1 00:00:01,400 --> 00:00:06,080 Speaker 1: And Amanda gam Nation truly Goodwin. Hello, Hello, good morning. 2 00:00:06,440 --> 00:00:08,960 Speaker 1: What a wonderful privilege to be here sitting in this 3 00:00:09,080 --> 00:00:10,719 Speaker 1: seat one of my heroes. 4 00:00:10,760 --> 00:00:13,160 Speaker 2: I have to say, is everything comfortable for you? 5 00:00:13,240 --> 00:00:16,200 Speaker 1: Everything is very comfortable. Thank you good It's nice to 6 00:00:16,239 --> 00:00:18,119 Speaker 1: you to say that about me, Julie. 7 00:00:18,840 --> 00:00:21,320 Speaker 2: I just a gem my Rye by the way, for 8 00:00:21,360 --> 00:00:24,239 Speaker 2: some reason, he's felt the need to step up while 9 00:00:24,239 --> 00:00:25,920 Speaker 2: a man has been away. 10 00:00:26,440 --> 00:00:28,160 Speaker 1: You don't need to know you're not liking my gear. 11 00:00:28,400 --> 00:00:30,440 Speaker 2: I just you know what you're doing gear. 12 00:00:30,480 --> 00:00:33,760 Speaker 1: Now I'm loving you gear. I'm good gear. 13 00:00:33,800 --> 00:00:35,080 Speaker 2: People what they want? 14 00:00:36,159 --> 00:00:38,400 Speaker 1: What is it that people want more of me? 15 00:00:39,960 --> 00:00:44,720 Speaker 2: Said? No one ever back to you, Julie. So master chef. 16 00:00:45,080 --> 00:00:47,919 Speaker 2: Now you're on Dancing with the Stars. You had an injury? 17 00:00:48,159 --> 00:00:48,920 Speaker 2: Was it your calf? 18 00:00:49,080 --> 00:00:49,720 Speaker 1: Yeah? 19 00:00:49,560 --> 00:00:50,400 Speaker 2: Yeah, how's that going? 20 00:00:50,640 --> 00:00:53,959 Speaker 1: Yeah? Good, good good. Filming wrapped up a little while ago. 21 00:00:54,120 --> 00:00:57,240 Speaker 1: But now I got past the calf injury and was 22 00:00:57,280 --> 00:00:59,120 Speaker 1: able to get my dancing shoes back on. 23 00:00:59,400 --> 00:01:02,640 Speaker 2: Yeah, there was. Because Hayden Quinn got ousted on Sunday night. 24 00:01:03,000 --> 00:01:04,520 Speaker 2: Didn't people blow up about that? 25 00:01:04,840 --> 00:01:07,679 Speaker 1: I know? Controversial? It was. It was controversial. That was 26 00:01:07,680 --> 00:01:09,240 Speaker 1: all down to the studio audience. 27 00:01:09,560 --> 00:01:13,000 Speaker 2: Yeah, because it's all pre recorded. Now, back in my day, 28 00:01:13,480 --> 00:01:16,240 Speaker 2: like one of those old guys, we did it, we 29 00:01:16,240 --> 00:01:16,880 Speaker 2: did it live. 30 00:01:17,120 --> 00:01:20,120 Speaker 1: Yeah, and it was public voted. Wasn't it phoned in? 31 00:01:20,200 --> 00:01:22,560 Speaker 1: But now because it's it's pre record, so it's just 32 00:01:22,600 --> 00:01:23,480 Speaker 1: the studio audience. 33 00:01:23,840 --> 00:01:25,360 Speaker 2: No one convoyed at all. There's not I thought there 34 00:01:25,400 --> 00:01:27,560 Speaker 2: might have been a component where people could vote. 35 00:01:27,600 --> 00:01:31,440 Speaker 1: No, so the judges and then the studio audience, so 36 00:01:31,480 --> 00:01:34,679 Speaker 1: the people literally they're in the building watching get to vote. 37 00:01:34,800 --> 00:01:37,800 Speaker 1: So it's a much smaller sampling of humanity. I've watched 38 00:01:37,800 --> 00:01:39,839 Speaker 1: your dance and you're doing all right with it. Well, 39 00:01:40,640 --> 00:01:43,720 Speaker 1: I never saw that coming. I'm pretty clutzy generally. 40 00:01:43,959 --> 00:01:44,760 Speaker 2: Yeah, it's hard to do. 41 00:01:44,840 --> 00:01:48,240 Speaker 1: That's a lot of maths. There's maths, there's counting, there's 42 00:01:48,640 --> 00:01:51,400 Speaker 1: no coordination and you know, trying not to tread on 43 00:01:51,960 --> 00:01:55,280 Speaker 1: yeah toes and yeah, it's it's harder than it looks. 44 00:01:55,440 --> 00:01:57,760 Speaker 2: Is it something that you would continue when it finishes? 45 00:01:57,840 --> 00:01:59,760 Speaker 2: Is it something you're going to continue like after you 46 00:02:00,160 --> 00:02:03,559 Speaker 2: it naturally? Is it something that it could continue doing? 47 00:02:03,880 --> 00:02:07,320 Speaker 1: Look, i'd like to. I'd like to. I'm still in 48 00:02:07,560 --> 00:02:10,160 Speaker 1: contact with my dance partner and he would very much 49 00:02:10,280 --> 00:02:13,200 Speaker 1: like me to keep learning. So yeah, yeah, I reckon. 50 00:02:13,080 --> 00:02:15,960 Speaker 2: I will, okay. I remember Todd McKenney. He was telling 51 00:02:15,960 --> 00:02:18,480 Speaker 2: me yesterday when I was on the dancing show, because 52 00:02:18,800 --> 00:02:21,440 Speaker 2: I was there for a while, and he said that 53 00:02:21,720 --> 00:02:25,640 Speaker 2: very well. No I don't know why I kept going, 54 00:02:26,080 --> 00:02:28,160 Speaker 2: but he was saying that my dance lessons, if I 55 00:02:28,240 --> 00:02:30,760 Speaker 2: was to pay for that myself, it would have cost 56 00:02:30,800 --> 00:02:34,320 Speaker 2: seventy thousand dollars. That's what it costs to have that 57 00:02:34,360 --> 00:02:35,680 Speaker 2: sort of one on one tuition. 58 00:02:36,160 --> 00:02:39,799 Speaker 1: Well it would It would like we were dancing eight 59 00:02:39,880 --> 00:02:42,280 Speaker 1: hours a day and it was meant to be five 60 00:02:42,360 --> 00:02:45,680 Speaker 1: days a week. But he's very competitive, my my lovely partner, 61 00:02:45,720 --> 00:02:47,480 Speaker 1: and so he'd say, what have you got on for 62 00:02:47,480 --> 00:02:49,320 Speaker 1: the weekend. I'd say, oh, not much. He'd say, I 63 00:02:49,360 --> 00:02:52,080 Speaker 1: will book the studio. I will booked. The will book 64 00:02:52,120 --> 00:02:54,919 Speaker 1: the studio. And so we were going seven days a week. 65 00:02:54,960 --> 00:02:57,200 Speaker 2: But they lie to you as well, those dancing people, 66 00:02:57,240 --> 00:03:01,440 Speaker 2: because when I started, they said, look at most two 67 00:03:01,560 --> 00:03:04,200 Speaker 2: hours a day. And I thought I could learn German 68 00:03:04,240 --> 00:03:06,040 Speaker 2: in two hours a day. Yeah, that's easy. I could 69 00:03:06,040 --> 00:03:08,280 Speaker 2: do that. And then all of a sudden it got. 70 00:03:08,160 --> 00:03:10,840 Speaker 1: All of a sudden, it tits from eight until four. Yeah, 71 00:03:11,240 --> 00:03:12,239 Speaker 1: dropping exhausted. 72 00:03:12,440 --> 00:03:15,040 Speaker 2: One day and I was flying from here to Melbourne. 73 00:03:15,200 --> 00:03:17,280 Speaker 2: I didn't know where I was. I'd finished the radio 74 00:03:17,320 --> 00:03:20,560 Speaker 2: show straight on a plane, get to Melbourne, dance all day, 75 00:03:20,639 --> 00:03:23,160 Speaker 2: dance all day, go do the show that night, then 76 00:03:23,200 --> 00:03:25,480 Speaker 2: do the radio show, and then they'd be ringing it 77 00:03:25,560 --> 00:03:27,200 Speaker 2: where are you? And I said, I've got to go 78 00:03:27,200 --> 00:03:28,960 Speaker 2: to the toilet. And I said we'll hurry up. And 79 00:03:28,960 --> 00:03:30,920 Speaker 2: I said I've got to do a pool and they said, 80 00:03:31,040 --> 00:03:32,720 Speaker 2: there's no time for a pool. 81 00:03:34,400 --> 00:03:37,360 Speaker 1: My husband. You can't just use gravity, use bustles. Get 82 00:03:37,360 --> 00:03:37,840 Speaker 1: it over with