1 00:00:00,920 --> 00:00:06,000 Speaker 1: This is gem Nation with Jonesy. On October twelve, in 2 00:00:06,000 --> 00:00:08,760 Speaker 1: two thousand and two, a terrorist attack was carried out 3 00:00:08,760 --> 00:00:11,760 Speaker 1: and the tourist district of Bali, two hundred and two 4 00:00:11,800 --> 00:00:16,040 Speaker 1: people lost their lives, eighty eight of them Australians. Twenty 5 00:00:16,200 --> 00:00:19,280 Speaker 1: years later, wow, it's twenty years A series has been 6 00:00:19,280 --> 00:00:22,320 Speaker 1: made based on these events, and Richard Roxborough plays AFP 7 00:00:22,440 --> 00:00:26,319 Speaker 1: Commander Graham Ashton, who led the police investigation. He joins 8 00:00:26,400 --> 00:00:30,800 Speaker 1: us now Richard, Hello, Hi guys, what a story, what 9 00:00:30,880 --> 00:00:34,080 Speaker 1: a tale? I've heard said that this is the best 10 00:00:34,080 --> 00:00:36,760 Speaker 1: Australian television series that people have ever seen. 11 00:00:37,320 --> 00:00:39,040 Speaker 2: But is it hard to watch? 12 00:00:42,159 --> 00:00:45,080 Speaker 3: Look, I don't think it's hard to watch in the 13 00:00:45,159 --> 00:00:48,519 Speaker 3: sense that it's kind of horribly graphic. It's hard to 14 00:00:48,600 --> 00:00:52,279 Speaker 3: watch because it's about the kind of human things that 15 00:00:52,440 --> 00:00:57,200 Speaker 3: happened around an atrocity like that. But I think the 16 00:00:57,280 --> 00:01:00,320 Speaker 3: humanity of it, the stories of survival and what what 17 00:01:00,720 --> 00:01:02,680 Speaker 3: you know, the very great things that have brought out 18 00:01:02,680 --> 00:01:06,440 Speaker 3: in people, is what makes it kind of amazing and special. 19 00:01:07,280 --> 00:01:09,160 Speaker 2: Was this a role when they offered it to you, 20 00:01:09,480 --> 00:01:11,080 Speaker 2: did you instantly jump at it? 21 00:01:12,920 --> 00:01:16,000 Speaker 3: No, look I had I actually had a I think 22 00:01:16,040 --> 00:01:18,480 Speaker 3: about it. I have a very strange relationship with this 23 00:01:18,560 --> 00:01:20,880 Speaker 3: material because in two thousand and five I flew to 24 00:01:20,959 --> 00:01:24,319 Speaker 3: Bali to do a two part series about the Ballei bombings, 25 00:01:24,319 --> 00:01:28,959 Speaker 3: in which I played actually a different police officer. So, 26 00:01:29,800 --> 00:01:34,000 Speaker 3: you know, it's incredibly intense material. It's really difficult to 27 00:01:34,120 --> 00:01:36,280 Speaker 3: be a part of. But I thought the story was 28 00:01:36,360 --> 00:01:38,320 Speaker 3: measured very beautifully. I thought the way that it was 29 00:01:38,360 --> 00:01:42,679 Speaker 3: dealt with, in particular the relationship with the Indonesian part 30 00:01:42,720 --> 00:01:44,960 Speaker 3: of the story in the Balinese part of the story 31 00:01:45,160 --> 00:01:47,119 Speaker 3: was really really beautifully told. 32 00:01:47,440 --> 00:01:50,360 Speaker 1: What was Graham like and what was the role Graham 33 00:01:50,400 --> 00:01:52,040 Speaker 1: played in the tragedy. 34 00:01:53,560 --> 00:01:57,480 Speaker 3: Well, I've played quite a few bad cops, yes, yes, 35 00:01:58,720 --> 00:02:04,040 Speaker 3: So it's incredibly refreshing and quite wonderful to play one 36 00:02:04,080 --> 00:02:07,400 Speaker 3: of the very very good ones. Because so I had 37 00:02:07,480 --> 00:02:10,919 Speaker 3: quite a few talks with Graham, who's a really remarkable man. 38 00:02:11,000 --> 00:02:15,040 Speaker 3: He's incredibly quietly spoken, he's a thoroughly decent human being. 39 00:02:16,480 --> 00:02:19,520 Speaker 3: He spoke fluent Indonesian, which is really interesting to me. 40 00:02:19,720 --> 00:02:23,280 Speaker 3: So he was there as a kind of a very 41 00:02:23,400 --> 00:02:26,560 Speaker 3: quiet voice of moderation. But my god, what a job 42 00:02:26,639 --> 00:02:29,520 Speaker 3: because he had so many things that he had to 43 00:02:29,560 --> 00:02:33,880 Speaker 3: deal with. He had obviously the grieving you know, Australian parents. 44 00:02:34,480 --> 00:02:40,640 Speaker 3: He had the incredibly complex political geopolitical situation on hands. 45 00:02:40,639 --> 00:02:43,560 Speaker 3: So you know, this had never happened in Bali before. 46 00:02:43,560 --> 00:02:47,120 Speaker 3: You had an Indonesian government that was, you know, in 47 00:02:47,160 --> 00:02:50,000 Speaker 3: a very difficult position trying to deal with it. There 48 00:02:50,080 --> 00:02:51,880 Speaker 3: was so much he had to do. I mean, the 49 00:02:51,919 --> 00:02:55,880 Speaker 3: man didn't sleep for you know, essentially the entire first 50 00:02:55,919 --> 00:02:58,360 Speaker 3: week he was dealing with so much. But he was 51 00:02:58,440 --> 00:03:02,400 Speaker 3: He's a really terrific human being who was essentially doing 52 00:03:02,440 --> 00:03:05,679 Speaker 3: the very best he could in unprecedented circumstances. 53 00:03:05,840 --> 00:03:08,880 Speaker 2: Right, and when you filmed it, it wasn't really filmed 54 00:03:08,919 --> 00:03:11,480 Speaker 2: in Bali. Was that because it was just too hard 55 00:03:11,480 --> 00:03:13,679 Speaker 2: to be filmed in Bali or would have been too 56 00:03:13,760 --> 00:03:15,520 Speaker 2: sensitive to film it in Bali? 57 00:03:17,080 --> 00:03:20,600 Speaker 3: Yeah, good question. Look, essentially it was a lot to 58 00:03:20,639 --> 00:03:23,840 Speaker 3: do with COVID protocols because it was just going to 59 00:03:23,880 --> 00:03:27,240 Speaker 3: be hectic and a nightmare to try and do that. Luckily, 60 00:03:27,400 --> 00:03:31,040 Speaker 3: art departments now are so extraordinary. I mean, we had 61 00:03:31,080 --> 00:03:36,360 Speaker 3: an incredibly wonderful designer, Tim Farrier, who essentially built the 62 00:03:36,520 --> 00:03:40,120 Speaker 3: entire heart of Cooter out near Lucas Heights in this 63 00:03:40,280 --> 00:03:44,200 Speaker 3: kind of wasteland out there, and some of it we 64 00:03:44,320 --> 00:03:50,240 Speaker 3: filmed up in Terry Hills near where I am, in 65 00:03:50,520 --> 00:03:53,840 Speaker 3: these kind of incredibly thick jungle. So these things can 66 00:03:53,920 --> 00:04:00,240 Speaker 3: now be achieved. But essentially it was done to COVID issues. 67 00:04:01,160 --> 00:04:04,000 Speaker 1: How will families respond to this? You think the families 68 00:04:04,000 --> 00:04:07,680 Speaker 1: of the eighty eight Australians, Amanda. 69 00:04:08,200 --> 00:04:11,920 Speaker 3: I hope that this is seen as a work of 70 00:04:12,120 --> 00:04:18,120 Speaker 3: great respect and that essentially what it's about are the 71 00:04:18,200 --> 00:04:23,200 Speaker 3: great things that happen to humanity, to human beings when 72 00:04:23,240 --> 00:04:29,719 Speaker 3: something horrendous, something unmanagably horrible occur. So that's all I 73 00:04:29,760 --> 00:04:33,440 Speaker 3: can hope. I hope that what this is, this is 74 00:04:33,520 --> 00:04:39,200 Speaker 3: seen to be about, is about how in the worst 75 00:04:39,360 --> 00:04:45,680 Speaker 3: and most hideous event imaginable, the very best things about 76 00:04:45,760 --> 00:04:48,280 Speaker 3: us as human beings are allowed to prevail. 77 00:04:49,480 --> 00:04:51,640 Speaker 2: It's great we get to see you playing a good copper. 78 00:04:52,480 --> 00:04:55,600 Speaker 2: It's unfortunately you didn't come to me. I like it's refreshing, 79 00:04:55,640 --> 00:04:58,680 Speaker 2: you know, dodgy lawyer or a bad copper. You didn't 80 00:04:58,680 --> 00:05:01,520 Speaker 2: go to Amanda for any Indianise advice. As far as language. 81 00:05:01,600 --> 00:05:06,760 Speaker 1: You've got this inni rasilia capata. He copped this coconut 82 00:05:06,839 --> 00:05:08,480 Speaker 1: head that could have come in very useful. 83 00:05:09,279 --> 00:05:13,120 Speaker 3: It really could happen if only I'd known. Next time, 84 00:05:13,440 --> 00:05:17,039 Speaker 3: this is very late. Notice, even if you. 85 00:05:17,080 --> 00:05:19,200 Speaker 1: Just go for a holiday, ask me, because that one 86 00:05:19,360 --> 00:05:20,080 Speaker 1: she's slays. 87 00:05:20,240 --> 00:05:22,159 Speaker 2: She's been sitting on that bushel for some time. 88 00:05:22,360 --> 00:05:22,640 Speaker 1: I have. 89 00:05:22,920 --> 00:05:25,600 Speaker 3: I got it up my sleeve now, don't you worry. 90 00:05:25,440 --> 00:05:28,280 Speaker 2: Better than your bushel? Barley two thousand and two. All 91 00:05:28,320 --> 00:05:32,320 Speaker 2: four episodes are available to stream now on stand Richard Roxborough, 92 00:05:32,360 --> 00:05:33,440 Speaker 2: thank you for joining us. 93 00:05:34,200 --> 00:05:35,840 Speaker 3: Absolute pleasure. Guys, thank you