WEBVTT - JULIE GOODWIN - DANCING WITH THE STARS - CHANNEL 7

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. I'mby Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading on today's episode with Julie Goodwin, who

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<v Speaker 1>is one of the latest celebrities to sign up to

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<v Speaker 1>Channel sevens Dancing with the Stars, which starts this Sunday

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<v Speaker 1>night at seven point thirty. Julie Goodwin is an Australian cook, author,

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<v Speaker 1>radio and television presenter. She came to public attention when

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<v Speaker 1>she won the inaugural season of Master Chef Australia back

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<v Speaker 1>in two thousand and nine, defeating artist and now host

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<v Speaker 1>of Master Chef Polling Yao in a nail binding finale

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<v Speaker 1>that I myself has still not gotten over. I think,

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<v Speaker 1>like most of Australia, we love to see Julie succeed

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<v Speaker 1>and watching her time on Dancing with the Stars feels

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<v Speaker 1>like another opportunity.

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<v Speaker 2>For us to see her do well.

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<v Speaker 1>I will talk about why Julie said yes to Dancing

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<v Speaker 1>with the Stars and what her concerns were when contemplating

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<v Speaker 1>doing all of those grueling rehearsals. We will unpack her

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<v Speaker 1>journey in the media industry thus far, why radio wasn't

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<v Speaker 1>for her, and why she is still saying yes to

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<v Speaker 1>new challenges. There is an opportunity to talk to her

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<v Speaker 1>about her last few days on Master Chef back in

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<v Speaker 1>two thousand and nine, and why in her autobiography she

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<v Speaker 1>described it as looking up from underneath the water. We

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<v Speaker 1>will talk about her feelings on the rest of the

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<v Speaker 1>cast and if she was intimidated by some of those

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<v Speaker 1>well known athletes. There's actually so much to talk about

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<v Speaker 1>with Julie, so sit back and relax as we unpack

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<v Speaker 1>the wonderful world of Dancing.

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<v Speaker 2>With the Stars. Hi Julie, Hi Dan, how are you.

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<v Speaker 2>I'm good. I'm good.

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<v Speaker 1>I was like just going back through my chats with

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<v Speaker 1>people over the years, and I'm like, Julie Goodwin, I've

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<v Speaker 1>got to move up the ranks on how many times

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<v Speaker 1>I've chatted to you on the podcast.

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<v Speaker 3>There, he goes, I'm a frequent chat Yeah.

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<v Speaker 2>You're a frequent flyer. I'll send you a show back

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<v Speaker 2>or some merch.

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<v Speaker 1>I was so excited to have the chance to talk

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<v Speaker 1>to today because you know, Julie is such a such

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<v Speaker 1>a joy in everything that we get to see you

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<v Speaker 1>do and I have been in your audience since the

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<v Speaker 1>very first day you were on Mastership.

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<v Speaker 3>Oh, it's been a lovely thing to say thank you.

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<v Speaker 1>You know, I did Breakfast Radio after I did Big Brother,

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<v Speaker 1>and I did that for three years, and I really

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<v Speaker 1>connected with your story the other day where you said

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<v Speaker 1>that you loved it but you would never go back.

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<v Speaker 3>Yeah, it's pretty brutal. To some people. It's their last,

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<v Speaker 3>and if you make it your last, you can sort

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<v Speaker 3>your schedule around it. But it was too brutal for me.

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<v Speaker 3>I needed more sleep.

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<v Speaker 2>I need my sleep.

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<v Speaker 1>I remember it would get to Friday night and my

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<v Speaker 1>partner would finish his working week and would want to

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<v Speaker 1>go out and do something. And I remember just saying

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<v Speaker 1>to him after a few weeks, I said, Friday night,

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<v Speaker 1>I can't do it. It's like I'm underwater, like I felt.

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<v Speaker 1>I'd have one drink sitting at a bar with him

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<v Speaker 1>and I couldn't hear anything. It was like being underwater

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<v Speaker 1>and looking up at him.

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<v Speaker 3>That's a really interesting description. I actually in my biography,

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<v Speaker 3>my book that I just released, I described the last

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<v Speaker 3>three days on Mastership as though I'm underwater. Everything sounds

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<v Speaker 3>like it's underwater. It looks like it's underwater. I felt

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<v Speaker 3>like I was swimming through those days. Yeah, it's an

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<v Speaker 3>interesting one. It's a bit of association, that is, that's

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<v Speaker 3>your brain kind of getting out of your body.

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<v Speaker 2>Absolutely.

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<v Speaker 1>I mean that's made me want to buy your book

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<v Speaker 1>even more so I'll go down to Big Cap here and.

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<v Speaker 2>Took that up after this chat.

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<v Speaker 1>You know, fabulous to be talking to you a head

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<v Speaker 1>of the launch of Dancing with the Stars this Sunday night.

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<v Speaker 1>It's a fantastic lineup of stars and you must have

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<v Speaker 1>been so excited to get that call.

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<v Speaker 3>Look, I was frightened. I'm not a dancer, and my

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<v Speaker 3>head just went this is not possible, but also excited

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<v Speaker 3>and intrigued, and you know, I kind of they kind

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<v Speaker 3>of talked me into a little bit because I said,

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<v Speaker 3>you know, I can't get you go the wrong number. Yeah,

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<v Speaker 3>I'm sorry, I'm sorry, this is a mistake, and they're like, no,

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<v Speaker 3>you'll be fine, and no, seriously, I don't think you

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<v Speaker 3>can hear what I'm saying. I don't caan't have, never, could,

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<v Speaker 3>never dance, and they just saent. You know a lot

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<v Speaker 3>of people say that give it a go, and well,

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<v Speaker 3>you know what, I've had so much richness and joy

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<v Speaker 3>come my way from trying things that are outside my

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<v Speaker 3>comfort zone. Why not, I'm going to give it a go.

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<v Speaker 1>I don't know whether we're operating at different like living

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<v Speaker 1>parallel lives at the same time, but look, when breakfast

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<v Speaker 1>Radio came along, I was like, yep, I'll give this

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<v Speaker 1>a go. And many years ago I got like an

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<v Speaker 1>early call for Dancing with the Stars and I was

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<v Speaker 1>in Ireland actually, so I couldn't do it, but I

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<v Speaker 1>remember seeing immediately I was in my head just toying

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<v Speaker 1>with the idea, and I wondered if I had been there,

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<v Speaker 1>would I have ever been able to get out of

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<v Speaker 1>my head, because it just that to me was so daunting.

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<v Speaker 1>And look in the rock Astadford at school, Julie. They

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<v Speaker 1>gave me a part in it, but they had to

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<v Speaker 1>make me a role that was not one that danced,

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<v Speaker 1>because I had very little dance or rhythm rhythm at all,

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<v Speaker 1>and they only left me with one small thing that

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<v Speaker 1>I had to do, and in the performance I leapt

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<v Speaker 1>over the person I was supposed to leap over and

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<v Speaker 1>fell off the stage.

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<v Speaker 3>I feel that on a cellular level, this is my

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<v Speaker 3>this is my my level of dance exactly. You know,

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<v Speaker 3>I did Joe ballet as a little tacker, and it

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<v Speaker 3>was kind of recommended that I stopped, not.

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<v Speaker 2>To your skill set. And then now you're feels it.

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<v Speaker 1>Yeah, you're now in front of Australia, you know dancing.

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<v Speaker 1>Are you nervous because I mean, you have such a

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<v Speaker 1>strong fan base. I feel as though you could do

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<v Speaker 1>the Chicken dance and everyone will applaud.

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<v Speaker 2>But are you're nervous for your fans to watch you're

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<v Speaker 2>singing dancing?

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<v Speaker 1>It me?

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<v Speaker 3>I floated that idea. Look very nervous. But at the

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<v Speaker 3>same time. The funny thing is then, is that this

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<v Speaker 3>is not what I do for a living. So it's

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<v Speaker 3>different to going back onto mastership, where if I rarely

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<v Speaker 3>screwed this up, that's my career. But if I can't dance,

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<v Speaker 3>then it's just as you were. Nobody saw I could anyway.

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<v Speaker 3>You know, I just thought, the worst thing that can

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<v Speaker 3>happen is that I make a bit of a vindictiveness.

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<v Speaker 3>But in all honesty, it was so much fun. It's

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<v Speaker 3>so much fun, and I just had such an instant

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<v Speaker 3>connection and friendship with my dance partner, and I dared

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<v Speaker 3>all the other celebrities, and the production itself is such

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<v Speaker 3>a joyful, joyful production. But I look, I loved it,

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<v Speaker 3>really very regrets about making that decision. I'm so glad

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<v Speaker 3>I did.

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<v Speaker 2>Had you been asked to do the show before, I

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<v Speaker 2>mean that they'd ever called you up.

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<v Speaker 3>I got the call a very long time ago, not

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<v Speaker 3>long after the master Chef, and my response was, I

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<v Speaker 3>have spent quite enough time working on television for a while.

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<v Speaker 3>That's pretty hard, no, that grandship.

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<v Speaker 1>I always think that you're full of hidden talents. Like

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<v Speaker 1>I remember chatting with you after your last mastership experience,

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<v Speaker 1>and I loved the fact that it was a surprise

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<v Speaker 1>to me that you had an electric I think it's

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<v Speaker 1>an electric guitar. If I remember incorrectly, you had a guitar,

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<v Speaker 1>basic guitar, Julie like not something I saw on my

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<v Speaker 1>bingo card for Julie Goodwin.

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<v Speaker 2>And I loved it. I love it. I love it.

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<v Speaker 2>Do you're just full of all of these hidden secrets?

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<v Speaker 3>Well, I can tell you that the dance secret is

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<v Speaker 3>so well hidden that I don't know I'll find it.

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<v Speaker 1>Okay, Well, that's right. You leave that one in the

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<v Speaker 1>bottom of the drawer, but great stories to be telling

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<v Speaker 1>the grandkids. Hey.

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<v Speaker 3>Absolutely, And I actually with my grandchild now. So I'm

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<v Speaker 3>down at the beach, I'm having a family holiday. My

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<v Speaker 3>whole family's around me, my little baby granddaughter's here, and

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<v Speaker 3>this is living.

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<v Speaker 1>Right absolutely, Oh my god, that is so. I'm so

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<v Speaker 1>glad that I'm on a holiday with Julie Goodwin. That's amazing. Technically,

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<v Speaker 1>how hard are those training sessions though? That's what I

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<v Speaker 1>want to know. I want to know how long were

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<v Speaker 1>you there for? Was it as grueling as you thought

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<v Speaker 1>it was going to be?

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<v Speaker 3>Well? Absolutely it was. So when I first found out

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<v Speaker 3>that I was going to be doing it, I started

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<v Speaker 3>training just on my own, not dance training, just physical

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<v Speaker 3>training because I thought I don't want to be or

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<v Speaker 3>puffed out and embarrassed about being unfit. So I got

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<v Speaker 3>as sit as I possibly could, as strong as I

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<v Speaker 3>possibly could. And then my dance partner came from Singapore

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<v Speaker 3>and he came and lived on the Central Coast for

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<v Speaker 3>months and we for Cony and so he came and

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<v Speaker 3>we were scheduled to dance eight hours a day, five

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<v Speaker 3>days a week, and so, I mean that's hardcore, right,

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<v Speaker 3>It's pretty physical and then he would say to me,

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<v Speaker 3>what have you got on for the weekend and a

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<v Speaker 3>not much. You go good, I will book the studio.

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<v Speaker 3>So it turned out we only had like two days

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<v Speaker 3>off in that first home month, and then you go

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<v Speaker 3>to Sydney and it's when we're not filming, we're dancing,

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<v Speaker 3>we're training. So it is it's an absolute one hundred

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<v Speaker 3>percent commitment of every sea minute of your time and

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<v Speaker 3>then get home and utterly collapse from exhaustion because it's

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<v Speaker 3>really really physically hard core.

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<v Speaker 1>Yeah, that's wild. That's kind of what I thought it

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<v Speaker 1>was going to be like, and that that might be

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<v Speaker 1>a little bit too much time for me.

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<v Speaker 4>Well, you know, you can elect to not commit to

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<v Speaker 4>it like that, but I don't see the point. I

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<v Speaker 4>don't want to do it in a half sort of

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<v Speaker 4>a half way and then think well I could have

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<v Speaker 4>done better.

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<v Speaker 3>If I've tried harder. So I tried the hardest I could,

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<v Speaker 3>and then you know, you walk away with no regrets.

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<v Speaker 1>When you saw the cast, when you saw everyone you

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<v Speaker 1>were going to be dancing alongside, what was your original thoughts, like,

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<v Speaker 1>what were those initial thoughts. Did you have an idea

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<v Speaker 1>on who could and couldn't dance.

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<v Speaker 3>Oh, I had my hysteria when I saw the rest

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<v Speaker 3>of the cast. I mean, you've seen them. We've got

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<v Speaker 3>Olympic athletes, we've got football players, we've got four time

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<v Speaker 3>Gold Lodi winners who performed for a living with all thesebulous,

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<v Speaker 3>dobulous people, and I just thought, my poor dance partner

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<v Speaker 3>like drawing us all out of the hat. And so

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<v Speaker 3>you know, somebody's getting the athlete, and somebody's getting the actress,

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<v Speaker 3>and somebody's getting the tabby, middle aged gramother.

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<v Speaker 2>Julie.

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<v Speaker 1>What I think is amazing about you is is that

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<v Speaker 1>age you have defied, Like you are going out there

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<v Speaker 1>and doing whatever you want when you want it. There's

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<v Speaker 1>so many people out there, Like when I talk to

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<v Speaker 1>my mom, Mom says no to things, and I'm just like, no,

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<v Speaker 1>you need to say yes. And that's what I think

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<v Speaker 1>is really inspiring about you, is that you do say yes,

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<v Speaker 1>and you do put yourself into uncomfortable situations.

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<v Speaker 3>Yeah, well that's sometimes I think it's we've got to

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<v Speaker 3>learn to say no to the things that we should

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<v Speaker 3>say no to, which is too much work, you know,

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<v Speaker 3>too many commitments, too much stuff that brings you down.

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<v Speaker 3>And sometimes I've got to say yes to the things

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<v Speaker 3>that we ought to say yes to. And that can

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<v Speaker 3>be as simple as how that sits up the laptop

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<v Speaker 3>and come for a walk if you And if your

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<v Speaker 3>response to that is no, no, I've got too much

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<v Speaker 3>work to do, maybe just rethink that. Go you know what, Yeah,

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<v Speaker 3>I'm going to do that if you can't, and then

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<v Speaker 3>come back to whatever you have to do.

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<v Speaker 4>Yeah.

0:10:42.920 --> 0:10:44.840
<v Speaker 1>I always think if you can't complain, if you can't

0:10:44.880 --> 0:10:47.000
<v Speaker 1>commit to something, then don't do it. Like I think,

0:10:47.240 --> 0:10:49.040
<v Speaker 1>you've got to be able to say okay, I'm putting

0:10:49.040 --> 0:10:50.640
<v Speaker 1>that site that space aside.

0:10:50.760 --> 0:10:51.600
<v Speaker 2>I wanted to ask you.

0:10:51.520 --> 0:10:54.440
<v Speaker 1>About your reality TV experiences because now you've clocked up

0:10:54.440 --> 0:10:57.520
<v Speaker 1>a few things on your daycard. You've done ie a celebrity,

0:10:57.800 --> 0:11:00.760
<v Speaker 1>You've been on multiple master Chefs, now done Dancing with

0:11:00.800 --> 0:11:03.120
<v Speaker 1>the Stars. I just want to know what's the hardest,

0:11:03.240 --> 0:11:06.800
<v Speaker 1>like in terms of reality TV in Australia, with your experience,

0:11:07.080 --> 0:11:08.200
<v Speaker 1>can you rank them for me?

0:11:09.040 --> 0:11:12.640
<v Speaker 3>Look, for me, the hardest will always be Season one

0:11:12.640 --> 0:11:15.120
<v Speaker 3>of Masterships, just because I had no idea what I

0:11:15.160 --> 0:11:17.920
<v Speaker 3>was getting into. No I, however, and I had no

0:11:18.000 --> 0:11:20.360
<v Speaker 3>idea what I'll get out of it, you know, so

0:11:20.440 --> 0:11:22.199
<v Speaker 3>that's were always set up there in one of the

0:11:22.240 --> 0:11:24.520
<v Speaker 3>hardest things I've ever done in my life. I honest

0:11:24.559 --> 0:11:27.400
<v Speaker 3>already had its physical discomforts, but I found that a

0:11:27.400 --> 0:11:32.520
<v Speaker 3>really joyful experience, and dancing in terms of physical really

0:11:32.760 --> 0:11:35.360
<v Speaker 3>that dancing was the hardest. But you know, I mean

0:11:35.679 --> 0:11:37.920
<v Speaker 3>there's a fear I haven't done yet then, so let's

0:11:37.960 --> 0:11:41.920
<v Speaker 3>see how I go on Buddy Survivor and about it.

0:11:42.720 --> 0:11:46.560
<v Speaker 1>You know, Julie, you and po have really been one

0:11:46.920 --> 0:11:50.320
<v Speaker 1>like a huge television success story between the two of you,

0:11:50.360 --> 0:11:53.559
<v Speaker 1>both have achieved so much. I feel like at this point,

0:11:53.600 --> 0:11:55.720
<v Speaker 1>what is on the vision board? Like, what is it

0:11:55.760 --> 0:11:56.840
<v Speaker 1>that you want to do next?

0:11:56.960 --> 0:12:00.280
<v Speaker 3>You know what? Then, I actually I've arrived a point

0:12:00.320 --> 0:12:03.400
<v Speaker 3>where I was planning to get it. I don't know

0:12:03.440 --> 0:12:05.560
<v Speaker 3>what's around the corner. This is such a it's a

0:12:05.600 --> 0:12:10.400
<v Speaker 3>sickle industry, It's a sickle and unpredictable life. And so

0:12:10.640 --> 0:12:12.800
<v Speaker 3>I am just making sure in each day that I

0:12:13.040 --> 0:12:15.960
<v Speaker 3>building enough stuff that brings me go and keeps me grounded.

0:12:16.120 --> 0:12:19.320
<v Speaker 3>But as those next opportunities, I'll just flit and see

0:12:19.320 --> 0:12:21.600
<v Speaker 3>what MUCKs on my door and deside whether or not

0:12:21.760 --> 0:12:22.560
<v Speaker 3>I'm going to open it.

0:12:22.679 --> 0:12:23.040
<v Speaker 2>I love it.

0:12:23.040 --> 0:12:24.839
<v Speaker 1>It's a good man try to have Well. I'm just

0:12:24.880 --> 0:12:26.800
<v Speaker 1>going to ask you two last questions before you go.

0:12:26.840 --> 0:12:28.400
<v Speaker 1>I feel like the best thing to ask you is

0:12:28.600 --> 0:12:30.640
<v Speaker 1>who's the most competitive person this season?

0:12:30.800 --> 0:12:32.080
<v Speaker 2>Like who should we watch out for in.

0:12:32.160 --> 0:12:35.320
<v Speaker 1>Terms of who is there to win and is like

0:12:35.679 --> 0:12:36.839
<v Speaker 1>there to kill anyone to do it?

0:12:36.920 --> 0:12:40.320
<v Speaker 3>Look, I reckon if you're talking about competitiveness, you can't

0:12:40.360 --> 0:12:42.000
<v Speaker 3>go past neither Peris.

0:12:42.240 --> 0:12:43.000
<v Speaker 4>She's an Olympian.

0:12:43.360 --> 0:12:45.679
<v Speaker 3>She's an Olympian and a politician. So as far as

0:12:45.679 --> 0:12:48.800
<v Speaker 3>competition goes, I reckon her her eyes on the prize.

0:12:48.880 --> 0:12:50.800
<v Speaker 1>I'm looking forward to watching her dance. That's going to

0:12:50.800 --> 0:12:53.960
<v Speaker 1>be very exciting. And then, Julie, every time you've joined

0:12:54.000 --> 0:12:56.240
<v Speaker 1>the podcast, I've asked you this question and you can

0:12:56.240 --> 0:12:58.960
<v Speaker 1>now talk about it in relation to Dancing with the Stars.

0:12:59.200 --> 0:13:01.800
<v Speaker 1>What is something from behind the scenes, something that we

0:13:01.960 --> 0:13:05.280
<v Speaker 1>as an audience may not know from what it's like

0:13:05.320 --> 0:13:06.800
<v Speaker 1>to be on the show. Is there a secret from

0:13:07.080 --> 0:13:08.400
<v Speaker 1>Dancing with the Stars you can share?

0:13:08.640 --> 0:13:12.160
<v Speaker 3>Oh gosh, I would have to say, blew my mind.

0:13:12.160 --> 0:13:16.120
<v Speaker 3>How much time is spent and efforts sent by wardrobe

0:13:16.160 --> 0:13:20.240
<v Speaker 3>and hair and makeup. It is wild, Like the wardrobe

0:13:20.320 --> 0:13:24.240
<v Speaker 3>people came to my place to see me to get

0:13:24.240 --> 0:13:27.440
<v Speaker 3>me all fitted. And you know, these costumes are made,

0:13:27.480 --> 0:13:30.800
<v Speaker 3>I'm stitched into them. They're I'm all cuped in and

0:13:30.880 --> 0:13:33.840
<v Speaker 3>held up and gussied and all that, and there's just

0:13:33.880 --> 0:13:36.800
<v Speaker 3>so much commitment to excellence in those costumes. And then

0:13:37.040 --> 0:13:39.440
<v Speaker 3>you know the hair takes ours and his hair pieces

0:13:39.440 --> 0:13:43.040
<v Speaker 3>and eyelassers, and it is seriously blame orate.

0:13:43.320 --> 0:13:43.440
<v Speaker 4>Well.

0:13:43.480 --> 0:13:45.240
<v Speaker 1>I did enjoy it when I did the Google search

0:13:45.280 --> 0:13:47.440
<v Speaker 1>on you this morning that people were like Julie Goodman

0:13:47.520 --> 0:13:50.800
<v Speaker 1>Sick's and makeover on Dancing with the Stars, And I

0:13:50.920 --> 0:13:52.839
<v Speaker 1>was like, to be honest, I'm like, I think you

0:13:52.920 --> 0:13:54.440
<v Speaker 1>look the same in this photo as you do in

0:13:54.440 --> 0:13:56.120
<v Speaker 1>your press photo for the last Mastership.

0:13:56.160 --> 0:13:59.840
<v Speaker 2>And I was like, I think you're looking good hair makeup.

0:14:00.600 --> 0:14:02.599
<v Speaker 3>Thanks for that, Ben. I don't think benefit was a

0:14:02.640 --> 0:14:05.360
<v Speaker 3>bit of professional help. Can tell you what I have

0:14:05.520 --> 0:14:08.319
<v Speaker 3>said yesterday, I glinched myself on the way out of

0:14:08.360 --> 0:14:10.880
<v Speaker 3>the house to go to the shop and I'm a plug. Beetlejuice,

0:14:11.440 --> 0:14:14.280
<v Speaker 3>Oh my god, Hopefully nobody so agressed me today.

0:14:14.760 --> 0:14:17.400
<v Speaker 1>Did your husband manage to say beetlejuice three times? Maybe

0:14:17.440 --> 0:14:19.280
<v Speaker 1>that's what happened. And maybe that's what it happened.

0:14:20.960 --> 0:14:22.280
<v Speaker 3>Maybe that's what needs to happen.

0:14:23.240 --> 0:14:25.440
<v Speaker 1>You have the best time with your family on your

0:14:25.440 --> 0:14:28.120
<v Speaker 1>holiday today. I will be thinking of you on Sunday

0:14:28.200 --> 0:14:30.960
<v Speaker 1>night as Australia watches you take on the dance floor.

0:14:31.000 --> 0:14:32.880
<v Speaker 2>We are all rooting for you.

0:14:32.960 --> 0:14:35.280
<v Speaker 1>I can tell you that much right now, and I

0:14:36.000 --> 0:14:38.000
<v Speaker 1>just look forward to chatting to you again when it happens.

0:14:38.240 --> 0:14:41.600
<v Speaker 3>Oh, I'm here anytime. I love it so much, Ben,

0:14:41.600 --> 0:14:42.760
<v Speaker 3>I really appreciate it.

0:14:43.080 --> 0:14:45.720
<v Speaker 1>Take care, lovely, see you, Julie.