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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Wards, you and I got approached by the Adelaide Fringe

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Speaker 2: Festival and honestly, guys, check this out for yourself. It's

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Speaker 2: on until the nineteenth of Marching. Tickets on sale now.

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Speaker 2: It's an incredible comedy festival. Soar give me the best

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Speaker 2: comedy festival in the Southern Hemisphere.

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Speaker 3: I'd say that, and Edinburgh Fringe of the two festivals

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Speaker 3: that around the world say the best comedy travel too.

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Speaker 2: So it was an honor to be asked to go,

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Speaker 2: and we wanted to give that honor to somebody else.

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Speaker 2: Our favorite person who calls the show, who's on this

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Speaker 2: show a woman called Rude Jude who lives in Charleville,

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Speaker 2: eight hours in land from Brisbane. She runs a bait

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Speaker 2: and tackle shop with a naughty corner. We think she's

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Speaker 2: the funniest person we've ever had in this show and

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Speaker 2: we wanted to give her the opportunity of having her

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Speaker 2: own comedy show at the Adelaide Fringe.

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Speaker 4: Tasting.

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Speaker 5: One, two, three, Lady gentlemen, people of us RAA, it's

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Speaker 5: mud cluck.

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Speaker 3: Have you ever heard of the Adelaide Fringe Festival?

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Speaker 4: Do you think you could put together like twenty minutes,

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Speaker 4: a half an hour's worth of material minutes prisons Rude

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Speaker 4: Jude's comedy debut. That's right.

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Speaker 2: If you want to explore Australias Big SARTs Festival, Adelaide,

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Speaker 2: Fringe dot Com, Joddy, you are going check it out

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Speaker 2: for yourselves and get there because Rude Jude.

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Speaker 5: We.

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Speaker 6: Hope is going to be performing there.

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Speaker 7: Now.

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Speaker 2: Look, I'm saying hope because and the producers have kept

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Speaker 2: us in the dark about this all day. Jude said yes,

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Speaker 2: she'd love to perform there, but the producers said that

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Speaker 2: we've hit a snag. Very it's only the second day.

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Speaker 3: Yeah, it's a big enough snag to have an ambassador

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Speaker 3: for the Fringe Festival on the phone right now. Hello, Penny, Penny,

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Speaker 3: how are you all right?

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Speaker 4: We're good, We're very good. Thank you, Penny.

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Speaker 3: Now you I'm sure you were part of the decision

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Speaker 3: to approach Will and I about doing a show, but

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Speaker 3: since yesterday when we actually well yeah.

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Speaker 8: We were, we were excited about having you guys on.

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Speaker 8: But yeah, apparently you're you're you're bringing in a substitute.

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Speaker 4: Well yeah, well and we will Will, I.

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Speaker 8: Mean, we're not we're not clear on this what do

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Speaker 8: you mean a substitute.

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Speaker 3: We will, We'll still be there, We'll still be present

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Speaker 3: at the show. But a big character of our show

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Speaker 3: is this woman called Rude Jude who runs this bait

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Speaker 3: and tackle store in regional Queensland. She's on She is

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Speaker 3: truly hilarious, so we just thought to put the best

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Speaker 3: show on. We're going to put her on the stage

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Speaker 3: and we'll just sort of introduce her.

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Speaker 8: I guess, is she a professional comedian?

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Speaker 2: No, no, not taking but like naturally very funny, very

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Speaker 2: naturally very funny.

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Speaker 8: Yes, yes, yeah, Okay, Well, you know I cook, I

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Speaker 8: can cook, but that doesn't make me a chef. I

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Speaker 8: mean this person's I mean, they don't. I don't really

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Speaker 8: you're talking about you know, Ross Noble is playing, you know,

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Speaker 8: Sarah Millikaness. You know, we've got a whole incredible lineup

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Speaker 8: of the top comedians from around the country and around

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Speaker 8: the world, and you're you want to bring a day

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Speaker 8: and tackle lady from from the Gold Coast?

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Speaker 4: Is that many? Many?

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Speaker 9: Yeah?

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Speaker 4: Penny?

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Speaker 2: Okay, okay, you've you've perfectly sketched out exactly the gravity

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Speaker 2: all of the Adelaide fridge.

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Speaker 6: We understand it's a really big festival.

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Speaker 4: Yeah, you know, I.

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Speaker 8: Think you better really come up with a at least

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Speaker 8: a thirty minute segment so that we know what we're

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Speaker 8: getting into.

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Speaker 4: You have to see a thirty minutes.

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Speaker 2: You're gonna have to see proof of proof of her

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Speaker 2: doing stand up for thirty minutes. And then you can

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Speaker 2: look at it and if you like it and you thinktive,

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Speaker 2: it's not going to help. I mean, okay, what but like,

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Speaker 2: if you like it and you think it's good enough,

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Speaker 2: can we go ahead?

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Speaker 4: Wait? If we get half an our video? Are you

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Speaker 4: next week? Are you sending this next week?

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Speaker 8: You have to send the video. You have to send

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Speaker 8: them video.

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Speaker 3: By Wednesday, By next Wednesday, Wednesday, This Wednesday, she's she's

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Speaker 3: performing in Adelaide, not next week but the week after.

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Speaker 4: I'm pretty sure. Can we have till next week?

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Speaker 3: Just because we're quiet, we're pretty busy, and she lives

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Speaker 3: a very long way away.

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Speaker 4: Can we have till next week?

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Speaker 9: Next?

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Speaker 4: All right?

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Speaker 9: Great?

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Speaker 8: By the following Wednesday, the following Wednesday, Friday.

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Speaker 6: Yes, next Wednesday, we get it next time?

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Speaker 10: Great?

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Speaker 8: All right, Okay, you're very very reasonable, crazy you.

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Speaker 4: Okay, you're gonna love her. You're gonna love her, Penny,

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Speaker 4: let us get to work here. Hell, who put the

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Speaker 4: New Yorker? Why is she even? Why did you l

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Speaker 4: j Why did you put her through like? Why didn't

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Speaker 4: you deal with her? That is your job? It was a.

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Speaker 1: Psycho boys, hot boys. I tried to talk her through it.

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Speaker 1: She literally said to me, shut up and listen. And

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Speaker 1: she told me how she was going to do it,

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Speaker 1: like I.

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Speaker 11: Could not get a word in Edgeway.

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Speaker 4: Okay, So at the end of.

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Speaker 3: The day, next Wednesday, next Wednesday, Wednesday, that's what she said. Right,

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Speaker 3: So we've got a week and a half to well,

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Speaker 3: I'd say, fly, So fly Jude to us, right, we've

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Speaker 3: got to fly Jude to us. Yes, yes, put on

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Speaker 3: a show at like a whatever a venue you need

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Speaker 3: on for half you.

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Speaker 4: Guys watching her. She does half an hour standup comedy.

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Speaker 2: We send it to the fire breathing Dragon, and then

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Speaker 2: hopefully we.

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Speaker 6: Get get permission to her to the gig. Get Adela.

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Speaker 4: He's got to call Jude. He's got to call you.

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Speaker 4: We've got to call Jude up next, fly here immediately,

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Speaker 4: let's do it.

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Speaker 2: We're gonna do it right up next on Will and Woody.

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Speaker 2: You can explore astrays Bigg's Art festival Adelaide Fringe dot

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Speaker 2: com dot. You just look out for any very aggressive

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Speaker 2: New Yorkers because she will kill you. Woody and I

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Speaker 2: just got like, we got it, We we got it,

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Speaker 2: We got a bath. I was taken back to like

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Speaker 2: being a six year old boy who had just suggested

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Speaker 2: something really.

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Speaker 6: Dumb to the teacher.

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Speaker 4: And the hard thing is she was kind of right

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Speaker 4: one hundred percent.

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Speaker 2: So just to catch you guys up to speed, we

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Speaker 2: got asked to do a show at the Adelaide Fringe Festival.

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Speaker 2: It's truly one of the best comedy festivals in the world.

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Speaker 2: If you want to go and check out Australia's biggest

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Speaker 2: arts festival, Adelaide Fringe dot com dot. It's on until

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Speaker 2: the nineteenth of March. You can get tickets on sale now.

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Speaker 2: So look, I'm obviously I'm saying that because we got

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Speaker 2: asked to go and do this show, and we were

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Speaker 2: meant to go and help out by doing a show,

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Speaker 2: but we wanted to nominate Rude Jude to do the

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Speaker 2: show instead of us. You guys will know her from

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Speaker 2: this show. She's this woman. She's seventy four years old.

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Speaker 2: She lives in Charleville's eight hours inland from Brisbane. She

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Speaker 2: runs a bait and tackle shop with a naughty corner.

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Speaker 4: She's hilarious as well.

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Speaker 2: Already she is amazing, but when you actually hear us speak,

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Speaker 2: she's bloody funny. So we suggested that Jude actually do

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Speaker 2: the comedy show.

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Speaker 6: At the Adelaide Fringe instead of.

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Speaker 5: Us Lady, even of US three.

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Speaker 10: It's Rude, a specialist mud pluck.

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Speaker 3: Willodi prisons Rude Jude's comedy debut. Now. I think the

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Speaker 3: problem though, Will was when you say we suggested it.

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Speaker 3: We went straight to Jude and we were like, Jude,

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Speaker 3: don't do this stand up show. It's going to be

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Speaker 3: epic in one of the you know, the great events

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Speaker 3: spaces of the Adelaide Fringe, rather than contact in Adelaide

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Speaker 3: Fringe or.

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Speaker 2: Without getting in touch with the people who are curating

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Speaker 2: a massive three week festival with international acts.

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Speaker 3: Yeah, yeah, yeah, so they heard about it yesterday obviously.

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Speaker 3: And then yeah, as Weill said, we had this woman

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Speaker 3: called Penny on the phone and she well, she tore

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Speaker 3: us a new one.

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Speaker 4: Yeah. Anyway, the ground we.

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Speaker 3: Got to, oh, the place we got to was if

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Speaker 3: we can get Rude ju to do like a gig

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Speaker 3: between now and Adelaide.

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Speaker 4: Yeah, and we film it and send it to them,

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Speaker 4: then we're all good.

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Speaker 3: So we do have the lady of the moment, Rude

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Speaker 3: Jude on the phone right now?

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Speaker 4: How can Joe a boy? Oh we're good man. We're

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Speaker 4: a bit rattled, to be honest. Did you hear.

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Speaker 2: The dragon that I'm just gotta be careful by words.

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Speaker 4: I'm still a bit angry about it.

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Speaker 9: But time.

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Speaker 6: Did you hear the woman on the phone before dressing

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Speaker 6: us down?

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Speaker 1: Yeah?

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Speaker 10: Right, yeah, she says she is.

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Speaker 4: Yeah, that's all.

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Speaker 3: But look, the take home Jude is we need you

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Speaker 3: to do a show between now and the Adelaide Fringe.

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Speaker 3: So is there any chance you can come down to

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Speaker 3: us next week and then we can just probably put

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Speaker 3: you on a bill of a stand up night or

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Speaker 3: something just so we can film you.

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Speaker 1: No, right, I can't.

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Speaker 12: I've got a business to run.

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Speaker 4: Can't be fanning any run the store?

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Speaker 8: No, hopeless?

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Speaker 4: Yeah, okay, okay, so there is there is.

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Speaker 3: There isn't a comedy night in like Childville, which where

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Speaker 3: you could just get up and then we could get

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Speaker 3: someone to film you or something.

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Speaker 13: No, No, I can't.

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Speaker 12: That was no comedy out here.

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Speaker 3: There's no there's no like set comedy night, like at

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Speaker 3: the local pub or something that you.

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Speaker 4: Could just do.

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Speaker 14: Nothing like that out here.

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Speaker 2: I okay, sorry, no, no, that's okay, that's all right, dude.

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Speaker 4: Either what do I think we got to go up

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Speaker 4: We might have well we might we might we.

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Speaker 2: Might have to Yeah, but dude, we might have to

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Speaker 2: come up there.

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Speaker 4: Do you have to drive? Do you have to do

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Speaker 4: you have to drive to their planes there?

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Speaker 1: Yeah?

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Speaker 3: Okay, it got planes. Okay, you've got and you've got

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Speaker 3: an airport.

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Speaker 15: Yeah, we've got an airport into.

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Speaker 3: The idea not a comedy IM going to night, dude,

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Speaker 3: We've got to get this done like next week.

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Speaker 2: Yeah, great, we can come and look, we can talk

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Speaker 2: about but I think if we're going to get for

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Speaker 2: me at the other a range, if you really want

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Speaker 2: to do this, we have to get up there and

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Speaker 2: we're going to have to get this in the can

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Speaker 2: before next Wednesday, bloody hell.

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Speaker 6: To get it to Adelaide Fringe.

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Speaker 4: That'llite you perform, all right, We're coming, jude.

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Speaker 2: We are trying to help people who have never farted

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Speaker 2: in front of their partners. It's a very very special moment.

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Speaker 2: Yesterday on the show, Charlotte did this, so she called

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Speaker 2: her husband Graham.

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Speaker 3: Fifteen years, fifteen and a half years, she hadn't farted

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Speaker 3: in front of Graham, so then she called Graham on

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Speaker 3: the show.

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Speaker 4: Graham had no idea.

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Speaker 3: It was on the radio, and effectively I was making

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Speaker 3: fake fart noises with my mouth and she had to

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Speaker 3: claim them see.

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Speaker 14: How computed to make a decision.

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Speaker 9: Yes, yeah, I'm Oh my god, I'm so sorry.

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Speaker 4: Anyway, Graham, you just ignored every.

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Speaker 15: Thought I was there.

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Speaker 4: Save that relationship. What a relief.

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Speaker 3: We haven't heard back from Charlotte since yesterday, by the way,

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Speaker 3: but apparently she was going to go home to a

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Speaker 3: real one in front of Graham, because honestly, it cannot

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Speaker 3: be holding onto your farts.

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Speaker 2: Well, I think we found out from all the women

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Speaker 2: that have called the show during this bit that it's

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Speaker 2: I mean, again, I really don't want to psychoanalyze somebody's

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Speaker 2: relationship through the lens of a fart, but it says

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Speaker 2: a lot about how comfortable you are in front of

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Speaker 2: the person that you're with, and a lot of them

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Speaker 2: were saying that they didn't want to be seen as unattractive.

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Speaker 2: And we also found that there are a lot of

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Speaker 2: men who leave their partners because they fart in front

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Speaker 2: of them or like it's shocking. So today we've got

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Speaker 2: a brand new person who's keen to do this.

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Speaker 4: She was inspired by the bit, Yes, they we've got

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Speaker 4: Tarie here.

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Speaker 3: Hello, Tarlie, Hey, how are you going outstanding?

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Speaker 2: Now?

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Speaker 4: Tarlie?

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Speaker 3: You also want to be released within your relationship.

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Speaker 4: Tell us a bit about the stats. What's your partner's name?

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Speaker 10: His name's Nick Nick.

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Speaker 4: How long has it been that you've been with him

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Speaker 4: without farting?

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Speaker 10: Fourteen years?

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Speaker 8: WHOA?

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Speaker 4: So what Tarlie?

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Speaker 3: Why how have you got to fourteen years without farting

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Speaker 3: in front of him?

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Speaker 10: I don't know. I just I feel like I just

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Speaker 10: obviously at the start of relationship you didn't want to

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Speaker 10: do it, and then I just felt like it had

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Speaker 10: been so long that I was like, it's too late.

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Speaker 4: It's gone on too long. The window.

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Speaker 10: Yeah, and he he doesn't like there's no tomorrow, like

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Speaker 10: he could not care less. And I don't think he'd

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Speaker 10: care if I did. But it's just I don't know why.

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Speaker 10: It's just something that I've never done.

282
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Speaker 6: You've come to the flat freeers.

283
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Speaker 2: Yeah, like that here to free your gut, Tarlie, we're

284
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Speaker 2: going to call him up next.

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Speaker 6: We're going to call h Nick up next. You're going

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Speaker 6: to ask him a Mondanye question. And then in the background.

287
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Speaker 2: Woods through like a lot of people were saying, the

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Speaker 2: best sound effects.

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Speaker 6: Fart of all time.

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Speaker 2: Yeah, if he gives a quick rerandish every time, it's

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Speaker 2: the consistency, Tally. I'm just so on the nose, mate,

292
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Speaker 2: really yeah, I think you just get away from the micro.

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Speaker 4: Are you happy with this one, Tally?

294
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Speaker 10: Yeah?

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Speaker 2: Whatever, it works for you to call him up next, Tari.

296
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Speaker 2: Right now we are freeing another person's fats.

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Speaker 9: Carly fats for the first time, all right, if you're

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Speaker 9: just joining us.

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Speaker 3: Carly spoke to us before the song there in Carly,

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Speaker 3: you have gone fourteen years without farting in front of

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Speaker 3: your partner Nick. And the real kicker for me here

302
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Speaker 3: is that Nick just goes for it. He farts in

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Speaker 3: front of.

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Speaker 4: Your willy nilly. Yeah, the imbalance, it's right off.

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Speaker 3: You've said to us as well that you don't think

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Speaker 3: he'll care, but it's just been too long now you

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Speaker 3: don't feel comfortable finally having that moment where you fart in.

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Speaker 4: Front of him?

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00:13:53,360 --> 00:13:54,360
Speaker 10: Yeah, pretty much.

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Speaker 4: Have you ever dreamt of farting in front of him? Carly?

311
00:13:57,679 --> 00:13:58,080
Speaker 4: Like it?

312
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Speaker 2: You know, this is something that's obviously, you know, I imagine

313
00:14:01,760 --> 00:14:03,520
Speaker 2: quite almost a bit of a fantasy for you.

314
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Speaker 10: Oh oh yeah, I think about it all on the daily.

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Speaker 4: Wow.

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Speaker 9: I mean, I don't know.

317
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Speaker 10: I might have in my sleep and he's never told me.

318
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Speaker 4: But yeah, yeah, yeah, okay, all right, so we're gonna

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Speaker 4: call him now.

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Speaker 6: You know how this works?

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Speaker 2: You don't, actually, I mean, the great the genius of

322
00:14:19,600 --> 00:14:22,760
Speaker 2: this bit Woods is that Carlie, you don't actually have

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Speaker 2: to do the fart, So, I mean, I think it

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00:14:24,520 --> 00:14:26,040
Speaker 2: would be a bit cruel of us to suggest that

325
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Speaker 2: you just find around.

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Speaker 4: If you've got one in the chamber though.

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Speaker 2: There if we do this, if we do this in

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Speaker 2: the future, maybe just just load up on sprouts the

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Speaker 2: night before and we're a good shot of getting one.

330
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Speaker 4: But whats is going to.

331
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Speaker 2: Be doing in the background, And hopefully we only need

332
00:14:38,840 --> 00:14:40,760
Speaker 2: to do one or two for him to go, hey,

333
00:14:41,320 --> 00:14:44,360
Speaker 2: what's going on and then you can explain. But you know,

334
00:14:45,000 --> 00:14:47,760
Speaker 2: as we discovered last time, if it hasn't happened in

335
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Speaker 2: a long time. He might be all good mentioning it,

336
00:14:49,720 --> 00:14:52,240
Speaker 2: so you might not. Yeah, he might ignore it, so

337
00:14:52,320 --> 00:14:53,560
Speaker 2: you might just need to jump in there.

338
00:14:53,480 --> 00:14:55,600
Speaker 6: And just go wow, gee whiz. That was me.

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00:14:56,080 --> 00:14:57,360
Speaker 4: Yeah, let's free those fights.

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Speaker 6: We're going to call Nick right now already.

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Speaker 4: Mm hmmmm.

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00:15:03,760 --> 00:15:07,320
Speaker 12: Mm hmmm mm hmmm.

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Speaker 10: Hey, hey, going. I was just ringing to see what

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00:15:13,760 --> 00:15:19,680
Speaker 10: time you were actually going to be home, Probably just

345
00:15:19,680 --> 00:15:22,600
Speaker 10: because I wanted to get some groceries, but I didn't

346
00:15:22,600 --> 00:15:25,240
Speaker 10: want to take the kids with me. Just a bit

347
00:15:25,240 --> 00:15:26,479
Speaker 10: of a handful today.

348
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Speaker 9: Stuff in my home.

349
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Speaker 10: Oh, I don't mind what.

350
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Speaker 9: Your photo.

351
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Speaker 10: I didn't think that you would hear that.

352
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Speaker 14: What if I said, yes, take a roman, you're joking right,

353
00:15:55,120 --> 00:15:56,680
Speaker 14: who's on the phone relief?

354
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Speaker 10: I didn't think you would hear it?

355
00:16:01,280 --> 00:16:03,080
Speaker 9: Peak And this is what I guess I.

356
00:16:04,680 --> 00:16:10,160
Speaker 10: Thought it was going to be. It's kind of Nick, Nick,

357
00:16:10,840 --> 00:16:12,640
Speaker 10: Will you fight in front of me all the time?

358
00:16:13,000 --> 00:16:13,360
Speaker 9: Different?

359
00:16:15,320 --> 00:16:18,760
Speaker 3: So different, Nick, Nick, It's Nick. Hello, Nick, It's Will

360
00:16:18,800 --> 00:16:21,760
Speaker 3: and Woody here. If you haven't heard of us, we're

361
00:16:21,800 --> 00:16:23,600
Speaker 3: a radio show. You're currently live on air.

362
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Speaker 4: Nick.

363
00:16:24,480 --> 00:16:29,800
Speaker 9: Oh, I know exactly who you are. Put her up

364
00:16:29,840 --> 00:16:30,080
Speaker 9: with this?

365
00:16:30,600 --> 00:16:34,160
Speaker 4: Well, he tell me you're joking? Tell me. You're joking.

366
00:16:34,800 --> 00:16:38,480
Speaker 9: No, I not heard her. Do you put that on?

367
00:16:38,760 --> 00:16:39,440
Speaker 9: She actually fought?

368
00:16:39,800 --> 00:16:45,000
Speaker 3: No, that was But you fight in front of her

369
00:16:45,040 --> 00:16:47,359
Speaker 3: all the time, and she can't fight in front of you.

370
00:16:47,440 --> 00:16:52,360
Speaker 9: Yeah, correct? Why what's I mean? Yeah, double standards? But

371
00:16:52,880 --> 00:16:54,440
Speaker 9: are you you're on the same base?

372
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Speaker 3: No, No, beautiful fiance is an absolute fatouse, my friends,

373
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Speaker 3: not a proper I'm there, but she's released now, Nico.

374
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Speaker 4: Surely you don't care. Let's even it up here in

375
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Speaker 4: the relationship.

376
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Speaker 9: Well, I guess on the phone better than in person, Slett.

377
00:17:11,880 --> 00:17:14,920
Speaker 3: But so going forward, Nick, because the reason for this

378
00:17:14,960 --> 00:17:17,240
Speaker 3: call is this was an icebreaker. You know you now

379
00:17:17,320 --> 00:17:21,119
Speaker 3: think she farted. We're past that line. If she farts

380
00:17:21,160 --> 00:17:22,960
Speaker 3: in front of him at home, that's okay, isn't.

381
00:17:22,800 --> 00:17:32,560
Speaker 9: It to Gus? I mean, I'm not saying we can't

382
00:17:32,600 --> 00:17:33,879
Speaker 9: get there, but I'm not ready yet.

383
00:17:34,000 --> 00:17:36,200
Speaker 2: Oh god, Well, then you're going to have to stop

384
00:17:36,200 --> 00:17:37,120
Speaker 2: farting in front of her.

385
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Speaker 4: That's that's the deal. You gotta, we gotta. You can't

386
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Speaker 4: just you can't have it all one way.

387
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Speaker 9: I mean, I can see what I can do with problem.

388
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Speaker 4: All right, all right, Carli, you far up the engines.

389
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Speaker 4: My friends.

390
00:17:52,440 --> 00:17:52,960
Speaker 9: In there.

391
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Speaker 2: Do what you need to do, but I'll be dutch

392
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Speaker 2: oving him, pit him down on the face. I reckon,

393
00:18:01,800 --> 00:18:09,680
Speaker 2: see you guys, hie, what a dick? Sorry like that.

394
00:18:09,680 --> 00:18:10,639
Speaker 2: That was not okay.

395
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Speaker 4: I thought he was going to be I thought it

396
00:18:12,200 --> 00:18:14,040
Speaker 4: was going to be embarrassed. That was not okay.

397
00:18:14,119 --> 00:18:15,840
Speaker 3: When he came back, it was gonna be like, oh no,

398
00:18:15,960 --> 00:18:17,560
Speaker 3: what a stitch up. I've acted like a bit of

399
00:18:17,600 --> 00:18:20,199
Speaker 3: a tool. But he doubled down and was like, I

400
00:18:20,240 --> 00:18:21,520
Speaker 3: don't think I'm ready for that.

401
00:18:21,880 --> 00:18:24,400
Speaker 4: We need to go and find him and cupcake him.

402
00:18:24,600 --> 00:18:26,280
Speaker 4: I think we have to think. I think we have

403
00:18:26,520 --> 00:18:28,480
Speaker 4: Australia wants that. I think we have to. We have

404
00:18:28,600 --> 00:18:31,600
Speaker 4: to find him, stalk him, get one in the chamber.

405
00:18:31,720 --> 00:18:35,919
Speaker 2: Yeah, double just ultimate dutch over him somehow, get him

406
00:18:35,920 --> 00:18:37,840
Speaker 2: into like a man, like a furniture shop or something.

407
00:18:37,960 --> 00:18:40,280
Speaker 2: He thinks he's testing out of bed, double blanket, double

408
00:18:40,320 --> 00:18:42,080
Speaker 2: fart exposure therapy.

409
00:18:42,440 --> 00:18:47,920
Speaker 4: Leave it with this, Australia. After this, it's will what

410
00:18:48,160 --> 00:18:49,760
Speaker 4: he all? The King?

411
00:18:49,920 --> 00:18:56,120
Speaker 3: The new King, Charles has been very publicly rejected, offended,

412
00:18:56,160 --> 00:18:59,959
Speaker 3: embarrassed by two global superstars. So he's putting on his

413
00:19:00,040 --> 00:19:03,240
Speaker 3: big coronation concert, which is obviously a big part of

414
00:19:03,240 --> 00:19:06,080
Speaker 3: the new gig. You put on a concert for everyone

415
00:19:06,200 --> 00:19:08,120
Speaker 3: to celebrate yourself becoming the gig.

416
00:19:08,920 --> 00:19:11,640
Speaker 4: So naturally in a concert, if you'd become the king.

417
00:19:11,600 --> 00:19:14,760
Speaker 3: Probably I'll do a number of selfish things. Will but

418
00:19:14,840 --> 00:19:16,920
Speaker 3: a number of the rumored people's styles. He's going to

419
00:19:16,920 --> 00:19:19,200
Speaker 3: be performing their Lionel Richie is going to be performing.

420
00:19:19,320 --> 00:19:22,240
Speaker 3: Big rumor that the Spice Girls are going to be

421
00:19:22,320 --> 00:19:24,720
Speaker 3: performing at the Coronation concert.

422
00:19:25,200 --> 00:19:26,320
Speaker 4: He's got a fair budget.

423
00:19:26,359 --> 00:19:30,480
Speaker 2: Will the Queen's got the Spice Girls performing? Is is

424
00:19:30,520 --> 00:19:33,640
Speaker 2: it like really lovely? And then if King Charles asked them.

425
00:19:33,520 --> 00:19:37,040
Speaker 3: To perform a selfish sick as in because well I

426
00:19:37,040 --> 00:19:39,040
Speaker 3: don't know, No, I don't there's anything sick about it.

427
00:19:39,080 --> 00:19:40,720
Speaker 3: I think he's just a fan of their music. Will

428
00:19:41,160 --> 00:19:45,280
Speaker 3: don't go there anyway, Two huge superstars that said no,

429
00:19:45,560 --> 00:19:54,639
Speaker 3: though this person, so Adele's a really interesting one. She

430
00:19:54,680 --> 00:19:57,520
Speaker 3: didn't really give a reason as to why she was

431
00:19:57,600 --> 00:20:02,919
Speaker 3: just like and people have looked it up and they're like,

432
00:20:02,960 --> 00:20:04,080
Speaker 3: you don't have any gigs on?

433
00:20:04,440 --> 00:20:07,359
Speaker 4: Yeah, I don't know what that's about. And then because

434
00:20:07,359 --> 00:20:07,880
Speaker 4: she doesn't.

435
00:20:07,720 --> 00:20:09,840
Speaker 2: Got gigs on, doesn't mean he's not busy. You don't

436
00:20:10,040 --> 00:20:12,520
Speaker 2: go to a touring showedule and be like, well, that's lying.

437
00:20:12,600 --> 00:20:14,000
Speaker 2: She might have a wedding on, you might have a

438
00:20:14,000 --> 00:20:17,399
Speaker 2: baby shower, have a friend's birthday. Good call question for

439
00:20:17,480 --> 00:20:21,119
Speaker 2: you if you had what sort of event would trump

440
00:20:21,240 --> 00:20:22,760
Speaker 2: you performing for King Charles?

441
00:20:22,840 --> 00:20:25,080
Speaker 3: I have a very strict rule that if I whatever

442
00:20:25,160 --> 00:20:27,280
Speaker 3: I whatever commitment I made first is the commitment I

443
00:20:27,280 --> 00:20:29,520
Speaker 3: aphold is very very strict on.

444
00:20:29,480 --> 00:20:33,639
Speaker 4: That is that right, very strict the rule you applied

445
00:20:33,680 --> 00:20:37,960
Speaker 4: to the Bucks party for this weekend? Uh? Yes, actually no, yes,

446
00:20:38,040 --> 00:20:39,640
Speaker 4: that's true. Just anyway.

447
00:20:40,960 --> 00:20:50,240
Speaker 3: This person also said no, Ed actually has a he's

448
00:20:50,240 --> 00:20:52,160
Speaker 3: got a gig on a show on in Texas.

449
00:20:52,160 --> 00:20:55,399
Speaker 4: But here's the thing, he's got a great Could you perform?

450
00:20:55,520 --> 00:20:58,240
Speaker 2: Can I ask at the concert at King Charles's cornage?

451
00:20:58,320 --> 00:21:02,480
Speaker 4: What would I do? Will quick five stand up.

452
00:21:04,359 --> 00:21:07,840
Speaker 2: On the world, put your like whatever your skill is

453
00:21:07,880 --> 00:21:10,320
Speaker 2: to one side? Would if if you were asked to

454
00:21:10,320 --> 00:21:11,960
Speaker 2: perform there? Just like we've been asked to pformt the

455
00:21:11,960 --> 00:21:14,600
Speaker 2: Adelaide fringe, would you perform at King charles Coronation?

456
00:21:14,720 --> 00:21:15,520
Speaker 4: Am I getting paid?

457
00:21:16,240 --> 00:21:16,440
Speaker 9: No?

458
00:21:17,680 --> 00:21:21,320
Speaker 4: Do I get flown over? Yep? Business? No?

459
00:21:21,880 --> 00:21:24,800
Speaker 3: Because I knew said yes on that do I get

460
00:21:25,040 --> 00:21:26,600
Speaker 3: so free food, free drink at the gig.

461
00:21:26,640 --> 00:21:28,840
Speaker 4: Obviously, I imagine they'd be catering. Yeah, I do it,

462
00:21:28,920 --> 00:21:35,720
Speaker 4: you do it.

463
00:21:34,080 --> 00:21:34,359
Speaker 10: It was.

464
00:21:35,960 --> 00:21:37,920
Speaker 4: Always the free fruit. It's just the kickbacks.

465
00:21:37,960 --> 00:21:41,000
Speaker 2: You're performing at the world stage at King Charles Coronation

466
00:21:41,119 --> 00:21:42,960
Speaker 2: is not a big but a sandwich and.

467
00:21:43,800 --> 00:21:46,520
Speaker 4: Light me up. It'd be a good sandwich anyway.

468
00:21:46,600 --> 00:21:50,240
Speaker 3: Luckily, Adele is not performing, but very luckily on this show,

469
00:21:50,359 --> 00:21:53,239
Speaker 3: there is a woman called Dina who would be the

470
00:21:53,280 --> 00:21:56,560
Speaker 3: perfect person to send over to the UK to replace

471
00:21:56,800 --> 00:21:59,640
Speaker 3: Adel because she does perfect parodies.

472
00:22:05,800 --> 00:22:07,919
Speaker 11: She's guaranteed to blow your mind.

473
00:22:10,720 --> 00:22:13,600
Speaker 3: So if you haven't heard Dinna on this show before,

474
00:22:13,640 --> 00:22:14,960
Speaker 3: she truly is extraordinary.

475
00:22:16,000 --> 00:22:18,280
Speaker 4: Hello, Dina, here you going? Welcome back?

476
00:22:19,320 --> 00:22:20,920
Speaker 12: Hi, Bory good says, how are.

477
00:22:20,880 --> 00:22:23,560
Speaker 4: You great to have you back? Dina? How's the how's

478
00:22:23,600 --> 00:22:24,760
Speaker 4: the songwriting going?

479
00:22:26,240 --> 00:22:26,400
Speaker 1: Look?

480
00:22:26,720 --> 00:22:29,520
Speaker 12: I'm going to be quiet lately, but once I heard

481
00:22:29,560 --> 00:22:32,080
Speaker 12: about Charlie's coronation, Yeah, I.

482
00:22:32,160 --> 00:22:32,960
Speaker 4: Got h.

483
00:22:34,760 --> 00:22:37,560
Speaker 2: Nice put the headphones back on, and and and the

484
00:22:37,800 --> 00:22:39,840
Speaker 2: end of the day, the day job, the banking, how's

485
00:22:39,880 --> 00:22:40,240
Speaker 2: it going?

486
00:22:41,240 --> 00:22:41,480
Speaker 8: Yeah?

487
00:22:41,760 --> 00:22:41,920
Speaker 10: Is it?

488
00:22:42,960 --> 00:22:43,880
Speaker 13: Yeah? Wow?

489
00:22:45,560 --> 00:22:47,359
Speaker 2: I mean my question for later on, but you reck

490
00:22:47,400 --> 00:22:49,280
Speaker 2: and the interest rates are going to keep going up dinner.

491
00:22:50,880 --> 00:22:55,240
Speaker 12: Oh look, you know I've got the r B A unfortunately.

492
00:22:54,760 --> 00:22:58,040
Speaker 4: But nice side, very nice.

493
00:22:59,280 --> 00:23:02,200
Speaker 12: All right, Dana, you know keeping a professional business.

494
00:23:05,480 --> 00:23:07,520
Speaker 4: Your boss is stagged. You know how this works. You've

495
00:23:07,560 --> 00:23:08,760
Speaker 4: got one song to come up with.

496
00:23:08,960 --> 00:23:12,960
Speaker 3: Three Adele parodies about performing for King Charles at the

497
00:23:13,000 --> 00:23:14,040
Speaker 3: Coronation concert.

498
00:23:14,600 --> 00:23:17,840
Speaker 4: Very good luck to you. How are you feeling? Yeah?

499
00:23:17,880 --> 00:23:18,760
Speaker 12: I feel good.

500
00:23:18,800 --> 00:23:19,560
Speaker 7: I feel confident.

501
00:23:22,200 --> 00:23:24,640
Speaker 4: Parodies from Dina right up next.

502
00:23:25,320 --> 00:23:33,879
Speaker 11: She's just guarantee to your mind.

503
00:23:37,119 --> 00:23:39,840
Speaker 3: We're about to have honey poured into her ears as

504
00:23:40,000 --> 00:23:42,880
Speaker 3: Dina does some parodies of Adele.

505
00:23:43,119 --> 00:23:44,440
Speaker 4: Why why is she doing it?

506
00:23:44,800 --> 00:23:48,800
Speaker 3: Because King Charles is putting on a coronation concert and

507
00:23:48,880 --> 00:23:50,120
Speaker 3: Adele has rejected him.

508
00:23:51,000 --> 00:23:54,960
Speaker 4: She just said no. She said she's busy. She hasn't

509
00:23:54,960 --> 00:23:57,400
Speaker 4: said thanks, but no thanks. She's got nothing on that day, mate.

510
00:23:57,800 --> 00:24:01,639
Speaker 4: But she just lied. I'm not he just lied rejection.

511
00:24:02,200 --> 00:24:05,359
Speaker 4: Can you not tip extra mao on?

512
00:24:05,920 --> 00:24:08,680
Speaker 2: You are? She just said I'm busy that weekend. I

513
00:24:08,760 --> 00:24:11,440
Speaker 2: think someone needs to defend Adele here. They were just

514
00:24:11,560 --> 00:24:12,640
Speaker 2: looking for a story there.

515
00:24:12,680 --> 00:24:14,080
Speaker 4: Well are you so obsessed with a del Well? I

516
00:24:14,119 --> 00:24:15,200
Speaker 4: just think she's a lovely woman.

517
00:24:16,280 --> 00:24:16,480
Speaker 2: I do.

518
00:24:17,760 --> 00:24:21,640
Speaker 4: Anyways, she seems lovely. She might have a great excuse,

519
00:24:22,119 --> 00:24:24,080
Speaker 4: but she's not a wonderful excuse.

520
00:24:24,160 --> 00:24:27,000
Speaker 3: But King Charles obviously wants Adele there, so our solution

521
00:24:27,440 --> 00:24:30,920
Speaker 3: is to get our good friend Dina to fly over there,

522
00:24:31,400 --> 00:24:34,480
Speaker 3: and Dina, you just perform parodies of Adele songs because

523
00:24:34,560 --> 00:24:36,080
Speaker 3: that is your specialty, isn't it?

524
00:24:37,560 --> 00:24:37,879
Speaker 9: It is?

525
00:24:38,040 --> 00:24:40,240
Speaker 12: But I'm not sure about you'd want me there, guys,

526
00:24:40,320 --> 00:24:42,359
Speaker 12: because I'm telling you, hear what I've got for you.

527
00:24:44,600 --> 00:24:47,960
Speaker 2: You do this every time you talk yourself down and

528
00:24:48,040 --> 00:24:49,960
Speaker 2: then you blow us away. We know it's a tactic,

529
00:24:50,560 --> 00:24:52,040
Speaker 2: but mate, I think it's just time to own up

530
00:24:52,080 --> 00:24:52,679
Speaker 2: to your ability.

531
00:24:52,800 --> 00:24:54,200
Speaker 6: You're phenomenal at writing parodies.

532
00:24:54,240 --> 00:24:57,240
Speaker 2: You've had three minutes to write three Adele parodies about

533
00:24:57,280 --> 00:24:58,440
Speaker 2: performing for King Charles.

534
00:24:59,160 --> 00:25:01,440
Speaker 6: Australia's in Dana. What's your first song?

535
00:25:02,480 --> 00:25:06,840
Speaker 12: Okay, so this one is like from Child's perspective, I'm

536
00:25:06,920 --> 00:25:08,639
Speaker 12: going for someone like you.

537
00:25:09,280 --> 00:25:16,720
Speaker 4: Oh this is quite deep. So you're going from his perspective.

538
00:25:18,040 --> 00:25:19,320
Speaker 12: Yeah, from Charlie perfection.

539
00:25:19,520 --> 00:25:22,520
Speaker 4: Okay, Okay, here we go.

540
00:25:23,080 --> 00:25:28,639
Speaker 12: He is ready, guys. Okay, I'm so gutted I wanted you.

541
00:25:31,240 --> 00:25:38,280
Speaker 12: I'll have to go and find someone new. I'll forget you.

542
00:25:39,040 --> 00:25:41,280
Speaker 12: I swear you don't want.

543
00:25:41,200 --> 00:25:41,680
Speaker 1: To do it.

544
00:25:42,160 --> 00:25:48,040
Speaker 12: I don't care. I'll ask you'll do it for me.

545
00:25:51,800 --> 00:25:52,040
Speaker 16: Wow.

546
00:25:53,800 --> 00:25:59,200
Speaker 4: Wow, that the final swapping of you and me. That

547
00:25:59,440 --> 00:26:03,400
Speaker 4: that's that's why you the best? Dina? Oh gee, whiz there.

548
00:26:03,560 --> 00:26:08,480
Speaker 4: And from Charles perspectives, well it gets better. God, okay,

549
00:26:08,560 --> 00:26:09,960
Speaker 4: hit us again. I'm not sure I got the strength.

550
00:26:10,000 --> 00:26:10,639
Speaker 4: All right, here we go.

551
00:26:11,400 --> 00:26:11,560
Speaker 10: Now.

552
00:26:11,800 --> 00:26:16,200
Speaker 4: This is from Adel's perspective of again shifting the focus.

553
00:26:17,000 --> 00:26:25,720
Speaker 4: Nice did you, Dina? Did you say what's rolling in

554
00:26:25,760 --> 00:26:27,800
Speaker 4: the deep? I think it's just called rolling in the deep?

555
00:26:28,480 --> 00:26:28,520
Speaker 10: No?

556
00:26:28,720 --> 00:26:30,320
Speaker 12: No, no, rolling rolling in the deep?

557
00:26:30,840 --> 00:26:33,479
Speaker 9: Not what? All right?

558
00:26:33,520 --> 00:26:35,119
Speaker 4: Here we go, here we go, all right.

559
00:26:36,040 --> 00:26:38,160
Speaker 12: I don't like royalty.

560
00:26:40,480 --> 00:26:40,840
Speaker 8: Especial.

561
00:26:41,119 --> 00:26:49,280
Speaker 12: Ye, Charlie, you have your giz and your suppy and

562
00:26:49,480 --> 00:26:52,280
Speaker 12: your pulsh and your push.

563
00:26:54,160 --> 00:27:02,840
Speaker 4: Yeah, tell me that's not it is that that's good?

564
00:27:03,640 --> 00:27:13,960
Speaker 2: And what is that?

565
00:27:14,200 --> 00:27:18,560
Speaker 4: Love it? I love it's he is. It's very true, dinner, Okay,

566
00:27:18,680 --> 00:27:20,120
Speaker 4: Now I believe that's true.

567
00:27:20,200 --> 00:27:21,000
Speaker 12: It's true.

568
00:27:22,720 --> 00:27:24,760
Speaker 4: If good song writing is just a great songs the

569
00:27:24,840 --> 00:27:30,000
Speaker 4: truth genius? Din about that? Do we have a third

570
00:27:30,040 --> 00:27:31,840
Speaker 4: one to bring it home? Dinner? Do we have a

571
00:27:31,920 --> 00:27:32,360
Speaker 4: third one?

572
00:27:32,520 --> 00:27:32,879
Speaker 8: All right?

573
00:27:33,000 --> 00:27:37,480
Speaker 12: So again we're going Back to Charlie's perspective, It's like

574
00:27:37,560 --> 00:27:41,920
Speaker 12: a conversation. This is easy on me.

575
00:27:45,480 --> 00:27:50,840
Speaker 2: I mean, Dina, I know, I know you've got celendon pipes,

576
00:27:50,960 --> 00:27:54,679
Speaker 2: Selene Dina as well, but big pipes.

577
00:27:55,040 --> 00:27:56,879
Speaker 4: This is this, This is a big night. Is a

578
00:27:56,920 --> 00:27:59,040
Speaker 4: big night. And are you sure you're up to it?

579
00:28:00,640 --> 00:28:00,760
Speaker 2: Uh?

580
00:28:01,440 --> 00:28:01,639
Speaker 4: You know?

581
00:28:01,680 --> 00:28:04,040
Speaker 12: I mean, guys, don't back down?

582
00:28:04,280 --> 00:28:07,240
Speaker 4: I know, don't I know? Okay, okay, so easy on me.

583
00:28:07,440 --> 00:28:11,440
Speaker 2: Back to Charles's perspective about Adele not performing at his coronation.

584
00:28:11,920 --> 00:28:15,440
Speaker 2: The final parody the parody Queen Dana take it away?

585
00:28:16,240 --> 00:28:24,960
Speaker 12: Okay, gone, let's be king. Why wouldn't you want to

586
00:28:26,359 --> 00:28:32,520
Speaker 12: things for me? Please change your mind?

587
00:28:32,960 --> 00:28:35,320
Speaker 16: For you know, it's been great having all the show.

588
00:28:39,800 --> 00:28:45,800
Speaker 16: She's the best parody Queen Join the mast Pready more daya.

589
00:28:47,120 --> 00:28:52,120
Speaker 2: Again wrapped up a multi layer issue from Bulk Perspectives

590
00:28:52,160 --> 00:28:52,760
Speaker 2: in three.

591
00:28:52,720 --> 00:28:54,360
Speaker 4: Song parodies in twenty minutes.

592
00:28:54,760 --> 00:28:59,120
Speaker 16: Musical Masterclass onds She's Afraid Thanks majority of his day,

593
00:28:59,320 --> 00:29:00,520
Speaker 16: Love you bye right now.

594
00:29:00,840 --> 00:29:03,240
Speaker 4: It's Will the One and Only Pink.

595
00:29:03,280 --> 00:29:06,840
Speaker 11: He's bringing a summer carnival talk to Australia. February and

596
00:29:06,960 --> 00:29:08,400
Speaker 11: March twenty twenty four.

597
00:29:08,600 --> 00:29:10,920
Speaker 3: Second shows addied tickets on sale now.

598
00:29:11,240 --> 00:29:14,800
Speaker 4: It's a live nation, dot com dot EU. It's Woody Whales.

599
00:29:16,040 --> 00:29:20,400
Speaker 5: If you get in the worst way, I'm gonna say

600
00:29:20,640 --> 00:29:21,480
Speaker 5: your song.

601
00:29:23,440 --> 00:29:26,720
Speaker 4: I would stam it. I'm actually feeling a lot better today.

602
00:29:27,280 --> 00:29:29,360
Speaker 3: No one can see this, but I'm standing and I

603
00:29:29,440 --> 00:29:31,120
Speaker 3: think the thoughts are coming into my head a lot

604
00:29:31,160 --> 00:29:32,000
Speaker 3: better than yesterday.

605
00:29:32,040 --> 00:29:32,960
Speaker 4: So bring it on in.

606
00:29:33,440 --> 00:29:34,800
Speaker 6: Give me your best thought right now.

607
00:29:35,520 --> 00:29:37,400
Speaker 4: Okay, sheep, are they happy?

608
00:29:38,400 --> 00:29:40,120
Speaker 3: Yeah, that's just the sort of thing that's swimming around

609
00:29:40,160 --> 00:29:42,800
Speaker 3: my mind right now, the philosophical thoughts that are swimming.

610
00:29:42,520 --> 00:29:45,560
Speaker 4: Around my mind. Haley, you're challenging me on a bad

611
00:29:45,640 --> 00:29:49,840
Speaker 4: day because I'm on. You're a huge Pink fan, Yes,

612
00:29:49,960 --> 00:29:53,560
Speaker 4: I am, Hi guy, Hie. How long you've been a

613
00:29:53,640 --> 00:29:54,479
Speaker 4: fan for Hales?

614
00:29:55,360 --> 00:29:55,520
Speaker 2: Oh?

615
00:29:55,800 --> 00:29:58,880
Speaker 15: Since I was like thirteen or fourteen, when I even

616
00:29:58,960 --> 00:29:59,800
Speaker 15: died my hair pink.

617
00:30:00,000 --> 00:30:00,240
Speaker 7: Wow.

618
00:30:00,640 --> 00:30:00,840
Speaker 4: Wow.

619
00:30:02,000 --> 00:30:04,160
Speaker 2: We found out before that she had a hit in

620
00:30:04,320 --> 00:30:06,520
Speaker 2: like two well, her first song was in like two thousand.

621
00:30:06,920 --> 00:30:07,800
Speaker 6: That was her first single.

622
00:30:07,920 --> 00:30:08,320
Speaker 4: Yeah.

623
00:30:08,400 --> 00:30:10,400
Speaker 2: Yeah, she's been doing music longer than Junior Breuzes and

624
00:30:10,400 --> 00:30:11,280
Speaker 2: Analys has been alive.

625
00:30:11,440 --> 00:30:12,960
Speaker 4: Wow, extraordinary.

626
00:30:13,960 --> 00:30:16,719
Speaker 2: And he's got the record for the number of shows

627
00:30:16,800 --> 00:30:21,240
Speaker 2: sold out stadium stadium wise in Australia. Pretty amazing. So

628
00:30:21,320 --> 00:30:24,920
Speaker 2: she's doing another stadium tour here. Very exciting summer Carnival

629
00:30:24,960 --> 00:30:28,120
Speaker 2: tour double passed. Hayley's registered with him you dot com

630
00:30:28,240 --> 00:30:30,440
Speaker 2: along with thousands of other people that want these tickets.

631
00:30:30,440 --> 00:30:33,440
Speaker 2: Would they are hot property to get your hands on

632
00:30:33,520 --> 00:30:35,600
Speaker 2: at those hails. You've got to beat woods at Woody Wales.

633
00:30:36,120 --> 00:30:36,800
Speaker 2: Are you ready to go?

634
00:30:38,080 --> 00:30:42,880
Speaker 4: I'm ready to go. Let's get its first first song? Yeap,

635
00:30:44,200 --> 00:30:54,240
Speaker 4: never gonna dance again here, I've got never gone das again.

636
00:30:54,960 --> 00:31:05,160
Speaker 4: I'm never gone das again. Even got pretty good?

637
00:31:05,520 --> 00:31:05,960
Speaker 9: I got it.

638
00:31:08,160 --> 00:31:08,600
Speaker 4: I'll check.

639
00:31:09,440 --> 00:31:10,800
Speaker 2: Do you want the full doing a lot of line

640
00:31:10,800 --> 00:31:12,120
Speaker 2: out of him? We're happy with what he got there.

641
00:31:12,160 --> 00:31:13,400
Speaker 2: I think we're pretty happy with what you've got.

642
00:31:13,600 --> 00:31:16,640
Speaker 4: Two lines. I think I'm happy with what you got there.

643
00:31:16,720 --> 00:31:23,200
Speaker 4: Poo pants. You can highly do a line beyond. Oh, Hailey,

644
00:31:24,560 --> 00:31:25,080
Speaker 4: sure can.

645
00:31:31,400 --> 00:31:35,920
Speaker 15: I'm never going to that dance again. I'm never going

646
00:31:36,000 --> 00:31:40,200
Speaker 15: to that dance again. Oh I just want to popping

647
00:31:40,320 --> 00:31:41,440
Speaker 15: lock to my records.

648
00:31:41,920 --> 00:31:48,600
Speaker 4: They go all of my clothes, popping and locking.

649
00:31:49,760 --> 00:31:51,960
Speaker 6: You're never gonna pop in lock to my records.

650
00:31:58,480 --> 00:31:59,680
Speaker 4: Take off all of my clothes.

651
00:32:00,080 --> 00:32:01,960
Speaker 2: Good, there go all of my clothes. Yeah, she's trying

652
00:32:01,960 --> 00:32:04,200
Speaker 2: to close off and she's dancing. Yeah, it's cool, It

653
00:32:04,320 --> 00:32:06,680
Speaker 2: is cool. What's not cool is the double negative in

654
00:32:06,760 --> 00:32:09,320
Speaker 2: that song. And I don't know how many people thats me,

655
00:32:09,480 --> 00:32:11,760
Speaker 2: but like that, that wakes.

656
00:32:11,520 --> 00:32:14,520
Speaker 6: Me up at night in a cold sweat. I'm just

657
00:32:14,800 --> 00:32:17,040
Speaker 6: you just say yeah away.

658
00:32:17,080 --> 00:32:18,840
Speaker 3: It wouldn't work for you said I'm never gonna dance again.

659
00:32:18,960 --> 00:32:20,600
Speaker 3: I'm never gonna I'm gonna ask.

660
00:32:21,200 --> 00:32:23,320
Speaker 6: No, no, but you could say I'm gonna dance again.

661
00:32:23,560 --> 00:32:23,760
Speaker 9: Yeah.

662
00:32:23,840 --> 00:32:24,080
Speaker 16: True.

663
00:32:24,560 --> 00:32:25,600
Speaker 6: Anyway, it's a.

664
00:32:25,600 --> 00:32:27,600
Speaker 4: Successful song though, you know, you know it's doing very well.

665
00:32:27,600 --> 00:32:29,840
Speaker 2: All right, Hailey, next one here, best of three, you've

666
00:32:29,840 --> 00:32:31,920
Speaker 2: already got one. If you get to too, your.

667
00:32:31,880 --> 00:32:33,960
Speaker 6: Take woods out. You're got a double past to go

668
00:32:34,080 --> 00:32:34,800
Speaker 6: and see pink.

669
00:32:35,480 --> 00:32:36,120
Speaker 4: We're gonna play.

670
00:32:36,400 --> 00:32:37,440
Speaker 6: Get this party started.

671
00:32:37,560 --> 00:32:46,920
Speaker 3: Oh yeah, I'm coming up so much better, get this

672
00:32:47,080 --> 00:32:53,120
Speaker 3: party started. I'm coming up, on coming, I'm coming up. Sorry,

673
00:32:53,160 --> 00:32:55,160
Speaker 3: you're better get this party started.

674
00:32:55,960 --> 00:32:57,640
Speaker 1: At this party start.

675
00:33:00,520 --> 00:33:01,400
Speaker 11: Alrighty what?

676
00:33:01,640 --> 00:33:02,240
Speaker 4: Oh baby?

677
00:33:02,600 --> 00:33:05,800
Speaker 2: Okay, all right, we're gonna move straight to the third

678
00:33:05,880 --> 00:33:07,240
Speaker 2: song because we've just got that one.

679
00:33:07,320 --> 00:33:10,040
Speaker 4: It's a best of three, it's one apiece. You're nervous, highly.

680
00:33:11,400 --> 00:33:13,400
Speaker 13: I'm nervous, but I'm ready for these.

681
00:33:14,760 --> 00:33:18,440
Speaker 4: Megan. Yeah, the game, the works, why it works? Here

682
00:33:18,480 --> 00:33:25,640
Speaker 4: we go? Who knew I was down? I'll be lost

683
00:33:27,200 --> 00:33:29,840
Speaker 4: in a field with no jee.

684
00:33:31,920 --> 00:33:33,400
Speaker 5: Where is my house?

685
00:33:40,320 --> 00:33:42,120
Speaker 4: Highly for a double pasta pink?

686
00:33:43,120 --> 00:33:43,880
Speaker 15: Here we are.

687
00:33:47,480 --> 00:33:56,120
Speaker 13: Now you'd belong go stand up and punch them because

688
00:33:56,160 --> 00:34:03,160
Speaker 13: they're all wrong. I know better because you said forever

689
00:34:04,200 --> 00:34:04,760
Speaker 13: and ever?

690
00:34:06,000 --> 00:34:06,640
Speaker 7: Who knew?

691
00:34:07,240 --> 00:34:11,319
Speaker 9: Not right?

692
00:34:11,440 --> 00:34:11,680
Speaker 8: Work?

693
00:34:11,840 --> 00:34:12,680
Speaker 4: Great stuff?

694
00:34:12,840 --> 00:34:15,040
Speaker 2: Double pass to go and see Pink is all part

695
00:34:15,120 --> 00:34:19,120
Speaker 2: of her summer Carnival tour Australia Fever March twenty twenty

696
00:34:19,160 --> 00:34:21,560
Speaker 2: four second shows out of tickets on sale now head

697
00:34:21,560 --> 00:34:24,640
Speaker 2: tolive Nation dot com dot au. That's coming back tomorrow.

698
00:34:24,680 --> 00:34:26,879
Speaker 2: I got a bit woods at the pink tickets. Pink

699
00:34:26,960 --> 00:34:29,760
Speaker 2: songs to get pink tickets. Woody Whales back tomorrow.

700
00:34:30,080 --> 00:34:31,440
Speaker 12: More will and Woody Goodness.

701
00:34:31,840 --> 00:34:36,879
Speaker 4: After this it's the Women Woody podcast. Woods. Let's talk

702
00:34:36,880 --> 00:34:38,080
Speaker 4: a little b about what happened yesterday.

703
00:34:38,400 --> 00:34:41,120
Speaker 2: We were talking about feedback you'd love to give to

704
00:34:41,160 --> 00:34:43,120
Speaker 2: the last person you slept with, last person I slept

705
00:34:43,160 --> 00:34:45,279
Speaker 2: with resort of my partner, sem So, I said. The

706
00:34:45,320 --> 00:34:47,320
Speaker 2: feedback I would give her is please don't bring the

707
00:34:47,360 --> 00:34:48,960
Speaker 2: baby monitor into the room.

708
00:34:49,560 --> 00:34:55,000
Speaker 4: Yeah, and misinterpreted. The last person that I slept with

709
00:34:55,160 --> 00:34:56,000
Speaker 4: was my partner Sem.

710
00:34:56,160 --> 00:34:58,040
Speaker 2: Yes, if I was going to give her any feedback,

711
00:34:58,200 --> 00:35:00,440
Speaker 2: don't bring the baby monitor into the bendroom.

712
00:35:00,480 --> 00:35:02,480
Speaker 4: Did it go off? Yeah? Did you watch it back?

713
00:35:02,760 --> 00:35:02,800
Speaker 2: What?

714
00:35:03,400 --> 00:35:06,800
Speaker 4: Watch what back? The monitor? What do you mean was

715
00:35:06,800 --> 00:35:07,400
Speaker 4: a video on you?

716
00:35:07,520 --> 00:35:07,560
Speaker 9: No?

717
00:35:07,640 --> 00:35:10,640
Speaker 4: It doesn't. What what are you talking talking about baby monitors?

718
00:35:10,680 --> 00:35:19,720
Speaker 4: The video? I'm talking about monitoring us. Sorry, that happens.

719
00:35:21,320 --> 00:35:23,680
Speaker 6: What you film yourself on the same video camera you

720
00:35:23,760 --> 00:35:24,520
Speaker 6: film your child on.

721
00:35:24,680 --> 00:35:28,040
Speaker 4: It's not intentional, and don't involve the child. It's a camera.

722
00:35:28,120 --> 00:35:30,080
Speaker 6: How can I not involve the child? It's got a

723
00:35:30,160 --> 00:35:33,600
Speaker 6: baby monitor. You have a baby. You filmed yourself in

724
00:35:33,680 --> 00:35:35,320
Speaker 6: the same camera that you film her on.

725
00:35:35,480 --> 00:35:37,320
Speaker 4: At the end of the day, did you wash the

726
00:35:37,400 --> 00:35:40,920
Speaker 4: camera afterwards? No, it doesn't affect the camera. At the

727
00:35:41,000 --> 00:35:44,840
Speaker 4: end of the day. You just get a camcorder a

728
00:35:45,080 --> 00:35:47,120
Speaker 4: camera for the baby. I didn't camory for me and

729
00:35:47,239 --> 00:35:50,280
Speaker 4: mem I didn't sure i'd have them separate. I didn't

730
00:35:50,320 --> 00:35:53,480
Speaker 4: intentionally film What are you are you gonna tell?

731
00:35:54,360 --> 00:35:54,400
Speaker 2: No?

732
00:35:54,840 --> 00:35:57,919
Speaker 4: Why would I I'll give it you on a twenty

733
00:35:57,960 --> 00:36:00,880
Speaker 4: first A little surprise. It's not it's not.

734
00:36:02,480 --> 00:36:06,359
Speaker 2: Used to film themselves on your baby. I know, Well,

735
00:36:06,400 --> 00:36:07,880
Speaker 2: then how did it happen? I can explain it to

736
00:36:07,920 --> 00:36:09,719
Speaker 2: me what you obviously watched yourself back?

737
00:36:09,760 --> 00:36:12,680
Speaker 4: Okay, let me explain. So you asked me, you said,

738
00:36:12,719 --> 00:36:14,839
Speaker 4: did you watch it back, which means that you watched

739
00:36:14,880 --> 00:36:17,520
Speaker 4: it back? Yes, I did. But let me explain. Let

740
00:36:17,600 --> 00:36:21,920
Speaker 4: me let me explain. Wow, did you get it to

741
00:36:21,960 --> 00:36:22,520
Speaker 4: call your daddy?

742
00:36:22,640 --> 00:36:25,680
Speaker 3: Hang on, hang on, let me explain how how it

743
00:36:25,760 --> 00:36:28,680
Speaker 3: came about. So we're both putting Remy, my beautiful daughter,

744
00:36:28,760 --> 00:36:31,040
Speaker 3: to bed. Okay, we're doing that together. We're settling her

745
00:36:31,080 --> 00:36:32,600
Speaker 3: put in a sleep, reading some stories, et cetera.

746
00:36:33,120 --> 00:36:34,880
Speaker 4: Is there flirting going on at this stage? A little bit?

747
00:36:35,040 --> 00:36:35,959
Speaker 4: Oh my god.

748
00:36:36,160 --> 00:36:37,640
Speaker 3: When I was telling the story, I was like, but

749
00:36:37,800 --> 00:36:41,200
Speaker 3: then the prince was finding the princess very sexy or

750
00:36:41,280 --> 00:36:43,600
Speaker 3: you know, like classic wording.

751
00:36:44,800 --> 00:36:46,640
Speaker 4: Any so that's going on, and like we're doing like

752
00:36:46,680 --> 00:36:47,640
Speaker 4: little kissies and whatever.

753
00:36:48,200 --> 00:36:53,480
Speaker 3: At this point, mim was, well, she was topless because

754
00:36:53,880 --> 00:36:57,320
Speaker 3: as in like she's breastfeeding, the breasts were out, the

755
00:36:57,400 --> 00:36:58,760
Speaker 3: breast were in the wild.

756
00:36:59,160 --> 00:37:01,400
Speaker 4: So for me, I'm a bit immature.

757
00:37:01,400 --> 00:37:03,680
Speaker 3: And that's still despite the fact that my partner has

758
00:37:03,760 --> 00:37:05,759
Speaker 3: never been breastfeeding for five months. That still excites me.

759
00:37:06,120 --> 00:37:07,960
Speaker 3: So a little bit of flirting, a little bit of

760
00:37:07,960 --> 00:37:11,680
Speaker 3: smoochin's going on. And then so Remy was pretty remy asleep,

761
00:37:11,800 --> 00:37:13,160
Speaker 3: gone out like a light.

762
00:37:13,360 --> 00:37:16,239
Speaker 4: But then you know, you tossed her into the cot

763
00:37:17,080 --> 00:37:18,160
Speaker 4: like you've forgotten.

764
00:37:21,520 --> 00:37:23,279
Speaker 3: She was being settled in the cot and then she

765
00:37:23,360 --> 00:37:24,800
Speaker 3: fell asp and I noticed that and I was like,

766
00:37:24,920 --> 00:37:28,400
Speaker 3: oh wolla, and then we just we just kissed, was

767
00:37:28,440 --> 00:37:31,360
Speaker 3: like a like like full on kissing, and then it

768
00:37:31,480 --> 00:37:34,320
Speaker 3: was like quiet. I thought it was pretty hot anyway,

769
00:37:35,560 --> 00:37:35,960
Speaker 3: but there was.

770
00:37:36,040 --> 00:37:39,200
Speaker 4: How far away as your sleeping baby from you? Less

771
00:37:39,200 --> 00:37:41,520
Speaker 4: than a meter Jesus. But we didn't fully go for

772
00:37:41,600 --> 00:37:43,200
Speaker 4: it with nothing like fully happy. It was just like

773
00:37:43,280 --> 00:37:46,840
Speaker 4: a really passionate internet kiss, okay, with a couple of touches.

774
00:37:47,080 --> 00:37:52,400
Speaker 3: Anyway, Afterwards, afterwards, I was like that was I was

775
00:37:52,480 --> 00:37:54,000
Speaker 3: talking to Mim on the counch after I was like,

776
00:37:54,080 --> 00:37:56,399
Speaker 3: that was like kinda like hot.

777
00:37:57,040 --> 00:37:59,799
Speaker 4: And then we both together were like, oh my god,

778
00:38:00,640 --> 00:38:05,080
Speaker 4: the camera probably got it. Do you do you want to?

779
00:38:05,880 --> 00:38:09,359
Speaker 3: I don't watch that bag And I was like, yeah,

780
00:38:09,800 --> 00:38:12,239
Speaker 3: bloody oath, I do, and yeah it was kind of cool,

781
00:38:12,840 --> 00:38:14,360
Speaker 3: and you know what, baby monitor's like it's all in

782
00:38:14,440 --> 00:38:14,920
Speaker 3: like black and white.

783
00:38:14,960 --> 00:38:18,839
Speaker 4: So it's like you're watching paranormal activity. It's like you're

784
00:38:18,840 --> 00:38:23,960
Speaker 4: watching paranormal activity, but like sexy, sexy. It's like sexy.

785
00:38:24,320 --> 00:38:26,600
Speaker 4: It's like it's like if paranormal activity did a parody,

786
00:38:26,640 --> 00:38:30,440
Speaker 4: which was a porno, it was parapornal activity. Yeah, and

787
00:38:30,520 --> 00:38:36,120
Speaker 4: it was in the shot. Oh my god, do you

788
00:38:36,320 --> 00:38:42,719
Speaker 4: rewatch was in the shot? Of course, it's like a

789
00:38:42,800 --> 00:38:45,040
Speaker 4: it's like a fishbowl camera, you catch with everything. He's

790
00:38:45,200 --> 00:38:48,759
Speaker 4: so crook. I want to know. I want to know

791
00:38:48,840 --> 00:38:53,640
Speaker 4: if anybody else, please, has been in this situation. Surely

792
00:38:53,920 --> 00:38:54,279
Speaker 4: did you.

793
00:38:55,920 --> 00:38:57,839
Speaker 2: Have you been in a situation where the baby camera

794
00:38:58,000 --> 00:39:00,680
Speaker 2: picked up that sort of activity? Did you have parapornal

795
00:39:00,719 --> 00:39:02,400
Speaker 2: activity on your own baby camera.

796
00:39:02,239 --> 00:39:04,080
Speaker 4: And the baby doesn't have to be there? Maybe you're

797
00:39:04,120 --> 00:39:07,480
Speaker 4: not as fall on as me, and surely this has happened.

798
00:39:07,600 --> 00:39:09,120
Speaker 4: I must have happened.

799
00:39:09,160 --> 00:39:12,920
Speaker 6: Please, yesterday on the show, would let the cat out

800
00:39:12,920 --> 00:39:13,239
Speaker 6: of the bag.

801
00:39:13,960 --> 00:39:16,440
Speaker 2: Last person that I slept with was my partner, sim Yes,

802
00:39:16,560 --> 00:39:18,560
Speaker 2: if I was going to give her any feedback, don't

803
00:39:18,640 --> 00:39:20,560
Speaker 2: bring the baby monitor into the bedroom.

804
00:39:20,640 --> 00:39:22,640
Speaker 4: Did it go off? Yeah? Did you watch it back?

805
00:39:22,920 --> 00:39:22,960
Speaker 2: What?

806
00:39:23,560 --> 00:39:23,840
Speaker 6: Watch what?

807
00:39:24,080 --> 00:39:27,319
Speaker 4: Back the monitor. What do you mean was it video

808
00:39:27,400 --> 00:39:29,560
Speaker 4: on you? No, it doesn't. What what are you talking

809
00:39:29,800 --> 00:39:39,640
Speaker 4: talking about baby monitors? The video I'm talking about monitoring us. Sorry, totally,

810
00:39:41,480 --> 00:39:42,759
Speaker 4: I'm sorry.

811
00:39:42,840 --> 00:39:44,960
Speaker 3: I can't be the only one, the only person in

812
00:39:45,040 --> 00:39:48,680
Speaker 3: Australia who's been caught doing something on the baby monitor.

813
00:39:48,760 --> 00:39:51,200
Speaker 2: You do realize, can I just say so thirty one

814
00:39:51,280 --> 00:39:52,719
Speaker 2: six five if you've got a story about this, But

815
00:39:52,840 --> 00:39:56,800
Speaker 2: you do realize that you're suggesting, given where the baby

816
00:39:56,880 --> 00:40:01,720
Speaker 2: monitors positioned, that other people get frisky on their.

817
00:40:01,680 --> 00:40:04,920
Speaker 4: Kids cut not necessarily, Well that's what you did. No,

818
00:40:05,120 --> 00:40:06,080
Speaker 4: I didn't do it on the cost.

819
00:40:06,480 --> 00:40:11,560
Speaker 3: It's well, it's it's a semi bottle of the cough

820
00:40:12,600 --> 00:40:14,840
Speaker 3: these cameras have. It's a fish bowl lens, so it

821
00:40:14,960 --> 00:40:17,120
Speaker 3: gets quite wide. You get a lot of floor space.

822
00:40:17,239 --> 00:40:20,040
Speaker 3: So what I am suggesting is that some parents out

823
00:40:20,080 --> 00:40:20,719
Speaker 3: there have got.

824
00:40:20,640 --> 00:40:23,160
Speaker 4: A little bit frisky in the nursery there. Never know

825
00:40:23,280 --> 00:40:25,759
Speaker 4: when it strikes you will just take it out. How

826
00:40:25,840 --> 00:40:27,319
Speaker 4: old are you? Because you get.

827
00:40:27,320 --> 00:40:30,360
Speaker 3: Caught up in the throes of emotion and surely I

828
00:40:30,440 --> 00:40:33,320
Speaker 3: know she's called. Surely someone else has done this.

829
00:40:34,320 --> 00:40:36,280
Speaker 6: Hey, your mom caught something on the baby monitor?

830
00:40:37,239 --> 00:40:38,920
Speaker 7: Oh yes, embarrassing moment.

831
00:40:39,719 --> 00:40:40,200
Speaker 5: What happened?

832
00:40:41,680 --> 00:40:43,040
Speaker 7: So it just kind of like you on me and

833
00:40:43,080 --> 00:40:45,400
Speaker 7: my partner. It's kind of the first time parents, so like, no,

834
00:40:45,640 --> 00:40:49,000
Speaker 7: we couldn't have much intimacy. So my mom was there

835
00:40:49,239 --> 00:40:51,400
Speaker 7: and like you know, I just handled my son and

836
00:40:51,600 --> 00:40:54,600
Speaker 7: like she was putting him to sleep in my mask room.

837
00:40:55,480 --> 00:40:57,759
Speaker 7: So we sort of like, okay, this is a time,

838
00:40:57,840 --> 00:40:59,920
Speaker 7: like you know, we could just have some time tell

839
00:41:00,080 --> 00:41:03,600
Speaker 7: of her in my baby's room. That sons true. And

840
00:41:03,719 --> 00:41:07,480
Speaker 7: then we forgot the maybe monitor in the master bedroom.

841
00:41:07,920 --> 00:41:10,680
Speaker 4: Oh oh, what did she hear?

842
00:41:10,880 --> 00:41:14,200
Speaker 7: So uh kind of like you know, kind of a.

843
00:41:14,239 --> 00:41:18,080
Speaker 4: Startup, startup, sorry, yeah, kind of.

844
00:41:18,239 --> 00:41:22,520
Speaker 7: Like startup slowly smooching, kissing like you know, kind of yeah,

845
00:41:22,640 --> 00:41:26,160
Speaker 7: and then like you know, probably kind of unbuttoning.

846
00:41:27,560 --> 00:41:30,680
Speaker 4: The pants. My god. Yeah, So when so when did

847
00:41:30,719 --> 00:41:31,000
Speaker 4: you When?

848
00:41:31,280 --> 00:41:33,920
Speaker 3: When did you realize the pants are coming out? When

849
00:41:33,960 --> 00:41:35,960
Speaker 3: did we get in the kissing? It's the starting up,

850
00:41:36,000 --> 00:41:37,839
Speaker 3: as you refer to it. When when did you stop?

851
00:41:37,920 --> 00:41:39,880
Speaker 3: When did you realize that your mom could say slash

852
00:41:39,960 --> 00:41:40,440
Speaker 3: hear everything?

853
00:41:41,840 --> 00:41:45,080
Speaker 7: When the ball I will camera started a move because

854
00:41:45,120 --> 00:41:46,800
Speaker 7: it's kind of white, it gets.

855
00:41:48,280 --> 00:41:50,600
Speaker 4: What are you in the camera? Someone's noise.

856
00:41:53,000 --> 00:41:54,719
Speaker 10: Oh t.

857
00:41:58,239 --> 00:42:01,200
Speaker 4: So then you realized in that moment your mom was watching.

858
00:42:02,160 --> 00:42:04,560
Speaker 7: Yes, and then like even my mom started to knock

859
00:42:04,600 --> 00:42:07,200
Speaker 7: the door, and then I was really like it's too

860
00:42:07,280 --> 00:42:10,200
Speaker 7: hard to open the door to face her, and like, yeah,

861
00:42:10,400 --> 00:42:10,920
Speaker 7: you don't.

862
00:42:10,719 --> 00:42:13,040
Speaker 4: Want to have that chat, right, So you didn't face her?

863
00:42:13,239 --> 00:42:15,719
Speaker 4: You didn't You didn't speak to her about it at all.

864
00:42:17,360 --> 00:42:20,200
Speaker 7: No, because it's kind of more embarrassing even though my

865
00:42:20,320 --> 00:42:23,160
Speaker 7: partner couldn't let you know, see her face, like, yeah,

866
00:42:23,560 --> 00:42:24,480
Speaker 7: it's awkward.

867
00:42:24,680 --> 00:42:26,640
Speaker 4: Have you spoken about it? Have you spoken about it?

868
00:42:26,719 --> 00:42:26,959
Speaker 6: Since?

869
00:42:28,400 --> 00:42:31,480
Speaker 7: I'm not really because you know, lift it under the table.

870
00:42:32,120 --> 00:42:34,839
Speaker 4: Oh god, We've got to have that conversation on this show.

871
00:42:35,160 --> 00:42:35,880
Speaker 6: That would be great.

872
00:42:36,000 --> 00:42:36,600
Speaker 4: Would you? Would you?

873
00:42:36,640 --> 00:42:38,600
Speaker 3: Would you call your mom and just go like, hey, mom,

874
00:42:38,640 --> 00:42:40,440
Speaker 3: we need to talk about the Babby monitor incident.

875
00:42:41,360 --> 00:42:47,120
Speaker 4: No, who would you want to make that go?

876
00:42:47,320 --> 00:42:47,799
Speaker 9: Fair enough?

877
00:42:48,880 --> 00:42:52,960
Speaker 4: We'll saving you do it next week. That is intense.

878
00:42:53,440 --> 00:42:55,960
Speaker 4: So the camera follows you? Yeah? Did you enjoy that

879
00:42:56,040 --> 00:42:56,960
Speaker 4: the camera was following you?

880
00:42:57,120 --> 00:42:57,160
Speaker 5: No?

881
00:42:57,320 --> 00:42:59,399
Speaker 3: No, no, To be honest, we were well, as you said,

882
00:42:59,400 --> 00:43:01,040
Speaker 3: we were a buffing the cut so the camera didn't

883
00:43:01,040 --> 00:43:01,960
Speaker 3: need to move too much.

884
00:43:02,880 --> 00:43:04,680
Speaker 4: I'm sounding sick, damn.

885
00:43:04,520 --> 00:43:09,759
Speaker 6: It alrighty, so you hit the end of the show here.

886
00:43:15,080 --> 00:43:19,680
Speaker 4: That's that's good to let people know. Professional a lot

887
00:43:19,719 --> 00:43:25,440
Speaker 4: of notes ruining the environment. It's backfight. I mean they

888
00:43:25,440 --> 00:43:27,920
Speaker 4: are my notes, got a quizzy, I've got a pinky thing.

889
00:43:28,400 --> 00:43:30,160
Speaker 4: I don't look at them. But the point is could

890
00:43:30,160 --> 00:43:32,800
Speaker 4: have been I've got notes in front of me. Anyway, dude,

891
00:43:32,920 --> 00:43:35,480
Speaker 4: rue Jude got to talk about it. So yeah, yeah, yeah,

892
00:43:35,719 --> 00:43:39,680
Speaker 4: we're to talk about the fact that I don't know.

893
00:43:39,880 --> 00:43:42,040
Speaker 4: I don't know the first thing about putting on a

894
00:43:42,120 --> 00:43:42,719
Speaker 4: comedy show.

895
00:43:42,960 --> 00:43:45,800
Speaker 6: Well, no, you and I have done comedy shows. We

896
00:43:45,880 --> 00:43:46,640
Speaker 6: did Shout the Perth.

897
00:43:46,680 --> 00:43:47,400
Speaker 4: Thin we didn't.

898
00:43:48,200 --> 00:43:51,960
Speaker 3: Yeah, they were in venue spaces, people with sound equipment,

899
00:43:52,160 --> 00:43:53,920
Speaker 3: with a stage with curtains.

900
00:43:54,120 --> 00:43:55,680
Speaker 4: We're doing it and we don't even know what pub

901
00:43:55,719 --> 00:43:57,520
Speaker 4: we're doing it in. I assume we're doing it in

902
00:43:57,600 --> 00:43:57,879
Speaker 4: a pub.

903
00:43:58,520 --> 00:44:01,000
Speaker 6: Ah, well, I don't know that, either.

904
00:44:01,000 --> 00:44:03,239
Speaker 4: Pub or bowls club. I would say, yeah, they're gonna

905
00:44:03,239 --> 00:44:05,759
Speaker 4: they're gonna have them. You reckon, We've got to have

906
00:44:05,800 --> 00:44:06,839
Speaker 4: a pub. They definitely have a pub.

907
00:44:06,880 --> 00:44:07,480
Speaker 6: They've got a pub.

908
00:44:07,719 --> 00:44:09,279
Speaker 4: So I think we've got to go pub because then

909
00:44:09,320 --> 00:44:11,319
Speaker 4: booze is there. That's how you get people there, right,

910
00:44:11,800 --> 00:44:18,480
Speaker 4: bring through the comedy. Yeah, yeah, I need it will

911
00:44:18,600 --> 00:44:22,160
Speaker 4: yeah speakers do I speakers? Are we going to do

912
00:44:22,200 --> 00:44:27,600
Speaker 4: it on a wireless bows? Honestly about this, does Charlieville

913
00:44:27,600 --> 00:44:31,840
Speaker 4: have a microphone? I just don't know. I don't know.

914
00:44:32,280 --> 00:44:36,560
Speaker 3: No idea, and promote it too because people to go

915
00:44:36,719 --> 00:44:39,080
Speaker 3: because Adelaide friend will only like it if it's like, oh, look.

916
00:44:38,920 --> 00:44:41,440
Speaker 4: She made a crowd. We need, we need to have

917
00:44:41,600 --> 00:44:44,239
Speaker 4: people in the audience. Yet we need to promote it.

918
00:44:44,520 --> 00:44:45,160
Speaker 4: It's next week.

919
00:44:45,760 --> 00:44:46,000
Speaker 9: I mean.

920
00:44:46,040 --> 00:44:48,239
Speaker 6: The other thing we haven't really touched on yet. M

921
00:44:48,360 --> 00:44:50,080
Speaker 6: hmm is like the content.

922
00:44:50,960 --> 00:44:56,799
Speaker 2: Oh yeah, she's going to put a half an hour

923
00:44:56,840 --> 00:44:58,320
Speaker 2: of material on and then we've got to send it

924
00:44:58,440 --> 00:45:03,040
Speaker 2: to Did you hear Penny mackenzie, whoever her name was.

925
00:45:05,160 --> 00:45:07,040
Speaker 4: I actually think Penny was fair enough to be angry.

926
00:45:07,160 --> 00:45:10,400
Speaker 4: I know she's very serious about the festival cry it

927
00:45:10,560 --> 00:45:12,400
Speaker 4: was just American. Yeah, yeah, I know.

928
00:45:12,520 --> 00:45:14,480
Speaker 6: It doesn't make it any better, didn't make it any better.

929
00:45:14,800 --> 00:45:16,040
Speaker 4: I don't think she was that bad. I think we

930
00:45:16,120 --> 00:45:17,680
Speaker 4: were a bit rude going behind her back. To be

931
00:45:18,120 --> 00:45:20,320
Speaker 4: fair to Frank, I think we're just trying to do

932
00:45:20,480 --> 00:45:24,720
Speaker 4: Jude right. Thing by Jude really really wanted to help Jude.

933
00:45:24,960 --> 00:45:28,280
Speaker 3: Yeah, and I think that we probably should have spoken

934
00:45:28,320 --> 00:45:30,839
Speaker 3: to them first. Anyway, she actually said it's an hour.

935
00:45:30,960 --> 00:45:32,560
Speaker 3: She said the Adelaide Friend show is an hour.

936
00:45:32,760 --> 00:45:35,480
Speaker 4: Yeah, we can't do an hour. She cann't do an hour.

937
00:45:35,680 --> 00:45:39,759
Speaker 2: Let's just let's just let's just wind a bank win

938
00:45:40,280 --> 00:45:42,480
Speaker 2: because the music will act because the Adelaide Friend, because

939
00:45:42,520 --> 00:45:46,120
Speaker 2: the Adelaide, Well, we needed to do saying guys, it's

940
00:45:46,120 --> 00:45:50,480
Speaker 2: the John Butler Triode con back.

941
00:45:50,600 --> 00:45:56,200
Speaker 4: Yes, they could do one song, but look, I think

942
00:45:56,320 --> 00:45:59,680
Speaker 4: we need Yeah we did.

943
00:45:59,719 --> 00:45:59,880
Speaker 5: Is that.

944
00:46:00,000 --> 00:46:02,000
Speaker 2: I think we need to start talking to some people

945
00:46:02,160 --> 00:46:05,160
Speaker 2: who have put shows on before. Oh that's a good

946
00:46:05,280 --> 00:46:11,520
Speaker 2: that's a bag for tomorrow. Because the comedian, yeah, get

947
00:46:11,560 --> 00:46:14,520
Speaker 2: her stories. Yeah, and then someone yeah, we know we

948
00:46:14,640 --> 00:46:16,960
Speaker 2: know comedians that can come and help us. Sure, there's

949
00:46:17,000 --> 00:46:19,919
Speaker 2: gonna be Yeah, we need your help. If you guys

950
00:46:19,960 --> 00:46:22,440
Speaker 2: better put a show on before reach out. Hit us up,

951
00:46:22,920 --> 00:46:26,840
Speaker 2: hit us up, just DMUs because we yeah, we're performers.

952
00:46:26,880 --> 00:46:29,120
Speaker 2: We're not back of house and our radio and our team.

953
00:46:30,239 --> 00:46:31,160
Speaker 4: Wow, let's be honest.

954
00:46:32,320 --> 00:46:35,279
Speaker 2: Well they're radio producers, they're not show producers. There's a

955
00:46:35,360 --> 00:46:36,360
Speaker 2: different sort of production.

956
00:46:36,560 --> 00:46:38,239
Speaker 4: Have you guys put on a big show before, like

957
00:46:38,280 --> 00:46:41,480
Speaker 4: a physical big show. We put on five big shows weekly.

958
00:46:41,560 --> 00:46:46,880
Speaker 4: It's called Willem Woody. That's radio. Everything's here. Using to

959
00:46:46,920 --> 00:46:51,319
Speaker 4: turn your computer on. Send a few emails out. Well, right,

960
00:46:51,800 --> 00:46:52,840
Speaker 4: I don't agree with that comment.

961
00:46:52,920 --> 00:46:55,600
Speaker 3: I was with him before, but I'm standing just such

962
00:46:55,640 --> 00:46:57,440
Speaker 3: a coward. You can't say that to them. They do

963
00:46:57,640 --> 00:46:59,840
Speaker 3: very good work. No, I get here early enough to

964
00:46:59,840 --> 00:47:01,640
Speaker 3: say you rock up at three.

965
00:47:03,320 --> 00:47:05,680
Speaker 11: Penny Arcade didn't invite herself onto this show.

966
00:47:05,760 --> 00:47:08,440
Speaker 4: You know, well she may as well know. I probably

967
00:47:08,440 --> 00:47:15,120
Speaker 4: would preferred. You're not organizing, so look, yeah, yeah, there's

968
00:47:15,120 --> 00:47:19,359
Speaker 4: a bitch today. Better get to it. Yeah yeah, yeah.

969
00:47:21,120 --> 00:47:22,480
Speaker 4: Have we made a bad decision?

970
00:47:24,719 --> 00:47:25,720
Speaker 9: No, I don't think.

971
00:47:28,239 --> 00:47:30,239
Speaker 4: God damn it. We're going to charge the next week,

972
00:47:30,280 --> 00:47:30,760
Speaker 4: say tomorrow,