1 00:00:00,520 --> 00:00:04,800 Speaker 1: To celebrate the release of his second solo record, True North, 2 00:00:05,000 --> 00:00:07,320 Speaker 1: which is out on March fifteen. Peter Garrett's coming to 3 00:00:07,320 --> 00:00:09,400 Speaker 1: town with his band The Alter Egos. They're going to 4 00:00:09,400 --> 00:00:12,200 Speaker 1: be at the Regal Theater on March twenty third, and 5 00:00:12,240 --> 00:00:13,360 Speaker 1: he's with us right now. 6 00:00:13,400 --> 00:00:17,800 Speaker 2: Good morning, Peter, lease Cley. So the album's out March fifteen. 7 00:00:18,079 --> 00:00:22,680 Speaker 1: Does it ever get any less sort of exciting and 8 00:00:22,720 --> 00:00:25,520 Speaker 1: a little bit nervy string just before it's released? 9 00:00:25,760 --> 00:00:26,120 Speaker 3: You know what? 10 00:00:26,239 --> 00:00:29,800 Speaker 4: It Actually, it's incredibly weird for me because let's face that, 11 00:00:29,800 --> 00:00:32,599 Speaker 4: there's a few records under the belt, Yes, but I 12 00:00:32,680 --> 00:00:36,400 Speaker 4: still feel that sense of wow, the thing that I 13 00:00:36,479 --> 00:00:38,440 Speaker 4: dreamed about as a kid, the thing that we push 14 00:00:38,560 --> 00:00:40,440 Speaker 4: so hard against in the oil to try and get 15 00:00:40,440 --> 00:00:43,040 Speaker 4: our music done. Yep, And here I am at the stage, 16 00:00:43,360 --> 00:00:46,040 Speaker 4: managed to get another one out and about and feeling 17 00:00:46,120 --> 00:00:48,519 Speaker 4: very good about it. And short answer, I'm. 18 00:00:48,320 --> 00:00:51,080 Speaker 1: Super excited also, and there it'd be a shame not 19 00:00:51,120 --> 00:00:55,320 Speaker 1: to still have that little bit like Peter. 20 00:00:55,240 --> 00:00:57,400 Speaker 5: Was this the home? This is a home studio? You 21 00:00:57,440 --> 00:00:59,680 Speaker 5: worked on this one in? What was the story behind it? 22 00:01:00,240 --> 00:01:03,160 Speaker 4: I did it in Sydney, I did it with a producer, 23 00:01:03,560 --> 00:01:05,720 Speaker 4: Tony Bukin, who's done a lot of different people, But 24 00:01:05,760 --> 00:01:08,920 Speaker 4: the basic idea was, whoever would have thought that there 25 00:01:08,920 --> 00:01:12,000 Speaker 4: would be songs dropping out of the sky, particularly when 26 00:01:12,000 --> 00:01:14,200 Speaker 4: we came off from the Yours tour. I think everyone 27 00:01:14,240 --> 00:01:15,440 Speaker 4: was going to do a little bit of this or 28 00:01:15,480 --> 00:01:19,320 Speaker 4: that I had lots of adrenaline. I felt it's still happening, 29 00:01:19,360 --> 00:01:21,640 Speaker 4: and that doesn't always happen for artist. Sometimes you can 30 00:01:21,680 --> 00:01:24,080 Speaker 4: have dry spells. So when you're getting a bit of 31 00:01:24,360 --> 00:01:26,560 Speaker 4: a tropical downpour, you've got to get the bucket out 32 00:01:26,600 --> 00:01:29,960 Speaker 4: and catch those songs. Absolutely, So we just yeah, I 33 00:01:30,000 --> 00:01:33,360 Speaker 4: mean it's amazing, honestly, and I'm grateful for that and surprised, 34 00:01:33,400 --> 00:01:35,800 Speaker 4: and I know that I've just got to really sort 35 00:01:35,840 --> 00:01:37,960 Speaker 4: of squeeze everything out of it that I possibly can 36 00:01:38,240 --> 00:01:40,840 Speaker 4: grab some people who I think can do justice to 37 00:01:40,920 --> 00:01:43,959 Speaker 4: the songs. Martin Rossi from my brother from Z came 38 00:01:44,000 --> 00:01:46,880 Speaker 4: in to play guitar and just tell people the stories 39 00:01:46,959 --> 00:01:50,120 Speaker 4: behind what they were, not trying to make them into 40 00:01:50,200 --> 00:01:52,760 Speaker 4: major statements about the media life, although there's plenty of 41 00:01:52,760 --> 00:01:56,520 Speaker 4: that anyway, but really just giving them a sense of hey, 42 00:01:56,680 --> 00:01:58,720 Speaker 4: this is a simple song, this is where it goes, 43 00:01:59,000 --> 00:02:01,600 Speaker 4: and not let the teach knowlogy in the computers drivers. 44 00:02:01,680 --> 00:02:03,520 Speaker 4: I mean, it's a part of it, but sometimes you 45 00:02:03,520 --> 00:02:06,000 Speaker 4: can end up. It seems to me that sometimes people 46 00:02:06,040 --> 00:02:08,240 Speaker 4: are making music which sounds very robotic. 47 00:02:08,440 --> 00:02:09,040 Speaker 3: I don't like that. 48 00:02:09,160 --> 00:02:12,640 Speaker 4: I like human music with all its frailties, with its warmth, 49 00:02:12,720 --> 00:02:15,680 Speaker 4: with its guts, with its whatever, and do a couple 50 00:02:15,680 --> 00:02:17,480 Speaker 4: of takes and then pretty much. 51 00:02:17,520 --> 00:02:18,079 Speaker 6: Job was done. 52 00:02:18,200 --> 00:02:19,679 Speaker 2: Tell us about the old egos. 53 00:02:20,040 --> 00:02:22,799 Speaker 4: So when I did my first solo record, when I 54 00:02:22,840 --> 00:02:24,040 Speaker 4: got out of the Parliament, which. 55 00:02:24,000 --> 00:02:26,360 Speaker 3: Was just a folk record, to just get. 56 00:02:26,160 --> 00:02:29,600 Speaker 4: Those songs done, I got a woman from a band 57 00:02:29,639 --> 00:02:32,040 Speaker 4: called the Jezebel's, Heather Shannon, came into play. 58 00:02:31,880 --> 00:02:34,320 Speaker 3: Some keyboards for me, and I thought, you did the job. 59 00:02:34,960 --> 00:02:38,120 Speaker 4: So he's back on board, Martin's playing, and then we 60 00:02:38,240 --> 00:02:41,360 Speaker 4: just grabbed a couple of guys that play in Sydney 61 00:02:41,400 --> 00:02:45,480 Speaker 4: who are really very very highly accomplished, great reputation, sort 62 00:02:45,520 --> 00:02:47,400 Speaker 4: of session players in a way, but with lots of 63 00:02:47,400 --> 00:02:50,360 Speaker 4: heart and soul. Evan Manel on drums. Actually his partner 64 00:02:50,480 --> 00:02:53,600 Speaker 4: is Zoey Houtman, who plays with Missy and Mossy quite 65 00:02:53,600 --> 00:02:57,639 Speaker 4: a bit. And Rowan Lane, who's played with all sorts 66 00:02:57,680 --> 00:02:59,960 Speaker 4: of people around the place, they were free, they were available. 67 00:03:00,480 --> 00:03:03,080 Speaker 4: I mean, look, we're very lucky that we can make music. 68 00:03:03,200 --> 00:03:06,680 Speaker 4: I mean, something which has always meant a huge amount 69 00:03:06,720 --> 00:03:08,360 Speaker 4: to me. But sometimes I've had a real lot on 70 00:03:08,400 --> 00:03:11,120 Speaker 4: my plate, we've been running issues hard, or there's been 71 00:03:11,160 --> 00:03:13,520 Speaker 4: pressure on. This time it was a little bit more like, 72 00:03:13,800 --> 00:03:16,120 Speaker 4: let's just look at each song. Let's tread it like 73 00:03:16,120 --> 00:03:18,800 Speaker 4: a precious sunflower. So if we can order it a 74 00:03:18,800 --> 00:03:21,440 Speaker 4: bit and hopefully it'll bloom made. 75 00:03:21,520 --> 00:03:22,600 Speaker 6: I have company? Is it to have? 76 00:03:22,680 --> 00:03:24,640 Speaker 5: I mean, what's the story with you and Martin Rossy? Now, 77 00:03:24,639 --> 00:03:26,800 Speaker 5: what's that forty five years or something. It's a long 78 00:03:26,840 --> 00:03:28,640 Speaker 5: time to have that man who you can rely on. 79 00:03:28,680 --> 00:03:30,320 Speaker 6: There. I know you had a birthday. This workie. It 80 00:03:30,480 --> 00:03:33,880 Speaker 6: never seems to age the wonderful player he is, but 81 00:03:34,360 --> 00:03:35,160 Speaker 6: he was birthday. 82 00:03:35,160 --> 00:03:36,160 Speaker 3: Hecredible in it. 83 00:03:36,320 --> 00:03:37,200 Speaker 6: Yeah, it is amazing. 84 00:03:38,240 --> 00:03:41,440 Speaker 4: He's not one of those people, but looking right, Clayers, 85 00:03:41,440 --> 00:03:43,880 Speaker 4: he's amazing. I think you know when yours first started 86 00:03:44,080 --> 00:03:46,960 Speaker 4: and I realized that he was always going to play 87 00:03:47,240 --> 00:03:50,440 Speaker 4: pretty much the spot on guitar line for everything right, 88 00:03:50,520 --> 00:03:53,520 Speaker 4: He'll play with Jim, he'd support, he can play lead 89 00:03:54,280 --> 00:03:56,160 Speaker 4: that Martin's all about the music. You know, and he 90 00:03:56,200 --> 00:03:58,440 Speaker 4: always has been, and for him that's far and away 91 00:03:58,480 --> 00:04:01,800 Speaker 4: the most important thing. And to have him there, it's 92 00:04:01,920 --> 00:04:02,480 Speaker 4: just incredible. 93 00:04:02,480 --> 00:04:02,680 Speaker 3: Fact. 94 00:04:02,680 --> 00:04:05,000 Speaker 4: We played Waitangi down in New Zealand a couple of 95 00:04:05,000 --> 00:04:07,440 Speaker 4: weekends ago, really big show over there and a lot 96 00:04:07,440 --> 00:04:09,520 Speaker 4: of fun. And I noticed a lot of a lot 97 00:04:09,520 --> 00:04:11,480 Speaker 4: of people coming down to that side of stage, you know, 98 00:04:11,640 --> 00:04:13,520 Speaker 4: just literally to sort of watch the way he plays 99 00:04:13,520 --> 00:04:16,200 Speaker 4: the guitar. It's not fussy, but it's just got science 100 00:04:16,320 --> 00:04:19,080 Speaker 4: feel and it's like another limb for him. But he's 101 00:04:19,080 --> 00:04:21,039 Speaker 4: a lovely man and I'm really delighted he's with me. 102 00:04:21,760 --> 00:04:23,880 Speaker 1: You have over the many years and the many gigs 103 00:04:23,920 --> 00:04:29,719 Speaker 1: you have played probably in the most widely varied venues, 104 00:04:29,760 --> 00:04:31,679 Speaker 1: from you know, plunked in the middle of the bush somewhere, 105 00:04:31,720 --> 00:04:36,719 Speaker 1: to beautiful old deco cinemas to just a festival stage. 106 00:04:36,800 --> 00:04:38,800 Speaker 1: I remember seeing you in the mid nineties at the 107 00:04:38,920 --> 00:04:42,400 Speaker 1: gorgeous Palais Theater on the Esplanade and Saint Kilda, and 108 00:04:43,200 --> 00:04:47,040 Speaker 1: I was underneath the balcony bit and I was nervous. 109 00:04:47,160 --> 00:04:50,760 Speaker 1: I thought that balcony was coming down. Now you're going 110 00:04:50,800 --> 00:04:53,440 Speaker 1: to play the beautiful Regal Theater, which is also you 111 00:04:53,440 --> 00:04:55,440 Speaker 1: know it's the Regal, sums. 112 00:04:55,080 --> 00:04:57,920 Speaker 2: It up totally looking forward to Does the. 113 00:04:57,920 --> 00:05:01,320 Speaker 1: Venue that you're playing at have a real bearing on 114 00:05:01,360 --> 00:05:04,119 Speaker 1: the you know, how you feel as you go about 115 00:05:04,120 --> 00:05:05,440 Speaker 1: the show looking away? 116 00:05:05,440 --> 00:05:08,000 Speaker 4: It does, because if you're in a nice room, you know, 117 00:05:08,240 --> 00:05:10,159 Speaker 4: and I'm looking forward to playing the Regal, and I 118 00:05:10,200 --> 00:05:12,559 Speaker 4: love playing theaters. I think we can make them sound 119 00:05:12,600 --> 00:05:15,480 Speaker 4: really good. And also you know, you've got all whatever 120 00:05:15,520 --> 00:05:17,159 Speaker 4: happened the night before or the night before. You know, 121 00:05:17,240 --> 00:05:19,600 Speaker 4: sometimes they've got a real atmosphere to them. I mean, 122 00:05:19,640 --> 00:05:22,880 Speaker 4: we play in a club. It's a very big club 123 00:05:22,920 --> 00:05:26,200 Speaker 4: actually in Paris, called the Olympia, and it's really well 124 00:05:26,240 --> 00:05:28,560 Speaker 4: known and everybody wants to play there. And in the 125 00:05:28,640 --> 00:05:31,400 Speaker 4: four yer well downstairs when you're going towards dressing rooms, 126 00:05:31,400 --> 00:05:33,719 Speaker 4: that are all the photos of everyone that's ever played there, 127 00:05:34,200 --> 00:05:36,600 Speaker 4: along this long corridor and you're walking along, you know, 128 00:05:36,960 --> 00:05:39,080 Speaker 4: Elvis or not Elvia's actually because he. 129 00:05:39,040 --> 00:05:45,720 Speaker 3: Never played out of the state. But Donna, you know, you. 130 00:05:45,800 --> 00:05:55,119 Speaker 4: Too, em and m you know, just you think, wow, 131 00:05:55,160 --> 00:05:56,719 Speaker 4: you know we're actually playing in this place, and you 132 00:05:56,720 --> 00:05:59,839 Speaker 4: can feel that I think that you know, so yeah. 133 00:06:00,080 --> 00:06:01,880 Speaker 4: But at the same time, the second part of the 134 00:06:01,920 --> 00:06:04,040 Speaker 4: answer is really that for me at least, I don't 135 00:06:04,080 --> 00:06:06,880 Speaker 4: overthink what I'm doing when I go out. How can 136 00:06:06,920 --> 00:06:09,839 Speaker 4: I give what I do? I just try and respond 137 00:06:09,880 --> 00:06:12,200 Speaker 4: to the music and to the room and just let 138 00:06:12,200 --> 00:06:14,920 Speaker 4: it unfold as a natural experience and not get too 139 00:06:14,920 --> 00:06:17,440 Speaker 4: analytical about it all. So, I mean, I feel like 140 00:06:17,560 --> 00:06:19,839 Speaker 4: I can do what I do and sing and be 141 00:06:19,880 --> 00:06:22,520 Speaker 4: the way I am pretty much anywhere. But it is 142 00:06:22,640 --> 00:06:24,239 Speaker 4: nice when you're in a good room like in Regal. 143 00:06:24,400 --> 00:06:26,240 Speaker 5: Yeah, isn't that funny. We've all got our gig becauset 144 00:06:26,279 --> 00:06:27,760 Speaker 5: least it's talking about that gig with that. And I 145 00:06:27,800 --> 00:06:28,480 Speaker 5: remember seeing you. 146 00:06:28,640 --> 00:06:29,640 Speaker 2: I'll never forget that. 147 00:06:29,800 --> 00:06:32,120 Speaker 5: I remember seeing you in Queensland play when they were 148 00:06:32,200 --> 00:06:33,600 Speaker 5: Earth and Sun and Moon came out. You did that 149 00:06:33,960 --> 00:06:36,320 Speaker 5: that incredible thing where we interviewed you in the in 150 00:06:36,360 --> 00:06:38,640 Speaker 5: the Queenland rainforest and saw you on the Gold Coaster. 151 00:06:38,800 --> 00:06:42,280 Speaker 5: Oh yeah, okay, you know I remember that was incredible 152 00:06:42,320 --> 00:06:44,520 Speaker 5: that night that big beer barn you played in and 153 00:06:44,560 --> 00:06:47,360 Speaker 5: it felt dangerous. 154 00:06:47,360 --> 00:06:49,000 Speaker 6: It was rock and roll, but it was dangerous. 155 00:06:49,120 --> 00:06:50,320 Speaker 5: I don't know if you felt the same way on 156 00:06:50,360 --> 00:06:52,200 Speaker 5: the State, but I think you guys were going off 157 00:06:52,240 --> 00:06:54,160 Speaker 5: at Hirsty was smacking the hell out of the drums and. 158 00:06:54,160 --> 00:06:55,679 Speaker 6: It's one of those nights forget. 159 00:06:56,400 --> 00:06:56,839 Speaker 3: Yeah. 160 00:06:56,880 --> 00:06:59,200 Speaker 4: Well look, yeah, there had been some moments when you think, 161 00:06:59,800 --> 00:07:01,600 Speaker 4: I mean, we're on eleven. 162 00:07:01,279 --> 00:07:02,640 Speaker 3: But we wis should be too hard. 163 00:07:04,640 --> 00:07:07,560 Speaker 4: Well, actually, it's funnily what you were saying about the palais, 164 00:07:07,560 --> 00:07:11,200 Speaker 4: because we pretty much did get banned from most venues 165 00:07:11,480 --> 00:07:11,840 Speaker 4: from that. 166 00:07:11,880 --> 00:07:12,440 Speaker 3: Period on. 167 00:07:14,240 --> 00:07:18,120 Speaker 4: The reason that they were highly confident that the structural. 168 00:07:19,680 --> 00:07:24,600 Speaker 1: Especially old teaters, barn after that because of that, Yeah, 169 00:07:24,600 --> 00:07:25,920 Speaker 1: that was our fault. 170 00:07:26,920 --> 00:07:28,600 Speaker 3: Or off footy field is back of nowhere. 171 00:07:29,840 --> 00:07:32,480 Speaker 2: Do you remember the first time you had yourself on 172 00:07:32,520 --> 00:07:32,960 Speaker 2: the radio? 173 00:07:33,560 --> 00:07:33,760 Speaker 3: Oh? 174 00:07:33,800 --> 00:07:36,840 Speaker 4: Wow, Actually I do, and I can tell you why 175 00:07:37,120 --> 00:07:39,720 Speaker 4: because I was very close to my grand and she 176 00:07:39,760 --> 00:07:42,720 Speaker 4: outlived my mum and her husband, and she and I 177 00:07:42,800 --> 00:07:47,720 Speaker 4: were exactly seventy years apart. And actually, for people that 178 00:07:47,800 --> 00:07:50,360 Speaker 4: have ever seen the you know, the SBIR program, who 179 00:07:50,360 --> 00:07:50,920 Speaker 4: do you think you are? 180 00:07:51,240 --> 00:07:51,320 Speaker 5: Ye? 181 00:07:51,520 --> 00:07:54,320 Speaker 4: Yeah, so there's I did one a couple of years ago. 182 00:07:54,840 --> 00:07:57,680 Speaker 4: And the amazing part about this story is that in 183 00:07:57,720 --> 00:08:00,640 Speaker 4: her early life, before she gets married, she as a 184 00:08:00,720 --> 00:08:04,080 Speaker 4: nurse off the coast of w A in Leper colonies 185 00:08:04,080 --> 00:08:06,880 Speaker 4: on the islands there any she ends up over in Sydney. 186 00:08:07,280 --> 00:08:10,640 Speaker 4: She's my grand you know, she's experienced the depression, First 187 00:08:10,640 --> 00:08:13,560 Speaker 4: World War, Second World War, the whole deal. And I 188 00:08:13,600 --> 00:08:15,520 Speaker 4: said to her, you know what, I've made a record 189 00:08:15,640 --> 00:08:17,520 Speaker 4: and she said, oh really you know, so what's that 190 00:08:17,640 --> 00:08:20,600 Speaker 4: and explain it all? I said, well, look, I'm going 191 00:08:20,640 --> 00:08:22,480 Speaker 4: to take you out for Kentucky Fried Chicken. You got 192 00:08:22,480 --> 00:08:25,320 Speaker 4: to go down the beach and she used to love 193 00:08:25,360 --> 00:08:27,120 Speaker 4: to do it on the weekend and I'll have. 194 00:08:27,080 --> 00:08:29,880 Speaker 3: The radio maybe we'll hear it anyway as we were 195 00:08:29,960 --> 00:08:30,640 Speaker 3: driving down. 196 00:08:30,880 --> 00:08:33,160 Speaker 4: Yeah, And I couldn't believe it yet. It was Double 197 00:08:33,200 --> 00:08:36,200 Speaker 4: Jay at the time, the ad station, but they played 198 00:08:36,280 --> 00:08:38,480 Speaker 4: run by Night off the first album because we never 199 00:08:38,480 --> 00:08:40,000 Speaker 4: got played on the commercials. 200 00:08:39,559 --> 00:08:40,400 Speaker 3: Remember back in the day? 201 00:08:40,480 --> 00:08:40,920 Speaker 6: No not. 202 00:08:42,520 --> 00:08:44,560 Speaker 4: Yeah, no, no, we never got to run until the 203 00:08:44,640 --> 00:08:48,080 Speaker 4: diesel era. And she's like she just nodded, no, yes, 204 00:08:48,200 --> 00:08:50,200 Speaker 4: very nice. 205 00:08:50,080 --> 00:08:50,880 Speaker 3: Yeah, I remember it. 206 00:08:51,160 --> 00:08:53,719 Speaker 5: That is well, you mentioned that magical age, but you're 207 00:08:53,720 --> 00:08:56,160 Speaker 5: seventy years apart and that birth of yours last year 208 00:08:56,200 --> 00:08:57,880 Speaker 5: did you celebrated just ignorantly? 209 00:08:58,080 --> 00:09:00,840 Speaker 6: Did you ignore it of it? Did you go away totally? 210 00:09:01,080 --> 00:09:03,800 Speaker 6: That's not happening, good man. 211 00:09:05,240 --> 00:09:08,839 Speaker 5: Someone that line in the bios. But I do want 212 00:09:08,840 --> 00:09:10,400 Speaker 5: to mention the True North because I've only got a 213 00:09:10,600 --> 00:09:12,920 Speaker 5: sample of songs from the new album on Apple Music, 214 00:09:12,960 --> 00:09:14,720 Speaker 5: and that Innocence Parts one and two. 215 00:09:14,760 --> 00:09:16,360 Speaker 6: Are you going to do that live? Because that really 216 00:09:16,360 --> 00:09:17,320 Speaker 6: stopped me in my tracks. 217 00:09:17,480 --> 00:09:20,040 Speaker 4: Oh look, thanks mate, that's kind and I appreciate that. 218 00:09:20,040 --> 00:09:22,360 Speaker 3: But yes we will. We'll do Innocence one and two. 219 00:09:22,600 --> 00:09:24,760 Speaker 4: We'll play a fair bit of it, We'll play some 220 00:09:24,800 --> 00:09:26,800 Speaker 4: of the other stuff. We'll play some more songs. I mean, 221 00:09:27,120 --> 00:09:29,320 Speaker 4: every show, every night is different. I don't have a 222 00:09:29,360 --> 00:09:31,720 Speaker 4: strict set list. I tend to let it unfold, but 223 00:09:32,120 --> 00:09:34,280 Speaker 4: I mean, I don't have to explain it all. When 224 00:09:34,320 --> 00:09:37,080 Speaker 4: we played when the Oils did Perth last time, you know, 225 00:09:37,160 --> 00:09:38,840 Speaker 4: we sort of stuck it up the woodside and what 226 00:09:38,920 --> 00:09:39,360 Speaker 4: was going on. 227 00:09:39,400 --> 00:09:41,360 Speaker 3: And I know that's a big and controversial issue in 228 00:09:41,360 --> 00:09:43,040 Speaker 3: the West, but I do really. 229 00:09:42,800 --> 00:09:45,400 Speaker 4: Feel that the climate crisis is going to require us 230 00:09:45,440 --> 00:09:48,240 Speaker 4: all in different ways to really respond seriously. But I 231 00:09:48,240 --> 00:09:50,120 Speaker 4: don't want to sing about it in a way. I 232 00:09:50,160 --> 00:09:51,520 Speaker 4: want to sing it about it in a way that's 233 00:09:51,559 --> 00:09:54,240 Speaker 4: real to me, how I think and how I feel, 234 00:09:54,360 --> 00:09:56,800 Speaker 4: and sometimes you know, you can That's what was really 235 00:09:56,880 --> 00:09:59,160 Speaker 4: lovely about doing the record is that each song's got 236 00:09:59,160 --> 00:10:02,000 Speaker 4: its own character. Sometimes you've got spoken words, sometimes you've 237 00:10:02,000 --> 00:10:04,440 Speaker 4: got things that are almost a little bit country. Sometimes 238 00:10:04,480 --> 00:10:06,480 Speaker 4: you've got stuff which is a bit bigger and rocky. 239 00:10:06,720 --> 00:10:09,120 Speaker 4: And I just really wanted the full sort of three 240 00:10:09,240 --> 00:10:11,600 Speaker 4: sixty degrees of what a song could be and how 241 00:10:11,640 --> 00:10:12,760 Speaker 4: songs could sound. 242 00:10:12,679 --> 00:10:14,000 Speaker 3: To be reflected on the record. 243 00:10:14,040 --> 00:10:16,560 Speaker 4: And yeah, look, we're talking about the age of things, 244 00:10:16,559 --> 00:10:19,600 Speaker 4: but I think the most important thing about whatever the 245 00:10:19,679 --> 00:10:22,360 Speaker 4: age you are is at, it's where you're at as 246 00:10:22,360 --> 00:10:23,920 Speaker 4: a person and what you're doing in that day and 247 00:10:23,920 --> 00:10:25,400 Speaker 4: what you're trying to ring out of it. And you know, 248 00:10:25,559 --> 00:10:28,520 Speaker 4: I got that lemon and I was squeezing itefully. 249 00:10:29,679 --> 00:10:33,480 Speaker 1: Well, that's awesome. True North is out March fifteen. It's 250 00:10:33,520 --> 00:10:36,320 Speaker 1: available to pre order now. For more infohead to Peter 251 00:10:36,400 --> 00:10:40,400 Speaker 1: Garrett dot com and you'll be in town March twenty 252 00:10:40,440 --> 00:10:42,720 Speaker 1: three at the beautiful Regal Theater. 253 00:10:43,400 --> 00:10:45,079 Speaker 2: Lovely to talk to what is that? 254 00:10:45,480 --> 00:10:48,120 Speaker 6: Yeah, yeah, honey, it was a pleasure to catch up. 255 00:10:48,800 --> 00:10:50,640 Speaker 2: Thanks thanks for having us to thank you. 256 00:10:50,720 --> 00:10:52,600 Speaker 3: Yeah, we're really getting across you. 257 00:10:52,640 --> 00:10:54,040 Speaker 6: Take care, Thank you, Bye bye.