WEBVTT - #35: Sorry, Tunnel!!

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<v Speaker 1>People do some weird ship it should in young people,

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<v Speaker 1>inhaling the gas from cooking canisters known as names to

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<v Speaker 1>get hide some of the things that.

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<v Speaker 2>Make more since than others.

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<v Speaker 3>I've done everything for you for my career.

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<v Speaker 4>On hold, I could have been anything if I'd had

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<v Speaker 4>the talent.

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<v Speaker 5>Bless yourself for observations you didn't ask for.

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<v Speaker 1>This is leadership.

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<v Speaker 2>I think he's one of the greatest leaders we've ever had.

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<v Speaker 1>Well good, Just.

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<v Speaker 2>A couple of mitchhoul one of us Be and the

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<v Speaker 2>other Mitchell. Just to make things easier.

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<v Speaker 1>Your Mitch, I only call you Mitchell when you're being annoying.

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<v Speaker 2>You always call me Mitchell. Oh no, he is Mitch.

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<v Speaker 2>Julie and Mitchell Koo.

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<v Speaker 1>We are back again for another podcast.

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<v Speaker 2>I got for a final podcast.

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<v Speaker 1>Well final for now. Well, it's our last episode of

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<v Speaker 1>season one. Take a little break, and then we'll be

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<v Speaker 1>back to season two. Groundskeeper Jenner our third wheel. Will

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<v Speaker 1>you be joining us for season two?

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<v Speaker 6>If I have to?

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<v Speaker 1>Yes, you don't have to, you genuinely done.

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<v Speaker 2>No one's holding you.

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<v Speaker 6>Yeah, I'm being forced too, so I'm going to say yes.

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<v Speaker 1>Who's forcing you?

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<v Speaker 6>He's winking, He's winking.

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<v Speaker 1>If you've never heard our podcast before, groundskeeper Jenna was

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<v Speaker 1>our producer, but then she wasn't pulling her weight, so

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<v Speaker 1>we demoted her to groundskeeper. So now she just comes

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<v Speaker 1>in and basically slags us off while we try and

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<v Speaker 1>do our best and record.

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<v Speaker 2>Yep, she's like the free I do nothing. She really does.

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<v Speaker 2>She's the freeload of uncle that your grandma still looks after,

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<v Speaker 2>still makes him meal, still washes his clothes. Uncle, Greg,

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<v Speaker 2>you're forty six, you had three full failed marriages, and

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<v Speaker 2>you've run over two of your dogs and the whole

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<v Speaker 2>family still love him. That's you, Jenna. You don't pull

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<v Speaker 2>your weight, but we love you.

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<v Speaker 1>Don't say you've run over your dogs like that's the flaws.

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<v Speaker 1>Accidents happened. I'm a country kid, it's happened. My father

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<v Speaker 1>has probably killed more pets of ours by accident than

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<v Speaker 1>we've kept alive. It just happened.

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<v Speaker 2>The country saying run over your dog once, shame on me,

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<v Speaker 2>run over my dog twice on me? Also again, I

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<v Speaker 2>just don't Yeah the thing, well, welcome, Yeah, this is

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<v Speaker 2>the last episode of season one.

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<v Speaker 1>Yes, we'll be back with season two, of course, but hey,

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<v Speaker 1>we've got a jam packed show for now, because it'll

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<v Speaker 1>be our last time chatting with you in a while.

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<v Speaker 1>What's coming up, Dylan.

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<v Speaker 2>Well, I am I'm I was going to say, I'm

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<v Speaker 2>excited for this, but I'm also very nervous because if

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<v Speaker 2>you remember episode eleven, yes we had a love So

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<v Speaker 2>if you don't know who he is, this guy super huge,

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<v Speaker 2>makes great music. Are this some? This is good?

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<v Speaker 1>I like.

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<v Speaker 2>Love a horn man.

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<v Speaker 1>It's a low good song.

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<v Speaker 2>Oh this I can relate to. Just tired, not just exhausted.

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<v Speaker 2>This is the new one, always depressed, relatable lyrics.

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<v Speaker 1>Mister loud, that's so modern, lonely lit new song. He

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<v Speaker 1>was on your radio show at Kiss FM, And when

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<v Speaker 1>I heard that he was coming back on your show,

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<v Speaker 1>I was like, I can't skip this opportunity to just

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<v Speaker 1>come and interrupt and let him know that you're not

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<v Speaker 1>the cool, jet setting rock star that you like to

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<v Speaker 1>make him think you are, because back in episode eleven,

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<v Speaker 1>I called you out for saying, oh yeah, bro, I'm

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<v Speaker 1>in and out of LA that's a total life. You

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<v Speaker 1>were trying to sound so cool and this pop starf No.

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<v Speaker 2>I was just about to say, for everyone who has

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<v Speaker 2>a radio show, you'll know but that's not exactly common.

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<v Speaker 2>I didn't realize my radio interview in this studio was

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<v Speaker 2>being broadcast to all of.

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<v Speaker 1>Kiss I hear everything.

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<v Speaker 2>Itch hears everything. So I made a complete fool of myself.

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<v Speaker 2>Mitch hears it. And that's obviously become one of our

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<v Speaker 2>most beloved episodes and moments that.

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<v Speaker 1>All the time regular listeners, Oh you're in an out

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<v Speaker 1>of LA.

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<v Speaker 2>You put photos on Instagram and they're like, oh, where's

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<v Speaker 2>this LA? You are in and out? That's ridiculous.

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<v Speaker 1>People love it certain way. It's going to be a

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<v Speaker 1>great end to that saga, a beautiful full circle moment

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<v Speaker 1>for our last episode of the season. We'll play that

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<v Speaker 1>out later on the moment when I interrupted your loud

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<v Speaker 1>interview to tell him what a loser.

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<v Speaker 2>You actually are. I'm excited. I need you later in

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<v Speaker 2>the show.

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<v Speaker 1>Oh God, this is.

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<v Speaker 2>Like I feel like I'm not gonna say much, but

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<v Speaker 2>I've got a new segment idea, and this is like House.

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<v Speaker 1>Of con gives me with my idea.

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<v Speaker 2>Actually it's Mitchell's idea, but he's abandoned it and I

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<v Speaker 2>am lovingly looking after this charl Yeah, like that TV

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<v Speaker 2>show that's on Channel ten at the moment about that

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<v Speaker 2>someone who's stolen the baby. It's all very confusing. I'm

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<v Speaker 2>in love with this segment, and I need your support

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<v Speaker 2>to get it over the line.

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<v Speaker 1>Mitch and I are now disagreeing. We came up with

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<v Speaker 1>this segment. In full disclosure, I was wasted at the time.

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<v Speaker 1>I thought it was a good idea. I now regret it.

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<v Speaker 1>So you're the deciding boat. I think it's so embarrassing

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<v Speaker 1>and so stupid, but we'll let you be the dig later.

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<v Speaker 2>Because it's got everything that makes a good segment, celebrity

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<v Speaker 2>phone calls, it's quick, I get to yell, you know,

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<v Speaker 2>like everything that I love broadcasting is in this segment.

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<v Speaker 2>But literally, if you don't like it, we won't do it,

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<v Speaker 2>and if you do, we'll bring it into season two.

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<v Speaker 1>It's up to you, Jenna. Plus, later on, we're doing

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<v Speaker 1>a Q and A to finish off the first season.

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<v Speaker 1>We thought we'd get people to send in any questions

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<v Speaker 1>they might have had about the podcast, and we've got

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<v Speaker 1>if you actually we've got a jam pack show to

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<v Speaker 1>get through.

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<v Speaker 2>Later on. Plus, of course, we kick off the show

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<v Speaker 2>every week with the staple it's the backbone. If it's

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<v Speaker 2>your first time listening. This is how the show started.

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<v Speaker 2>This was really the idea that we had that was

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<v Speaker 2>the fuel to what we have now. Correct Also, it

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<v Speaker 2>really is like we do ridiculous segments that have nothing

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<v Speaker 2>to do with me. Is it just me? It's something

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<v Speaker 2>we've noticed, something we hate or appreciate. Did you tell

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<v Speaker 2>Bradley we were recording today?

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<v Speaker 1>Yes? I did have voice ever, guy, So one inj

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<v Speaker 1>each we don't tell each other what it's going to be.

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<v Speaker 1>We've only clashed maybe once or twice where we've come

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<v Speaker 1>up with the same topic. But let's hope that's not

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<v Speaker 1>happening again today. So Bradley is thre read to a

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<v Speaker 1>voice ever? Guy, what about the orchestra? You're going to

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<v Speaker 1>go first? And am I going to go first?

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<v Speaker 2>The orchestra out there? Sorry? Now, mine's quite a bit,

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<v Speaker 2>you know what. Mine has a lot of audio and

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<v Speaker 2>mine there's a lot to get through. So I think

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<v Speaker 2>we end on mine. We'll start with yours.

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<v Speaker 1>Sorry, I'm ready.

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<v Speaker 2>All right, Here we go. The second last edge of

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<v Speaker 2>the season starts.

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<v Speaker 1>Now, do you not have a pulse?

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<v Speaker 2>Just because I'm overweight doesn't mean my heart doesn't beat.

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<v Speaker 1>No, No, this is me I'm dead set like, I

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<v Speaker 1>can't find it. I can't find it.

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<v Speaker 7>No, scientifically speaking, yes, I've been binge watching s VU right,

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<v Speaker 7>and for some reason, I've just seen a lot of

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<v Speaker 7>those scenes where there's like a body on the ground

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<v Speaker 7>and then there's someone going can somebody how when the

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<v Speaker 7>detectives sprint over, they feel the pulse and go, he's dead.

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<v Speaker 1>And I was on the couch like.

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<v Speaker 2>Wonder were my pulses fingering your neck?

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<v Speaker 1>Yeah, I can't find it. And then I was like,

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<v Speaker 1>why can't I feel my own pulse? I was grabbing

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<v Speaker 1>my wrist and then I was touching my chest. I

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<v Speaker 1>was like, I can't feel a heartbeat either. Am I dead?

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<v Speaker 1>Am I like a vampire on Twilight? So first and foremost, Jenna,

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<v Speaker 1>I need you to google where do I find my pulse?

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<v Speaker 1>And also is it not to not be able to

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<v Speaker 1>feel my own pulse.

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<v Speaker 2>I know people often tell you that you don't have

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<v Speaker 2>a heart, but this is just, you know, completely beside

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<v Speaker 2>the point.

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<v Speaker 1>I'm theoris I can't find it.

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<v Speaker 2>Let me tell you my blood pressure is so thick

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<v Speaker 2>that I can hold my two fingers a millimeter from

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<v Speaker 2>my neck and I can still feel my really. Yeah,

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<v Speaker 2>sometimes I lie awake and can't fall asleep because my

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<v Speaker 2>heart beats. That's that intense. Really, I've got palpitations though,

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<v Speaker 2>because that I hold on. Do you want to come

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<v Speaker 2>feel what a pulse from?

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<v Speaker 3>Now?

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<v Speaker 2>Not really dropping to touch your neck? I can finger it.

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<v Speaker 1>No, I'd rather, you know, Okay, I mean, do I

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<v Speaker 1>have pan sanitizer?

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<v Speaker 2>Sanitizer? I'm fine?

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<v Speaker 1>Yeah, you know, current climate and all that. Here when we.

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<v Speaker 2>Come back to season two, COVID is done and no

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<v Speaker 2>one's dying anymore.

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<v Speaker 1>Oh, this is my good hand sanitizer, fig and coconut.

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<v Speaker 1>Give that a rub and then see if you can

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<v Speaker 1>feel my pulse because I'm convinced I don't have one.

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<v Speaker 2>This looks like a bob of milk tea.

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<v Speaker 6>Can I quickly instructure on how to do it?

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<v Speaker 1>Okay, here we go. This is how you find someone's pulse.

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<v Speaker 6>So are we doing the neck or the hands?

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<v Speaker 2>Let's do the groin.

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<v Speaker 1>No, sorry, we're not doing the groin. The neck please, okay,

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<v Speaker 1>the neck.

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<v Speaker 6>Press your first finger and middle finger to the side

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<v Speaker 6>of your neck, just under your jaw and beside your windpipe.

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<v Speaker 6>Don't use your thumb, so press your skin lightly to

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<v Speaker 6>feel your pulse. Find it, Try pressing a bit harder,

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<v Speaker 6>or move your fingers around.

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<v Speaker 1>God, that's my Adam's apple.

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<v Speaker 2>Y're right, hold on, Oh I can feel it, of

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<v Speaker 2>course you can feel it.

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<v Speaker 8>Good.

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<v Speaker 2>It's like the beat to the rhythm of the knife.

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<v Speaker 2>You can feel.

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<v Speaker 1>Then come here, where's the spot?

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<v Speaker 2>You ready? Come here? Swap it out? Ready? Boom?

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<v Speaker 8>There she is?

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<v Speaker 1>Yes, Oh, thank god, I'm alive. I really. You don't

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<v Speaker 1>believe him. Okay, See that is not that's like where

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<v Speaker 1>someone would give you a hickey. That is not where

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<v Speaker 1>I would look for a pulse. Thank god. I've never

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<v Speaker 1>been in that scenario where there's just someone can cuss

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<v Speaker 1>on the ground and it's like check their pulse. Put

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<v Speaker 1>my it's behind the ear and I'm like gone, bared

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<v Speaker 1>to the work.

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<v Speaker 3>Gone.

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<v Speaker 1>And then one got a cough and just pop them in,

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<v Speaker 1>whacked the lid on. They're gone. They wake up in

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<v Speaker 1>the cough and they're like hello, and I'm like, you.

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<v Speaker 2>Didn't have the where did you check under his knee cap? Well,

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<v Speaker 2>congratulations on having a pulse.

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<v Speaker 1>That is not where I would check for the pole.

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<v Speaker 2>Yeah, it's it's an odd spot. Apparently, when I went

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<v Speaker 2>to the doctors. Once they checked, they put their fingers

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<v Speaker 2>in between my legs like in that little soft pik

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<v Speaker 2>is a medical fact?

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<v Speaker 1>Did they have glove them?

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<v Speaker 3>No?

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<v Speaker 2>But I was having pain in my balls and I

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<v Speaker 2>went to the doctor and.

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<v Speaker 1>Doctor, I can find your pulse under your fly.

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<v Speaker 2>Doctor singing, I've got a running nose.

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<v Speaker 1>Jock's off sounds like a start of a porno. I definitely.

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<v Speaker 2>Jesus. All right, congratulations, you're alive, You're a human.

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<v Speaker 1>Good tonight, Good to you, always resowing? All right, what's

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<v Speaker 1>your Is it just me for the week?

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<v Speaker 5>Now?

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<v Speaker 2>Let go Bradley?

0:10:05.480 --> 0:10:06.719
<v Speaker 9>Is it just me.

0:10:09.400 --> 0:10:12.960
<v Speaker 2>Ads? In twenty twenty? Absolute rubbish.

0:10:13.200 --> 0:10:14.080
<v Speaker 1>They've dropped the ball.

0:10:14.960 --> 0:10:19.880
<v Speaker 2>So the last good ad was for Australian eggs. That's

0:10:19.880 --> 0:10:21.720
<v Speaker 2>all right. Television was good.

0:10:21.840 --> 0:10:23.920
<v Speaker 1>Drove back to episode eleven once again.

0:10:24.400 --> 0:10:27.120
<v Speaker 2>I think that will be forever our greatest episode. Oh

0:10:27.160 --> 0:10:29.400
<v Speaker 2>my god. I was watching TV for the first time

0:10:29.440 --> 0:10:31.320
<v Speaker 2>in years because I do the night show on Kiss

0:10:31.400 --> 0:10:34.040
<v Speaker 2>FM and I can never watch TV because I'm in

0:10:34.120 --> 0:10:36.960
<v Speaker 2>studio on air. Are you on a broadcast you? I've

0:10:37.000 --> 0:10:39.000
<v Speaker 2>got a fan base and everything, got a fan page. Imgination.

0:10:39.320 --> 0:10:41.319
<v Speaker 2>They're still going strong. They drop off week by week.

0:10:41.360 --> 0:10:43.040
<v Speaker 2>There's less a week, but they're still there. It's like

0:10:43.080 --> 0:10:46.439
<v Speaker 2>three of them. And I was watching TV in studio

0:10:46.800 --> 0:10:49.280
<v Speaker 2>and I was like, oh my god, ads a terrible

0:10:49.520 --> 0:10:52.080
<v Speaker 2>and I found the ad in question. This came on

0:10:52.200 --> 0:10:54.560
<v Speaker 2>and this is my parents' favorite ad. People love it.

0:10:54.559 --> 0:10:56.680
<v Speaker 2>It's been on TV for a couple of years. They're

0:10:56.720 --> 0:10:59.960
<v Speaker 2>still running it. But I think it is terrible compared

0:11:00.040 --> 0:11:04.760
<v Speaker 2>the ads of yesterday. You're ready to hear it, Yeah,

0:11:04.760 --> 0:11:05.760
<v Speaker 2>I bought a cheap.

0:11:10.000 --> 0:11:20.559
<v Speaker 1>We're going to need a bigger But.

0:11:16.920 --> 0:11:19.280
<v Speaker 2>For a second, how was that funny?

0:11:19.480 --> 0:11:22.280
<v Speaker 1>Yeah, that's not new. I remember hearing that even when

0:11:22.280 --> 0:11:23.920
<v Speaker 1>I still lived at home. But that's been around a

0:11:23.920 --> 0:11:24.960
<v Speaker 1>while and I still don't get it.

0:11:25.120 --> 0:11:27.840
<v Speaker 2>So the kids punchline is terrible, like we're gonna need

0:11:27.880 --> 0:11:28.520
<v Speaker 2>a bigger boat.

0:11:28.679 --> 0:11:30.319
<v Speaker 1>What's happening visually? I can't think.

0:11:30.480 --> 0:11:34.040
<v Speaker 6>I think it's a reference to George when they say.

0:11:33.920 --> 0:11:34.920
<v Speaker 2>Oh, we're gonna need a bigger bat.

0:11:36.320 --> 0:11:38.840
<v Speaker 6>I don't really gets it's a car.

0:11:38.880 --> 0:11:40.079
<v Speaker 2>It's not for a but I mean, what could the

0:11:40.400 --> 0:11:43.160
<v Speaker 2>kid have literally could have said you bought a jeep

0:11:43.640 --> 0:11:45.720
<v Speaker 2>and the dad could have gone yeah, and then the

0:11:45.760 --> 0:11:49.120
<v Speaker 2>kid could have gone well, that explains my mummy left Jack,

0:11:49.960 --> 0:11:51.720
<v Speaker 2>you know what I mean? That would have been funny.

0:11:52.760 --> 0:11:58.000
<v Speaker 2>Oh my god, Well what else you bought a jeep? Yeah? Mate?

0:11:58.240 --> 0:12:05.000
<v Speaker 2>Four before that explains why you were made redundant. That's funny,

0:12:05.440 --> 0:12:05.920
<v Speaker 2>that's good.

0:12:05.960 --> 0:12:06.160
<v Speaker 6>Yeah.

0:12:06.360 --> 0:12:07.680
<v Speaker 1>Yeah, that punchline wasn't great.

0:12:07.800 --> 0:12:09.679
<v Speaker 2>Then you you're gonna need a bigger boat.

0:12:10.000 --> 0:12:15.800
<v Speaker 1>But sometimes sometimes a really stupid punchline is sometimes what

0:12:15.920 --> 0:12:19.040
<v Speaker 1>makes it wonderful. Do you remember that ad that was like, Dad,

0:12:20.240 --> 0:12:22.880
<v Speaker 1>why did they build the Great Wall of China? Oh,

0:12:23.320 --> 0:12:27.200
<v Speaker 1>to keep the rabbits out? Jimmy rabbits in China? It's like,

0:12:27.240 --> 0:12:28.120
<v Speaker 1>who thought of that?

0:12:28.320 --> 0:12:28.760
<v Speaker 2>Very funny?

0:12:28.880 --> 0:12:31.400
<v Speaker 1>How did they go through several rounds of approval? How

0:12:31.480 --> 0:12:33.520
<v Speaker 1>was it still funny when they decided to shoot it?

0:12:33.760 --> 0:12:35.880
<v Speaker 1>They would have taken months for them to like actually

0:12:35.880 --> 0:12:37.559
<v Speaker 1>get that off the ground. And they're like, no, it's

0:12:37.559 --> 0:12:40.160
<v Speaker 1>still funny. We stand by. It's still it has an age.

0:12:40.160 --> 0:12:42.440
<v Speaker 2>Do you know what would have ruined that? Well, they

0:12:42.480 --> 0:12:44.960
<v Speaker 2>built the Great Wall of China to take to keep

0:12:44.960 --> 0:12:49.400
<v Speaker 2>all the rabbits out. Riff Anyway, I thought we'd go

0:12:49.559 --> 0:12:51.000
<v Speaker 2>take a trip down memory line. I've got some of

0:12:51.040 --> 0:12:54.640
<v Speaker 2>the best dossie ads. Oh good, now I have left out.

0:12:55.080 --> 0:12:56.800
<v Speaker 2>Jenna and I were talking about this affair because we

0:12:56.880 --> 0:12:58.440
<v Speaker 2>run a lot of the stuff by Jennis Mitch, so

0:12:58.480 --> 0:13:02.240
<v Speaker 2>it was a surprise for you. We left out not

0:13:02.320 --> 0:13:04.160
<v Speaker 2>Happy Jan, because that's Oscar worthy.

0:13:04.200 --> 0:13:07.439
<v Speaker 6>You know, that's just because that's on another level.

0:13:07.440 --> 0:13:10.120
<v Speaker 2>It's on another level, you know, Happy Jan.

0:13:10.920 --> 0:13:11.280
<v Speaker 1>I love that.

0:13:11.360 --> 0:13:13.920
<v Speaker 2>That is part of Ossy vernacular, and that was her

0:13:13.960 --> 0:13:16.320
<v Speaker 2>Yellow Pages I think in the early nineties.

0:13:16.640 --> 0:13:18.280
<v Speaker 1>Yeah, that's that's an old that when you look at

0:13:18.320 --> 0:13:20.520
<v Speaker 1>it on YouTube, it's so ancient. I'm pretty sure it's

0:13:20.520 --> 0:13:23.199
<v Speaker 1>still square. It's not even light, it's not even widescreen.

0:13:23.280 --> 0:13:24.960
<v Speaker 2>Yeah, it's shot on film too, it's got the grain.

0:13:25.040 --> 0:13:25.480
<v Speaker 1>Yeah. Yeah.

0:13:25.480 --> 0:13:28.120
<v Speaker 2>Anyway, so I found some niche ones that will take

0:13:28.160 --> 0:13:30.480
<v Speaker 2>you back that aren't exactly the most popular, but these

0:13:30.520 --> 0:13:32.800
<v Speaker 2>ones you'll go. I remember watching that, and I remember

0:13:32.840 --> 0:13:39.560
<v Speaker 2>loving him so well. On all mention, Ajax spram White says,

0:13:39.600 --> 0:13:43.480
<v Speaker 2>our daughter, there's something had discharged the wedding place in town,

0:13:43.640 --> 0:13:47.240
<v Speaker 2>the ground. So they get media.

0:13:48.360 --> 0:13:56.040
<v Speaker 1>Here, makes everything all right, makes cleaning so easy. It's

0:13:56.160 --> 0:13:56.719
<v Speaker 1>tough on.

0:13:59.240 --> 0:13:59.760
<v Speaker 2>The waiting.

0:14:00.200 --> 0:14:02.680
<v Speaker 1>They hit the House of great I will admit, so

0:14:02.880 --> 0:14:03.640
<v Speaker 1>thank you.

0:14:06.200 --> 0:14:06.680
<v Speaker 2>Classic.

0:14:07.240 --> 0:14:09.319
<v Speaker 1>Oh that was a good one. I remember trying to

0:14:09.400 --> 0:14:10.920
<v Speaker 1>learn the lyrics. Then it was one of my friends

0:14:10.920 --> 0:14:12.719
<v Speaker 1>party trick that they knew what word for word the

0:14:13.400 --> 0:14:16.120
<v Speaker 1>ada far out a part.

0:14:16.200 --> 0:14:18.520
<v Speaker 2>Back in my day, kids could scull a whole vodka cruzer.

0:14:18.559 --> 0:14:20.080
<v Speaker 2>They weren't reciting Ajax ads.

0:14:20.240 --> 0:14:22.880
<v Speaker 1>When I say party trick, I mean like sports carnival tricks.

0:14:22.960 --> 0:14:24.720
<v Speaker 1>Like it's not like actual something you do.

0:14:25.280 --> 0:14:27.280
<v Speaker 2>I feel you, okay. This one is one of my

0:14:27.360 --> 0:14:29.160
<v Speaker 2>favorites because I remember it and me and my sisters

0:14:29.240 --> 0:14:30.760
<v Speaker 2>used to quote it to each other, and it's still

0:14:30.800 --> 0:14:33.000
<v Speaker 2>to this day. Because of this ad is my favorite

0:14:33.000 --> 0:14:34.080
<v Speaker 2>brand of Lolly's.

0:14:37.840 --> 0:14:51.800
<v Speaker 10>The Natural Confectory Company, jellies and no artificial colors, flavors, Dad.

0:14:55.760 --> 0:14:59.920
<v Speaker 1>The Natural Confectionery Company, No artificial colors, no artificial flavors.

0:15:02.960 --> 0:15:03.280
<v Speaker 2>Chop it.

0:15:04.240 --> 0:15:08.280
<v Speaker 1>I don't find that punchline any less or more funny.

0:15:08.760 --> 0:15:10.560
<v Speaker 1>I don't find any more funny than the one that

0:15:10.640 --> 0:15:12.880
<v Speaker 1>you pointed out that bloody we're gonna need a bigger boat.

0:15:12.920 --> 0:15:14.640
<v Speaker 1>I didn't find I never got that one.

0:15:14.840 --> 0:15:17.200
<v Speaker 6>No, this was a big thing, right. I remember being

0:15:17.240 --> 0:15:20.720
<v Speaker 6>are a sleepover when I was eleven years old. You're invited,

0:15:21.520 --> 0:15:26.600
<v Speaker 6>I know, surprisingly we recreated this ad really yes, it

0:15:26.720 --> 0:15:28.320
<v Speaker 6>was a big party trick.

0:15:28.600 --> 0:15:31.440
<v Speaker 1>You and your friends sound real, girl, that sounds nuts.

0:15:31.840 --> 0:15:33.240
<v Speaker 1>I say that I used to get up to wait

0:15:33.320 --> 0:15:33.440
<v Speaker 1>like that.

0:15:33.600 --> 0:15:37.200
<v Speaker 2>Missus Jones all need a chopping board in a bag

0:15:37.320 --> 0:15:41.880
<v Speaker 2>of Allen's. This one was actually brought to my attention

0:15:41.920 --> 0:15:44.080
<v Speaker 2>by Jenna. I love this ad, but this is Jenna's

0:15:44.120 --> 0:15:44.640
<v Speaker 2>favorite ad.

0:15:44.680 --> 0:15:47.080
<v Speaker 1>Okay, will come to you.

0:15:47.720 --> 0:15:51.440
<v Speaker 3>Tell me more thirteen thirty thirty two.

0:15:51.920 --> 0:15:58.000
<v Speaker 2>Tell the more you do that all more rong spots.

0:15:58.320 --> 0:16:02.040
<v Speaker 2>Don't think you needed to do thirteen thirty thirty two.

0:16:02.640 --> 0:16:11.560
<v Speaker 1>Everything pixic tunt to thirteen thirty twenty two. That's thirteen

0:16:11.680 --> 0:16:17.360
<v Speaker 1>thirty thirty two. Brilliant, fantastic, not into it? Really, I've

0:16:17.520 --> 0:16:20.040
<v Speaker 1>never heard that in my life, and I'm so fine

0:16:20.120 --> 0:16:20.840
<v Speaker 1>never hearing it again.

0:16:20.920 --> 0:16:23.640
<v Speaker 2>Have you never heard that little kid? Thirteen thirteen thirty two.

0:16:23.880 --> 0:16:26.640
<v Speaker 6>No, really, I cornic, He's.

0:16:26.600 --> 0:16:28.920
<v Speaker 2>Iconic, and I don't need to ruin it with thirteen

0:16:29.000 --> 0:16:30.080
<v Speaker 2>thirteen thirty two.

0:16:32.040 --> 0:16:34.720
<v Speaker 1>Jesus, you need to leave the pot bellies alone. That's

0:16:35.000 --> 0:16:35.880
<v Speaker 1>that's their big break.

0:16:35.960 --> 0:16:36.400
<v Speaker 6>I know I do.

0:16:36.840 --> 0:16:38.840
<v Speaker 2>This one isn't even the full ad. All this is

0:16:39.280 --> 0:16:42.640
<v Speaker 2>is the final four seconds of the ad that shows

0:16:42.680 --> 0:16:44.360
<v Speaker 2>how iconic it is or it is is the phone.

0:16:44.200 --> 0:16:47.720
<v Speaker 1>Number in fact, Oh good, I was waiting for this.

0:16:47.880 --> 0:16:51.120
<v Speaker 2>Yeah, there we go. One three double old six, triple

0:16:51.440 --> 0:16:52.880
<v Speaker 2>five or six.

0:16:53.520 --> 0:16:55.080
<v Speaker 1>Face that's the ship version.

0:16:55.240 --> 0:16:55.760
<v Speaker 8>What do you mean?

0:16:56.120 --> 0:17:00.720
<v Speaker 1>The originally is one three double oh six triple five six.

0:17:01.440 --> 0:17:05.080
<v Speaker 6>But on YouTube it's very hard to find the old version.

0:17:05.720 --> 0:17:07.360
<v Speaker 1>Look up Reading Writing Hotline.

0:17:07.840 --> 0:17:12.040
<v Speaker 2>That's the new one double old six, triple five or six.

0:17:12.440 --> 0:17:15.080
<v Speaker 1>It's like when they replace the Neighbours theme song to

0:17:15.160 --> 0:17:17.159
<v Speaker 1>try and make it sound more Indian. It's like, bro,

0:17:17.320 --> 0:17:20.760
<v Speaker 1>don't fuck with it. I hated the new reading Writing

0:17:20.800 --> 0:17:22.560
<v Speaker 1>Hotline and you've got to find the original. It's like

0:17:22.600 --> 0:17:24.480
<v Speaker 1>a chorus of women. It's like when they changed the

0:17:24.960 --> 0:17:28.639
<v Speaker 1>go Harvey, no man goal. You have to be like cheerleaders.

0:17:28.920 --> 0:17:30.879
<v Speaker 2>They made Veggiemote two point zero. It's like no one

0:17:30.920 --> 0:17:34.399
<v Speaker 2>wanted cheese to happen. Okay, this one says from two

0:17:34.440 --> 0:17:35.800
<v Speaker 2>thousand one double no.

0:17:35.920 --> 0:17:36.640
<v Speaker 1>That's the ship one.

0:17:36.720 --> 0:17:37.479
<v Speaker 2>That is the ship one.

0:17:38.119 --> 0:17:38.760
<v Speaker 1>Find the good one.

0:17:38.840 --> 0:17:40.919
<v Speaker 6>It's very hard to find. May I remind you.

0:17:41.400 --> 0:17:43.960
<v Speaker 1>Reading writing I've got I found it. I found was

0:17:44.000 --> 0:17:44.520
<v Speaker 1>it the original?

0:17:44.600 --> 0:17:46.720
<v Speaker 2>He says, two thousand and six until taken off air?

0:17:46.840 --> 0:17:47.360
<v Speaker 2>So I hope.

0:17:47.400 --> 0:17:51.399
<v Speaker 1>This is if you have trouble, it's a bit crankt sucking.

0:17:51.640 --> 0:17:56.280
<v Speaker 2>You can fix double six triple five.

0:17:58.320 --> 0:18:04.920
<v Speaker 1>So much better the letter and it comes backet.

0:18:06.200 --> 0:18:13.200
<v Speaker 2>This number six driple five. That's the hot line.

0:18:14.680 --> 0:18:14.920
<v Speaker 9>Six.

0:18:17.880 --> 0:18:19.960
<v Speaker 1>I mean it's a catchy ad, but I still don't

0:18:20.119 --> 0:18:21.960
<v Speaker 1>understand what service they're offering.

0:18:22.080 --> 0:18:25.720
<v Speaker 2>No, I've never understood the reading writing hotline. If you

0:18:25.800 --> 0:18:27.600
<v Speaker 2>can't read or write, how are you gonna put the

0:18:27.640 --> 0:18:28.680
<v Speaker 2>number in your phone? I don't know.

0:18:28.760 --> 0:18:30.840
<v Speaker 1>I guess you would know numbers because they would have

0:18:31.040 --> 0:18:32.760
<v Speaker 1>repeated it and got it in stuck in your head

0:18:32.800 --> 0:18:34.199
<v Speaker 1>with that jingle, and then you'd be able to look

0:18:34.240 --> 0:18:36.879
<v Speaker 1>see on the phone. But like, what do they do?

0:18:37.080 --> 0:18:40.280
<v Speaker 1>What is the what service are they offering? I've got

0:18:40.320 --> 0:18:42.320
<v Speaker 1>this form, I can't read it. What is someone over

0:18:42.359 --> 0:18:43.000
<v Speaker 1>the phone going to do?

0:18:43.359 --> 0:18:46.280
<v Speaker 2>Just scan it through? Maybe they prefer them to a

0:18:46.320 --> 0:18:48.239
<v Speaker 2>place to go. I doubt that it would happen over

0:18:48.240 --> 0:18:48.560
<v Speaker 2>the phone.

0:18:48.600 --> 0:18:53.600
<v Speaker 6>So apparently, when you call the hotline let's see, you

0:18:53.640 --> 0:18:56.520
<v Speaker 6>will speak to an experienced adult literacy teacher who will

0:18:56.600 --> 0:18:59.199
<v Speaker 6>advise you on ways you can access classes in your

0:18:59.240 --> 0:19:02.119
<v Speaker 6>local area to improve reading, writing, spelling, and maths.

0:19:02.440 --> 0:19:04.280
<v Speaker 2>Oh you go that's great, that's brilliant.

0:19:04.400 --> 0:19:07.040
<v Speaker 1>I love that. Logistically, I was like, how are they

0:19:07.080 --> 0:19:08.760
<v Speaker 1>gonna teat it over the phone? But that's that's that

0:19:08.880 --> 0:19:09.600
<v Speaker 1>makes a lot of sense.

0:19:09.960 --> 0:19:11.520
<v Speaker 2>Well, number I think we should end up this is

0:19:11.720 --> 0:19:14.480
<v Speaker 2>This is the most iconic Australian ad of modern times.

0:19:15.320 --> 0:19:18.240
<v Speaker 2>As far as I'm concerned. This was the day that

0:19:18.400 --> 0:19:19.200
<v Speaker 2>good ads died.

0:19:20.200 --> 0:19:21.919
<v Speaker 1>Okay, this ad was a series.

0:19:22.080 --> 0:19:25.840
<v Speaker 2>This ad had episodes. People were invested. You've got a call,

0:19:25.960 --> 0:19:27.800
<v Speaker 2>you'd buy a kilo flower, they go, if you've seen

0:19:27.840 --> 0:19:30.120
<v Speaker 2>what is up to? Have you seen the latest installment

0:19:30.160 --> 0:19:30.760
<v Speaker 2>in bit and beer?

0:19:31.440 --> 0:19:32.320
<v Speaker 1>I don't know what you're talking about.

0:19:32.320 --> 0:19:32.639
<v Speaker 2>I think you.

0:19:32.880 --> 0:19:36.560
<v Speaker 6>I've always dreamt of doing something more exotic, and with

0:19:36.720 --> 0:19:40.040
<v Speaker 6>fifteen percent off my insurance, Amy Save Farther Rewards helped

0:19:40.080 --> 0:19:40.439
<v Speaker 6>me get there.

0:19:40.520 --> 0:19:42.040
<v Speaker 2>I'm expected. I'll drink for you today.

0:19:42.119 --> 0:19:42.840
<v Speaker 8>R Now, thank you.

0:19:43.440 --> 0:19:46.199
<v Speaker 2>It looks so hot today. Make a sunrise.

0:19:49.280 --> 0:19:49.600
<v Speaker 4>Thank you.

0:19:50.359 --> 0:19:55.119
<v Speaker 1>Remember Amy Safe Driver Awards offer up to fifteen percent

0:19:55.200 --> 0:19:57.840
<v Speaker 1>discount for drivers who don't claim. Where will the savings

0:19:57.920 --> 0:19:58.200
<v Speaker 1>take you?

0:19:59.119 --> 0:19:59.560
<v Speaker 2>Turn that off?

0:20:00.080 --> 0:20:05.000
<v Speaker 1>Ronda and Katut Absolutely, I think there's nothing better. There's

0:20:05.040 --> 0:20:06.119
<v Speaker 1>nothing more effective than that.

0:20:06.480 --> 0:20:09.080
<v Speaker 2>If you're an international listener, Google Ronda and Kutut series.

0:20:09.119 --> 0:20:11.639
<v Speaker 2>They've put like a full compilation on YouTube. That was

0:20:11.680 --> 0:20:13.840
<v Speaker 2>one of the first ads. Just this woman who was

0:20:13.880 --> 0:20:16.080
<v Speaker 2>saving money on a car insurance, so she went to

0:20:16.119 --> 0:20:19.040
<v Speaker 2>Fiji bally Barley Sorry, and she fell in off with

0:20:19.119 --> 0:20:21.920
<v Speaker 2>this hotel waiter. And then there was like maybe a

0:20:22.000 --> 0:20:25.399
<v Speaker 2>dozen ads thereafter of them, Yeah, going to dinner and

0:20:25.480 --> 0:20:26.359
<v Speaker 2>getting together.

0:20:26.480 --> 0:20:29.200
<v Speaker 1>Started with just like there was no cotut. It started

0:20:29.240 --> 0:20:31.880
<v Speaker 1>with just Rohnda and she signed up to Amy Insurance

0:20:31.920 --> 0:20:33.840
<v Speaker 1>and then she drove down the street after having done

0:20:33.920 --> 0:20:35.600
<v Speaker 1>face and there was like a full parade of people

0:20:35.640 --> 0:20:39.840
<v Speaker 1>going go Rhonda, and so it was just like sign

0:20:39.960 --> 0:20:42.240
<v Speaker 1>up to Amy basically, but then it became a whole thing.

0:20:42.480 --> 0:20:45.200
<v Speaker 1>I don't even remember how the saga ended, but I remember.

0:20:44.960 --> 0:20:45.560
<v Speaker 2>Seeing him on site.

0:20:45.560 --> 0:20:49.439
<v Speaker 6>Oh yes, she was at her high school graduation dance

0:20:49.920 --> 0:20:53.000
<v Speaker 6>and her high school crush asked her for a dance

0:20:53.520 --> 0:20:55.960
<v Speaker 6>and she's like, oh, yes, of course. And then the

0:20:56.640 --> 0:20:59.920
<v Speaker 6>dance ended and Katuk came in late with the Folk

0:21:00.160 --> 0:21:00.760
<v Speaker 6>of Flowers.

0:21:01.920 --> 0:21:05.600
<v Speaker 2>Oh my god, So she ended up with I guess.

0:21:05.480 --> 0:21:06.280
<v Speaker 6>So, I guess.

0:21:08.280 --> 0:21:10.320
<v Speaker 1>She's the one that got away for Gator.

0:21:10.520 --> 0:21:13.639
<v Speaker 2>I think, Oh, they need to do a string of

0:21:13.680 --> 0:21:15.360
<v Speaker 2>series for making Bank.

0:21:15.480 --> 0:21:17.800
<v Speaker 1>They'd be separated by COVID. Now he'd be stuck over

0:21:17.840 --> 0:21:18.280
<v Speaker 1>in Bali.

0:21:18.320 --> 0:21:23.560
<v Speaker 2>Then long distance like a sunrise run over Zoom.

0:21:23.880 --> 0:21:24.520
<v Speaker 3>What did you say?

0:21:26.800 --> 0:21:28.119
<v Speaker 1>Here's a question for you.

0:21:28.760 --> 0:21:32.120
<v Speaker 5>Is this podcast better than hearing a crying baby during

0:21:32.160 --> 0:21:45.639
<v Speaker 5>a flight? If you answered yes, you should leave a

0:21:45.720 --> 0:21:49.760
<v Speaker 5>five star rating on the Apple podcast app you're listening to.

0:21:50.200 --> 0:21:51.119
<v Speaker 8>Is it just me?

0:21:51.880 --> 0:21:52.080
<v Speaker 3>Oh?

0:21:52.400 --> 0:21:52.680
<v Speaker 2>God?

0:21:54.160 --> 0:21:57.680
<v Speaker 1>Make you irrationally mad? Who do you be mad at?

0:21:57.840 --> 0:22:00.200
<v Speaker 1>The parents? Not their fault, the kid. They can't really

0:22:00.200 --> 0:22:01.240
<v Speaker 1>help it either, so it's.

0:22:01.160 --> 0:22:03.200
<v Speaker 2>The pressure in the pane that's on the little baby heads.

0:22:03.240 --> 0:22:05.240
<v Speaker 1>It's never happened to me. I've never actually had a

0:22:05.280 --> 0:22:08.240
<v Speaker 1>crying baby on a flight. Yeah, it sounds like the

0:22:08.359 --> 0:22:08.879
<v Speaker 1>worst thing ever.

0:22:09.040 --> 0:22:10.760
<v Speaker 2>It's happened to me, and I'm embarrassed to say it,

0:22:10.760 --> 0:22:12.480
<v Speaker 2>but I have kicked the seat in front.

0:22:12.280 --> 0:22:14.280
<v Speaker 5>Of me up.

0:22:14.840 --> 0:22:16.359
<v Speaker 1>Did the kid have their own seat or were they

0:22:16.480 --> 0:22:19.440
<v Speaker 1>being nurse on the bosom by its parent in the

0:22:19.480 --> 0:22:22.720
<v Speaker 1>conset or thought I was in fur. It would not

0:22:22.880 --> 0:22:24.600
<v Speaker 1>shut up for hours.

0:22:24.840 --> 0:22:27.080
<v Speaker 2>And I can't afford anything but economy X so I

0:22:27.160 --> 0:22:29.000
<v Speaker 2>hear I am sitting in there. I paid my extra

0:22:29.080 --> 0:22:31.440
<v Speaker 2>thirty bucks to get X, which is one extra inch

0:22:31.520 --> 0:22:34.919
<v Speaker 2>of seat. I'm sitting there and it would not shut up,

0:22:35.080 --> 0:22:37.920
<v Speaker 2>like you could hear it through the noise canceling headphones, everything,

0:22:38.119 --> 0:22:39.920
<v Speaker 2>And I just kicked the chat. It made it worse.

0:22:40.320 --> 0:22:42.280
<v Speaker 1>I'm going to say that would not have helped the scenario.

0:22:42.560 --> 0:22:44.359
<v Speaker 2>Yeah, I don't know how far attendants to do it, Like,

0:22:44.440 --> 0:22:48.359
<v Speaker 2>I really don't. Hell on Earth, what are we up

0:22:48.400 --> 0:22:48.720
<v Speaker 2>to now?

0:22:48.960 --> 0:22:52.879
<v Speaker 1>Well, beautiful Segua Actually, speaking of flights, the moment that

0:22:53.119 --> 0:22:56.879
<v Speaker 1>many of our loyal listeners have been looking forward to,

0:22:57.640 --> 0:23:01.600
<v Speaker 1>the moment that I finally tell singing super star Loud

0:23:01.720 --> 0:23:03.960
<v Speaker 1>that you are not the jet setting rock star that

0:23:04.000 --> 0:23:06.199
<v Speaker 1>you would like him to think that you are.

0:23:06.280 --> 0:23:07.920
<v Speaker 2>Now, I didn't wanted to think I was a jet

0:23:07.960 --> 0:23:10.200
<v Speaker 2>setting rockstar. I wanted him to invite me to lunch

0:23:10.280 --> 0:23:11.080
<v Speaker 2>in Los Angeles.

0:23:11.320 --> 0:23:13.760
<v Speaker 1>Neither all I want. That also did not happen.

0:23:14.640 --> 0:23:16.200
<v Speaker 2>If you don't know who love visas are his hits

0:23:17.720 --> 0:23:22.760
<v Speaker 2>and you play this all the time, it can very

0:23:22.800 --> 0:23:32.080
<v Speaker 2>good choice. That was a good one. This is the

0:23:32.160 --> 0:23:38.840
<v Speaker 2>new one, Never Alone, but always Depressed. That'll be on

0:23:38.920 --> 0:23:39.840
<v Speaker 2>your tombstone, Mitch.

0:23:40.000 --> 0:23:41.479
<v Speaker 1>But yeah, that hits different.

0:23:41.680 --> 0:23:43.200
<v Speaker 2>Never Alone, Always Depressed.

0:23:43.240 --> 0:23:45.119
<v Speaker 1>It's a very good song if you're feeling down to

0:23:45.200 --> 0:23:48.280
<v Speaker 1>listen to modern loneliness by laugh. But anyway, he was

0:23:48.400 --> 0:23:51.760
<v Speaker 1>on your night show at his FM very soon, correct,

0:23:51.840 --> 0:23:54.960
<v Speaker 1>and I thought it was a perfect opportunity to jump

0:23:55.000 --> 0:23:58.280
<v Speaker 1>in the studio bargin. Yes, I did barge in and

0:23:58.720 --> 0:24:01.840
<v Speaker 1>let him know. I did actually play him the moment

0:24:02.160 --> 0:24:05.080
<v Speaker 1>where you claimed to be Oh, I'm in and out

0:24:05.119 --> 0:24:07.359
<v Speaker 1>of LA I fly there all the time, and then

0:24:07.400 --> 0:24:12.320
<v Speaker 1>I just amended the situation. So, without further ado, here's

0:24:12.359 --> 0:24:12.880
<v Speaker 1>how it went.

0:24:13.560 --> 0:24:15.040
<v Speaker 2>All right, man, it was so good having you on.

0:24:15.240 --> 0:24:16.720
<v Speaker 2>We love the stuff. We're going to play it now.

0:24:16.760 --> 0:24:18.840
<v Speaker 2>Before we do, though, there's just something I have to

0:24:18.880 --> 0:24:21.280
<v Speaker 2>do with dress. I hop on the mic. My co

0:24:21.440 --> 0:24:24.000
<v Speaker 2>host from my podcast, Sorry, He's been begging to jump

0:24:24.080 --> 0:24:25.160
<v Speaker 2>on and talk to you the whole show.

0:24:25.240 --> 0:24:27.600
<v Speaker 1>What do you want, Hi, Lou, Sorry, I'm also Mitch.

0:24:29.000 --> 0:24:29.160
<v Speaker 5>Hi.

0:24:29.359 --> 0:24:32.000
<v Speaker 1>I'm so sorry to interrupt. I just wanted to take

0:24:32.080 --> 0:24:34.640
<v Speaker 1>this opportunity while you're chatting with Mitch, just to clear

0:24:34.720 --> 0:24:37.280
<v Speaker 1>something up. I know this isn't the first time you've

0:24:37.359 --> 0:24:41.560
<v Speaker 1>spoken to him, but last time Mitch here interviewed you,

0:24:42.000 --> 0:24:43.920
<v Speaker 1>he said a little something that I thought was a

0:24:43.920 --> 0:24:48.800
<v Speaker 1>little bit deceptive. You lou you seem like someone who

0:24:49.240 --> 0:24:50.760
<v Speaker 1>values honesty. Am I correct?

0:24:51.400 --> 0:24:52.000
<v Speaker 2>Absolutely?

0:24:52.400 --> 0:24:55.160
<v Speaker 1>Okay, wonderful. I just okay, great. I just thought i'd

0:24:55.160 --> 0:24:57.720
<v Speaker 1>be a little bit honest about the situation. So if

0:24:57.800 --> 0:25:00.920
<v Speaker 1>you look at our podcast, Is It just Me? Episode

0:25:00.960 --> 0:25:03.639
<v Speaker 1>eleven is called lying too loud?

0:25:03.720 --> 0:25:06.840
<v Speaker 2>No loud? No no no, no, no no, he's taking

0:25:06.920 --> 0:25:10.000
<v Speaker 2>you down the hill. What did you say? No, don't

0:25:10.080 --> 0:25:12.320
<v Speaker 2>don't join his side. I didn't lie to you. I

0:25:12.480 --> 0:25:14.159
<v Speaker 2>was in the hype of the moment and I may

0:25:14.200 --> 0:25:17.400
<v Speaker 2>have said something that wasn't one hundred percent true. That's

0:25:17.400 --> 0:25:17.879
<v Speaker 2>truth in it.

0:25:18.320 --> 0:25:20.879
<v Speaker 1>I'd like to just play exactly what was said. You

0:25:21.000 --> 0:25:22.639
<v Speaker 1>might not pick up on it at first, Loud, but

0:25:22.880 --> 0:25:24.680
<v Speaker 1>I'm happy to clear things up for you. Here's what

0:25:24.800 --> 0:25:25.960
<v Speaker 1>he said last time you chatted.

0:25:26.840 --> 0:25:28.920
<v Speaker 2>How are you liking Australia? So good to have you.

0:25:29.240 --> 0:25:31.959
<v Speaker 1>It's been amazing, man. Yeah, this show. Everybody's really nice here,

0:25:32.680 --> 0:25:34.320
<v Speaker 1>and really good coffee and really good food.

0:25:34.560 --> 0:25:36.560
<v Speaker 2>How goods the coffee in Australia. I'm in that la

0:25:36.680 --> 0:25:38.800
<v Speaker 2>to the coffee in LA like water down.

0:25:38.960 --> 0:25:42.480
<v Speaker 1>Don't know, Okay, I just need to ask you loud

0:25:42.920 --> 0:25:45.960
<v Speaker 1>when someone says to you, I'm in and out of la.

0:25:46.160 --> 0:25:48.480
<v Speaker 1>What sort of person do you picture?

0:25:49.160 --> 0:25:49.879
<v Speaker 8>That's so funny?

0:25:49.960 --> 0:25:52.200
<v Speaker 2>I honestly didn't even I didn't even catch that.

0:25:53.800 --> 0:25:57.080
<v Speaker 6>I feel like somebody's got like you have, like multiple

0:25:57.160 --> 0:25:58.560
<v Speaker 6>houses and multiple places.

0:25:58.640 --> 0:26:00.600
<v Speaker 2>You got like a penthouse and city.

0:26:01.640 --> 0:26:03.520
<v Speaker 1>So am I correct in saying that you picture someone

0:26:03.520 --> 0:26:06.119
<v Speaker 1>who's very rock and roll, very cool, you know, on

0:26:06.280 --> 0:26:08.440
<v Speaker 1>the scene in Hollywood.

0:26:08.480 --> 0:26:09.119
<v Speaker 5>Something like that.

0:26:09.480 --> 0:26:12.280
<v Speaker 2>Yeah, well, I'm just just somebody who's ridiculously rich.

0:26:12.600 --> 0:26:14.960
<v Speaker 1>There we go. Look, I'm just here to let you

0:26:15.080 --> 0:26:19.440
<v Speaker 1>know that he's not anything like that. In fact, he

0:26:19.560 --> 0:26:23.600
<v Speaker 1>lives with his parents in the shy loud. He's downstairs

0:26:23.680 --> 0:26:28.119
<v Speaker 1>in their townhouse. He's a totally loser. Last time I

0:26:28.280 --> 0:26:30.360
<v Speaker 1>asked him if he wanted to hang out with colleagues

0:26:30.400 --> 0:26:32.879
<v Speaker 1>outside of work, he said something to me that I

0:26:33.000 --> 0:26:34.679
<v Speaker 1>haven't heard since I was fifteen.

0:26:34.960 --> 0:26:35.200
<v Speaker 2>Loud.

0:26:35.280 --> 0:26:38.080
<v Speaker 1>He said, I'll have to ask my mom. No, he's

0:26:38.280 --> 0:26:41.800
<v Speaker 1>not cool, he's not rock And let.

0:26:41.320 --> 0:26:43.440
<v Speaker 2>Me just tell you something loud. This man right here

0:26:43.720 --> 0:26:46.440
<v Speaker 2>kind of even call him a man. This boy lives

0:26:46.520 --> 0:26:52.280
<v Speaker 2>with his cat. Yeah, his cat who has short deformed legs.

0:26:52.760 --> 0:26:55.720
<v Speaker 1>Oh, don't bring the cat into this loud. I'm so sorry.

0:26:55.760 --> 0:26:56.800
<v Speaker 1>This is getting abusive.

0:26:57.119 --> 0:27:00.639
<v Speaker 2>Please he lives with his cat. He has zero o friends,

0:27:01.200 --> 0:27:03.639
<v Speaker 2>and it's a lie. He's in bed by eight o'clock

0:27:03.840 --> 0:27:07.040
<v Speaker 2>every single night. And he's a country town boy. That's

0:27:07.119 --> 0:27:09.040
<v Speaker 2>all I'm gonna say. So you can't spit fire at

0:27:09.080 --> 0:27:10.240
<v Speaker 2>me when I can fire it right back.

0:27:10.680 --> 0:27:12.919
<v Speaker 1>None of all things sound on cool to me. But anyway,

0:27:13.240 --> 0:27:14.560
<v Speaker 1>you're a petada, aren't you loud?

0:27:15.040 --> 0:27:18.040
<v Speaker 2>I am? Yeah? Yeah, I got my baby boy, Billy.

0:27:18.359 --> 0:27:22.480
<v Speaker 1>Oh is he just your pride and joy?

0:27:23.119 --> 0:27:23.320
<v Speaker 11>Yes?

0:27:23.440 --> 0:27:24.280
<v Speaker 2>I love him so much.

0:27:24.320 --> 0:27:25.760
<v Speaker 6>I actually might get another dog.

0:27:26.760 --> 0:27:29.119
<v Speaker 1>Well, this is back fund Billy. Like that would he

0:27:29.280 --> 0:27:30.720
<v Speaker 1>take to another pet in the house?

0:27:31.600 --> 0:27:31.960
<v Speaker 2>I think so?

0:27:32.119 --> 0:27:33.200
<v Speaker 8>He loves other dogs.

0:27:33.400 --> 0:27:34.680
<v Speaker 5>He loves other dogs so much.

0:27:34.800 --> 0:27:35.840
<v Speaker 6>Billy thinks he's huge.

0:27:35.840 --> 0:27:37.640
<v Speaker 2>He's like less than five pounds. But he thinks he's

0:27:37.680 --> 0:27:39.360
<v Speaker 2>like he's one of those tiny dogs. Who thinks he's

0:27:39.359 --> 0:27:40.040
<v Speaker 2>a massive dog.

0:27:40.200 --> 0:27:42.199
<v Speaker 1>Oh, like he could take down like a postman if

0:27:42.240 --> 0:27:44.159
<v Speaker 1>he was trying to break into your house. But really, no,

0:27:44.520 --> 0:27:47.600
<v Speaker 1>not at all. Yeah, it's like Mitch. He thinks he's

0:27:47.640 --> 0:27:48.280
<v Speaker 1>better than he is.

0:27:49.680 --> 0:27:51.520
<v Speaker 2>You know what, I talked to all these people and

0:27:51.520 --> 0:27:53.040
<v Speaker 2>I just try. You know, I've got a radio show,

0:27:53.119 --> 0:27:55.040
<v Speaker 2>so I've got to keep up with Jonesa's you know,

0:27:55.080 --> 0:27:56.800
<v Speaker 2>I've got to keep this illusion that I'm very.

0:27:56.720 --> 0:27:58.879
<v Speaker 1>Cool with I know, I just thought i'd clear things up.

0:27:58.920 --> 0:28:01.000
<v Speaker 1>But also in a way, I need to thank you

0:28:01.160 --> 0:28:05.360
<v Speaker 1>loud because unknowingly you created an iconic moment on our podcast.

0:28:05.440 --> 0:28:08.080
<v Speaker 1>It's something that our fans now quote often. It's like

0:28:08.280 --> 0:28:10.479
<v Speaker 1>it's like a takeaway line that people bring up all

0:28:10.520 --> 0:28:12.560
<v Speaker 1>the time. So it was a little bit of magic.

0:28:12.720 --> 0:28:13.080
<v Speaker 9>Love that.

0:28:14.640 --> 0:28:15.480
<v Speaker 2>That's so fire.

0:28:15.600 --> 0:28:16.040
<v Speaker 3>I love that.

0:28:16.119 --> 0:28:19.359
<v Speaker 2>I'm honored that that could be an inspiration. Well, we

0:28:19.480 --> 0:28:21.520
<v Speaker 2>love you. Thank you for coming on, and I am.

0:28:21.760 --> 0:28:23.800
<v Speaker 2>I am in and out, so I guess I will

0:28:23.880 --> 0:28:25.760
<v Speaker 2>see you. I'll be I'll be there later this year,

0:28:25.800 --> 0:28:27.280
<v Speaker 2>so we can we can hang out when I'm there.

0:28:27.880 --> 0:28:31.480
<v Speaker 2>Hell yeah, I wish you plug model longliness guys, ghostream

0:28:31.520 --> 0:28:34.360
<v Speaker 2>it's a brilliant song. You're killing your Denis and we'll

0:28:34.400 --> 0:28:36.600
<v Speaker 2>get you actually on the podcast. You can come full

0:28:36.640 --> 0:28:40.200
<v Speaker 2>circle when you're when you're down under next Now. You

0:28:40.240 --> 0:28:42.240
<v Speaker 2>guys are amazing. Honestly, I talked to so many different

0:28:42.280 --> 0:28:44.360
<v Speaker 2>radio hosts and you guys are like, legit really funny.

0:28:44.440 --> 0:28:46.880
<v Speaker 2>So oh, thank you, thank you man. That means a lot.

0:28:46.920 --> 0:28:47.600
<v Speaker 2>I appreciate it.

0:28:48.160 --> 0:28:48.560
<v Speaker 8>I love it.

0:28:48.640 --> 0:28:50.640
<v Speaker 2>Thank you guys so much. We're talking a bit, see

0:28:50.680 --> 0:28:51.840
<v Speaker 2>you mane.

0:28:53.800 --> 0:28:56.480
<v Speaker 1>Yeah, that's hilarious that you think I'm a radio host.

0:28:56.560 --> 0:28:56.760
<v Speaker 6>I know.

0:28:58.480 --> 0:28:59.920
<v Speaker 1>He was looking at me when he said that, though,

0:29:00.360 --> 0:29:02.040
<v Speaker 1>Oh he does he think you're too badio hosts that

0:29:04.360 --> 0:29:08.040
<v Speaker 1>you're listening to? Is it just me a podcast by

0:29:08.120 --> 0:29:12.000
<v Speaker 1>a couple of minches? Oh what a beautiful, full surfle

0:29:12.120 --> 0:29:12.960
<v Speaker 1>moment for the show.

0:29:13.400 --> 0:29:14.680
<v Speaker 2>I'm still cringeing.

0:29:14.840 --> 0:29:17.680
<v Speaker 1>Can I just say I actually caught myself out there

0:29:18.080 --> 0:29:19.920
<v Speaker 1>doing what you did in the first place, kind of

0:29:20.320 --> 0:29:23.520
<v Speaker 1>accidentally big noting myself to seem cool. I said our

0:29:23.760 --> 0:29:28.320
<v Speaker 1>fans ill I would never call them fans, our pals

0:29:28.360 --> 0:29:29.240
<v Speaker 1>that listen to the podcast.

0:29:29.320 --> 0:29:31.120
<v Speaker 2>You know, I notice that, But don't you fall into

0:29:31.160 --> 0:29:33.600
<v Speaker 2>that trap of trying to impress them in the moment.

0:29:33.680 --> 0:29:34.320
<v Speaker 2>I do it all the time.

0:29:34.440 --> 0:29:35.760
<v Speaker 1>I didn't feel like it at the time, but I

0:29:35.800 --> 0:29:38.600
<v Speaker 1>would never use the word fans. Like our Facebook group

0:29:38.640 --> 0:29:40.960
<v Speaker 1>in particular where our listeners join, I feel like I'm

0:29:41.000 --> 0:29:43.000
<v Speaker 1>more active in that Facebook group than my own group

0:29:43.080 --> 0:29:44.640
<v Speaker 1>chats with my friends, so like one.

0:29:45.120 --> 0:29:47.280
<v Speaker 2>As they're not fans, there are harshest critics. Somebody the

0:29:47.320 --> 0:29:49.120
<v Speaker 2>other day messaged me and said, I think you have

0:29:49.200 --> 0:29:50.720
<v Speaker 2>an overactive thy rud.

0:29:51.040 --> 0:29:51.440
<v Speaker 3>Didn't they?

0:29:51.640 --> 0:29:54.680
<v Speaker 2>Yes, she said, the reason your cheeks are full of

0:29:54.800 --> 0:29:58.200
<v Speaker 2>roseatia is because you're holding fluid on your glands. Because

0:29:58.280 --> 0:30:01.120
<v Speaker 2>I didn't even message this girl before, she just out

0:30:01.120 --> 0:30:03.400
<v Speaker 2>of the blue message me, completely out of the blue.

0:30:03.760 --> 0:30:06.160
<v Speaker 2>Go see a holistic health professional. Bet they'll say what

0:30:06.240 --> 0:30:10.200
<v Speaker 2>I've told you with the winki face, I know. Wow, Okay,

0:30:10.360 --> 0:30:14.480
<v Speaker 2>they're definitely not fans, and they think we're fat.

0:30:14.640 --> 0:30:18.400
<v Speaker 1>They're observed disgusting. People are not observers. They what would

0:30:18.400 --> 0:30:19.880
<v Speaker 1>you say if they're not looking at them? I guess

0:30:19.920 --> 0:30:22.880
<v Speaker 1>they're just listeners, their critics.

0:30:22.640 --> 0:30:24.560
<v Speaker 2>Whatever they are. We're very grateful to have you guys.

0:30:24.760 --> 0:30:28.479
<v Speaker 1>We do love them absolutely. Now we've got a segment

0:30:28.560 --> 0:30:30.760
<v Speaker 1>idea we've been mentioning it the whole show that we

0:30:30.840 --> 0:30:33.480
<v Speaker 1>wanted to run by you, Jenna, I guess our critics

0:30:33.600 --> 0:30:36.200
<v Speaker 1>listening can also weigh in and let us know whether

0:30:36.440 --> 0:30:38.760
<v Speaker 1>this is something that we should keep. So, Jenna, you

0:30:38.880 --> 0:30:42.560
<v Speaker 1>know how during the thick of coronavirus lockdown, when like

0:30:42.640 --> 0:30:46.400
<v Speaker 1>restrictions were at their titus, all the radio hosts were

0:30:46.400 --> 0:30:49.240
<v Speaker 1>getting their own home studios. Yes, yes, and Mitch was

0:30:49.240 --> 0:30:52.320
<v Speaker 1>a little bit jealous that he never got one, like

0:30:52.400 --> 0:30:52.920
<v Speaker 1>we got.

0:30:52.840 --> 0:30:54.800
<v Speaker 2>It, and then Mikey and Nember like Kyle and Jack,

0:30:54.840 --> 0:30:57.040
<v Speaker 2>we've got it. He's like I got it. And I

0:30:57.240 --> 0:30:58.840
<v Speaker 2>was literally like I got it, but I had corona

0:30:58.880 --> 0:31:00.600
<v Speaker 2>because I was coming into work. I did not have

0:31:00.680 --> 0:31:02.400
<v Speaker 2>a home shirt. I was so upset. And then the

0:31:02.480 --> 0:31:05.360
<v Speaker 2>other day it's all easy. People in Sydney are basically

0:31:05.440 --> 0:31:07.240
<v Speaker 2>back to normal. They're like, Mitch, we need to talk

0:31:07.240 --> 0:31:09.320
<v Speaker 2>to I'm like, yeah, we've got you a home set up.

0:31:09.360 --> 0:31:11.480
<v Speaker 1>That's all right. Times have change. And I got a

0:31:11.640 --> 0:31:14.280
<v Speaker 1>phone call the other night and oh, you should have

0:31:14.360 --> 0:31:17.280
<v Speaker 1>seen the pride in his face. It was a zoom call.

0:31:17.360 --> 0:31:20.080
<v Speaker 1>It was on webcam from his new home studio. And

0:31:20.160 --> 0:31:22.240
<v Speaker 1>I should point out that this was a Saturday evening

0:31:22.280 --> 0:31:25.720
<v Speaker 1>and I was wasted. He was so he's coming me

0:31:26.080 --> 0:31:27.640
<v Speaker 1>to show up his new home studio and I'm.

0:31:27.480 --> 0:31:30.240
<v Speaker 2>Going on no heads up to Mitch. And it was

0:31:30.320 --> 0:31:33.280
<v Speaker 2>on zoom too, so imagine getting a random zoom roll.

0:31:33.560 --> 0:31:35.840
<v Speaker 2>My Oh, I was in my element with my little

0:31:35.880 --> 0:31:37.040
<v Speaker 2>A three eighty headset mic.

0:31:37.160 --> 0:31:37.800
<v Speaker 1>It's brilliant.

0:31:37.840 --> 0:31:39.160
<v Speaker 2>I was having so much fun.

0:31:39.080 --> 0:31:42.160
<v Speaker 1>And so me in my obliterated state, like I was

0:31:42.200 --> 0:31:44.560
<v Speaker 1>at that point of the night where if I went

0:31:44.640 --> 0:31:46.720
<v Speaker 1>to bed, I would black out as soon as my

0:31:46.800 --> 0:31:48.560
<v Speaker 1>head hit the pillow. Like I needed to go to bed.

0:31:48.640 --> 0:31:51.440
<v Speaker 1>It was at that point of deliriousness. I was a mess.

0:31:51.920 --> 0:31:55.360
<v Speaker 1>And apparently that's when we start spitballing ideas for the show.

0:31:55.440 --> 0:31:58.240
<v Speaker 1>Because I came up, I have no I couldn't tell

0:31:58.320 --> 0:32:00.360
<v Speaker 1>you how it came about, but I came with an

0:32:00.400 --> 0:32:03.280
<v Speaker 1>idea called sorry Tunnel.

0:32:03.400 --> 0:32:04.720
<v Speaker 2>No, you've got to say it how we say it.

0:32:05.040 --> 0:32:07.960
<v Speaker 2>The idea is called sorry tunnle.

0:32:10.640 --> 0:32:13.880
<v Speaker 1>Mitch is still to this day a fan of the idea. I,

0:32:14.120 --> 0:32:17.480
<v Speaker 1>in hindsight, am not in favor of the idea. I

0:32:17.520 --> 0:32:19.840
<v Speaker 1>don't think it's something we should carry over into season two.

0:32:20.320 --> 0:32:22.800
<v Speaker 1>We were recording the whole time when we decided to

0:32:22.920 --> 0:32:27.240
<v Speaker 1>do a little demo, and you were, you were showing

0:32:27.280 --> 0:32:29.280
<v Speaker 1>off your home studio. Look, I can make phone calls

0:32:29.400 --> 0:32:31.120
<v Speaker 1>and so you can hear me there on Zoom the

0:32:31.160 --> 0:32:34.480
<v Speaker 1>whole time. I'm a bit cracky, but we decided to

0:32:34.520 --> 0:32:38.960
<v Speaker 1>do a sorry Tunnel phone call on Remember that former

0:32:39.120 --> 0:32:41.280
<v Speaker 1>married First Site contestant Nasa.

0:32:41.920 --> 0:32:45.200
<v Speaker 2>No, he did try. He tried to be on every

0:32:45.240 --> 0:32:46.760
<v Speaker 2>other reality TV show.

0:32:47.400 --> 0:32:49.640
<v Speaker 1>I think to his own admission, he's a fame Hall

0:32:49.720 --> 0:32:53.920
<v Speaker 1>like he thinks he's Brad Pitt and so he answered

0:32:53.960 --> 0:32:55.920
<v Speaker 1>the call. I still don't know how you got his number,

0:32:55.960 --> 0:32:58.760
<v Speaker 1>But basically the idea is we call someone and then

0:32:59.360 --> 0:33:01.760
<v Speaker 1>not very long the conversation and just say sorry Tunnel

0:33:01.800 --> 0:33:06.640
<v Speaker 1>and pretend that we replicate going and it's brilliant, so brilliant.

0:33:06.680 --> 0:33:08.080
<v Speaker 1>My idea is that we do it to people on

0:33:08.160 --> 0:33:10.840
<v Speaker 1>the podcast, like we get them one, we locked them

0:33:10.880 --> 0:33:12.600
<v Speaker 1>in for an interview. But now I'm like, that's just

0:33:12.760 --> 0:33:14.880
<v Speaker 1>mean if they get all hyped up for an interview,

0:33:14.960 --> 0:33:16.560
<v Speaker 1>like oh, they're going to ask me questions about my

0:33:16.640 --> 0:33:18.800
<v Speaker 1>life or whatever thing I'm promoting, and then we just

0:33:18.880 --> 0:33:21.840
<v Speaker 1>hang up on them and screen sorry Tunnel. Anyway, Jenna,

0:33:22.120 --> 0:33:24.200
<v Speaker 1>you're the deciding vote. I don't think we should do it.

0:33:24.320 --> 0:33:27.760
<v Speaker 1>Mitchzill thinks we should have a listen to our trial

0:33:27.800 --> 0:33:29.120
<v Speaker 1>went the other night when I was wasted.

0:33:29.280 --> 0:33:37.320
<v Speaker 2>Okay, what about Nasa from mass calling right now? Why

0:33:37.360 --> 0:33:44.920
<v Speaker 2>do you have his number? I don't know. Oh my god,

0:33:45.640 --> 0:33:50.480
<v Speaker 2>Sorry do I say sorry Tunnel?

0:33:51.680 --> 0:33:54.040
<v Speaker 8>Text it hey hello.

0:33:55.960 --> 0:33:56.840
<v Speaker 1>And have a bit of a chat.

0:33:58.720 --> 0:34:10.920
<v Speaker 2>Sorry done, Nasa? Nasa? How a mate who is it

0:34:11.200 --> 0:34:11.959
<v Speaker 2>Craig from Nova?

0:34:14.680 --> 0:34:30.759
<v Speaker 8>Sorry, we need to do this on the podcast, Like

0:34:31.080 --> 0:34:33.120
<v Speaker 8>where will people think we record.

0:34:32.880 --> 0:34:50.719
<v Speaker 1>From You've been listening back as you can hear, I'm

0:34:50.800 --> 0:34:53.719
<v Speaker 1>in no state to be making fit decisions for the show.

0:34:55.200 --> 0:34:57.680
<v Speaker 2>If you just had a Boddy open heart surgery, you're

0:34:57.680 --> 0:34:58.680
<v Speaker 2>in some opiate.

0:34:58.920 --> 0:34:59.760
<v Speaker 6>Absolutely.

0:35:00.000 --> 0:35:02.640
<v Speaker 1>I didn't feel that much at the time that I

0:35:02.719 --> 0:35:04.560
<v Speaker 1>listened back, and I was like, whoa out?

0:35:04.680 --> 0:35:09.640
<v Speaker 2>So unwell, I know, I'm like and me taking guidance

0:35:09.680 --> 0:35:10.759
<v Speaker 2>from you, Like what do I say?

0:35:11.120 --> 0:35:14.000
<v Speaker 1>Like you need to say hello?

0:35:16.160 --> 0:35:17.160
<v Speaker 2>Could I not come up with that?

0:35:18.920 --> 0:35:21.239
<v Speaker 1>So you know that I am usually in favor of

0:35:21.360 --> 0:35:22.959
<v Speaker 1>ideas and involve confusing people.

0:35:23.000 --> 0:35:23.440
<v Speaker 2>I don't know why.

0:35:23.480 --> 0:35:25.640
<v Speaker 1>I just get this sick thrill out of confusing people.

0:35:25.719 --> 0:35:27.920
<v Speaker 1>But in this case, I think it's a bit rude

0:35:28.000 --> 0:35:32.000
<v Speaker 1>to tease someone up because I think that this idea

0:35:32.000 --> 0:35:34.160
<v Speaker 1>would involve having to lock someone in and they think

0:35:34.239 --> 0:35:36.000
<v Speaker 1>that we're actually going to interview them on the podcast,

0:35:36.040 --> 0:35:42.120
<v Speaker 1>and then we just go you do it. Sorry, When

0:35:42.120 --> 0:35:46.359
<v Speaker 1>you do it really calm, you're like, sorry, turtle, oh sorry, sorry.

0:35:47.120 --> 0:35:48.440
<v Speaker 2>But you need to add it to credit, Like I

0:35:48.480 --> 0:35:49.960
<v Speaker 2>think we could have fun with it. I could even

0:35:50.000 --> 0:35:51.759
<v Speaker 2>get some paper and go anyway, So then I got

0:35:51.760 --> 0:35:58.320
<v Speaker 2>the maternity. Sorry, you're not put it at me. I

0:35:58.360 --> 0:36:01.360
<v Speaker 2>don't know if you remember you you actually fleshed the

0:36:01.440 --> 0:36:03.400
<v Speaker 2>idea out more when you lost it to me. You

0:36:03.520 --> 0:36:05.720
<v Speaker 2>said you get a young up and coming Aussie. Asked

0:36:06.400 --> 0:36:07.799
<v Speaker 2>you know I talked to him on my show.

0:36:08.200 --> 0:36:11.239
<v Speaker 1>Basically I said, get someone who would be thrilled with

0:36:11.400 --> 0:36:13.960
<v Speaker 1>any sort of media coverage. But that's even meaner.

0:36:14.239 --> 0:36:17.080
<v Speaker 2>No, But then you did say, however, you need to

0:36:17.120 --> 0:36:19.440
<v Speaker 2>text them and say sorry, Tunnel, and if they reply

0:36:19.600 --> 0:36:21.520
<v Speaker 2>and go great, I'll call back in two then you

0:36:21.640 --> 0:36:22.680
<v Speaker 2>continue the conversation.

0:36:22.880 --> 0:36:26.240
<v Speaker 1>Oh yeah, they we would see how they respond throughout

0:36:26.280 --> 0:36:28.040
<v Speaker 1>the show, like we would move on with the podcast

0:36:28.080 --> 0:36:30.560
<v Speaker 1>and then see if they text back. Because my mind

0:36:30.640 --> 0:36:32.960
<v Speaker 1>is funny, be like where do they record their podcast

0:36:33.480 --> 0:36:34.160
<v Speaker 1>on a float?

0:36:34.520 --> 0:36:38.600
<v Speaker 2>Like, where are they it's not a four wheel drive

0:36:38.680 --> 0:36:44.040
<v Speaker 2>phone system even camp the pictures sitting in the RV

0:36:44.200 --> 0:36:50.680
<v Speaker 2>at those tables that are also a bed doing the podcast. Sorry, Tunnel, Sorry,

0:36:51.880 --> 0:36:54.759
<v Speaker 2>should we do a live demo just on someone? Oh no,

0:36:54.920 --> 0:36:55.640
<v Speaker 2>because that's no.

0:36:55.760 --> 0:36:57.960
<v Speaker 1>I just think it's I think it's cruel. I think

0:36:58.040 --> 0:36:58.920
<v Speaker 1>you put them in that pore.

0:36:58.920 --> 0:37:01.720
<v Speaker 2>What do you think Jenne, No, take your time, because

0:37:01.719 --> 0:37:02.760
<v Speaker 2>this could be a staple.

0:37:04.200 --> 0:37:06.919
<v Speaker 1>Do don't forget it's a call.

0:37:07.200 --> 0:37:09.719
<v Speaker 6>It is your call, completely and well, initially I thought

0:37:09.960 --> 0:37:12.280
<v Speaker 6>that's the dumbest idea I've ever heard on paper.

0:37:12.320 --> 0:37:17.640
<v Speaker 4>It's terrible, absolutely tunnel and hanger rateful, not a good

0:37:17.680 --> 0:37:21.360
<v Speaker 4>elevator pitch, but also like it's funny to us, I

0:37:21.360 --> 0:37:23.840
<v Speaker 4>will admit, but I'm just think of them, Jenna.

0:37:24.080 --> 0:37:26.680
<v Speaker 1>Yes, it's about how they react. We didn't get NASA's reaction.

0:37:26.760 --> 0:37:28.000
<v Speaker 1>Maybe a live Gemma would be good.

0:37:28.680 --> 0:37:30.440
<v Speaker 2>Okay, before you make your decision, should we do a

0:37:30.480 --> 0:37:30.879
<v Speaker 2>live demo?

0:37:30.960 --> 0:37:31.279
<v Speaker 1>I think so?

0:37:31.560 --> 0:37:31.759
<v Speaker 2>Yeah?

0:37:32.719 --> 0:37:32.919
<v Speaker 3>Yeah?

0:37:34.680 --> 0:37:38.399
<v Speaker 2>Cool. Well, well let me go to my little black book.

0:37:39.360 --> 0:37:41.600
<v Speaker 2>We've been through a lot of numbers.

0:37:41.960 --> 0:37:43.840
<v Speaker 1>Sorry. Up next, we're doing a Q and A and

0:37:43.920 --> 0:37:45.640
<v Speaker 1>I did take a little peek at the questions and

0:37:45.760 --> 0:37:48.200
<v Speaker 1>someone dared you to call Kyl and Jackie. Oh that's

0:37:48.239 --> 0:37:49.600
<v Speaker 1>not really a question. It was like a dare.

0:37:49.680 --> 0:37:51.640
<v Speaker 2>No, let's do I think we should do? Zoe Marshall

0:37:51.719 --> 0:37:56.200
<v Speaker 2>Star two Stars Benji Marshall, pro footballer. She's one of

0:37:56.239 --> 0:37:58.480
<v Speaker 2>the best known female media personalities.

0:37:58.760 --> 0:38:01.319
<v Speaker 1>Your former co host former she used to do kids

0:38:01.440 --> 0:38:02.840
<v Speaker 1>Nights with you. Who do you like better me or

0:38:02.880 --> 0:38:03.680
<v Speaker 1>her as a co host.

0:38:03.760 --> 0:38:07.759
<v Speaker 2>Oh god, you really very similar. You're just not as

0:38:07.800 --> 0:38:08.680
<v Speaker 2>wealthy or well known.

0:38:10.239 --> 0:38:12.759
<v Speaker 1>We should get her on. Okay, do the call now

0:38:14.120 --> 0:38:16.160
<v Speaker 1>and ask her if she wants to come on our podcast.

0:38:16.280 --> 0:38:18.040
<v Speaker 1>And then when she says yes, because I would actually

0:38:18.080 --> 0:38:19.080
<v Speaker 1>love to get her on in general.

0:38:19.200 --> 0:38:24.040
<v Speaker 2>Yeah, yeah, brilliant maybe saying number out loud.

0:38:24.239 --> 0:38:26.080
<v Speaker 1>So maybe because I would actually love to get somewhere on.

0:38:26.160 --> 0:38:27.400
<v Speaker 1>Like I said, so, we should get her on in

0:38:27.440 --> 0:38:30.080
<v Speaker 1>season two, but for now, just call and go. Sorry, Okay,

0:38:34.200 --> 0:38:34.879
<v Speaker 1>it's so bad.

0:38:35.040 --> 0:38:35.600
<v Speaker 8>This is great.

0:38:35.680 --> 0:38:39.000
<v Speaker 1>What made me think of? Remember that you dial is

0:38:39.120 --> 0:38:40.919
<v Speaker 1>invalid or incomplete.

0:38:41.960 --> 0:38:42.200
<v Speaker 5>Number.

0:38:46.040 --> 0:38:49.560
<v Speaker 2>May tell your best friends we are your phone number

0:38:49.560 --> 0:38:50.799
<v Speaker 2>has been blocked by this caller.

0:38:52.840 --> 0:38:54.160
<v Speaker 1>What do you call her on your phone so she

0:38:54.239 --> 0:38:56.920
<v Speaker 1>knows who's calling. Just hold your phone up to the microphone.

0:38:56.920 --> 0:38:57.440
<v Speaker 1>It'll be right.

0:39:03.440 --> 0:39:12.960
<v Speaker 8>H come this not away.

0:39:15.440 --> 0:39:15.560
<v Speaker 4>Hi.

0:39:15.880 --> 0:39:18.759
<v Speaker 2>Hi, how are you? I'm good? Sorry, I'm on the

0:39:18.760 --> 0:39:22.480
<v Speaker 2>podcast with Mitch, Mitch and Jenna. They all say, Hi,

0:39:22.640 --> 0:39:24.360
<v Speaker 2>We just thought we'd call you here because this is

0:39:24.400 --> 0:39:26.600
<v Speaker 2>the final episode of season one and we wanted to

0:39:26.800 --> 0:39:29.560
<v Speaker 2>formally invite you to come on and guest host on

0:39:29.680 --> 0:39:30.200
<v Speaker 2>season two.

0:39:31.480 --> 0:39:32.560
<v Speaker 8>Sounds fantastic.

0:39:33.320 --> 0:39:34.160
<v Speaker 1>Awesome. Look it in.

0:39:34.960 --> 0:39:37.759
<v Speaker 2>Oh you want to your baby? Fox wants to talk. Yeah, yeah,

0:39:37.800 --> 0:39:42.080
<v Speaker 2>he wants to put put put him on.

0:39:43.280 --> 0:39:44.600
<v Speaker 8>So hi Mitch, Mitch and Jenna.

0:39:46.800 --> 0:39:55.239
<v Speaker 2>Sorry, sorry to a kid. I feel Bertie Farmer. That

0:39:55.320 --> 0:39:59.239
<v Speaker 2>kid's got his own Instagram. She's message, she's messaged. What

0:39:59.440 --> 0:40:03.280
<v Speaker 2>the fuck we just lost our guest times.

0:40:04.040 --> 0:40:05.440
<v Speaker 1>That kid is so adorable.

0:40:05.520 --> 0:40:07.680
<v Speaker 2>I went to the kids' second birthday party and I

0:40:07.760 --> 0:40:09.279
<v Speaker 2>got a better gift bag than they get it the

0:40:09.320 --> 0:40:10.480
<v Speaker 2>Oscars not even kidding.

0:40:10.680 --> 0:40:12.279
<v Speaker 1>Oh well, we can hold her that she agreed to

0:40:12.320 --> 0:40:14.760
<v Speaker 1>come on next season. Jenna, what do you think, sorry, Tunnel,

0:40:14.800 --> 0:40:15.840
<v Speaker 1>is it a keeper or no?

0:40:18.120 --> 0:40:20.080
<v Speaker 2>I feel for Fox.

0:40:20.880 --> 0:40:24.440
<v Speaker 1>It's less funny now, you know what I think?

0:40:24.520 --> 0:40:24.920
<v Speaker 6>Bring it on.

0:40:27.239 --> 0:40:30.440
<v Speaker 2>A new segment. O God, you know what, it doesn't

0:40:30.480 --> 0:40:32.400
<v Speaker 2>have to be a segment as much as we can

0:40:32.520 --> 0:40:34.279
<v Speaker 2>just do it whenever we have someone on, and that's

0:40:34.320 --> 0:40:39.600
<v Speaker 2>anyway they're gonna come it on. Dame Helen Mirra, Oh sorry, Tunnel, but.

0:40:39.680 --> 0:40:41.880
<v Speaker 1>Then what if we try and call them back and

0:40:41.960 --> 0:40:44.400
<v Speaker 1>they don't answer, like it's it's such a risk. We

0:40:44.480 --> 0:40:46.120
<v Speaker 1>get aed guests on. We put all that work in

0:40:46.239 --> 0:40:48.320
<v Speaker 1>lock it in, all the logistics behind the scenes, and

0:40:48.360 --> 0:40:50.520
<v Speaker 1>then we just go sorry tune because it's.

0:40:50.440 --> 0:40:52.440
<v Speaker 2>An instant get out, a free cut, because they go,

0:40:52.640 --> 0:40:55.200
<v Speaker 2>oh oh that's the poor thing. That's all that's happened

0:40:55.200 --> 0:40:58.960
<v Speaker 2>to me before you know, it's instantly relatable. Exactly. This

0:40:59.120 --> 0:41:01.000
<v Speaker 2>is good. Stuff's going to be great.

0:41:01.120 --> 0:41:01.719
<v Speaker 11>This is good.

0:41:01.840 --> 0:41:05.960
<v Speaker 6>Actually, okay bringing this up, Mitchell, thank you.

0:41:06.719 --> 0:41:08.480
<v Speaker 2>The Daily Mail is gonna have a field date. Zoey

0:41:08.560 --> 0:41:12.480
<v Speaker 2>Marshall son hung up on by two gay men.

0:41:12.640 --> 0:41:14.920
<v Speaker 1>Yeah, you should have thought about that. Zoey Marshall is

0:41:14.960 --> 0:41:18.120
<v Speaker 1>one of those people who not only if she tags

0:41:18.160 --> 0:41:20.880
<v Speaker 1>and moisturizerer on Instagram, it sells out in ten seconds,

0:41:20.960 --> 0:41:24.160
<v Speaker 1>but also if she like steps foot outside her door

0:41:24.200 --> 0:41:26.320
<v Speaker 1>the Daily Mail like photo Zoe Marshall steps out of

0:41:26.320 --> 0:41:30.359
<v Speaker 1>her house like, oh god, anyway, that's on you, not me. Sorry,

0:41:30.520 --> 0:41:32.000
<v Speaker 1>I suppoth if you're the one doing it. What am

0:41:32.000 --> 0:41:35.400
<v Speaker 1>I worried about that close? It's only our relationship just

0:41:35.440 --> 0:41:40.040
<v Speaker 1>sent me three question marks. Oh my god, Sorry Zoe.

0:41:40.160 --> 0:41:41.239
<v Speaker 1>We'll catch you in season two.

0:41:41.640 --> 0:41:43.320
<v Speaker 2>God, all right, we need to move on. What's next?

0:41:43.640 --> 0:41:46.000
<v Speaker 1>So we're going to finish up our final episode of

0:41:46.040 --> 0:41:48.200
<v Speaker 1>season one with a Q and A. We asked our

0:41:48.280 --> 0:41:52.120
<v Speaker 1>critics to send questions in anything they might have wandered

0:41:52.160 --> 0:41:55.000
<v Speaker 1>throughout the season. Now's the time that we're going to

0:41:55.000 --> 0:41:56.880
<v Speaker 1>answer them. And I believe you've prepared an open for us.

0:41:56.960 --> 0:41:59.279
<v Speaker 2>We have considering this is a highly requested segment ever

0:41:59.360 --> 0:42:01.799
<v Speaker 2>since maybe five episodes in, people are being like, let's

0:42:01.800 --> 0:42:03.920
<v Speaker 2>do a Q and A. And I've known I want

0:42:03.960 --> 0:42:05.200
<v Speaker 2>to make this special and I want to make it

0:42:05.239 --> 0:42:06.960
<v Speaker 2>a big thing. So it is the last episode of

0:42:07.040 --> 0:42:09.200
<v Speaker 2>season one, so I did go ahead, make us a cheeky,

0:42:09.280 --> 0:42:11.239
<v Speaker 2>a little opener. You've got mail?

0:42:12.680 --> 0:42:14.360
<v Speaker 6>What what?

0:42:15.280 --> 0:42:15.600
<v Speaker 1>Okay?

0:42:15.800 --> 0:42:16.040
<v Speaker 6>That was?

0:42:16.080 --> 0:42:19.400
<v Speaker 2>It took me hs of course, that was it?

0:42:19.520 --> 0:42:19.839
<v Speaker 1>All right?

0:42:20.200 --> 0:42:21.520
<v Speaker 2>All right, well you've got mail.

0:42:22.600 --> 0:42:25.200
<v Speaker 1>Alright, it's time for you've got mail.

0:42:25.719 --> 0:42:28.520
<v Speaker 2>This also like a point five delay, like this is

0:42:28.640 --> 0:42:32.240
<v Speaker 2>my click it now, just to split delay.

0:42:33.600 --> 0:42:35.680
<v Speaker 1>You know, it's not points for trying. It's a bit

0:42:35.719 --> 0:42:36.520
<v Speaker 1>of an anticlimax.

0:42:36.560 --> 0:42:39.319
<v Speaker 2>But sure, let's play. You've got mail, all right?

0:42:39.480 --> 0:42:41.680
<v Speaker 1>Questions sent in from our critics.

0:42:42.200 --> 0:42:48.120
<v Speaker 2>Yes, maybe that's what we should start calling, yeah critics. Alright, alright,

0:42:48.160 --> 0:42:50.479
<v Speaker 2>so I'm going now we've got a long list colly

0:42:50.560 --> 0:42:52.600
<v Speaker 2>hand to ask guys, what was your favorite moment from

0:42:52.640 --> 0:42:53.200
<v Speaker 2>season one?

0:42:53.760 --> 0:42:56.080
<v Speaker 1>Oh, that's a heavy question. To kick things off with oh,

0:42:56.440 --> 0:42:59.200
<v Speaker 1>it's a lot, and then really gets the memory going, well,

0:42:59.239 --> 0:43:02.160
<v Speaker 1>we've got the best episode up. Don't forget our feet already.

0:43:02.239 --> 0:43:06.560
<v Speaker 1>So that's as voted by our critics the best bits

0:43:06.600 --> 0:43:08.399
<v Speaker 1>in the show from season one. I don't know, there's

0:43:08.400 --> 0:43:10.239
<v Speaker 1>there's been a few that I that weren't actually in

0:43:10.320 --> 0:43:13.400
<v Speaker 1>the best bits episode. Like sometimes there's some things that

0:43:13.480 --> 0:43:16.319
<v Speaker 1>I love because they're so loose and unstructured, but then

0:43:16.320 --> 0:43:18.759
<v Speaker 1>there's some things that are my favorite because I'm like, oh,

0:43:18.800 --> 0:43:20.800
<v Speaker 1>we nailed that. That was like well presented and we

0:43:20.920 --> 0:43:23.240
<v Speaker 1>planned it. Yeah, it was like the structure was beautiful,

0:43:23.400 --> 0:43:26.840
<v Speaker 1>like when it was profreshed and shlick and what's what slicks?

0:43:26.960 --> 0:43:31.200
<v Speaker 2>Like, yeah, Schmick, I love the love thing coming full circle.

0:43:31.280 --> 0:43:32.400
<v Speaker 2>I mean that was ridiculous.

0:43:32.480 --> 0:43:34.640
<v Speaker 1>That was that was perfect. When you told me that

0:43:34.760 --> 0:43:36.960
<v Speaker 1>was coming through, Like the week before we did our

0:43:37.000 --> 0:43:38.719
<v Speaker 1>last episode, I was like, oh my god, it's meant

0:43:38.719 --> 0:43:38.840
<v Speaker 1>to be.

0:43:38.960 --> 0:43:40.200
<v Speaker 2>Like the Team A Kiss were like, mates, do you

0:43:40.239 --> 0:43:43.560
<v Speaker 2>want to talk to Laov again? I was like, oh yes,

0:43:44.040 --> 0:43:46.000
<v Speaker 2>Like he suddenly hit me and as soon as I

0:43:46.080 --> 0:43:47.680
<v Speaker 2>told you, oh my god, like a kid at Christmas

0:43:47.719 --> 0:43:49.920
<v Speaker 2>getting a Nintendo sixty four. It was like that, we

0:43:50.000 --> 0:43:52.239
<v Speaker 2>need to ask him again. It was it was so good.

0:43:53.680 --> 0:43:57.160
<v Speaker 6>My favorite moment, I don't have one. I've had it like,

0:43:57.280 --> 0:43:57.680
<v Speaker 6>I hate it.

0:43:57.800 --> 0:44:00.759
<v Speaker 2>Also didn't enjoy any of us all. That's fine when

0:44:00.760 --> 0:44:02.320
<v Speaker 2>you've lived through, you know, the bibonic plague.

0:44:02.400 --> 0:44:05.120
<v Speaker 6>I know I've been through so much, so why would

0:44:05.120 --> 0:44:06.920
<v Speaker 6>you expect me to pick a favorite.

0:44:07.480 --> 0:44:09.920
<v Speaker 2>It's a soft spot. I enjoyed the Ruby T's takeover.

0:44:10.080 --> 0:44:12.400
<v Speaker 1>Oh yes, that was episode I think maybe eight. I

0:44:12.480 --> 0:44:14.680
<v Speaker 1>don't remember, maybe eighteen. This is an eight in my mind.

0:44:14.840 --> 0:44:16.439
<v Speaker 2>I don't remember how what my nephew is, let alone,

0:44:16.440 --> 0:44:17.680
<v Speaker 2>what episode Ruby Tes came on.

0:44:18.239 --> 0:44:20.240
<v Speaker 1>I'll look it up. I reckon. One of my favorites

0:44:20.400 --> 0:44:23.719
<v Speaker 1>was I want to say episode twenty one when we

0:44:23.800 --> 0:44:25.200
<v Speaker 1>played the neighbors cat fights.

0:44:25.480 --> 0:44:27.680
<v Speaker 2>Oh yeah, that was.

0:44:27.680 --> 0:44:28.719
<v Speaker 6>Actually a very good one.

0:44:28.880 --> 0:44:30.799
<v Speaker 2>I liked the gold dig episode on You and Jenna.

0:44:30.880 --> 0:44:31.960
<v Speaker 2>They were fun. I learned a lot.

0:44:32.080 --> 0:44:34.200
<v Speaker 1>There we Go episode sixteen was the one where Ruby

0:44:34.239 --> 0:44:37.279
<v Speaker 1>guests hosted. I enjoyed that and the ones with the

0:44:37.320 --> 0:44:40.160
<v Speaker 1>neighbor's cat fight scene is in episode twenty Katie Perry

0:44:40.200 --> 0:44:42.320
<v Speaker 1>Cancer's on combs. There we Go. That was fun.

0:44:42.520 --> 0:44:42.960
<v Speaker 3>I like that.

0:44:43.080 --> 0:44:44.960
<v Speaker 2>I love Katie Perry saying my name incorrectly.

0:44:45.239 --> 0:44:46.479
<v Speaker 1>Yes, that was a great moment.

0:44:46.520 --> 0:44:48.480
<v Speaker 2>That's just a little thing that we didn't even plan

0:44:48.640 --> 0:44:49.240
<v Speaker 2>that just happened.

0:44:49.360 --> 0:44:52.400
<v Speaker 1>I do love when like the audio does the talking

0:44:52.480 --> 0:44:54.360
<v Speaker 1>for us, like we don't really have to actually do

0:44:54.719 --> 0:44:56.759
<v Speaker 1>much in the break like talkback things and stuff like that.

0:44:56.960 --> 0:44:57.160
<v Speaker 2>Yeah.

0:44:57.280 --> 0:45:03.040
<v Speaker 6>I also enjoy looking at my junk. Yeah, yeahunk, it's

0:45:03.080 --> 0:45:03.359
<v Speaker 6>a lot.

0:45:03.480 --> 0:45:05.200
<v Speaker 2>We have to really space that out because it takes

0:45:05.719 --> 0:45:08.320
<v Speaker 2>it takes time to recover after we witness that.

0:45:08.520 --> 0:45:10.719
<v Speaker 1>We should rummage with your junk more often because it's

0:45:10.760 --> 0:45:13.400
<v Speaker 1>always a special occasion when it happens. That's why we

0:45:13.440 --> 0:45:15.279
<v Speaker 1>appreciate it so much, because it's so rare that your

0:45:15.440 --> 0:45:16.440
<v Speaker 1>junk gets any attention.

0:45:16.840 --> 0:45:18.760
<v Speaker 6>I really enjoy ticking through my junk.

0:45:18.840 --> 0:45:20.840
<v Speaker 2>So yeah, and that you should, you twenty twenty should

0:45:20.840 --> 0:45:22.399
<v Speaker 2>feel exactly. Anyway, we have more.

0:45:22.680 --> 0:45:26.000
<v Speaker 1>You've got mail, okay, So it's not just an opener,

0:45:26.040 --> 0:45:26.560
<v Speaker 1>it's recurring.

0:45:26.640 --> 0:45:28.560
<v Speaker 2>No, every time they come through. It's live. I'm not

0:45:28.600 --> 0:45:32.160
<v Speaker 2>pressing out the buttons. Joshua Dot Marcy says, any plans

0:45:32.400 --> 0:45:34.160
<v Speaker 2>for more than one episode a week.

0:45:34.239 --> 0:45:37.280
<v Speaker 1>Ah, we do have aid it. Sorry, our secret segment.

0:45:37.520 --> 0:45:40.680
<v Speaker 1>We do have that Yeah, we've thought about adding maybe

0:45:40.719 --> 0:45:43.239
<v Speaker 1>a bonus episode with that halfway through the week. But

0:45:43.280 --> 0:45:45.960
<v Speaker 1>I also am a big fan of the old show

0:45:46.320 --> 0:45:47.560
<v Speaker 1>Rule Leave the Morning more.

0:45:47.719 --> 0:45:50.040
<v Speaker 2>Yeah, like sign felt and on a high. Yeah, we

0:45:50.400 --> 0:45:52.239
<v Speaker 2>did discuss it. We discussed doing kind of like a

0:45:52.480 --> 0:45:56.080
<v Speaker 2>free for all where we just come in and discuss anything.

0:45:56.200 --> 0:45:58.200
<v Speaker 2>But the show it was always weird. We didn't really know,

0:45:58.320 --> 0:45:59.200
<v Speaker 2>so that's why it never happened.

0:45:59.239 --> 0:46:00.960
<v Speaker 1>It always sounded great in theory, but then I pointed

0:46:01.000 --> 0:46:02.759
<v Speaker 1>out that it's hard enough locking in a time where

0:46:02.760 --> 0:46:05.480
<v Speaker 1>we're all here, yeah, once a week, because there's always

0:46:05.800 --> 0:46:07.759
<v Speaker 1>like will be set to record at a certain time

0:46:07.760 --> 0:46:09.080
<v Speaker 1>and then something will pop up and then you'll have

0:46:09.160 --> 0:46:11.440
<v Speaker 1>to go somewhere. But that's when I've got pilates Orjenna's

0:46:11.440 --> 0:46:13.920
<v Speaker 1>got It's hard enough. So this is going to be

0:46:14.320 --> 0:46:15.320
<v Speaker 1>this will have to be it for a while. But

0:46:15.360 --> 0:46:19.080
<v Speaker 1>we started doing extra digital stuff, yeah, like Facebook lives,

0:46:19.120 --> 0:46:21.000
<v Speaker 1>Instagram life. So if you're not following out a couple

0:46:21.040 --> 0:46:22.800
<v Speaker 1>of mitches, that's what you're going to do exactly.

0:46:23.120 --> 0:46:29.360
<v Speaker 2>You've got me Jim Jim Davidson, Mitchell farm Kid turned

0:46:29.440 --> 0:46:31.959
<v Speaker 2>city Kid. Yes, what sort of things confused you about

0:46:32.000 --> 0:46:34.360
<v Speaker 2>the big smoke and Mitch Chury, be honest, do you

0:46:34.440 --> 0:46:37.000
<v Speaker 2>know fuck all about farming compared to Mitchell?

0:46:37.840 --> 0:46:40.560
<v Speaker 1>Yes, and that's as it should be. Really, Yeah, I

0:46:40.600 --> 0:46:42.640
<v Speaker 1>don't know anything. Yeah, of course you don't. Like that's

0:46:42.680 --> 0:46:45.320
<v Speaker 1>not your like that'd be. Actually, I can't think of

0:46:45.360 --> 0:46:46.880
<v Speaker 1>an area of expertise you have. Give me help me

0:46:46.920 --> 0:46:49.319
<v Speaker 1>out here. Well that's like saying, do I know as

0:46:49.400 --> 0:46:50.080
<v Speaker 1>much about.

0:46:50.040 --> 0:46:54.200
<v Speaker 2>Oh, fashion and beauty, weight loss and dieting?

0:46:54.760 --> 0:46:57.560
<v Speaker 1>Well, no, I certainly do not. That's your expertise.

0:46:57.640 --> 0:46:59.400
<v Speaker 2>No, I mean radio, we both binge.

0:47:00.719 --> 0:47:02.359
<v Speaker 1>Yeah, but no, you wouldn't know as much about farming

0:47:02.360 --> 0:47:05.080
<v Speaker 1>as No. I also don't know much myself, like the

0:47:05.200 --> 0:47:05.680
<v Speaker 1>little things.

0:47:05.920 --> 0:47:07.360
<v Speaker 2>But that's why he moved.

0:47:08.719 --> 0:47:10.840
<v Speaker 1>Things that confused me about the city.

0:47:11.000 --> 0:47:12.480
<v Speaker 2>I remember when I picked you up because when he

0:47:12.560 --> 0:47:13.919
<v Speaker 2>left bog and Gut, I picked him up and he said,

0:47:14.080 --> 0:47:17.200
<v Speaker 2>what are those things in the sky changing color? Shut up?

0:47:17.200 --> 0:47:19.680
<v Speaker 2>And I went part and they're green and then red

0:47:19.719 --> 0:47:21.839
<v Speaker 2>and they're orange. I'm sick of I went mitched their

0:47:21.920 --> 0:47:27.000
<v Speaker 2>traffic Lonch and he went, gr what's the big metal bird?

0:47:27.360 --> 0:47:31.399
<v Speaker 2>And I'm like, that's a plane, Mitch. Is it gonna

0:47:31.400 --> 0:47:31.680
<v Speaker 2>eat me?

0:47:32.200 --> 0:47:32.239
<v Speaker 6>No?

0:47:32.560 --> 0:47:34.799
<v Speaker 1>Sweet boll one thing that I did find. I don't

0:47:34.800 --> 0:47:38.000
<v Speaker 1>know if it was confusing, but it was surprising at least.

0:47:38.440 --> 0:47:41.520
<v Speaker 1>When I was at home, living as a teenage out

0:47:41.560 --> 0:47:44.440
<v Speaker 1>in the country, I was like, Oh, I really craved

0:47:44.480 --> 0:47:47.080
<v Speaker 1>that hustle and bustle and that buzz of the city

0:47:47.120 --> 0:47:50.160
<v Speaker 1>where there's always something happening. Whenever I visited Sydney, I

0:47:50.320 --> 0:47:52.279
<v Speaker 1>used to love falling asleep and being able to hear

0:47:52.440 --> 0:47:54.279
<v Speaker 1>just the hum of traffic and being like, oh, this

0:47:54.440 --> 0:47:57.600
<v Speaker 1>is there's so much happening outside, so bustling and vibrant.

0:47:58.000 --> 0:48:01.960
<v Speaker 1>Now that's what I hate most about about living in Sydney.

0:48:02.000 --> 0:48:05.719
<v Speaker 1>I just want shush. I just want quite. I just

0:48:05.880 --> 0:48:08.440
<v Speaker 1>want wide open spaces, which is exactly when I had

0:48:08.480 --> 0:48:10.520
<v Speaker 1>at home, but I didn't appreciate it at the time. Yeah,

0:48:11.400 --> 0:48:14.600
<v Speaker 1>picture this, when I go home, I have the option

0:48:14.760 --> 0:48:19.120
<v Speaker 1>to just wander outside of the back door, just keep walking,

0:48:19.200 --> 0:48:20.839
<v Speaker 1>and then I'm in the middle of a paddock where

0:48:20.840 --> 0:48:23.239
<v Speaker 1>there's literally no one around me for square kilometers. Just

0:48:23.400 --> 0:48:25.080
<v Speaker 1>kind of lie down and look at the sky. I

0:48:25.120 --> 0:48:28.439
<v Speaker 1>can hear nothing except for maybe some live stock. Can't

0:48:28.480 --> 0:48:31.359
<v Speaker 1>do that shit in Sydney, no, very true. Couldn't even

0:48:31.400 --> 0:48:33.200
<v Speaker 1>lie down and to feel about getting a parking fine

0:48:33.239 --> 0:48:33.680
<v Speaker 1>in the city.

0:48:35.200 --> 0:48:39.160
<v Speaker 2>Okay, you got your answer. I don't think none. No

0:48:39.280 --> 0:48:44.279
<v Speaker 2>more coming through. You've got me, Please please please do

0:48:44.360 --> 0:48:46.239
<v Speaker 2>a live podcast and or meet up.

0:48:46.480 --> 0:48:48.640
<v Speaker 1>That could be fun and thin, like in front of

0:48:48.680 --> 0:48:49.080
<v Speaker 1>a crowd.

0:48:49.320 --> 0:48:50.920
<v Speaker 2>Yeah, like at a theater. You don't even hires the

0:48:50.960 --> 0:48:53.120
<v Speaker 2>Metro Theater and it's all cheap and grungey, and there's

0:48:53.120 --> 0:48:54.560
<v Speaker 2>a homeless man on the street when you walk in.

0:48:54.800 --> 0:48:57.759
<v Speaker 1>Well again, covid. We'd have to get that out of

0:48:57.760 --> 0:49:00.520
<v Speaker 1>the way before we can have bath gatherings because there'd

0:49:00.560 --> 0:49:02.640
<v Speaker 1>be thousands of people in attendance.

0:49:02.760 --> 0:49:04.560
<v Speaker 2>I'm open to that. I think that's a good idea

0:49:04.600 --> 0:49:07.040
<v Speaker 2>maybe in the future. Also, it's a real letdown sometimes

0:49:07.080 --> 0:49:10.000
<v Speaker 2>because I've been to one live show, not like a

0:49:10.080 --> 0:49:12.880
<v Speaker 2>theater show. He was a celebrity chef right Matti Matheson.

0:49:12.880 --> 0:49:14.160
<v Speaker 2>I don't know if people know it never and he

0:49:14.239 --> 0:49:16.520
<v Speaker 2>did a live stand up show. I don't really know

0:49:16.560 --> 0:49:17.759
<v Speaker 2>what to expect. I thought he was going to do

0:49:17.840 --> 0:49:20.440
<v Speaker 2>like a Hughes kitchen cooking adventure thing. He just spoke

0:49:20.480 --> 0:49:21.960
<v Speaker 2>on stage about how he had a heart attack at

0:49:21.960 --> 0:49:22.439
<v Speaker 2>twenty five.

0:49:22.640 --> 0:49:25.360
<v Speaker 1>Oh, it was like an evening with Maddi.

0:49:25.200 --> 0:49:29.600
<v Speaker 2>Mathison, very very an evening with I always.

0:49:29.400 --> 0:49:31.440
<v Speaker 1>Wonder what those events are when they start with an

0:49:31.480 --> 0:49:34.080
<v Speaker 1>evening with I feel like that's just implying I'm not

0:49:34.200 --> 0:49:36.560
<v Speaker 1>actually demonstrating any skill. I'm just going to talk to you,

0:49:37.000 --> 0:49:39.960
<v Speaker 1>like an evening with Charlie Sheen, Richard Wilkins interviewing him

0:49:39.960 --> 0:49:40.319
<v Speaker 1>on stage.

0:49:40.320 --> 0:49:43.280
<v Speaker 2>It's always like people who are really not getting Netflix

0:49:43.280 --> 0:49:48.400
<v Speaker 2>specials anymore. Like Jerry Seinfield loves an evening, loves an

0:49:48.440 --> 0:49:49.120
<v Speaker 2>evening special.

0:49:49.360 --> 0:49:50.759
<v Speaker 1>I feel like there's been a few of those. I

0:49:51.080 --> 0:49:54.280
<v Speaker 1>didn't Australia many years ago have an evening with Oprah.

0:49:54.560 --> 0:49:58.480
<v Speaker 2>Yeah, you're right. I did an evening with Steve Martin

0:49:58.640 --> 0:50:02.880
<v Speaker 2>and oh my god, far out Steve Martin and the

0:50:02.920 --> 0:50:05.440
<v Speaker 2>other one God, I can't Martin short. And it was

0:50:06.080 --> 0:50:07.319
<v Speaker 2>really unenjoyable.

0:50:07.920 --> 0:50:10.640
<v Speaker 6>Really, yeah, I wanted to learn how excited.

0:50:11.320 --> 0:50:13.440
<v Speaker 2>I'm a massive fan. I've got the Steve Martin, I've

0:50:13.440 --> 0:50:14.880
<v Speaker 2>listened to all these vinyls. I got them hung up

0:50:14.880 --> 0:50:17.359
<v Speaker 2>in my room. It was disappointing. I think they had

0:50:17.400 --> 0:50:20.239
<v Speaker 2>it really rehearsed down pat and it was just felt

0:50:20.280 --> 0:50:20.960
<v Speaker 2>really rehearsed.

0:50:21.080 --> 0:50:24.480
<v Speaker 1>Oh well, damn it. Maybe we shouldn't have an evening

0:50:24.520 --> 0:50:26.000
<v Speaker 1>with it GM. We want people down.

0:50:26.120 --> 0:50:27.719
<v Speaker 2>That's the thing. We don't rehearse the thing. We just

0:50:27.760 --> 0:50:28.879
<v Speaker 2>go in and we just banter out.

0:50:28.960 --> 0:50:29.200
<v Speaker 1>True.

0:50:29.360 --> 0:50:31.600
<v Speaker 2>That could be it anyway. So my other point on

0:50:31.680 --> 0:50:34.560
<v Speaker 2>that is if they cut me off, they cut me off.

0:50:34.920 --> 0:50:36.680
<v Speaker 2>How it works, meech, did you have to come out

0:50:36.719 --> 0:50:38.439
<v Speaker 2>to your radio audience, Well, mich doesn't have a show,

0:50:38.560 --> 0:50:41.279
<v Speaker 2>so I'll take this one. Not really, No, they really

0:50:41.280 --> 0:50:43.120
<v Speaker 2>couldn't kill us, To be honest, I never I never

0:50:43.160 --> 0:50:44.960
<v Speaker 2>said I was straight actively on air.

0:50:45.120 --> 0:50:48.320
<v Speaker 1>So I never really say my boyfriend or anything like that,

0:50:48.480 --> 0:50:50.120
<v Speaker 1>or oh that might to go or you did not

0:50:50.160 --> 0:50:50.640
<v Speaker 1>really go there.

0:50:50.680 --> 0:50:52.160
<v Speaker 2>Yeah, in interviews, I do. Like the other night I

0:50:52.160 --> 0:50:53.759
<v Speaker 2>had the Veronicas on and they were like a year

0:50:53.800 --> 0:50:55.959
<v Speaker 2>ago today. We were a World Pride in New York

0:50:56.080 --> 0:50:57.640
<v Speaker 2>and I was I was there and I saw them

0:50:57.760 --> 0:50:59.960
<v Speaker 2>and I said, okay, I just said I was there,

0:51:00.120 --> 0:51:01.799
<v Speaker 2>I got with my partner. We loved you, you were great.

0:51:01.960 --> 0:51:03.560
<v Speaker 1>So you don't need to actively hide it.

0:51:03.680 --> 0:51:07.440
<v Speaker 2>No, that definitely points out the fact. Yeah, okay, well Pride.

0:51:08.280 --> 0:51:12.279
<v Speaker 2>So there there you go. That's basically it. Rina Princess says, HI,

0:51:12.520 --> 0:51:16.400
<v Speaker 2>love you guys, especially you Jenna. There you go over Finster.

0:51:17.360 --> 0:51:19.120
<v Speaker 2>She says, how did you guys start the podcast? I

0:51:19.160 --> 0:51:20.120
<v Speaker 2>want the origin story?

0:51:20.920 --> 0:51:25.360
<v Speaker 1>Okay, that's hard. So I was still doing Not My

0:51:25.440 --> 0:51:27.720
<v Speaker 1>Cup of Tea at the time, and we've been toying

0:51:27.840 --> 0:51:31.279
<v Speaker 1>with doing a podcast together for a while, but it

0:51:31.320 --> 0:51:33.000
<v Speaker 1>was always one of those things, Oh, wouldn't that be

0:51:33.040 --> 0:51:34.759
<v Speaker 1>fine if we did that? But I was busy with

0:51:34.960 --> 0:51:37.200
<v Speaker 1>Not My Cover Tea, And then I wasn't busy, so

0:51:37.280 --> 0:51:39.200
<v Speaker 1>I was probably bugging at more than you were. Yes,

0:51:39.360 --> 0:51:42.279
<v Speaker 1>And so as we decided to finish Not My Cup

0:51:42.320 --> 0:51:43.759
<v Speaker 1>of Tea, that's when I came to you. Before we

0:51:43.800 --> 0:51:45.360
<v Speaker 1>didven finish, we still like a month ago, and I

0:51:45.440 --> 0:51:48.239
<v Speaker 1>was like, oh, let's start brainstorming. There were a few

0:51:48.800 --> 0:51:51.359
<v Speaker 1>names we had on the go. There was your Joke,

0:51:51.480 --> 0:51:52.960
<v Speaker 1>and there was Mitch Please.

0:51:53.160 --> 0:51:55.440
<v Speaker 2>I loved Mitch Please. I love it anyway, Yeah, so

0:51:55.440 --> 0:51:56.120
<v Speaker 2>we kept talking.

0:51:56.320 --> 0:51:59.960
<v Speaker 1>Yeah, and then there was a radio show in Melbourne

0:52:00.160 --> 0:52:02.400
<v Speaker 1>years ago, they're not on air anymore, Chrissy and Jane,

0:52:02.880 --> 0:52:04.600
<v Speaker 1>and there was a segment they used to do top

0:52:04.640 --> 0:52:06.240
<v Speaker 1>of the hour, I think it might have been eight AM,

0:52:06.680 --> 0:52:08.440
<v Speaker 1>and it was called is It just Me? And they

0:52:08.480 --> 0:52:11.279
<v Speaker 1>would finish the sentence they wouldn't do the Bradley thing

0:52:11.320 --> 0:52:12.920
<v Speaker 1>where there was a sound effect, but they would just

0:52:13.000 --> 0:52:14.360
<v Speaker 1>be like, all right today, is it just me?

0:52:14.640 --> 0:52:14.680
<v Speaker 5>Or?

0:52:14.800 --> 0:52:17.560
<v Speaker 1>And the things that they covered were so funny, like

0:52:17.640 --> 0:52:19.400
<v Speaker 1>the most random things, and I'm like, how did you

0:52:19.480 --> 0:52:21.759
<v Speaker 1>think of that? Like one time Chrissy was like is

0:52:21.800 --> 0:52:22.200
<v Speaker 1>it just me?

0:52:22.320 --> 0:52:22.360
<v Speaker 5>Or?

0:52:22.360 --> 0:52:25.000
<v Speaker 1>Are you so fine? Never seeing a pyramid? And I'm like,

0:52:25.440 --> 0:52:27.040
<v Speaker 1>I loved it. It was so funny, and so I

0:52:27.120 --> 0:52:31.359
<v Speaker 1>always enjoyed the concept. I loved that show. I loved

0:52:31.440 --> 0:52:34.359
<v Speaker 1>that segment. So that was something that we tucked away

0:52:34.360 --> 0:52:37.920
<v Speaker 1>as an idea. And I figured because they worked for

0:52:39.040 --> 0:52:41.719
<v Speaker 1>nix FM in Melbourne, which is which is now Kids,

0:52:41.800 --> 0:52:44.120
<v Speaker 1>so like, technically our company owned that show, so I'm like,

0:52:44.200 --> 0:52:47.239
<v Speaker 1>it wouldn't be plagiarism. Didn't know that Chrissy sworn Orso

0:52:47.320 --> 0:52:49.520
<v Speaker 1>named her book that, but anyway, yeah, I was like,

0:52:49.560 --> 0:52:53.040
<v Speaker 1>we'll take inspiration from that segment. And then I was

0:52:53.239 --> 0:52:56.919
<v Speaker 1>driving back to Bogan Gate and it's always when I'm

0:52:56.920 --> 0:53:00.400
<v Speaker 1>on these long drives that my creative juice is start flowing.

0:53:00.440 --> 0:53:02.240
<v Speaker 1>And I had my phone on shuffle and a Lily

0:53:02.280 --> 0:53:04.800
<v Speaker 1>Allen's song came on and that's when I was like,

0:53:04.960 --> 0:53:07.080
<v Speaker 1>oh my god, that's it. It's got to be Is

0:53:07.120 --> 0:53:08.920
<v Speaker 1>it just me? Can you look up? You'll know it

0:53:08.960 --> 0:53:11.520
<v Speaker 1>when you hear it. Look up the song late Comer

0:53:11.800 --> 0:53:13.880
<v Speaker 1>by Lily Allen, but she spells it weird. It's l

0:53:14.000 --> 0:53:16.800
<v Speaker 1>eight and then cee mmr or something like that. So

0:53:19.040 --> 0:53:20.960
<v Speaker 1>I heard this Lily Allen song come on and I

0:53:21.040 --> 0:53:23.279
<v Speaker 1>was like, like, that's when the penny dropped. And I

0:53:23.360 --> 0:53:24.719
<v Speaker 1>called you and I was like, Mitch, we've got to

0:53:24.760 --> 0:53:24.960
<v Speaker 1>do it.

0:53:26.840 --> 0:53:31.160
<v Speaker 2>For chicken nuggets. So how does she spell it late comermr?

0:53:31.360 --> 0:53:37.759
<v Speaker 1>Okay? Recognize that?

0:53:37.960 --> 0:53:39.840
<v Speaker 2>Oh my god, Jenny, you didn't know that.

0:53:39.920 --> 0:53:42.520
<v Speaker 1>Did you play it again? It's the intro of that

0:53:42.680 --> 0:53:51.360
<v Speaker 1>song and I was like, it's the exact amount of syllables.

0:53:51.520 --> 0:53:52.200
<v Speaker 6>Is it just me?

0:53:52.280 --> 0:53:53.520
<v Speaker 1>I was like that should be our open up. And

0:53:53.520 --> 0:53:54.680
<v Speaker 1>then I was like, oh, we should also use it

0:53:54.680 --> 0:53:56.719
<v Speaker 1>as a sweeper when we go into the segment. Each

0:53:56.760 --> 0:53:58.880
<v Speaker 1>time I called you and I was so excited. I

0:53:58.920 --> 0:54:00.799
<v Speaker 1>was like, I've got it because basically we've been toying

0:54:00.840 --> 0:54:03.640
<v Speaker 1>with names. We hadn't nailed any actual format or anything.

0:54:03.680 --> 0:54:06.600
<v Speaker 1>We were just toying with names. And I because I'd

0:54:06.600 --> 0:54:07.960
<v Speaker 1>had that light bulb moment and I was like, I

0:54:08.040 --> 0:54:08.640
<v Speaker 1>know what we're gonna do?

0:54:08.800 --> 0:54:09.200
<v Speaker 2>Is it just me?

0:54:09.280 --> 0:54:12.560
<v Speaker 1>Each I called you, I was so excited. You didn't

0:54:12.600 --> 0:54:15.320
<v Speaker 1>answer flaky as ever, I couldn't get onto you, and

0:54:15.360 --> 0:54:17.400
<v Speaker 1>I'm pretty sure I left you with an abusive voicemail.

0:54:17.440 --> 0:54:19.640
<v Speaker 1>It's like, well, you don't want to do it, then

0:54:19.640 --> 0:54:22.279
<v Speaker 1>I'll fucking find someone else. But eventually I pitched it

0:54:22.320 --> 0:54:22.880
<v Speaker 1>to you here.

0:54:22.760 --> 0:54:24.840
<v Speaker 2>We are, Here we are today, and you yeah, I

0:54:25.120 --> 0:54:26.320
<v Speaker 2>felling over with as soon as you played it. I

0:54:26.320 --> 0:54:29.359
<v Speaker 2>didn't really have a choice, but I like it too.

0:54:29.520 --> 0:54:30.680
<v Speaker 2>So there's the riches story.

0:54:31.400 --> 0:54:33.120
<v Speaker 1>I was playing that Lily Allen song to Bradley. I

0:54:33.200 --> 0:54:35.640
<v Speaker 1>was like, when you record, there needs to be in

0:54:35.760 --> 0:54:36.239
<v Speaker 1>time with that.

0:54:36.520 --> 0:54:41.799
<v Speaker 2>Yeah. Here's one from Josh Josh sem s em eight.

0:54:42.280 --> 0:54:44.360
<v Speaker 2>He says, how long did it take to edit the podcast?

0:54:44.520 --> 0:54:48.840
<v Speaker 2>I'll take this one. That's just a bit of he

0:54:48.880 --> 0:54:49.400
<v Speaker 2>did that.

0:54:49.440 --> 0:54:53.239
<v Speaker 1>But no, it depends. I'll answer yes. For the most part,

0:54:53.400 --> 0:54:55.799
<v Speaker 1>like ninety nine percent of the time, it just goes

0:54:55.840 --> 0:54:58.080
<v Speaker 1>up unedited. The only reason I would ever edit it

0:54:58.239 --> 0:54:59.839
<v Speaker 1>is if we had like a pre recorded other day

0:55:00.080 --> 0:55:03.319
<v Speaker 1>I slotted in seamlessly, or if we run over time

0:55:03.400 --> 0:55:05.239
<v Speaker 1>and I don't want it to go too far over

0:55:05.280 --> 0:55:07.319
<v Speaker 1>an hour. Sometimes we let it go over an hour,

0:55:07.320 --> 0:55:08.719
<v Speaker 1>at like an hour and fifteen an hour and a

0:55:08.719 --> 0:55:12.120
<v Speaker 1>half max. But it just depends on how we're feeling,

0:55:12.160 --> 0:55:16.440
<v Speaker 1>because sometimes we are really good. We nail the timing,

0:55:16.480 --> 0:55:19.560
<v Speaker 1>we're punchy, we nail everything, and it's about an hour

0:55:19.640 --> 0:55:21.480
<v Speaker 1>recording and I'm like, bare, I'm gonna whack it. I'm

0:55:21.520 --> 0:55:23.759
<v Speaker 1>not even gonna edit at at all. And then there's

0:55:23.800 --> 0:55:26.120
<v Speaker 1>weeks where it's like two hours and forty minutes and

0:55:26.160 --> 0:55:27.640
<v Speaker 1>I'm like, fuck, how do I turn that into an hour?

0:55:28.120 --> 0:55:29.880
<v Speaker 2>Yeah? You do very well though, to be honest, thank you.

0:55:30.000 --> 0:55:31.600
<v Speaker 2>I could never do it myself. So thank you Mitch

0:55:31.680 --> 0:55:32.279
<v Speaker 2>for editing this show.

0:55:32.320 --> 0:55:32.520
<v Speaker 1>Thank you.

0:55:32.680 --> 0:55:36.200
<v Speaker 2>Thank good because I was just about to say, let's finish,

0:55:36.280 --> 0:55:40.080
<v Speaker 2>but we got another one. Um, who do we have here?

0:55:40.320 --> 0:55:40.440
<v Speaker 6>Oh?

0:55:40.520 --> 0:55:42.680
<v Speaker 2>This is Vinnie Es. We should give any a shout out.

0:55:42.800 --> 0:55:45.520
<v Speaker 1>Vine time listening. It's been with me since not my

0:55:45.520 --> 0:55:46.240
<v Speaker 1>cup of tea.

0:55:46.160 --> 0:55:48.480
<v Speaker 2>For a long time. And he says he's got a

0:55:48.520 --> 0:55:52.080
<v Speaker 2>couple of questions. He actually has submitted nine. Consolidate the

0:55:52.800 --> 0:55:55.200
<v Speaker 2>one he says his grounds give you. Jenna Ever wanted

0:55:55.239 --> 0:55:57.240
<v Speaker 2>to scratch the Mitch's eyes out with her cat nails

0:55:57.360 --> 0:55:59.000
<v Speaker 2>very funny obviously listens.

0:55:58.960 --> 0:56:00.160
<v Speaker 1>Immediately true, which.

0:56:00.000 --> 0:56:01.960
<v Speaker 2>You ever consider giving Jenna And is it just me

0:56:02.120 --> 0:56:04.560
<v Speaker 2>permanently on the show as we do we both do

0:56:04.680 --> 0:56:06.040
<v Speaker 2>hours at the start, as everyone knows.

0:56:06.520 --> 0:56:09.759
<v Speaker 1>I mean, well, I mean it's not I just don't

0:56:09.800 --> 0:56:12.080
<v Speaker 1>think it would work like no offense, and I'm sure

0:56:12.120 --> 0:56:13.759
<v Speaker 1>you're not dead set on the idea of having your own,

0:56:14.000 --> 0:56:16.319
<v Speaker 1>but like it would just slow everything down. It would

0:56:16.360 --> 0:56:19.319
<v Speaker 1>mean our segment would be later on, and it.

0:56:19.280 --> 0:56:21.759
<v Speaker 6>Would also mean that I'd have to do something that's

0:56:22.080 --> 0:56:22.799
<v Speaker 6>don't really want.

0:56:23.120 --> 0:56:25.440
<v Speaker 2>She enjoys just literally sitting there laughing.

0:56:25.560 --> 0:56:27.320
<v Speaker 1>At the end of the day. It is like a

0:56:27.400 --> 0:56:29.960
<v Speaker 1>couple of minutes, it's our podcast. But Jenna is a

0:56:30.080 --> 0:56:33.480
<v Speaker 1>very valuable ingredient in that podcast. And I should clarify

0:56:33.800 --> 0:56:35.839
<v Speaker 1>just because she doesn't have her own engine doesn't mean

0:56:35.840 --> 0:56:39.560
<v Speaker 1>we're silencing her. We have made it so clear behind

0:56:39.640 --> 0:56:42.680
<v Speaker 1>the scenes that she is. It's like the door is open.

0:56:42.800 --> 0:56:45.120
<v Speaker 1>You bring us ideas. If you want to talk about something,

0:56:45.239 --> 0:56:47.000
<v Speaker 1>we talk about it. If you want to do a segment,

0:56:47.120 --> 0:56:50.120
<v Speaker 1>we do it. But she just genuinely doesn't give enough

0:56:50.160 --> 0:56:52.920
<v Speaker 1>of a fuck about this show. She do actually contribute

0:56:52.920 --> 0:56:53.719
<v Speaker 1>anything Killer.

0:56:53.920 --> 0:56:55.399
<v Speaker 8>It's so true I don't.

0:56:55.840 --> 0:56:57.719
<v Speaker 1>She's quite happy to just rock up and give her

0:56:57.800 --> 0:56:59.520
<v Speaker 1>two cents. But you know, how I think about it

0:57:00.280 --> 0:57:02.719
<v Speaker 1>is that we know, apart from our redg gyms, we

0:57:02.960 --> 0:57:04.520
<v Speaker 1>generally know what we're going to do on the show.

0:57:04.920 --> 0:57:07.759
<v Speaker 1>Jenna represents the listeners who were hearing it for the

0:57:07.840 --> 0:57:10.440
<v Speaker 1>first time. So if she has any questions about wait wait,

0:57:10.520 --> 0:57:13.400
<v Speaker 1>I need further clarification on that, then people listening probably

0:57:13.480 --> 0:57:13.879
<v Speaker 1>do as well.

0:57:13.920 --> 0:57:14.560
<v Speaker 2>So she doesn't.

0:57:14.600 --> 0:57:15.640
<v Speaker 1>She's like our fresh years.

0:57:15.880 --> 0:57:18.120
<v Speaker 2>Yeah, we know how to cut it if it's not funny. Actually,

0:57:18.400 --> 0:57:20.920
<v Speaker 2>you know the epitome of comedy. People love you too

0:57:21.520 --> 0:57:23.760
<v Speaker 2>for you, Coloe Hendo says for Jenna, how does COVID

0:57:23.800 --> 0:57:25.200
<v Speaker 2>nineteen compare to the Spanish flu?

0:57:25.600 --> 0:57:25.760
<v Speaker 3>Oh?

0:57:25.960 --> 0:57:30.680
<v Speaker 6>Obviously, you know there's various similarities between the two. But

0:57:31.000 --> 0:57:35.680
<v Speaker 6>the nineteen eighteen Spanish flu really impacted my family personally,

0:57:37.320 --> 0:57:39.480
<v Speaker 6>so I don't want to go into too much detail.

0:57:39.600 --> 0:57:42.040
<v Speaker 1>But she doesn't like to dwell in her past life.

0:57:42.120 --> 0:57:45.080
<v Speaker 6>There were deaths. There were numerous deaths in the family,

0:57:45.240 --> 0:57:48.680
<v Speaker 6>and luckily with COVID, I haven't had to face that yet.

0:57:48.960 --> 0:57:53.000
<v Speaker 6>Fingers crossed, I never do but touch wood the Spanish flu.

0:57:53.120 --> 0:57:57.439
<v Speaker 6>I know what happened, and it wasn't happy. It wasn't

0:57:57.480 --> 0:57:59.520
<v Speaker 6>happy ant English. I don't know much about the Spanish

0:57:59.520 --> 0:58:01.640
<v Speaker 6>flu when that nineteen eighteen.

0:58:01.480 --> 0:58:03.320
<v Speaker 2>Ye, it was almost too almost one hundred years ago.

0:58:04.320 --> 0:58:06.880
<v Speaker 1>It would be over one hundred years, wouldn't it almost

0:58:06.880 --> 0:58:08.920
<v Speaker 1>one hundred years? I mean over on a hundred years, right?

0:58:09.040 --> 0:58:12.200
<v Speaker 6>It forced the East to show to cancer and.

0:58:12.320 --> 0:58:15.720
<v Speaker 2>You had that was your first ever job your life.

0:58:16.120 --> 0:58:18.400
<v Speaker 6>The second time the Easter Show had to cancel was

0:58:18.960 --> 0:58:19.280
<v Speaker 6>you know this.

0:58:19.400 --> 0:58:22.760
<v Speaker 1>Year withd You love the Sydney Shadow.

0:58:23.320 --> 0:58:25.800
<v Speaker 2>They really do, because your great great grandfather started it right.

0:58:26.000 --> 0:58:28.840
<v Speaker 1>Oh yeah, indeed her year of her whole calendar revolves

0:58:28.840 --> 0:58:32.520
<v Speaker 1>around the East of show. Tragic anyway we have, You've.

0:58:32.400 --> 0:58:35.200
<v Speaker 2>Got me another one from Joshua dot Marcy. He says,

0:58:35.400 --> 0:58:37.480
<v Speaker 2>Mitch Jury, are you ever going to bring Hayden on

0:58:37.520 --> 0:58:39.120
<v Speaker 2>the show for an episode? You two are so cute

0:58:39.360 --> 0:58:40.080
<v Speaker 2>your boyfriend.

0:58:40.160 --> 0:58:41.200
<v Speaker 1>Would you ever bring him up?

0:58:41.320 --> 0:58:43.280
<v Speaker 2>Probably? Probably would. I'd have to have a good reason.

0:58:43.360 --> 0:58:44.840
<v Speaker 2>I'm just going to pop him here, like I'm sending

0:58:44.880 --> 0:58:45.560
<v Speaker 2>into a crage.

0:58:46.120 --> 0:58:48.280
<v Speaker 1>I mean, I've suggested a couple of times we should

0:58:48.280 --> 0:58:49.720
<v Speaker 1>get Hayden on for that. You're like, don't know he'd

0:58:49.720 --> 0:58:50.320
<v Speaker 1>be embarrassed.

0:58:50.560 --> 0:58:50.640
<v Speaker 6>Now.

0:58:50.840 --> 0:58:52.080
<v Speaker 1>I only want to get him on for like the

0:58:52.160 --> 0:58:52.720
<v Speaker 1>filthy Ship.

0:58:52.800 --> 0:58:54.760
<v Speaker 2>Yeah, that's like when what's your dirty sex talk? And

0:58:54.800 --> 0:58:57.520
<v Speaker 2>you're like, what's called Hayden call the boys the word,

0:58:57.600 --> 0:58:59.160
<v Speaker 2>poor thing. I'd have you on the show. I'm not

0:58:59.280 --> 0:58:59.920
<v Speaker 2>I'm not opposed to.

0:58:59.920 --> 0:59:01.760
<v Speaker 1>It's time you're sick. I'll get him in to do

0:59:01.840 --> 0:59:02.360
<v Speaker 1>the whole show.

0:59:02.480 --> 0:59:04.280
<v Speaker 2>Let's get him on. Yeah, I mean, let's see if

0:59:04.280 --> 0:59:06.160
<v Speaker 2>he thinks or swim. I think you'll I think you'll swim.

0:59:06.280 --> 0:59:08.840
<v Speaker 1>Jenna, our producer, think of an idea that we can

0:59:08.880 --> 0:59:09.880
<v Speaker 1>get Hayden on four inches.

0:59:09.960 --> 0:59:12.240
<v Speaker 6>Yeah, I'll say that I will.

0:59:12.320 --> 0:59:16.240
<v Speaker 2>But thank you. Another one got They're just coming through

0:59:16.320 --> 0:59:19.000
<v Speaker 2>hot and heavy. I saw one before. I want to

0:59:19.040 --> 0:59:23.040
<v Speaker 2>scroll and find it. Liam Barnes says, I'm listening back

0:59:23.080 --> 0:59:25.520
<v Speaker 2>to old episodes. Whatever happened to Blake?

0:59:26.560 --> 0:59:26.760
<v Speaker 3>Oh?

0:59:26.960 --> 0:59:28.080
<v Speaker 1>That guy always dating?

0:59:28.280 --> 0:59:28.520
<v Speaker 3>Yeah?

0:59:30.160 --> 0:59:32.480
<v Speaker 1>I think I only ever mentioned him briefly once. I

0:59:32.520 --> 0:59:34.360
<v Speaker 1>was like I'm singing someone at the moment. Blake. He

0:59:34.560 --> 0:59:38.160
<v Speaker 1>was part of the story. No, there's actually not much

0:59:38.200 --> 0:59:40.080
<v Speaker 1>of its stories. It's one of those very normal things

0:59:40.120 --> 0:59:41.800
<v Speaker 1>that we just weren't really into each other anymore, so

0:59:41.880 --> 0:59:44.280
<v Speaker 1>stopped singing and tell it only lasted three months?

0:59:44.400 --> 0:59:46.040
<v Speaker 2>Did it tell the story about the musical.

0:59:47.920 --> 0:59:48.120
<v Speaker 8>God?

0:59:50.920 --> 0:59:55.920
<v Speaker 1>So he he's like, you know, musical, he does theater

0:59:56.000 --> 0:59:59.960
<v Speaker 1>and singing and stuff amateur. And when So we were

1:00:00.080 --> 1:00:03.440
<v Speaker 1>together three months in total, i'd say two months in

1:00:03.640 --> 1:00:07.080
<v Speaker 1>he says, Oh, I'm doing this theater show. I'm the

1:00:07.200 --> 1:00:09.160
<v Speaker 1>lead in a musical, not one of the big ones,

1:00:09.160 --> 1:00:12.440
<v Speaker 1>like a smaller production. You should get tickets and come

1:00:12.440 --> 1:00:16.080
<v Speaker 1>along and see it. And I was like, oh, sure, great,

1:00:16.160 --> 1:00:17.960
<v Speaker 1>that sounds great. And I'm thinking, oh, that'll be a

1:00:18.160 --> 1:00:20.040
<v Speaker 1>cute thing to do, you know, I go along and support.

1:00:20.080 --> 1:00:25.080
<v Speaker 1>I guess this is a positive signment. I was thinking that,

1:00:25.160 --> 1:00:28.080
<v Speaker 1>but whatever, small production, I'll do a bit. And so

1:00:29.560 --> 1:00:32.720
<v Speaker 1>as the weeks went on, as we started to approach

1:00:32.840 --> 1:00:37.000
<v Speaker 1>this musical happening, it was starting to become quite clear

1:00:37.080 --> 1:00:40.720
<v Speaker 1>that we weren't that into each other. I think it was.

1:00:40.800 --> 1:00:42.120
<v Speaker 1>I mean, I can't speak to him, but it was

1:00:42.120 --> 1:00:44.120
<v Speaker 1>at the point where we were kind of both just waiting,

1:00:44.520 --> 1:00:46.080
<v Speaker 1>like who's going to break it off first? It was

1:00:46.160 --> 1:00:48.600
<v Speaker 1>like like no either, risk you could just there was

1:00:48.680 --> 1:00:50.960
<v Speaker 1>just the spark. There was no spark. It was kind

1:00:51.000 --> 1:00:53.920
<v Speaker 1>of clear that we weren't going to last. But I

1:00:54.040 --> 1:00:55.760
<v Speaker 1>was like, fuck, I've got these tickets to this show.

1:00:55.920 --> 1:00:58.800
<v Speaker 1>I would only go to someone's show to support them

1:00:58.840 --> 1:01:00.800
<v Speaker 1>if they were like someone that was like important in

1:01:00.880 --> 1:01:04.120
<v Speaker 1>my life. If I'm going to be dumped or dump him,

1:01:04.200 --> 1:01:05.080
<v Speaker 1>then I don't.

1:01:04.880 --> 1:01:05.440
<v Speaker 2>Really want to go.

1:01:07.360 --> 1:01:12.600
<v Speaker 1>So a week before the musical happened, I hinted so

1:01:12.920 --> 1:01:16.320
<v Speaker 1>strongly that maybe we should call it a day. I

1:01:16.440 --> 1:01:18.600
<v Speaker 1>was like, oh, are you sure, Like I just I'm

1:01:18.640 --> 1:01:21.240
<v Speaker 1>not sure if you know, if where you know, if

1:01:21.280 --> 1:01:23.200
<v Speaker 1>this is going, Like, are you sure that you want

1:01:23.200 --> 1:01:25.200
<v Speaker 1>to keep seeing? You tell them? He goes, yeah, of course,

1:01:25.240 --> 1:01:28.680
<v Speaker 1>And I was like, oh, okay, so I'll still come

1:01:28.880 --> 1:01:31.840
<v Speaker 1>to the musical next week and then we'll I okay, good,

1:01:32.160 --> 1:01:36.400
<v Speaker 1>all right, I will And then I went and it

1:01:36.640 --> 1:01:41.200
<v Speaker 1>wasn't great. To his own admission, he wasn't necessarily proud

1:01:41.240 --> 1:01:43.120
<v Speaker 1>of the show as a whole. He was fine, but

1:01:43.320 --> 1:01:45.000
<v Speaker 1>just I can't even remember the show. It was horrific.

1:01:45.080 --> 1:01:48.200
<v Speaker 1>It was very heterosexual, and he played yeah real like

1:01:48.320 --> 1:01:52.080
<v Speaker 1>straight man right he played. He played some soldier that

1:01:52.120 --> 1:01:54.560
<v Speaker 1>had come back from war and had PTSD, and as

1:01:54.600 --> 1:01:57.040
<v Speaker 1>a result, he treated the woman like garbage. But she

1:01:57.280 --> 1:02:00.440
<v Speaker 1>was insecure, so she just clung on, cling onto the

1:02:00.520 --> 1:02:02.400
<v Speaker 1>only love she thought she deserved. It was I was

1:02:02.440 --> 1:02:07.480
<v Speaker 1>like this, you were both awful people. I don't know,

1:02:07.600 --> 1:02:10.040
<v Speaker 1>but yeah I went. I was like, okay, great, well done.

1:02:10.080 --> 1:02:13.200
<v Speaker 1>And then like like right after, not like immediately after

1:02:13.240 --> 1:02:15.240
<v Speaker 1>the show, maybe a few days after, we decided not

1:02:15.280 --> 1:02:17.000
<v Speaker 1>to see each other anymore. I was like, I can't

1:02:17.040 --> 1:02:19.720
<v Speaker 1>believe I sat through that show for you. I really

1:02:19.800 --> 1:02:21.680
<v Speaker 1>didn't want to, and I tried to get out of it,

1:02:21.800 --> 1:02:23.880
<v Speaker 1>but no, no, he was very He strung me along

1:02:23.880 --> 1:02:25.440
<v Speaker 1>because you needed extra bums on seats.

1:02:25.920 --> 1:02:30.080
<v Speaker 2>Well he wanted that's for sure. Also, I met him once.

1:02:30.120 --> 1:02:33.200
<v Speaker 2>He's very nice. I started musical theater, but it's very

1:02:33.240 --> 1:02:34.960
<v Speaker 2>one of those musical theater people. You're like, hey, how

1:02:35.000 --> 1:02:36.439
<v Speaker 2>are you nice to meet your boy? He's like, well,

1:02:37.880 --> 1:02:38.360
<v Speaker 2>good to meet you.

1:02:38.920 --> 1:02:39.200
<v Speaker 6>Very like.

1:02:39.480 --> 1:02:43.800
<v Speaker 2>He's tried to talk as if he was currently performing with.

1:02:44.000 --> 1:02:47.080
<v Speaker 1>Very old fashioned gentlemanly and I did, actually, like maybe

1:02:47.080 --> 1:02:50.560
<v Speaker 1>a month later, running to him. Guess where in the

1:02:50.640 --> 1:02:55.600
<v Speaker 1>four year at the Capitol Theater, That's where I'm going

1:02:55.640 --> 1:02:57.120
<v Speaker 1>to run into someone that I used to.

1:02:57.160 --> 1:03:01.040
<v Speaker 2>Date working for the merchandand handsome shape.

1:03:02.040 --> 1:03:03.920
<v Speaker 1>But yeah, that's there's not much of the story other

1:03:03.960 --> 1:03:05.640
<v Speaker 1>than that we just stopped seeing each other. It's quite normal.

1:03:05.720 --> 1:03:07.520
<v Speaker 2>Yeah, well there you go, happy ending. See. People can

1:03:07.560 --> 1:03:09.440
<v Speaker 2>be fucking nuts, they can be great.

1:03:09.320 --> 1:03:11.640
<v Speaker 1>Or really I'm not saying is nuts no, no, no,

1:03:11.720 --> 1:03:12.320
<v Speaker 1>but I am.

1:03:13.440 --> 1:03:16.080
<v Speaker 2>Okay, I reckon. We we don't have much time at all.

1:03:16.600 --> 1:03:20.200
<v Speaker 2>Mad Hatter nine sixty six says, what can we expect

1:03:20.240 --> 1:03:22.560
<v Speaker 2>from the next season of Visit just me? You'll get

1:03:22.560 --> 1:03:25.160
<v Speaker 2>that branding in Girl Love, Love, Love the Show and

1:03:25.360 --> 1:03:26.040
<v Speaker 2>Love You three.

1:03:27.400 --> 1:03:29.160
<v Speaker 1>Her name is Ginny. I'm pretty sure I recognize the

1:03:29.240 --> 1:03:33.120
<v Speaker 1>hand Jinny Jackson, love you American around for a while. Yeah,

1:03:33.120 --> 1:03:36.520
<v Speaker 1>that's right. In answer to your question, a lot of

1:03:36.600 --> 1:03:38.800
<v Speaker 1>the same ship. But when we come back in season two,

1:03:38.800 --> 1:03:41.960
<v Speaker 1>we're gonna have a refreshed you open up. We're going

1:03:42.040 --> 1:03:44.400
<v Speaker 1>to have a new backdrop in the studio for videos,

1:03:44.560 --> 1:03:48.240
<v Speaker 1>We'll have like, well, you know, give our social media

1:03:49.200 --> 1:03:51.360
<v Speaker 1>layout a bit of a bit of a birthday, a

1:03:51.480 --> 1:03:53.800
<v Speaker 1>new thumbnail for the actual podcast itself.

1:03:53.880 --> 1:03:56.000
<v Speaker 2>Our house behind us is getting a bit decrepit.

1:03:56.200 --> 1:03:56.880
<v Speaker 1>Yeah, I'm over that.

1:03:57.200 --> 1:03:59.320
<v Speaker 2>We could probably upgrade to a two story by this point,

1:04:00.080 --> 1:04:02.120
<v Speaker 2>just a granny flat. Much of that I think a

1:04:02.160 --> 1:04:04.120
<v Speaker 2>lot of guest guest hosts. We thought we tend to

1:04:04.200 --> 1:04:04.560
<v Speaker 2>love them.

1:04:04.800 --> 1:04:06.560
<v Speaker 1>Yeah, well apparently Marshall is locked in.

1:04:06.640 --> 1:04:09.360
<v Speaker 2>So and also when can we announce because I know

1:04:09.400 --> 1:04:11.120
<v Speaker 2>we've locked something in for the first episode back.

1:04:11.240 --> 1:04:12.960
<v Speaker 1>Oh, I don't mind saying Ricky Lee is going to

1:04:13.000 --> 1:04:16.240
<v Speaker 1>be co hosting with us Lee first episode back of

1:04:16.360 --> 1:04:18.640
<v Speaker 1>season two Super Side. Are you joking?

1:04:18.880 --> 1:04:20.680
<v Speaker 2>Ricky Lee called her?

1:04:20.920 --> 1:04:23.520
<v Speaker 1>Yes, she's going to be joining us over zoom. Please

1:04:24.240 --> 1:04:28.400
<v Speaker 1>do not sorry tunnel her. I swear to funk if

1:04:28.440 --> 1:04:31.240
<v Speaker 1>you sorry, Ricky Lee, are you even listening to that?

1:04:31.360 --> 1:04:34.000
<v Speaker 2>I'm good. I was just getting a sock. So this

1:04:34.080 --> 1:04:38.080
<v Speaker 2>is Ricky Lee, right, Yeah, international listeners might not No.

1:04:38.200 --> 1:04:40.080
<v Speaker 2>This iconic high note just kills people.

1:04:46.960 --> 1:04:48.960
<v Speaker 1>One of my all time favor beautiful message too.

1:04:49.000 --> 1:04:49.520
<v Speaker 6>We really are.

1:04:52.000 --> 1:04:53.600
<v Speaker 2>It's not too late to cancel on as Ricky but

1:04:55.200 --> 1:04:56.560
<v Speaker 2>I love how we just don't care about the five

1:04:56.560 --> 1:04:59.040
<v Speaker 2>second rule on the final episode, but like get rid

1:04:59.080 --> 1:04:59.200
<v Speaker 2>of it.

1:04:59.400 --> 1:05:01.680
<v Speaker 1>Yeah, it's got whould expect forgiveness when she's on?

1:05:02.160 --> 1:05:04.680
<v Speaker 2>So rick is cold, She's not just a guess that

1:05:04.720 --> 1:05:06.920
<v Speaker 2>I've got my radio show and we've just chucked her on.

1:05:07.360 --> 1:05:09.040
<v Speaker 2>She is hosting with us.

1:05:09.040 --> 1:05:10.560
<v Speaker 1>Yes, for the first half of the show anyway.

1:05:10.640 --> 1:05:15.440
<v Speaker 2>Yeah, she has lockier. I don't know who that was.

1:05:15.480 --> 1:05:16.960
<v Speaker 2>That was a very niche Australian reference.

1:05:17.320 --> 1:05:19.920
<v Speaker 1>Anyway, I would just say more of the same stuff

1:05:19.960 --> 1:05:20.960
<v Speaker 1>we've found out groove.

1:05:21.200 --> 1:05:24.480
<v Speaker 2>Yeah, we really have. It's been a really fun first season.

1:05:24.720 --> 1:05:25.200
<v Speaker 2>It had.

1:05:25.320 --> 1:05:28.800
<v Speaker 1>It's been a long first season, hasn't That thirsty five episode.

1:05:28.480 --> 1:05:31.160
<v Speaker 2>Has some good first seasons that were brilliant in the

1:05:31.160 --> 1:05:32.920
<v Speaker 2>first season and even better in the second, because that's

1:05:32.920 --> 1:05:36.680
<v Speaker 2>what we need to emulate Big Brother. Yeah, yep, you're right.

1:05:36.800 --> 1:05:38.280
<v Speaker 2>Then it died down, so we need to know when

1:05:38.280 --> 1:05:38.640
<v Speaker 2>to quit it.

1:05:38.840 --> 1:05:41.520
<v Speaker 1>That's a chat for like they've changed and developed and

1:05:41.720 --> 1:05:42.560
<v Speaker 1>grown along the way.

1:05:42.720 --> 1:05:44.840
<v Speaker 6>I think it depends on the country as well.

1:05:45.720 --> 1:05:47.560
<v Speaker 1>I don't know. I can't think of anything.

1:05:47.880 --> 1:05:50.160
<v Speaker 2>I think Friends nailed the first season because everyone was

1:05:50.200 --> 1:05:51.160
<v Speaker 2>hooked and just kept going.

1:05:52.200 --> 1:05:55.480
<v Speaker 1>Watching that that back is very weird. They're not even

1:05:55.520 --> 1:05:56.960
<v Speaker 1>the same characters really.

1:05:57.400 --> 1:05:59.120
<v Speaker 2>Well, you know, whatever we're going to be will be

1:05:59.200 --> 1:05:59.960
<v Speaker 2>a hit in season.

1:06:00.080 --> 1:06:02.680
<v Speaker 1>To guarantee if you want to listen back to the

1:06:02.760 --> 1:06:06.720
<v Speaker 1>Best Bits of Season one. According to our critics, there's

1:06:06.760 --> 1:06:09.760
<v Speaker 1>an episode, a bonus episode called Best Bits of Season

1:06:09.800 --> 1:06:12.760
<v Speaker 1>one visits me after our podcast speed so check that

1:06:12.880 --> 1:06:15.120
<v Speaker 1>out and plenty of things to reminisce on. In the meantime,

1:06:15.200 --> 1:06:16.640
<v Speaker 1>go back and listen to the old shit. You'll be right.

1:06:16.640 --> 1:06:19.600
<v Speaker 2>And you can follow us both on Instagram too, give

1:06:19.640 --> 1:06:20.160
<v Speaker 2>me a follow.

1:06:20.680 --> 1:06:23.080
<v Speaker 1>It's always when I'm not working on a podcast that

1:06:23.120 --> 1:06:25.080
<v Speaker 1>I tend to go a bit rogue on social media.

1:06:25.120 --> 1:06:27.360
<v Speaker 1>I'm bit worried about what kind of garbage's gona appear

1:06:27.400 --> 1:06:27.720
<v Speaker 1>on my tips.

1:06:27.720 --> 1:06:29.400
<v Speaker 2>It's not garbage. I've noticed that too. When you're a

1:06:29.400 --> 1:06:31.040
<v Speaker 2>bit bored on anything you do, you just pump out

1:06:31.080 --> 1:06:32.919
<v Speaker 2>a video. Yeah, I'm like, I haven't spoken to each

1:06:32.920 --> 1:06:34.440
<v Speaker 2>in a couple of days. You's makes some time off

1:06:34.560 --> 1:06:36.800
<v Speaker 2>seventeen videos. I'm like, what the hell?

1:06:37.080 --> 1:06:39.720
<v Speaker 1>I know. It's like I'm my own worst enemy. I

1:06:39.800 --> 1:06:41.520
<v Speaker 1>bitch about always being busy, but then as soon as

1:06:41.520 --> 1:06:43.360
<v Speaker 1>I've got time off, I just create something different. I

1:06:43.640 --> 1:06:44.440
<v Speaker 1>like it anyway, and.

1:06:44.520 --> 1:06:47.000
<v Speaker 2>Jenna, thank you for a great season. He started outside

1:06:47.040 --> 1:06:48.800
<v Speaker 2>the box and now you're inside. It's like that monkey

1:06:48.880 --> 1:06:50.680
<v Speaker 2>that killed the woman. You know, it started out and

1:06:50.760 --> 1:06:51.840
<v Speaker 2>it was in and it mauled them.

1:06:52.440 --> 1:06:52.480
<v Speaker 5>No.

1:06:52.920 --> 1:06:55.760
<v Speaker 1>I love that comparison. Hopefully you'll be back in season two.

1:06:55.800 --> 1:06:58.600
<v Speaker 1>With a bit of an attitude adjustment quintly. But anyway,

1:06:59.320 --> 1:07:00.960
<v Speaker 1>good luck in the gas banding surgery too.

1:07:01.000 --> 1:07:01.520
<v Speaker 2>I hope it goes.

1:07:02.080 --> 1:07:02.400
<v Speaker 5>Thank you.

1:07:02.560 --> 1:07:03.040
<v Speaker 2>That's fine.

1:07:04.240 --> 1:07:06.480
<v Speaker 1>Should we keep going live on our Instagram and stuff

1:07:06.600 --> 1:07:07.240
<v Speaker 1>during the break?

1:07:09.200 --> 1:07:11.080
<v Speaker 2>Why not? Yeah? I don't see one on either.

1:07:12.360 --> 1:07:14.880
<v Speaker 1>Okay, go follow with that couple of mitches. But we

1:07:14.960 --> 1:07:16.880
<v Speaker 1>won't be gone too long. We'll be back with season

1:07:16.960 --> 1:07:17.800
<v Speaker 1>two before you know it.

1:07:18.000 --> 1:07:19.760
<v Speaker 2>That's right. We'll see you there and stay safe. I'll

1:07:19.800 --> 1:07:21.240
<v Speaker 2>miss you guys to to be honest.

1:07:21.520 --> 1:07:21.800
<v Speaker 6>Will you?

1:07:22.000 --> 1:07:22.200
<v Speaker 3>Yeah?

1:07:22.240 --> 1:07:22.760
<v Speaker 2>You think I will?

1:07:22.880 --> 1:07:24.440
<v Speaker 1>Truly the only time we see each other ever.

1:07:24.560 --> 1:07:30.840
<v Speaker 2>Yeah, socializing please, we will see you all in season two.

1:07:30.960 --> 1:07:36.120
<v Speaker 1>Thanks for listening, guys, is it just me? Don't forget

1:07:36.200 --> 1:07:39.240
<v Speaker 1>to subscribe and leave a review on your podcast app

1:07:39.640 --> 1:07:54.320
<v Speaker 1>or follow on Spotify. Well, welcome to add brief the

1:07:54.480 --> 1:07:56.480
<v Speaker 1>secret segment at the end of the show. I can't

1:07:56.480 --> 1:07:57.640
<v Speaker 1>believe I nearly let it slip.

1:07:57.880 --> 1:08:00.880
<v Speaker 2>Yep, you almost mentioned it twice. It's like me Christmas

1:08:00.960 --> 1:08:03.400
<v Speaker 2>pretending that women were hot, but accidentally would mention like

1:08:03.440 --> 1:08:04.880
<v Speaker 2>a girl was a guy was hot back in the.

1:08:04.920 --> 1:08:06.600
<v Speaker 1>Day, did you I never did that, No, I did.

1:08:06.640 --> 1:08:09.720
<v Speaker 2>I made sip ups in my brain. I kept forgetting

1:08:09.720 --> 1:08:11.560
<v Speaker 2>that I wasn't out there.

1:08:11.640 --> 1:08:11.800
<v Speaker 5>We go.

1:08:12.280 --> 1:08:14.440
<v Speaker 2>Oh my god, I didn't even activate live tweets. It's brilliant.

1:08:14.520 --> 1:08:17.240
<v Speaker 2>They just come through as we go on to turn

1:08:17.280 --> 1:08:19.400
<v Speaker 2>the button on these days. That's very nice. But I

1:08:19.400 --> 1:08:20.960
<v Speaker 2>will turn on just to be just to be sure,

1:08:22.439 --> 1:08:26.400
<v Speaker 2>for the final time in season one of ijm TP

1:08:26.680 --> 1:08:31.200
<v Speaker 2>the podcast send it On another line, Ricky Lee can't

1:08:31.280 --> 1:08:33.639
<v Speaker 2>wait to co host with the boys in a couple

1:08:33.680 --> 1:08:35.800
<v Speaker 2>of weeks. I love, love, love them, and I love

1:08:35.880 --> 1:08:40.920
<v Speaker 2>that little girl too. Is that nice infant the infant

1:08:40.960 --> 1:08:45.400
<v Speaker 2>producer they have? That's we got another one. It's an

1:08:45.400 --> 1:08:46.840
<v Speaker 2>audio notification from a hawk.

1:08:48.200 --> 1:08:51.560
<v Speaker 1>Can I just say this just reflects how much I

1:08:51.640 --> 1:08:54.519
<v Speaker 1>apparently value our listens, sorry, our critics. The creen that's

1:08:54.560 --> 1:08:59.160
<v Speaker 1>the new word for the math of today. Somehow your

1:08:59.280 --> 1:09:03.799
<v Speaker 1>live tweets sound effect went missing. Apparently our sound effects

1:09:03.920 --> 1:09:06.360
<v Speaker 1>range is used by multiple shows, so they just delete

1:09:06.360 --> 1:09:07.960
<v Speaker 1>shit correct get reloaded.

1:09:08.040 --> 1:09:10.000
<v Speaker 2>So sometimes I got a press and it's some idiot

1:09:10.080 --> 1:09:11.840
<v Speaker 2>talking about Katie Perry's new song.

1:09:11.960 --> 1:09:14.920
<v Speaker 1>Yes, and you being you, you said, yeah, I'll get

1:09:14.960 --> 1:09:17.160
<v Speaker 1>it back, I'll replace it, I'll load it. And we

1:09:17.240 --> 1:09:19.599
<v Speaker 1>went months without live tweets. I was loving it because

1:09:19.600 --> 1:09:22.040
<v Speaker 1>I can't stand this whole gag you've got going thing,

1:09:22.080 --> 1:09:24.040
<v Speaker 1>and that people can live tweet a pre recorded show.

1:09:24.960 --> 1:09:27.439
<v Speaker 2>They don't. They just tweet randomly in the hopes that

1:09:27.479 --> 1:09:30.200
<v Speaker 2>we're recording and it works, like Kerry and Kenney, Well

1:09:30.240 --> 1:09:34.800
<v Speaker 2>that's actually quite raightist. But yeah, the live tweet is back,

1:09:35.920 --> 1:09:36.479
<v Speaker 2>which is great.

1:09:36.640 --> 1:09:39.719
<v Speaker 1>Yeah, but do you know what why because after weeks

1:09:39.760 --> 1:09:41.280
<v Speaker 1>of waiting for you to do, you're, yeah, yeah'll bring

1:09:41.280 --> 1:09:42.760
<v Speaker 1>it back. I'll bring it back. People will being like

1:09:42.840 --> 1:09:45.479
<v Speaker 1>we miss them, bring them back. I was like, fine,

1:09:45.600 --> 1:09:48.280
<v Speaker 1>I'll do what everyone's requesting, even though I personally don't

1:09:48.360 --> 1:09:51.160
<v Speaker 1>like it. And we could not find that exact sound

1:09:51.160 --> 1:09:51.840
<v Speaker 1>effect anyway.

1:09:52.040 --> 1:09:53.960
<v Speaker 2>We both searched.

1:09:54.160 --> 1:09:55.840
<v Speaker 1>I mean I took I gave about five minutes, you know,

1:09:56.800 --> 1:09:59.320
<v Speaker 1>on your phone. The whole time was vigorously so TikTok.

1:09:59.760 --> 1:10:02.280
<v Speaker 1>And then we couldn't find it on the internet. It

1:10:02.360 --> 1:10:05.280
<v Speaker 1>doesn't exist. And so I had to go back and

1:10:05.360 --> 1:10:08.640
<v Speaker 1>listen to old episodes of the show and find an

1:10:08.760 --> 1:10:11.320
<v Speaker 1>isolated version that you didn't talk over the top of

1:10:11.600 --> 1:10:13.360
<v Speaker 1>because usually when you hit the sound of it, you're like,

1:10:13.800 --> 1:10:15.639
<v Speaker 1>we got a last sweet And so I couldn't find

1:10:15.640 --> 1:10:18.560
<v Speaker 1>a clean tweet tweet sound effect for ages.

1:10:19.200 --> 1:10:20.760
<v Speaker 2>When they come through. I'm not gonna be silent that

1:10:20.800 --> 1:10:22.120
<v Speaker 2>Alicia Keys is tweeted.

1:10:23.760 --> 1:10:26.400
<v Speaker 1>Carefully in the background. That's actually taken from an old episode.

1:10:26.400 --> 1:10:27.960
<v Speaker 1>You might even hear one of its breathing in the back.

1:10:27.880 --> 1:10:34.320
<v Speaker 2>Of everyone's microphone's off mine. I think I can hear

1:10:34.360 --> 1:10:39.120
<v Speaker 2>a breath. I'm gonna pump it right up. It's not

1:10:39.200 --> 1:10:39.920
<v Speaker 2>the secret sound.

1:10:40.960 --> 1:10:42.080
<v Speaker 1>I can hear a bit of a hiss as well.

1:10:42.160 --> 1:10:46.080
<v Speaker 2>That's not the secret sound. Ready, is it dish soap

1:10:46.240 --> 1:10:50.639
<v Speaker 2>rubbing on a glass? So it's fine, you're going crazy.

1:10:50.680 --> 1:10:50.800
<v Speaker 3>Oh.

1:10:50.800 --> 1:10:52.479
<v Speaker 2>I've also installed live emails.

1:10:53.240 --> 1:10:56.240
<v Speaker 1>That sounds like an error really, that sounds like the

1:10:56.960 --> 1:10:59.360
<v Speaker 1>thing that's like warning your story just low or something

1:10:59.360 --> 1:11:00.400
<v Speaker 1>when you use it, having.

1:11:00.280 --> 1:11:01.680
<v Speaker 2>To wait for another one to come in because I'm

1:11:01.680 --> 1:11:03.200
<v Speaker 2>not playing that. They just come into. There we go.

1:11:03.760 --> 1:11:05.960
<v Speaker 2>Now that's a Windows. I've also got Mac options in

1:11:06.000 --> 1:11:07.120
<v Speaker 2>case people go Mac.

1:11:07.200 --> 1:11:08.160
<v Speaker 1>Oh, that's definitely the end.

1:11:08.439 --> 1:11:11.000
<v Speaker 2>This is Mac. Yeah, this is coming in another one.

1:11:11.040 --> 1:11:12.639
<v Speaker 1>There we go. What are they saying?

1:11:13.160 --> 1:11:16.200
<v Speaker 2>Well, let me open this one. What is this one?

1:11:16.280 --> 1:11:20.080
<v Speaker 2>This is an audio file? Who would have said this

1:11:20.200 --> 1:11:24.200
<v Speaker 2>to us? It's the final episode? People love the sentence,

1:11:24.280 --> 1:11:24.479
<v Speaker 2>I know.

1:11:24.560 --> 1:11:26.160
<v Speaker 1>But I hate it when you use the old ones

1:11:26.200 --> 1:11:28.599
<v Speaker 1>that you've played before, like just get a new, get

1:11:28.640 --> 1:11:30.160
<v Speaker 1>a fresh board. You just sit there and hit go

1:11:30.360 --> 1:11:32.120
<v Speaker 1>on all these sound effects that have been there for ages.

1:11:32.200 --> 1:11:36.559
<v Speaker 1>It's just not new or fun or exciting, very true

1:11:39.000 --> 1:11:43.200
<v Speaker 1>that new. I don't think i've heard that answer the question.

1:11:43.360 --> 1:11:44.040
<v Speaker 2>No, it's not near.

1:11:44.240 --> 1:11:45.640
<v Speaker 1>Oh really, I actually don't think i've heard that.

1:11:45.720 --> 1:11:48.400
<v Speaker 2>I've played that before. It's not one of my go tos,

1:11:48.840 --> 1:11:50.320
<v Speaker 2>but I have definitely.

1:11:50.439 --> 1:11:53.160
<v Speaker 1>Genuine they don't recall that. Really, yeah, sis, I was

1:11:53.160 --> 1:11:54.040
<v Speaker 1>actually asking.

1:11:54.000 --> 1:11:54.519
<v Speaker 2>Have you Siri?

1:11:56.439 --> 1:11:56.679
<v Speaker 8>Siri?

1:11:58.479 --> 1:12:00.320
<v Speaker 2>I don't know what's going with her. You have an

1:12:00.360 --> 1:12:07.559
<v Speaker 2>enough day? Yes, I think today's gyms with a poster

1:12:07.720 --> 1:12:08.840
<v Speaker 2>child for good gems.

1:12:09.800 --> 1:12:12.240
<v Speaker 1>Well, thank god, because we're on Facebook Live, I was

1:12:12.280 --> 1:12:15.360
<v Speaker 1>worry one we're going to flop? Do you have you

1:12:15.439 --> 1:12:18.400
<v Speaker 1>know how we had questions, what's your favorite moment from

1:12:18.439 --> 1:12:20.000
<v Speaker 1>season one? Do you have one that you think was

1:12:20.080 --> 1:12:21.120
<v Speaker 1>the worst we've ever done?

1:12:22.920 --> 1:12:24.080
<v Speaker 2>A worst we've ever done?

1:12:24.240 --> 1:12:24.400
<v Speaker 6>Oh?

1:12:24.520 --> 1:12:25.360
<v Speaker 1>Just worst content?

1:12:25.400 --> 1:12:28.840
<v Speaker 2>I suppose was when that happened that I that I'd

1:12:28.880 --> 1:12:29.479
<v Speaker 2>already done.

1:12:30.080 --> 1:12:32.680
<v Speaker 1>Oh yeah, you would go board game suck And I

1:12:32.800 --> 1:12:33.479
<v Speaker 1>was like I've done that.

1:12:34.280 --> 1:12:36.040
<v Speaker 2>That was the worst I've ever done. That was bad.

1:12:36.080 --> 1:12:38.560
<v Speaker 2>Now I back most of our content. I really like it.

1:12:40.360 --> 1:12:43.040
<v Speaker 2>The shittiest surprise giveaway ever, that was fine. We've done.

1:12:43.160 --> 1:12:45.400
<v Speaker 2>We do really well. I prefer it when we play

1:12:45.439 --> 1:12:47.240
<v Speaker 2>sound effects like we did today with all the ads

1:12:47.240 --> 1:12:49.439
<v Speaker 2>and stuff. I'm a sound effect guys. Everyone in the

1:12:49.439 --> 1:12:50.000
<v Speaker 2>world knows.

1:12:50.880 --> 1:12:51.600
<v Speaker 8>You know what you know.

1:12:51.760 --> 1:12:56.080
<v Speaker 1>One gem that did not quite go according to what

1:12:56.280 --> 1:12:59.880
<v Speaker 1>I thought it would be. Do you remember when we

1:13:00.080 --> 1:13:03.479
<v Speaker 1>with just entering like the all the schools are being

1:13:03.520 --> 1:13:05.960
<v Speaker 1>shut down for coronavirus. Everyone was having to study online,

1:13:06.439 --> 1:13:10.000
<v Speaker 1>and I was thinking to myself, like, oh my god,

1:13:10.080 --> 1:13:13.200
<v Speaker 1>that is so rough, Like I would hate that because

1:13:13.240 --> 1:13:16.800
<v Speaker 1>I've got attention deficit disorder ADD. That's where the ADD

1:13:16.880 --> 1:13:18.800
<v Speaker 1>and ad D brief comes from. It stands for And

1:13:19.000 --> 1:13:22.280
<v Speaker 1>so I was like, I had this like huge amount

1:13:22.280 --> 1:13:24.920
<v Speaker 1>of empathy for anyone trying to learn online because I

1:13:25.000 --> 1:13:28.560
<v Speaker 1>would just have been absolutely screwed in that environment. And

1:13:28.680 --> 1:13:31.360
<v Speaker 1>I was like, I'm gonna, you know, be a voice

1:13:31.439 --> 1:13:33.280
<v Speaker 1>for young people. Get them on and they can talk

1:13:33.280 --> 1:13:36.240
<v Speaker 1>about how much hard it is. Both callers were like, Nah,

1:13:36.280 --> 1:13:39.599
<v Speaker 1>it's fine. Actually, I was like, oh, you don't find

1:13:39.640 --> 1:13:41.599
<v Speaker 1>it hard to you don't find it hard to concentrate

1:13:41.640 --> 1:13:43.920
<v Speaker 1>online study. They were like nap. I was like, oh, well,

1:13:43.920 --> 1:13:45.320
<v Speaker 1>I guess I'm just a fucking dumber.

1:13:46.240 --> 1:13:47.840
<v Speaker 2>This is one of them. Like I even have multiple

1:13:47.920 --> 1:13:48.720
<v Speaker 2>kids and I enjoy it.

1:13:49.360 --> 1:13:52.160
<v Speaker 1>No, I can't remember. That was just like, oh, it's fine. Actually,

1:13:52.160 --> 1:13:52.920
<v Speaker 1>I was like, oh, fuck you.

1:13:53.960 --> 1:13:56.680
<v Speaker 2>Weve had to once to back up the point and

1:13:56.760 --> 1:13:59.000
<v Speaker 2>he was like, no, I agree with Casey Lee. I'm fine,

1:14:00.080 --> 1:14:01.160
<v Speaker 2>And how I agree with that?

1:14:01.320 --> 1:14:03.240
<v Speaker 1>Yeah. I mean there were still good callers and it

1:14:03.320 --> 1:14:05.160
<v Speaker 1>was good insight, but I did think that they were gonna.

1:14:06.479 --> 1:14:08.800
<v Speaker 1>I thought that I wouldn't be alone in thinking, oh

1:14:08.880 --> 1:14:10.519
<v Speaker 1>my god, I just could not do that. And they're like, no,

1:14:10.640 --> 1:14:17.679
<v Speaker 1>it's good. Actually, I'm like, I feel I felt empathetic

1:14:17.760 --> 1:14:19.160
<v Speaker 1>and like I felt sorry for them. They came on

1:14:19.200 --> 1:14:20.479
<v Speaker 1>and they're like, no, no reason to.

1:14:20.720 --> 1:14:22.200
<v Speaker 2>Yeah, we're great. I've got more unto than that.

1:14:24.040 --> 1:14:27.519
<v Speaker 1>That's not quite how it learned. No, I wouldn't say

1:14:27.560 --> 1:14:30.760
<v Speaker 1>that was our worst content, but I would like, I

1:14:30.960 --> 1:14:33.000
<v Speaker 1>just it wasn't what I was expecting, but it was

1:14:33.040 --> 1:14:35.080
<v Speaker 1>still good content that I was still good talent.

1:14:35.520 --> 1:14:40.560
<v Speaker 2>I actually haven't told you guys, this though, God backpisode enjoying.

1:14:40.400 --> 1:14:43.960
<v Speaker 1>Having a conversation when you do railer with this ship, not.

1:14:44.040 --> 1:14:47.280
<v Speaker 2>Do railing anything. Okay, I was actually gonna say, back

1:14:47.280 --> 1:14:51.040
<v Speaker 2>in episode six, I put a time capsule in this

1:14:51.080 --> 1:14:54.800
<v Speaker 2>studio I did. I buried it under the desk, and

1:14:54.800 --> 1:14:55.760
<v Speaker 2>I'm going to go and get it.

1:15:02.520 --> 1:15:23.280
<v Speaker 3>Oh my god, it's alight. Ship.

1:15:24.160 --> 1:15:26.599
<v Speaker 2>Some give it a someone, give it a water. Take

1:15:26.680 --> 1:15:29.040
<v Speaker 2>it away, Jenner, take it away. Oh my god, I

1:15:29.080 --> 1:15:32.320
<v Speaker 2>can't believe it's still a lot after all those years.

1:15:32.600 --> 1:15:32.760
<v Speaker 6>Oh.

1:15:32.800 --> 1:15:34.240
<v Speaker 1>I thought when you said that you did it back

1:15:34.280 --> 1:15:36.920
<v Speaker 1>in episode six, it was something relevant to episode six,

1:15:37.080 --> 1:15:38.320
<v Speaker 1>like you were gonna be like, I remember this, but

1:15:38.400 --> 1:15:42.200
<v Speaker 1>this is a cat. It doesn't help your cause. I've

1:15:42.240 --> 1:15:46.240
<v Speaker 1>got help. Animal cruelty strikes against your name. It always

1:15:46.240 --> 1:15:49.439
<v Speaker 1>seems to end up here, doesn't it Always? He does

1:15:49.479 --> 1:15:52.439
<v Speaker 1>it by accident. Often it accidentally makes some cruelest dog

1:15:52.479 --> 1:15:53.160
<v Speaker 1>against an animal.

1:15:53.479 --> 1:15:55.880
<v Speaker 2>Anything that chose a cat gotta go deeper.

1:15:59.320 --> 1:16:01.479
<v Speaker 1>Oh, it's just less than orangutan's head off?

1:16:02.520 --> 1:16:03.200
<v Speaker 2>What's in here?

1:16:04.160 --> 1:16:04.559
<v Speaker 3>Dolphon?

1:16:04.640 --> 1:16:04.680
<v Speaker 5>On?

1:16:05.760 --> 1:16:08.160
<v Speaker 1>Why are you still going I've pointed out the animal

1:16:08.240 --> 1:16:10.160
<v Speaker 1>cruelty and you're still comfortable going there?

1:16:10.240 --> 1:16:14.720
<v Speaker 2>You fuck, let's put everything back in that closing a

1:16:14.800 --> 1:16:16.960
<v Speaker 2>back up. We'll reopen it in a year or something.

1:16:17.439 --> 1:16:20.000
<v Speaker 2>Why would you put a dolphin back in the bacon?

1:16:20.000 --> 1:16:20.960
<v Speaker 2>There's rubber duckyo through it.

1:16:21.040 --> 1:16:21.799
<v Speaker 6>Where's the dolphin?

1:16:22.000 --> 1:16:25.080
<v Speaker 2>The Dolkins perish, it's past. I didn't do it. Died

1:16:25.080 --> 1:16:26.280
<v Speaker 2>of natural causes.

1:16:26.760 --> 1:16:30.200
<v Speaker 1>Again, can we I'm giving you the out go Elsie.

1:16:30.360 --> 1:16:32.439
<v Speaker 1>It's been stop talking about.

1:16:32.479 --> 1:16:36.439
<v Speaker 2>It's like Elton John in the nineties. It's been outed.

1:16:36.800 --> 1:16:37.439
<v Speaker 2>What are you talking about?

1:16:37.439 --> 1:16:39.960
<v Speaker 1>It's been outed, it was out at Elton John. I'm saying,

1:16:39.960 --> 1:16:42.519
<v Speaker 1>I'm giving you the out. Steer away from animal cruelty.

1:16:42.880 --> 1:16:46.320
<v Speaker 2>I'm trying to see you away going to Elton. My

1:16:46.400 --> 1:16:48.960
<v Speaker 2>favorite episode was when we mourned the loss of Jane Dooley.

1:16:49.280 --> 1:16:58.679
<v Speaker 2>What's her name? Jane Dooley Wilson? Who Watkins?

1:16:58.760 --> 1:17:04.600
<v Speaker 1>Oh, the elocution fucking June. Jenna is obsessed with her

1:17:04.640 --> 1:17:06.000
<v Speaker 1>because study her student.

1:17:06.240 --> 1:17:08.760
<v Speaker 2>Yes, she taught Jenna how to hold twelve books on

1:17:08.800 --> 1:17:12.320
<v Speaker 2>her head, which is coming handy. Never she does not.

1:17:12.680 --> 1:17:16.519
<v Speaker 2>She did not, She did not past hands. I don't

1:17:16.560 --> 1:17:19.200
<v Speaker 2>know I'm the favorite moment. I've seen people's comments and

1:17:19.360 --> 1:17:21.200
<v Speaker 2>people have told me like, oh, the podcast has come

1:17:21.360 --> 1:17:23.479
<v Speaker 2>such a long way, has it?

1:17:24.320 --> 1:17:24.439
<v Speaker 6>Oh?

1:17:24.520 --> 1:17:26.519
<v Speaker 1>I hope? So if we haven't moved at all, and

1:17:26.600 --> 1:17:29.000
<v Speaker 1>that's just a waste of time, can you keep your mind?

1:17:30.120 --> 1:17:32.559
<v Speaker 1>Just put some sort of like grease on that Mike

1:17:32.680 --> 1:17:36.920
<v Speaker 1>sand because I always hear every sentence before you speak.

1:17:36.960 --> 1:17:38.840
<v Speaker 1>You fucking feel the me to just molest your mic

1:17:39.280 --> 1:17:40.320
<v Speaker 1>around you know.

1:17:40.320 --> 1:17:43.400
<v Speaker 2>What I could do? I could just do it. Oh,

1:17:45.240 --> 1:17:46.559
<v Speaker 2>some sort of concert that you don't hear a thing?

1:17:46.920 --> 1:17:50.400
<v Speaker 1>Yeah, like you're addressing an audience ladies and gentlemen.

1:17:50.840 --> 1:17:53.320
<v Speaker 2>The bridlewat does gentlemen?

1:17:53.640 --> 1:17:57.479
<v Speaker 1>Elton John in front of mine? He remember they remember

1:17:57.520 --> 1:17:59.599
<v Speaker 1>on the show we revealed that that's not his real name.

1:18:00.040 --> 1:18:00.960
<v Speaker 2>What was it again? On Yes?

1:18:01.320 --> 1:18:03.200
<v Speaker 1>Reginald DWIGHTE Reginald Dwight.

1:18:03.960 --> 1:18:05.120
<v Speaker 2>What are you guys going to do with the break?

1:18:05.160 --> 1:18:07.960
<v Speaker 2>Because we actually have some time. We haven't determined how

1:18:08.000 --> 1:18:08.920
<v Speaker 2>long we're taking off either.

1:18:09.200 --> 1:18:12.519
<v Speaker 1>No, I just like I said before, we're coming back

1:18:12.560 --> 1:18:16.840
<v Speaker 1>with a new thumbnail, a new opener, a couple of

1:18:16.920 --> 1:18:19.240
<v Speaker 1>other new bits and pieces, and so it really depends

1:18:19.280 --> 1:18:20.880
<v Speaker 1>on how long it takes us to get those done.

1:18:20.920 --> 1:18:22.960
<v Speaker 1>And when I say, I mean both of it's not me.

1:18:23.479 --> 1:18:23.519
<v Speaker 5>No.

1:18:23.840 --> 1:18:25.200
<v Speaker 2>One time when you get it done. You tell me

1:18:25.320 --> 1:18:28.519
<v Speaker 2>not old fash. I'll put it in a word document.

1:18:28.600 --> 1:18:29.760
<v Speaker 2>If you need me to do a word document, I

1:18:29.800 --> 1:18:32.160
<v Speaker 2>can do it. I'm good at excel in one note.

1:18:32.240 --> 1:18:34.000
<v Speaker 2>I used one note all through high school and I

1:18:34.160 --> 1:18:41.920
<v Speaker 2>never use it, I think anyway. Okay, we have a

1:18:42.000 --> 1:18:42.840
<v Speaker 2>fan question coming in.

1:18:43.840 --> 1:18:49.040
<v Speaker 1>Take it away, Chris, Hi Blanie, that's your boyfriend.

1:18:50.160 --> 1:18:51.479
<v Speaker 2>Sounds like my boyfriend.

1:18:51.680 --> 1:18:52.320
<v Speaker 1>We know him.

1:18:52.640 --> 1:18:54.880
<v Speaker 2>It's called theater of the mind. When you're at Blake's

1:18:54.960 --> 1:18:58.360
<v Speaker 2>awful production, the bass in the hand, whatever the fun

1:18:58.439 --> 1:19:00.120
<v Speaker 2>it was, did you pull him aside and go I

1:19:00.160 --> 1:19:03.280
<v Speaker 2>want that on? You're not actually that made? Because yes, Mitch,

1:19:03.360 --> 1:19:05.920
<v Speaker 2>this is theater. Do you understand the press You're I'm

1:19:05.960 --> 1:19:08.519
<v Speaker 2>confused because your name isn't Jonathan? Is that Mitch? This

1:19:08.640 --> 1:19:10.040
<v Speaker 2>is it's got a play.

1:19:10.880 --> 1:19:12.200
<v Speaker 1>I don't even remember what it was called.

1:19:12.320 --> 1:19:14.200
<v Speaker 2>Is that bad? No, I don't know. Don't blame you.

1:19:14.560 --> 1:19:17.479
<v Speaker 2>I've seen that much fucking theater really, yeah, Oh my god,

1:19:17.479 --> 1:19:19.720
<v Speaker 2>I reckon. I've seen ever a thousand productions. Theater was

1:19:19.760 --> 1:19:22.000
<v Speaker 2>all I did before I did radio. Theater was my shit.

1:19:22.479 --> 1:19:25.759
<v Speaker 1>Okay, I've kept a bunch of I've kept every program

1:19:25.960 --> 1:19:31.320
<v Speaker 1>memby she I've be into probably except Blake. It's a

1:19:31.400 --> 1:19:33.000
<v Speaker 1>bookshelf at home with a big sack of them.

1:19:33.080 --> 1:19:34.760
<v Speaker 2>I have been there yet, there's a lot there for you.

1:19:34.840 --> 1:19:36.360
<v Speaker 2>I've kept all the playbills of the ones that I

1:19:36.400 --> 1:19:37.720
<v Speaker 2>went to in New York. It was in New York

1:19:38.040 --> 1:19:39.080
<v Speaker 2>the Playball, which.

1:19:38.960 --> 1:19:40.519
<v Speaker 1>Are really cute, but then I bought I buy the

1:19:40.560 --> 1:19:42.080
<v Speaker 1>actual program as well as the playbill.

1:19:42.240 --> 1:19:44.160
<v Speaker 2>They're always so expensive the program.

1:19:44.320 --> 1:19:46.000
<v Speaker 1>Yeah, they can be twenty to thirty bark, but they're

1:19:46.080 --> 1:19:46.479
<v Speaker 1>very nice.

1:19:46.800 --> 1:19:49.240
<v Speaker 2>I saw Hamilton, which is out now streaming on Disney Class.

1:19:49.240 --> 1:19:50.720
<v Speaker 2>I'm not paid to say that, but I am asked to.

1:19:52.360 --> 1:19:55.040
<v Speaker 2>I saw it in Chicago a year ago to the

1:19:55.160 --> 1:19:58.080
<v Speaker 2>day it came out on Disney Plus. I literally sat

1:19:58.080 --> 1:19:59.400
<v Speaker 2>down to watch with Hayden and we both got the

1:19:59.439 --> 1:20:02.679
<v Speaker 2>notification a year ago today we were watching Hamilton. It's crazy.

1:20:02.760 --> 1:20:05.000
<v Speaker 1>I didn't realize that Hamilton was that popular because I

1:20:05.040 --> 1:20:07.040
<v Speaker 1>went to New York and like my friend that I

1:20:07.160 --> 1:20:09.160
<v Speaker 1>was with, we were like, oh, yeah, we'll just go

1:20:09.320 --> 1:20:12.080
<v Speaker 1>to those like you know how there's those ticket booths

1:20:12.280 --> 1:20:14.280
<v Speaker 1>in London and New York where they're like selling same

1:20:14.360 --> 1:20:17.160
<v Speaker 1>day tickets, like the cheap ones to build seats. Oh

1:20:17.160 --> 1:20:19.479
<v Speaker 1>there's a few different outlets. They basically just filled the

1:20:19.560 --> 1:20:22.559
<v Speaker 1>last few seats with really cheap discount tickets. We thought

1:20:22.600 --> 1:20:24.439
<v Speaker 1>we could get tickets to the Hamilton, but that didn't

1:20:24.439 --> 1:20:26.799
<v Speaker 1>realize that you have to book fucking decades in advance

1:20:26.840 --> 1:20:28.200
<v Speaker 1>to get to see Hamilton.

1:20:27.960 --> 1:20:31.080
<v Speaker 2>Had when America was still you know, a European Union

1:20:31.720 --> 1:20:34.040
<v Speaker 2>to get a ticket. You know, there's one role that

1:20:34.080 --> 1:20:35.880
<v Speaker 2>I would leave radio to play, and that is a

1:20:35.960 --> 1:20:39.479
<v Speaker 2>role in Hamilton. I would quit, quit this fucking podcast.

1:20:39.640 --> 1:20:43.040
<v Speaker 1>The King, The King, I've never seen it. Tell me

1:20:43.120 --> 1:20:43.600
<v Speaker 1>what if the King?

1:20:43.640 --> 1:20:45.960
<v Speaker 2>Okay, so it's King George, right, and it's obviously set

1:20:46.000 --> 1:20:51.160
<v Speaker 2>when England has settled in the US. They you know what,

1:20:51.400 --> 1:20:53.560
<v Speaker 2>whoever it was took the US kill the Indians. It

1:20:53.600 --> 1:20:55.720
<v Speaker 2>was horrific. And it's set when they want to get

1:20:55.720 --> 1:20:59.519
<v Speaker 2>their independence because America is like thriving and they're like, oh,

1:20:59.560 --> 1:21:02.080
<v Speaker 2>we don't only need that you like London anymore. King

1:21:02.120 --> 1:21:04.599
<v Speaker 2>George is like, literally, we're sending him spices and ship

1:21:04.760 --> 1:21:07.800
<v Speaker 2>Let's make our own country, America. And then King George

1:21:07.840 --> 1:21:11.040
<v Speaker 2>gets pissed. But anyway, because it's you know, it's a

1:21:11.320 --> 1:21:13.519
<v Speaker 2>it's a brilliant show that King George is played by

1:21:13.640 --> 1:21:16.560
<v Speaker 2>Jonathan Groff, who's off in Frozen.

1:21:20.200 --> 1:21:22.160
<v Speaker 6>Best friends with Liam Michelle in real life.

1:21:22.400 --> 1:21:24.400
<v Speaker 1>Yeah, yeah, well yeah, we don't care about that. Well,

1:21:24.400 --> 1:21:25.360
<v Speaker 1>who does he playing Glee?

1:21:26.040 --> 1:21:26.719
<v Speaker 2>I've never seen.

1:21:28.479 --> 1:21:29.400
<v Speaker 1>You're not off duty yet.

1:21:29.520 --> 1:21:38.160
<v Speaker 2>My laptops go, hey, Siri, Hey Siri, I've already gone it.

1:21:38.600 --> 1:21:40.759
<v Speaker 6>Who does Jonathan Groff playing Glee?

1:21:42.920 --> 1:21:47.439
<v Speaker 2>Which one I found three with Jonathan Jesse Saint James.

1:21:47.640 --> 1:21:50.040
<v Speaker 2>Oh sorry, doesn't full stop after.

1:21:49.920 --> 1:21:51.800
<v Speaker 1>Saying yeah, he's a big character.

1:21:53.160 --> 1:21:56.360
<v Speaker 2>He plays King King George anyway. King George comes on

1:21:56.560 --> 1:21:59.120
<v Speaker 2>at three moments during the show. He maybe only has

1:21:59.360 --> 1:22:02.760
<v Speaker 2>five ten minutes of stage time, and he steals the show.

1:22:03.000 --> 1:22:05.639
<v Speaker 2>It's hilarious, his super camp and he has this old

1:22:05.760 --> 1:22:08.240
<v Speaker 2>tybe British acts. It's very funny. I've got the song

1:22:08.320 --> 1:22:10.000
<v Speaker 2>cute and ready to play, which you like to hear it? Yes,

1:22:10.400 --> 1:22:13.599
<v Speaker 2>this is after they like sort of say to the UK, hey,

1:22:13.680 --> 1:22:16.679
<v Speaker 2>we're not coming back. We're going to form our own country,

1:22:17.160 --> 1:22:19.280
<v Speaker 2>screw you. And this is when you first meet King

1:22:19.360 --> 1:22:23.320
<v Speaker 2>George on stage. Brilliant. Oh my god, I know word

1:22:23.400 --> 1:22:25.479
<v Speaker 2>for word what song is that called. It's called You'll

1:22:25.520 --> 1:22:26.040
<v Speaker 2>be back.

1:22:27.840 --> 1:22:30.880
<v Speaker 6>You So can you sing it for us, the rise

1:22:30.960 --> 1:22:32.880
<v Speaker 6>of my wolves, not a price.

1:22:32.880 --> 1:22:41.400
<v Speaker 2>That you're willing to I know you cry, I can't

1:22:41.560 --> 1:22:47.439
<v Speaker 2>see me go bye? Why so sad? Beautiful? Please we

1:22:47.720 --> 1:22:49.200
<v Speaker 2>made English.

1:22:49.560 --> 1:22:53.040
<v Speaker 1>Now you're making me mad.

1:22:59.400 --> 1:23:01.760
<v Speaker 2>No, this is the best. Ready are ready, ready, ready,

1:23:02.280 --> 1:23:08.400
<v Speaker 2>You'll be better soon, You'll see you. Remember you belong

1:23:08.680 --> 1:23:15.200
<v Speaker 2>to me. You'll be back time. Well, tell you remember

1:23:15.479 --> 1:23:17.040
<v Speaker 2>that I served you well.

1:23:17.840 --> 1:23:29.880
<v Speaker 11>Oh shooters empire through it all, and when comes to shove, I.

1:23:30.120 --> 1:23:34.160
<v Speaker 9>Will send the fully armed but Dallium to remind you

1:23:34.280 --> 1:23:34.960
<v Speaker 9>of my love.

1:23:35.240 --> 1:23:36.600
<v Speaker 2>It goes on that.

1:23:38.120 --> 1:23:40.160
<v Speaker 1>You should see if there's any of those ones on

1:23:40.360 --> 1:23:42.840
<v Speaker 1>TikTok where you like duet with them, you know, like

1:23:42.920 --> 1:23:47.479
<v Speaker 1>Jonathan Ros Yeah, they're like I need it, that's the character.

1:23:47.920 --> 1:23:49.360
<v Speaker 2>Yeah, it's King George.

1:23:49.400 --> 1:23:50.880
<v Speaker 1>I need a King door it and then they sing

1:23:50.920 --> 1:23:52.719
<v Speaker 1>one part and then you like harmonize with them and stuff.

1:23:53.040 --> 1:23:54.760
<v Speaker 1>I did one with od when they're on the show

1:23:54.840 --> 1:23:55.200
<v Speaker 1>last week.

1:23:55.360 --> 1:23:55.639
<v Speaker 2>I get.

1:23:56.360 --> 1:23:58.080
<v Speaker 1>I don't know why, but my my TikTok is now

1:23:58.160 --> 1:23:59.640
<v Speaker 1>full of just oh gwet with me.

1:24:00.160 --> 1:24:01.080
<v Speaker 2>Oh my god, I want to do that.

1:24:01.400 --> 1:24:03.400
<v Speaker 1>Go third to see if you can find one. They're

1:24:03.479 --> 1:24:05.479
<v Speaker 1>so fun. I've never actually done one, but I'm like, oh,

1:24:05.479 --> 1:24:05.960
<v Speaker 1>I'd love.

1:24:05.880 --> 1:24:14.400
<v Speaker 9>To know the subject. You're my favorite subjects, my sweet

1:24:14.880 --> 1:24:20.320
<v Speaker 9>some missive subject, my loyal royal subject.

1:24:21.800 --> 1:24:27.880
<v Speaker 2>Whatever. It's almost done, and ever and ever and ever

1:24:28.439 --> 1:24:37.519
<v Speaker 2>and ever be big, Like before, I will fight, fight

1:24:37.720 --> 1:24:40.280
<v Speaker 2>and win the war. This is not entertaining for anyone.

1:24:41.040 --> 1:24:42.200
<v Speaker 1>Yeah, well, you've had your moments.

1:24:42.200 --> 1:24:44.400
<v Speaker 2>There are. They're also coming to Australia and you know,

1:24:44.680 --> 1:24:47.000
<v Speaker 2>God knows when next twenty twenty one.

1:24:47.520 --> 1:24:50.200
<v Speaker 1>Yeah, but hopefully they come, like they might, they might

1:24:50.240 --> 1:24:51.000
<v Speaker 1>be delayed.

1:24:50.840 --> 1:24:53.160
<v Speaker 2>Jenna, can you google if it's being cast? Yes, so

1:24:53.160 --> 1:24:54.640
<v Speaker 2>I would audition it, not to leave you to in

1:24:54.680 --> 1:24:55.120
<v Speaker 2>the dust.

1:24:56.400 --> 1:24:57.120
<v Speaker 6>I'd support that.

1:24:57.640 --> 1:25:00.799
<v Speaker 1>See if you can find a duet okay, good and harmonies?

1:25:01.200 --> 1:25:01.680
<v Speaker 8>Yeah, i am.

1:25:01.680 --> 1:25:06.120
<v Speaker 2>Actually, you know what. The funniest thing I thought, Hayden

1:25:06.200 --> 1:25:07.920
<v Speaker 2>was you for a minute the other day because I

1:25:08.080 --> 1:25:10.240
<v Speaker 2>literally saw a friend I haven't seen for years, and

1:25:10.360 --> 1:25:11.960
<v Speaker 2>I was like, oh my god, Christian gave my heart

1:25:12.000 --> 1:25:13.519
<v Speaker 2>game of kiss. It's like it's been so long. He's

1:25:13.560 --> 1:25:15.320
<v Speaker 2>like the last time I saw you was in opera

1:25:15.360 --> 1:25:18.400
<v Speaker 2>class at acting school and I was like, oh, hey,

1:25:18.520 --> 1:25:20.200
<v Speaker 2>remember I was telling you about how I studied opera.

1:25:20.200 --> 1:25:22.040
<v Speaker 2>It's like, no, you haven't told me that, oh really

1:25:22.080 --> 1:25:22.960
<v Speaker 2>he didn't know. I didn't know.

1:25:23.200 --> 1:25:25.080
<v Speaker 1>He just outed himself as not listening to.

1:25:25.520 --> 1:25:27.560
<v Speaker 2>And fucking Christian was like, you were so good. You

1:25:27.600 --> 1:25:29.880
<v Speaker 2>could hit all those notes, and I was like, yeah, good,

1:25:30.200 --> 1:25:32.479
<v Speaker 2>there you go using them. You'll be back. What's a

1:25:32.560 --> 1:25:34.280
<v Speaker 2>cold bitch cover?

1:25:34.640 --> 1:25:38.360
<v Speaker 1>You said you were just search that on TikTok.

1:25:38.360 --> 1:25:38.640
<v Speaker 2>I don't know.

1:25:41.160 --> 1:25:44.719
<v Speaker 6>Oh you'll be back Sydney Lyric Theater in March twenty.

1:25:47.000 --> 1:25:47.280
<v Speaker 2>Together.

1:25:48.600 --> 1:25:51.519
<v Speaker 1>So I think they make you do the harmony deep

1:25:55.680 --> 1:26:03.080
<v Speaker 1>ever they want you to do that bit.

1:26:03.120 --> 1:26:03.439
<v Speaker 2>I don't.

1:26:04.280 --> 1:26:04.640
<v Speaker 1>I'll do it.

1:26:04.760 --> 1:26:08.040
<v Speaker 6>You'll be happy to know that the Broadway Company.

1:26:10.600 --> 1:26:11.200
<v Speaker 2>The auditioning.

1:26:11.360 --> 1:26:13.840
<v Speaker 6>You can audi him for the Broadway and upcoming national

1:26:13.920 --> 1:26:14.839
<v Speaker 6>tours of Hamilton.

1:26:15.400 --> 1:26:15.920
<v Speaker 2>You're kidding.

1:26:16.120 --> 1:26:19.439
<v Speaker 6>If you are an extremely skilled rapper, singer and actor,

1:26:20.280 --> 1:26:23.400
<v Speaker 6>please send an email to casting at Hamilton Musical dot com.

1:26:23.560 --> 1:26:26.439
<v Speaker 2>And I lack wrap, but you know, sort of pull

1:26:26.560 --> 1:26:29.760
<v Speaker 2>more my weight with performing. It meant to me right now,

1:26:31.439 --> 1:26:31.920
<v Speaker 2>I love.

1:26:32.880 --> 1:26:35.240
<v Speaker 1>I don't think you're understanding what I'm saying. That's not TikTok.

1:26:37.000 --> 1:26:39.680
<v Speaker 1>Someone posts, well do it on your phone. They don't

1:26:39.720 --> 1:26:44.360
<v Speaker 1>have TikTok online. I was also just about to do

1:26:44.439 --> 1:26:46.880
<v Speaker 1>my shallow you at moments past, now sing it. There's

1:26:46.920 --> 1:26:49.559
<v Speaker 1>too much happen. No, the moment's past, there's too much happening.

1:26:51.760 --> 1:26:52.479
<v Speaker 1>All right, well let's go.

1:26:52.600 --> 1:26:54.640
<v Speaker 2>Then, I want you to do one the audience to do.

1:26:54.760 --> 1:26:57.880
<v Speaker 2>You've worked, you can't leave the end of season. One

1:26:57.920 --> 1:27:00.439
<v Speaker 2>of these are just me famed podcasts with rag On.

1:27:01.479 --> 1:27:03.439
<v Speaker 1>I can and I will, yeah, but it's not good.

1:27:03.520 --> 1:27:06.680
<v Speaker 2>It's not good, Garma, come on, sing one and I

1:27:06.720 --> 1:27:08.200
<v Speaker 2>don't really want to anything.

1:27:10.640 --> 1:27:12.400
<v Speaker 1>Withizard and I that's not a jewet.

1:27:12.560 --> 1:27:13.240
<v Speaker 2>What do we give you some.

1:27:13.320 --> 1:27:17.840
<v Speaker 1>Rocky Horror's favorite however, really yeah, and.

1:27:17.920 --> 1:27:20.519
<v Speaker 2>I don't crumble off coming like that.

1:27:20.960 --> 1:27:22.719
<v Speaker 6>That's probably my least favorite as well.

1:27:22.720 --> 1:27:25.720
<v Speaker 2>Rocky Horror. Yeah, you're not Rocky Horror. And there's one

1:27:25.760 --> 1:27:28.800
<v Speaker 2>else that does nothing for me. If only I knew it,

1:27:28.840 --> 1:27:31.160
<v Speaker 2>i'd be able to say it. I can't think of it.

1:27:31.560 --> 1:27:32.320
<v Speaker 2>I think you should sing.

1:27:32.520 --> 1:27:34.439
<v Speaker 1>I don't want to think it's there are really yeah.

1:27:35.200 --> 1:27:37.080
<v Speaker 2>On your TikTok then or something people.

1:27:37.280 --> 1:27:38.560
<v Speaker 1>No, I don't think I could have a post that

1:27:38.640 --> 1:27:41.080
<v Speaker 1>jew went TikTok. That's very crazy, singers.

1:27:41.280 --> 1:27:42.880
<v Speaker 2>I've got friends from school that post them and they

1:27:42.920 --> 1:27:45.040
<v Speaker 2>get like three views and they give up Casey Lee.

1:27:45.680 --> 1:27:48.320
<v Speaker 1>Oh that's not a very nice people want to do that.

1:27:48.439 --> 1:27:50.200
<v Speaker 1>If that's what they're into, then go very.

1:27:50.160 --> 1:27:53.280
<v Speaker 2>Drip for three likes and what's the payoff? I don't know.

1:27:54.720 --> 1:27:57.000
<v Speaker 2>We're now are ending season one on a sour and

1:27:57.320 --> 1:27:59.840
<v Speaker 2>no we're not. Okay, what about a chromatical one?

1:28:00.880 --> 1:28:02.599
<v Speaker 1>What what do you through on commandic?

1:28:02.840 --> 1:28:04.000
<v Speaker 2>How candy bike pink?

1:28:04.520 --> 1:28:05.799
<v Speaker 1>They don't think at the same time.

1:28:05.680 --> 1:28:09.680
<v Speaker 2>Don't they know? Oh yeah, Gharka sings very infrequently on

1:28:09.800 --> 1:28:10.120
<v Speaker 2>that song.

1:28:10.560 --> 1:28:12.200
<v Speaker 1>Yeah, it's the best bit though, can agreement?

1:28:12.400 --> 1:28:14.200
<v Speaker 2>All right, Well, it's been a great first season, a

1:28:14.320 --> 1:28:16.519
<v Speaker 2>tragic and to be honest, like MH three seventy stop

1:28:16.600 --> 1:28:19.800
<v Speaker 2>dwelling on everyone. We've get it, but we're never going

1:28:19.840 --> 1:28:21.720
<v Speaker 2>to find it the shallow do it?

1:28:21.840 --> 1:28:22.040
<v Speaker 3>That is?

1:28:22.400 --> 1:28:25.960
<v Speaker 2>Well, enjoy your break, Thank you you too. We're all

1:28:26.000 --> 1:28:28.080
<v Speaker 2>still working doing our normal day jobs. We're just not

1:28:28.160 --> 1:28:31.880
<v Speaker 2>doing this god forsaken podcast. Yeah, so, Jenna, you'll enjoys

1:28:31.960 --> 1:28:35.479
<v Speaker 2>time off. I'm assuming time off from this podcast, your

1:28:35.560 --> 1:28:40.200
<v Speaker 2>time off from doing shit? All I will? All right, Well,

1:28:40.479 --> 1:28:41.240
<v Speaker 2>we'll see you next week.

1:28:41.720 --> 1:28:42.800
<v Speaker 1>No, we will not.

1:28:44.439 --> 1:28:47.639
<v Speaker 2>That was my brain automatically saying that, Oh no, that's

1:28:47.720 --> 1:28:50.840
<v Speaker 2>really sad. All right, We'll see you in an undefined,

1:28:51.160 --> 1:28:55.240
<v Speaker 2>unspecific yeah we will.

1:28:55.560 --> 1:28:57.640
<v Speaker 1>Yeah, stay safe, we love you, will see that all right,

1:28:57.680 --> 1:29:02.680
<v Speaker 1>Thanks for listening. Guys in the pipers still

1:29:03.040 --> 1:29:07.080
<v Speaker 8>The sal Chichi Chamber School