WEBVTT - BONUS: Churi chats with Tones and I

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<v Speaker 1>Is it just me a podcast by a couple of mitches.

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<v Speaker 2>Mitch, you caught up with Tones and I recently I.

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<v Speaker 3>Did Tones and I and I hung out. It was

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<v Speaker 3>it was real fun. Actually I got a good couple

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<v Speaker 3>of scoops out of her. She went to a celebrity's

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<v Speaker 3>house in LA like a big Hollywood Hills party and

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<v Speaker 3>left midway through because she was over it.

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<v Speaker 2>And when I had fast food. She's a bit of

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<v Speaker 2>an introvert, Yeah, she is.

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<v Speaker 3>It was a good story in that I, speaking of

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<v Speaker 3>fast food, I got out of her what her favorite

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<v Speaker 3>fast food restaurant is.

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<v Speaker 2>And it's gonna get me brownie points.

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<v Speaker 3>You did tell me in our full show that you

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<v Speaker 3>plugged a red Ruther and you spoke about that with her.

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<v Speaker 2>Thank god. She loves a red rooster role for one

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<v Speaker 2>another reason that I now love her.

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<v Speaker 3>And also she talks about a collab but that she's

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<v Speaker 3>never announced, never spoken about, and actually hadn't planned on releasing.

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<v Speaker 3>But I think I think I convinced her to do it.

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<v Speaker 2>With Chappelle Corby, wasn't it.

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<v Speaker 3>It was Palm Trees but released too. I this on

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<v Speaker 3>my night show, Kissed Nights, and we had to cut

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<v Speaker 3>it down a bit, but this is the full unedited

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<v Speaker 3>chat with me.

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<v Speaker 2>Really, yah know where it's at all. And he's swearing, Yeah,

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<v Speaker 2>she fucking swears like a fucking sailor does she.

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<v Speaker 3>I can't remember what she says. We're talking about busking,

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<v Speaker 3>and she's like, let me tell you the thing about

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<v Speaker 3>fucking busking.

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<v Speaker 2>And I was like, oh my god, Byron Bay ruts

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<v Speaker 2>are coming out. I feel like I could be friends

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<v Speaker 2>with her.

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<v Speaker 3>Me too, actually, And she was one of those people

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<v Speaker 3>that were really present. She kept referring to me by name,

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<v Speaker 3>like Mitch. That's a good question, you know, when like

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<v Speaker 3>someone does that.

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<v Speaker 2>I don't have that skill. I suck at that. Yeah,

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<v Speaker 2>we have the name again, get it here. It is

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<v Speaker 2>mean toimes and and I enjoy Mitch till midnight.

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<v Speaker 1>I need.

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<v Speaker 2>I'm so good. I'm so bloody good. How are you?

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<v Speaker 1>I'm good, Michael.

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<v Speaker 2>Let me tell you.

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<v Speaker 3>I'm fangirling for a moment because I'm such a massive

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<v Speaker 3>fan of you and I when they said this is happening,

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<v Speaker 3>They're like, she's going on, Kyle and Jackie. Oh, I'm like,

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<v Speaker 3>okay that my odds are now being halved. And they're

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<v Speaker 3>like and then she'll do your show. I'm like you,

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<v Speaker 3>but you get out of here because I need tones

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<v Speaker 3>and I have been literally saying how much I love you.

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<v Speaker 3>See stay dot and I think it's all come to

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<v Speaker 3>fruition on the show here. If I saw you in

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<v Speaker 3>Baron Bay, I'd throw you a thousand dollars check. I'm

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<v Speaker 3>obsessed with you. I think you're incredible, dead set. I'd stop.

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<v Speaker 3>I'd like fix your hair. I'd be like, you're doing great,

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<v Speaker 3>let me just tune your guitar. I'd be the I'd

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<v Speaker 3>be the mom with a little GoPro filming you on

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<v Speaker 3>the side of the street because I love you and

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<v Speaker 3>I'm so glad you're here.

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<v Speaker 1>Thank you for the girls with the camera and the sew.

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<v Speaker 2>You'd be performing. I'd be like, Tones, you need, what

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<v Speaker 2>do you need? You need? You need me to tune

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<v Speaker 2>your caitar. You need some condoms? What do you need

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<v Speaker 2>to need a drink? What do you need.

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<v Speaker 3>In the middle of a street. I don't know why

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<v Speaker 3>you need them, but I'm supportive. I'll give you what

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<v Speaker 3>you needed.

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<v Speaker 1>You know, yeah, no, And I love someone that has

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<v Speaker 1>everything just in case.

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<v Speaker 3>Exactly one of those trench coats just full of anything

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<v Speaker 3>you need, buttle of tequila.

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<v Speaker 2>I got to your bag.

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<v Speaker 3>Oh shit, dude, I honestly have to say congratulations on

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<v Speaker 3>everything that has happened to you. I don't even normally

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<v Speaker 3>when people come on, I can list it because you know,

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<v Speaker 3>there's a there's a ten second list.

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<v Speaker 2>But there's a bloody bible for you. You've done everything.

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<v Speaker 1>Thank you. Yeah, I know. I don't even know. It's crazy.

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<v Speaker 1>It's just all happened so quickly. It's you know, it's

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<v Speaker 1>it's such a crazy thing that has happened.

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<v Speaker 3>Yeah, it is crazy, isn't it. Do you almost think

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<v Speaker 3>like it's not happened? Like do you ever think it's

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<v Speaker 3>a dream or do you ever wake up and go

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<v Speaker 3>it come on? Like it's got to end now, like

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<v Speaker 3>because it just hasn't stopped.

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<v Speaker 1>Yeah, I do. I do think that. I think that

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<v Speaker 1>it's you know, I feel like that about the world,

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<v Speaker 1>but not Australia. Like I feel like Australia have supported

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<v Speaker 1>me through Busking, through Johnny run Away, through Dance Monkey,

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<v Speaker 1>through and Neverthing, the Rain, the EP now Bad Child,

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<v Speaker 1>Like I feel like Australia is home and that's the

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<v Speaker 1>place where you know, I'm an artist around me around

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<v Speaker 1>the world. You know what, A lot of people come

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<v Speaker 1>to my shows thinking dance Monkey, Okay, I want to

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<v Speaker 1>hear other stuff and have no idea that I a

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<v Speaker 1>will play an instrument, you know, different over there.

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<v Speaker 2>I think that's the Aussie spirit though. We love an underdog.

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<v Speaker 3>We love watching someone come from nothing, not saying you're

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<v Speaker 3>at nothing, but someone come from the bottom to the top.

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<v Speaker 2>And that's what you've done. Like that is the epitome

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<v Speaker 2>of like an Aussie icon.

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<v Speaker 3>Like we love that in artists, and I think I

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<v Speaker 3>think that's why everyone loves you so much and loves

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<v Speaker 3>your music, because they can see the journey and they

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<v Speaker 3>can hear it in your music. I mean, dance Monkey,

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<v Speaker 3>I could do it whole interview on but I mean

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<v Speaker 3>that's old stuff. Now Bad Child Times is, Oh my god,

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<v Speaker 3>I think it's better than dance Monkey. You must be

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<v Speaker 3>happy with how that's doing, like getting airplay.

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<v Speaker 1>And I'm just happy that. The main thing is that

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<v Speaker 1>that really makes me happy is that, like I finally

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<v Speaker 1>released a song that's vulnerable and it's about me, and

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<v Speaker 1>I've opened myself up more instead of hiding behind other

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<v Speaker 1>names like Jimmy and Johnny and all this stuff, you know,

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<v Speaker 1>Like I think I made the decision to release this song.

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<v Speaker 1>It was very hesitant. I never thought I would, but

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<v Speaker 1>then when I made that decision, I was like, I'm

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<v Speaker 1>going to do it. And I think that the way

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<v Speaker 1>that people take that and support that is huge for

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<v Speaker 1>me because first of all, like I produced that track,

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<v Speaker 1>ninety nine percent was all on my own. I sent

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<v Speaker 1>it to a producer to get it cleaned up and

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<v Speaker 1>ready for radio. But I mean, I'm starting to produce

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<v Speaker 1>my own music from the kids are coming to now

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<v Speaker 1>and can't be happy all the time, and that's so

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<v Speaker 1>huge for me, you know. So I think that, like,

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<v Speaker 1>you know, to see the support when you really put

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<v Speaker 1>extra effort into something and it's very vulnerable for you

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<v Speaker 1>and you're nervous, you know, that's that really matters to someone.

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<v Speaker 2>So like you. How long have you been writing music

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<v Speaker 2>and performing?

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<v Speaker 1>Well, I've always sung in the shower, but I've never

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<v Speaker 1>had a lesson or anything. Like I always played basketball

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<v Speaker 1>growing up. Yeah, I would say I probably. I used

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<v Speaker 1>to play at like pubs and clubs. Some people, like

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<v Speaker 1>say Tones and Eyes completely skipped the pub scene, which

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<v Speaker 1>all Ausius dude, no no, no, no.

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<v Speaker 3>You're like, I've had thrown at me, thank you very much.

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<v Speaker 3>I know the smell of cigarettes and sandy.

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<v Speaker 1>I've had all. I've had all the public pubs experiences.

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<v Speaker 1>But when I realized, which a lot of people either

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<v Speaker 1>do and don't want to do it or just don't realize,

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<v Speaker 1>that that wasn't enough if you really want something, I

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<v Speaker 1>went to busking and I think that's the new Aussie

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<v Speaker 1>experience now anyway, Like we've got so many amazing buskers

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<v Speaker 1>that come from Australia that like get that support and

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<v Speaker 1>blow up. You know how it is when you're in

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<v Speaker 1>other countries they do not care about buskers. When I'm

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<v Speaker 1>in America, they don't even know what bucking is. They

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<v Speaker 1>call it street performing and they think it's like the

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<v Speaker 1>lowest of the low homeless cost. Yeah, so it's like

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<v Speaker 1>like you know, homeless people tapping on the pavement with sticks,

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<v Speaker 1>Like they don't even realize the culture that we have

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<v Speaker 1>in Australia. It's amazing, Like we're so lucky. And I think,

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<v Speaker 1>like I've been doing that probably all up like pubs

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<v Speaker 1>and busting for about four five years maybe my god, see.

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<v Speaker 3>And you're so right the amount of times I've been

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<v Speaker 3>to pitt Street in the middle of Sydney and all

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<v Speaker 3>at Chapel Street down in Melbourne and there's been a.

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<v Speaker 2>Busker that's got me stopped. Like I stopped and I go,

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<v Speaker 2>who is this? I need to know? You're right? We

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<v Speaker 2>have such good quality on our streets.

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<v Speaker 1>Yeah, and I think they were. The mindset behind busker

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<v Speaker 1>is is like I have to get out there and

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<v Speaker 1>I don't know how, so I'm going to put myself

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<v Speaker 1>in the middle of a bunch of people that don't

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<v Speaker 1>know who I am. It's so nerve racking, But this

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<v Speaker 1>is how much I love what I do. And I

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<v Speaker 1>think that no matter even if you don't you don't

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<v Speaker 1>like what they're sharing, it's not your taste, Like that's

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<v Speaker 1>something to be appreciated already before before even deciding that

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<v Speaker 1>all of a sudden, oh well they're really talented as well,

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<v Speaker 1>or whatever you think about busk is you know, just

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<v Speaker 1>to do that. So I remember my first time it

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<v Speaker 1>was so scary, and even up to my almost my

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<v Speaker 1>last time, it's always scary. Actually, I always was nervous.

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<v Speaker 2>Yeah, do you cringe?

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<v Speaker 3>Like I've seen videos come up in the last couple

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<v Speaker 3>of weeks tones and eye busking tones and I busking

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<v Speaker 3>before she was big.

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<v Speaker 2>Do you cringe looking at that? Or are you like no, man,

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<v Speaker 2>that's what got me here.

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<v Speaker 1>I'm just really proud of myself. I actually look at

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<v Speaker 1>that video. I saw that video, you know the other

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<v Speaker 1>day I popped up on my new speed and I

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<v Speaker 1>thought to myself, like shit, like looking at my youngest self,

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<v Speaker 1>going you actually had no idea, like if I could

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<v Speaker 1>talk to you now, if I could look at you

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<v Speaker 1>right now, and on that video when I'm busking, that

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<v Speaker 1>was the night I wrote dance Monkey about that's so

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<v Speaker 1>strange because that was the night someone knocked over my

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<v Speaker 1>keyboard stole my money. That was the night and looking

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<v Speaker 1>back on the how dislated someone can feel, and then going, fuck,

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<v Speaker 1>I wish I could talk to you now. You have

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<v Speaker 1>no idea. Sometimes I have a look at like I

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<v Speaker 1>try and look back on my past or whatever. I

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<v Speaker 1>printed out a lot of photos from last year just

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<v Speaker 1>to like have some memories of what's been going on,

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<v Speaker 1>and I looked at them and I went, you know,

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<v Speaker 1>I never thought this was going to happen. And when

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<v Speaker 1>I see those busking videos, I'm like, shit, keep going

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<v Speaker 1>because like you know it's gonna work.

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<v Speaker 3>Now, that's what I want to talk about. Like, it

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<v Speaker 3>must just be nuts. I think I read an article

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<v Speaker 3>and it was praising you. It was an Aussie article,

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<v Speaker 3>or you're going to get a lot of love from

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<v Speaker 3>Ozzie prayers. But this article was like tones and I

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<v Speaker 3>invited to this Hollywood Hills mansion party. We took her

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<v Speaker 3>best friend and then like hated it, left and got

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<v Speaker 3>KFC in her apartment.

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<v Speaker 2>If that happened, is that true?

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<v Speaker 1>It's very similar to true. So we went to the party.

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<v Speaker 1>Me and my friend Abs were both pretty bogany, and

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<v Speaker 1>then everyone was just really snooty. We didn't like it,

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<v Speaker 1>so we went back to our hotel room and we

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<v Speaker 1>got Jenny's. I don't even know they have KFC. We

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<v Speaker 1>got Denny's, which is like a diner, and watched Netflix

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<v Speaker 1>and just yeah, we're pretty much the same. So we

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<v Speaker 1>didn't get KFC. Here is like a side note, I

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<v Speaker 1>don't like KFC. No one knows, but really, I guess

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<v Speaker 1>they assume because I'm an Aussie.

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<v Speaker 2>I guess they're all, OK, you're not into Wicked Wings.

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<v Speaker 1>No, I just I don't know why. It's just sometimes

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<v Speaker 1>it's Harry, Yes, what you mean?

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<v Speaker 2>Exactly what you mean? What's your meaning of choice?

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<v Speaker 3>Are you like a snack wrap at macas or like

0:10:05.640 --> 0:10:09.400
<v Speaker 3>a what do you fill of the fish?

0:10:09.480 --> 0:10:13.959
<v Speaker 1>If I had to eat takeaway, okay, i'd probably get

0:10:14.000 --> 0:10:14.560
<v Speaker 1>red rooster.

0:10:15.240 --> 0:10:17.160
<v Speaker 2>Oh my god, you're my girl, like your half chicken

0:10:17.240 --> 0:10:18.160
<v Speaker 2>roll or full chicken roll.

0:10:18.200 --> 0:10:21.720
<v Speaker 1>Let's be real, like if you're going to get takeaway,

0:10:21.760 --> 0:10:24.920
<v Speaker 1>like why would you go half? Because I don't get

0:10:24.960 --> 0:10:26.840
<v Speaker 1>takeaway all the time. So if you're gonna do it,

0:10:26.920 --> 0:10:28.319
<v Speaker 1>like you're gotta do it. You know. It's like when

0:10:28.360 --> 0:10:30.880
<v Speaker 1>you're hungover and you're like, right, oh guys ordering Uber Eats.

0:10:31.000 --> 0:10:34.160
<v Speaker 1>Tell all your roommates do breach day today. I'll pay

0:10:34.240 --> 0:10:37.160
<v Speaker 1>for it. Get your order in. You know. One of

0:10:37.160 --> 0:10:38.760
<v Speaker 1>those things you'd be the coolest friend.

0:10:38.800 --> 0:10:41.440
<v Speaker 3>Are your friends like, oh like just loving you at

0:10:41.480 --> 0:10:43.240
<v Speaker 3>the moment or are you getting like old ones out

0:10:43.240 --> 0:10:44.720
<v Speaker 3>of the woodworks and you're like you bullied me in

0:10:44.760 --> 0:10:46.720
<v Speaker 3>your seven Thank you very much, Rebecca Smith, like you

0:10:46.720 --> 0:10:47.680
<v Speaker 3>can piece right off.

0:10:50.920 --> 0:10:53.200
<v Speaker 1>Well, actually it's funny you say that because I think

0:10:53.280 --> 0:10:55.680
<v Speaker 1>my friends are the coolest, so I feel so lucky.

0:10:55.760 --> 0:11:00.840
<v Speaker 1>But no, I think in school like this is the

0:11:00.880 --> 0:11:04.079
<v Speaker 1>way I see it in school. Everyone makes mistakes. We're children,

0:11:04.360 --> 0:11:07.400
<v Speaker 1>we're young, like, you know, I feel like in school,

0:11:07.400 --> 0:11:10.080
<v Speaker 1>I would never harbor anything that happened to me in school.

0:11:10.080 --> 0:11:12.680
<v Speaker 1>And there's a lot of people that I knew from

0:11:12.760 --> 0:11:15.240
<v Speaker 1>school that I've known since then that have changed. And

0:11:15.360 --> 0:11:17.840
<v Speaker 1>myself has changed so much since school. So the way

0:11:17.880 --> 0:11:21.480
<v Speaker 1>I see this is like since anything from high school

0:11:21.520 --> 0:11:23.720
<v Speaker 1>and beyond is you know, we're all learning, we're all

0:11:23.760 --> 0:11:25.520
<v Speaker 1>trying to figure out who we are. And I have

0:11:25.559 --> 0:11:27.880
<v Speaker 1>a little brother, and I know what it's like to

0:11:27.920 --> 0:11:30.280
<v Speaker 1>be that age, and I think that it's important to

0:11:30.360 --> 0:11:32.800
<v Speaker 1>remember that people change. Otherwise we're all going to look

0:11:32.800 --> 0:11:34.520
<v Speaker 1>at each other like we're fetuses for the rest of

0:11:34.559 --> 0:11:36.600
<v Speaker 1>our lives because we all.

0:11:39.000 --> 0:11:41.720
<v Speaker 3>Oh my god, now let's talk about new music very quickly.

0:11:41.960 --> 0:11:44.040
<v Speaker 3>So obviously dance Monkey is huge.

0:11:44.080 --> 0:11:44.520
<v Speaker 2>We loved it.

0:11:44.600 --> 0:11:46.440
<v Speaker 3>That's what got That's what got the name Tones and

0:11:46.480 --> 0:11:48.920
<v Speaker 3>I in our minds Bad Child's Out, We love that.

0:11:49.000 --> 0:11:51.520
<v Speaker 3>I love Johnny Runaway, can't be happy all the time

0:11:51.600 --> 0:11:55.000
<v Speaker 3>is around, is all sort of bubbling over all. These

0:11:55.040 --> 0:11:57.520
<v Speaker 3>tracks got a feature on your debut album coming this year.

0:11:59.480 --> 0:12:01.839
<v Speaker 1>Well, I was gonna the first two songs off the

0:12:01.880 --> 0:12:05.400
<v Speaker 1>album was going to be Bad Child and Can't Be

0:12:05.400 --> 0:12:07.240
<v Speaker 1>Happy all the time. But now that I have this

0:12:07.320 --> 0:12:09.400
<v Speaker 1>time off, I was kind of almost going to keep

0:12:09.400 --> 0:12:12.640
<v Speaker 1>them as singles and write new songs for the album. Yeah,

0:12:13.880 --> 0:12:16.199
<v Speaker 1>because it's just I've got so much more time off

0:12:16.240 --> 0:12:17.880
<v Speaker 1>than I thought I would have, and I was meant

0:12:17.920 --> 0:12:19.559
<v Speaker 1>to be writing this album while I was on tour.

0:12:20.200 --> 0:12:22.800
<v Speaker 1>So now it's hard to me because every time I

0:12:22.840 --> 0:12:24.600
<v Speaker 1>write music, by the time I get to the end

0:12:24.640 --> 0:12:26.800
<v Speaker 1>of the album, I'm like the first few songs I

0:12:26.800 --> 0:12:28.360
<v Speaker 1>wrote that I love, I'm like, nah, I hate him.

0:12:28.360 --> 0:12:30.439
<v Speaker 1>Now I'm used to them, and then I want to

0:12:30.440 --> 0:12:33.800
<v Speaker 1>write new song. He keeps happening, So it's really hard.

0:12:35.120 --> 0:12:37.240
<v Speaker 3>Did you have that feeling with Dance Monkey or Bad

0:12:37.320 --> 0:12:39.319
<v Speaker 3>Child like you Did you ever get over those songs

0:12:39.360 --> 0:12:41.640
<v Speaker 3>or did you know, like, nah, there's something here that

0:12:42.200 --> 0:12:42.720
<v Speaker 3>is special.

0:12:44.520 --> 0:12:48.120
<v Speaker 1>I I Danced Monkey, I didn't because it was doing

0:12:48.160 --> 0:12:52.000
<v Speaker 1>some crazy, crazy, out of this world things without a release,

0:12:52.080 --> 0:12:54.120
<v Speaker 1>like the thing that song did in Byron Bay, a

0:12:54.440 --> 0:12:57.520
<v Speaker 1>town like just to bring people together were crazier. I

0:12:57.559 --> 0:13:00.560
<v Speaker 1>was so excited for that song. But Bad Child Can't

0:13:00.559 --> 0:13:02.440
<v Speaker 1>Be Happy. No, I could still listen to Can't Be

0:13:02.440 --> 0:13:04.200
<v Speaker 1>Happy all the time. I listened to it before before

0:13:04.200 --> 0:13:07.760
<v Speaker 1>the phone call. Actually, it's definitely a song I wrote

0:13:07.800 --> 0:13:11.240
<v Speaker 1>for myself when I never intended to release that, so

0:13:11.400 --> 0:13:14.480
<v Speaker 1>vulnerable of me to write like that that, you know,

0:13:14.600 --> 0:13:18.000
<v Speaker 1>when I did release it, I feel like, you know,

0:13:18.120 --> 0:13:20.160
<v Speaker 1>proud when I listened to it, and I do love

0:13:20.200 --> 0:13:22.320
<v Speaker 1>the song. I love performing it. So that's like a

0:13:22.360 --> 0:13:23.760
<v Speaker 1>song that I will listen to you because I wrote

0:13:23.760 --> 0:13:26.320
<v Speaker 1>it for myself when I get down or whatever. So

0:13:26.760 --> 0:13:28.719
<v Speaker 1>I tended to listen to it and sing it all

0:13:28.720 --> 0:13:30.560
<v Speaker 1>the time for myself. And now it's out there in

0:13:30.600 --> 0:13:32.400
<v Speaker 1>the world. I can listen to it, you know, on

0:13:32.400 --> 0:13:34.000
<v Speaker 1>Spotify when I want to.

0:13:34.160 --> 0:13:35.280
<v Speaker 2>Yeah, I love that.

0:13:35.559 --> 0:13:38.160
<v Speaker 3>What about like when Ozzie artists dropped their albums and

0:13:38.160 --> 0:13:40.240
<v Speaker 3>we love all the artists, but then they often struggle

0:13:40.320 --> 0:13:42.800
<v Speaker 3>to get the big international names to do covers or

0:13:42.800 --> 0:13:44.720
<v Speaker 3>to do features. We live in our little Aussie music

0:13:44.760 --> 0:13:48.079
<v Speaker 3>bubble here and down under. But now you're an international name.

0:13:48.120 --> 0:13:49.679
<v Speaker 3>People know who you are in and out of LA

0:13:49.760 --> 0:13:52.040
<v Speaker 3>I can only imagine are there big names that have

0:13:52.080 --> 0:13:54.600
<v Speaker 3>approached you or you're like trying to approach to get

0:13:54.640 --> 0:13:56.000
<v Speaker 3>on the album?

0:13:57.240 --> 0:14:00.920
<v Speaker 1>Well, I actually had this rule. No Colloud I've been

0:14:01.000 --> 0:14:04.319
<v Speaker 1>offered some collaborations with some amazing artists that I would

0:14:04.400 --> 0:14:07.320
<v Speaker 1>like to collab with, but I really wanted to do

0:14:07.559 --> 0:14:10.000
<v Speaker 1>work on my own first. I wanted to have like

0:14:10.040 --> 0:14:12.400
<v Speaker 1>a big body of work that I've done on my

0:14:12.440 --> 0:14:14.440
<v Speaker 1>own to prove more. Like I just feel like I

0:14:14.520 --> 0:14:17.120
<v Speaker 1>know that, you know, dance Monkey's gone big and stuff,

0:14:17.160 --> 0:14:19.120
<v Speaker 1>but it's so important to me that I still haven't

0:14:19.160 --> 0:14:22.800
<v Speaker 1>figured out really what's going on inside my head sometimes,

0:14:22.840 --> 0:14:24.400
<v Speaker 1>and I just need to figure it out on my

0:14:24.480 --> 0:14:27.560
<v Speaker 1>own before I'm like, okay, I'm ready. Like I met

0:14:27.640 --> 0:14:30.520
<v Speaker 1>up with Maclamore. He's obviously my favorite artist, and we

0:14:30.560 --> 0:14:33.440
<v Speaker 1>wrote two tracks together, and he's the first person I've

0:14:33.480 --> 0:14:35.960
<v Speaker 1>ever collabed with because obviously he's my favorite artist of

0:14:36.000 --> 0:14:39.640
<v Speaker 1>all times. So to get asked. He just surprised me

0:14:39.680 --> 0:14:41.920
<v Speaker 1>at my show backstage and then stayed for the show.

0:14:42.440 --> 0:14:44.480
<v Speaker 1>Wasn't meant to be working on songs, And then the

0:14:44.520 --> 0:14:46.960
<v Speaker 1>next day he called and was like, I want you

0:14:47.040 --> 0:14:48.880
<v Speaker 1>to come work with me on some songs, like he

0:14:48.960 --> 0:14:51.440
<v Speaker 1>really wanted to be on Can't Be Happy All the Time,

0:14:51.880 --> 0:14:54.120
<v Speaker 1>and I was like, that song's about like it's finished,

0:14:54.120 --> 0:14:56.080
<v Speaker 1>it's going to be released soon because that song's been

0:14:56.160 --> 0:14:59.160
<v Speaker 1>obviously finished for a while. But you know, then we

0:14:59.200 --> 0:15:00.760
<v Speaker 1>wrote some songs to again, and I was like, it's

0:15:00.760 --> 0:15:03.680
<v Speaker 1>definitely Macamare, Like I want him to be my first collaboration.

0:15:03.800 --> 0:15:06.200
<v Speaker 1>So we've written through songs together and I feel as though,

0:15:06.280 --> 0:15:09.560
<v Speaker 1>like you know that, that to me is just like

0:15:09.840 --> 0:15:12.440
<v Speaker 1>the biggest goal, Like where do I go from there?

0:15:12.440 --> 0:15:13.600
<v Speaker 1>Like he's my favorite artist.

0:15:13.640 --> 0:15:16.320
<v Speaker 3>Imagine imagine if he wanted to come record at your house.

0:15:16.320 --> 0:15:18.640
<v Speaker 3>You're like, sure, let me take the Macamore posters down,

0:15:18.680 --> 0:15:20.120
<v Speaker 3>give you ten minutes and you can come.

0:15:21.560 --> 0:15:25.560
<v Speaker 2>All the posts of you. That is so cool, Wow.

0:15:26.640 --> 0:15:28.160
<v Speaker 1>Very much. Just a two minute rap.

0:15:28.200 --> 0:15:29.080
<v Speaker 2>Thank you good.

0:15:28.880 --> 0:15:31.280
<v Speaker 3>Sorry goodness, man, get too cold up? No, No, I've

0:15:31.280 --> 0:15:34.720
<v Speaker 3>been talking too much. I mean, where do we end?

0:15:35.120 --> 0:15:37.920
<v Speaker 3>Who's the coorset person you've met that you've got besides Maclamore? Like,

0:15:38.000 --> 0:15:40.040
<v Speaker 3>is I just a standard celebrity or someone that you've

0:15:40.080 --> 0:15:41.640
<v Speaker 3>met that you're like, oh, yeah, I'm cool.

0:15:41.680 --> 0:15:46.400
<v Speaker 1>Now, well I would have to say I have to

0:15:46.440 --> 0:15:48.760
<v Speaker 1>pay the respect to this person. Obviously. I met Sir

0:15:48.840 --> 0:15:51.240
<v Speaker 1>Elton John and he did an interview with me on

0:15:51.400 --> 0:15:56.960
<v Speaker 1>his Rocket Hour BBC radio Apple Yeah, Apple Music, Sorry,

0:15:57.040 --> 0:16:00.320
<v Speaker 1>Rocket Hour show, And you know and the and I

0:16:00.360 --> 0:16:03.160
<v Speaker 1>loved Elton John so much. And something I never knew

0:16:03.160 --> 0:16:07.000
<v Speaker 1>about him until now is he's pretty much based this

0:16:07.040 --> 0:16:10.920
<v Speaker 1>whole radio show around discovering new artists that he's inspired by.

0:16:11.080 --> 0:16:13.920
<v Speaker 1>And not only did he meet up with me and

0:16:14.560 --> 0:16:18.080
<v Speaker 1>you know, Winston surf Shirt, but also like he asked

0:16:18.160 --> 0:16:20.840
<v Speaker 1>us what up and coming artists we like and he

0:16:20.960 --> 0:16:23.360
<v Speaker 1>and obviously I said Adrian Eagle. Everyone knows I love

0:16:23.400 --> 0:16:27.080
<v Speaker 1>Adrian Eagle. He then played Adrian Eagle on his show

0:16:27.160 --> 0:16:30.120
<v Speaker 1>for the whole next week. Oh my god, it's just

0:16:30.400 --> 0:16:31.800
<v Speaker 1>amazing and I just loved that.

0:16:32.280 --> 0:16:32.760
<v Speaker 2>Aar rut.

0:16:32.840 --> 0:16:35.160
<v Speaker 3>Now quickly to and before we go, I'm I'm being

0:16:35.280 --> 0:16:39.000
<v Speaker 3>rushed off the Grammys. People are saying Dance Monkey's pegged

0:16:39.040 --> 0:16:41.440
<v Speaker 3>for a Grammy next year or this year, nomination this

0:16:41.520 --> 0:16:44.040
<v Speaker 3>year for next year. I mean, it's now the high

0:16:44.080 --> 0:16:45.720
<v Speaker 3>stream song ever by a female.

0:16:45.440 --> 0:16:48.000
<v Speaker 2>Artist on Spotify. What would you do if you want

0:16:48.000 --> 0:16:48.440
<v Speaker 2>a Grammy?

0:16:48.480 --> 0:16:48.560
<v Speaker 1>Like?

0:16:48.720 --> 0:16:51.160
<v Speaker 2>What would literally just be? Like going to Red Rooster.

0:16:51.520 --> 0:16:53.760
<v Speaker 2>I'm getting a Mountain jew and a chicken roll? Like

0:16:53.880 --> 0:16:56.160
<v Speaker 2>what where would you go? What would you do?

0:16:57.600 --> 0:16:59.440
<v Speaker 1>I can't even tell you, but I will say you

0:16:59.480 --> 0:17:01.960
<v Speaker 1>this one that would be amazing. But the first thing

0:17:01.960 --> 0:17:03.880
<v Speaker 1>I think of is, oh my god, I hate dressing

0:17:03.960 --> 0:17:06.040
<v Speaker 1>up and I hate red carpet. That's the first thing

0:17:06.119 --> 0:17:09.240
<v Speaker 1>I think of. I'm like, so, you know, you might

0:17:09.280 --> 0:17:12.640
<v Speaker 1>see tones and attraction at the Grammy and I will

0:17:12.640 --> 0:17:14.240
<v Speaker 1>not be told to dress up.

0:17:14.680 --> 0:17:16.879
<v Speaker 3>You know what, you damn one though, it's going to

0:17:16.920 --> 0:17:19.200
<v Speaker 3>be Gucci, it'll be Balentciaga, and I love it.

0:17:19.280 --> 0:17:20.359
<v Speaker 2>I love it.

0:17:21.040 --> 0:17:24.160
<v Speaker 1>Yeah, yeah, I love you so much.

0:17:24.200 --> 0:17:26.560
<v Speaker 3>When all this COVID is over, I've died to meet you.

0:17:26.600 --> 0:17:28.240
<v Speaker 3>I'm here at Kiss with Kyle and Jackie. Oh so

0:17:28.280 --> 0:17:30.640
<v Speaker 3>we'll get you in and we'll do another chat. I

0:17:30.760 --> 0:17:32.520
<v Speaker 3>so proud of you, love your work. Sorry to keep

0:17:32.560 --> 0:17:36.080
<v Speaker 3>you for so long, just fangirling out. Stay safe and

0:17:36.119 --> 0:17:38.040
<v Speaker 3>then and then we'll chat chat soon.

0:17:38.080 --> 0:17:40.320
<v Speaker 1>Okay, okay, were so nice to meet you. I will

0:17:40.400 --> 0:17:41.000
<v Speaker 1>see you soon.

0:17:41.160 --> 0:17:44.360
<v Speaker 2>You too, and congratulations on everything, genuine it's so cool.

0:17:44.560 --> 0:17:45.200
<v Speaker 1>Thanks.

0:17:45.400 --> 0:17:48.760
<v Speaker 2>Good because it's just me.

0:17:49.320 --> 0:17:50.960
<v Speaker 1>A podcast by a couple of