WEBVTT - MINI: Untouchables

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<v Speaker 1>Welcome to the Christian O'Connell Show podcast. The Letter You.

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<v Speaker 1>It's this week's letter in our eight z of the eighties.

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<v Speaker 1>Today's letter is letter you'condall's you of the eights, as in,

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<v Speaker 1>you really don't want that couch? Fourteen minutes now rio

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<v Speaker 1>has been stood by couch that no one has stopped

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<v Speaker 1>by to have a look at all. Right, the letter

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<v Speaker 1>you before we get into the rest of the eighties,

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<v Speaker 1>and the letter you yesterday. The movie of the week

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<v Speaker 1>for Jackie Boy two watches A Child of the nineties.

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<v Speaker 1>I going to watch a great movie, Oscar winning movie

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<v Speaker 1>by Brian Depalmer. Against the movie Kevin Costa Sean Connor

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<v Speaker 1>in a very young Andy Garcia, The great story of

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<v Speaker 1>Elliotness taken down al Capone's crew The Untouchables. Do you

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<v Speaker 1>remember this from nineteen eighty seven? Robert de Niro is

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<v Speaker 1>al Capone. There is violence in Chicago, of course, but

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<v Speaker 1>not by me and not by anybody I employ. And

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<v Speaker 1>I tell you why, because it's no good business. Kevin

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<v Speaker 1>Costner is elliot ness. I have sworn to put this

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<v Speaker 1>man away with any and all legal means at my disposal.

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<v Speaker 1>I will do so. Sean Connery is Jimmy Malone. You

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<v Speaker 1>want to get capon, you get them. You pull a knife,

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<v Speaker 1>you pull a gun. He sends one of yours to

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<v Speaker 1>the hospital, you say him one of his log What

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<v Speaker 1>a movie. I remember saying, there's a cinema with my buddies,

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<v Speaker 1>Kevin and Graham and me, and we love this movie.

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<v Speaker 2>I can't believe that one an Oscar. Wow, And I'm

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<v Speaker 2>just looking at You're right, it's Oscars. Yeah, right, So

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<v Speaker 2>people are easier to impress in the eighties.

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<v Speaker 1>No, this is a great movie. No, this stands up now.

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<v Speaker 1>Some bits don't. But this is a great movie. Why

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<v Speaker 1>didn't you care for.

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<v Speaker 2>I can't believe with the great actors who were in

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<v Speaker 2>it anyways, it was so lame. I even even the

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<v Speaker 2>great Robert de Niro, who's no, I do know, he

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<v Speaker 2>buked up for it.

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<v Speaker 1>It was one of the first movies he put on

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<v Speaker 1>a lot of weight.

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<v Speaker 2>No, he was like a kid playing a gangster in

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<v Speaker 2>a high.

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<v Speaker 1>School capone was light, was like a tyrant kid.

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<v Speaker 2>No, No, he was Sean Connery, Kevin Costner, Robert de Niro.

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<v Speaker 2>Didn't like any of them, only like I.

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<v Speaker 1>Didn't like any of them. First of all right, let's

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<v Speaker 1>just get into Kevin Costna. I would agree, right, I

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<v Speaker 1>watched it about last week. He's a snooze fest, isn't he.

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<v Speaker 2>Okay, he's the main character that's meant to take down copone.

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<v Speaker 1>I love Kevin Costa, but in this movie, he's like

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<v Speaker 1>a real square cardboard.

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<v Speaker 2>Yes, nothing about his character. You don't really even believe.

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<v Speaker 1>There's a bit in it where he's just leading the crew.

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<v Speaker 1>They're all sort of locked and loaded, right, He's got

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<v Speaker 1>his finally got all of his gang, his men to

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<v Speaker 1>take down our capone. They're gonna go and kick in

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<v Speaker 1>some warehouse and everyone's like, yeah, we're gonna do this

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<v Speaker 1>is the start of it, and Kevin Costner just goes

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<v Speaker 1>Cox is like shot and he goes, let's do some good.

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<v Speaker 1>It's like the lamest light I would have I was

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<v Speaker 1>Sean Connery, I would have punched him on the spot

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<v Speaker 1>and kicked him out of the van's galloway.

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<v Speaker 2>Costner at the start of the film gets bad press.

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<v Speaker 2>He's the new federal agent in town. He gets bad

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<v Speaker 2>press because the raid that he did is bungled, and

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<v Speaker 2>he takes the headline from the newspaper and pins it

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<v Speaker 2>up on the corkboard behind his desk.

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<v Speaker 1>That is called motivation.

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<v Speaker 2>Banker said, that's something Christian would do.

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<v Speaker 1>I have done that. You know. There's a rival boss

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<v Speaker 1>who said something about me. I wrote it on a

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<v Speaker 1>post it note and I had it for a year.

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<v Speaker 1>Maybe that's why I like this movie. It's a man

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<v Speaker 1>who's vengeance. Let's just talk about Kevin cosl Right, Okay,

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<v Speaker 1>if you didn't like the cause, what about Sean Conney? Though?

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<v Speaker 1>Yet again, what Sean showed in this movie playing a

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<v Speaker 1>Chicago cop is Sean Connery has probably got a greater

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<v Speaker 1>range of accents than near the other actor. I mean,

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<v Speaker 1>here he is when he was a Russian submarine commander,

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<v Speaker 1>Russian sounding, so Russian. Once more, we play our dangerous game,

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<v Speaker 1>a game of chess against our old aversary, the American Navy,

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<v Speaker 1>so Russian in that. And there he is now he's

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<v Speaker 1>working for a Spanish king.

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<v Speaker 2>Cot He change, I am one Sanchez fill of lobos.

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<v Speaker 1>An he doesn't sound like it made metal, just to

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<v Speaker 1>King Charles fifth of Spain. And here he is in Chicago.

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<v Speaker 1>Want to get here's hoping to get him? He pulls

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<v Speaker 1>a knife. Do you pull a gun? He sends one

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<v Speaker 1>of yours to the hospital, and you're saying, want a

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<v Speaker 1>history of the mark. This scene is incredible in that church.

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<v Speaker 1>It's a beautiful scene that's go away.

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<v Speaker 2>I honestly don't know if he thought he was from Chicago,

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<v Speaker 2>if he was from Scotland originally, because he starts off.

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<v Speaker 1>With everywhere he's been in the submarine. He's been time

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<v Speaker 1>traveling working for that Spanish king as his chief metallurgist.

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<v Speaker 2>When we first met him, he has more of an

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<v Speaker 2>American accent than a sort of.

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<v Speaker 1>Shit does change in the movie, doesn't It gets a

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<v Speaker 1>little bit frayed. I remember actually getting a little bit

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<v Speaker 1>misty eyed when Sean I think we can do We

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<v Speaker 1>don't have to go spoiler alert about a movie that

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<v Speaker 1>came out in nineteen eighty seventy. If you haven't seen

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<v Speaker 1>it now, I haven't seen it. Screw you. What about

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<v Speaker 1>this this scene here where he's gunned down big old Sean.

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<v Speaker 1>I don't like seeing this. Oh God, howardly wade they

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<v Speaker 1>got as they lured him out of his apartment as well.

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<v Speaker 2>Listened to it again. This was another one of my

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<v Speaker 2>most hated scenes. He's been shot more than one hundred

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<v Speaker 2>times that we can't actually kill Sean, and he reacts

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<v Speaker 2>like he stubbed his toe.

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<v Speaker 1>This is actually because he's so that's how you and

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<v Speaker 1>I would do it, Not Sean Connery, right, not surely

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<v Speaker 1>to him, it would just be like a paper cut.

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<v Speaker 2>Yeah, it sounds like you got a paper cut.

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<v Speaker 1>Jesus, that's chafe. That is really put some vacilline on that.

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<v Speaker 1>That is chafe.

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<v Speaker 2>And then hell it got He's honestly got shot from

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<v Speaker 2>head to toe bullets. He crawled trolls for the whole

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<v Speaker 2>length of his.

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<v Speaker 1>How big is that apartment? I mean he's only on

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<v Speaker 1>amaze these salaries as Chicrgo cop and yet the apartment

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<v Speaker 1>is like three times a size Buckingham Palace. Blood all

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<v Speaker 1>over everywhere. He's doing a commander crawl ruining that apartment.

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<v Speaker 1>The clean up job for the rest of the crew

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<v Speaker 1>is awful.

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<v Speaker 2>And then he's still there when Kevin Costa gets you.

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<v Speaker 1>That's upsetting, isn't it. You love Sean?

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<v Speaker 2>No, I didn't like him.

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<v Speaker 1>How can you not like?

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<v Speaker 2>I didn't like him? He was too cliche, all his

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<v Speaker 2>all these motivational speeches to the team. I was like,

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<v Speaker 2>what what does that even mean, I.

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<v Speaker 1>Don't like what I'm hearing. And then what about the

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<v Speaker 1>final scene when they're at the railway station, so brilliantly

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<v Speaker 1>shot with the lady in the pram, I hear sniggl

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<v Speaker 1>can you hear me? The lady in the pram, Costner,

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<v Speaker 1>the clock, the crew, the clock, the lady in the pram,

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<v Speaker 1>back to the clock. It's so tense with all the

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<v Speaker 1>characters world lateist ever in a movie tension. And what

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<v Speaker 1>about the scene where the pram good its slow motion

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<v Speaker 1>cood going down the steps good John Good jun kod

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<v Speaker 1>John Costner tries to grab it. He's prepared because he's

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<v Speaker 1>a moral man, to give away the whole secret operation

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<v Speaker 1>just to rescue that lady's baby, and then bang, who's

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<v Speaker 1>got it? Underneath Garsia?

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<v Speaker 2>That pram coming down the stairs was slower. My favorite

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<v Speaker 2>seen those slow mo clips of people using a super

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<v Speaker 2>slow my camera to film like a water balloon exploding.

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<v Speaker 2>He was even slower than that.

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<v Speaker 1>We were head of TikTok with Untouchables again, ten minutes

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<v Speaker 1>for that tension, tension, Sean dying in eighteen stages, and

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<v Speaker 1>then that pram scene with Garcia. You got a bit,

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<v Speaker 1>didn't you? Go that's cool. When he's suddenly there, he's

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<v Speaker 1>got it. Any I don't need you cause Garcia has

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<v Speaker 1>got it. Andy.

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<v Speaker 2>Garcia was my only likable character, and I did like

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<v Speaker 2>that bit where he's pinned under the pram and he

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<v Speaker 2>takes out the bad guy.

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<v Speaker 1>I haven't liked this with you one bit. It's actually

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<v Speaker 1>been the most trucculent one from you. Mark's out of

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<v Speaker 1>ten for The Great Untouchables.

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<v Speaker 2>Three out of ten. By the end of it, I

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<v Speaker 2>was actually saying, let's just finish this.

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<v Speaker 1>Oh God, this is really I'm saying. Right, We're not

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<v Speaker 1>going to talk about this anymore. We're going to move

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<v Speaker 1>on The Christian Connell Show podcast. If you just tuned in,

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<v Speaker 1>I am glad you didn't hear the last fifteen minutes

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<v Speaker 1>of blasphemous radio. That's what it is. When Jack took down.

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<v Speaker 1>Gave him easy three out of ten to the Great

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<v Speaker 1>Movie Oscar winning movie The Untouchables, Judy's with you, Jackie

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<v Speaker 1>Boy and with Jack Sean Connery's shockingly bad. He's shockingly

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<v Speaker 1>great in The Untoble.

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<v Speaker 2>I can't believe he won the Best Supporting Act.

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<v Speaker 1>Damn right, I can't believe, damn right. That's the Chicago way.

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<v Speaker 2>There must have been not a lot of films that year.

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<v Speaker 1>Oh, dare you come on, Jackie boy? Great movie. That's

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<v Speaker 1>someone else's texted in. Even your builder mate Clint has

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<v Speaker 1>texted you during the show he bought.

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<v Speaker 2>He said, we might not be friends anymore. First it

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<v Speaker 2>was top Gun. Now it's untouchable.

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<v Speaker 1>Yeah.

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<v Speaker 2>Maybe it's not the movies. Maybe you're the problem.

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<v Speaker 1>Thank you, Clint. I'm with you one hundred percent on

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<v Speaker 1>this Christian the letter you for me and a lot

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<v Speaker 1>of I think you this is ultimate Warrior Eighties wrestling. Yeah,

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<v Speaker 1>he was huge, one the early big megastars. No for

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<v Speaker 1>defeating Hulk Hogan for the WWF tight to us some

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<v Speaker 1>justin all right. The other thing to do with the

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<v Speaker 1>eighties and the to you for me is you know,

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<v Speaker 1>sometimes there's certain things that you remember from your childhood. Right,

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<v Speaker 1>it might be something you had to learn by wrote

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<v Speaker 1>while you were at school, a monomic or something like that.

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<v Speaker 1>For the colors of the Rainbow, Richard of York gave

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<v Speaker 1>battle in Vain. Oh really, we had Roigy bit of

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<v Speaker 1>ah right, Okay, Yeah, we were always taught because it

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<v Speaker 1>would be to do with the King of the UK. Yeah,

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<v Speaker 1>Richard of York gave battle in Vain. To remember the

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<v Speaker 1>are think called monomics. Yeah, it's that Many's words. Yeah.

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<v Speaker 1>The other thing I remember is, you know that used

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<v Speaker 1>to just because we used to watch so much TV

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<v Speaker 1>back then. My parents didn't care about me to sort

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<v Speaker 1>of sit in front of the TV. There wasn't a

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<v Speaker 1>lot of kids TV on, but there there were certain

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<v Speaker 1>adverts where you would just there's an advert, right to

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<v Speaker 1>do with a letter you for a do you remember,

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<v Speaker 1>like eighties nineties you had little cartons of drink, Yeah,

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<v Speaker 1>you remember, and you get like the tiny straw in

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<v Speaker 1>the world, barely like a half a zero point one

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<v Speaker 1>millimeters wide that you were sucking your eyeballs trying to

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<v Speaker 1>get any liquid out of and your mum would buy

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<v Speaker 1>them in like a six pack dirt cheap mustagen just

0:09:59.679 --> 0:10:02.360
<v Speaker 1>be sugary kind of drinks basically. Anyway, this one was

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<v Speaker 1>called Umbungo. And now this little cartoon advert I still remember, now,

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<v Speaker 1>many many years later, I still remember the first couple

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<v Speaker 1>of lines, way down deep in the middle of the congo,

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<v Speaker 1>A hippie hippo took an apricot, guava and a mango.

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<v Speaker 1>I think this is it now? The river was low

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<v Speaker 1>and the boat way down deep in the middle of

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<v Speaker 1>the congo. What stuck with the others, And Tangle said,

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<v Speaker 1>I know, we'll call it still remember this right? No

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<v Speaker 1>reason why I stood in the struggle to remember phone

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<v Speaker 1>numbers of the opening line. They drink, They drink it

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<v Speaker 1>way down deep in the congo. I still remember from

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<v Speaker 1>the Umbungo adverts. Do you remember any advert from your childhood?

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<v Speaker 1>You could almost do from from memory.

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<v Speaker 2>I can do the whole roof Seal ad Now, roof

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<v Speaker 2>Seal was a seal who walked around on your roof

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<v Speaker 2>and cleaned up your mortar and your gutters. And this

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<v Speaker 2>song went, when your roof is getting lost between the

0:11:03.720 --> 0:11:06.839
<v Speaker 2>lichen and the moss, and your mortar isn't where it

0:11:07.120 --> 0:11:10.040
<v Speaker 2>ort to be, well, give it back its old appeal

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<v Speaker 2>with a visit from roof Seal one three hundred and

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<v Speaker 2>thirty six seven oh seven.

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<v Speaker 1>Oh, this is amazing. I need to tell you this, listeners,

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<v Speaker 1>Jack didn't look at any notes. You did that off

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<v Speaker 1>by heart. Oh, when your roof is getting lost between

0:11:23.960 --> 0:11:26.920
<v Speaker 1>the likings and the moss, when your morder isn't where

0:11:27.080 --> 0:11:27.600
<v Speaker 1>it ought to.

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<v Speaker 2>Be, then give it back that old appeal with a visit.

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<v Speaker 1>From roof Seal one three hundred and thirty six seven

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<v Speaker 1>O seven oh word for word, word for word? All right,

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<v Speaker 1>So what's advert can you remember from your childhood, whether

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<v Speaker 1>you were charter of the eighties or nineties. What do

0:11:42.679 --> 0:11:45.120
<v Speaker 1>you think you can remember almost word for word? What

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<v Speaker 1>can you have a go out well? Christian Connell's Show

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<v Speaker 1>podcast