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Speaker 1: That's cutting room for that's cutting room for.

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Speaker 2: You just did that sweet spot of the tomato soup

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Speaker 2: at the bottom of the cup.

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Speaker 1: It's the best part. Yes, we're rolling now. This is

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Speaker 1: that podcast.

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Speaker 3: Is what happened, really, this is what happens. We are

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Speaker 3: like elderly people. I don't you know, I'm going to

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Speaker 3: stop using that ageious language. But we've made the room

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Speaker 3: smell like some kind of facility because we're drinking a

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Speaker 3: powdered soup and it's delicious.

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Speaker 1: The bottom part is the best part.

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Speaker 3: You know what. The tomato is the best one. It's

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Speaker 3: almost like And I don't have no shame in saying so.

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Speaker 3: Of all the ice cream flavors, vanilla is my favorite.

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Speaker 3: Don't read anything to my other parts of my life

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Speaker 3: about that.

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Speaker 1: So you like tomato and vanilla not together.

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Speaker 3: No, let's talk about Let's talk about Spencer Tunic.

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Speaker 2: Yes, so this we missed this. The show was so

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Speaker 2: packed today. We miss talking about old mate Spencer's tunic.

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Speaker 3: This is the guy who photographs people on mass in

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Speaker 3: the nuts in public places. If you were going to

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Speaker 3: do this on the weekend, speaking of having like a

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Speaker 3: cup of soup or something, would you shred. He wants

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Speaker 3: all types of body people, but you personally, would you shred.

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Speaker 1: If I was to do it? Yeah?

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Speaker 4: No, if you go to buy a picture, yes, of course,

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Speaker 4: if you want to do.

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Speaker 1: It, yeah yeah. When I have before, I performed nude

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Speaker 1: and I did. I was very mindful of what I

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Speaker 1: ate for how long, you know, just.

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Speaker 2: A week or so, just to drop some of the

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Speaker 2: fluid off my body, you know. And I got a

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Speaker 2: bit of a you know, got out in the sun,

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Speaker 2: put a bit of fake tan, had fake tan as well,

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Speaker 2: not that that you know.

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Speaker 4: What you said, I got out in the sun in

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Speaker 4: a G string.

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Speaker 1: No, I just think when I go for a paddle,

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Speaker 1: I just didn't wear my shirt. He men, you see.

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Speaker 3: Men, Well, this is the latest one he's done. I

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Speaker 3: mean he's done projects at Bond the Beach, at the

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Speaker 3: Sydney Opera House's you've been doing this since nineteen ninety two.

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Speaker 3: And so he got thousands of men and women to

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Speaker 3: strip naked on Brisbane's Story Bridge to take part in

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Speaker 3: the art shoot.

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Speaker 4: He said. They've said the bridge will be closed for

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Speaker 4: this art event. It will feature.

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Speaker 3: Thousands of live nude figures in celebration of diversity equity,

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Speaker 3: inclusion and Brisbane's vibrant LGBTWOQI plus communities and allies. So

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Speaker 3: they all had to walk onto the bridge in the nude.

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Speaker 3: That's the thing you picture yourself being in the finished photo,

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Speaker 3: but you have to get there. You had to walk

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Speaker 3: in the nude to find your position. And speaking of position,

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Speaker 3: in one shot and I'm looking at this photo now,

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Speaker 3: everyone crouches over on all fours with your head tucked

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Speaker 3: into your chest, so you've got to crouch quite up.

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Speaker 3: You're not lying flat on flush on the ground. So

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Speaker 3: if you put your head up at the wrong time,

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Speaker 3: you be a time you're looking at someone's clacker.

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Speaker 1: Yep, straight up there.

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Speaker 4: Would you ever do it?

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Speaker 2: No?

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Speaker 3: No, no, you're only a nude day are you doing show?

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Speaker 3: When you get paid for it?

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Speaker 1: I'd be the sort of guy.

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Speaker 3: Let me give reference to what I'm talking about. This

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Speaker 3: is when you were in the full Monty Real full Monty. Yeah,

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Speaker 3: the real full Monty.

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Speaker 1: Yeah.

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Speaker 4: As opposed to what, well, there was a movie here

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Speaker 4: before well we know you weren't on that.

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Speaker 1: In the real fur.

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Speaker 2: Monty was an incarnation of that where we got roped

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Speaker 2: in by Todd McKenny and Shane Jacobson to bear off

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Speaker 2: for in the nude for prostate awareness.

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Speaker 4: And did you have to crouch and moon the audience

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Speaker 4: in the word.

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Speaker 2: No, we just had to dance on the stage two

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Speaker 2: you could leave your hat on, sung by Tom Jones.

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Speaker 1: That was good? Was it? It was?

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Speaker 4: It was great?

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Speaker 3: The show was great, a lot of great awareness about

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Speaker 3: men's health. If you had crouched over, you could have

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Speaker 3: had a medical exam at the same time, it.

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Speaker 1: Could have been killed. Two birds of one stone.

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Speaker 2: You at the time flew off out of Sydney as

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Speaker 2: it was happening.

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Speaker 3: I had to arrange a living room shoot in Hawaii

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Speaker 3: so I could not be here too great pains. I

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Speaker 3: personally funded that entire trip. I wonder though that I

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Speaker 3: would have had to throw an acid my own eyes, and.

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Speaker 2: We don't want that because you've got lovely eyes. Spencer Tunic, though,

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Speaker 2: how did he get his start? He did it in

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Speaker 2: nineteen ninety two? How did he get it going? But

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Speaker 2: I often wonder it's like him and Christo, the guy

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Speaker 2: that wraps major monuments and stuff.

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Speaker 3: He remember did a whole like was it north Head

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Speaker 3: or south Head? We cam whole cliff face, Yes, so

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Speaker 3: he wraps it. So how do these conceptual artists start

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Speaker 3: petically the NUDI one, particularly Spencer Tunic. Does he have

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Speaker 3: to go and see council. Imagine the t's and c's,

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Speaker 3: the terms and conditions.

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Speaker 2: Well, I would imagine, like Banksy and any of those

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Speaker 2: other street artists.

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Speaker 4: They lot of red tape.

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Speaker 2: Well, yeah, you can't ask permission because he's closed the bridge.

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Speaker 4: They'd all be run over if he didn't get permissions.

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Speaker 2: What I mean now that he's a big deal and

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Speaker 2: everyone knows about Spencer Tunic, but before, in the early days,

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Speaker 2: where would he get pictures of masses of people?

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Speaker 1: Where would he do that at?

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Speaker 4: Well, I don't know.

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Speaker 3: He would have been an underground artist and just saying

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Speaker 3: I'm doing this incredible project.

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Speaker 4: And maybe right at the beginning they just flash mobs.

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Speaker 3: Well they flashed their mobs at each other without permission.

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Speaker 3: Quick get one shot. And then the bigger and bigger

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Speaker 3: he got, and they became more and more famous. Maybe

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Speaker 3: then you go to counsel and say, here's the thing

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Speaker 3: I want people to strip off. Here's the paperwork, A

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Speaker 3: lot of teas and seas, terms and condition and other words.

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Speaker 1: Okay, that's it. What today.

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Speaker 2: Come back to Marvel, Marve, Josie and Amanda's cutting room

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Speaker 2: for