2: person I.

26
00:01:19,440 --> 00:01:20,920
Speaker 3: Do like to help where I can.

27
00:01:21,040 --> 00:01:23,480
Speaker 2: Yeah, good, now, listen, tell me about the block right,

28
00:01:23,520 --> 00:01:25,480
Speaker 2: because I moved it three years ago and one of

29
00:01:25,520 --> 00:01:27,080
Speaker 2: the things out to when us was the block is

30
00:01:27,120 --> 00:01:29,520
Speaker 2: like a big institution. I know it's one of the

31
00:01:29,720 --> 00:01:33,000
Speaker 2: big biggest TV shows in Australia, but here in Melbourne

32
00:01:33,319 --> 00:01:36,479
Speaker 2: it's like a big deal. And I've seen it because

33
00:01:36,720 --> 00:01:38,319
Speaker 2: the one you've been doing is the one in Hampton,

34
00:01:38,360 --> 00:01:40,160
Speaker 2: which is why I've seen it, the one out there.

35
00:01:40,200 --> 00:01:42,759
Speaker 2: Sometimes when you've been doing it, there must be some

36
00:01:42,800 --> 00:01:44,920
Speaker 2: of the couples on there between you and I Sholly right.

37
00:01:44,920 --> 00:01:47,520
Speaker 2: It's no one listening writers too early that you actually

38
00:01:47,560 --> 00:01:48,240
Speaker 2: can't stand.

39
00:01:49,360 --> 00:01:52,360
Speaker 3: Oh yeah, absolutely, But they're likely children. You know you

40
00:01:52,400 --> 00:01:54,640
Speaker 3: have to pretend you love them more equally, don't you.

41
00:01:54,720 --> 00:01:57,120
Speaker 2: Well, I don't have to do that for my teenagers.

42
00:01:59,360 --> 00:02:01,480
Speaker 2: The Shelley Craft going to parents and pretend you care

43
00:02:01,520 --> 00:02:06,840
Speaker 2: about them, interested in their little stories. Now I work

44
00:02:06,880 --> 00:02:09,480
Speaker 2: with some on this show Shelley right, called Jack Post,

45
00:02:09,520 --> 00:02:12,600
Speaker 2: and he is a massive fan, not just of watching

46
00:02:12,639 --> 00:02:14,639
Speaker 2: the show. He would love to be.

47
00:02:14,639 --> 00:02:17,080
Speaker 5: So you know, I've talked about this block many times.

48
00:02:17,080 --> 00:02:19,520
Speaker 5: I've told we've we always have the conversation about what

49
00:02:19,600 --> 00:02:22,720
Speaker 5: reality show we would go on? And I say the Block, Shelley.

50
00:02:22,800 --> 00:02:24,960
Speaker 5: My wife and I have renovated our house three years

51
00:02:25,000 --> 00:02:30,120
Speaker 5: ago and we would love to get in there. Talk

52
00:02:30,160 --> 00:02:33,000
Speaker 5: to the right people. Maybe slip us a phone number

53
00:02:33,000 --> 00:02:35,359
Speaker 5: for somebody who knows the casting director.

54
00:02:35,520 --> 00:02:38,680
Speaker 2: Shelley hasn't even stood up yet, and you're hustling her.

55
00:02:39,960 --> 00:02:45,600
Speaker 3: Are you mad? My question for you it is possibly?

56
00:02:45,840 --> 00:02:48,600
Speaker 3: Well no, I say, without doubt, the toughest reality show

57
00:02:48,720 --> 00:02:52,240
Speaker 3: there is out there. You can have your Love Island,

58
00:02:52,320 --> 00:02:56,600
Speaker 3: your Survivors, your cooking shows, your Big Brothers. The Block

59
00:02:57,000 --> 00:02:59,600
Speaker 3: is the toughest of the tough. So have you got

60
00:02:59,600 --> 00:03:00,519
Speaker 3: what a jack?

61
00:03:00,600 --> 00:03:01,880
Speaker 5: What about sas Australia?

62
00:03:01,919 --> 00:03:02,639
Speaker 2: That's pretty hard?

63
00:03:02,960 --> 00:03:05,239
Speaker 3: Oh no, that's for this is hard core.

64
00:03:05,919 --> 00:03:09,760
Speaker 2: Well, none of them have to get out furnisure bathroom.

65
00:03:12,639 --> 00:03:14,320
Speaker 3: You can a flat pack and see how.

66
00:03:14,240 --> 00:03:16,119
Speaker 2: They's a real struggle.

67
00:03:16,360 --> 00:03:18,000
Speaker 3: Torture, real torture.

68
00:03:18,480 --> 00:03:21,000
Speaker 5: I think I would honestly love to do it. Can

69
00:03:21,040 --> 00:03:23,320
Speaker 5: I can I pitch you? Because I know that you

70
00:03:23,680 --> 00:03:26,320
Speaker 5: go for couples who like to like squabble and kick

71
00:03:26,360 --> 00:03:28,640
Speaker 5: off against the other couples on there. I've got a

72
00:03:28,720 --> 00:03:32,000
Speaker 5: very feisty Venezuelan wife and.

73
00:03:31,440 --> 00:03:35,280
Speaker 2: He's actually going into the pitch here is impressive, Shelley.

74
00:03:35,360 --> 00:03:37,120
Speaker 2: Has everyone ever pitched you before to be on the

75
00:03:37,120 --> 00:03:38,120
Speaker 2: show while you're in bed?

76
00:03:39,680 --> 00:03:41,720
Speaker 1: I'm not.

77
00:03:42,920 --> 00:03:43,480
Speaker 2: Bad question.

78
00:03:43,680 --> 00:03:45,480
Speaker 5: That's how half the contestines get on the show.

79
00:03:48,600 --> 00:03:50,600
Speaker 3: I've got nothing to do with the casting. Just say,

80
00:03:50,600 --> 00:03:51,840
Speaker 3: you know, Jack, I can't help you.

81
00:03:52,480 --> 00:03:54,839
Speaker 2: If Shelly Craft doesn't like you're not getting on that show,

82
00:03:54,920 --> 00:03:55,480
Speaker 2: carry on with.

83
00:03:55,440 --> 00:03:58,360
Speaker 5: The pitch, Okay, So then my wife can be kicking

84
00:03:58,400 --> 00:04:01,000
Speaker 5: off in Spanish. You can put titles on the block

85
00:04:01,040 --> 00:04:04,360
Speaker 5: about what she's saying. I can get actually very cranky myself,

86
00:04:04,600 --> 00:04:07,040
Speaker 5: even yesterday on the show is kicking off about Cody

87
00:04:07,080 --> 00:04:10,720
Speaker 5: Weightman and the bulldogs. I would fight with the other contestants,

88
00:04:10,760 --> 00:04:16,000
Speaker 5: not physically obviously, but emotionally. Emotionally. Yeah, I'm not afraid

89
00:04:16,040 --> 00:04:18,200
Speaker 5: to yell at trades, yell at people who are doing

90
00:04:18,240 --> 00:04:18,720
Speaker 5: the wrong thing.

91
00:04:18,839 --> 00:04:20,560
Speaker 2: You really want that guy down there on the block

92
00:04:20,920 --> 00:04:22,680
Speaker 2: yelling at poor trades.

93
00:04:23,320 --> 00:04:29,160
Speaker 3: To hear about your your trade management, how you obviously trade.

94
00:04:30,680 --> 00:04:32,240
Speaker 5: I would reward the ones who are doing the.

95
00:04:32,200 --> 00:04:34,839
Speaker 2: Right thing, watch out more yelling.

96
00:04:34,880 --> 00:04:37,520
Speaker 5: But you know, every season there's a waterproofer who doesn't

97
00:04:37,560 --> 00:04:39,880
Speaker 5: show up or put somebody else's job ahead of their

98
00:04:40,400 --> 00:04:42,520
Speaker 5: ahead of the somebody on the block, and they have

99
00:04:42,600 --> 00:04:44,359
Speaker 5: to have a stern talking to I'm.

100
00:04:44,160 --> 00:04:46,840
Speaker 3: Not for Keith's job or Scotti's job.

101
00:04:46,920 --> 00:04:47,360
Speaker 1: Not just.

102
00:04:48,880 --> 00:04:50,600
Speaker 5: I'd love to be a contestant, but if there's other

103
00:04:50,720 --> 00:04:59,920
Speaker 5: roles opening up, player, are you paying.

104
00:04:59,640 --> 00:05:00,440
Speaker 2: This bo Christmas?

105
00:05:00,440 --> 00:05:02,200
Speaker 3: Sounds like he just applied for it.

106
00:05:02,760 --> 00:05:04,840
Speaker 2: Do you know what I fair? Shelley's been actually working

107
00:05:04,880 --> 00:05:06,920
Speaker 2: on the show for three years, just waiting for this

108
00:05:07,000 --> 00:05:09,719
Speaker 2: moment actually to pitch to you to get onto the block.

109
00:05:10,000 --> 00:05:12,040
Speaker 2: Do you actually get this like a lot, Shelley, where

110
00:05:12,080 --> 00:05:13,520
Speaker 2: people do say they would just come up to you

111
00:05:13,560 --> 00:05:14,800
Speaker 2: when they see you out in the bat go, oh,

112
00:05:15,200 --> 00:05:17,480
Speaker 2: my husband and I where a really funny characters.

113
00:05:17,520 --> 00:05:18,120
Speaker 1: Absolutely.

114
00:05:18,400 --> 00:05:21,320
Speaker 3: Absolutely, It's one of the great joys to see people.

115
00:05:21,320 --> 00:05:24,360
Speaker 3: But I've always said the best contestants would be a

116
00:05:24,520 --> 00:05:28,640
Speaker 3: human resources manager and an accountant, because we have so

117
00:05:28,720 --> 00:05:31,200
Speaker 3: many contestants that have got no idea how to manage

118
00:05:31,240 --> 00:05:33,400
Speaker 3: their skills or their trades, and no idea how to

119
00:05:33,400 --> 00:05:34,200
Speaker 3: manage their budget.

120
00:05:35,080 --> 00:05:40,360
Speaker 2: The picture accountant isn't she? And you are after nine?

121
00:05:40,360 --> 00:05:41,880
Speaker 2: You do your consume resorts.

122
00:05:41,920 --> 00:05:44,240
Speaker 5: I'm mostly hr here and then I just pop in

123
00:05:44,279 --> 00:05:48,760
Speaker 5: every day and again, but we are terrible at keeping

124
00:05:48,800 --> 00:05:51,640
Speaker 5: finances where we don't know anything about building.

125
00:05:52,080 --> 00:05:54,360
Speaker 2: If you want terrors, told teks Ago you did your

126
00:05:54,360 --> 00:05:57,719
Speaker 2: own renovation, but it took ages. You were shocking.

127
00:05:57,960 --> 00:05:59,760
Speaker 1: Actually, it has been.

128
00:05:59,680 --> 00:06:01,320
Speaker 3: The best pitch I've ever received.

129
00:06:01,440 --> 00:06:02,320
Speaker 5: Please pass it on.

130
00:06:02,760 --> 00:06:08,560
Speaker 2: Sorry, can continue with the interview, Shelley. Do you find

131
00:06:08,600 --> 00:06:10,560
Speaker 2: that a lot of trade is right where when the

132
00:06:10,600 --> 00:06:12,479
Speaker 2: Block is on? Because it's such a big show, and

133
00:06:12,520 --> 00:06:14,760
Speaker 2: I guess it's an influential show because people who are

134
00:06:14,800 --> 00:06:17,080
Speaker 2: doing up their own houses and people are posessed with

135
00:06:17,160 --> 00:06:20,279
Speaker 2: renovations and trying to make extra what they've got. Do

136
00:06:20,360 --> 00:06:22,880
Speaker 2: you find that then the trading states a nightmare when

137
00:06:22,880 --> 00:06:25,719
Speaker 2: the show's on, because whatever you're featuring on the show,

138
00:06:26,680 --> 00:06:28,680
Speaker 2: the rest of us just want that and just badger

139
00:06:28,720 --> 00:06:30,880
Speaker 2: the trades go and get what they've got on the block.

140
00:06:32,400 --> 00:06:34,640
Speaker 3: Year. So we've got our own block shop, so now

141
00:06:34,680 --> 00:06:36,760
Speaker 3: you could just go straight there and get exactly what

142
00:06:36,800 --> 00:06:39,200
Speaker 3: the contestants have in their room without having to think

143
00:06:39,200 --> 00:06:42,640
Speaker 3: about it one little bit. The block shop this is

144
00:06:42,720 --> 00:06:43,839
Speaker 3: made for you, my friend.

145
00:06:44,360 --> 00:06:46,680
Speaker 2: Right now, Shelley, everyone who gives us a call on

146
00:06:46,920 --> 00:06:49,080
Speaker 2: who's calling Christian? We're asking him what is the song

147
00:06:49,200 --> 00:06:51,200
Speaker 2: they'd like to listen to when there's no one else around.

148
00:06:51,200 --> 00:06:53,880
Speaker 2: It's not the guilty pleasure, the song you're secretly embarrassed

149
00:06:53,880 --> 00:06:57,040
Speaker 2: to admit you like. What is it for you, Shelly Craft, Well,

150
00:06:57,080 --> 00:06:57,720
Speaker 2: I figured that.

151
00:06:57,680 --> 00:06:59,960
Speaker 3: The whole country would go for Dell braithwaits the whole

152
00:07:00,520 --> 00:07:04,799
Speaker 3: So I like to pump out pinks, raise your glass.

153
00:07:05,120 --> 00:07:07,640
Speaker 3: That is my sych up song. That's what we play

154
00:07:07,680 --> 00:07:08,880
Speaker 3: on the way to school when.

155
00:07:08,680 --> 00:07:11,440
Speaker 4: We used to go to school with the girls to get.

156
00:07:11,320 --> 00:07:13,440
Speaker 3: Them all pumped for a good day. But that is

157
00:07:13,520 --> 00:07:14,880
Speaker 3: my my favorite song.

158
00:07:14,920 --> 00:07:17,160
Speaker 2: And Michail kids have a really good song about raising

159
00:07:17,200 --> 00:07:17,960
Speaker 2: glass and drinking.

160
00:07:19,720 --> 00:07:21,840
Speaker 5: Are there's the kids that you're pretending to.

161
00:07:21,920 --> 00:07:29,440
Speaker 2: Like they're not her kids? Sippy cup for your kids

162
00:07:29,400 --> 00:07:34,960
Speaker 2: about rape the mom come five o'clock. Pretty good tune. Shelley,

163
00:07:35,080 --> 00:07:37,160
Speaker 2: Thank you very much for giving us a call on

164
00:07:37,200 --> 00:07:39,560
Speaker 2: Who's calling? Christian And watch out for Jack on the block.

165
00:07:40,120 --> 00:07:42,040
Speaker 2: No worries, No, I meant he'd just be hanging around

166
00:07:42,040 --> 00:07:43,800
Speaker 2: the set even if he doesn't get on the show.

167
00:07:43,920 --> 00:07:47,280
Speaker 2: Just watch out gently for him. Look out, yeah, watch

168
00:07:47,560 --> 00:07:49,280
Speaker 2: it's a warning. Shelley, Thank you very much to give

169
00:07:49,360 --> 00:07:50,320
Speaker 2: us a call. Have a good day.

170
00:07:52,520 --> 00:07:55,160
Speaker 1: You're listening to the Christian Okyls Show podcast.

171
00:07:55,240 --> 00:07:57,080
Speaker 2: Let's find out who's on the line now? Who is

172
00:07:57,240 --> 00:07:59,080
Speaker 2: number seven? Good morning? Who's this.

173
00:08:02,280 --> 00:08:04,920
Speaker 1: A bit of the Zeppelin's Rosso mate, Tims? How are you?

174
00:08:04,960 --> 00:08:07,720
Speaker 2: Buddyver far away from a prank call? Still in you?

175
00:08:07,800 --> 00:08:15,080
Speaker 2: My friend? Ross, You've been branked rosso Good morning.

176
00:08:15,400 --> 00:08:17,400
Speaker 1: Go mate. Good to chat to you, buddy. An absolute

177
00:08:17,440 --> 00:08:20,320
Speaker 1: pleasure to be on your program for the very first time.

178
00:08:20,400 --> 00:08:24,360
Speaker 1: You've been killing it. I'm honored, mate, I'm honored.

179
00:08:24,960 --> 00:08:28,120
Speaker 2: Do you know what I would say? You're American Rosso? Right?

180
00:08:28,160 --> 00:08:30,280
Speaker 2: That's out there on the Mount Rushmore of Australian Radio

181
00:08:30,280 --> 00:08:32,960
Speaker 2: with haymissh and Andy Martin molloy. One of the first

182
00:08:33,360 --> 00:08:37,400
Speaker 2: podcasts I would regularly listen to was your show So

183
00:08:38,440 --> 00:08:40,360
Speaker 2: Awesome You Are? I used to love you guys on

184
00:08:40,400 --> 00:08:42,720
Speaker 2: the radio and Jack you must have grown up listened

185
00:08:42,760 --> 00:08:43,360
Speaker 2: to these two?

186
00:08:43,520 --> 00:08:43,720
Speaker 4: Yeah.

187
00:08:43,800 --> 00:08:46,240
Speaker 5: I had the CD from Us to You CD. I

188
00:08:46,280 --> 00:08:49,600
Speaker 5: haven't had your The American Rosso book russo.

189
00:08:50,040 --> 00:08:53,480
Speaker 1: God, you got the whole lot, mate. You know those

190
00:08:53,559 --> 00:08:56,000
Speaker 1: of you are looking for either of those items about

191
00:08:56,000 --> 00:08:57,480
Speaker 1: two bucks on e Bay.

192
00:08:59,240 --> 00:09:01,480
Speaker 5: I'm still waiting for mind to grow up and value

193
00:09:02,640 --> 00:09:03,280
Speaker 5: for ourselves.

194
00:09:03,880 --> 00:09:06,480
Speaker 1: They look One of them actually won an ARIA Award,

195
00:09:06,600 --> 00:09:10,880
Speaker 1: which you know is a big thing. But yeah, I

196
00:09:10,960 --> 00:09:14,800
Speaker 1: thank you for supporting you know, that wonderful moment in

197
00:09:15,640 --> 00:09:19,520
Speaker 1: my career. And you know, when I start talking America again,

198
00:09:19,559 --> 00:09:20,240
Speaker 1: I'll let him know.

199
00:09:23,920 --> 00:09:26,840
Speaker 5: Rossie is the the Comedy Album Award of the is

200
00:09:26,840 --> 00:09:28,680
Speaker 5: the what the one they do during the ad break?

201
00:09:30,400 --> 00:09:31,800
Speaker 1: It doesn't even make it under the tree.

202
00:09:31,920 --> 00:09:37,600
Speaker 2: Hey, you're kidding me. Value Australian radio comedy Andy one

203
00:09:37,640 --> 00:09:38,120
Speaker 2: one as well.

204
00:09:38,520 --> 00:09:42,280
Speaker 6: They just knock it off like it's so like it

205
00:09:42,440 --> 00:09:45,520
Speaker 6: literally like Hughes, he will put one out or something.

206
00:09:45,840 --> 00:09:49,160
Speaker 6: Anyone who's on, like I'm on the ARIA judging panel

207
00:09:49,200 --> 00:09:50,800
Speaker 6: and you know for well that people are just going,

208
00:09:51,080 --> 00:09:52,320
Speaker 6: I don't know who that person is.

209
00:09:52,360 --> 00:09:55,480
Speaker 1: I don't know, Oh yeah American ross So they're dickheads.

210
00:09:55,480 --> 00:09:59,360
Speaker 1: But anyway I'll kick them because we know them.

211
00:09:59,520 --> 00:10:02,600
Speaker 2: And so which charity are you cooling into? Support? Lots?

212
00:10:02,600 --> 00:10:02,960
Speaker 2: So who is?

213
00:10:03,040 --> 00:10:05,640
Speaker 1: Well, well, you know what happened. Like Alan Wiggs, my

214
00:10:05,760 --> 00:10:09,120
Speaker 1: old geography teacher, sent me a message on Facebook and

215
00:10:09,120 --> 00:10:11,080
Speaker 1: he said you really should call in. And I know

216
00:10:11,160 --> 00:10:13,240
Speaker 1: it's weird that your friends on Facebook with an old

217
00:10:13,240 --> 00:10:15,160
Speaker 1: geography teacher. But I did what it is.

218
00:10:15,320 --> 00:10:17,360
Speaker 2: I mean, you know there are social services. They're going

219
00:10:17,400 --> 00:10:18,880
Speaker 2: to follow this up with a call to you to

220
00:10:18,920 --> 00:10:21,760
Speaker 2: check everything. It's okay, I've already had a fifty year

221
00:10:21,760 --> 00:10:25,959
Speaker 2: old man for this jography teacher. There's some relationships that

222
00:10:26,080 --> 00:10:26,880
Speaker 2: built to last.

223
00:10:27,920 --> 00:10:30,600
Speaker 1: Do you know what happened? Like, yeah, I'm having that

224
00:10:30,679 --> 00:10:33,400
Speaker 1: conversation with someone on Facebook about old Wigsy and you

225
00:10:33,440 --> 00:10:36,600
Speaker 1: go one, if he's still alive, and then you know,

226
00:10:36,720 --> 00:10:41,320
Speaker 1: then you have a conversation and somehow he he he

227
00:10:41,480 --> 00:10:43,640
Speaker 1: someone tags him in and he goes, yeah, I'm still alive,

228
00:10:43,679 --> 00:10:47,000
Speaker 1: and like you goes, should I should I friend my Wigsy,

229
00:10:47,080 --> 00:10:49,040
Speaker 1: my old geography teacher you know who had the Porto

230
00:10:49,120 --> 00:10:52,439
Speaker 1: massage in the eighties, And you go, yeah, because I'm

231
00:10:52,440 --> 00:10:55,600
Speaker 1: sort of curious, and you know he's still teaching and

232
00:10:55,640 --> 00:10:58,360
Speaker 1: they still got the mustache. Anyway, he said I should

233
00:10:58,400 --> 00:11:05,199
Speaker 1: call him. Listen to the show right demographic and and

234
00:11:05,200 --> 00:11:06,000
Speaker 1: it also.

235
00:11:05,960 --> 00:11:09,000
Speaker 2: He's one of the younger ones. He's one of the ones,

236
00:11:09,040 --> 00:11:09,839
Speaker 2: one of the pots.

237
00:11:10,840 --> 00:11:16,319
Speaker 1: He comes for the Pat benettar states for the comedy.

238
00:11:15,440 --> 00:11:17,280
Speaker 2: We should put that on the posters. Let's put that

239
00:11:17,800 --> 00:11:22,040
Speaker 2: for the Pat Benett stay for the and how is

240
00:11:22,080 --> 00:11:24,400
Speaker 2: old Wiggsy? Is he all right? Is he still?

241
00:11:24,800 --> 00:11:26,960
Speaker 1: He's really good? You know, like he played the bass

242
00:11:27,000 --> 00:11:28,520
Speaker 1: in the school band in the school play.

243
00:11:28,600 --> 00:11:30,880
Speaker 2: You know, one of those school teachers.

244
00:11:30,960 --> 00:11:33,520
Speaker 1: Yeah, he's a school teacher, you know, as cool as

245
00:11:33,520 --> 00:11:36,240
Speaker 1: a geography teacher could be a potential grammar in the

246
00:11:36,280 --> 00:11:40,199
Speaker 1: nineteen eighties. But and so anyway, so it also gives

247
00:11:40,200 --> 00:11:42,520
Speaker 1: you a good chance to, you know, talk about the

248
00:11:42,559 --> 00:11:46,080
Speaker 1: Aboriginal Legal Service, which for fifty years has been looking

249
00:11:46,120 --> 00:11:49,280
Speaker 1: after Indigenous Australians. And you know, I'm I'm a big

250
00:11:49,320 --> 00:11:51,840
Speaker 1: supporter of what they do. So it's good to give

251
00:11:51,880 --> 00:11:52,600
Speaker 1: them or not as well?

252
00:11:53,240 --> 00:11:55,520
Speaker 2: And tell me this then, So were you someone who

253
00:11:55,559 --> 00:11:57,440
Speaker 2: when you were at school, right, did you want to

254
00:11:57,480 --> 00:12:00,520
Speaker 2: be a DJ comedian with those of your early saw dreams?

255
00:12:02,679 --> 00:12:04,839
Speaker 1: You know, I want to be an actor. I want

256
00:12:04,880 --> 00:12:07,640
Speaker 1: to be an actor. And I had like I grew

257
00:12:07,679 --> 00:12:09,679
Speaker 1: up in an Eliza right, and my mum had this

258
00:12:10,000 --> 00:12:13,160
Speaker 1: doctor surgery in Frankston, and every day after school I'd

259
00:12:13,200 --> 00:12:16,920
Speaker 1: have to go off and stay at their surgery, you know,

260
00:12:17,160 --> 00:12:19,920
Speaker 1: basically because I couldn't go home by himself. And there

261
00:12:20,000 --> 00:12:23,640
Speaker 1: was always accidents near this train crossing and I used

262
00:12:23,679 --> 00:12:26,760
Speaker 1: to fantasize that one day there were there would be

263
00:12:26,800 --> 00:12:29,560
Speaker 1: an accident and the eyewitness news was going to be

264
00:12:29,600 --> 00:12:33,760
Speaker 1: there and I'd be the I would be the eyewitness,

265
00:12:34,760 --> 00:12:36,599
Speaker 1: and I'd go I saw the accident, I saw the

266
00:12:36,640 --> 00:12:38,240
Speaker 1: whole thing happen, and they'd go, Gee, he's good, we

267
00:12:38,240 --> 00:12:39,240
Speaker 1: should put him on neighbors.

268
00:12:39,520 --> 00:12:41,800
Speaker 2: Wait you so, do you think that people are like

269
00:12:41,840 --> 00:12:44,360
Speaker 2: you know, the great actors have been discovered by Steven

270
00:12:44,400 --> 00:12:48,680
Speaker 2: Spielberg watching the local six o'clock news that who is

271
00:12:48,720 --> 00:12:52,120
Speaker 2: that young kid? That's that Leonardo Dicamprio got his break

272
00:12:52,440 --> 00:12:55,199
Speaker 2: he saw a multiple car pie up on the freeway.

273
00:12:55,600 --> 00:12:57,640
Speaker 2: I saw it all put him in the picture.

274
00:12:59,120 --> 00:13:00,960
Speaker 1: Do you think about it? In those days, you didn't

275
00:13:01,000 --> 00:13:05,839
Speaker 1: know how it happened, do you.

276
00:13:05,920 --> 00:13:07,800
Speaker 6: We always know there was some kids.

277
00:13:07,559 --> 00:13:09,559
Speaker 1: You know, who was like a child star who went

278
00:13:09,640 --> 00:13:12,160
Speaker 1: to the audition with their little brother, and the little

279
00:13:12,160 --> 00:13:14,080
Speaker 1: brother didn't get the gig, and they did.

280
00:13:14,640 --> 00:13:18,280
Speaker 6: So it's not it's not that far removed that I disagree.

281
00:13:19,760 --> 00:13:21,679
Speaker 2: I don't think any kid got me break because they

282
00:13:21,760 --> 00:13:27,360
Speaker 2: saw a railway crossing accident. I could be wrong. I

283
00:13:27,400 --> 00:13:29,600
Speaker 2: always spend the rest of my time on planning, trying

284
00:13:29,600 --> 00:13:31,800
Speaker 2: to find a celebrity who've got to break that way,

285
00:13:31,800 --> 00:13:32,960
Speaker 2: and I will call you.

286
00:13:34,559 --> 00:13:35,680
Speaker 1: Let's open up the phones.

287
00:13:39,120 --> 00:13:41,000
Speaker 2: It's so great to change you. So what else are

288
00:13:41,040 --> 00:13:43,480
Speaker 2: you are you doing? Because since American rosso you've done

289
00:13:43,520 --> 00:13:45,920
Speaker 2: loads of different things. You know, you into your architecture.

290
00:13:45,920 --> 00:13:48,560
Speaker 2: Now I follow you on Instagram. The stuff you do

291
00:13:48,600 --> 00:13:49,600
Speaker 2: on there is brilliant.

292
00:13:50,160 --> 00:13:54,800
Speaker 1: Yeah, thanks, Mate's I make lots of architecture documentaries. Now

293
00:13:54,840 --> 00:13:57,200
Speaker 1: I'm doing stuff all because I can't tour obviously, but

294
00:13:57,480 --> 00:14:00,800
Speaker 1: you know, like I'm doing it armschooling and when you've got.

295
00:14:00,640 --> 00:14:03,320
Speaker 2: Two boys, we met one of your bugs.

296
00:14:03,480 --> 00:14:06,640
Speaker 1: Yeah, ten and eight homeschooling. Yeah, for those who don't know,

297
00:14:07,000 --> 00:14:11,280
Speaker 1: it's a bit like putting two two drunk friends in

298
00:14:11,320 --> 00:14:12,640
Speaker 1: a cab at the end of the night and then

299
00:14:12,720 --> 00:14:17,600
Speaker 1: ask him to fill out a parkport applications and the

300
00:14:17,760 --> 00:14:19,920
Speaker 1: and the bonus is you're driving the cab and then

301
00:14:19,960 --> 00:14:22,560
Speaker 1: you if you got to do it every day. But

302
00:14:22,640 --> 00:14:24,680
Speaker 1: you know, we've really got into the swing of it now,

303
00:14:24,680 --> 00:14:25,760
Speaker 1: which is not doing anything.

304
00:14:26,120 --> 00:14:29,560
Speaker 2: So where at that point my storters like, if you

305
00:14:29,560 --> 00:14:33,520
Speaker 2: can do onef for an hour today, that's great education. Oted.

306
00:14:34,000 --> 00:14:36,880
Speaker 1: Yeah, I just just read enough of those articles that say,

307
00:14:36,920 --> 00:14:38,960
Speaker 1: just lots of cuddles is enough.

308
00:14:39,040 --> 00:14:47,680
Speaker 2: But is that your geography teacher? He loved to hud

309
00:14:51,560 --> 00:14:55,800
Speaker 2: for a week.

310
00:14:56,480 --> 00:15:01,520
Speaker 1: I mean Brian, Brian brianson Strong, Yeah, his name yea.

311
00:15:01,680 --> 00:15:04,240
Speaker 2: And what were you expecting then on Father's Day? Because

312
00:15:04,320 --> 00:15:06,880
Speaker 2: my expectations every year are pretty low. But this year,

313
00:15:06,960 --> 00:15:09,880
Speaker 2: what with us in Melbourne lockdown number suits, it's at zero.

314
00:15:09,960 --> 00:15:11,640
Speaker 2: What will you expect from Sunday?

315
00:15:12,280 --> 00:15:14,480
Speaker 1: Well, the same as every year, which is Father's Day,

316
00:15:14,480 --> 00:15:16,960
Speaker 1: goes for about half an hour. Then you get, you

317
00:15:17,040 --> 00:15:21,600
Speaker 1: get some food. It's not a day you get, you get,

318
00:15:21,680 --> 00:15:23,640
Speaker 1: you know, you know, I get a couple of presents,

319
00:15:25,680 --> 00:15:27,920
Speaker 1: you know, and then bed and breakfast and then your

320
00:15:27,920 --> 00:15:29,720
Speaker 1: breakfast in bed and then that's it, you know, and

321
00:15:29,760 --> 00:15:31,600
Speaker 1: then it's back to being yelled at by my wife.

322
00:15:31,640 --> 00:15:34,000
Speaker 1: So that's pretty much, you know, the kids just forgetting

323
00:15:34,000 --> 00:15:35,200
Speaker 1: who I am and all that sort of stuff. But

324
00:15:35,240 --> 00:15:37,560
Speaker 1: you know, it was a couple of years ago I

325
00:15:37,640 --> 00:15:40,120
Speaker 1: was on I was on a holiday, overseas holiday, and

326
00:15:40,240 --> 00:15:41,960
Speaker 1: this offer came through for me to do this day

327
00:15:42,000 --> 00:15:45,840
Speaker 1: with Jones Father's Day campaign and look, I'm not exactly

328
00:15:46,040 --> 00:15:48,200
Speaker 1: you know, an oil painting, and so I thought, oh,

329
00:15:48,200 --> 00:15:49,680
Speaker 1: look I'll do it. I'll take the cash, they won't

330
00:15:49,680 --> 00:15:52,680
Speaker 1: really use much of it. And so I came back

331
00:15:52,680 --> 00:15:54,680
Speaker 1: from London and I came pretty much straight from the

332
00:15:54,680 --> 00:15:58,800
Speaker 1: airport straight to the photo shoot. And my hair beard

333
00:15:58,880 --> 00:16:01,160
Speaker 1: was huge. I hadn't had a haircut for a month.

334
00:16:01,720 --> 00:16:04,360
Speaker 1: And my kids were there and they're all cuddling me

335
00:16:04,440 --> 00:16:06,000
Speaker 1: or whatever, and they used the photos and they were

336
00:16:06,000 --> 00:16:07,600
Speaker 1: allowed to use them for all sorts of things. But

337
00:16:07,640 --> 00:16:09,320
Speaker 1: I thought, oh, there's all these other guys that you know,

338
00:16:09,400 --> 00:16:11,400
Speaker 1: all the good looking dudes with the end. They're the

339
00:16:11,480 --> 00:16:13,800
Speaker 1: lovely kids. They'll get all the other stuff. And I

340
00:16:13,840 --> 00:16:15,920
Speaker 1: didn't really take any notice of it. And then suddenly

341
00:16:15,920 --> 00:16:18,320
Speaker 1: I realized they were using the David Jones were using

342
00:16:18,320 --> 00:16:21,040
Speaker 1: the photos on billboards, they were using this full page

343
00:16:21,040 --> 00:16:23,880
Speaker 1: in the Sunday papers. I'd go into David Jones and

344
00:16:23,880 --> 00:16:25,320
Speaker 1: there was a poster of me on the wall, and

345
00:16:25,600 --> 00:16:27,520
Speaker 1: I didn't expect them to do that. And of course

346
00:16:27,720 --> 00:16:29,320
Speaker 1: I realized it wasn't about me. It was about my

347
00:16:29,400 --> 00:16:33,200
Speaker 1: kids that were quite cute. And I'm like, oh my god,

348
00:16:33,240 --> 00:16:35,400
Speaker 1: there's totally got so much out of My wife's just

349
00:16:35,480 --> 00:16:37,760
Speaker 1: laughing at me because I did. I look at whatever

350
00:16:37,760 --> 00:16:40,680
Speaker 1: they're not going to use it that much anyway. On

351
00:16:40,800 --> 00:16:44,440
Speaker 1: at this event, and this guy who's an artist starts

352
00:16:44,480 --> 00:16:46,280
Speaker 1: coming up to me and talking to me, and he

353
00:16:46,320 --> 00:16:48,680
Speaker 1: starts asking me all these questions, and I said, I'm

354
00:16:48,720 --> 00:16:52,600
Speaker 1: about to have a son. You know, I'm a first baby,

355
00:16:52,640 --> 00:16:54,920
Speaker 1: and I just wanted to ask you a few questions

356
00:16:55,000 --> 00:16:56,840
Speaker 1: about being a dad and stuff. And I go, okay,

357
00:16:57,000 --> 00:16:58,680
Speaker 1: I worries, I'll help we have through all that stuff.

358
00:16:58,960 --> 00:17:00,360
Speaker 1: And then he sort of says, I don't know why

359
00:17:00,360 --> 00:17:02,360
Speaker 1: I'm asking you all these questions. And then I went,

360
00:17:03,160 --> 00:17:07,280
Speaker 1: you've seen my David Jones campaign, haven't you. He said, yes,

361
00:17:07,359 --> 00:17:10,919
Speaker 1: that's what it is. And I'm getting I'm getting all

362
00:17:10,960 --> 00:17:13,240
Speaker 1: these people stopped me on the street asked me questions

363
00:17:13,240 --> 00:17:15,280
Speaker 1: about dad just because I wanted a bit of coin

364
00:17:15,320 --> 00:17:17,439
Speaker 1: after I come back from an expensive holiday.

365
00:17:18,200 --> 00:17:21,000
Speaker 2: All right now, listen rosso everyone who calls him were

366
00:17:21,040 --> 00:17:22,679
Speaker 2: asked came to tell us what is the song that

367
00:17:22,720 --> 00:17:24,639
Speaker 2: is there? Guilty Pleasure? The song that I listened to

368
00:17:24,720 --> 00:17:27,200
Speaker 2: when there's no one else around? What is it for you?

369
00:17:27,800 --> 00:17:32,159
Speaker 1: Well, apart from Pat Banatta, but no, I Love You

370
00:17:32,200 --> 00:17:41,000
Speaker 1: Can Be Magic by the band America.

371
00:17:41,720 --> 00:17:42,119
Speaker 2: Why this?

372
00:17:43,560 --> 00:17:46,159
Speaker 1: I like America? Right? I like the band and I'm

373
00:17:46,560 --> 00:17:49,680
Speaker 1: sister Golden Hair one of my favorite songs of all time, right,

374
00:17:49,760 --> 00:17:52,240
Speaker 1: And so I love yacht rock and I was doing

375
00:17:52,240 --> 00:17:55,479
Speaker 1: the show called Motel and we did this. We did

376
00:17:55,560 --> 00:17:57,840
Speaker 1: some sort of a medley of yacht rock songs at

377
00:17:57,840 --> 00:18:00,640
Speaker 1: the start of it, and we included that. And I've

378
00:18:00,680 --> 00:18:02,840
Speaker 1: really forgotten about there was like ten songs.

379
00:18:03,520 --> 00:18:07,159
Speaker 2: What else would be on rock, like you know that

380
00:18:07,280 --> 00:18:11,440
Speaker 2: ten CC and not in Lastland.

381
00:18:12,040 --> 00:18:14,360
Speaker 1: I know, I'm more like American West Coast, So it's

382
00:18:14,440 --> 00:18:17,600
Speaker 1: like the Doobie Brothers and all that stuff, you know,

383
00:18:17,680 --> 00:18:20,520
Speaker 1: that sort of soft rock from the feventies. And so

384
00:18:20,560 --> 00:18:22,320
Speaker 1: I had we had this medally going on and then

385
00:18:22,400 --> 00:18:24,680
Speaker 1: just in the strangest thing that happened, like I meet

386
00:18:24,680 --> 00:18:27,280
Speaker 1: all these people who really like architecture, right and from

387
00:18:27,280 --> 00:18:30,320
Speaker 1: all over the world message meat and Jerry Beckley from

388
00:18:30,359 --> 00:18:34,000
Speaker 1: the band America, right, who sang that song, Yeah, messaged

389
00:18:34,040 --> 00:18:38,440
Speaker 1: me on Instagram and says, Jerry says, I just I'm

390
00:18:38,480 --> 00:18:41,400
Speaker 1: in Sydney at the moment. I just wanted to reach out.

391
00:18:41,440 --> 00:18:45,720
Speaker 1: I really like architecture. Jerry from America the band Yeah, Okay,

392
00:18:45,760 --> 00:18:48,080
Speaker 1: no worries anyway, So we ended up becoming mates, and

393
00:18:48,240 --> 00:18:50,640
Speaker 1: he came to one of the architecture shows and then

394
00:18:50,840 --> 00:18:52,600
Speaker 1: I said, I were doing this another version of Motel

395
00:18:52,680 --> 00:18:54,880
Speaker 1: Do you want to come to that? And I totally

396
00:18:55,000 --> 00:18:57,280
Speaker 1: forgot that we were doing a version of his song

397
00:18:58,280 --> 00:19:00,280
Speaker 1: and he was in the front row and then we

398
00:19:00,320 --> 00:19:02,800
Speaker 1: start singing you can do magic and taking the piss

399
00:19:02,840 --> 00:19:07,360
Speaker 1: out of it. That's the guy that sings that. It's

400
00:19:07,400 --> 00:19:08,760
Speaker 1: in the front right, And how was that?

401
00:19:09,000 --> 00:19:11,560
Speaker 2: Was Jerry with this? Jerry love it.

402
00:19:11,720 --> 00:19:12,960
Speaker 5: It's the big guy in the world.

403
00:19:13,359 --> 00:19:15,600
Speaker 1: Like he's the sweetest man in the world, Like he's

404
00:19:15,640 --> 00:19:17,800
Speaker 1: the nicest guy, you know, Like it's not every day

405
00:19:18,280 --> 00:19:20,440
Speaker 1: Jerry from the band America, the band of the Rapts

406
00:19:20,520 --> 00:19:23,119
Speaker 1: no name, uh, you know, messaging and wants to have

407
00:19:23,119 --> 00:19:26,160
Speaker 1: a chat. You know, that's not as exciting as Allen Wiggs.

408
00:19:26,200 --> 00:19:28,119
Speaker 2: But you know, I'll tell you what, Ross Soll, what

409
00:19:28,119 --> 00:19:29,920
Speaker 2: this is saying to me is your next book should

410
00:19:29,920 --> 00:19:31,880
Speaker 2: just be about your dm as. Whether it's on Facebook

411
00:19:31,880 --> 00:19:35,800
Speaker 2: with your dog, geography teacher or Jerry from the band America.

412
00:19:35,880 --> 00:19:37,680
Speaker 2: It's all going on in your direct messages.

413
00:19:38,280 --> 00:19:41,560
Speaker 1: Yeah, mate, it's all happening, you know, like it's you know,

414
00:19:41,640 --> 00:19:43,920
Speaker 1: what's not much gonna happen when you can't go out much.

415
00:19:44,000 --> 00:19:46,240
Speaker 1: You know, you're living your whole life online. Look at me.

416
00:19:46,280 --> 00:19:48,440
Speaker 1: I'm just talking like forever because they haven't talked to anyone,

417
00:19:48,640 --> 00:19:50,240
Speaker 1: putting the kids and the dog for very week.

418
00:19:51,760 --> 00:19:56,920
Speaker 2: It's not catching up with a uniboma. It's the same

419
00:19:57,000 --> 00:20:01,240
Speaker 2: thing David Jones can't get hold old Ted Krazanski. So

420
00:20:01,320 --> 00:20:03,320
Speaker 2: they went for you, all right, Ross, So we have

421
00:20:03,440 --> 00:20:05,600
Speaker 2: to go. It has been a joy talking to you,

422
00:20:05,640 --> 00:20:07,359
Speaker 2: and I hope we can mention. I hope I can

423
00:20:07,400 --> 00:20:09,679
Speaker 2: see you again when we're all out of lockdown and

424
00:20:09,880 --> 00:20:11,160
Speaker 2: hopefully before the end of the year.

425
00:20:11,480 --> 00:20:14,080
Speaker 1: Yeah, that'd be fabulous. Good to check guys. Take care

426
00:20:14,080 --> 00:20:15,720
Speaker 1: all right then, Happy Fathers Back.

427
00:20:15,840 --> 00:20:25,240
Speaker 2: Christian Connell Show podcast, Vaxson's Gone again one number. We

428
00:20:25,280 --> 00:20:28,680
Speaker 2: are to number eight, number eight, Day two on Who's

429
00:20:28,720 --> 00:20:32,280
Speaker 2: calling Christian? Fifty thousand dollars out for crabs. You asking

430
00:20:32,359 --> 00:20:35,080
Speaker 2: celebrities to give us a call that they could be

431
00:20:35,119 --> 00:20:39,120
Speaker 2: winning twenty five thousand dollars for the charity of their choice,

432
00:20:39,160 --> 00:20:41,560
Speaker 2: and you also win twenty five thousand dollars as well.

433
00:20:41,680 --> 00:20:44,800
Speaker 2: Let's find out who's on the line right now. Hello,

434
00:20:44,880 --> 00:20:46,359
Speaker 2: who's calling Christian? Who's this.

435
00:20:48,480 --> 00:20:51,440
Speaker 7: It's Vanessa and Racy and I'm calling all the way.

436
00:20:51,240 --> 00:20:55,040
Speaker 2: From La Vanessa. Welcome to the show. And I'm sorry

437
00:20:55,080 --> 00:20:57,480
Speaker 2: if people have been asking over the weekend, but we

438
00:20:57,520 --> 00:20:58,720
Speaker 2: did ask them to on Friday.

439
00:20:58,720 --> 00:21:03,000
Speaker 1: But thanks for calling in, thanks for having me.

440
00:21:03,520 --> 00:21:07,000
Speaker 2: So has your Instagram feed or Twitter has it been

441
00:21:07,000 --> 00:21:09,159
Speaker 2: blown up with people asking you about this competition?

442
00:21:10,760 --> 00:21:13,359
Speaker 7: There has been many questions about it, and I actually

443
00:21:13,359 --> 00:21:16,159
Speaker 7: got very excited because I do a lot of stuff

444
00:21:16,200 --> 00:21:20,159
Speaker 7: with a charity called Kids Helpline, and they are unbelievable.

445
00:21:20,200 --> 00:21:22,119
Speaker 7: They've been at it for a really long time and

446
00:21:22,160 --> 00:21:24,680
Speaker 7: they branch off into many little things to help kids,

447
00:21:24,720 --> 00:21:25,240
Speaker 7: to help.

448
00:21:25,119 --> 00:21:25,800
Speaker 3: Families, and.

449
00:21:27,520 --> 00:21:29,080
Speaker 4: I thought, wow, this is brilliant.

450
00:21:29,359 --> 00:21:31,560
Speaker 2: Like I've got a call, so tell us a bit

451
00:21:31,560 --> 00:21:34,240
Speaker 2: about the charity then, because obviously right down you probably

452
00:21:34,240 --> 00:21:38,000
Speaker 2: know here in Melbourne we're in a extended lockdown number six.

453
00:21:38,040 --> 00:21:40,600
Speaker 2: So a children's charity big time for them at the moment.

454
00:21:42,480 --> 00:21:42,720
Speaker 1: Yeah.

455
00:21:42,760 --> 00:21:45,040
Speaker 7: Well, it's a twenty four hour service and they're they're

456
00:21:45,119 --> 00:21:48,760
Speaker 7: answering questions from children up to parents, to how to

457
00:21:48,840 --> 00:21:54,720
Speaker 7: handle situations, to just so many different things, to the

458
00:21:54,760 --> 00:21:57,840
Speaker 7: difficulties within a family that's maybe got the best domestic

459
00:21:57,920 --> 00:22:01,040
Speaker 7: violence all the way up to school and bullying and

460
00:22:01,080 --> 00:22:04,359
Speaker 7: things like that. They just do so many things to

461
00:22:04,400 --> 00:22:06,199
Speaker 7: help families and to help children.

462
00:22:07,040 --> 00:22:09,960
Speaker 2: Now, the reason why we were getting excited about you

463
00:22:10,080 --> 00:22:12,359
Speaker 2: Vanessa on Friday's show is we're doing a thing on

464
00:22:12,400 --> 00:22:14,560
Speaker 2: Fridays where we ask people what are the songs that

465
00:22:14,560 --> 00:22:16,640
Speaker 2: they love to listen to and turn up really loud,

466
00:22:16,640 --> 00:22:18,960
Speaker 2: and we call it stand by your Band. And someone

467
00:22:19,040 --> 00:22:21,560
Speaker 2: called in to mention your great song, everybody, and we

468
00:22:21,640 --> 00:22:24,639
Speaker 2: played it on Friday and it still sounds great. It

469
00:22:24,720 --> 00:22:27,560
Speaker 2: cheered everybody up on Friday. It gets ready to into

470
00:22:27,600 --> 00:22:29,600
Speaker 2: the weekend. But there's a great bit in the song,

471
00:22:29,760 --> 00:22:33,439
Speaker 2: this bit right that we absolutely kept playing back this

472
00:22:33,640 --> 00:22:39,000
Speaker 2: amazing scream. That is some gift to be able to

473
00:22:39,000 --> 00:22:41,560
Speaker 2: do that. Did you time it in the studio?

474
00:22:41,640 --> 00:22:44,560
Speaker 4: I certainly do a lot of screaming, Jack.

475
00:22:44,400 --> 00:22:45,560
Speaker 2: We actually told it what was it?

476
00:22:45,840 --> 00:22:46,880
Speaker 5: Eight second scream?

477
00:22:47,080 --> 00:22:47,680
Speaker 2: Yeah? This?

478
00:22:48,840 --> 00:22:52,400
Speaker 4: Have you guys ever heard? Did you guys ever hear

479
00:22:52,480 --> 00:22:55,280
Speaker 4: the opening ceremony of the Olympics. I think I held

480
00:22:55,320 --> 00:22:57,760
Speaker 4: that note for a long time deliberately because I was

481
00:22:57,760 --> 00:22:59,320
Speaker 4: told I wasn't allowed to as a kid.

482
00:22:59,600 --> 00:23:02,280
Speaker 2: Yeah done, Because than that, one to do that live

483
00:23:02,440 --> 00:23:03,560
Speaker 2: must have been incredible.

484
00:23:06,119 --> 00:23:08,159
Speaker 4: No, not at all. I mean I think that's just

485
00:23:08,200 --> 00:23:09,640
Speaker 4: a part of what I do and it's a lot

486
00:23:09,640 --> 00:23:10,000
Speaker 4: of fun.

487
00:23:10,119 --> 00:23:11,359
Speaker 6: But yeah, I like to.

488
00:23:11,400 --> 00:23:14,240
Speaker 2: Yell, now, what time in the afternoon is it there?

489
00:23:14,280 --> 00:23:16,360
Speaker 2: Because obviously the time difference here, it's like twenty five

490
00:23:16,400 --> 00:23:18,919
Speaker 2: past eight here in Melbourne, Australia. What time is it

491
00:23:18,960 --> 00:23:19,480
Speaker 2: with you in.

492
00:23:19,760 --> 00:23:23,800
Speaker 7: LA It's around three o'clock in the afternoon.

493
00:23:24,040 --> 00:23:26,680
Speaker 2: There is an ass is by now your vocal cords

494
00:23:26,920 --> 00:23:27,959
Speaker 2: are warmed up.

495
00:23:28,280 --> 00:23:29,840
Speaker 1: Oh I knew you were going to go there.

496
00:23:30,480 --> 00:23:32,919
Speaker 2: I've been luring you in. I've been luring you in,

497
00:23:33,600 --> 00:23:37,800
Speaker 2: you right into the Is there anyway we could get

498
00:23:38,080 --> 00:23:41,160
Speaker 2: the eight seconds this? No, come on.

499
00:23:42,680 --> 00:23:46,160
Speaker 1: One way, absolutely not. If anybody wants to hear those big.

500
00:23:45,960 --> 00:23:49,520
Speaker 4: Notes, by all means, please come and see me, Come

501
00:23:49,560 --> 00:23:50,720
Speaker 4: and see me perform live.

502
00:23:50,800 --> 00:23:51,600
Speaker 6: I would love that.

503
00:23:51,720 --> 00:23:53,679
Speaker 4: And I will give you way more than those lives,

504
00:23:53,720 --> 00:23:56,320
Speaker 4: you know, big notes. I'll give you double the length.

505
00:23:56,880 --> 00:24:00,880
Speaker 2: Okay. And what is the song then for you, Vanessa?

506
00:24:00,960 --> 00:24:03,760
Speaker 2: Then that is the guilty pleasure. You'll stand by your bound.

507
00:24:03,800 --> 00:24:05,480
Speaker 2: What is the song that you listen to when no

508
00:24:05,560 --> 00:24:07,240
Speaker 2: one else is around that you'll turn it up.

509
00:24:09,200 --> 00:24:10,520
Speaker 7: Begtainalized.

510
00:24:10,560 --> 00:24:13,320
Speaker 4: But I don't think I'm ashamed of that because I

511
00:24:13,440 --> 00:24:14,240
Speaker 4: love this song.

512
00:24:14,359 --> 00:24:21,720
Speaker 2: It's a great I love it, brilliant song. I mean,

513
00:24:21,760 --> 00:24:24,880
Speaker 2: if asked one of the remaining members of the Beg's

514
00:24:24,880 --> 00:24:28,840
Speaker 2: if they could do that, the Beg's will do it.

515
00:24:29,560 --> 00:24:31,960
Speaker 2: They wrote three in the afternoon, three am in the morning,

516
00:24:32,800 --> 00:24:35,960
Speaker 2: twenty four to seven. Screamers. Those guys all right, Vanessa,

517
00:24:36,000 --> 00:24:37,600
Speaker 2: thank you very much for giving us a call and

518
00:24:37,680 --> 00:24:40,200
Speaker 2: supporting your charities. Well, good on you. Thank you very much,

519
00:24:41,520 --> 00:24:42,760
Speaker 2: thank you.

520
00:24:43,040 --> 00:24:45,240
Speaker 1: Christian Connell's Show podcast