1 00:00:01,520 --> 00:00:05,520 Speaker 1: Welcome to the Christian O'Connell Show podcast. The Letter You. 2 00:00:05,720 --> 00:00:11,000 Speaker 1: It's this week's letter in our eight z of the eighties. 3 00:00:11,560 --> 00:00:19,520 Speaker 1: Today's letter is letter you'condall's you of the eights, as in, 4 00:00:19,600 --> 00:00:22,800 Speaker 1: you really don't want that couch? Fourteen minutes now rio 5 00:00:22,880 --> 00:00:25,000 Speaker 1: has been stood by couch that no one has stopped 6 00:00:25,040 --> 00:00:26,799 Speaker 1: by to have a look at all. Right, the letter 7 00:00:26,880 --> 00:00:30,520 Speaker 1: you before we get into the rest of the eighties, 8 00:00:30,560 --> 00:00:34,320 Speaker 1: and the letter you yesterday. The movie of the week 9 00:00:34,360 --> 00:00:37,080 Speaker 1: for Jackie Boy two watches A Child of the nineties. 10 00:00:37,600 --> 00:00:40,600 Speaker 1: I going to watch a great movie, Oscar winning movie 11 00:00:40,600 --> 00:00:43,400 Speaker 1: by Brian Depalmer. Against the movie Kevin Costa Sean Connor 12 00:00:43,479 --> 00:00:45,960 Speaker 1: in a very young Andy Garcia, The great story of 13 00:00:46,000 --> 00:00:49,880 Speaker 1: Elliotness taken down al Capone's crew The Untouchables. Do you 14 00:00:49,920 --> 00:00:54,000 Speaker 1: remember this from nineteen eighty seven? Robert de Niro is 15 00:00:54,160 --> 00:00:57,280 Speaker 1: al Capone. There is violence in Chicago, of course, but 16 00:00:57,400 --> 00:00:59,880 Speaker 1: not by me and not by anybody I employ. And 17 00:01:00,000 --> 00:01:02,680 Speaker 1: I tell you why, because it's no good business. Kevin 18 00:01:02,760 --> 00:01:06,880 Speaker 1: Costner is elliot ness. I have sworn to put this 19 00:01:07,040 --> 00:01:09,920 Speaker 1: man away with any and all legal means at my disposal. 20 00:01:10,040 --> 00:01:14,160 Speaker 1: I will do so. Sean Connery is Jimmy Malone. You 21 00:01:14,200 --> 00:01:17,520 Speaker 1: want to get capon, you get them. You pull a knife, 22 00:01:17,840 --> 00:01:19,720 Speaker 1: you pull a gun. He sends one of yours to 23 00:01:19,760 --> 00:01:24,959 Speaker 1: the hospital, you say him one of his log What 24 00:01:25,120 --> 00:01:28,000 Speaker 1: a movie. I remember saying, there's a cinema with my buddies, 25 00:01:28,440 --> 00:01:31,520 Speaker 1: Kevin and Graham and me, and we love this movie. 26 00:01:31,760 --> 00:01:34,840 Speaker 2: I can't believe that one an Oscar. Wow, And I'm 27 00:01:34,920 --> 00:01:39,600 Speaker 2: just looking at You're right, it's Oscars. Yeah, right, So 28 00:01:40,160 --> 00:01:42,440 Speaker 2: people are easier to impress in the eighties. 29 00:01:42,760 --> 00:01:46,160 Speaker 1: No, this is a great movie. No, this stands up now. 30 00:01:46,240 --> 00:01:49,000 Speaker 1: Some bits don't. But this is a great movie. Why 31 00:01:49,040 --> 00:01:49,760 Speaker 1: didn't you care for. 32 00:01:49,800 --> 00:01:51,840 Speaker 2: I can't believe with the great actors who were in 33 00:01:51,880 --> 00:01:55,600 Speaker 2: it anyways, it was so lame. I even even the 34 00:01:55,640 --> 00:02:01,120 Speaker 2: great Robert de Niro, who's no, I do know, he 35 00:02:01,320 --> 00:02:02,400 Speaker 2: buked up for it. 36 00:02:02,400 --> 00:02:03,720 Speaker 1: It was one of the first movies he put on 37 00:02:03,720 --> 00:02:04,400 Speaker 1: a lot of weight. 38 00:02:05,080 --> 00:02:07,120 Speaker 2: No, he was like a kid playing a gangster in 39 00:02:07,120 --> 00:02:07,559 Speaker 2: a high. 40 00:02:07,440 --> 00:02:10,320 Speaker 1: School capone was light, was like a tyrant kid. 41 00:02:10,600 --> 00:02:15,600 Speaker 2: No, No, he was Sean Connery, Kevin Costner, Robert de Niro. 42 00:02:15,720 --> 00:02:17,440 Speaker 2: Didn't like any of them, only like I. 43 00:02:17,360 --> 00:02:19,720 Speaker 1: Didn't like any of them. First of all right, let's 44 00:02:19,720 --> 00:02:22,240 Speaker 1: just get into Kevin Costna. I would agree, right, I 45 00:02:22,280 --> 00:02:25,359 Speaker 1: watched it about last week. He's a snooze fest, isn't he. 46 00:02:25,400 --> 00:02:27,600 Speaker 2: Okay, he's the main character that's meant to take down copone. 47 00:02:27,639 --> 00:02:29,560 Speaker 1: I love Kevin Costa, but in this movie, he's like 48 00:02:29,600 --> 00:02:31,680 Speaker 1: a real square cardboard. 49 00:02:32,200 --> 00:02:35,280 Speaker 2: Yes, nothing about his character. You don't really even believe. 50 00:02:35,320 --> 00:02:37,440 Speaker 1: There's a bit in it where he's just leading the crew. 51 00:02:37,440 --> 00:02:39,440 Speaker 1: They're all sort of locked and loaded, right, He's got 52 00:02:39,480 --> 00:02:41,360 Speaker 1: his finally got all of his gang, his men to 53 00:02:41,400 --> 00:02:43,880 Speaker 1: take down our capone. They're gonna go and kick in 54 00:02:43,960 --> 00:02:46,520 Speaker 1: some warehouse and everyone's like, yeah, we're gonna do this 55 00:02:46,639 --> 00:02:49,200 Speaker 1: is the start of it, and Kevin Costner just goes 56 00:02:49,760 --> 00:02:53,000 Speaker 1: Cox is like shot and he goes, let's do some good. 57 00:02:53,320 --> 00:02:55,880 Speaker 1: It's like the lamest light I would have I was 58 00:02:55,919 --> 00:02:57,639 Speaker 1: Sean Connery, I would have punched him on the spot 59 00:02:57,639 --> 00:03:00,600 Speaker 1: and kicked him out of the van's galloway. 60 00:03:01,560 --> 00:03:04,080 Speaker 2: Costner at the start of the film gets bad press. 61 00:03:04,080 --> 00:03:06,240 Speaker 2: He's the new federal agent in town. He gets bad 62 00:03:06,280 --> 00:03:09,440 Speaker 2: press because the raid that he did is bungled, and 63 00:03:09,480 --> 00:03:11,639 Speaker 2: he takes the headline from the newspaper and pins it 64 00:03:11,720 --> 00:03:13,079 Speaker 2: up on the corkboard behind his desk. 65 00:03:13,240 --> 00:03:14,440 Speaker 1: That is called motivation. 66 00:03:14,680 --> 00:03:16,760 Speaker 2: Banker said, that's something Christian would do. 67 00:03:19,440 --> 00:03:22,760 Speaker 1: I have done that. You know. There's a rival boss 68 00:03:22,760 --> 00:03:24,880 Speaker 1: who said something about me. I wrote it on a 69 00:03:24,919 --> 00:03:26,519 Speaker 1: post it note and I had it for a year. 70 00:03:27,520 --> 00:03:29,959 Speaker 1: Maybe that's why I like this movie. It's a man 71 00:03:30,000 --> 00:03:34,280 Speaker 1: who's vengeance. Let's just talk about Kevin cosl Right, Okay, 72 00:03:34,320 --> 00:03:36,720 Speaker 1: if you didn't like the cause, what about Sean Conney? Though? 73 00:03:36,960 --> 00:03:39,200 Speaker 1: Yet again, what Sean showed in this movie playing a 74 00:03:39,760 --> 00:03:42,560 Speaker 1: Chicago cop is Sean Connery has probably got a greater 75 00:03:42,760 --> 00:03:45,720 Speaker 1: range of accents than near the other actor. I mean, 76 00:03:45,880 --> 00:03:48,840 Speaker 1: here he is when he was a Russian submarine commander, 77 00:03:49,160 --> 00:03:54,760 Speaker 1: Russian sounding, so Russian. Once more, we play our dangerous game, 78 00:03:55,920 --> 00:04:01,200 Speaker 1: a game of chess against our old aversary, the American Navy, 79 00:04:01,800 --> 00:04:03,840 Speaker 1: so Russian in that. And there he is now he's 80 00:04:03,920 --> 00:04:05,520 Speaker 1: working for a Spanish king. 81 00:04:05,840 --> 00:04:10,920 Speaker 2: Cot He change, I am one Sanchez fill of lobos. 82 00:04:10,480 --> 00:04:13,120 Speaker 1: An he doesn't sound like it made metal, just to 83 00:04:13,240 --> 00:04:17,359 Speaker 1: King Charles fifth of Spain. And here he is in Chicago. 84 00:04:17,560 --> 00:04:20,240 Speaker 1: Want to get here's hoping to get him? He pulls 85 00:04:20,279 --> 00:04:22,479 Speaker 1: a knife. Do you pull a gun? He sends one 86 00:04:22,520 --> 00:04:23,880 Speaker 1: of yours to the hospital, and you're saying, want a 87 00:04:23,920 --> 00:04:29,200 Speaker 1: history of the mark. This scene is incredible in that church. 88 00:04:29,440 --> 00:04:32,080 Speaker 1: It's a beautiful scene that's go away. 89 00:04:32,440 --> 00:04:35,279 Speaker 2: I honestly don't know if he thought he was from Chicago, 90 00:04:35,360 --> 00:04:37,720 Speaker 2: if he was from Scotland originally, because he starts off. 91 00:04:37,640 --> 00:04:40,479 Speaker 1: With everywhere he's been in the submarine. He's been time 92 00:04:40,560 --> 00:04:43,840 Speaker 1: traveling working for that Spanish king as his chief metallurgist. 93 00:04:44,120 --> 00:04:45,720 Speaker 2: When we first met him, he has more of an 94 00:04:45,760 --> 00:04:47,000 Speaker 2: American accent than a sort of. 95 00:04:47,000 --> 00:04:49,400 Speaker 1: Shit does change in the movie, doesn't It gets a 96 00:04:49,480 --> 00:04:52,719 Speaker 1: little bit frayed. I remember actually getting a little bit 97 00:04:52,880 --> 00:04:55,840 Speaker 1: misty eyed when Sean I think we can do We 98 00:04:55,880 --> 00:04:57,920 Speaker 1: don't have to go spoiler alert about a movie that 99 00:04:58,080 --> 00:05:00,680 Speaker 1: came out in nineteen eighty seventy. If you haven't seen 100 00:05:00,720 --> 00:05:03,440 Speaker 1: it now, I haven't seen it. Screw you. What about 101 00:05:03,480 --> 00:05:06,360 Speaker 1: this this scene here where he's gunned down big old Sean. 102 00:05:06,400 --> 00:05:14,520 Speaker 1: I don't like seeing this. Oh God, howardly wade they 103 00:05:14,600 --> 00:05:17,160 Speaker 1: got as they lured him out of his apartment as well. 104 00:05:17,520 --> 00:05:19,240 Speaker 2: Listened to it again. This was another one of my 105 00:05:19,320 --> 00:05:22,200 Speaker 2: most hated scenes. He's been shot more than one hundred 106 00:05:22,240 --> 00:05:27,080 Speaker 2: times that we can't actually kill Sean, and he reacts 107 00:05:27,120 --> 00:05:28,120 Speaker 2: like he stubbed his toe. 108 00:05:28,360 --> 00:05:33,440 Speaker 1: This is actually because he's so that's how you and 109 00:05:33,520 --> 00:05:36,880 Speaker 1: I would do it, Not Sean Connery, right, not surely 110 00:05:37,160 --> 00:05:38,600 Speaker 1: to him, it would just be like a paper cut. 111 00:05:38,720 --> 00:05:40,479 Speaker 2: Yeah, it sounds like you got a paper cut. 112 00:05:40,600 --> 00:05:43,720 Speaker 1: Jesus, that's chafe. That is really put some vacilline on that. 113 00:05:43,800 --> 00:05:44,440 Speaker 1: That is chafe. 114 00:05:44,600 --> 00:05:46,760 Speaker 2: And then hell it got He's honestly got shot from 115 00:05:46,800 --> 00:05:52,880 Speaker 2: head to toe bullets. He crawled trolls for the whole 116 00:05:52,960 --> 00:05:53,320 Speaker 2: length of his. 117 00:05:53,560 --> 00:05:55,360 Speaker 1: How big is that apartment? I mean he's only on 118 00:05:55,440 --> 00:05:58,640 Speaker 1: amaze these salaries as Chicrgo cop and yet the apartment 119 00:05:58,760 --> 00:06:01,960 Speaker 1: is like three times a size Buckingham Palace. Blood all 120 00:06:02,000 --> 00:06:06,839 Speaker 1: over everywhere. He's doing a commander crawl ruining that apartment. 121 00:06:06,920 --> 00:06:08,320 Speaker 1: The clean up job for the rest of the crew 122 00:06:08,400 --> 00:06:08,800 Speaker 1: is awful. 123 00:06:08,880 --> 00:06:10,640 Speaker 2: And then he's still there when Kevin Costa gets you. 124 00:06:11,360 --> 00:06:12,960 Speaker 1: That's upsetting, isn't it. You love Sean? 125 00:06:13,200 --> 00:06:14,480 Speaker 2: No, I didn't like him. 126 00:06:14,520 --> 00:06:15,280 Speaker 1: How can you not like? 127 00:06:15,839 --> 00:06:17,960 Speaker 2: I didn't like him? He was too cliche, all his 128 00:06:18,720 --> 00:06:21,760 Speaker 2: all these motivational speeches to the team. I was like, 129 00:06:21,960 --> 00:06:23,960 Speaker 2: what what does that even mean, I. 130 00:06:24,000 --> 00:06:26,240 Speaker 1: Don't like what I'm hearing. And then what about the 131 00:06:26,680 --> 00:06:29,600 Speaker 1: final scene when they're at the railway station, so brilliantly 132 00:06:29,720 --> 00:06:31,920 Speaker 1: shot with the lady in the pram, I hear sniggl 133 00:06:32,000 --> 00:06:34,680 Speaker 1: can you hear me? The lady in the pram, Costner, 134 00:06:34,839 --> 00:06:38,279 Speaker 1: the clock, the crew, the clock, the lady in the pram, 135 00:06:38,640 --> 00:06:40,800 Speaker 1: back to the clock. It's so tense with all the 136 00:06:40,880 --> 00:06:45,800 Speaker 1: characters world lateist ever in a movie tension. And what 137 00:06:45,920 --> 00:06:49,279 Speaker 1: about the scene where the pram good its slow motion 138 00:06:49,800 --> 00:06:53,160 Speaker 1: cood going down the steps good John Good jun kod 139 00:06:53,200 --> 00:06:55,640 Speaker 1: John Costner tries to grab it. He's prepared because he's 140 00:06:55,640 --> 00:06:58,799 Speaker 1: a moral man, to give away the whole secret operation 141 00:06:59,360 --> 00:07:02,479 Speaker 1: just to rescue that lady's baby, and then bang, who's 142 00:07:02,520 --> 00:07:04,279 Speaker 1: got it? Underneath Garsia? 143 00:07:05,000 --> 00:07:07,960 Speaker 2: That pram coming down the stairs was slower. My favorite 144 00:07:08,240 --> 00:07:11,080 Speaker 2: seen those slow mo clips of people using a super 145 00:07:11,120 --> 00:07:13,360 Speaker 2: slow my camera to film like a water balloon exploding. 146 00:07:13,440 --> 00:07:14,960 Speaker 2: He was even slower than that. 147 00:07:15,160 --> 00:07:18,400 Speaker 1: We were head of TikTok with Untouchables again, ten minutes 148 00:07:18,440 --> 00:07:24,160 Speaker 1: for that tension, tension, Sean dying in eighteen stages, and 149 00:07:24,280 --> 00:07:26,560 Speaker 1: then that pram scene with Garcia. You got a bit, 150 00:07:26,600 --> 00:07:28,800 Speaker 1: didn't you? Go that's cool. When he's suddenly there, he's 151 00:07:28,880 --> 00:07:31,600 Speaker 1: got it. Any I don't need you cause Garcia has 152 00:07:31,640 --> 00:07:32,600 Speaker 1: got it. Andy. 153 00:07:32,640 --> 00:07:35,680 Speaker 2: Garcia was my only likable character, and I did like 154 00:07:35,760 --> 00:07:37,640 Speaker 2: that bit where he's pinned under the pram and he 155 00:07:37,720 --> 00:07:38,600 Speaker 2: takes out the bad guy. 156 00:07:38,800 --> 00:07:40,640 Speaker 1: I haven't liked this with you one bit. It's actually 157 00:07:40,680 --> 00:07:42,640 Speaker 1: been the most trucculent one from you. Mark's out of 158 00:07:42,680 --> 00:07:45,040 Speaker 1: ten for The Great Untouchables. 159 00:07:44,520 --> 00:07:48,680 Speaker 2: Three out of ten. By the end of it, I 160 00:07:48,800 --> 00:07:50,360 Speaker 2: was actually saying, let's just finish this. 161 00:07:50,520 --> 00:07:52,720 Speaker 1: Oh God, this is really I'm saying. Right, We're not 162 00:07:52,760 --> 00:07:54,280 Speaker 1: going to talk about this anymore. We're going to move 163 00:07:54,320 --> 00:07:58,120 Speaker 1: on The Christian Connell Show podcast. If you just tuned in, 164 00:07:58,400 --> 00:08:01,800 Speaker 1: I am glad you didn't hear the last fifteen minutes 165 00:08:01,920 --> 00:08:06,120 Speaker 1: of blasphemous radio. That's what it is. When Jack took down. 166 00:08:06,520 --> 00:08:09,120 Speaker 1: Gave him easy three out of ten to the Great 167 00:08:09,200 --> 00:08:13,320 Speaker 1: Movie Oscar winning movie The Untouchables, Judy's with you, Jackie 168 00:08:13,320 --> 00:08:16,800 Speaker 1: Boy and with Jack Sean Connery's shockingly bad. He's shockingly 169 00:08:16,920 --> 00:08:17,960 Speaker 1: great in The Untoble. 170 00:08:18,000 --> 00:08:20,320 Speaker 2: I can't believe he won the Best Supporting Act. 171 00:08:20,440 --> 00:08:23,720 Speaker 1: Damn right, I can't believe, damn right. That's the Chicago way. 172 00:08:23,840 --> 00:08:25,600 Speaker 2: There must have been not a lot of films that year. 173 00:08:25,640 --> 00:08:28,280 Speaker 1: Oh, dare you come on, Jackie boy? Great movie. That's 174 00:08:28,760 --> 00:08:32,600 Speaker 1: someone else's texted in. Even your builder mate Clint has 175 00:08:32,720 --> 00:08:34,960 Speaker 1: texted you during the show he bought. 176 00:08:35,040 --> 00:08:37,280 Speaker 2: He said, we might not be friends anymore. First it 177 00:08:37,400 --> 00:08:39,120 Speaker 2: was top Gun. Now it's untouchable. 178 00:08:39,200 --> 00:08:39,400 Speaker 1: Yeah. 179 00:08:39,480 --> 00:08:41,880 Speaker 2: Maybe it's not the movies. Maybe you're the problem. 180 00:08:42,080 --> 00:08:44,640 Speaker 1: Thank you, Clint. I'm with you one hundred percent on 181 00:08:44,679 --> 00:08:47,000 Speaker 1: this Christian the letter you for me and a lot 182 00:08:47,080 --> 00:08:50,480 Speaker 1: of I think you this is ultimate Warrior Eighties wrestling. Yeah, 183 00:08:50,480 --> 00:08:52,559 Speaker 1: he was huge, one the early big megastars. No for 184 00:08:52,600 --> 00:08:56,280 Speaker 1: defeating Hulk Hogan for the WWF tight to us some 185 00:08:57,040 --> 00:08:58,640 Speaker 1: justin all right. The other thing to do with the 186 00:08:59,160 --> 00:09:01,760 Speaker 1: eighties and the to you for me is you know, 187 00:09:01,960 --> 00:09:05,520 Speaker 1: sometimes there's certain things that you remember from your childhood. Right, 188 00:09:05,600 --> 00:09:08,360 Speaker 1: it might be something you had to learn by wrote 189 00:09:08,559 --> 00:09:11,000 Speaker 1: while you were at school, a monomic or something like that. 190 00:09:11,120 --> 00:09:13,640 Speaker 1: For the colors of the Rainbow, Richard of York gave 191 00:09:13,840 --> 00:09:16,199 Speaker 1: battle in Vain. Oh really, we had Roigy bit of 192 00:09:16,559 --> 00:09:18,920 Speaker 1: ah right, Okay, Yeah, we were always taught because it 193 00:09:18,960 --> 00:09:21,199 Speaker 1: would be to do with the King of the UK. Yeah, 194 00:09:21,280 --> 00:09:23,520 Speaker 1: Richard of York gave battle in Vain. To remember the 195 00:09:23,559 --> 00:09:26,000 Speaker 1: are think called monomics. Yeah, it's that Many's words. Yeah. 196 00:09:26,200 --> 00:09:27,520 Speaker 1: The other thing I remember is, you know that used 197 00:09:27,520 --> 00:09:29,320 Speaker 1: to just because we used to watch so much TV 198 00:09:29,920 --> 00:09:32,679 Speaker 1: back then. My parents didn't care about me to sort 199 00:09:32,679 --> 00:09:34,000 Speaker 1: of sit in front of the TV. There wasn't a 200 00:09:34,040 --> 00:09:36,920 Speaker 1: lot of kids TV on, but there there were certain 201 00:09:36,960 --> 00:09:39,959 Speaker 1: adverts where you would just there's an advert, right to 202 00:09:40,040 --> 00:09:41,840 Speaker 1: do with a letter you for a do you remember, 203 00:09:41,960 --> 00:09:44,520 Speaker 1: like eighties nineties you had little cartons of drink, Yeah, 204 00:09:44,760 --> 00:09:47,719 Speaker 1: you remember, and you get like the tiny straw in 205 00:09:47,880 --> 00:09:51,120 Speaker 1: the world, barely like a half a zero point one 206 00:09:51,200 --> 00:09:54,040 Speaker 1: millimeters wide that you were sucking your eyeballs trying to 207 00:09:54,120 --> 00:09:56,719 Speaker 1: get any liquid out of and your mum would buy 208 00:09:56,760 --> 00:09:59,599 Speaker 1: them in like a six pack dirt cheap mustagen just 209 00:09:59,679 --> 00:10:02,360 Speaker 1: be sugary kind of drinks basically. Anyway, this one was 210 00:10:02,440 --> 00:10:06,520 Speaker 1: called Umbungo. And now this little cartoon advert I still remember, now, 211 00:10:07,120 --> 00:10:10,480 Speaker 1: many many years later, I still remember the first couple 212 00:10:10,559 --> 00:10:13,920 Speaker 1: of lines, way down deep in the middle of the congo, 213 00:10:14,520 --> 00:10:20,400 Speaker 1: A hippie hippo took an apricot, guava and a mango. 214 00:10:20,679 --> 00:10:22,760 Speaker 1: I think this is it now? The river was low 215 00:10:22,880 --> 00:10:25,640 Speaker 1: and the boat way down deep in the middle of 216 00:10:25,720 --> 00:10:31,480 Speaker 1: the congo. What stuck with the others, And Tangle said, 217 00:10:31,520 --> 00:10:36,559 Speaker 1: I know, we'll call it still remember this right? No 218 00:10:36,679 --> 00:10:39,280 Speaker 1: reason why I stood in the struggle to remember phone 219 00:10:39,360 --> 00:10:43,439 Speaker 1: numbers of the opening line. They drink, They drink it 220 00:10:43,520 --> 00:10:45,920 Speaker 1: way down deep in the congo. I still remember from 221 00:10:45,920 --> 00:10:50,040 Speaker 1: the Umbungo adverts. Do you remember any advert from your childhood? 222 00:10:50,040 --> 00:10:51,640 Speaker 1: You could almost do from from memory. 223 00:10:51,760 --> 00:10:54,120 Speaker 2: I can do the whole roof Seal ad Now, roof 224 00:10:54,200 --> 00:10:56,839 Speaker 2: Seal was a seal who walked around on your roof 225 00:10:56,920 --> 00:11:00,160 Speaker 2: and cleaned up your mortar and your gutters. And this 226 00:11:00,280 --> 00:11:03,559 Speaker 2: song went, when your roof is getting lost between the 227 00:11:03,720 --> 00:11:06,839 Speaker 2: lichen and the moss, and your mortar isn't where it 228 00:11:07,120 --> 00:11:10,040 Speaker 2: ort to be, well, give it back its old appeal 229 00:11:10,240 --> 00:11:12,800 Speaker 2: with a visit from roof Seal one three hundred and 230 00:11:12,840 --> 00:11:15,000 Speaker 2: thirty six seven oh seven. 231 00:11:15,120 --> 00:11:17,520 Speaker 1: Oh, this is amazing. I need to tell you this, listeners, 232 00:11:17,679 --> 00:11:20,760 Speaker 1: Jack didn't look at any notes. You did that off 233 00:11:20,840 --> 00:11:23,920 Speaker 1: by heart. Oh, when your roof is getting lost between 234 00:11:23,960 --> 00:11:26,920 Speaker 1: the likings and the moss, when your morder isn't where 235 00:11:27,080 --> 00:11:27,600 Speaker 1: it ought to. 236 00:11:27,640 --> 00:11:31,360 Speaker 2: Be, then give it back that old appeal with a visit. 237 00:11:31,200 --> 00:11:34,360 Speaker 1: From roof Seal one three hundred and thirty six seven 238 00:11:34,480 --> 00:11:38,280 Speaker 1: O seven oh word for word, word for word? All right, 239 00:11:38,360 --> 00:11:40,719 Speaker 1: So what's advert can you remember from your childhood, whether 240 00:11:40,720 --> 00:11:42,640 Speaker 1: you were charter of the eighties or nineties. What do 241 00:11:42,679 --> 00:11:45,120 Speaker 1: you think you can remember almost word for word? What 242 00:11:45,200 --> 00:11:47,760 Speaker 1: can you have a go out well? Christian Connell's Show 243 00:11:47,960 --> 00:11:48,520 Speaker 1: podcast